#I love you Kylie!! <3 /p
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I gotta say something
You are my favorite person to talk to on this site
WAIT FR??? YOU MEAN THAT??? HFJDJKS THANK YOU KYLIE AHH-
I honestly didn’t think I was nearly as interesting as my other mutuals but this made my confidence go 📈📈📈
THABK YOU KYLIE YOU’RE VERY SWEET AND I ABSOLUTELY LOVE TALKING TO YOU AS WELL!!! <3 <3 <3 /GEN
just hit me up if you want a convo :) 🤙
#Krinkle Kingdom#hazel answers#hand over my mouth rn oh mah gosh /POS#HDJDKDK THIS ACTUALLY MADE ME SO HAPPY THANK YOU!! <3#I love you Kylie!! <3 /p
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We have 72 songs, this can be raised if 96 if the need arises
Pokerface by Lady Gaga
Welcome to the Black Parade by My Chemical Romance
Toxic by Britney Spears
Sk8ter Boi by Avril Lavigne
All my Life by Foo Fighters
American Idiot by Green Day
1985 by Bowling for Soup
Take Me Out by Franz Ferdinand
Somebody Told Me by the Killers
Hey There Delilah by Plain White Tees
Feel Good Inc by the Gorillaz
Sugar we're goin down by Fallout Boy
Brave as a noun by AJJ
Hot N Cold by Katy Perry
Single Ladies (Put a Ring On It) by Beyonce
The Dog Days are Over by Florence + the Machine
Seven Nation Army by White Stripes
Kryptonite by 3 Doors Down
She Hates Me by Puddle Of Mudd
Stacy's Mom by Fountains for Wayne
All the Small Things By Blink 182
Since U Been Gone by Kelly Clarkson
Hurt by Johnny Cash
Hey Ya by Outkast
Rehab by Amy Winehouse
Stan by Eminem
Do you realize by The Flaming Lips
Sexyback by Justin Timberlake
Party in the USA by Miley Cyrus
Drops of Jupiter (Tell Me) by Train
Californication by the Red Hot Chili Peppers
Fireflies by Owl City
TiK ToK by Ke$ha
Gives you Hell by All American Rejects
Paper Planes by M.I.A.
Can't get you out of my head by Kylie Monogue
I write sins not tragedies by Panic! At the Disco
Short Skirt/Long Jacket by CAKE
Teenage Dirtbag by Wheatus
Bring Me to Life by Evanescence
Before he cheats by Carrie Underwood
Vida La Vida by Coldplay
Photograph by Nickelback
99 Problems by Jay-Z
Hash Pipe by Weezer
A Thousand Miles by Vanessa Carlton
Love Story by Taylor Swift
Unwell by MatchBox Twenty
Yeah! by Usher
Dilemma by Nelly and Kelly Rowland
Beautiful by Christina Aguilera
My Hips Don't Lie by Shakira
I gotta Feeling by Black Eyed Peas
Hollaback Girl by Gwen Stefani
Watcha Say by Jason Derulo
Drop it like it's Hot by Snoop Dogg
Unwritten by Natasha Bedingfield
Numb by Linkin Park
Umbrella by Rihanna
Crazy in Love by Beyonce and Jay Z
How to Save a Life by The Fray
Get the Party Started by P!nk
Survivor By Destiny's Child
Everytime we touch by Cascada
Beautiful Girls by Sean Kingston
Bad day by Daniel Powter
Chop Suey By System of a Down
I'm Yours by Jason Mraz
Crazy by Gnarls Barkley
The Middle by Jimmy Eat World
Harder Better Faster Stronger by Daft Punk
Chewing Gum by Annie
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For better or worse. (3/5)
Keegan P Russ x Reader.
Pre divorce, a little suggestive, MDNI!!!
(Bonus content under images)
Bonus content. MDNI!!!
You race to get ready, typical Keegan giving you less than 10 minutes to get ready.
Grabbing your make up bag, you freshen up your face, adding a little lip gloss.
Throwing open your wardrobe, you flick through the hangers, before your eyes settle on a black dress you haven't worn for years.
Struggling to zip it up, you hear the door open.
"Babe? I knocked but-"
You come out of the bedroom in a whirlwind, holding your dress to you, your hair wild and your cheeks flushed.
"Zip me." You ask Keegan, noticing the shirt and trousers he was wearing.
"No uniform tonight?" You tease, as Keegans fingers traced down your back, before finding your zip.
"You look beautiful, babe." He rasps, his deep voice sending a shiver down your spine. Keegan presses his body against yours, turning you to face the full length mirror on the wall.
"My beautiful wife." He whispers, his gaze trailing down your body.
Your eyes soften, your permission allowing Keegan to brush a kiss on your shoulder.
"Grab your shoes before I take this dress off." Keegan asks, his hands floating down your body and settling on your hips.
You blush, and leave the warmth of his arms, returning with your shoes.
"Allow me."
Keegan kneels in front of you, helping you step into your heels, his fingers tracing your ankle before doing each buckle up. You shiver under his touch as his fingers trace up your legs.
Straightening up, he takes your hand in his.
"Dinner?" He asks softly.
"I think we should order in." You reply, before linking your arms around his neck and pulling him in for a kiss.
@xoxunhinged @muneca-lemon-steppa @livingoutsidethetardis @gardenof-venus @misshugs @soraya-daydreams @frudoo @renpodz @yesornowaitidontknow @thevoiceinyourheadx @shadowdark00 @rynbeerose @lunamoonbby @incredible-walker @identity2212 @pukbadger @urbimom @corvid007 @wordsfromshona @shadows-empress @m00xy @canyonmooncreations @oniraki @evie-119 @havoc973 @kylies-love-letter @ishipdabands @cmbghost @heckinspooks @redzluvvesage
#keegan russ x reader#cod keegan#keegan p russ#keegan x you#call of duty#call of duty ghosts#keegan russ#fanfiction#fanfic
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So you have heard Rick Astley was the unexpected sensation at Glastonbury this year...
and you'd like to get a taster of his music, but you don't know where to start, because you are only/mostly familiar with Never Gonna Give You Up?
This post is for you!
I'll give you a quick overview of his discography, and a recommendation of what I think are the best tracks of each album and why. Aggregated playlist at the bottom of the post.
Whenever You Need Somebody (1987)
This was Rick's debut album, and the one that included Never Gonna Give You Up. If you have heard the piece of trivia that says "if you drop the pitch Kylie Minogue's I Should Be So Lucky, it will sound like Rick Astley"... there's a very easy explanation for that: both were composed by Stock Aitken Waterman, a trio of music producers that wrote several of the most well known eurobeat hits of the late 80s and early 90s (i.e. You Spin Me Like a Record), based on the principles of... well, being very generic and catchy. Half of the tracks of this album were written by them.
Thematically the album is strangely obsessed with cheating, cheating women, and being in love with cheating women, and being heartbroken over them. I don't know what to tell you, sometimes I forget how common this was around that time for the romantic ballad outside of the US (?)
