#I need to know this for very important things

[clanwarrior-tumbly]

(Answer this after watching Chapter 4)

I NEED an X Reader where Reader comforts Doey after he's first frozen, or maybe one where Reader literally smacks some sense into Doey after the Safe Haven blows up(and we need the refugees to escape PLEASE-)

"Oh, it's you! Is the Doctor...?"

"No. Not yet. I'm working on it." You shook your head, looking apologetically at the doughy toy that had recently become one of your allies.

Even though you were just halfway through your trip through "No Man's Land", you're relieved that you didn't have to worry about Yarnaby following you around. You could have certainly used Doey's help beforehand, but he did save you from Pianosaurus at a critical moment where you thought it was truly the end for you.

Besides that, you were used to dealing with things on your own.

You sent Huggy into a pitfall, killed Mommy Long Legs, and set Catnap and Yarnaby ablaze without really anyone's assistance.

Killing the Doctor, on the other hand, was going to be a very different challenge. He wasn't some Bigger Body with flaws you could exploit--he was cruel, calculating, and wanted to prey on your fear and reasons for coming back to this factory.

Not to mention the Prototype, who was working with the mastermind behind the experiments for reasons still unclear to you. But the "why" wasn't important to you right now--letting this place burn down is what mattered most.

Doey was rather opposed to the idea of setting explosives in the foundation, although after everything you've seen (and knowing him and Poppy have probably seen things ten times worse), you were on board with the plan.

Because what was the alternative?

Letting all these toys starve and cannibalize each other? Waiting for some other poor soul like yourself to come here and die? Allowing the Prototype to have his way?

Absolutely not.

First things first..you had to find the omni hand for your grabpack, knowing it would give you greater access to the facility's systems. Apparently the Doctor had it under lock and key, meaning you had to take him out of commission before you could reach it.

At some point in your mission, you came across Doey again, who was inspecting a pipe. You felt a little bad for disappointing him when you said the Doctor wasn't dead yet, although he must have known it was going to take you some time.

But who could blame him? Him and the others have waited years and years for an opportunity like this. For someone like you to come along and save them.

He couldn't be at fault for being so eager.

"I figured as much." He sighed, smiling at you as he turned away from the pipe. "I've been here gathering parts for the generator."

"Really? Where's all the.....oh." You stopped yourself upon seeing him holding his stomach and giggling. "Right."

"Yup! LOTS of--ah!"

Without any warning, the pipe burst open with loud hiss and began spraying a cloud of cold gas directly onto him. Upon contact with his body, he became frozen solid.

You stood there in shock for a moment, before remembering that dough didn't mix well with the cold, and you panicked as you looked for a way to stop the flow of gas.

Then you looked up to see a switch, using one of your grabpack hands to turn the handle. Fortunately that seemed to do the trick, as the cloud dissipated almost instantly, allowing Doey to thaw out rather fast.

Despite your quick actions, he seemed thoroughly shaken, his eyes wide and his yellow arm stretched out, dragging it behind him as he quickly huddled into the nearest corner of the rooms.

"Hurts, hurts, hurts, hurts, HURTS!!!" He cried out, his arm morphing back into its usual shape as he tries taking deep breaths to calm himself down.

You frowned slightly and approached him, ignoring the opening doors for the moment. "Doey, are you okay?"

"N-No. He's made it impossible for me to get around here!" He snapped at you. "Traps like this are everywhere!"

His voice sounded different--with a lot more aggression to it, and so you kept your distance, feeling yourself growing tense.

You had to remember that no matter how innocent or kind these toys appeared to be...they were traumatized and obviously not of sound mind. They could turn on you at the drop of a hat.

Either that, or they're simply animals with unpredictable behaviors.

But you knew Doey wasn't some animal. He was an ally, someone you had learned to trust.

Your gut says that you seriously shouldn't, considering how trusting Mommy almost got you eaten alive, and trusting Poppy led to her redirecting the train and dragging you further into this mess.

But once you saw things from her point of view, you've come to realize that this wasn't something you could just walk away from.

How could you go on with life knowing all of this was happening beneath your feet? Especially now that she believes you were the only person who could help everyone who's suffered here--or at least whoever's left.

She put a lot of faith in you, and you couldn't let her down.

Although she definitely wanted you to hurry, you had to at least take the time to make sure Doey was okay after that trap was set off.

"It's the cold that hurts....th-the big mean Doctor knows that.." He sniffled, now sounding on the verge of tears as he hugged himself.

"And that's why I'm gonna stop him." You promised. "I'm gonna find whatever's left of that prick and destroy him. Once and for all."

"...I-I know. You can go on ahead. I'll..I'll be okay...I'll be okay..."

Despite what he says, you knew he very much wasn't okay just yet.

Then you had an idea.

"I know you will be. But first..."

The clay creature looked at you, seeing you open your arms up, the grabpack's mechanisms down at your sides. "Can I get a hug for the road, big guy?"

Doey sniffled again, at first hesitant to respond, but seeing your sweet attitude and the hope written on your face brought a smile back to his own features.

He nodded and hugged you tightly, squishing you against him and lifting you off the ground a few feet.

The smells of clay and dough were overwhelming, but they're a lot better than the other...ghastly scents you've somehow grown desensitized to.

"Of course you can, buddy!" He laughed. "You'll need it!" After a few moments, he set you down and checked to make sure he didn't leave any residue on you or your grabpack. "Thank you. That...made me feel a lot better."

"I'm glad. I feel better, too." You chuckled, adjusting the straps before making your way further into No Man's Land, praying that you'd make it to the Doctor's hideout and back to the Safe Haven alive.

They were all counting on you.

You couldn't fail.

Not after everything you've been through.

[sirfrogsworth]

Canada: The Crudest Crude Oil

So, Canada has some shitty oil.

I don't know what Canada oil ate, but it might need a juice cleanse or something.

Trump is putting a 10% tariff on this shit.

This is called heavy sour crude oil. Because not all crude oil is the same. It can be light. It can be sweet. It can be heavy. It can be sour. Light and sweet is the easiest to refine. Heavy and sour (the Canada poop) is the most difficult.

But the US specializes in refining the shittiest crude. That's why we import so much from Canada. We have developed the best technologies to turn this shitty tar sand oil into something useful. We buy it cheap from Canada, make it useful (gas, kerosene, plastics, asphalt, etc), and then resell it.

This ends up being about a $700 billion business that generates about $175 billion in tax revenue.

To make things more interesting, the US has a lot of its own oil. Which is why Trump loves to say "drill, baby, drill." But our oil is light and sweet. It's the good stuff. Easy to refine.

That's good... right?

Not so fast!

Since no other countries are very good at processing the shit oil, we send our good stuff to Europe. They can easily refine it and we make a lot of money selling it to them.

Here's the rub...

The US isn't really set up to refine the good shit. Most of our refinery infrastructure is meant to process the Canada poop. So even though we technically have plenty of our own oil, we don't really have a lot of places to process it.

So I guess we would have to send it to Europe and buy it back.

Or we would have to build new refineries.

Or we would have to get shit oil from other places.

And those places?

Russia and Venezuela.

I have no idea if Trump understands any of this. Or if he thinks all oil is the same. But I feel like fucking with a $700 billion industry is bad for the economy.

I really don't understand why this is happening. I don't know if Trump is going rogue and doing this on his own. Or if Putin set this up so we will buy oil from Russia. Or if there is some other special interest group that wants to torpedo our refinery economy.

None of this makes a lot of sense to me and I don't see many people talking about this aspect of the tariff problem. I don't think oil quality is well known to the general public and maybe Trump's puppeteers are counting on that ignorance to do some sinister shit.

In any case, I imagine gas prices are going up. I'm sure the MAGA crowd, famous for being angry at gas prices, will finally see the light and turn on Trump.

I'm just kidding.

They will find some way to say it is a good thing and keep kicking themselves in the nuts.

[gangstalkerbarbie]

there isn't a difference if they're desexed really, but if they're not there are a few, mostly to do with the fact that cat society is matriarchal and doesn't contain space for mature males. at all. they exist on the fringes of the community to mate with the females and socialise their own maturing male young, that's it.

intact female cats can be kind of aloof because they think you're a mother or sister sort of thing that will always be in their lives, although personalities vary, and for example my grandmother's queen was a very sheepdog kind of cat, very "overly familiar micromanaging corporate executive in a little furry body". she figured she was sort of on the generational hierarchical level that my mum was on, and everyone younger than that was kittens to her.

intact males are allowed to stay near the colony if the family group of females they mate with/are closely related to likes them, but most of them get thrown out to impress an unrelated family or die. in that respect of course your intact male cat will demonstratively adore you, he has no idea why you put up with him! these stereotypes formed before neutering was universal.

i think it is important for like, zoological accuracy reasons to know that intact male cats, the animals this stereotype formed around, do actually love you differently.

it's just not because they're anything like a man. it's because a wild cat colony would already have long since driven them away or killed them, and this antipathy is innate on the part of the colony (neutered female cats dislike the smell of intact males as much as intact ones not in heat), but learned (traumatically) on the part of the tomcat.

not that he necessarily "knows" that you "should" have got rid of him by now - it's just that he's wired to bond flexibly with anything because evolutionarily he's destined to need social skills and the ability and desire to bond over and over again to survive in constantly changing social environments, moving from colony to colony. rats are actually very similar, to the point that male rats are more or less born able to tell faces apart but females are faceblind until the end of puberty, since they don't leave their mothers and have no reason to be able to learn faces until they need to remember who they've mated with.

female cats have spent their whole lives with the same related individuals over that same length of evolutionary time, so they have no reason to be primed to care about constantly making a good impression - chances are they'll always have altruistic relatives at least vaguely around, you know? life is easier for girl cats, so they're less anxious about the integrity of their social bonds, and have fewer reasons to learn how to act chill when they might not feel like it.

again, none of this matters if the animals are neutered before sex impacts them in any meaningful behavioural way! but just this once it's naturalistic observation behind the stereotype, not only human cultural projection.

