#I still don’t think she’d be as chill as Benjamin so I doubt I’ll attempt it

[sophisticatedswifts]

I asked both of my parents which one of our cats they thought would be most likely to let me do this with them and they both had the same answer so I’ll let you know how it goes if I ever attempt to wear her like a scarf

[buckleyirondad]

2. In The Hands Of The Enemy “Pick Who dies” 

Peter has to choose who to save, Morgan or MJ.

AO3 Link

It was dark.

Michelle couldn’t see a thing, even when she strained her eyes.

She tried not to concentrate on that, or the rapid speed of her heart, instead she curled her arms around Morgan, who was tucked up against her chest, fighting through hiccupped sobs.

The truck took yet another, sudden turn, and Michelle’s shoulder collided with the interior.

She bit down on her lip, hard, ignoring it.

Morgan cried, “Mimi...”

Michelle brushed a hand through her hair, shushing her, “Yeah?”

She sniffled, “Is Petey coming?”

“I think so.”

Morgan sucked in a sharp breath, “I’m scared.”

“I know,” Michelle hushed, “But I’m here, and I’m not gonna leave you.”

It had been a normal day, up until they were snatched and tossed into the back of a truck.

Michelle picked Morgan up from Kindergarten, like every other Friday. She loved doing it, it was calm among the chaos that was her life - with most of her time devoted to exam season, that was hurling towards her, and the constant lingering worry, that came hand-in-hand, with loving a superhero – picking her boyfriend’s little sister up, was somewhat normal.

Then it took the worst possible turn.

They started their usual walk back to Peter’s apartment, hoping he’d be finished picking up groceries for May, by the time they got there, and they could head off together to the Ice Cream Parlour.

Michelle had felt uneasy, halfway through the journey. She’d mindlessly pulled Morgan closer and walked faster.

She didn’t have a sixth sense like Peter, but she did have something he didn’t, and that was common sense.

She’d noticed, in the corner of her eye, two men, on the side of the road – dressed, head-to-toe, in black individual suits. She didn’t want to be labeled as paranoid, but in the movies, that would be a red alarm, and it was.

The general public knew that Morgan existed, but her family never shared photos of her, and she didn’t appear at events.

Pepper dealt with the press, and people snapping the occasional picture. It would get harder when she started school, but for now, they had it under control; the staff, the parents, and even the kids, at her Kindergarten, were incredibly understanding.

Tony and Pepper believed she deserved anonymity, she was too young to understand the downfalls of being in the public eye, but she could decide, what she wanted to do when she was older.

Michelle respected that.

Still, even with all those precautions, Morgan was still a target.

Thinking on her feet, Michelle had diverted, down an alleyway, pulling Morgan along, while scrambling for her phone.

She wasn’t fast enough.

Before she could press her panic button, they were grabbed.

They never even saw the faces of their abductors, it happened, in a flash.

They took her phone.

There was only one thing she could do – protect Morgan.

The truck came to a halt, and voices followed, joined by the unmistakable sound of doors closing.

Morgan shifted, “What’s—” She sounded so young, she didn’t deserve this, “What’s going on?”

“We’ve stopped—”

The doors at the back were thrown open, with heavy hands, the hinges squeaked.

Michelle jerked, cradling Morgan’s head close to her shoulder, shielding her from potential harm, while trying to adjust the bright light beaming in.

A man barked, “Get out.”

Michelle swallowed the lump in her throat, and slowly, slid forward, climbing out onto the solid ground while holding onto Morgan, who intuitively locked her legs around Michelle’s middle.

Michelle looked ahead, trying to paint of picture of where they were.

They were surrounded by abandoned apartments, there were signs, explaining that they were ready for demolition.

“Eyes on me, sweetheart.”

Michelle turned, and as soon as she saw him, her heart leaped, into her throat.

It was Mac Gargan. Weapon smuggler turned murderer.

He was involved in Peter’s infamous ‘ferry mishap’ that Michelle had heard about, a few times.

Also, in the five years when the universe was half empty, he’d managed to escape jail, and he hadn’t been seen since. Tony was looking for him, considering he had an obvious distaste for Spider-Man.

He stood proud, with a smirk, “Hello, hello, hello…” He sang, “Nice to meet you.”

Michelle bit her tongue, staying silent.

She studied him.

Gargan had a long jagged scar that snaked around his eye, which was bloodshot. He laughed humourlessly, motioning to it, “Admiring the view, sweetheart?” He asked, “You’re never gonna guess who’s responsible for this?”

He prodded her forehead, with his finger.

“Your boyfriend.” He howled, “Peter Benjamin Parker.”

Her mouth dropped open, “You—”

He interrupted, “It wasn’t easy finding out.”

She scraped her teeth over her lower lip, “Toomes?”

“Bingo.” He applauded, “It took a while, a few…untraditional techniques, but he caved, in the end.”

He buried his hand, in his pocket, drawing out Michelle’s phone.

He barked an order, “Passcode, now.”

Michelle hesitated.

Gargan’s snapped his fingers and one of his goons stepped forward, a gun raised.

Gargan jerked his thumb in Morgan’s direction, “Passcode or her head?” He shrugged, “Guess you have a preference.”

“1-0-0-8.”

The gun was lowered, and Gargan sneered, “Thank you.” He stepped aside, “I’m gonna give your little boyfriend a call, then we’ll have a catch-up.” He pointed to his guards, “They’ll take you where you need to be.”

Michelle looked at them.

They were emotionless, standing shoulder-to-shoulder, their mouths set in a determined line. Michelle’s eyes hadn’t properly adjusted, to the outside world, but the main difference, she could see, between the pair, was one of a few inches taller than the other.

One of them grabbed her arm, pulling her aside, “This way.”

The other chipped in, “Don’t try anything.”

They were led into one of the buildings and up the staircase. It was, at least, twenty stories high, but Michelle refused to put Morgan down, not for anything.

Her stomach twisted, churning violently, the closer they got to the roof. Stepping out onto it, sent a chill up her spine like she’d stepped over somebody’s grave.

The taller guard, watched them, like a hawk, not letting them out of his sight.

The other was a chatterbox and wouldn’t shut up about how hungry he was.

Gargan stepped through the door, after a while, wearing a valiant smile, “Peter’s on his way.”

Michelle stood straight as she slowed her breathing, “He’ll stop you.”

“Well, darling, he sounded scared shitless, so I doubt it,” Gargan cackled, he dropped her phone and cracked it, under his heel, “He won’t be long.”

He spun around, muttering to his chattering goon, “Take her.”

Michelle shuffled back, “What—”

The man sped over, manhandling Morgan, attempting to drag her out of Michelle’s reach.

“Mimi—” Morgan tripped to keep a grip on Michelle’s shoulders, “Mimi!” 

“No—” Michelle pleaded, “No, Morgan!” The taller man grabbed Michelle’s flailing arms, holding her back, “Let me go! Morgan!”

Morgan kicked and screamed, “Mimi—"

Michelle turned her attention to Gargan, “Look do whatever the fuck you want to me, Gargan!” She yelled, “Just don’t touch her.”

“You’re not making the decisions here, Missus.” He tutted, “I am. If you don’t want accidents to happen, then you’re going to have to listen to me, and so is she.”

Michelle erupted, “She’s five!”

“I don’t care.”

Michelle slowed her breathing, “Morgan—”

Morgan sobbed, “Mimi…”

“Look at me.” She hushed, “You’ve gotta stay still—”

“—I’m scared.”

Michelle stopped fighting the grip around her, “I know, but you’ve got to be super quiet.”

Morgan stilled, “I’ll try.”

“Good.”

“See. That wasn’t too hard.” Gargan nodded, to his men, “You know what to do.”

Morgan was marched over, to the far left of the roof, near the edge.

Michelle was taken the same way, leaving a good, eight meters, between them.

A heavy thump cut through the silence, nearby.

Gargan ran to the edge, peering over, “Oooh...” He twisted, rubbing his palms together, “We’ve got company.”

Michelle bowed her head, “Oh, Peter.”

Peter leaped over, clearly jumping over from the building opposite, he landed, down on his knee.

Gargan brought his hands together, in a singular clap. “10 out of 10 for effort, but the landing was a solid 4 out of ten 10.”

Peter stepped up, with a look, in his eyes, that Michelle had never seen before.

The fury written across his face should have been enough to make Gargan falter, but he stood, strong.

Morgan cried out, “Petey!”

Peter’s eyes widened, “Stop this…” He snarled, in Gargan’s direction.

“No.” Gargan held out a hand, “Backpack now.”  

Peter swung it off, tossing it over.

Gargan caught it, with ease, “And the rest.”

Peter shrugged, “I’ve got nothing else.” His poker face wasn’t half bad, but Michelle knew him too well.

Gargan raised his hand.

Morgan’s shriek tore through Michelle’s head, she turned, “Morgan!”

The guard was dangling Morgan, over the edge.

Unconsciously, Michelle stepped aside, but stopped, when something cold was pressed against her temple.

Peter’s face contorted, “Stop!”

Gargan took out his gun, pointing it in Peter’s direction, “The rest.”

“Okay…” Peter removed his web-shooters, throwing them aside, with shaking hands, “Okay.”

“Good boy.”

The gun, against Michelle’s head, was lowered, and in the corner of her eyes, she watched as Morgan was pulled back.

Morgan’s voice broke, “Petey!”

“It’s okay, M.,” Peter said gently, “I’m here now, everything’s gonna be alright.”

“Oh, don’t lie to her.” Gargan mocked, “That’s just mean. I’ve been waiting for this day.” He kept his gun raised, “I’ve wanted to kill you, for some time, but then, Thanos beat me to it. How envious I was. Now, you’re back, and I get to do it again! I could tear you apart, limb by limb, or perhaps, drown you, on the same route the ferry was that day.”