Anyways, of the 10 tracks of the original album, the best (and also most Never Gonna Give You Up-like) are Together Forever, Don't Say Goodbye, and Whenever You Need Somebody.
The album closes with a cover of When I Fall in Love, that to me feels very out of place. Perhaps it was one thing Rick himself was dead set on singing?
This album had a 15th anniversary expanded remaster in 2010, including 3 ""old-new"" songs and 4 remixes (one of them is an extended version of NGGYU). I'll Never Set You Free is remarkable for being one of the creepiest songs this side of Every Breath You Take.
The 2022 remaster:
This one includes one "old-new" track that is a severe earworm, My Arms Keep Missing You (it does deserve the THREE remixes it gets in this album), several remixes of other songs, three instrumentals, AND, most notably for me, three "reimaginings" of NGGYU, Together Forever, and Whenever You Need Somebody as slow piano ballads, very very worth listening if you are into that sort of thing (these were first released in the compilation album The Best of Me (2019)).
It also includes a new version of When I Fall in Love, that really highlights Rick's growth as a singer and an artist, very worth comparing the 1987 to the 2022 one.
The remixes and "old-new" tracks in these anniversary editions come from compilation albums Rick Astley - 12" Collection (1989) and Dance Mixes (1990).
2. Hold Me In Your Arms (1988)
If you liked Whenever You Need Somebody (1987), then Hold Me In Your Arms (1988) is just the thing for you, because it's more of the same, but louder, catchier, and now with less cheating obsession! This time it's 3 out of the 10 songs that are SAW written, one is a cover of The Temptations' Ain't Too Proud To Beg, and the remaining 6 are all by Rick himself, but the tone doesn't shift that much between them.
The first half of the album is non-stop top danceable tunes: She Wants to Dance With Me, Take Me To Your Heart, I Don't Want To Lose Her, Giving Up On Love (big involuntary "I'm killing off Sherlock Holmes" moment for Rick, the not giving up didn't even last a year :P), and Ain't Too Proud to Beg; the second half is not as strong, but also not bad either. It definitely helps that the tracks are ordered in such a way as to slowly slow down till the beautiful sweet soft ballad that closes the album and gives it its name: Hold Me In Your Arms.
I Don't Want to Be Your Lover, the penultimate track, is the first song that feels more like what Rick writes and sings as a more mature artist.
The 2010 expanded remaster is just remixes of some of these songs, I'll Be Fine (which is, quality wise, between the rest of the tracks of the second half) and My Arms Keep Missing You, again.
The 2022 remaster includes even more remixes, reimaginings of She Wants To Dance With Me and Hold Me In Your Arms (I'm not a big fan of either, but they are interesting, as they are much more modern ballad sounding) and instrumental versions of Take Me To Your Heart and She Wants To Dance With Me.
3. Free (1991)
Almost like a pun, this is Rick's first album "free" of SAW. He even grew out his hair! (probably one of the rare cases of a guy to having gorgeous hair that somehow suits his face horribly). The tone moves away from the 80s eurobeat hit into the soul-ish + gospel-ish ballad, which seems to be more like the territory he feels comfortable in. It's a bit of an "experimental" album, in the sense that he's trying new things and new sounds, but it's all very tentative, and the unsure footing is noticeable.
Even so, Cry For Help, written and sung by him was a hit all the same, although it isn't a favorite of mine. In general it's difficult for me to pick favorites here; none of the songs stick out to me as particularly good or particularly bad. If you like slow ballads, you will probably like Cry For Help, Wonderful You, and Behind the Smile. Really Got a Problem is a first sample of a "social" song in his repertoire. Move Right Out, Never Knew Love, and The Bottom Line are more the essence of what his music evolved into later on, whereas In The Name of Love, Be With You, and This Must Be Heaven are dead on the sort of generic adult-contemporary of the early 90s.
4. Body and Soul (1993)
This album takes a more... lounge-ish turn I do not relish. You'd say, okay, but what sets Rick Astley apart from the general adult standard lounge music of whatever decade he sings in? Difficult question to answer, as all questions about vibes are. To me it is a mixture of A) cringe is dead, long live cringe B) earnest feeling C) plain, direct and sometimes quirky lyrics D) It sounds like he's having a good time singing them.
I just cannot really buy the constant "baby" and "lover" in Everytime, for example. And while none of the songs in this album are bad, most of them aren't even fun. Body and Soul and Enough Love I think are the two most interesting tracks here.
That same year, Rick got on hiatus.
5. Keep It Turned On (2001)
This comeback album is a bit of a rarity -it was released in Germany, but never in the UK (although some of its tracks made it to compilations later on), and it's therefore rare to find, which is a pity, because I think it is one of his best!
It is also one of the most early 2000s sounding things ever. It is to 2000s eurobeat and pop ballad what Whenever You Need Somebody and Hold Me In Your Arms were to 1980s eurobeat and pop ballad, so if you are into it, this whole album will be for you.
I have a particularly soft spot for Sleeping, and the way it just sounds like what a 2001-2007 summer night sounded to me; it's very nostalgic. The lyrics, just like the ones in the ballad Breathe, give heartbreak what I perceive to be a more mature tone that I like much more than the treatment it gets in previous albums.
Other highlights are the very danceable Wanna Believe You and Keep It Turned On (this last one a very pick me up song), and on the ballad front, I think Romeo Loves Juliet has the most delicate, enjoyable sound, but Full of You has better lyrics.
6. Portrait (2005)
This album is a collection of covers of classic pop standards, so there isn't much rickness to it at all, and it is to me, personally, a skip; while I usually like Rick's covers in other albums (and I think his reimaginings of the SAW songs are interesting) these are... off. I just don't think the style he picked for them suits at all.
Between this and his following album, Rick released two independent singles: Lights Out (2010) and Superman (2012) which I think are both peak Rick and worth a listen; earnest, simple feeling and catchy sound.
7. 50 (2016)
This is my favorite Rick Astley album, and it seems I'm not alone in this! It was the first album of his to be number one since his debut one. He sung AND played all instruments for it, and it really feels like a personal project, that brings the artist close to the audience.
From the very title you know you are in for something: the 50, Rick's age in 2016, is a tongue-in-cheek homage to Adele (whose albums have all been titled after her age at the time of release), that also speaks of this sense of being a middle aged artist in an industry and particularly a genre or family of genres that leans so heavily into youth and coolness.
In 50 Rick leans on instead of shying away from the fact that he's not young (In either the heartfelt "Don't fake it, I can't take it/My heart is, close to breaking/It reminds me of my youth" or the humorous "I got to thirty and you show a little wrinkle/One more big plate/Now I'm putting on weight/Skinny jeans but nobody's fooled"), cool, or detached, but that doesn't make him jaded, heavy, or self important; the songs of this album are filled with a sense of hope, gratitude, generosity, and... fun. It's a curious marriage of the lighthearted beat of the pop that made him famous, and a mature version of the soul-ish style he seems to love and that he tried first in Free. Although there isn't a single skip in this album for me, the most representative, and that have what in my opinion is the best sound, are Keep Singing, Angels On My Side, Wish Away, Pieces, I Like the Sun, Let It Rain, Let it be Tonight.