The whole "boy cat" thing is so annoyingggggg your cats gender has nothing to do with how they feel about you i literally cannot imagine being so brain rotted by patriarchy that you somehow think your neutered male cat has special male love for you that female cats don't have the capacity for. Is there something wrong with you

[garbageconnoisseur]

Homeless LGBT couple needs help!!! (Valentine's Edition ❤️❤️❤️)

Hello everyone! ❤️Happy Valentines❤️

My family is homeless and we have been struggling to find work. The weather has been cold and rainy and I've been getting progressively more ill with each passing month. I have been going to the doctor and I have another appointment coming up but it's going to take a while to be okay. In the mean time, going without shelter and the lack of regular access to food has been making things worse. Up until now, I've been getting a little help regularly to cover important bills but as of this month that has fallen through so we really could use some support.

Right now, we need help affording food, a motel room, toiletries, and important bills, like car insurance. If we lose access to the car, I can't work or get to the doctor and I know things will only get worse from there. I'm trying my best to make ends meet on my own but until my wife or I find a job that will take one of us, we're pretty vulnerable. If you can send help, please do so; this is an ongoing need. If you cannot, please share this post where it will get some positive attention. We are getting less and less as we go and if we don't get help we won't make it. We're burning out pretty bad and I know I can't take much more going wrong before I break. Thanks for everything, friends. I appreciate you all who have helped so far, so very much.

Venmo: @garbageconnoisseur CashApp: $garbageconnoisseur PayPal: @garbageconnoisseur

DM for Zelle. Please no hate, you will be blocked. No unsolicited advice either, please. I just don't have the energy for it anymore.

[burner141]

Crazy thought, guys, but um Among Us x tf141? Erm, this could be because I've been reading Fear of God by @ceilidho (go read it, its lit), but I don't know much about eltrich horrors, so instead, you're getting Amogus.

So the first concept I'd like to explore is reader as the imposter. Super nervous, but still trying to fulfill their duties.

You had been trying to sabotage the crew mates at every turn, but somehow, it felt like you were the victim in all of this. Soap wouldn't stop following you around, yapping about something you couldn't even pretend to hear. Foam filled your brain when you thought about how you were going to do your tasks and mess up as many as possible. You heard his voice fade out in the background. Hopefully, he'd given up his daily chirping to you and started on Gaz. You had more important things to do than be swept up in his eager conversation.

A shadow eclipsed your path.

"Y'alright, hen? Lookin' a bit pale." Soap's face invaded your personal space as he bent down to examine you. You couldn't turn neutral fast enough. His eyes had already found what they needed to. It was easy to forget how perceptive he was with the laidback show he put on for you.

Could he see the sweat on the side of your neck? Were your ears turning red?

You didn't know, but now he did. It seemed irrelevant, but any minute detail of yours was stored in a large mental filing cabinet he had marked just for you. And your physical reactions? Very relevant.

You brushed him off, mumbling an excuse about having some tasks to do, which was true enough.

After your first kill, you started spiraling. It's not like you cared about the person you killed. You just regretted how the spotlight swiveled onto you almost immediately. Price, Soap, Gaz, and Ghost had such a strong bond. They had no room to doubt one another. Which left you and a few other crew mates. How was it possible for such a simple job to turn into a nerve-wracking challenge?

It was like they could hear your internal monologuing, your repeated reminders to stay calm, and do what you were here to do. It was anxiety-riddling and humiliating. You were supposed to be causing them trouble. Yet, you found yourself in a position akin to a rat in a maze. You knew your way around, but there was someone above you who could see your every move.

You started towards Electrical, ready to mess up some wires. It wasn't a hard task, but the thought of those blue eyes on you or that silent mammoth - "Ghost," they called him - following you in the shadows, even though he wasn't an imposter, it scattered your thoughts. You opened an electrical panel, concentrating on the colors, hoping that sabotage would clear your mind.

"Blue goes with blue, love." You slammed the panel shut, your entire body stiffening as a deep voice admonished you from behind.

"Ah, John. Yeah. Sorry, so tired lately. My bad." Your words were choppy and breathy, unbelievable even to your ears. Practiced lines didn't come off as natural in person. You rewired your work, putting everything properly in place - unfamiliar movements.

You turned around to find John less than a foot away from you. You avoided eye contact and made a move to skirt around him. He gave you no space to.

"Go take a nap, sweetheart. Sure you'll feel better then." A command.

You nodded to appease him, expecting him to move out of the way and disappear into the shadows. But no. Price walked you to your room, silently matching your pace. Your own personal warden.

You shut your room door without looking back at him. Your nails dug into your skin. How could you fail such a simple task? How could you get caught?

You'd have to make up for it later. After your nap.

[yiffos-official]

as someone who enjoys placing paint on large wallular objects:

- they make magnets that holds the shaker in the can to avoid the rattle, helpful to stop it rattling while you walk

- know the spot you are hitting: know where people will come from, know how busy it is, know where you can run if you need to. you will eventually get a feel for these things without having to scope it out first.

- get paint from brands that target graff (molotow etc)

- can control is super important. to be readable you want to use the right cap for the size of what you write, and you want to use the right pressure on the cap.

- learn about graffiti. read the various graffiti subreddits (graffiti, bombing, graffhelp) and soak up all of the information.

- it's honestly easier to use a big ass paint marker (like a posca or something) or a mop (molotow, krink, or even a roll on deodorant with a sponge in it)

- you can make mops VERY drippy. mix with red paint and you easily have a message written in "blood"

- you can make a mop by popping the ball out of a roll on deodorant, emptying the deodorant, filling with your ink/paint, and putting a kitchen sponge or towel where the ball would be. carry in a plastic bag (they like to leak)

- stay the fuck away from etch

- seriously. stay the fuck away from etch

- etch is impossible to remove, but it's hydroflouric acid, don't fuck around with hf. it penetrates into deep tissue before DISSOLVING YOUR BONES

- i saw someone ask whether they can mix two acids (HCl and H2SO4, or HF and H2SO4). no. do not. that's how you make either HCl, chlorine, or hydrogen sulfide gas. you don't want to do that.

- if you want to be BIG - buy a fire extinguisher and a bike pump. fill it with paint. spray it.

- to get cleaner but still huge writes, use paint on a roller. this can be combined with repelling from the top of something to get up incredibly high.

- for reference when googling: graffiti very high up is called a heaven. use that to learn how to do them safely.

[big as fuck tag saying "reader" on a warehouse wall, done with a fire extinguisher. the size of the entire warehouse. it's huge]

[fairly large tag done with a mop, reading "dasher \n F05". it is very drippy.]

[an absolutely massive write from the top to the lower third of a pillar on a tall overpass, reading "BLOR"]

[huge roller on the sidewall of an overpass, about 20-25ft tall, reading "ASAP TFS", with "I CANT BREATHE" written between the two words. i grabbed this picture from a news article written about the piece - people WILL talk about it if it gran their attention, and will talk about the message you send]

Anonymous, Lesbian Ethics, Volume 3 No. 3, (1989), Guerilla Feminism

[harrywavycurly]

Absolutely loving killer Harry! I love how protective of us he is and how just caring and in love he is with us. Though has there ever been a time where he was the one where he desperately needed someone or us for comfort? Has he ever been that vulnerable with us?

Hiii lovey!! So I think 100000% Harry has had moments of insecurity and thinks he’s not enough for you and that’s sort of why he needs you to comfort him a bit! So I hope you enjoy this!!💖

Find all things Loving a Killer here✨

CW: Harry is a killer in this series but it’s only mentioned briefly and no details are given in this update about what he’s done.

Tag List: @umadirectioner @styleswithaseaview @sunflower-tia

Summary: Harry has a bad day and just needs you to comfort him a bit✨

It’s rare that Harry lets anyone see him at his lowest when the weight of all the horrible things he’s done rests on his shoulders and he feels as if he doesn’t deserve the happiness he’s found in life, the happiness he has all because of you. You’re the one person who has seen Harry in this state, he doesn’t bother putting up a wall with you because you know him too well and while he does keep things from you, such as what he really does for a living, he is actually very forthcoming with his feelings with you because most of the time it’s just him telling you how much he loves you and how you’re the best thing that ever happened to him. But something he’s learned in his years of being with you and especially in the years he’s been married to you is that it’s just as important for him to share how he’s feeling in the not so great moments as well as the happy ones, it’s what helps you understand him a bit more and get to see his more vulnerable side that he doesn’t share with anyone else.

That’s why having Harry’s head resting in your lap while you’re sat at the edge of the bed with him on his knees between your legs isn’t that shocking, you could tell he was feeling a little down the moment he got home from work a few hours earlier. You run a hand through his hair as he lets out a sigh and closes his eyes, the feeling of your nails lightly scratching his scalp making him relax the tiniest bit. He hasn’t said anything to you minus that he loves you but that was as he was getting ready for bed, he’s been silence since then even when he dropped to his knees in front of you while you were putting your lotion on and rested his head in your lap and securely wrapped himself around you and you don’t mind because you know he will talk when he’s ready.

“Can I ask you something?” You look down at him as he mumbles his question into the fabric of your pajama pants.

“You can ask me anything you want.” You tell him as your free hand rests on the top of his shoulder so you can give it a small squeeze.

“Do you think you’ll always love me?” He knows he shouldn’t be asking you this while you have no clue about the horrible things he does and has done in the time you’ve known him but he just needs some reassurance in this very moment so he doesn’t really care how unfair he’s being.

“I know I’ll always love you.” You answer with a smile as you continue running your fingers through his hair. “There’s nothing you could do that would ever make me stop loving you.” Your soft and gentle tone lets him know you mean every word and Harry wants to smile but he can’t because of the guilt he feels knowing that he’s already done plenty of things that would make all the love you have for him fade away and turn into disgust and anger.