“I take full responsibility for what happened on the ferry.” Peter threw his hands out, “But this has nothing to do with them!”

“Oh, yes it does.” Gargan took a step closer, “Because, I’ve had time to study you, Peter Parker, and if I’m right, killing you, will never be enough.”

Michelle closed her eyes, she knew exactly where this was heading.

The guard’s arm tightened around her front, and she was dragged up, off the ground, her feet scraped across the surrounding wall.

She couldn’t help but look, at the drop that awaited her.

One firm push and she’d be gone.

Morgan was in the same position, and her panicked screams would haunt Michelle, no matter what happened next.

“No!” Peter shook his head frantically, “Stop this, I’ll do anything!”

Gargan let out a harsh whisper, “Choose.”

Michelle’s eyes were on Peter.

He was acting strong, but it was all a front, inside he was crumbling.

Peter’s voice wavered, “What?”

“Choose which one dies, or both of them will.” Gargan held a hand back, “Your mentor’s daughter or the girl of your dreams.”

“Kill me!” Peter cried, with zero hesitation, “Kill me and be done with it!” Peter’s chest, rose and fell, with rapid breaths, “Please…”

Michelle hated that Peter thought laying down his life was the ‘fix’ to the situation.

Gargan shook his head, “That’s not the decision I gave you.”

Peter thumped his fist off his chest, “Please, I’ll do anything!”

Gargan looked at his watch, “It’s their time you’re wasting.”

Peter lunged forward, pushing Gargan’s chest, “You can’t do this!”

It dawned on Michelle, later than it should have.

Peter wasn’t only fighting, he was stalling.

Michelle had spent months getting to know Peter’s family, and surprisingly, they’d become part of hers too, even Tony Stark.

Of course, they were coming.

A dark thought crossed her mind.

She knew they’d speed over, as fast as possible, but there was a chance, it wouldn’t be enough.

She was being held, off the edge of a roof, with Morgan.

They didn’t have time.

Gargan pushed Peter back, “Both of them?!”

Peter retched, a hand on his stomach, “No!”

“Then pick!”

“Please, please, I’m begging you.” Peter’s throat cracked, “Take me instead, kill me, torture me, I don’t care!”

“You’re keen.” Gargan chuckled, “They must really mean the world to you.”

A pause.

“Choose.”

“—Stop!”

“Choose!”

Michelle coaxed, ignoring the drop below, “Peter—”

Peter ignored her, “Please!”

She tried again, louder, “Peter!”

He darted his eyes over but looked down.

“Peter, look at me.” She begged, “Hey, loser! Look at me, please!”

Tears welled in his eyes, “MJ—"

She softened her voice, “Listen.”

He shook his head.

She calmed her voice, “It’s okay.”

“It’s not—"

“It is.” She nodded slowly, “It has to be.”

Peter tilted his head to his shoulder as a sob tore through him.

“I love you—” She stammered, “More than you know—”

“I—” Peter pressed a hand to his chest, “I love you, too.”

Gargan waved his gun around, “Ah, young love.”

Michelle’s breath caught, “No—"

“Shut up!” Peter clenched his fist, “This is—”

“Peter!” She cut in, “Stop, just—just look at me, nothing else—” She stammered, “Nothing else, just me.”

“MJ—"

“It’s not your fault, any of it.”

Peter’s shoulder slumped, he momentarily looked to the skies, for a miracle, but he looked back to her.

“Let me go—” She managed a weak smile, for him, “Please.”

Peter nodded slowly, his eyes locked onto her.

“So…” Gargan trailed off, “Who will it be?”

Peter muttered, with a cry, “MJ.”

Gargan tapped the back of his ear, “Sorry, I didn’t quite catch that.”

Peter gasped, “Michelle.”

Michelle’s feet raised, off the wall, and before she knew, she was falling – she didn’t expect it, to be so fast.

She never hit the ground.

Strong metallic arms looped around her, “What?” She looked, but there was nothing there, despite being able to feel it.

Tony’s familiar voice spoke up, “Need a lift?”

“Stark?”

The familiar red and gold flared into view, as Tony’s suit became visible, “The one and only.” He flew down, guiding her down onto the sidewalk, he retracted his mask, “You okay?” He asked, resting a hand on her shoulder.

“I think so, how—” She studied, “How did you do that?”

“Retroreflective panels, Harley’s idea.” He said, “Pretty neat.”

“Yeah…”

“Still got a few bugs.” He shrugged, “It works better with planes.”

She stepped forward, throwing herself around him, in a hug.

“Oh!” He curled an arm, around her.

She stepped back, “Sorry—That was—"

“You were thrown off a roof.”

“I was—” She yelped, “Oh, My—They’re gonna—They’re gonna think I’m dead.”

“Not for very much longer.” He pointed, “Rhodey’s got a clear shot.”

Michelle whispered, “He made him choose.”

“What?”

She peered up, “It’s Gargan…”

Tony’s cheeks turned grey, “Oh…”

“He made Peter choose, between me…and—”

“Morgan?”

“I had—I had to convince him—” She blurted, “To—choose me.”

Tony sighed heavily.

“He was fighting against the whole thing—” She explained breathlessly, ��But, but it had to me, Morgan is wor-“

“Let me stop you right there.” He cut in, “This isn’t about worth, MJ.”

“It had to be me.”

“No. It shouldn’t have been an option, in the first place.” Tony squeezed his hand around her arm, “If you hadn’t convinced Peter, to choose you – he would have fought against it until the inevitable happened. Do you realize how incredibly brave that was, of you?”

“I guess.”

“You saved Morgan, and you knew where that was going to lead you.”

“I had to—” She sniffled, “I love her, and Peter, he’s just..”

“You and Morgan, mean more than the world to him." 

“I know.” Michelle fumbled with her hands, “Can you take me up?” She asked, teary-eyed, “I—I need to see him.”

“Of course.” He stepped forward, locking his arms around her, “Hold on.” They flew up, fast. It wasn’t a fun experience, but it was less vomit-inducing than swinging with Peter.

Michelle could see Peter, knelt on the ground, cradling Morgan, in his arms.

Gargan’s goons were unconscious, laid face-first, with their arms sprayed behind them.

Rhodey was standing, his gauntlet raised in Gargan’s direction.

Gargan's smirk dropped, as soon as he set eyes on Michelle. 

Peter didn’t look up, his face was tucked against Morgan’s shoulder.

Tony touched down, carefully helping Michelle onto her feet.

Morgan lifted her chin, she hiccupped, “Mimi?”

Peter sat up straight, to see, his throat cracked, “I—” His lower lip trembled, and his words were lost.

Morgan leaped out of his arms, “Daddy!”

Tony retracted his armor, catching her mid-run and hoisting her up, into his arms, “Oh, Thank God.”

Michelle swayed forward, uneasy on her feet.

Peter gradually got up, into a standing position, he stared at her.

She sprinted forward and crashed into his chest, tangling her arms behind his back, cradling him close.

“You’re—” He nestled his face against her shoulder, “You’re not—"

“I’m here, I’m okay.” She ran her hands, up and down his back, “I’m alive, nothing happened—"

He sank, in her hold, “I’m so sorry—"

“You did the right thing.” She stood back, laying her hand on his cheek, “I promise, you did.” She nodded, “I love you, so much—"

“I love you.” He pulled her back in, “I never want—”

She shushed him, “We’re okay.”

[theawkwardterrier]

Out of the Frying Pan

Steggy Week, day 2 Prompt: When Timelines Collide

Summary: Jack and Daniel are in DC for their annual review, but it's in the SHIELD kitchen that they stumble upon some new information.

AO3 link here.

Jack’s proud to work for SHIELD, and he’s damn good at it, don’t let anyone tell you otherwise. He’s glad to be doing his bit to help the country, and especially with a cutting edge outfit that does its work quietly so Americans can sleep safely in their beds, not even knowing that they’ve been saved from danger. SHIELD does important work, and does it well.

The food they’re serving at headquarters is godawful.

“Look.” Jack elbows Daniel so he’ll look over at the limp, oily string bean dangling from Jack’s fork. “They really expect us to believe this was once attached to a real plant?”

Daniel looks at it dubiously. “Put it in a bag, we’ll bring it over to the lab for examination,” he jokes. “How’s the dessert looking?”

Jack lets his eyes wander over the waitress coming in with a new course headed toward their table. She’s pretty enough, her soft blonde hair held back with pins, but the contents of her cart… “Come on, I know where the kitchen is in this place. Let’s go scrounge up a real meal before it’s our turn with the boss.”

“You could at least pretend to have some respect for her,” Daniel says predictably, but he stands and follows Jack anyway.

“Oh, I’ve got plenty of respect for old Marge. It was a real feat, leapfrogging right to the top of the organization without stopping in for a leadership position along the way.” Jack stuffs his hands in his pockets. It’s the right look, casual, in case any staff might be looking his way. He has a badge in his pocket and as much right to be walking around this building as anyone, but might as well not call attention.

“Ever think that she might have gotten the job because she was too good just to be a city chief? Or that she’d have been happy to do that instead but no one gave her the chance?” Jack gives him a stare because it’s a funny thing for Souza to say seeing as he hadn’t exactly been begging to give up the LA job when it was offered to him, but Jack won’t mention that.

They’re getting close to the kitchen now. He can hear clatter and clanking and the sound of people calling back and forth every time the door swings open. “Whether she deserves it or not, we’re going to have to see her in an hour,” Jack says. He’ll admit that Carter’s too smart to have all the city chiefs in at once for annual review. It would be like painting a big target on the group of them. He and Daniel were scheduled alongside some broad who runs the Chicago office and already had her one-on-one with Carter and jetted out after lunch. “We don’t have to talk about her until then. You been to see a Dodgers game yet this season?”