8. Beautiful Life (2018)
There's little I can say about Beautiful Life in general, other than characterize it as an echo of 50. Same ideas, same themes, same tone and sound.
The highlight tracks are: Beautiful Life, Last Night on Earth, Rise Up, and Try.
Since Beautiful Life, Rick has released a compilation album (The Best of Me, 2019), a few remixes and a couple new singles; of those singles I'd highlight Giant (a true banger), Every One Of Us, and Unwanted.
Rick's next album, Are We There Yet? releases in October this year (2023).
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spelling out my name with song titles
ahh what a fun one to do!! thanks for the tag @dstryvampres 💗
P - please please please by sabrina carpenter
A - all for love by madison beer
R - rich by megan thee stallion
A - art by tyla
D - dangerous woman by ariana grande
I - i wish i hated you by ariana grande
S - supernatural by ariana grande
E - ETERNAL SUNSHINE BY ARIANA GRANDE 💕✨💗✨💕💗
P - promiscuous by nelly furtado
R - rude boy by rihanna
I - imperfect for you by ariana grande
N - no tears left to cry by ariana grande
C - can’t get you out of my head by kylie minogue
E - everyday by ariana grande
S - sweetener by ariana grande
S - secret by peach prc
S - saturn by sza
this was SOOO fun!!! no pressure tags @ilovetoxicfictionalmen @bloodandglitter207 <3
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WQBY
Top 140 for the week ending November 26, 2023
Other Boys -Marshmello, Dove Cameron -1/10weeks ''peak 1x2 the weeks of 11/19, 11/26''
I'll Be There -Robin Schulz, Rita Ora, Tiago PZK -3/6weeks
See You Again -Vicetone, Anna Clendenning -2/9weeks ''1x2 the weeks of 11/5, 11/12''
Spend the Night -BJ the Chicago Kid, Coco Jones -7/10weeks
Strangers -Kenya Grace --4/6weeks ''peak3''
Diamond Therapy --Diplo, Walker & Royce, Channel Tres -6/8weeks
One Last Dance -Imanbek, Ali Gatie -8/9weeks
Go Off -- Mike Candys -5/9weeks ''peak5''
^Good Morning --Timmy Trumpet, Alie Farber, YOU -12/7 weeks ''peak4'' ^
Summertime Friends --The Chainsmokers -10/10weeks '' peak1x2 the weeks of 10/22, 10,29''
More Baby --Chris Lake, Aluna -13/10weeks ''peak5''
Hangin' On - A R I Z O N A -11/13weeks ''peak1x4 the weeks of 9/24, 10/1, 10/8, 10/15''
Wanna Dance --Alie Farber, James Carter, VARGEN -9/8weeks ''peak9''
Nevada -Vicetone, Cozi Zuehisdorff -14/6weeks
AEIOU --PNAU, Empire of the Sun -28/6weeks
At Your Worst--Calum Scott -18/12weeks ''peak5''
Living In A Haze--Milky Chance -22/21weeks ''peak2x2''
Sorry Now --A R I Z O N A --15/7weeks ''peak5''
Jungle --Alok, The Chainsmokers, Mae Stephens -25/10weeks
One With the Wolves --Robin Schulz -23/13weeks ''peak7''
Stress You --Lucas Estrada, SUPER Hi -21/9weeks
Dark Skies --A R I Z O N A -31/7weeks
Dreaming --Marshmello, Pink, Sting -26/4weeks
Drums --James Hype, Kim Petras -24/7weeks
***Waiting --LP Giobbi, Redfield, DJ Rae - (new)
Dreamteam --Galantis, Neon Trees -64/3weeks
Get Dirty --Return of the Jaded, Tommie Sunshine -27/3weeks
Tension --Kylie Minogue -99/3weeks
Boyfriend --USHER -17/13weeks ''peak10''
Light On --Markus Schulz, Sarah de Warren -34/18weeks ''peak10x2''
Tied to You --Elderbrook -19/9weeks ''peak2''
Your Hired --NEIKED, Ayra Starr -140/7weeks
Strangely Sentimental --Anabel Englund -16/24weeks ''peak1x1 the week of 9.3.23''
Jealous --Pascal Letoublon, IZKO, Jordan Rys -113/2weeks
From this Day On --Andrew Rayel, JES -30/22weeks ''peak1x2 the weeks of 9/10, 9/17''
Following The Sun --SUPER Hi, NEEKA -32/17weeks ''peak4''
Elevator Eyes --Tove Lo -33/13weeks ''peak9''
Body Count --Jason Derulo -35/13weeks ''peak12''
De Selby Part 2 --Hozier -36/17weeks ''peak5''
Moon --Locklead -41/12weeks ''peak26''
Lost & Found --Gorgon City, DRAMA -39/18weeks ''peak8''
Stranger On A Train --SUPER Hi -42/13weeks ''peak25''
The Beautiful Letdown -Switchfoot, Jonas Brothers -43/12weeks ''peak17''
It's In My Head --Provoker -44/8weeks ''peak19''
Smiley Water --Mike. -46/10weeks ''peak24
***You --Svidden, Seeb -(new)
We Could Be Love --Hayden James -47/11weeks ''peak38''
Dressed For A Funeral ---Groupthink, Sunday Scaries -38/25weeks ''peak 16''
eMtunzini --Muzi -37/15weeks ''peak12''
Jacare --Sofi Tukker -49/28weeks ''peak2''
Why You? --Adam Melchor -40/11weeks ''peak20''
Heat Rising--Pete Tong, Jem Cooke, Jules Buckley -117
Hip Trumpets ---Yolando Be Cool, KVISION -53/11weeks ''peak20''
Die For A Night --A R I Z O N A -55/27weeks ''peak1x3 the weeks of 8/13, 8/20, 8/27''
In My Zone --S.O. GIDI -122/11weeks
We Should Get Married --Dan & Shay -56
It's Euphoric --Georgia -45/29weeks ''peak19''
Vogue --NOIZE -58/8weeks ''peak35''
What We Know --Lucas & Steve, Conor Byrne -65/7weeks
All Night --Charlie Houston -60/9weeks
Padam Padam --Kylie Minogue -50/21weeks ''peak2''
Champagne Shit --Janelle Monae, Latto, Quavo -63/5weeks
Bite Marks --Ari Abdul -62/4weeks
Makeba --JAIN (Ian Asher remix) -48 /10weeks ''peak42''
Down Like That --Bryson Tiller -61/11weeks
What Do You Do? --Jess Glynne -124
Waiting 4 U --Laidback Luke, Ralphi, (Jake Silva Remix) -118/12weeks
Weird & Bizarre --Posh Chocolates -123/6weeks ''peak30''
Phone--MEDUZA, Em Beihold, Sam Tompkins (Lili Chan remix) -68/2weeks
Dress Code --Mau P -66/7weeks
Just Think --Video Age -72/3weeks
In The City --Charlie XCX, Sam Smith -70
Dare--Gorillaz -29 (throwback comeback)
Midnight Zone --Astrality, TAPE ANGEL -69
The Tower --Future Islands -97/2weeks
