#I say they knew about rammy before lammy! | Explore Tumblr posts and blogs

shades4dogs · 4 years ago

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i had a SUPER tiring day i mite talk abut later but RIGHT NOW i wanna talk about the make it sweet! album for Um Jammer Lammy because i listtened to than a couple days ago, and just today i showed it 2 my little brother, and i wanted to write down what i thought about the tracks!!

youtube

i wrote down my personal thoughts on each track and gave it a rating out of 5 Dashies (-= It’s because i’m autistic plain and simple

if you read all of this you’re officially a legend

[1/2) Let’s Jam Together!/KEEP YOUR HEAD UP!!] - waow!!!

I LOVE THIS SONG <3 i really liked this song when i heard it in the credits and was wondering what its name was, it was nice to hear it in the album as the very first track!!

i love the additional dialogue at the start, the “Hey, do you play the guitar? Let’s jam together!” really represents the ragtaginess of the band just kind of throwing themselves together to make music so naturally... like little jigsaw pieces... it makes me want to know exactly how they interacted before the formation of MilkCan, how long they’d known each other/how they had known each other, or if they met right as they made the band.

the playful and funny lyrics of this song are really great, and i like the way it trails off in the middle. like the song was just Katy Kat truly venting off her frustrations and heartbreak about someone she used to like.

i wonder who exactly Katy Kat is talking about here in this song... well anyways she’s got lammy now so all’s well (-=

the second portion’s lyrics sound a little dopey and off-key, but i think it reflects katy’s mood regarding the lyrics of how easy her life used to be, and it all comes together beautifully for the chorus reprise with some pretty strings (i love strings in rock music!)

i bet this kind of music really resonated with some young girls listening. Can’t relate however as I hate men.

overall this is a 5/5 dashies! “Amazing!”

[3) FRIGHT FLIGHT!!] - LOOK UP IN THE SKY.

THIS IS ONE OF MY FAVOURITE SONGS IN THE GAME! when it started obviously i was expecting fussenpepper, and it was shocking to hear katy kat singing it

i think this is one of the covers that katy kat’s voice matches the most! her voice really fits shouting like that, it’s really hyped up

my favourite line from her cover is the “Now it’s time to move on, it only gets much harder, so carry on!”

and obviously i love hearing her say “Now do you like munchies? I wonder where lunch is!”

i do think that captain fussenpepper’s voice suits the song better than her, because it was made with him, but her voice definitely shines on this track!

overall this is a 4/5 dashies! “Really Good!”

[4) BABY BABY!!] - Imagine kids singing this on a car trip with their parents looking dead inside in the front seats.

I USED TO NOT LIKE THIS SONG. but playing it myself really warmed me up on it, and this version on the album made me like it even more!! i love katy kat’s additional lines between the baby’s, she suits giving those secondary vocals and they add a whole additional layer to the song.

i also like that the baby’s lyrics kind of echo over lammy’s guitar parroting, like you can hear the “... ma ma ma ma” coming in at the end of her first part, it sounds really nice!

this is the song i can really imagine kids shouting the lyrics to at a birthday party or something and i think they knew that when they added it O_O

overall this is a 4.5/5 dashies! “Almost Perfect!” i think it would’ve been cooler if the lammy and katy kat parts were more integrated with eachother. don’t ask me how exactly, because i don’t know, and maybe they didn’t either... it still came out REALLY nice!

[5) FIRE FIRE!!] - Aweome where is chief puddle? )-=

i think that this is my favourite song in the entire game, altho that will change depending on what day you ask me it, and a big part of it is fire chief puddle’s vocals and the brass and sound effects of the song

it kind of sucks that a lot of that seems lacking in katy’s version, although i like that it kind of seems like theres more emphasis on the percussions of it!

i don’t like the distant whispery vocals on the “Put it on the fire, feel good, Put it out cold and feel good”, it sounds really weird. because those lyrics are one of my favourites in the original song with chief puddle. i’d definitely rather listen to his version

overall this is a 3/5 dashies! “It’s Good!” i like katy’s vocals, but they definitely come out better on other tracks, and i miss chief puddle.