The conversational choice is a good one - it makes them look like two pals on their way to a set meet instead of two guys who were supposed to stay in the slowly emptying dining room until Carter’s secretary came to fetch them - and Jack is about to congratulate himself when he hears from behind him say, “I’d have preferred the Dodgers stay in Brooklyn, but I suppose I’m biased.”

Even if she hadn’t already been on his mind, even if he hadn’t been in DC to see her, Jack would have recognized the voice immediately. “You coming onto me, Carter?” he says slyly before he turns around. As he spins to face her, he registers Souza, already turned and looking stunned, then the scattering of rugrats, then Carter looking at him impassively from the head of a small table tucked into a corner of the busy kitchen.

“Decidedly not,” she says, turning her attention to what looks like the littlest kid, a pint-sized girl who is very carefully dumping what seems to be an entire bottle of ketchup onto the plate in front of her. Without even looking away from securing the cap and using her knife to transfer a generous dollop of ketchup to her own plate, Carter asks, “I was under the impression that our meeting wasn’t for another hour at least. Have I mistaken my times?”

Jack had a schoolteacher who used to do that, ask questions to try to confuse you or make you feel guilty, but he refuses to be caught out. “We’re still on for seven,” he says casually. “Just came to find some better grub than the stuff they handed us out there. Didn’t realize we’d wandered into a junior agent recruitment meeting.”

“What’s grub?” pipes the tallest of the three brats, though that’s not saying much.

“In this case, it means food,” Carter tells her, then says mildly to Jack, “I’m committed to the family for a timely dinner at least four times a week, which can require some creative solutions on nights like tonight.”

Jack opens his mouth, more because it’s his turn to volley a comment back than because he has something to say. He can’t believe she managed to keep it from spreading around that she’s been raising kids for what he’d guess is upwards of ten years now (and was probably pregnant, considering that all of them share her exact hair color). Either no one in the office knows about it, which seems doubtful, or she’s successfully thwarted the SHIELD gossip chain, which speaks chilling things about her power. Luckily a remark isn’t needed, because the chattiest little Carter says, “I think that was a rude thing to say, that the food wasn’t good, and probably not even true. The food here is good, it’s always good, because even if Linda isn’t cooking, Amos is, and if they made you something bad it just means that they don’t like you very much and I think they have a good reason, too.” She juts her chin and shoves her glasses up her nose, and though it’s been a few of decades since Jack was last on the playground, he can easily read the so there.

Carter gives a little sigh. “What have we said, Cassandra?”

Heaving a sigh exponentially more exhausted than her mother’s, the kids recites, “That I should think before I say something rude, and count to ten. And then you told me that it’s better to be smart and wait for the best moment to make sure a person learns a lesson, but Daddy said that you have to remind people what’s right even if it’s hard, and I know it’s not right to be mean about the cooks.”

“That logic’s pretty foolproof,” says a new, amused voice from behind them. “Although usually you don’t think it’s too hard to be rude, Cass.”

The guy is just around Jack’s height, but with apparent muscles that he wears easily under a black polo tucked into a pair of chinos. He’s holding a small glass dish of butter in one hand.

“You’re probably Jack Thompson,” says the guy, and only when the pressure of his handshake is just a touch firmer than normal does Jack realize who he is. But Steve Rogers is already turning to Souza, reaching out to shake with him too. “Good to see you again, Daniel.”

Jack cuts a glare toward Souza, who covers his guilty look by saying, “Steve came out to the West Coast to help us with a situation a couple of years ago.”

Unbelievable. Not only is Captain America alive and kicking, but Souza’s apparently been in the know for years. At least he looks pretty shocked that Carter and the Captain are shacking up again, although from the lack of interest the kitchen staff is showing, it seems to be common enough knowledge. She must have dirt on every agent in DC to keep something like this quiet.

“That was a bad one,” says Rogers, maneuvering around Jack and Daniel toward the table. “Although I usually only get called in for the bad ones. Most of the rest of the time, I like my job a lot better.” He sets the butter dish down and lifts the little one up so she can sit on his lap. “I guess the butter crisis was easily averted,” he says, leaning over to Carter with quiet amusement. They both watch the middle boy continue to doggedly scoop up his potatoes and ignore the rest of them.

“It seems that Benjamin didn’t need butter for his potatoes as much as we had thought,” Carter replies primly. “I, on the other hand…” She slices herself a sliver and leaves it to melt while she cuts blithely into her salmon.

Rogers laughs. “I’d have gotten it for you too if you’d asked.”

The way she touches his hand should be nothing. It’s a brush of her fingers on his, a fond, quirked smile she glances in his direction over the head of the toddler. But Jack can’t help but stare, and Daniel says, his voice just a note too loud, “Well, we’ll leave you to finish your dinner. Maybe they’ll have put out a good dessert.”

“The apple pie is especially worthwhile,” Carter tells him. “I’ll make sure they send out a few slices. Carol will come find you at the usual time.”

Rogers nods his goodbye, seeming distracted as he attempts to eat while the smallest girl tries to grab and redirect his fork (“Thanks for the help, Annie, except I think you like ketchup a little more than I do.”). Cassandra gives them - mostly Jack - a good glare. But Benjamin looks up from his plate for the first time, and politely says, “You should try the mashed potatoes. If they let you,” before he returns immediately to eating.

As Jack walks away, he tries to tell himself that he’s discovered some great secret of Carter’s, the family that she wants to keep hidden not only from the eyes of the enemy, but from her employees as well. But somehow he can’t quite convince himself. He and Daniel reenter the dining room, empty now except for a couple of agents picking up coffee and sandwiches for a late shift, and Jack has the definite notion that Carter’s well and truly won this round.

Well, maybe not the part with the kids. Jack can’t see how they could be considered a good thing.

[ghost-chance]

A New Lease on Life - 4: The Truth

A quick note: the book Dark of the Moon is an obscure poetry volume but it's very much worth the read. The poem Amber reads aloud in this chapter is from that very book; 'The Eye' by Donald Wandrei is found on pages 381 and 382 with several other of his sonnets. Secondly: Occasional short, graphic present tense passages in italics denote intrusive memories; intrusive memories can be very overwhelming when they occur, and in my own experience, the memories they show are often exaggerated and warped, and sometimes even worse than what actually happened. This chapter dedicated to everyone reading, following, and fav'ing this story—especially ImpartingAbyss, for reviewing and just being hilarious!Trigger Warnings: Grossness, Intrusive memories, disturbing, graphic imagery, panic attacks, religious references, violent death.

Suggested Listening: Coldplay, "Fix You," Breaking Benjamin, "Fade Away"

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4: The Truth 

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‘Great, Amber,' she thought to herself as she hung face-first over the stream of running wastewater, hacking up a meal she didn't remember eating. 'Ya didn't cowk- all over Don's shell, but ya barely missed'is feet. Yer just too hot fer ya own good, ain'tcha?'- She spat once more, swiping a used tissue across her lips; hopefully, the other two hadn't seen her yank it out of her shirt. It's awkward enough getting caught using a bra for a pocket, but when you're clearly braless, people start wondering where you stashed whatever you just pulled out…and handy as boob-pockets were, it wasn't something she was ready to admit.

"S-Sorry," she said hoarsely. "I don't do so well with heights…just gimme a sec." Heat flooded her cheeks at the small metal canteen held at her eye level. "Thanks." She gratefully rinsed her mouth out and snapped the topper back on. "I'll wash that later—there anythin' you DON'T have in that bag'a yers?"

"The sink," he answered simply. Once her stomach settled, the blindfold went back on and she was lifted up over his shoulder again, thanking her lucky stars she couldn't see how high up she was. Not long after, her ears were assaulted by the screech of a rusty hinge; she felt her carrier tense.

"Better oil that," Leo said simply.

"As soon as this is resolved," Donnie replied lowly. "'Til then, it can wait." The shoulder Amber rested on slouched; she knew without a doubt what was going through his mind and it was unpleasantly familiar. Without Donatello, the lair would fall apart—the family would fall apart. As much as they depended on him, though, the others tended to take him for granted without even realizing it. It always broke her heart to see it before, knowing all-too-well just how it felt, and now it was even more distressing. She couldn't say anything, though. After all, she already proved that she knew more than she should, and would only be more suspicious. A gentle squeeze of his other shoulder conveyed what words could not, but sent a worrisome shiver through him.

"What is going on here?" a slightly raspy voice burst out. "Boys, why have you brought a stranger into our midst?!" Leonardo hurried to greet their father and master.

"We had no other choice, Master," He explained hurriedly. "The alarms were set off by this woman—she almost froze to death down here! We took her to April's, but…" He winced, trailing off.

"Casey disagreed," Donnie finished dryly. "From the tantrum he's throwing, you'd think she insulted his mother." Amber shrunk into the warm shoulder, certain she was in some serious trouble...even though she hadn't insulted any mothers lately. How could she have followed them home? How could she have believed they could bring her back to the Lair with them without trouble from Splinter? The Canon versions of him always struck her as crotchety but wise rather than prone to pointless anger but the idea of angering the aged Rat gave her chills. And Raphael…Casey had insisted that he and Raph had 'busted' Kimber repeatedly; she'd have no ally in Raph, she was sure of it, and that knowledge made her feel bitter.

"We did blindfold her, see?" The nervous reminder - Leo's attempt at placating Splinter's worries - drove Amber to blush.