Run Free (Countdown) -- Tiesto, R3HAB -71
If Only I --Loud Luxury, Two Friends, Bebe Rexha -51/17weeks ''peak9''
Motive--Armin Van Buuren -52/19weeks ''peak8''
The Feeling--Lost Frequencies -54/7weeks
The Worst Person Alive --G Flip -57/15weeks ''peak38''
Subterranean --Miss Monique, AVIRA, LUNA -81/7weeks
Moonlight--Laidback Luke, GATTUSO f/Antrex -5915weeks ''peak15''
Joy (Up the Street) -Joy Anonymous -73/3weeks
Fight My Demons --Yung Bae, Barney Bones, Levan Kali -74/4weeks
Feel It (Club Edit) -Jazzy -75/7weeks
Ohh LALA --Idris Elba, Sasha Gigi -76/4weeks
Save My Love --Destiny Rogers -93/4weeks
To Love Someone --Benson Boone -20/2weeks
Blur ---KREAM, Marlo Rex -77/7weeks
Heartbeat Highway---Cannons -78/2weeks
Made Up My Mind ---Jonah Kagen, Lily Meola -79/2weeks
Killing Me ---Conan Gray-103/2weeks
Cheap Thrills --Walker & Royce, Barney Bones -100/2weeks
Fall Again ---Hayla -82/2weeks
Never Trust A Liar----Bae & Her Business -111/2weeks
Turn You Up ---Kaskade, Winn Winn -83/4weeks
Jaguar --Yaeger -98/2weeks
Stranger ---Thomas Day -106/2weeks
On My Way ---SIDEPIECE f/ Faouzia -88/7weeks
Overdrive ---Ofenbach, Norma Jean Martine -94/2weeks
Directions --Biskuwi -61/2weeks
Rinse It -Devault -80/3weeks
Rescue Me -Andrew Rayel -84/3weeks
Forever Gold -Siskin -85/7weeks
Can't Take It Slow -Citizen -86/4weeks
Shades -Andrew Rayel -87/2weeks
The Greatest Thing Alive --Mark Knight, Green Velvet, James Hurr -89/4weeks
Desire -Nicky Romero, TELYKAST, Linney -90/7weeks
It's Gone -Kaskade, Crayskool -91/4weeks
Alone -Andrew Rayel, Amanda Collis -92/4weeks
Heart Still Beating --Nathan Dawe, Bebe Rexha -95/2weeks
Bigger Than the Song -Brittney Spencer -96/8weeks
Guarantee -Black Eyed Peas, J Rey Soul -101/8weeks (off next wk)
Alcohol -X Ambassadors, BRELAND -102/2weeks (off next weeks)
The Little Mushroom that Got Away -Sultan+Shepard, Lane8 -104/7weeks
Fever -Lewis Thompson, PUNCTUAL, HIGHT -105/7weeks
Collide -Nightlaspe, FABER -108/2weeks
Talk -Elly Duhe -109/2weeks
Houdini --Dua Lipa -110/2weeks
Memories -Sam Feldt, Sofiloud -112/4weeks
Closer -Fetish -114/2weeks
Stardust -Jazzy -115/3weeks
Strong Enough -Jonas Bros. & Bailey Zimmerman -116/2weeks
Simulation -Showtek -119/2weeks
Lighter -Steve Aoki, Paris Hilton -120/4weeks
Bitter -Freya Ridings -121/11weeks
Ecstasy -MEDUZA, GENESI -125/5weeks
My Own Advice --William Black, ILLENIUM, Aluna Springsteen -126/5weeks
Sad Forever -Lauren Spencer Smith -127/6weeks (off next weeks)
You're So High -Eli & Fur -128/7weeks
Preacher --Ownboss, Outflux, No/Me -129/4weeks
Better Off (Alone Part III) -Alan Walker, Dash Berlin, VIKKSTAR -130/5weeks
Me & My Guitar -Jax Jones, Fireboy DML -131/11weeks
Heard It Like This -ACRAZE, Joey Valence & Brae -132/4weeks
Sunday--Dermont Kennedy -133/4weeks
On My Love -Zara Larson, David Guetta -134/9weeks
One Of the Girls --Troye Sivan -135/4weeks
It Takes Two --Camila Cabello, Anna Kendrick, Justin Timberlake -136/4weeks
Location -Lost Frequencies, A7S -137/5weeks
Dancing at the Disco -J Worra, Cherry Tooth -138/6weeks
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Summer Reading/ Writing/ Arting
Thanks to @jowritesfanfiction for the tag! (Sorry it took me so long to respond! I love being tagged, so thank you thank you thank you!)
Rules: Follow the directions in bold.
Anyone can join! I'm tagging @jayisnotdrawing, @professorsaber, and @retro-hussy if you guys wanna play!
Describe one creative WIP project you’re planning to work on over the summer.
I am currently working on 3 projects! I am making moodboards and writing 100-word drabbles for McFly July, writing a currently-untitled one-shot based around the Part 3 duel, and wrapping up the last two chapters of Once Upon a Time in the South!
Recommend a book
Uhhh, let's go with Devil in the White City by Erik Larson because I finished listening to that audiobook to and from NYC when I went to see Back to the Future: The Musical this past Saturday. It's about the 1893 Chicago World's Fair and serial killer H. H. Holmes picking off people who stayed in his murder hotel there!
Recommend a fic
I'm going to recommend a Part 3 sickfic born out of a roleplay I did with @daryfromthefuture called Lean on Me (When You're Not Strong) because I recently reread it and forgot how much fun I had writing Doc's part in it! So much hurt/ comfort. So much Doc taking care of Marty. You're welcome. :)
Recommend music
Hmm. I've been on the hunt for new music myself, but I'll go ahead and put here the playlist I made for The Doom of Marty McFly that I never shared, featuring songs in the fic and an "upbeat frenemies" vibe:
True Love (feat. Lily Allen) - P!nk
My Life Would Suck Without You - Kelly Clarkson
Can't Get You Out of My Head - Kylie Minogue
Please Don't Leave Me - P!nk
Should I Stay or Should I Go - The Clash
Ballroom Blitz - Sweet
Shake It Off - Taylor Swift
We Are Going To Be Friends - The White Stripes
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8, 7 & 5 with anyone🥀🌈😁
5. Do you have any headcannons on how your f/o looks? if yes, what are they?
ummmm i try to stick to canon with my f/os but since its such a short list ill just say them all i give matthew piercings on his ears and sometimes snakebites :3 and sometimes i give him a diff body type lul!!! for mal i give him beauty marks and moles since its cute..i also make his hair longer sometimes...and for gideon i give him the mole from the movie!!!