“I don’t deserve you.” He says with a sigh as his arms around your middle tighten almost as if he’s afraid that if his hold on you loosens even just the tiniest bit you’ll slip away from him. You feel the corners of your mouth drop at his words, hating that whatever thoughts he’s got swirling around in his mind are making him feel like he’s not good enough. You bring your hand up and place it on his cheek that’s not pressed against your thighs, you softly run your thumb over his cheekbone as your other hand plays with the hair at the back of his neck.

“Well I know you don’t hear this a lot but you’re wrong.” You watch as your words make Harry’s mouth twitch like he’s fighting off a smile. “You deserve me because I deserve you.” You swallow the small lump that’s forming in your throat as you look over at your nightstand that has a photo of you and Harry from your wedding day sitting in a pretty frame next to your lamp.

“No one can love me the way you do. No one can make me feel like I’m the most important person in the whole world the way you do. No one can protect me the way you do. So you saying you don’t deserve me is like you’re trying to tell me I don’t deserve the kind of happiness that I only get when I’m with you.” Harry’s eyes open as soon as he hears you sniffle and you don’t even have time to wipe away the few tears that have escaped before he’s sitting up making your hands fall into your lap while his come up to gently cup the sides of your face, his thumbs softly wiping away the tears for you.

“You deserve all the happiness in the world.” He tells you with as much softness he can muster as he feels his heart begin to crack at the sight of you getting upset because you just want him to know how loved he makes you feel. While he’s glad he makes you feel this way he also hates that a part of him knows the reason he goes so overboard with his love and affection for you is because he thinks maybe if he treats you the best he possibly can you won’t want to leave the moment you find out the monster he really is.

“And I get that when I’m with you.” Harry hates knowing your happiness is tied up in being with him because he knows there’s a small possibility that somewhere down the line he won’t be able to be around anymore, either because a job goes wrong or someone stumbles upon his preferred burial site that holds more than a few skeletons of his. “Is there something wrong that we need to work on? Are you not-”

“No baby there’s nothing wrong.” He says quickly stopping you from asking any other questions because he can’t stand the thought of you thinking you have anything to do with his mood this evening. “I just sometimes think this-this life we’ve made with each other is almost too good to be true and-and I get in my head about how one day you’re going to realize how fucked up I am and you’ll run for the hills.” His thumbs are still softly rubbing over your cheeks as he finally lets you in on the types of things that have been rolling around in his mind lately.

“I already know how fucked up you are Harry.” His eyes stare into yours as you bring your hands up and rest them on top of his. “You wake up before the sun rises to work out. You also prefer cold showers unless I’m joining you and force you to take a hot one. You are so organized I don’t even know where half our stuff even is. And you eat beans on toast. You’re an actual freak.” You explain with a small sniffle while you wrap your hands around his wrists, Harry appreciates your attempt at trying to change the mood of the conversation because he doesn’t know how much longer he can watch tears slip down your face.

“But you love me right?” He asks as he leans in to place a kiss to your forehead.

“I’ll never love anyone the way I love you so don’t think even for a minute that I’ll ever leave you okay?” Harry just nods as you give his wrists a squeeze and that’s when you notice his eyes have gotten a little misty. “I promise I’m not going anywhere.” You reassure him as you move your hands from his wrist and up to his face while his hands drop to your shoulders.

“Good.” You smile as you feel him lean into your touch. “You mean everything to me you know that right?” You give him a small nod as you hear the emotion in his voice. “I love you.” He says softly as you lean in and rest your forehead against his as a few stray tears roll down his face. “I’m sor-” Harry’s apology is cut off by the feeling of your lips on his in a sweet kiss.

“I love you too.” You mumble against his lips as his hands slip into your hair keeping your face close to his. “You don’t have to apologize to me. You didn’t do anything wrong.” Harry closes his eyes for a moment as you take your thumbs and wipe away the last of his tears while he take a few seconds to let your words sink in, ignoring the ever present guilt that wants to work its way up his chest and into his throat so he can come clean and just tell you everything he’s done wrong that would make you change your mind and demand an apology and probably a divorce from him.

But Harry decides that while yes he does unspeakable things and hurts people for a living, there’s a reason he walked into the cafe you worked at all those years ago and maybe it was because the universe or whatever it may be knew you were exactly what he needed in his life. He felt lost before he met you, just going through the motions of life with no real purpose until you came along and gave him one. That’s why he will always drop whatever he’s doing if you need him because your happiness is his main priority and it’s the same reason he’d leave and make sure you never saw him again if you ever do decide to be done with him.

He hasn’t ever loved anyone as much as he loves you and as he leans in and places a kiss to your lips he knows you love him just as much when he feels you pull him closer when you think he’s about to pull away, not wanting him to get too far but you have nothing to worry about because Harry isn’t going anywhere. The two of you are it for each other and he feels a sense of relief wash over him as that realization hits him, momentarily putting him at ease.

“You really think I’m a freak because of the beans on toast thing?” He teases once you actually allow him to pull away and you roll your eyes as he places little kisses to the tip of your nose and then both cheeks.

“Yes.” He smiles as you run a hand through his hair. “But you’re my freak.”

“Oh really? And here I was thinking you were my little freak.” He chuckles at the way your cheeks get pink as he leans down and gives you a quick peck making you smile when he pulls away. It’s a smile that makes Harry’s heart want to burst because it’s the smile you give him when he can tell you’re truly happy and that’s all Harry wants, he just wants to be able to make you smile like that for as long as he can.

[menlove]

queer paul tome pt 1: everything not related to john

okay i've been saying i'd make this post forever and it's uh. long. so i decided to split it up into four parts so i can get this first bit out and let it stop haunting me and so it's not 50 miles long.

feel free to add your own if it's not here or shoot me an ask and i'll add it :)

disclaimer: i'm not definitively saying sir paul mccartney is queer. i mean i really firmly think he is but it's all just speculation. also, if he is, there's obviously a reason he's not out about it & he deserves to have his privacy respected. i just personally find the dominant narrative in the fandom & even in larger spaces that poor pining queer john was in love with tragically heterosexual paul completely unconvincing and neeeeeed to be insane for a minute here

if this pisses u off u can simply scroll on by i do not need an essay in my notes. make your own post if you disagree.

(paul doing this for whatever reason in beverly hills, 1974- also the same trip he saw john on bc sure i guess)

this doesn't include lyrics as the main argument bc i saw a post ages ago basically saying there's nothing outside of them and lowkey i took that as a challenge because there's SO much outside of his lyrics that point to him being queer.

that being SAID, this is going to be split into four posts: not john related (most important and thus first bc there's so much documented about mclennon & john being queer, but not paul by himself), john related, paul's relationships w other men (these ones aren't all like... concrete and that's why they aren't included here but w all the context that'll come before it his relationships to certain men are..... interesting), and finally lyrics last bc some of them you genuinely can't just ignore

part 2- john related part 3- other men part 4- lyrics (those will have links once i actually make them)

also, i'm sure people have made similar posts before- i haven't seen them (other than this one an anon sent while i was writing this up which is sooo interesting but does have a lot of dead links) but if you have one you want to share feel free!

time to get into it. i'm avoiding homework by doing this.

(sidenote: not including instances of him just flirting w men bc body language can be read a lot of different ways- but if y'all wanna add any i know they're a dime a dozen like w george m., mal, random reporters, robert fraser, etc)

1- "Just kidding, Linda..."

REPORTER: You're a very, very good looking man. PAUL: [sits up straighter, making a sort of campy gesture towards the crowd, turning into a point] Get that boy's name. [Drops his hand, smiling and leaning his cheek on his hand.] Just kidding, Linda. REPORTER: [unintelligible] PAUL: What? REPORTER: I said- do you have a secret, looking so nice for fifty years? PAUL: [grins, resting his chin on his hand again and batting his eyelashes] Yes, it's the drugs, you know.

(originally posted on here by @northernsongspeels who hasn't been active in a while) this one is so crazy to me. he's so obviously flirting with that man and he's apologizing to linda for flirting with that man. like it's a conversation they've had before.

2- "Yes, boys."

this video (originally posted by @ilovedig here)

PAUL: Yes, I think the main difference is that when you are that age- which I'm sure you remember, Tom- TOM: It's back there in the dim distant past, yes. PAUL: When you're that age, that's the kind of thing to do. I mean, what you're doing is you're going 'round and you're basically looking for girls or whatever turns you on and stuff. So, uh, yeah, I- TOM: Well- well could you give me the alternatives to girls? Are there others? LINDA: [scoffs] PAUL: Yes, boys. TOM: Oh! No.

3- "He's so good looking."

Paul McCartney first read the name and saw the photo (for weeks there was just one crazy photo of Elvis available in Britain) during a free period at Liverpool Institute. Again, it was a friend with the NME, and there was an advert for Heartbreak Hotel. "I thought, 'He's so good looking,'" Paul says, "he just looked perfect." Mark Lewisohn, All These Years Vol. 1 Tune In, sourced from the Anthology TV series by Lewisohn.

4- "A Nice Person Girl"

this fun little interview... (originally posted by @amoralto idk why the archive.org capture of it looks funky but the audio is still there) take it w a grain of salt bc it can also just read as a homophobic joke but like.