She cringed behind the purple fabric blocking her vision. They blindfolded her alright—with a slightly ratty purple kerchief from Donnie's trouser pockets. Her lungs were too flooded with his familiar - and mouth-watering - scent (coffee, clean grease, a faint hint of spice, and clean sweat) to notice the sewer funk, but she'd been forced to take drastic measures to stifle her body's reaction to the combination. By the time they reached the lair, she'd mentally replayed the most bizarre songs she could think of - Time Warp, Feed My Frankenstein, Ballroom Blitz, nothing was overlooked.* As hard as she focused on distracting herself by methodically dissecting every possible meaning of every lyric, she never noticed the ninjas' breaths growing more and more shallow by the moment.

Soft grumbling from the woman still slouched over Donnie's shoulder made the brothers meet eyes in an awkward wince. To the average human, the woman's scent wouldn't have registered, but they were more than human - to them, the sudden flood of pheromones was stifling, and it seemed to only strengthen.

"Bring her here," Splinter conceded wearily, settling himself at the low table in his room. Donatello followed, easing Amber to the floor as Leo went about boiling water for tea. With a gentle tug of fabric, the barrier was gone from Amber's eyes, taking with it the delightful aroma that had driven her mad. She remained silent, head bowed and eyes closed as Donnie excused himself to the lab, leaving the door parted behind him. "We're no savages, Child, you needn't hide your eyes."

"S-Sorry," she mumbled shyly, glancing furtively up at the being on the other side of the table. "I'm not afraid of you…just—well, nervous an' sorry for getting your sons in trouble." His whiskers twitched in a suppressed smile as he recognized her odd speech from his stories; she spoke with what he interpreted as a Midwestern twang that bordered on Southern drawl, but it seemed off somehow - warped in some places and some pronunciations were forced, as though the strange woman was mimicking something foreign. He saw no threat in her posture or behavior, though, and decided to overlook the odd woman's speech quirk.

"Well, this changes things," he answered seriously. "I had no idea you forced my boys to bring you here against their own good judgment. How could an unarmed woman not much taller than myself accomplish such a feat?"

"What?" she objected frantically, finally looking up to fully meet his eyes. She was visibly horrified - good, maybe she wasn't a threat. "No, I di'n't- do any of that—I never asked'em- to bring me here! They…well, I've got nowhere else to go, an'—"

"Then you are not directly responsible for them bringing you here?" She chewed her lip a moment, staring through the lacquered wood. "Taking responsibility for others' actions is an injustice to you and a disservice to them. I am wary of their bringing a stranger home, you must understand, but we mean you no harm." Amber hesitantly met his dark eyes over the gunmetal rims of her glasses.

"Yes, Sir." At that moment, Leonardo arrived bearing a wooden tray laden with cups and a small steaming teapot; tears pricked Amber's eyes at the familiar scent wafting up the spout. "Oolong," she choked out without considering how random the comment would seem.

"Miss O'Brien?" Leo asked warily. "Is something wrong?" She shook her head, smiling weakly.

"No...uh...Leonardo. It's just—I'm just weird, I guess. All the things I could miss from my old life, an' I miss tea. Sunrise coffee, lightnin' bugs at dusk, wadin' in the crick in summer, warm dirt underfoot an' the mornin' fog—nope, I miss tea."

"Sometimes things that seem trivial can mean the most to us," Splinter admitted solemnly as Leo excused himself from the room. "I am called Splinter, Child; you have already met my eldest, Leonardo, and my second eldest, Donatello; I'm sure you'll meet my other second eldest Raphael, and their younger brother Michelangelo, before the night is out. Your name is O'Brien, yes?" She stared a hole through the bottom of the teacup, soaking in the sweet perfume rising from it.

"Yeah," she answered softly. "My name's Amber O'Brien, that much I know's- true, but I don't have many answers…at least not that I can get out. Casey seems convinced I'm someone by the name of Kimber Bryant, but I'm not—I'm just stuck in her body, as crazy as that sounds." She winced; it did sound crazy...it also sounded sexual, proof that even in this life, she was cursed to be gutter-brained. "I'll gladly answer any questions you have—if I can get the words out, at least. I can't—"

A low grating sound above drew her attention - a raspy rumble halfway between overfilled coffee grinder and rapidly approaching coal train. She fought the panic rising in her chest but scanned deliriously for the demon she knew would arrive any moment to take her away…again. Familiar, horrifying images fought their way to the forefront of her mind, manifesting with alarming ease. "I…"

Crushed foundations stained with blood. Toppled buildings groan in the night. A battered doll hangs in a stripped tree like a grotesque scarecrow.

"I can't—"

Circling buzzards stalk the ruins of a farmhouse. Flies gather on a dark stain in the mangled turf. Faded white curtains dangle from an empty window like a flag of surrender. Wind howls through trees stripped bare—

"Puh-Please!" she cried, curling into a ball. "M—Make it stop! I can't—can't make it—"

"DONATELLO!" The sudden shout from Splinter's rooms wrenched the genius from his daze; had he really missed dinner while staring through the recovered security footage? "HURRY!" The panic in his father's voice sent him barreling toward the source, only to freeze in the doorway of Splinter's room in disbelief.

Amber lay curled on the floor in a ball, her hands clasped over her neck, shaking violently. Even without his goggles in place, he recognized what was happening. Blood pressure elevated, pulse rate rising, breathing rapid and irregular, drop in blood oxygen levels imminent… Between her raspy breaths and choked sobs troubling words leaked through, hinting at what she clearly couldn't tell them. Blood. Wind. Glass. Hurt. Storm. Dead. Aaron. School. Book…Donnie shook himself out of his stupor, rushing to his father's side and skidding onto his knees.

"She's having a panic attack!" he explained frantically as he pulled her away from the broken china cup on the floor - the teacup she was given clearly suffered in the panic. "How'd I not see it before?! We've gotta—" At the sudden weight on his legs, all thought fled his mind. His eyes dropped to the shaking body huddled against him, the head buried in his armored chest, and the two low pigtails brushing against his side. He turned in dismay to his father; Splinter nodded gravely, hastily lighting some incense at the table. Donnie forced back his nervousness to focus on monitoring Amber's vital signs and ignoring the unnaturally red hair whispering across his skin.

The first thing to manifest in Amber's mind was warmth; the second was a strangely familiar aroma of coffee and clean grease, and the pungent, smoky perfume of burning incense. A strong hand rubbed slow, calming patterns on her back while another held her close to something warm and smooth, fingertips poised carefully on her neck.

Out of the darkness, a low humming broke through—soft, slow murmurs from another lifetime promised patience and understanding—promised to fix her broken soul.** Last of all, a dusky brown came into view as the memories faded from her mind's eye. That was a familiar brown, she realized fearfully. A glance upward revealed the truth, and two concerned hazel eyes fixed on hers; the humming stopped.

HOW did she wind up in Donatello's LAP?! "Eheh…Hi?" she attempted. Though the worry never left his eyes, he cracked a weak smile.

"Hi." She glanced awkwardly from the turtle still rubbing her back to Splinter.

"How'd I get here? Please tell me I didn't jus' crawl into his lap." Neither answered, triggering a deep blush. Yup...she just crawled into his lap - didn't even buy'im a drink first. Splinter scrutinized her silently a moment, then momentarily locked eyes with his son.

"Your soul has some very deep scars, Miss O'Brien," Splinter murmured softly as he gathered the shattered china - regretful of the loss, but not condemning the cause. "Scars that are too tender for inspection, much less display. If you are willing, though, I may know of a way to see your past without forcing you to speak it. Would you care to try?"

Amber thought long and hard, still flustered at being seated across Donnie's very warm, very comfortable lap—a lap she had no memory of invading. Search though she did, though, she still came up with the same answer. "If it'd clear my name an' prove that you have nothin' to fear from me? I'd do just about anything."

"What's going on, Bruh?" Mikey whispered. Leo shushed him as Raphael lumbered over. The three of them peered warily into Splinter's room where he and Amber sat back to back, silent and still, clearly in deep meditation.

"Sensei's trying to see her past," Donatello answered gravely as he joined them. "Talking about it sends her into a panic attack; he's hoping that deep meditation will reveal what she can't, in the Astral Plane."

"Wow, she knows how to meditate?" Mikey eyed her warily. "Maybe she's a ninja—or a Jedi! OW!" he exclaimed at Raph's brain-duster.

"She's knocked out, Mikey," Donnie answered dryly. "I had to sedate her…again. From what I understand, the last train that passed over triggered a panic attack...just like we saw in the Station."

"What made her afraid of the subway?" Mikey asked dubiously as they watched their sensei at work.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Another time, another life, another world

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The two people in the front seat seemed to have not a care in the world, Splinter mused. He didn't quite care for the music they were blaring, but they were obviously very happy. What he couldn't quite understand was why he was in their backseat, and where Amber was in this memory.

"Shaddup,- O'Brien!" the blond man grinned as he skipped another track. "Ozzy could kick Sinatra's ass any day of the week!" The woman in the driver's seat grinned widely, swatting his hand away from the stereo.

"Willis," she shot back. "There's more to life than who kin- kick whose arse—an' Sinatra's not that bad! His music's got a great—"

"Rammstein!" Aaron interrupted loudly, yanking a massive CD binder from under his seat and digging through it like a man possessed. "O'Brien, please tell me you've got some Rammstein in here. All this culture's gonna make me puke."

"Yer gonna make me puke." Splinter studied the driver intently; he couldn't believe it! He'd heard that voice, that awkward accent before—it was the voice and accent of Amber O'Brien, whose memories he was currently experiencing. This woman looked nothing like the Amber he'd met, though…this woman had to be at least two hundred pounds and several years older, and both warm brown braids were liberally streaked with grey. "You do realize 90% of Rammstein's music is just foul language and banging, right? Ya won't find any'a that crap in my car."

"Picky. So, word is they're gonna make a new TMNT movie soon!" Aaron piped up; the car swerved sharply and she grinned over at him excitedly.

"Yes! Omigosh, yes! When?!" Aaron burst out laughing.