7. What's your f/o's favorite form of affection? What's yours?
ummm ill do this one for evan :3...his is spending time together since hes always nervous about his words and actions...so hes always happy when she comes in work and they get to spend time together during his break or when its not busy and gets happy when she comes over :3....his favorite activity is just playing games and shes sitting in the chair with him while he yapps about it :p!!! he just likes it since he doesn't need to speak or touch #ParrellelPlay.....ummm kylies is touch heeheehe!!!!!! so she loves hugging him and stuff and pulling him in for a kiss O_O!!! eeek he gets nervous one day he wants to be more physical only when they r super alone and she hypes him up is when...
8. Your f/o is locked in a room with the first fictional crush you can remember. How does it go?
hmmmm i cant remember but my first fictional crushes as a kid was mal, error sans ( DONT LAUGH ) and robin teen titans eek... this is like guys i liked not actual f/os ( MINUS MAL OK ) mal would just meet himself lul...anyways LETS DO MATTHEW YAUY!!!!!!! matthew would get jumpscared by mal But yauyyy so similar mal would be hater though and be like ugh hes a copycaaaaat GROAN and matthew would like freaked out by him......but like woah look we both look the same...fire... um matthew get away from error sans Matthew would get jumpscared by the skeleton that's it.....Error is too edgy to say anything and ummm matthew trying to niceys to robin while hes tweaking over something lol IDKKKKK
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Intro
Hey! I'm Kylie. I'm (16-17)I can sometimes be shy, and distant, and I can be aloof
...I'm also overly sensitive.
Cookie Run Fandom: @intothehandsofthehumanchild
Wip fanfic: https://www.wattpad.com/1417396275-multifandom-escapade-part-1-the-ribbon-encasing
I LOVE GETTING ASKS :3
(Do not spam like/reblog unless we are close (Mo and Caramel have a pass to this))
(I love getting tagged! (Tag me in stuff about Espresso/Black Raisin/Esclair/Galeem & Dharkon and I make out with you /JOKE)
…Please don’t tag me in tag games though. I don’t like them.
@cherrylimon is my partner <3 /p
@vnillatree MY RIVAL WHO KEEPS SETTING ME ON FIRE /INJOKE
@caramelarrrow & @ruikasakinnie MY FUCKING STALKERS HELP ME /injoke
Au List~
Oc List~
Interests/Blorbos
About me? Well...
I am a very weird person and I’m African-American :D
I am She/Her but I don't care if you call me They/Them.
I am obsessed with Cookie Run, Cuphead, and Pokemon-
My triggers are Trypophobia and Piercings/Needles in general </3
I curse like a sailor so if you uncomfy about it tell me!
Preferred name(s): Kylie, Kye-kai/Kyekai/Kai/Kye
Mutuals can call me Espresso
And VERY close friends can call me Kyliai.
Birthday: July 1st
I only art trade with friends and mutuals.
Mutuals can ask to tag anything. Such as cw/tw: (topic) (or the classic "(name) dont look" tag)
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My other social media:
My Discord? ....uhhhh....ask me. My Toyhouse?: https://toyhou.se/Kylievershion
My Artfight?: https://artfight.net/~Kylievershion My A03?: https://archiveofourown.org/users/Kylievershion My Wattpad?: https://www.wattpad.com/user/Kyekaiandfriends
My Youtube?: https://www.youtube.com/channel/UCqeoxwU7k10GANjNQXXxodg
Other tumblrs!
Into the Hands Of the Human Child (Cookie Run AU): @intothehandsofthehumanchild
Ask Poke & Cookies (Cookie Run + Sona): @askpokeandcookies
Ask Random Fusions: @askrandomfusions
Ask Cookie Run Ocs (Shared with @cherrylimon): @croc-ask-blog
Cookie Run Oc Incorrect Quotes (Also shared with @cherrylimon): @incorrectquotescookierunocs
Raised Au blog (Shared with my good friend Purrshadow!): @achaossandwich
Purrshadow's au blog that I manage :3: @askcorruptedcookies Galeem & Dharkon ask blog: @askgaleemanddharkon Valence Silver ask blog: @ask-valence-silver
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If I did anything that upset you/made you uncomfortable PLEASE TELL ME! The last thing I want is to hurt others, especially my friends :<
Also, I am... the most sensitive person ever so please be careful...I get upset/mad pretty easily... :<
You have every right to block me for whatever reason. But again, if I did something that hurt you/made you uncomfortable, I'd appreciate it if you'd let me know.
I block freely, liberally and I HARDBLOCK. If I block you, get over it. It’s not the end of the world if some stranger over the internet blocks you. You probably deserved it anyways.
About my Blacklist: I will not post or share it publicly(except on my toyhouse). If you want it, dm me. Please note that I will only share my Blacklist with mutuals & friends. About my ex-friends: https://www.tumblr.com/kylievershion/763527719102431232/important-psa-what-happened-between-me-and-any-of?source=share
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BEFORE YOU INTERACT CAN YOU PLEASE...
...ask before giving art/writing criticism?
...not ask me for requests?
...not spam like my art unless you won't reblog it?
DNI if you are (Go touch grass and take a shower):
Proshipper/Comshipper AND Antishippers, you all can be abusive and there’s a thing called the block button. Start using it.
Pedo/Map or whatever they call those sick fucks.
Transphobic
Homophobic
Ableist
Like Incest/Rape
Zoophile
Pro-life
18+ blogs obviously. I've had a few 18+ blogs follow me even though I'm a minor.
If you make NSFW or not that's not my problem. But please keep it away from me.
Zionists, please rethink your life. If you support Vivziepop. That woman is beyond vile.
If you support/create AI art. You need to realize how much that hurts real artists.
If you spread Anon Hate. Only shitheads do that.
Basically, if you're a jerk and here to piss me off.
If you like the 12 Lost Cookies more than I do /JOKE
FOR THE LOVE OF GOD PLEASE BEHAVE
If I block you, it's because you either did something wrong or I have a problem with you. I'm not petty. I just don't want to deal with people's shit. It's simple.
(userbox by @/sweetpeauserboxes)
(Userbox by @/chronicallylav3nd3r)
(userboxes by @/tazmaboxed)
TAGS!(I'm not good at it):
Kye-kai reblogs -reblogs
Kye-kai answers- answering asks!
my art- …my art
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oh yeah nothing happened today lol school was okay my picture got taken for someones homecoming promo or whatever which made me happy and ill be doing my culture project on romani ;-0 which i already know some stuff about ;p! but today was midddd i got super upset :( but i am feeling ok now thinking about my ocs makes me happy ( JUNOO!!!! i just finished some art of herrrr lol ) and ya :3! the song of the day is time machine by miracle musical and fangirl by ghost town tomorrow ill finish my hands also im too lazy but i got this little plant that im growing and its getting to big i love you kylie jr
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But perhaps it is the CONTEXT that words are spoken that…give them the power of meaning?