August 22nd, 1966 (Warwick Hotel, New York): As DJ “Cousin Brucie” Morrow conducts brief interviews with each of the Beatles, one by one, he asks Paul to settle the rumours that have been circulating in the press about the status of his relationship with Jane Asher. MORROW: Moving over here to Paul – someone just handed me a card. I guess this is… [focusing] Last year, when you were on my microphone here— PAUL: Ask me something about Rick Sklar. MORROW: Rick Sklar? That’s my boss. JOHN: Ask Paul about Rick Sklar. MORROW: Uh, Paul, last year when you were on my microphone, I think somebody – one of your staff – announced an engagement of you and Jane. PAUL: Uh… MORROW: Do you remember that? It was announced on the air. And then I remember we said something on the air and then thousands of people from the street went, “Oh.” What is it with you and Jane now? How – what is your relationship? Are you planning a marriage, planning an engagement, are you just boyfriend and girlfriend, what is it? Tell us the whole thing. JOHN: [mutters; inaudible] PAUL: Uh. We’re just queer, that’s the scene. [uproarious laughter in background] That’s the scene. Well I mean, I couldn’t say that on the air live, you know. JOHN: No, you’ll get into trouble for it. PAUL: No, the thing is, Cousin Bruce – um, we haven’t got plans to marry yet, you know. That’s the point. And that business about somebody saying we were engaged, nobody actually said it. It was just another one of those things where someone says, “Are they engaged?” and they said, “Well, whatever it is… [muttering]” “Yes, folks, they’re engaged!” And it wasn’t true. MORROW: Well, I’m sure there are a lot of girls who are very happy with this. What would you look for, in a girl? Say you did eventually want to settle down, what would you want to – what kind of girl would you like? What would you – what would you like in a gal you wanted to marry eventually, bring home to Mommy? PAUL: Uh… Female hormones. MORROW: Female. What’ll you go for, any – what, blonde, brunette, what? PAUL: Uh, you know, anything. Anything. Girls. It doesn’t matter if they’re blonde, brunette, or anything, as long as they’ve got it. MORROW: Would you want a nice person – what? A beautiful nice person girl. PAUL: Yeah, you know. A nice person girl. (transcription directly from @amoralto, bold mine)

and again this one COULD just be a lil homophobic joke but idk man his tone here is very different and the fact that he says he couldn't say that on air & john says he'll get in trouble is just. interesting. it's Interesting.

5- "A 26 year old queer never to get married."

Half an hour later it was very quiet, except for a few sobs, and then we decided that we had to see him just once more. We opened the gates and walked slowly in. Someone rang the doorbell. Waited, no one came, rang again. Rang again. Paul answered. We just stood there. God what do we say? "Yes, what do you want?" he said, as if we'd just come to borrow sugar. C. ran out. Someone asked if it was tomorrow, and he said, "Tomorrow." It went quiet again. "What's this - Heartbreak Hotel? What do you think I am a 26 year old queer never to get married? Oh, stick around kids!" We just looked at each other. Oh God, Paul, what have we done now. All we wanted to do was stand there and talk awhile. What was the point in shouting at us like that? We stood there, tears falling but there was no sound. "Apple Scruffs Come to Dinner" by Andrew Bailey, 1970 (x), bold mine

again, like the last one, this one is very... i think he was absolutely being homophobic here, but it's a very telling outburst. like he's yelling this harsh enough to make these girls cry.

6- Harry Harrison's "gorgeous tan"

moving onto this wild quote from many years from now by barry miles about george's older brother (bold mine):

"George Harrison’s elder brother Harry had been to Christmas Island and arrived back with a gorgeous tan in his army uniform and we thought, My God, he’s been made a man of. You used to see this quite regularly, people would be made a man of."

7/8- gender neutral language

let's get into some interesting gender neutral language he uses. now, would this be Particularly compelling with a modern celebrity? not really. but most people his age really don't talk gender neutrally unless it's to be vague On Purpose. like this bit from many years from now, where before this he'd been using exclusively "girl" and "she/her" pronouns talking about hookups, it suddenly shifts to very purposefully vague (bold mine):

With a lot of those people I met and related to, albeit for a short time, I've mercifully forgotten them and I don't really remember what went on, thank goodness. There may have been a few drinks involved and I was a little merry and, you know, you slip back to someone's flat... My main feeling really is one of relief. You do feel like some of it was outrageous. But I'm glad to have had a slightly outrageous period in my life, as long as it didn't hurt anybody, because I'd always felt maybe my character was too careful. I think the great thing was I never had any deep, dark secrets. That's what the papers wanted. They wanted me to be hiding a little Miss Whiplash somewhere, and for the flat to be in my name. But it was never that. It was always a one-night stand with whoever was around and wanted to party.

this next one take w a grain of salt bc the source Is cited but looking it up online only brings up tumblr blogs. the source does seem to exist but i'm being so real i don't care enough to go and buy the source but if anyone wants to and wants to fact-check it have at it. bold mine:

Favourite Drink: If I could only choose one drink it would have to be water. When I’m a bit hung over that’s all I can take. But I still like a Scotch and Coke. I can’t overdo it any more. Four’s my maximum, four and I’m anybody’s. (official program booklet for The Paul McCartney World Tour (1989-90): Lifelines. (1989))

what's also interesting about this one is it's when him and linda were married, which gives some credence to the rumors that they maybe had an open relationship (men or not). it also makes me think of the "just kidding, linda" thing lmao. she can't take her husband anywhere or he's going to be fagging it up the second he gets 4 drinks in him.

9/10/11- the "binary" (ft. a bit of john)

this infamous quote from the lyrics in his section on "hello goodbye" (bold mine) (x):

I'm attracted to the binary. I state that quite casually, but I think there’s actually a lot more to it than my just saying, ‘I’m attracted to the binary.’ Once you get down to the scientific biological level, in my core, I probably am the binary. All of us are probably more binary than we might realise.

context being that when he says "the binary" he means duality. there's a lot of interesting stuff going on in this article, though there's some more john related stuff i'll add here too bc it's super fascinating (sorry, easier to go here than the john section!):

‘Hello, Goodbye’ shows off a binary that we took great advantage of in The Beatles. With regard to John Lennon and myself, the great attraction we had for each other was that we each had a bit the other didn’t have. John could be quite cynical. I was his opposite, in that respect. [...] I think there definitely was a sort of ‘hello, goodbye’ about John and myself. But we loved it. We loved it because John could contribute his caustic wit and I could contribute something more upbeat. Not always, we each did what the other one did from time to time. But if you had to break it down – and though it is a bit crude to say so – there was a binary tension at the heart of our songwriting together.

12- big guys at the gym

onto something more lighthearted and also just ridiculous (x):

"If I'm in a gym and all the big guys have got big weights and they're doing all the big stuff, at the end I do a headstand," he said. "And they come over to me [and say], 'That's pretty impressive man.'" ["78-year-old Paul McCartney’s fitness routine includes headstands and yoga with Alec Baldwin" by Cory Stieg]

13- gay dreams

this infamous quote which i have a bit of a different take on that i'll expand on in a sec (bold mine)

My view is that these things are there whether you want them or not, in your interior. You don’t call up dreams, they happen, often the exact opposite of what you want. You can be heterosexual and be having a homosexual dream and wake up, and think, “Shit, am I gay?” I like that you don’t have control over it. But there is some control – it is you dreaming, it is your mind it’s all happening in. In a way my equation would be that my computer is fully loaded by now. Maybe in younger people there’s a little bit of loading to go, but mine’s loaded pretty much, so what I try and do is allow it to print out unbeknown to me. And I’m interested to hear what it’s got in there. (interview by Karen Wright for Luigi's Alcove, 2000) (x)

a lot of people use this to point to him being oblivious, which i do get, but i want to focus more on the line "it is you dreaming, it is your mind it's all happening in". like he seems interested and fascinated by the revelations we have in our dreams- hardly repressed or scared.

14- royston ellis' "break me in easy"

we've all been over the royston ellis poem and i don't want to just retype out everything that's already on this post so go check out @eppysboys' post on the royston ellis poem!

but tl;dr a bisexual friend of theirs in liverpool, royston ellis, wrote this poem called "Break Me In Easy":

Easy, easy, break me in easy. Sure I’m big time, cock-sure and brash, but easy, easy, break me in easy. Sure they’ve been others, I know the way…

which is about gay sex. he also told the boys that 1 in every 5 men was gay and paul worried that it might be him (this was back in 1960). he still remembered it line for line by 2006 which is just insane. all the sources for those are over on the linked post.

15- woody pecker

originally posted by @didwemeetsomewherebefore here (links to my blog bc the wayback machine was not cooperating right but as long as it stays up you can find the original here!)

PAUL & DONOVAN: How to suck a lollypopper, Sitting on a woodypecker, Dancing in the double-decker shoe, I don’t know, So, how do you do? PAUL: I don't know how you do it, Lordy, knows I try But every time I try to do it, My whole darn tongue gets ti(r)ed

this one is just so sillyyyyy and cute but it's just so full of innuendo like sucking on a lollypop and sitting on a woody pecker and your tongue getting tied (tired?) when you try to suck the uh lollypop. giggling his way through it with one of his boy best friends donovan too.

16- "i heard he was gay"

this fun little quote from body count by francie schwartz:

When the rotation of bike, gun, and other diversions left me alone with Billy, his first words were, "You went with Paul McCartney, didn’t you?" "I bet you just love it when people ask you about your father, don't you?" He was surprised, he half-frowned. "No, really, what's Paul like? I heard he was gay." "He might have gone that way, but he didn't. He really didn't dig fucking all that much, if that's any kind of an answer."

note here though that francie is a notoriously unreliable source on paul. she hates him and honestly makes some pretty homophobic digs at him & others pretty frequently. so it is interesting that she denies he's gay, but says he might have gone that way. given how short of a time they were together and how weird their relationship was, i wouldn't really expect him to be open about that with her- still, she noticed something there too.

17- homosexual handbook

paul was mentioned in the homosexual handbook by angelo d'arcangelo in 1968 under a list of famous homosexuals. it's very tongue in cheek and says this "may just be wishful thinking on (my) part"

and obviously not proof as the book takes a very playful and unserious tone. he does provide this little disclaimer though, which i think is interesting:

Some of the men on this list are self-acknowledged homosexuals. Some are not. All of them are generally thought to be gay. However, as many family men and notorious womanizers appear on these pages, we must—rather than question their forays into either or both sexes—congratulate them on their obvious virility.

because once again like... WHERE are these rumors about paul being gay? because the rest of this list, as far as i can tell (ngl i did not do a deep read there) are men who have/had gay rumors about them or were gay. this comes up more in the john post as well, but i seriously need to know just how many rumors there were about him being gay.