"Psych!" he cackled. "Oh, the look on your face—was Donatello wearin' pants again?" Her entire face red as a beet, she whacked him in the shoulder.

"Screw you, Willis. Why did I ever tell you about that dream? I mean, seriously?" 'That Dream...' As though she hadn't dreamt of that Donnie for years, his refractive hazel eyes, his shy, gap-toothed smile, his permanent slouch...Damn. Hello, Gutter. "Ugh," she groaned reaching down to rub her right knee. "I can't wait to git out'a- this car—my knees're- killin' me."

"I'd say that'd teach ya to jump in front of a bus, but it prob'ly wouldn't."

"Dumbarse, Fer the las' time, I didn't jump in front of a bus. Some damn idjit- ran a red light an' hit me in the crosswalk. Startin' to think I preferred ya hungover—at least ya were quiet."

They had to be driving through a war zone, Splinter thought sorrowfully. What else could have turned the small town into such a disaster area? Trees were ripped up, buildings crushed, even the very pavement the car drove on was gouged and crumbled in places. Amber, hadn't spoken since they crossed the city limits and stared fearfully around her searching for landmarks that no longer existed. By the time they reached the remains of her home, it became abundantly clear to the unseen passenger: somehow, despite the drastically different appearances, he had indeed found Amber O'Brien.

From atop a pile of provisions, Splinter watched Amber and Aaron. The Town Hall's basement, though touted as a Fallout Shelter, was never meant for so many people and conditions were ridiculously crowded. Aaron bustled from one place to another making himself useful; Splinter never expected such selflessness from him after his behavior in the car, but he supposed even his boys were prone to misbehavior among friends.

As of yet, Amber simply sat in a vacant corner staring through the wall as though she were completely dead to the world. She'd not spoken since she and Aaron broke down on her battered front lawn, nor had she eaten any of the meals the blonde tried to coax her with. It was as though she'd simply ceased to exist. Splinter's heart ached, realizing the truth; she was in shock—so deeply in shock that she'd ceased to think or feel anything. As troubled by this revelation as he was, he missed the moment she finally moved from her corner. Quickly catching sight of her he followed behind as she climbed the creaking stairs and wandered aimlessly away from the shelter as though following a distant call.

Splinter could only guess why she came to the school. Feeling certain that something terrible was about to happen, he trailed behind her as she made her way to the library. With an almost wistful expression, she traced familiar shelves, digging through the scattered volumes for a particular tome. Its plain black cover was worn and faded from age, but the sight brought tears to her otherwise empty eyes. Among the ruins of the once proud building, she leafed through the book for a particular page and in a soft, haunting tone, read aloud.

"A deep force pulls me toward the window-blind, some impulse urges me to raise the shade; why is it that I tremble, half afraid, with formless terrors running through my mind? What are the dim dread images that bind my hand? Why is my arm so strongly stayed? What sense of overhanging doom has made me fearful? What the sight I shall find? Some warning voice calls out: Go back—go back! I could not turn though fronted by the rack. And so I slowly raise the shade to greet whatever on the other side should lie, and stare and stare in horror as I meet the leering of a huge and sightless eye." ***

Her empty eyes turned to the window, drawn by a sudden movement and crack of thunder; chills raced down Splinter's spine. He was only here in spirit and could not be harmed for that reason, but he knew something dreadful was about to happen.

Amber wandered over to the only intact window, peering about with vacant disinterest. As though summoned by the words she'd spoken, a deafening, grinding roar filled the air. A wall cloud loomed overhead as a funnel cloud touched down somewhere southwest of the battered building. Right before Splinter's eyes, she tucked the book securely in her arms and fell to her knees in the rubble and glass, bowing her head in prayer.

"Please," she mumbled softly. "Protect my family…protect my friends…protect this town and those who live here. Forgive us our trespasses and guide us in our time of need. Help Aaron understand, and keep him under your care...he's too stubborn to ask for help." Splinter's ears felt ready to burst from the horrible pressure; surely Amber was hurting too, but she gave no sign of anything—pain, fear, sorrow, nothing! "Please, Lord…please wrap your arms around those who have been brought down by these storms, help them rise from the ashes anew, and help them rebuild their lives…thank you for everything." Finally, the mask broke - regret twisted her eyes and shook her parted lips. "If you gave second chances, I'd ask only for—"

Before she could finish, the window burst inward raining shattered glass over her prostrate body. Splinter flinched, choking up at the sight. Almost immediately a glass brick from a nearby building came careening through the window frame and struck her in the head. As the light left her eyes, and she died on her knees, the aged rat mourned the woman who' gave up on life.

The sudden change in location was dizzying. Splinter gazed around him in confusion, trying to come to grips with what had happened. One moment he was in a small town high school library, standing at the side of a woman who'd died needlessly, next he stood in a familiar chamber. Intricate green and ivory tile, tarnished brass fittings, elegant bronze plaques, bright blue glass skylights and bare-bulb light fixtures…he gazed around him, struggling to make sense of the situation.

The abandoned City Hall subway station…He'd been pulled from a ruined schoolhouse to the abandoned City Hall station! Almost frantically he searched the large cavern; how could he have woken from his trance so far from his family?!

Movement in the corner startled him. He faded into the shadows with the ease of a ninja master, watching as a pile of rubbish shifted with a groan. "Aw, ma heid,"- a familiar voice groaned. Right before his eyes, Amber—the Amber his boys had brought to him—groggily struggled upright, rubbing her forehead right where the glass brick had struck her counterpart in his vision. The truth was all too clear now, though he still couldn't fathom how it was possible.

Amber O'Brien died at the school, died in the library from a blow to the head. Against all logic, she woke up in that very cavern in the body of another: a woman formerly known as Kimber Bryant. It made no sense, but still, he knew it was true. Right then, the roar of a passing tram echoed through the chamber. Amber screamed, falling to her knees with her hands over her neck, firmly in the grips of a panic attack. The world faded around Splinter as she fought the demons of her previous life, cowering in the rubbish of another.