[6) PJ Berri Jam] - Much Love To The Funny Bear That Make’s Me Smile.

title made me a lot more excited for this song than i ended up feeling about it... OBVIOUSLY NO INSULT TO PJ’S JAM BUT IT WOULD HAVE BEEN COOL TO HAVE A BEAT WITH ORIGINAL LYRICS instead of just lines from the one cutscene...

it’d have been cooler if it was longer too, but i understand why it wasn’t, because the instrumentals work best in this little snippet instead of long-term where they’d definitely require more lyrics

i like that it sounds like the Fire Fire! parappa version considering that’s his first stage! i don’t know if there’s any verification to this, but it makes me think that the beats for all of parappa’s songs in Um Jammer Lammy are made by PJ, which is just really nice to think about... he’s so skilled ;_; PJ and parappa’s iconic collabs...

i don’t know how to rate this at all, but for the headcanon it gave me, i’m giving it a 4/5 dashies! “Really Good!”

[7) BIRTH SONG] - i wouldn’t play for someone else

EXTREMELY FUNNY NAME

i think i like the choir vocals of the song in the cutscenes, but i definitely love katy’s voice in this one, it sounds really sweet

i can’t remove it from the weirdness of the scenario (the first time i saw that shit i was so goddamn baffled) but this does actually Make It Sweet!

i love how her voice sounds in the chorus, and the last line (“Our newest little baby!”) sounds really nice in her voice!!

IDK EXACTLY HOW TO DESCRIBE IT... her vocals just seem... sweetly genuine? like not that she’s really invested in what she’s saying, but just that she’s really enjoying singing it in a small and cute way? IDK... EITHER WAY i like it!

i like the additional lyrics as well! extensions to parappa/ujl songs should always be welcomed i think.

overall i rate this a 3.5/5 dashies! “Pretty Good!” weird song made fun and sweet by katy kat, thank you so much!

[8) THEME OF RAMMY] - music that makes you cause problems

yesssss YESSSSSSS YESSSSSSSSSS

WHEN I GOT TO THIS TRACK IT BECAME ONE OF MY NEW FAVOURITES OF THE WHOLE GAME!

i love the ditzy yet cool lull of the electric guitar, it sounds playful and silly, but with the aesthetic of the instruments used in the song it sounds awesome at the same time.

the strings throughout the song following the rhythm of that guitar add a slight classical feel to it as well that i really like, a level of elegance in contrast to the next part i describe

the muffled and staticy electric guitar parts sound so discordant, yet perfectly in control at the same time, and very In-Your-Face as they just come and go at random over the base sillysong. i really really like that, and it shows off Rammy’s fiery attitude!

i really love how the violent clash of the instruments seems to come together so well in this. it is a really well-made song that made me like Rammy more than i did previously. i think people who know me well will understand that i really like strings in otherwise intense songs, like violins and stuff, so i was really happy to hear some!

FULLY HONESTLY, MY ONLY WISH? is that it was longer. LOL

as an aside, the lull i described reminds me way too much of the theme for sam and max’s office in the TTG series. which obviously is a very personal reason to like the song more, but it is a reason for me NoneTheLess.

overall this gets a 5/5 dashies! “Amazing!”

[9) CASINO IN MY HAIR] - texan ear worm signs.

PAUL CHUCK COME GET YOUR SONG

ALSO THIS SONG BELONGS TO SANDY CHEEKS.

katy kat’s voice fits this song EXTREMELY SURPRISINGLY WELL! i like that she puts on the accent and everything, the rhythm of the lyrics and her enthusiasm go together so NICE!

i like the expansion of the lyrics and the repetition of it is one of its strengths, like any song of that kind (hopefully)

it’s a really big earworm for me, and every so often ill just sing out “Where’s that place that comes in pairs whenever I’m aware? Casino here, casino there, casino in my hair!” VERY SIMPLE YET VERY CATCHY

Yee Haw!

overall i rate this a 4.5/5 dashies! “Super Cool!” it couldn’t be better, but i wouldn’t say it’s one of the best, just for the sheer quality of the other songs i’ve given 5/5 to so far