18- "the female hordes"

It was always obvious Brian was gay and we could talk to him about gay things, but he would never come out with, 'Hello, Paul, you’re looking nice today.' I was quite obviously un-gay, due to my hunting of the female hordes, and I think we all must have given the same impression. There had been a suggestion since that John had some homosexual thing with Brian, but I personally doubt it. All the intimate moments we shared were always about girls. (from Anthology)

i know putting one of his "un-gay" quotes here is counter intuitive but listen i have genuinely never heard a gayer thing come out of a man's mouth than "hunting of the female hordes" it sends me to fucking mars every time i read it. that's the most closeted shit i've ever read in my entire life. it sounds like what a gay man would say trying to come up with something a straight man would say. and i think paul's bi, he just desperately wants me to think he's never gotten pussy a day in his damn life with this quote.

as a side-note, "all the intimate moments we shared were always about girls". now what do you mean by that man..... like shared as in verbally told stories? or do you mean it was always about the girls when you guys were...... intimate? because those are two really different things and i need to know what the hell that's supposed to mean

19/20- this poor man just wants to flirt with and kiss men can we let him

okay tumblr has nerfed me and won't let me add any more videos from tumblr but there's a video of drunk paul almost kissing ringo jokingly. posted by @stewy here and as long as it's up you can reblog it here- thank u for the contribution to my red stringing lmfao

pringo for once thank god but. i don't even have anything to say except to point and think of a slur. drunk as hell flirting with your best friend what's better than that.

and then this whole interaction between paul & elton john where they kiss on the mouth

and i could so buy that this is a straight man and gay man just being comfortable together except well see above and see the other posts but also paul's very much adapting a softer, "campier" tone around him and calling him babe/darling in a very, again, gay way. not as in he's gay For elton john lmfao but this is how to old gay friends would greet each other do you see what i mean do you understand me......

anyway that's the end of part 1 join me next time (whenever the fuck i decide to avoid doing homework again um) this man has sucked a dick i'm so sure of this. (not really don't sue me for libel paul love ya)

[heavensoutofsight]

just some thoughts...

firstly, i just wanna say that it makes me very happy to see so many black and queer women being spotlighted at the grammys (as a black, queer woman myself). and i am not at all upset at beyonce winning, given that she is the first black woman to win that award since 1999, which is pretty huge.

however. is it still extremely disappointing that billie didn't win anything? absolutely.

i think what makes this whole situation the most upsetting is that billie has said countless times in various interviews how much this album means to her. she's talked numerous times about how this was her most personal album yet and how challenging it was for her to be honest while making it. she's talked about how it's the album she's the most proud of and how it's the album that is undeniably the most "her." an album that means this much not only to billie but to the fans not winning a single category is very saddening and i could understand why many would be angry.

more than anything, though, i just want billie to know one thing: hit me hard and soft may not have won a single grammy, but it did win the hearts of fans and non-fans alike. it is an album that has touched many peoples' hearts, it's an album that people resonate with, it's an album that people feel comforted by. billie has said time and time again that she just wants to be a voice for people who feel like they don't have one and i want her to know that with this album especially, she achieved that. hmhas is an album that so many people, including myself, hold near and dear to their hearts, and i think that is the best reward anyone could ask for. i hope billie truly knows that.

hmhas means so much to me, personally. for practically the entire month of may and the rest of 2024, i recall so many moments when i'd put the album on and sing every lyric like i was at my own little concert at 3 in the morning in my bedroom. if i ever had a shit day, i would put on birds of a feather or lunch if i wanted to smile. if i needed to cry, i'd put on skinny or the greatest or wildflower. this album is genuinely healing, for me, and for so many others. i think that's more important than anything.

billie will never see this (lol) but... love you billie, hmhas has won alllll the awards in my heart and has gone triple platinum in my bedroom!!

[lovethebluebox]

Hahaha no. Trump is not going to censor the documents he put in that stupid Bible he was selling and the epitome of 'Communism Bad evil totalitarian dictatorship' works of George Orwell. Not when Amazon released a special audiobook version of it last year and the movie adaptations of these books were funded by the CIA during the Red Scare.

If you guys truly care about censorship, I need you guys to go to the Marxist Internet Archive and Anarchist Archives and save what you can as PDFs to your hard drives. You don't have to agree with them, or even like them, but if you believe censorship is bad, that also applies to political beliefs you disagree with and may even morally object to. Librarian rule, we are not archiving according to our own personal feelings. It's important to have as many written records as we can get our hands on, even if it's just to use them as primary sources to properly understand their arguments and debunk them. Yes, that includes works by Mao and Stalin. You're allowed to read Mein Kampf in high school for this exact reason. At the very least we should be able to do the same with communist leaders too.

The thing about Republicans is that they're predictable. We've been hearing them rant about feminism and wokeness and CRT and Marxism and the alphabet people for years. And we even have a blueprint of things they want to ban, anything that's happening in Florida should be viewed as what Republicans want to do in the rest of the country. Look up the books that are banned from Florida schools, look up the resources in the 1619 project. While you're at it, go to the CIA's website and download whatever declassified documents you can, you never know what they may reclassify again.

You want to know what kind of documents are most likely to be lost?

Local history.

Please I'm begging you guys, get in touch with your town's cultural centers, historical societies, pride centers and university librarians. Ask about Union Strikes and Queer history and the Indigenous people who lived there before you. You'll learn a lot of cool local history and they'll be more than glad to help. You do not have to do this archival work alone.

i have a folder in my computer called "just in case" where i have important documents saved, like the constitution (since trump REMOVED IT from whitehouse.gov) and books that might get banned

im obviously going to add more, if anyone has any reccomendations please let me know. just wanted to share because i think its a good idea going into these next 4+ years.

EDIT i've also added a clip of elon doing the nazi salute because its taken down a lot of places and likely will be removed everywhere. as well as screenshots of what happened when you searched "presidents in order" (it did not show biden) and "president from 2020-2024" (it showed trump) but have since been fixed

[amfstargirl]

Details of half return

The narrative starts with y/n going back to their old house, where they start with reminiscing about memories from their old home. They admire every mark they left in their home when they were a kid not knowing that was the last time they were gonna live and make memories there. It's also a perfect situation where you can relate to Adrianne Lenker's lyrics, specifically in which she says, “standing in the yard, dressed like a kid,” which indicates a moment of nostalgia. To me, this song is highly associated with missing the innocence, youth, childhood, or simply who you were in the past.

 If you're wondering why the reader goes to their old house, it's because it's a way of letting go for them. As they have said in the story that it was a way of letting go and mourning that version of them. Because you can never really let go if you're not mourning/did not mourn even the slightest.They saw it as a necessary step in the process of growing and becoming a new person.

In the old house scene, you can see the memory of the reader, where they see the life they want in the lives of others, making them yearn for that. The space between two windows, reader and their neighbor, indicates or symbolizes their current life (reader's window), while the other mirrors the life they long for (neighbor's window), like a window to their desired reality. So watching the Barbie movies/shows through their neighbor was them actually watching the life they wish for. 

Also, the puppy she found on a random day while she was alone. The puppy is a symbolic object of the reader. As you saw in the first scene where they both first met, it was said that the puppy was just crying for its mother and father, hoping, waiting. (That's eerily familiar, don't you think?) And! The reader named the puppy “Amara,” which, if I'm not mistaken, means forever loved, which she is. Amara was a mirror of y/n's soul. And y/n treated them the way they have always wanted to be treated. 

But Amara is not a mirror to the current reader's soul. Do you get it? Because Amara was the symbol of the past version of them, which means they were the beacon of youth Y/N once had. Amara staying and waiting within the walls of where they both grew up just connects to y/n’s journey of letting go. That is why when the reader saw her, whispered gently to her and reassured her that it was okay, that she could rest now. representing readers' way of saying goodbye to the old y/n and letting them rest. The scarred innocent of their younger self is now free from the heavy pain of the things they went through. 

The scene where the reader “made up” with their mother and the fact that their mother admitted she never hated them that much but couldn't confirm that she didn't entirely hate them is SO important. It was a moment where their mother finally acknowledged her faults and apologized bitterly but with sincerity. She was very honest in that scene, as she knew that was what you needed and wanted. No sugar-coated words, only the truth. Also the fact that they made up, but it was also going to be the last time they would see each other!! Because the reader cut them off on good terms, and that was the final step in making peace with everything that was part of their past. 

Also, if yall were wondering how the reader “moved on” with the Bat family, it was actually the first ever step they took in making peace with their past. As their way of doing it was just accepting. Accepting that they will never see them as family, and they will never be interested in them in any way. (Guess who got clowned.)

And Alfred, who was driven by his own selfish desires. Now we all know that it was Alfred who took care of the reader the moment they got to the manor, so naturally it would be Alfred who first spiraled into yanderism. I like the idea of Alfred; despite wanting what's best for the reader and what makes her happy, he is still a yandere. And that means he still has traits of a yandere, which is what made him come up with a heavily detailed plan. 