When did his life become so complicated?

~~~~~~~ The Lair ~~~~~~~

Splinter came back to himself with a start, glancing feverishly around for his sons. In mere moments the four gathered around him, Raphael shooting distrustful glares at the still unconscious woman still seated against his back. Unbidden, the aged mutant recalled her death - the way she died slumped over on her knees, head bowed in prayer but back abnormally straight in defiance...he shuddered. Finally, sure he had everyone's attention, the aged rat answered the question hanging silently in the air.

"She speaks the truth...Kimber is gone; Amber lives again."

Amber regained consciousness to the sound of distant arguing. Never realizing she was being watched, she sat up cross-legged, rubbing her aching forehead. "Owww...Di' I skelp my heid er somethin'?"- she asked weakly, thickly.

"Blunt force trauma to the skull," Donatello muttered from the shadows. She jumped but gripped her skull again.

"When?" she asked quickly chasing the thick, gruff tone away from her words. "I don't recall ani'thin'- after that injection."

Donatello took a moment to compose himself, padding toward her and dropping to one knee at her side. "It's..." His fingers dug into the worn rug beneath them, anchoring himself in the moment. "You died. Do you remember?"

"Of course, I know I died," she answered slowly, "what I don't remember is the dyin' bit...an' why's my head killin' me?" Donatello stared through the still smoking incense, his shoulders fairly trembling. "Donnie?"

"A cube of blown architectural glass," he muttered, then hesitantly met her eyes. Her lungs forgot their purpose when he gently, almost timidly brushed her punch red bangs away from her forehead. The contact sent a sharp throb through her skull; against her will, she hissed at the pain. His face fell. "The point of impact...It was quick, but I can't guarantee it was painless." It took a moment but she finally realized the connection.

"Wait..." She cringed. "Yer tellin' me I was beaned in the brain-pan- with a glass brick?! The only place in town with glass bricks was Mum's church!" She scoffed bitterly. "Oh, the irony...everythin' that congregation put me through wasn't enough, the building had to kill me, too. I take it Master Splinter was able to see everything, then…an' he told y'all what happened."

"Not everything, no, but he gave us the basics…Raphael doesn't believe him." A sudden crash rang out in the living room, followed by Splinter shouting in Japanese. "We're safer in here, trust me."

"Safe?" she scoffed. "What's that? I was killed by a church - Nothin's safe anymore." She glanced over at her silent company, her cheeks pinking. "So did Splinter figure out how I got here, in this world?" Donnie shook his head, clearly disturbed by something.

"No, but he has an idea. He thinks you and Kimber might be inter-dimensional counterparts—the same soul existing in two different worlds—and that you were somehow drawn into her body when you both died. Sensei says you had regrets which may or may not be a factor." He dug his knuckles into the worn rug, clearly fighting some unknown emotion. "She died before you got there, probably the night before we found you." Not yet seeing the subtext, she sighed in obvious relief.

"You have NO idea what a relief that is," she muttered. "I've been so worried I somehow forced'er out of'er own body—that I'm responsible for her death! I just couldn't—Dee, what's wrong? Ya look like someone kicked your puppy!" He didn't answer; instead, he hoisted himself to his feet and padded dejectedly out of the room. It wasn't until later that night when he showed her to the spare cot in the Lab that she figured out what he wasn't saying.

He had arrived in time to prevent her death, but not Kimber's…and Purple Dragon or not, the knowledge weighed heavily on him. Amber spent the whole night staring at the concrete ceiling, ruminating. It seemed even in her new life, she was too careless with her words and actions.

Somewhere between rumbling trains, memory assaults, and musings about stunning hazel eyes, the sewer faded into the world of dreams.

Still with me, y'all? Sure hope so

 Words (Midwestern Twang unless otherwise noted)

- Ain't'cha? - 'Aren't you?' - Ani'thin' - Anything, a local pronunciation similar in cadence to "Anikin" if the name started with an 'Enn.' This may be a largely localized pronunciation as I've not heard it often and have never heard it outside my own area. - Cowk - Vomit, Scottish slang/Scots. - Di'n't / Din't - Didn't - Ma heid - Scottish slang my head. - Idjit - slang pronunciation of idiot. - Kin - This one has two different possible meanings depending on how it's used. If it's used as a noun, it means family, and not only blood relations but the family you choose. It's not a commonly used term anymore because people tend to associate it with family feuds and redneck living. If the word is used as a verb - as in "You kin kiss my arse," it's just a twisted pronunciation of "can," differentiated because the -a- is instead prounced -i- like bin. - Knees're - knees are - Out'a - Out of - Prob'ly  - Probably - Shaddup / Shuddup - 'shut up,' generally more common in the South than the Midwest, but in Southern Missouri, it's not unusual to hear either. The second pronunciation is the more common. - Di' I skelp my heid 'er somethin'? - Amber's first major speech relapse, this is mostly an ungodly meshing of twang and Scots. Basically, 'Did I hit my head or something?' - That much I know's true. - That much I know is true. - Beaned in the brain-pan - slang 'hit in the head'

- Adding 'e, 'is, or 'im to the end of a word - means he, his or him respectively. - Adding 'er to the end of a word - means her. - Adding 'ey, 'em, or 'eir to the end of a word - means they, them, or their respectively.

NOTES

* Credits for songs: "Time Warp" is by Patricia Quinn, Richard O'Brien, and Little Nell, from "The Rocky Horror Picture Show." "Feed My Frankenstein" is by Alice Cooper, (AKA, the king of bizarre music) from album "Hey, Stoopid." Lastly, "Ballroom Blitz" is by the band Sweet, best known for this song, "Fox on the Run" and "Love Is Like Oxygen."

** The tune is Coldplay's "Fix You;' two guesses as to who's humming it, and you really should only need ONE. It's pretty obvious.

*** The book Amber reads here really exists. "Dark of the Moon" is a poetry anthology compiled by August Derleth, and includes "poems of fantasy and the macabre." It's highly uncommon—there were only a couple rather limited printings and most copies are found in libraries—but it's very much worth the read. "The Eye" was written by Donald Wandrei and is found on pages 381 and 382 with several other of his sonnets. It appears exactly as it's typed in my copy of the book and it makes my inner grammar nazi twitch; the correct phrase would be "Why is my arm so strongly STAID," not "STAYED." RRRG! Pretty sure its copyright is expired, as the volume was published in 1947.

UP NEXT: You Can't Set a Broken Soul.

[get-a-new-lease-on-life]

A New Lease on Life - 4: The Truth

A quick note: the book Dark of the Moon is an obscure poetry volume but it’s very much worth the read. The poem Amber reads aloud in this chapter is from that very book; ‘The Eye’ by Donald Wandrei is found on pages 381 and 382 with several other of his sonnets. Secondly: Occasional short, graphic present tense passages in italics denote intrusive memories; intrusive memories can be very overwhelming when they occur, and in my own experience, the memories they show are often exaggerated and warped, and sometimes even worse than what actually happened. This chapter dedicated to everyone reading, following, and fav'ing this story—especially ImpartingAbyss, for reviewing and just being hilarious!Trigger Warnings: Grossness, Intrusive memories, disturbing, graphic imagery, panic attacks, religious references, violent death.

Suggested Listening: Coldplay, “Fix You,” Breaking Benjamin, “Fade Away”

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4: The Truth  

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‘Great, Amber,’ she thought to herself as she hung face-first over the stream of running wastewater, hacking up a meal she didn’t remember eating. 'Ya didn’t cowk- all over Don’s shell, but ya barely missed'is feet. Yer just too hot fer ya own good, ain'tcha?’- She spat once more, swiping a used tissue across her lips; hopefully, the other two hadn’t seen her yank it out of her shirt. It’s awkward enough getting caught using a bra for a pocket, but when you’re clearly braless, people start wondering where you stashed whatever you just pulled out…and handy as boob-pockets were, it wasn’t something she was ready to admit.

“S-Sorry,” she said hoarsely. “I don’t do so well with heights…just gimme a sec.” Heat flooded her cheeks at the small metal canteen held at her eye level. “Thanks.” She gratefully rinsed her mouth out and snapped the topper back on. “I’ll wash that later—there anythin’ you DON’T have in that bag'a yers?”

“The sink,” he answered simply. Once her stomach settled, the blindfold went back on and she was lifted up over his shoulder again, thanking her lucky stars she couldn’t see how high up she was. Not long after, her ears were assaulted by the screech of a rusty hinge; she felt her carrier tense.

“Better oil that,” Leo said simply.

“As soon as this is resolved,” Donnie replied lowly. “'Til then, it can wait.” The shoulder Amber rested on slouched; she knew without a doubt what was going through his mind and it was unpleasantly familiar. Without Donatello, the lair would fall apart—the family would fall apart. As much as they depended on him, though, the others tended to take him for granted without even realizing it. It always broke her heart to see it before, knowing all-too-well just how it felt, and now it was even more distressing. She couldn’t say anything, though. After all, she already proved that she knew more than she should, and would only be more suspicious. A gentle squeeze of his other shoulder conveyed what words could not, but sent a worrisome shiver through him.

“What is going on here?” a slightly raspy voice burst out. “Boys, why have you brought a stranger into our midst?!” Leonardo hurried to greet their father and master.

“We had no other choice, Master,” He explained hurriedly. “The alarms were set off by this woman—she almost froze to death down here! We took her to April’s, but…” He winced, trailing off.

“Casey disagreed,” Donnie finished dryly. “From the tantrum he’s throwing, you’d think she insulted his mother.” Amber shrunk into the warm shoulder, certain she was in some serious trouble…even though she hadn’t insulted any mothers lately. How could she have followed them home? How could she have believed they could bring her back to the Lair with them without trouble from Splinter? The Canon versions of him always struck her as crotchety but wise rather than prone to pointless anger but the idea of angering the aged Rat gave her chills. And Raphael…Casey had insisted that he and Raph had 'busted’ Kimber repeatedly; she’d have no ally in Raph, she was sure of it, and that knowledge made her feel bitter.

“We did blindfold her, see?” The nervous reminder - Leo’s attempt at placating Splinter’s worries - drove Amber to blush.

She cringed behind the purple fabric blocking her vision. They blindfolded her alright—with a slightly ratty purple kerchief from Donnie’s trouser pockets. Her lungs were too flooded with his familiar - and mouth-watering - scent (coffee, clean grease, a faint hint of spice, and clean sweat) to notice the sewer funk, but she’d been forced to take drastic measures to stifle her body’s reaction to the combination. By the time they reached the lair, she’d mentally replayed the most bizarre songs she could think of - Time Warp, Feed My Frankenstein, Ballroom Blitz, nothing was overlooked.* As hard as she focused on distracting herself by methodically dissecting every possible meaning of every lyric, she never noticed the ninjas’ breaths growing more and more shallow by the moment.

Soft grumbling from the woman still slouched over Donnie’s shoulder made the brothers meet eyes in an awkward wince. To the average human, the woman’s scent wouldn’t have registered, but they were more than human - to them, the sudden flood of pheromones was stifling, and it seemed to only strengthen.

“Bring her here,” Splinter conceded wearily, settling himself at the low table in his room. Donatello followed, easing Amber to the floor as Leo went about boiling water for tea. With a gentle tug of fabric, the barrier was gone from Amber’s eyes, taking with it the delightful aroma that had driven her mad. She remained silent, head bowed and eyes closed as Donnie excused himself to the lab, leaving the door parted behind him. “We’re no savages, Child, you needn’t hide your eyes.”

“S-Sorry,” she mumbled shyly, glancing furtively up at the being on the other side of the table. “I’m not afraid of you…just—well, nervous an’ sorry for getting your sons in trouble.” His whiskers twitched in a suppressed smile as he recognized her odd speech from his stories; she spoke with what he interpreted as a Midwestern twang that bordered on Southern drawl, but it seemed off somehow - warped in some places and some pronunciations were forced, as though the strange woman was mimicking something foreign. He saw no threat in her posture or behavior, though, and decided to overlook the odd woman’s speech quirk.

“Well, this changes things,” he answered seriously. “I had no idea you forced my boys to bring you here against their own good judgment. How could an unarmed woman not much taller than myself accomplish such a feat?”

“What?” she objected frantically, finally looking up to fully meet his eyes. She was visibly horrified - good, maybe she wasn’t a threat. “No, I di'n’t- do any of that—I never asked'em- to bring me here! They…well, I’ve got nowhere else to go, an'—”

“Then you are not directly responsible for them bringing you here?” She chewed her lip a moment, staring through the lacquered wood. “Taking responsibility for others’ actions is an injustice to you and a disservice to them. I am wary of their bringing a stranger home, you must understand, but we mean you no harm.” Amber hesitantly met his dark eyes over the gunmetal rims of her glasses.

“Yes, Sir.” At that moment, Leonardo arrived bearing a wooden tray laden with cups and a small steaming teapot; tears pricked Amber’s eyes at the familiar scent wafting up the spout. “Oolong,” she choked out without considering how random the comment would seem.

“Miss O'Brien?” Leo asked warily. “Is something wrong?” She shook her head, smiling weakly.

“No…uh…Leonardo. It’s just—I’m just weird, I guess. All the things I could miss from my old life, an’ I miss tea. Sunrise coffee, lightnin’ bugs at dusk, wadin’ in the crick in summer, warm dirt underfoot an’ the mornin’ fog—nope, I miss tea.”

“Sometimes things that seem trivial can mean the most to us,” Splinter admitted solemnly as Leo excused himself from the room. “I am called Splinter, Child; you have already met my eldest, Leonardo, and my second eldest, Donatello; I’m sure you’ll meet my other second eldest Raphael, and their younger brother Michelangelo, before the night is out. Your name is O'Brien, yes?” She stared a hole through the bottom of the teacup, soaking in the sweet perfume rising from it.

“Yeah,” she answered softly. “My name’s Amber O'Brien, that much I know’s- true, but I don’t have many answers…at least not that I can get out. Casey seems convinced I’m someone by the name of Kimber Bryant, but I’m not—I’m just stuck in her body, as crazy as that sounds.” She winced; it did sound crazy…it also sounded sexual, proof that even in this life, she was cursed to be gutter-brained. “I’ll gladly answer any questions you have—if I can get the words out, at least. I can't—”

A low grating sound above drew her attention - a raspy rumble halfway between overfilled coffee grinder and rapidly approaching coal train. She fought the panic rising in her chest but scanned deliriously for the demon she knew would arrive any moment to take her away…again. Familiar, horrifying images fought their way to the forefront of her mind, manifesting with alarming ease. “I…”

Crushed foundations stained with blood. Toppled buildings groan in the night. A battered doll hangs in a stripped tree like a grotesque scarecrow.

“I can't—”

Circling buzzards stalk the ruins of a farmhouse. Flies gather on a dark stain in the mangled turf. Faded white curtains dangle from an empty window like a flag of surrender. Wind howls through trees stripped bare—

“Puh-Please!” she cried, curling into a ball. “M—Make it stop! I can’t—can’t make it—”

“DONATELLO!” The sudden shout from Splinter’s rooms wrenched the genius from his daze; had he really missed dinner while staring through the recovered security footage? “HURRY!” The panic in his father’s voice sent him barreling toward the source, only to freeze in the doorway of Splinter’s room in disbelief.

Amber lay curled on the floor in a ball, her hands clasped over her neck, shaking violently. Even without his goggles in place, he recognized what was happening. Blood pressure elevated, pulse rate rising, breathing rapid and irregular, drop in blood oxygen levels imminent… Between her raspy breaths and choked sobs troubling words leaked through, hinting at what she clearly couldn’t tell them. Blood. Wind. Glass. Hurt. Storm. Dead. Aaron. School. Book…Donnie shook himself out of his stupor, rushing to his father’s side and skidding onto his knees.

“She’s having a panic attack!” he explained frantically as he pulled her away from the broken china cup on the floor - the teacup she was given clearly suffered in the panic. “How’d I not see it before?! We’ve gotta—” At the sudden weight on his legs, all thought fled his mind. His eyes dropped to the shaking body huddled against him, the head buried in his armored chest, and the two low pigtails brushing against his side. He turned in dismay to his father; Splinter nodded gravely, hastily lighting some incense at the table. Donnie forced back his nervousness to focus on monitoring Amber’s vital signs and ignoring the unnaturally red hair whispering across his skin.

The first thing to manifest in Amber’s mind was warmth; the second was a strangely familiar aroma of coffee and clean grease, and the pungent, smoky perfume of burning incense. A strong hand rubbed slow, calming patterns on her back while another held her close to something warm and smooth, fingertips poised carefully on her neck.

Out of the darkness, a low humming broke through—soft, slow murmurs from another lifetime promised patience and understanding—promised to fix her broken soul.** Last of all, a dusky brown came into view as the memories faded from her mind’s eye. That was a familiar brown, she realized fearfully. A glance upward revealed the truth, and two concerned hazel eyes fixed on hers; the humming stopped.

HOW did she wind up in Donatello’s LAP?! “Eheh…Hi?” she attempted. Though the worry never left his eyes, he cracked a weak smile.

“Hi.” She glanced awkwardly from the turtle still rubbing her back to Splinter.

“How’d I get here? Please tell me I didn’t jus’ crawl into his lap.” Neither answered, triggering a deep blush. Yup…she just crawled into his lap - didn’t even buy'im a drink first. Splinter scrutinized her silently a moment, then momentarily locked eyes with his son.

“Your soul has some very deep scars, Miss O'Brien,” Splinter murmured softly as he gathered the shattered china - regretful of the loss, but not condemning the cause. “Scars that are too tender for inspection, much less display. If you are willing, though, I may know of a way to see your past without forcing you to speak it. Would you care to try?”

Amber thought long and hard, still flustered at being seated across Donnie’s very warm, very comfortable lap—a lap she had no memory of invading. Search though she did, though, she still came up with the same answer. “If it’d clear my name an’ prove that you have nothin’ to fear from me? I’d do just about anything.”

“What’s going on, Bruh?” Mikey whispered. Leo shushed him as Raphael lumbered over. The three of them peered warily into Splinter’s room where he and Amber sat back to back, silent and still, clearly in deep meditation.

“Sensei’s trying to see her past,” Donatello answered gravely as he joined them. “Talking about it sends her into a panic attack; he’s hoping that deep meditation will reveal what she can’t, in the Astral Plane.”

“Wow, she knows how to meditate?” Mikey eyed her warily. “Maybe she’s a ninja—or a Jedi! OW!” he exclaimed at Raph’s brain-duster.

“She’s knocked out, Mikey,” Donnie answered dryly. “I had to sedate her…again. From what I understand, the last train that passed over triggered a panic attack…just like we saw in the Station.”

“What made her afraid of the subway?” Mikey asked dubiously as they watched their sensei at work.