I LOVE YOU P0FF /P /GEN
AAUGHHAGHRHEHA THANK YOU KYLIE AAGRJWN UHMM EXPLODES YOU WITH THIS GRAH
:3
#after reading this for the like 20th time I finally understood the reference holy crap#it shouldn’t have taken me. that..long OHMYGOD#AAAGRITHSKAJAA#THANK YOU#P0ff answers#Kylie tag#TEHEHEKS4MEMHEHE#P0ff art
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I heard it is someone’s special day today!! 🎉❤️@kylievershion
HAPPY BIRTHDAY, KYLIE!!! Hope you have a great one! Love you! <3 <3 /p /gen
unsigned drawing under cut vvv
#👑Krinkle Kingdom#hazel’s craft#go wish them a happy birthday!! /nf#hope you like the drawing kylie!! happy birthday and to many more!! 🎉
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Here are the entries to the 2000s tourney:
Pokerface by Lady Gaga
Welcome to the Black Parade by My Chemical Romance
Toxic by Britney Spears
Sk8ter Boi by Avril Lavigne
All my Life by Foo Fighters
American Idiot by Green Day
1985 by Bowling for Soup
Take Me Out by Franz Ferdinand
Somebody Told Me by the Killers
Hey There Delilah by Plain White Tees
Feel Good Inc by the Gorillaz
Sugar we're goin down by Fallout Boy
Brave as a noun by AJJ
Hot N Cold by Katy Perry
Single Ladies (Put a Ring On It) by Beyonce
The Dog Days are Over by Florence + the Machine
Seven Nation Army by White Stripes
Kryptonite by 3 Doors Down
She Hates Me by Puddle Of Mudd
Stacy's Mom by Fountains for Wayne
All the Small Things By Blink 182
Since U Been Gone by Kelly Clarkson
Hurt by Johnny Cash
Hey Ya by Outkast
Rehab by Amy Winehouse
Stan by Eminem
Do you realize by The Flaming Lips
Sexyback by Justin Timberlake
Party in the USA by Miley Cyrus
Drops of Jupiter (Tell Me) by Train
Californication by the Red Hot Chili Peppers
Fireflies by Owl City
TiK ToK by Ke$ha
Gives you Hell by All American Rejects
Paper Planes by M.I.A.
Can't get you out of my head by Kylie Monogue
I write sins not tragedies by Panic! At the Disco
Short Skirt/Long Jacket by CAKE
Teenage Dirtbag by Wheatus
Bring Me to Life by Evanescence
Before he cheats by Carrie Underwood
Vida La Vida by Coldplay
Photograph by Nickelback
99 Problems by Jay-Z
Hash Pipe by Weezer
A Thousand Miles by Vanessa Carlton
Love Story by Taylor Swift
Unwell by MatchBox Twenty
Yeah! by Usher
Dilemma by Nelly and Kelly Rowland
Beautiful by Christina Aguilera
My Hips Don't Lie by Shakira
I gotta Feeling by Black Eyed Peas
Hollaback Girl by Gwen Stefani
Watcha Say by Jason Derulo
Drop it like it's Hot by Snoop Dogg
Unwritten by Natasha Bedingfield
Numb by Linkin Park
Umbrella by Rihanna
Crazy in Love by Beyonce and Jay Z
How to Save a Life by The Fray
Get the Party Started by P!nk
Survivor By Destiny's Child
Everytime we touch by Cascada
Beautiful Girls by Sean Kingston
Bad day by Daniel Powter
Chop Suey By System of a Down
I'm Yours by Jason Mraz
Crazy by Gnarls Barkley
The Middle by Jimmy Eat World
Harder Better Faster Stronger by Daft Punk
Chewing Gum by Annie
Lollipop by Mika
It's gonna be Me By Nsync
Low by Flo Rida
Fuck the pain away by Peaches
Misery Business by Paramore
It's my life by Bon Jovi
The Past Is a Grotesque Animal by Of Montreal
Work It by Missy Elliott
Butterfly by Crazy Town
Caramelldansen by Caramell
In da Club by 50 Cent
4 minutes by Madonna and Justin Timberlake
White Flag by Dido
Beautiful Day by U2
Fallin by Alicia Keys
All for you by Janet Jackson
Bootylicious by Destiny's Child
This Love by Maroon 5
Milkshake by Kelis
Smooth Criminal by alien Ant Farm
I'm a Believer by Smash Mouth
Sandstorm by Darude
I believe in a thing called love by the darkness
Float On by Modest Mouse
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Just finished reading your latest Big Sky posts, and I agree with everything you said. Season 3 is such a far departure from what this show was when it first started, and I hate how they’ve sidelined Cassie this season. I thought it would’ve gotten better when the focus shifted toward the campsite, yet the focus is still on Beau and Jenny. I’ve also noticed how Kylie’s barely featured in Big Sky’s social media posts to the point that you wouldn’t even know that she’s the main protagonist of this show! I know you’ve touched on this before, but I would love to hear your thoughts on how Cassie’s been treated this season. And I’d like to know whether you’re going to watch the final 3 episodes of the season (especially after reading what Elwood shared in his latest interview)
Hey, Anon! My first Big Sky ask, thank you! =D Thank you so much for checking out my posts! I apologize for the delay in my response. I will admit, I was frustrated with this show, Elwood, and the writers after watching 3x10 and reading the interview you mentioned (thank you for letting me know about it!), so I wanted to wait to let that pass before replying. So this way my answer to you could be as objective as possible while giving my opinion but not containing any of that frustration (aka basically me going WTF the whole time lol) if that makes sense.
Let me start out by saying that I 100% agree with everything you said here. Full transparency, I still haven't seen season 2 (only 2x01 and 2x18 at this point) but I know the highlights, and compared to season 1, the writing for season 3 definitely feels like a departure from the story that the show set up from the very beginning like you said. I know they were attempting a new format this season but Elwood/the writers have consistently demonstrated that they really cannot handle the weekly stories alongside the big one of the season as well as an ensemble cast that rotates weekly guest stars. They're struggling to juggle too many stories, from big to small, and it shows. It was the wrong direction for them to go in though I give them points for at least attempting it.
Like you, I also hoped that once Cassie's and Beau & Jenny's stories started to intertwine that things would indeed get better. Instead, it only got worse. To the point where I as a viewer didn't even care that we got a little Beau and Cassie time in 3x10 (and I love the dynamic between those two). They were purposely throwing Beau and Cassie together into a few scenes and intentionally giving her a little more time this episode to hook more viewers for their return next year. Not even to set the story up and what's coming for 3B but as a hook. That's all it was. And what's even sadder about this is that while it's been made obvious what they're doing to the point where it's showing through the story itself, Elwood and the writers aka the creatives don't really seem to care. They're moving full steam ahead and that's that. Okay, yes, we all know how executives work in this industry, but for a supposed creative like Elwood, that's really concerning and almost kind of heartbreaking.
I'm going to get into how I feel Cassie has been treated this season in a moment but I do want to talk about the Beau/Jenny thing first because I feel it's a very big contributing factor as to what happened to her. Probably a lot more than some people realize.