SIDENOTE - [10) Radio Signal Jam] - F*ck you

OK. i like the presentation of this as if it’s playing live on a radio. it’s a nice little additional flavour to the whole thing that i enjoy immensely. HOWEVER.

nothing can match my disappointment at the next song not being Master Onion’s song. My heart will forever be broken by this traitorous deception. I was promised Tamanegi Sensei. Where is he! WHERE IS HE!!! WAS HE TO BUSY GAMBLING?? COME BACK I LOVE YOU

O-K let’s move on

[11) TASTE OF TERIYAKI] - songs that have mood swings

this song baffles me. i definitely get what they were trying to do with the intro portions with the dramatic quiet, the focus on the vocals and guitar with the creeping and echoing drums and reverberating electronic sounds

it could’ve been really cool, but for the most part it frankly sounds sh*t.

if they could’ve gotten some line re-dos from Teriyaki’s singer to match the lower tempo, it definitely would have sounded most excellent. But the use of the lyrics from the high-tempo song here is just jarring. when i showed this to my brother he genuinely just started laughing from how bad it sounded.

BUT HERE’S WHERE I CAN’T JUST RULE IT AS A BAD SONG.

THE SUDDEN SHIFT INTO THE HIGH TEMPO. IT IS BEAUTIFUL. IT ADDS SO MUCH EXTRA POWER TO THE CHORUS OF THE SONG. i like the song more with the brass and the backup singers, but this genuinely sounds so goddamn cool.

i LOVE the additional lines from teriyaki, it makes them sound even more like an idol! they sound amazing!

And then it stops. Back to the slow nonsense. I am left to dream of what could’ve been. i will say this one sounds better than the other one. Possibly because it’s shorter.

AND THEN THE AWESOME SONG COMES BACK!!!!!!!!!!!!!! AND I’M LIKE YEAH WOO!!!!! i love the additional discordant sounds in this version, and i like that they did sometimes include the cool SHHH-PSHHH slap-ish sound in the chorus for this portion. the da da da DA DA! being with guitars instead of brass used to disappoint me, but the more i hear it here, the more i like it.

and then my favourite part of the song: the backup vocals combined with a fast rattling-off of teriyaki’s vocal lines from parappa’s version. this sounds godlike. This is the best. I roll around in circles listening to and thinking about this part. the fact that it fades out right as it gets to that breaks my heart into little pieces.

and then it’s over...

i think it’s very fitting that the song that takes over the album out of nowhere and is literally from hell is the most baffling and loved/hated by me. i don’t think i’ve ever been able to truly say that i both love and hate a song.

if someone was good enough at editing to combine this with the actual version of the song, as well as the vocal lines from parappa’s version, into an essentially extended cut of the album version without the weird slow parts, i would be forever indebted to them.

overall i rate this a ???/5 dashies. ”Help!” it flipflops way too much for me to give a number. Thank you Teriyaki Yoko.

[12) POWER OFF! POWER ON!] - HYYYYYYPE

i need to say it. this song has the coolest sounds in the entire game. this is one of the songs that i might abruptly decide is my favourite for a day or so and then go back to Fire Fire! or Taste of Teriyaki (game version). the guitar is most exquisite in this song.

my little brother adores this song, and a big part of that is credited to the silly vocals of Paul Chuck. he’s like Goofy but extra lethal. i love him

ANYWAYS. after Fire Fire! i was concerned that this song’s vocals would be replaced entirely by Katy, but it seems like they understood Paul Chuck’s integral nature to the charm of the song, and so we get a back-and-forth of them both singing lines, with lammy playing in between. it sounds REALLY good!

i like the additional lines by Chuck at the beginning during the intro. they’re a nice little bonus for the three Paul Chuck fans that exist (two being me and my brother)

as always, gotta love katy kat’s vocals!! they definitely benefit from being combined with the vocals of the original song. the chorus parts where they both sing in unison sound AWESOME!!! i wonder if the Fire Fire! cover would have benefited from this alternation....

the filter over the “NEVER USE JOE CHIN’S CHAIN’S FOR THEM!” really adds to it as well! i like that addition.

by the way my favourite line from this song is the “All I wanna hear is you’ve come over here, there’s no fooling around with gears!” it just has such a good flow. not really explicitly related to this version specifically, maybe less so since i prefer it with Chuck’s voice over Katy’s, but yeah.

this song is really hard for me in-game. like, more than any other song i think, apart from Taste of Teriyaki. which i would like to thank this song for allowing me to escape from (-=

this gets a 5/5 Dashies and a “DA-HYUCK!” from me!