~~~~~Another time, another life, another world~~~~~

The two people in the front seat seemed to have not a care in the world, Splinter mused. He didn’t quite care for the music they were blaring, but they were obviously very happy. What he couldn’t quite understand was why he was in their backseat, and where Amber was in this memory.

“Shaddup,- O'Brien!” the blond man grinned as he skipped another track. “Ozzy could kick Sinatra’s ass any day of the week!” The woman in the driver’s seat grinned widely, swatting his hand away from the stereo.

“Willis,” she shot back. “There’s more to life than who kin- kick whose arse—an’ Sinatra’s not that bad! His music’s got a great—”

“Rammstein!” Aaron interrupted loudly, yanking a massive CD binder from under his seat and digging through it like a man possessed. “O'Brien, please tell me you’ve got some Rammstein in here. All this culture’s gonna make me puke.”

“Yer gonna make me puke.” Splinter studied the driver intently; he couldn’t believe it! He’d heard that voice, that awkward accent before—it was the voice and accent of Amber O'Brien, whose memories he was currently experiencing. This woman looked nothing like the Amber he’d met, though…this woman had to be at least two hundred pounds and several years older, and both warm brown braids were liberally streaked with grey. “You do realize 90% of Rammstein’s music is just foul language and banging, right? Ya won’t find any'a that crap in my car.”

“Picky. So, word is they’re gonna make a new TMNT movie soon!” Aaron piped up; the car swerved sharply and she grinned over at him excitedly.

“Yes! Omigosh, yes! When?!” Aaron burst out laughing.

“Psych!” he cackled. “Oh, the look on your face—was Donatello wearin’ pants again?” Her entire face red as a beet, she whacked him in the shoulder.

“Screw you, Willis. Why did I ever tell you about that dream? I mean, seriously?” 'That Dream…’ As though she hadn’t dreamt of that Donnie for years, his refractive hazel eyes, his shy, gap-toothed smile, his permanent slouch...Damn. Hello, Gutter. “Ugh,” she groaned reaching down to rub her right knee. “I can’t wait to git out'a- this car—my knees’re- killin’ me.”

“I’d say that’d teach ya to jump in front of a bus, but it prob'ly wouldn’t.”

“Dumbarse, Fer the las’ time, I didn’t jump in front of a bus. Some damn idjit- ran a red light an’ hit me in the crosswalk. Startin’ to think I preferred ya hungover—at least ya were quiet.”

They had to be driving through a war zone, Splinter thought sorrowfully. What else could have turned the small town into such a disaster area? Trees were ripped up, buildings crushed, even the very pavement the car drove on was gouged and crumbled in places. Amber, hadn’t spoken since they crossed the city limits and stared fearfully around her searching for landmarks that no longer existed. By the time they reached the remains of her home, it became abundantly clear to the unseen passenger: somehow, despite the drastically different appearances, he had indeed found Amber O'Brien.

From atop a pile of provisions, Splinter watched Amber and Aaron. The Town Hall’s basement, though touted as a Fallout Shelter, was never meant for so many people and conditions were ridiculously crowded. Aaron bustled from one place to another making himself useful; Splinter never expected such selflessness from him after his behavior in the car, but he supposed even his boys were prone to misbehavior among friends.

As of yet, Amber simply sat in a vacant corner staring through the wall as though she were completely dead to the world. She’d not spoken since she and Aaron broke down on her battered front lawn, nor had she eaten any of the meals the blonde tried to coax her with. It was as though she’d simply ceased to exist. Splinter’s heart ached, realizing the truth; she was in shock—so deeply in shock that she’d ceased to think or feel anything. As troubled by this revelation as he was, he missed the moment she finally moved from her corner. Quickly catching sight of her he followed behind as she climbed the creaking stairs and wandered aimlessly away from the shelter as though following a distant call.

Splinter could only guess why she came to the school. Feeling certain that something terrible was about to happen, he trailed behind her as she made her way to the library. With an almost wistful expression, she traced familiar shelves, digging through the scattered volumes for a particular tome. Its plain black cover was worn and faded from age, but the sight brought tears to her otherwise empty eyes. Among the ruins of the once proud building, she leafed through the book for a particular page and in a soft, haunting tone, read aloud.