Beau/Jenny has become Big Sky's meal ticket so to speak. It's not what every single fan of the show wants, but it's what the loudest and most engaging section of the viewers want aka #AcklesNation. This particular section not only engages with the cast (when they're with Jensen or they post about Jensen) but also regularly engages with the Big Sky social media accounts, they make content on here and other platforms, and they are guaranteed to tune into each episode as long as Jensen is on the show. They've become invested in not only Beau and his story line, but also into the "romance" of Beau/Jenny. The media picked up on it due to this overwhelming interest from this section (as they have with other things Jensen has said in public, i.e. Deadpool in the last month for example) and now they bring it up in each interview with either Elwood or the cast. (not to mention these questions are approved/guided by the show's PR team when submitted for approval so if they didn't want Elwood or the cast talking about Beau/Jenny for example, the question wouldn't be able to be asked) Why is this important? Simple, because it relates to my point below:
You brought up the social media (and lack of Cassie/Kylie in it), Anon, and you hit the nail on the head. Because it all relates. When you look at their twitter page for example, it is literally the Jensen Ackles, Beau, and Beau/Jenny show. And that's not a dig at Jensen or either character; it's just stating facts. We only get Dedee when she's with Jensen, we barely get any Poppernak. And even then we get more of them than we do Cassie (the main protagonist like you pointed out) or Kylie like you said. Not to mention, whoever is running that account is repeatedly engaging #AcklesNation, posted a tweet in the beginning of the season of how they were going to suck up to #AcklesNation by using Poppernak's and Beau's interaction from 2x18 as a segue to make this point, and they consistently interact with The Boys Twitter account (which I suspect is run by possibly Kripke himself, not sure though) over Jensen. While whoever is doing this job is doing it well as far as that's concerned, it literally has become the Jensen Ackles show (and for all you Jensen Ackles fans out there, I am not saying anything critical about Jensen nor am I blaming him - this is not his fault obviously and I'm just stating facts). So this is now a big factor in how the decisions were made for the story this season that Elwood has made obvious himself not only in interviews but also in the show itself.
Back in September, Elwood and the main cast did their usual round of interviews to promote the new season. We saw things like this:
While they obviously had to squeeze in for this shot, there is no reason Jensen should be in the back. They could have easily fit him into the shot. Or Reba should be sitting in Elwood's chair and vice versa. But they did this seating this way for two reasons: 1) "Beau" is in the middle between "Cassie" and "Jenny" while not stealing the spotlight from the two leads (from fans of the show before Jensen was cast) & 2) Reba is one of the big names being pushed/used.
And then we heard things like this:
(Elwood - TV Guide - that quote up above btw is hilarious because it has been shown that Jenny has been doing the modern version of swooning over Beau ever since 3x01 - this is why we can't trust anything this guy says, either he's very incompetent at his job and believes what he's selling or he doesn't care because he's only focused on getting the ratings up)
Elwood purposely said before the season premiered that he was playing it down the middle between Beau, Cassie, and Jenny. He said it was going to be a slow burn and he didn't want people to think of Beau and Cassie's relationship as "romantic" but he also kept talking about how Beau and Jenny were a "team" and "professional". Kylie herself made it pretty clear that she viewed Beau and Cassie as almost having a sibling type of banter (x). Anytime Katheryn was asked about Jensen's casting/Beau, she would mention how Jenny and Beau made a great team at solving crime who also had great banter but that was all she would say. When asked about the romanctic chemistry between Beau and Jenny, she would answer with a sort of non-answer (which turned out to be its own answer): “Well, they did cast Jensen. How can there not be when you, when you cast someone like that? If there’s something that maybe manifests or doesn’t manifest, you don’t really know. I don’t know yet.”
Jensen even jokes that he's the "potato" that adds to the "Cassie-and-Jenny" stew that Kylie refers to. And we know potatoes help to thicken stew.
So the show purposely sold it as a slow burn that would be a sort of 'who will Beau end up for falling for' type of vibe between the two leading ladies. So at this time, Kylie's/Cassie's involvement not only in the general story line but also Beau's was going to be neck and neck with Jenny's.
Then we also get:
The question wasn't about Jensen, Reba, or the cast. It wasn't even about the characters. It was about this new format he's introducing. Only after he talks Jensen up does he briefly mention Reba, then goes back into Beau/Jenny (sell, sell, sell!), and then talks about the new format and how challenging it was. And what does he end it with? "...and we've got some amazing guest cast coming in this year." He's made it very apparent what the focus of this season actually is: the big names they're pulling in. Jensen, Reba, Beau/Jenny (and Beau himself), and the other big names are the main draw to this little show and he knows it.
This also shows how the story is taking a backseat this season to the actual selling of the product. This is the season where they might possibly have their last hurrah, where they've pulled in all of these big names (aka stunt casting) so they can promote the hell out of them and the show, and they've changed up the format. It's like a sales team came in and changed up all of the advertising, the look of the product, and even changed the slogan, in order to repackage it and get it out to buyers as a last bid to try to turn a profit after the product initially failed to sell well. That is literally what's happening here. And when that happens, that means shortcuts are taken, corners are cut, and you're no longer getting top quality of that product.
In this answer, he is basically admitting that he/they came up with the weekly format not only to alter the pace of the narrative of the show, but it was also done so Beau and Jenny could go solve weekly crimes together, something he didn't do until Jensen was locked in for the season. While Beau is not supposed to be a lead character, from Elwood's answer here he is basically stating that Beau is now a lead which is why we get: "...and a guy who has done 15 or 16 seasons as a series lead, so he's a guy I've always wanted to work with." Translation: Beau is intended as a lead this season and they're already starting to push the Beau/Jenny factor.
And the breakdown of what we've gotten so far has been this:
3x01 - playing down the middle between Beau & Jenny/Cassie: Cassie and Beau have a friendship that developed over in between seasons & Beau/Jenny start solving crimes - ends with the movie night scene of the three of them
3x02 - playing down the middle again: Beau and Cassie go to talk to Sunny while Jenny has to go with Tonya - ends with ranch scene where Cassie is having a basic housewarming
3x03 - playing down the middle again but slightly less: Beau and Jenny solve crimes though Cassie is mentioned in convo by Jenny & we see a convo between Beau and Cassie in her office though it turns towards Jenny who is mentioned by Beau
3x04 - more Beau/Jenny - less Cassie - no more down the middle
3x05 - dun dun dun, big Beau/Jenny push - less Cassie
3x06 - Beau/Jenny push - less Cassie
3x07 - Beau/Jenny push - a little more Cassie
3x08 - Beau/Jenny push - same amount of Cassie
3x09 - Beau/Jenny push - a little more of Cassie
3x10 - big Beau/Jenny push - a little more of Cassie - we even get a few minutes of Beau and Cassie
That's literally how it plays out.
And now in December we have:
(Elwood - TV Insider)
The fact that the interviewer has to ask how Beau feels is a big indicator that the story is not being told well, especially given Elwood's answer here.