[quarterlifekitty]

wifey here again with stepdad!Nik, so I think SD would insist on finishing college since she only has like a year left anyway and because she feels like she'll be able to get a job easier with a degree, she doesn't wanna be a burden. Nikolai ofc lets her finish college, it keeps her busy while at home, settling in nicely to their house. He takes care of her every need, and slowly starts to convince her that she doesn't owe him anything, she's his wife now, or soon to be at the very least. All she needs to do is stay home and worry about their little one. Anytime she has doubts about how much he wants her and wants to provide for her she gets reminded thoroughly. It's when SD's bump is getting noticeable that Nik really steps it up. "What if we both miss the important moments?" and SD eventually is like "yeah, okay, but if it ever becomes a burden I'll get a job" and Nik is real proud of himself. SD also becomes very needy, in just the way Nik loves, she wants to be with him as much as possible and needs help a lot because hormones are fucking with her. And she definitely thanks him plenty for his help whenever she can. Bonus NikPrice x SD reader John decides to visit Nik and his new bird since on their last mission Nikolai wouldn't shut up about her and he immediately gets why when he sees SD, she's so sweet and nurturing and she looks gorgeous all round with Nik's kid, stays a few nights and gets drunk one night and jokingly (sorta) tells Nik he'd love to put the next one in her and Nikolai just hums with a smile "why not?" and reader is suddenly being flirted with by her fiance/husband's friend. Is real worried about it cause she likes it and guility goes to Nik who is 1. Very pleased by her honesty and 2. reassures her and tells her that he's okay with it if she is. (Totally wasn't his plan to get his two favorite people together so he could have them both, nope, that's totally not why he raved about her to John and not one other soul. Mmhm)

Also im really sorry if once again this doesn't make sense, stress has got me by a chokehold lately and its making my brain bad lol

Ooooooh wifey you are killing me. Isn’t that the perfect solution, though? You’re so worried about being a burden, let’s bring in another source of income!!

You know. Maybe it’s kinda degrading. But I totally imagine Nik comes up with little tasks for her. Let’s be real, it’s so easy— he saw what her mother was like, he can see how starved she is for approval, it practically blinds her. Things like “I want us to get a new car with some more space before the baby comes— can you research what models are best for family? You have a better mind for things like that than me,” he says with an almost sheepish smile. You’re practically wagging your tail with excitement— and you just look so happy when you present all of your work and he seems so pleased with you.

Also, in a bit of darker move, I can imagine if you’re not as into John as all that— they come up with a story. They say that John wants to have a baby of his own, but he’s not married, and he wants to have a kid before he’s too old and his career gets in the way of romance. So he would love for you to be like a surrogate for him. You’ve done so well with this first pregnancy, and you’re still so young— plus! John would be willing to pay, so it’d be like you’ve got your own income to help out!

The only thing is that John believes in natural conception. And he wants to live with you both during the pregnancy to help out. And he doesn’t actually plan on leaving once you have his kid. And Nik knows how sensitive and caring you are— when you confess to him your doubts about giving the baby up for good once it’s born, he comforts you. Of course he’ll talk to John about it, milaya, he’s sure they can come to an agreement.

[beneathsilverstars]

i keep adding things to this one post and then realizing they'd make more sense as a separate post. so here's how the party explained what happened in dagger ending au to bonnie:

Siffrin was very sad and worried about everyone leaving, because he was alone before he met us and he didn't want to be alone again. But he didn't talk about it because we all had plans that seemed very important, and he didn't want to get in the way, and he didn't want to admit that he didn't have anything else to do. It sounds pretty silly when you put it like that, but the rest of us were nervous to admit how much we cared about each other, too! Sometimes it's hard to tell someone how important they are to you, if you don't know whether you're important to them.

During the quest it was okay, because Siffrin knew we would stay together until Vaugarde was saved. But getting to Dormont meant the quest was almost over, and they got so upset at the idea of everyone leaving, that they didn't really care about what they were doing. Why did it matter what happened to them, when they were going to be sad and alone tomorrow either way? So they weren't very careful while they were training, and they got hurt. Luckily Odile saw, and Mirabelle healed them right up.

Now, he's really glad that we all decided to stay together longer! But he might still feel worried for a while, because it's hard to believe that everyone isn't leaving, after he's been dreading it for so long. And sometimes when you're sad for a long time, your brain just tries to keep being sad even when there isn't any reason to be. But if we keep reminding him that we love him just as much as he loves us, it'll start to stick in his brain better! We might also need to remind him to be careful and take care of himself, because that can be hard to remember when you're sad. And while he practices that, we can help take care of him, too!

[emcapi]

I know this absolutely doesn't solve the wider systemic issue, but I highly recommend learning to cut your own and your friends' hair. It's easier than you think!

All you really need to get started:

Shears (necessary even for very short/buzzcut hair, you may end up with a few straggler hairs especially around the ears or patches that need manual evening out)

Thinning shears (VERY important - these let you do layering and texture super easily, make cuts look professional by softening blunt/choppy edges, and they can also salvage a lot of mistakes by blending them into the rest of the hair)

Electric clippers if you're doing buzzcuts or undercuts (If you can afford it, get the ones a step up from the most basic model, because the cheap ones suck and you'll end up going over the same spot 5 million times trying to get it even; I have a Wahl Elite Pro which is about $70, includes a pair of shears, and has paid for itself many times over)

Fine-toothed comb

Spray bottle (keep hair damp while cutting to make it easier to manage)

Set of hair clips (critical for bangs, undercuts, or different length sections)

Large hand mirror (Use together with wall/bathroom mirror to see the back of your head. It works best to have your back to the big mirror, hold the hand mirror in front of you, and adjust to get the right angle.)

I've been exclusively cutting my own hair for 8 years now, almost entirely self-taught, with both long and short styles. I won't lie, it's kind of scary at first! But if you fuck up, you can fix it yourself, and it'll grow out again, or you always have a professional stylist as a last resort. Most people won't notice the difference between a passably well-done DIY cut and a professional one (and if you do somehow fuck up beyond repair, you can always lie and say you went to a place that botched it).

And once you have the hang of it, the advantages are huge. No more dealing with hairstylists misunderstanding (intentionally or otherwise) what you want. No more spending money on haircuts, or dealing with executive function barriers to making or keeping appointments. And once you've found a style that Works for you, you can get really good at recreating it!

Again, this is not the same thing as fixing the systemic issue. But I for one absolutely love having full autonomy over my hair, and I'm here to tell you that if you've ever considered cutting your own hair, give it a try. It's absolutely worth it.

the thing about having long hair especially if you are a girl/perceived as one is people act like they will be personally offended if you cut it. INCLUDING! hair stylists who you are paying to cut it. double it if you have blonde/red/ginger/curly/etc hair. like the lack of autonomy ive been allowed to feel about my hair, even when its subtle still has me afraid to go to the stylist and ask for the haircut im paying to get.

[qqueenofhades]

I just wanted to say thank you for your last couple of posts (and your words on the current fuckery in general). It's been tough watching the fallout from across the globe and dreading the inevitable impact on our own elections this year.

I know this isn't the timeline either of us wanted to be in but your posts give me that but of necessary hope to keep going and fighting for better.

PS: I offer a picture of my cat Maya for comfort in these trying but will be endured times

FLUFFY. WHAT A GOOD FLUFFY. I WANT TO SNUGGLE THE FLUFFY (I AM ALLERGIC TO CATS WHICH IS WHY I MUST DO THIS VIRTUALLY, IT IS A GREAT SOURCE OF WOE AND INJUSTICE IN MY LIFE.)

....ahem.

Thanks, m'dear, and you're welcome. I am so sorry for the blizzard of bullshit that the Trumpsters are raining not just on America but the world, and it totally escapes me as to why half the country shrugged and went "eh we should elect him again." But that being as it is, Etc Etc Gandalf Nobody Wants To See These Times But We Must Decide What To Do With Them. So there is that.

Nobody DID want this timeline and it is existentially crushing to be back in it again, but... well. I am trying to limit my political posts to only the ones where I can offer a constructive action item or reassuring insight, because I don't see the point in just repeating all the no good very bad generally terrible things that are going on and which we already know about. I don't want to make light of anything or say that it's not bad, when we can see that it is very bad, but we've gotta keep our heads and a little perspective as best we can. So yeah.

My one important point for every single [insert bullshit fuckery fascist action du jour] is that we can't live and die on every 24-hour news cycle and immediately jump on every single bad thing they do, because as I keep saying, they want to wear us out and burn out our spirit to resist. So when we get obvious insane bullshit like "Elon Musk seized the financial data of every US citizen," well, we can immediately call our elected officials and so forth, but we must also pace ourselves and take the long view. This is flagrantly illegal. Everyone knows it. It will be sued and very probably enjoined. We do not need to hang onto every minute-by-minute update and traumatize ourselves into inaction, when our direct ability to influence it is limited.

We need to look at cat pictures, read books, enjoy our hobbies, look at the beautiful world, love our friends and family, make dinner, do chores, get up and keep going. If we are constantly reading or viewing content that upsets us, even when we agree with it or it comes from our friends, we need to take steps to curate it. It will not happen differently whether or not we stare at it all the time. So yes. We will get through this, but we cannot burn ourselves out in the first few weeks when they will obviously be front-loading all the most insane BS.

Courage.

[babybeeelle]

Hiii, long time no see. I was writing a different story, but I wasn't satisfied in the direction it was going so this just spouted from my brain. This was based off a request, but I'm dramatic so I amplified it :)

Summary - When Agatha's grief causes her to lash out at the reader, she hurts them deeply.

Warnings - Agatha needs therapy, mention of self-harm scars, near-death experiences, and detailed? suicide attempt.

Word count : 4400+

a/n - Very important Warnings. The is a very detailed fic. Please please please read them and make a safe decision to continue reading💖

What's Said and Done

You didn't intend for your reminiscing of Nicky to trigger Agatha the way it did. You had hoped that maybe the decades upon decades spent grieving together created a safe space to talk about the short, but treasured time you all had with Nicky. You craved to fill the hole his death left with the precious memories that had filled your heart with joy. You wanted that for Agatha. You wanted to mend the corrupted memory of him. He deserved to be cherished.

It was obvious now Agatha couldn't. You knew that unadulterated grief that was entangled into her loving soul very well. You thought her forgiving Rio, inviting her back into her heart after two centuries, meant that she was in a stage of grief where she would want to talk about him.

You had so many memories of Nicky etched into your heart, moments that glowed like a lighthouse in the violent weather of grief.

The day he first came into your lives, his tiny hands were gripping tightly to your fingers as Agatha held him, and his wide, curious eyes darted around the unfamiliar space in the bedroom of the little cottage you shared.

Rio had been cautious at first. Viewing his birth from the door frame, knowing she was going to be the one who would lead him to the afterlife before he could truly live.