“A deep force pulls me toward the window-blind, some impulse urges me to raise the shade; why is it that I tremble, half afraid, with formless terrors running through my mind? What are the dim dread images that bind my hand? Why is my arm so strongly stayed? What sense of overhanging doom has made me fearful? What the sight I shall find? Some warning voice calls out: Go back—go back! I could not turn though fronted by the rack. And so I slowly raise the shade to greet whatever on the other side should lie, and stare and stare in horror as I meet the leering of a huge and sightless eye.” ***

Her empty eyes turned to the window, drawn by a sudden movement and crack of thunder; chills raced down Splinter’s spine. He was only here in spirit and could not be harmed for that reason, but he knew something dreadful was about to happen.

Amber wandered over to the only intact window, peering about with vacant disinterest. As though summoned by the words she’d spoken, a deafening, grinding roar filled the air. A wall cloud loomed overhead as a funnel cloud touched down somewhere southwest of the battered building. Right before Splinter’s eyes, she tucked the book securely in her arms and fell to her knees in the rubble and glass, bowing her head in prayer.

“Please,” she mumbled softly. “Protect my family…protect my friends…protect this town and those who live here. Forgive us our trespasses and guide us in our time of need. Help Aaron understand, and keep him under your care…he’s too stubborn to ask for help.” Splinter’s ears felt ready to burst from the horrible pressure; surely Amber was hurting too, but she gave no sign of anything—pain, fear, sorrow, nothing! “Please, Lord…please wrap your arms around those who have been brought down by these storms, help them rise from the ashes anew, and help them rebuild their lives…thank you for everything.” Finally, the mask broke - regret twisted her eyes and shook her parted lips. “If you gave second chances, I’d ask only for—”

Before she could finish, the window burst inward raining shattered glass over her prostrate body. Splinter flinched, choking up at the sight. Almost immediately a glass brick from a nearby building came careening through the window frame and struck her in the head. As the light left her eyes, and she died on her knees, the aged rat mourned the woman who’ gave up on life.

The sudden change in location was dizzying. Splinter gazed around him in confusion, trying to come to grips with what had happened. One moment he was in a small town high school library, standing at the side of a woman who’d died needlessly, next he stood in a familiar chamber. Intricate green and ivory tile, tarnished brass fittings, elegant bronze plaques, bright blue glass skylights and bare-bulb light fixtures…he gazed around him, struggling to make sense of the situation.

The abandoned City Hall subway station…He’d been pulled from a ruined schoolhouse to the abandoned City Hall station! Almost frantically he searched the large cavern; how could he have woken from his trance so far from his family?!

Movement in the corner startled him. He faded into the shadows with the ease of a ninja master, watching as a pile of rubbish shifted with a groan. “Aw, ma heid,”- a familiar voice groaned. Right before his eyes, Amber—the Amber his boys had brought to him—groggily struggled upright, rubbing her forehead right where the glass brick had struck her counterpart in his vision. The truth was all too clear now, though he still couldn’t fathom how it was possible.

Amber O'Brien died at the school, died in the library from a blow to the head. Against all logic, she woke up in that very cavern in the body of another: a woman formerly known as Kimber Bryant. It made no sense, but still, he knew it was true. Right then, the roar of a passing tram echoed through the chamber. Amber screamed, falling to her knees with her hands over her neck, firmly in the grips of a panic attack. The world faded around Splinter as she fought the demons of her previous life, cowering in the rubbish of another.

When did his life become so complicated?

~~~~~~~ The Lair ~~~~~~~

Splinter came back to himself with a start, glancing feverishly around for his sons. In mere moments the four gathered around him, Raphael shooting distrustful glares at the still unconscious woman still seated against his back. Unbidden, the aged mutant recalled her death - the way she died slumped over on her knees, head bowed in prayer but back abnormally straight in defiance…he shuddered. Finally, sure he had everyone’s attention, the aged rat answered the question hanging silently in the air.

“She speaks the truth…Kimber is gone; Amber lives again.”

Amber regained consciousness to the sound of distant arguing. Never realizing she was being watched, she sat up cross-legged, rubbing her aching forehead. “Owww…Di’ I skelp my heid er somethin’?”- she asked weakly, thickly.

“Blunt force trauma to the skull,” Donatello muttered from the shadows. She jumped but gripped her skull again.

“When?” she asked quickly chasing the thick, gruff tone away from her words. “I don’t recall ani'thin’- after that injection.”

Donatello took a moment to compose himself, padding toward her and dropping to one knee at her side. “It’s…” His fingers dug into the worn rug beneath them, anchoring himself in the moment. “You died. Do you remember?”

“Of course, I know I died,” she answered slowly, “what I don’t remember is the dyin’ bit…an’ why’s my head killin’ me?” Donatello stared through the still smoking incense, his shoulders fairly trembling. “Donnie?”

“A cube of blown architectural glass,” he muttered, then hesitantly met her eyes. Her lungs forgot their purpose when he gently, almost timidly brushed her punch red bangs away from her forehead. The contact sent a sharp throb through her skull; against her will, she hissed at the pain. His face fell. “The point of impact…It was quick, but I can’t guarantee it was painless.” It took a moment but she finally realized the connection.

“Wait…” She cringed. “Yer tellin’ me I was beaned in the brain-pan- with a glass brick?! The only place in town with glass bricks was Mum’s church!” She scoffed bitterly. “Oh, the irony…everythin’ that congregation put me through wasn’t enough, the building had to kill me, too. I take it Master Splinter was able to see everything, then…an’ he told y'all what happened.”

“Not everything, no, but he gave us the basics…Raphael doesn’t believe him.” A sudden crash rang out in the living room, followed by Splinter shouting in Japanese. “We’re safer in here, trust me.”

“Safe?” she scoffed. “What’s that? I was killed by a church - Nothin’s safe anymore.” She glanced over at her silent company, her cheeks pinking. “So did Splinter figure out how I got here, in this world?” Donnie shook his head, clearly disturbed by something.

“No, but he has an idea. He thinks you and Kimber might be inter-dimensional counterparts—the same soul existing in two different worlds—and that you were somehow drawn into her body when you both died. Sensei says you had regrets which may or may not be a factor.” He dug his knuckles into the worn rug, clearly fighting some unknown emotion. “She died before you got there, probably the night before we found you.” Not yet seeing the subtext, she sighed in obvious relief.

“You have NO idea what a relief that is,” she muttered. “I’ve been so worried I somehow forced'er out of'er own body—that I’m responsible for her death! I just couldn't—Dee, what’s wrong? Ya look like someone kicked your puppy!” He didn’t answer; instead, he hoisted himself to his feet and padded dejectedly out of the room. It wasn’t until later that night when he showed her to the spare cot in the Lab that she figured out what he wasn’t saying.

He had arrived in time to prevent her death, but not Kimber's…and Purple Dragon or not, the knowledge weighed heavily on him. Amber spent the whole night staring at the concrete ceiling, ruminating. It seemed even in her new life, she was too careless with her words and actions.

Somewhere between rumbling trains, memory assaults, and musings about stunning hazel eyes, the sewer faded into the world of dreams.

Still with me, y'all? Sure hope so

 Words (Midwestern Twang unless otherwise noted)

- Ain’t'cha? - 'Aren’t you?’ - Ani'thin’ - Anything, a local pronunciation similar in cadence to “Anikin” if the name started with an 'Enn.’ This may be a largely localized pronunciation as I’ve not heard it often and have never heard it outside my own area. - Cowk - Vomit, Scottish slang/Scots. - Di'n’t / Din’t - Didn’t - Ma heid - Scottish slang my head. - Idjit - slang pronunciation of idiot. - Kin - This one has two different possible meanings depending on how it’s used. If it’s used as a noun, it means family, and not only blood relations but the family you choose. It’s not a commonly used term anymore because people tend to associate it with family feuds and redneck living. If the word is used as a verb - as in “You kin kiss my arse,” it’s just a twisted pronunciation of “can,” differentiated because the -a- is instead prounced -i- like bin. - Knees’re - knees are - Out'a - Out of - Prob'ly  - Probably - Shaddup / Shuddup - 'shut up,’ generally more common in the South than the Midwest, but in Southern Missouri, it’s not unusual to hear either. The second pronunciation is the more common. - Di’ I skelp my heid 'er somethin’? - Amber’s first major speech relapse, this is mostly an ungodly meshing of twang and Scots. Basically, 'Did I hit my head or something?’ - That much I know’s true. - That much I know is true. - Beaned in the brain-pan - slang 'hit in the head’

- Adding 'e, 'is, or 'im to the end of a word - means he, his or him respectively. - Adding 'er to the end of a word - means her. - Adding 'ey, 'em, or 'eir to the end of a word - means they, them, or their respectively.

NOTES

* Credits for songs: “Time Warp” is by Patricia Quinn, Richard O'Brien, and Little Nell, from “The Rocky Horror Picture Show.” “Feed My Frankenstein” is by Alice Cooper, (AKA, the king of bizarre music) from album “Hey, Stoopid.” Lastly, “Ballroom Blitz” is by the band Sweet, best known for this song, “Fox on the Run” and “Love Is Like Oxygen.”

** The tune is Coldplay’s “Fix You;’ two guesses as to who’s humming it, and you really should only need ONE. It’s pretty obvious.

*** The book Amber reads here really exists. "Dark of the Moon” is a poetry anthology compiled by August Derleth, and includes “poems of fantasy and the macabre.” It’s highly uncommon—there were only a couple rather limited printings and most copies are found in libraries—but it’s very much worth the read. “The Eye” was written by Donald Wandrei and is found on pages 381 and 382 with several other of his sonnets. It appears exactly as it’s typed in my copy of the book and it makes my inner grammar nazi twitch; the correct phrase would be “Why is my arm so strongly STAID,��� not “STAYED.” RRRG! Pretty sure its copyright is expired, as the volume was published in 1947.

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