[13) WE ARE MILKCAN!!] - Woaah My Head Is Spinning!

another original that only plays during the cutscenes, understandably without the vocals. i liked it then, and i like it even more now!

katy’s lyrics add SO SO MUCH to the high-tempo intensity of the introduction to this song, and the chaos of the entire thing makes it really fun to listen to

i do still enjoy the slower parts of this song! i can imagine katy singing this as the events she describe happen in real time. i really like listening to her try to encourage lammy and ma-san to get it together and play with her.

the bouncing between the full music of her lines contrasting with the quiet and dinky replies of ma-san and lammy makes this track really fun to listen to!

after that part, it goes back to sounding like the intro portion again, but increases in tempo drastically overtime, before suddenly slowing down again and then launching into high speed at random. it’s a really fun and theatrical and dramatic piece to listen to!!!

personally though, it’s not so much my thing based on the sound alone. it’s definitely a great song but i like things a little more relaxed and orderly than this. the quality of it comes from the lyrics and the emotions they manage to carry through with the instrumentals. its a really good glimpse into the nature and personality of MilkCan!

i give this song a 4/5! “Really Good!” there’s nothing i’d suggest to improve this song. it’s just a little to hectic for me, and feels more like music for a theatrical play than any other track. i generally don’t like that kind of stuff (altho there’s definitely exceptions)

SIDENOTE - [14) Jam Chin] - F*ck you eggplant head saunaman.

You disrespected Parappa. You disrespected Sunny Funny and her sweet smile. You have disrespected MilkCan.

Thank you Ma-San for killing this man. I love U.

[15) GOT TO MOVE! (Millennium Girl)

the final song... i knew it would be Got To Move... it makes COSMIC sense

i like the additional little part before the song begins giving some time to breathe in before my head starts screaming in excitement at this song.

this is an AMAZING song and another one of my little brother’s favourites! he likes to sing it! it’s not one of my favourites but it’s definitely revered with me. it’s a sheer quality song and the one that best captures the soul of MilkCan!!

and i have to say. this album version made me like it EVEN MORE. at first i was enjoying the regular song, but then in the second part PARAPPA comes in with the alternate lines from his version in-between Katy Kat’s lines. it is SO SO SO cool. i often think about how songs in the game would sound with parappa’s versions incorporated in some fashion like this and it comes out so EPIC!!

it seriously made me pog SO hard when i heard him coming in. SOOOO exciting!

some thought notes about this song:

i really like the guitar during the portion leading up to the chorus, it sounds really cool.

katy’s singing in the chorus itself is the best of ALL her singing! her voice blends perfectly with the tone, the pitch shifts, the vibes... angellic truly

parappa‘s lyrics in-between add such an awesome additional energy, especially the lyrics that go on a little longer, like “But let me give you a word of advice, it seems like a waste of time, but it’s nice!” those lines shine the most to me.

my other favourite part is the rapid backforth in the later part of the chorus, especially the “GO! ON! MOVE! ON!” between katy’s lines. it goes together IMPECCABLY

it should be obvious, but this song gets a 5/5 Dashies from me! “Amazing!” it truly blew me away, just like the 5/5 Dashie portions of Taste of Teriyaki did. i love the fact that Parappa’s lines are slightly more muted and behind a bit of a filter to make sure the focus is on Katy’s iconic lines, but are clear enough to be enjoyed.

Truly Thank U so much if you read this far... i love u so mach.... thank you for listening to me ramble about my current hyperfix <3 (-=

#txt #ptr #um jammer lammy #autism moment

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