Yes, she created him, but she also knew the possible complications of creating a precious life unnaturally. But when Agatha looked at her, tears brimming in her eyes as she nodded her head, she could see Agatha was thankful for giving her the time he deserved. To Rio, the pain would be worth it.

Anyone could tell Nicholas was made from Rio. The resemblance was uncanny as he grew older. His facial structure mirrored hers perfectly, from his sharp jawline to the delicate angles of his cheekbones. His eyes a warm chocolate, filled with mischief, were identical to hers. Even down to the smile lines that shined so brightly with his perfect smile. He truly was a mirror image.

There were the little everyday moments that had became everything.

Rio kneeling in the backyard, dirt smudged on her cheek as she pressed her hands to the soil, coaxing life from the earth. Nicky crouched beside her, his tiny fingers buried in the dirt, eyes wide with awe as delicate petals bloomed before him. Every time a new bloom appeared, he’d clap his hands and turn to Agatha with Rio's smile.

Then there were the nights Agatha loved most. She would sit on the edge of his bed, her hands glowing with a soft purple light as galaxies lit across his bedroom ceiling. Stars twinkled, planets drifted in slow, mesmerizing orbits, casting his room in a cosmic glow. Nicky’s small hands would reach up, tracing constellations only he could see, his laughter light and full of wonder.

It was all the things Agatha didn't want to remember.

Her shoulders stiffened while she was putting away laundry. “Why?” Agatha asked finally, her voice low and clipped.

You frowned, caught off guard by her tone. Feeling the sudden change in energy, you began to rub your scarred arm, a self-soothing habit you picked up when you began to feel on edge. “Why what?”

“Why do you have to bring him up?” she said, halting the chores. She turned to face you as you stood beside her. Her eyes were trained on yours, unwilling to break eye contact. “Do you think that helps? Reliving every little memory like it’s going to bring him back?”

The words stung, but you took a deep breath, willing yourself to stay calm. “I don’t bring him up to hurt you, Agatha. I just... I miss him. I thought maybe we could talk about the good times, try to focus on—”

“On what?” Agatha snapped, her voice rising. “On how he was never ours to keep him? How we couldn't heal him? On how everything we tried wasn’t enough?” She slammed her hand on the dresser in agitation causing you to jump, eyes-widened as your breath was caught in your throat from surprise. “Because that’s all I see when I think of him.”

Your heart clenched as you watched her unravel, the grief in her voice morphing into anger. “It wasn’t your fault, Agatha,” you said quietly reaching out for her hand. “It wasn’t anyone’s fault.”

She laughed bitterly, shaking her head as she avoided your touch, crossing her arms defensively. “Of course you’d say that. You always have to be the understanding one, don’t you? Always so composed, so...forgiving”

Her words hit like a slap, but she was being unfair. “You’re not the only one who lost him, Agatha. I lost him too. And Rio—”

“Don’t,” Agatha interrupted, her voice cutting through the room. “Don’t you dare bring her into this.”

The tension between you thickened as your shared grief and unresolved pain collided.

“Why not?” you challenged, ready to defend. “She loved him too. We all did. And maybe it’s hard for you to see, but she’s been trying, Agatha. She’s been trying to make things right with you.”

Agatha's lips curling into a bitter smile. “Trying?” she repeated mockingly. “Trying to what? Pretend like everything’s fine? Pretend like she didn’t—”

“Like she didn’t what?” you demanded as you cut her off, beginning to believe she had never truly forgiven Rio. “Say it, Agatha. Whatever it is you’ve been holding in, just say it.”

Her hands clenched into fists at her sides, her body trembling with fury. “Like she didn't take him from us. He’s gone, and all you can do is sit there and talk about him like that’s going to fix anything.”

You stared at her, a silent conformation of your theory. "It wasn't her fault and you know it. He was our boy too," you whispered in defeat. You weren't sure if she had even heard you. But her response showed you she did.

"It wasn't her fault?"

But before you could respond, she delivered the blow that shattered your soul.

“He was never your son,” she said, her voice sharp as she looked at you like you were nothing to her. “Not you. Not Rio's. He was my son. I'm the only one that did anything and everything to keep him alive, and here you are defending Rio like you always do,” she spat out with a sneering expression.

The words hit you hard. You felt physically sick. Your breathing was shallow like Agatha's words were constricting your lungs.

“No,” You protested, your voice breaking. Your eyebrows scrunched as your eyes shone with tears, searching Agatha’s face, desperate for any sign that the woman you loved hadn’t truly meant those words. “You don’t mean that."

Agatha’s expression hardened leveling down to look you straight in the eyes. “I mean it from the bottom of my heart,” she seethed, annunciating every word. “God, I can’t even look at you. It's pathetic. You have no right to be crying right now.” Pushing past you, she walked to the door like your very presence disgusted her.

You staggered back a step, clutching the edge of the dresser to steady yourself. Your tears fell freely now.

“Where are you going?” You asked, your voice thick from crying, inadvertently pleading for her to stay.

“Anywhere but here,” Agatha bit without looking back.

With that, she stormed out, her footsteps echoing down the stairs. The back door slammed shut moments later, leaving the house in a suffocating silence.

Letting the dam crumble, you clasped your chest, trying to ease the ache that felt like it was tearing you apart from the inside.

Your legs seemed to move on their own, carrying you to the bathroom in a haze.

As you stood in front of the bathroom mirror, the reflection staring back at you felt foreign, like someone you barely recognized. You searched your own face for something, anything, that might explain why you weren’t enough. Why Agatha couldn’t bear to look at you.

"How could anyone love you?" that dark, familiar voice in the back of your mind whispered. It had been gone for a while, but it has returned making its mission to demolish all the progress you've made.

You gripped the edge of the sink so tightly that your knuckles were turning white. Agatha's words echoed endlessly.

"He was never your son." "Not you. Not Rio. He was mine."

The venom in her voice, the disgust in her eyes—how could she say something like that? How could she not see how much you loved him, how you would've given everything if it meant saving him?

You couldn't wrap your head around it. She couldn't actually think that of you, right?

The intrusive thoughts came in waves, each one dragging you deeper into despair.

"She doesn’t want you anymore. She'd be better off without you. Rio too." You squeezed your eyes shut, as though it could stop the endless spiral.

The thought of Rio did it for you. Rio’s face flickered into your mind. Her eyes, usually filled with warmth, was devoid of any love for you. She's death, literally. She is a cosmic being, and you are so...ordinary. You didn't have a sharp, captivating aura like Agatha who demanded anyone and everyone's attention the second she walks into a room.

Your love wasn't worth all the pain. You weren't worth all the pain. You're a burden to them.

The weight of those thoughts pressed down on your chest, making it hard to breathe. You needed both of them. There was already a piece of your heart missing, but Agatha and Rio kept your heart from crumbling. You wouldn't survive that pain again.

You glanced down at the sink, where droplets of water had leaked from the faucet. For a moment, you began to visualize your arm as the faucet, slowly leaking blood.

Your gaze shifted back to the mirror. The self-hatred hit you like a tidal wave. How could they love you? Agatha’s words weren’t just anger—they were confirmation of your deepest and darkest fears. That they didn't need you the way you needed them.

The familiar ache in your chest morphed into a dangerous mission. You opened the drawer beneath the sink, your trembling hands rummaging through its contents until they found what they were looking for. You hesitated for a moment, pausing as you were unsure if this is what you wanted. You had been so good, so happy. Then you remembered what your reality had shifted to.

It was a little purple jewelry box. It once held the ring on your finger from a day you'd never forget. A vow of a love that would be everlasting. But as you opened the box and found the blade hidden within, none of that mattered anymore.

Freeing it from the packaging, you noticed it still had the same sharpness from the last time you used it, and the glint made your stomach twist in anticipation.

The blade felt cool and familiar in your hand as you slowly sank into the cold, empty tub, the icy surface sending a chill down your spine. You hesitated again, gripping it tightly, the thoughts racing through your mind almost convincing you to stop. But one reason kept you convinced: you were doing this for them. This way, you could take the burden of yourself off their shoulders. You were doing them a favor.

With a shaky exhale, you glided the blade lightly across the center of your arm, testing the waters. The first cut was a shallow line that only allowed little bubbles of blood to come to the surface, but the sting grounded you nonetheless.

With more urgency, you pressed down harder, carving another line into your skin. Blood welled up, slowly making its way down your arm like a raindrop rolling down a window.

Taking a deep breath in, you moved the blade down to your wrist where you knew the blood would really flow. As you exhaled, face scrunched, you swiped quick and deep, finally getting to the point where you knew you did damage.

But it wasn’t enough. You craved balance, symmetry. You mirrored the cuts on your other arm, your movements growing more frantic, wanting you're relief to come faster. The tears flowed in rhythm with your blood, causing a hysterical laugh to escape from your throat.

Your vision swam as exhaustion began to set in, your body growing heavy. The pain that had once felt grounding now dulled, your consciousness blurred. It never really dawned on you who would be coming soon.

On cue, a familiar presence filled the room. The usual warmth was now an unwelcoming cold. Her usually composed demeanor was gone, replaced by wide-eyed panic as she took in the scene before her.

“No, no, no, no,” Rio panicked, her voice raw and breaking as she kneeled beside the tub. Her hands were trembling as they hovered over your wounds.

“You can’t do this to me. I won't do it. I refuse to take you,” she cried out in anguish as tears streamed down her face, denying her duty as Death, denying the natural order.

Her hands glowed a faint green as she pressed her palms to your arms. A tingling warmth spread through the cuts, knitting the torn flesh back together. She murmured soft reassurances under her breath, though they were as much for herself as they were for you. Her power wasn’t meant for this, for preventing death, but she gave freely of herself, pouring every ounce of her strength into pulling you back from the edge. The strain showed in her creased forehead, but she fought against it because her heart depended on it.

When the bleeding finally stopped, Rio sagged back on her heels, her hands trembling as the adrenaline drained from her body. Her breath came in uneven gasps, her pulse pounding in her ears. She stared at you, her vision blurring with a mixture of relief and pain.

Carefully, as though you might shatter at the slightest touch, she reached out and gathered you into her arms. Your body was limp against her, your head lolling weakly onto her shoulder. She could feel the shallow rise and fall of your chest—too faint, too fragile—but you were breathing. That was enough.

She pressed a trembling kiss against your temple, her lips barely grazing your skin as she carried you from the bathroom. Each step was slow, deliberate, as though she feared moving too quickly would send you slipping away from her again.

By the time she laid you down on the bed, the world around you was a hazy blur, shifting in and out of focus. The weight beneath you felt unfamiliar—softer than the cold tub, warmer than the tile floor. A distant pressure tugged at your limbs, grounding you, but your thoughts drifted in a fog. Sounds came muffled, like you were underwater.

Rio’s voice, low and strained, broke through the haze. You couldn't make out the words, only the shape of them, the warmth in them. Then she was gone, footsteps fading, leaving you adrift in the silence.

A moment later, something soft slipped over your head. The scent of lavender and something faintly smoky curled into your nose, stirring something deep in your chest. A trembling breath left your lips, the familiarity of it pulling you back, dragging you closer to the surface of awareness.

Your lip quivered. A whimper—barely more than a breath—escaped before you even realized it. The sweater clung to your skin, warm and safe, and for the first time since your body hit the tile, the numbness began to crack.

“What is it?” Rio asked urgently, cupping your face with her hands, searching your face for any signs of pain or discomfort. “What’s wrong?”

Tears welled in your eyes, spilling over as you whispered, still dazed, “She doesn’t want us anymore.”

Rio froze, her heart dropping at the words and the hopelessness in your voice.

She cupped your face, her thumbs brushing away the tears that continued to fall while she forced herself to stay calm, to steady her voice. “That’s not true,” she said, her voice firm but gentle. “Agatha loves you. She loves us. She’s just... hurting.”

You shook your head weakly, your gaze unfocused, lost in the thick fog of exhaustion and heartbreak. "She said it. She said... he wasn't ours, only hers. She doesn't want us.” Your voice cracked, breaking on the last sentence. “She doesn’t want us.” Your words grew softer, fading into incoherent murmurs as exhaustion pulled you under.

Seeing you like this brought bile up. Your pain was making her physically nauseous. Rio’s arms wrapped around you tightly, as though sheer force alone could keep you from slipping away again. “She’s lost in her grief,” she said softly, resting her chin on top of your head. “She doesn’t mean it. She doesn’t.”

But your eyes were already fluttering closed, exhaustion and despair pulling you into an empty, restless sleep. As your breathing evened out, Rio stayed by your side, her hand resting on yours.

For a long moment, she simply sat there, the weight of the situation pressing down on her. She leaned down, pressing a gentle kiss to your forehead.

She wanted to believe Agatha hadn’t meant it, that the words had been spat out in grief and anger, not truth. But seeing you like this—weak, barely conscious, drowning in the pain Agatha had inflicted—made it impossible to excuse.

“She’s lost in her grief. She didn't mean it," Rio murmured again, this time to herself.

------------------------------------------------------------------------------

The argument replayed in Agatha’s mind as she sat on the bench, viewing the garden Rio created centuries ago as the cool night air brushing against her skin. Her fingers pressed against her temple, rubbing slow, desperate circles as if she could knead away the headache forming beneath her skull.

She took a swig from the half-empty beer bottle, the taste flat and useless to distract her from the ache in her chest. Her words had been cruel, sharp-edged daggers thrown in anger. "He was never your son. Not you, not Rio. He was my son." The memory of your devastated expression was seared into her mind.

She’d meant it in the moment. Or at least, she’d convinced herself she did. Grief over Nicky had festered into something raw and ugly, and in her anguish, she had taken it out on you—the person who had only ever tried to love her through her faults. Your love was pure.

While Nicky had inherited little of your features, what you had given him was more personal than any resemblance. Your ability to love someone regardless of their past and all the terrible things they've done is one of a kind. Agatha was sure there was no one who could ever grace this world the way you did. That was what made you stronger than any power she or Rio could ever possess.

But that purity was suffocating. It was too much like his. It was like he had never left. And yet, he was gone.

That was the worst part. Every time she looked at you, at Rio, it was a reminder of what she had lost. Of what she could never get back.

It wasn’t fair that you and Rio were still here with her when he wasn’t. It wasn’t fair that you kept loving her, even after all the ways she pushed you away. It wasn’t fair that you could carry on, bearing his memory with softness, while she was drowning in the weight of it.

Maybe that was why she lashed out. Because she hated that you were proof love could survive grief. And she hated herself even more for resenting you for it.

But now, in the openness of the garden, regret gnawed at her, eating her alive. She wished she could take it back, wished she could go back in time to undo the pain she’d caused. She hated herself for how easily the words had slipped out, sharp and unforgiving. It was a defense second nature to her. It was as unstoppable as her magic siphoning. It relented before she could remember that the people she lashed out at were the ones she loved most.

The sound of the back door slamming and heavy footsteps jolted her from her thoughts.

Agatha shot to her feet, as she carelessly discarded the bottle she had been nursing. She turned sharply, her heart hammering against her ribs as Rio strode toward her. The guilt and sorrow clung to Agatha like a shadow, but Rio wasn’t here to acknowledge her pain. This wasn’t about her.

She didn’t speak at first, only stood before Agatha, her entire body trembling with a rage barely containable as she tried to formulate her words carefully. Her chest rose and fell in sharp, uneven breaths, her fists curling so tightly at her sides that her knuckles went white.

Agatha froze. The half-empty bottle hung uselessly at her side, momentarily forgotten. Her gaze flickered toward Rio, taking in the rigid set of her shoulders, the barely restrained fury rolling off of her in waves. Then Agatha saw it—dark stains smeared across Rio’s hands, stark against her skin. The realization hit her like ice water.

Your blood.

Her stomach twisted violently. She felt the breath hitch in her throat as her gaze snapped back to Rio’s face. The rage was still there, burning bright, but beneath it—buried just deep enough to go unnoticed by anyone else—was fear.

“You know what you’ve caused?” Rio’s voice was low and deadly, trembling with restrained rage.

Agatha swallowed, her mouth suddenly dry. “I—”

Rio cut Agatha off before she could try to explain. “Do you know what Y/N tried to do because of you?” The words were spit through clenched teeth, but her voice cracked on your name.

“What... what-” she stammered. Once again, getting cut off.

“She thought you didn’t want her anymore. That you didn’t want us anymore.” Rio’s composure shattered, her breath coming in ragged bursts. “Do you have any idea what it felt like to find the love of our lives bleeding out in that tub? Because of you? Because you let your grief fester into something that poisoned her?”

Rio’s hands trembled as she dragged them through her hair, her breath coming in sharp, angry heaves. Then, suddenly, as if overwhelmed by the weight of it all, she pressed the heels of her palms against her eyes and let out a harsh, shuddering breath.

Agatha couldn’t move. Couldn’t breathe.

Her vision swam, your face flashing in her mind—not the way she had last seen it, but the way it looked utterly lifeless

Tears welled in her eyes, her hands trembling as she clutched at the edge of the bench for support. “I... I didn’t know,” she choked out, her voice barely a whisper.

Rio dropped her hands, her gaze snapping to Agatha with something close to disbelief. Then she laughed, humorless and bitter. “You didn’t know?” she echoed, voice raw. “How could you not know, Agatha? Don’t give me that pathetic reasoning, Agatha. You know her more than you know yourself. You know how deeply she feels everything. Love. Pain. And now she thinks you hate her.”

Agatha’s tears spilled over, her chest heaving with the weight of her guilt. “I didn’t mean for any of this to happen,” she pleaded, her voice breaking. “I didn’t mean to hurt her. I just... I didn’t know how to deal with it. I didn’t know how to-.”

Rio’s expression softened for a fleeting moment, the raw pain in Agatha’s panic stirring something deep within her. But she quickly steeled herself, unwilling to let sympathy distract her from the truth.

"You need to fix this." Her words were quiet. Firm. And final.

Agatha blinked through the blur of tears. She hadn't felt this type of fear since Nicky.

“If you’ve ever loved her, if you’ve ever loved us, then you’ll make this right,” Rio said filled with tiredness and desperation. “Because if you don’t, you’ll lose us both.”

Agatha’s breath hitched.

Rio’s words hung in the air like a heavy, suffocating fog. Without waiting for a response, she turned and strode back inside, the door swinging shut behind her with a thud.

She had been so consumed by her own grief that she hadn’t realized she had become the very thing she had feared, the thing that had broken you.

Agatha stood there in stunned silence, her mind reeling. Her knees buckled, and she collapsed into the dirt of the garden, her fingers dug into the soil as though it could somehow anchor her to the ground. The weight of Rio’s words crashed over her like a tidal wave, and for the first time, the full gravity of her actions hit her.

Her guilt twisted like a knife in her gut. Her sobs were quiet at first, but soon they grew louder, wracking her body with the force of hardened grief. Her pain pulsed around her, a sickness that spread without forgiveness. Her gaze darted around, watching in anguish as the pink azaleas she had once tended with such care now wilting, their petals curling in on themselves as if recoiling from her presence. The energy emanating from her twisted the life around her, black veins creeping up the stems, the poison of her emotions seeping into the earth.

Just like she had seeped into you. It was a silent parallel of how she had poisoned you.

The thought made her sick.

She had always known that her anger and pain had pushed you and Rio away, but she hadn’t realized just how far it had gone until now. The fear that she might lose both you and Rio, it was too much to bear. And for the first time, the full weight of her actions hit her, her breath coming in ragged gasps. She didn’t know how to fix it, how to undo the damage she’d done. But she knew one thing for certain: if she didn’t try, she would lose you both. And that was a price she couldn’t afford to pay.