Then we get a whole big thing (aka sales pitch) on Beau and Jenny:
Cassie?:
Not so much expounding upon Cassie herself, barely a blip about the Cassie/Cormac romance itself, and a bit on the actual plot. A bit weird given that Cassie is the main protagonist of this show, right?
Because Cassie has been pushed aside in favor of pushing the Beau (Jensen) and Beau/Jenny narrative. They literally tossed her aside, sprinkle her into the narrative here and there to still be able to claim "oh, we're still having Cassie be important to the story, look!", and gave her a throwaway romance so not only could they parallel it to the Beau/Jenny relationship but also to keep Cassie busy so we get more time with Beau but remove any possibility of Cassie being a potential romantic rival for Jenny (so Jenny can confidently go after Beau) and so like Elwood said, two women don't fight over a guy (which again is hilarious because the only thing keeping Jenny from going all schoolyard this season is because Cassie is interested in Cormac).
This is why Kylie/Cassie has reduced time this season compared to the last two. This is why Kylie/Cassie are not being featured/pushed on social media. This is why you can barely find any Cassie scenes from this season on YouTube unless it features Cormac or Beau/Jenny. Because the Elwood and the show see the response they got once it was announced Jensen would be in 2x18 and what kind of response they got after it aired. Then they even saw the response to the announcement that Jensen had joined Season 3 as a regular. They see the consistent engagement from #AcklesNation on social media (which unfortunately is what counts these days in this industry; I don't care for Cocoa Brown myself but she said it best in that IG Live she did), something like Jensen has over 10M Instagram followers, and the desire for Beau/Jenny from that crowd (which is because Jenny is being used as self-insert for a lot of them and it's being accommodated by Jenny's characterization drop this season but that's a conversation for another time). Jensen and Katheryn do have chemistry but it's nowhere near what it should be for this type of "romance" to take place successfully. You combine that with poor writing/development and....well, you need to do other things to compensate, like moving the main protagonist to the back burner.
Saying all of this, now we look at that latest interview and it makes more sense why we see less of Cassie and read things like this:
"I think the modus is to go right to giving the audience what they want" What a statement to make about the direction one of your leads' stories is going in, especially when you are responsible for not only making that decision but you are helming the show itself. This show lives and dies with him.
If I hadn't seen/read everything I listed above and only saw this one interview, I would immediately know that this show no longer worth my time, not while it's under this guy. I get that he has to keep the show on the air but when you make it obvious that you're just a salesman who is saying whatever he has to in order to sell the product, then the product isn't really being given the attention it's not only due but deserves.
Imho, that one line says it all. It covers what their actual goal is, what their intention has been all along, and how things are operating behind the scenes.
And to break it down even further:
"I think the modus" - this word automatically makes one think of 'modus operandi' which is defined as: a particular way or method of doing something, especially one that is characteristic or well-established. Well, frankly speaking, this whole Beau/Jenny "romance" is not characteristic or well-established, but it's obvious this is how they chose to go about it. We've only seen the build-up from Jenny's side, never Beau's. And they purposely threw Cassie into the mix in the beginning and kept the mention of her as a device to not only keep those viewers (aka Cassie fans) hooked but also because of what Elwood says later in the interview.
"Is to go right to" - had Beau/Jenny had an organic build-up, then yes I could buy that they've been planning this from the start. And tbf to them, it is possible they chose to do this once Jensen was cast as a season regular after they saw how loud the purported #AcklesNation was in wanting not only more of Jensen/Beau but also Beau/Jenny like I mentioned above. This is exactly what they're looking for (hence the SPN Easter eggs thrown in as well). More proof? Having Travis step out at the same time Beau steps in doesn't make sense for Jenny's character development, especially when they made sure to mention in the episode that Beau was still in love with his ex-wife, Jenny lets Travis go so he can find the girlfriend he can't let go of, and she barely gets a breather in between. She literally is between two guys who have the same issue, just different circumstances. That is such bad writing (and bad character development for Jenny) that I can't help but think they didn't intend a Beau/Jenny "romance" at that time, especially since it wasn't announced that Jensen was locked in for season 3 yet. So this gives more credence to the belief that the Beau/Jenny thing wasn't an actual thing until they saw the response to 2x18 and locked Jensen in. Especially given the two very different interactions Beau has with Jenny and Cassie in that same episode. Had Beau/Jenny been the plan, Beau and Jenny's introduction would have played out very differently and the end of Travis and Jenny's story would have been changed up.
"giving the audience what they want" - talk about specific wording. This isn't something they necessarily want or that he himself wants but it's the audience that wants it. And they're giving it to them. This line makes absolute sense with what he says in the interview about Beau and Jenny needing to earn that "physicality". He and the writers could have given it to the audience in the beginning of the season, if that's what they really wanted to do but they didn't. Instead, Elwood says this: "I think it all goes towards earning those looks, earning any kind of physicality that may occur in the back half of the season, really earning it, and making the audience want to be there for it." They made it a "slow burn" so they could lock in viewers each week, that's it. While Elwood talks about earning it (and he's right, when it comes to actual character and relationship development, things have to be earned before they happen or else it doesn't make sense and feels off-kilter to the audience), the main reason they're having it happen in 3B is because they're trying to guarantee a viewership for as long as they can which they're hoping gets them renewed for season 4. So they consistently bait the hook with whatever they need to i.e. the stroking of Jenny's face out of nowhere (which bless Jensen, he was the one that made that even work as slightly as it did), the Beau and Cassie scenes, and the cliffhanger with Buck vs Cassie. In order to keep people coming back to watch so they don't get cancelled. (The Winchesters is actually doing this same thing btw; I don't know if you follow this show or not but if you look it up, you'll see they're doing the exact same thing - their bait is the earned Jary kiss in the fall finale, casting an SPN actor in the mid-season premiere in January, promising fans payoff in the season finale - it's the name of the game for these two shows because they're trying their hardest to ensure another season)
Bottom line: they don't care about the story; they only care about numbers. If the rumors of this show being on the chopping block last season are true (which after all of this, seems like a pretty good bet that they are), then that explains everything. It explains their consistent appealing to #AcklesNation online, the content they choose to repeatedly focus on which alienates the other characters and cast members (and their fans), and why they're giving "the audience" what they want. They're fighting to stay on the air. Which makes sense especially if you look at this season's casting compared to the casting of the last two seasons (when comparing household names I mean). They really stepped up their game. We have Reba, Rex Linn, Jensen, Jamie-Lynn Sigler (who was also made a season regular for this season), Rosanna Arquette, Henry Ian Cusick, Lyle Lovett, Darius Rucker...it's quite the lineup.
So that is why I feel Cassie has been pushed aside as much as she has. It's all about the numbers. And Cassie isn't producing numbers/ensuring ratings as much as Beau and Beau/Jenny are. And Jenny is perfect self-insert for a lot of people when it comes to Beau...and that's all I'll say about that (though I'm sure you get what I'm saying).
As for how I feel about it, I am just beyond disgusted, disappointed, and angry on Cassie's behalf. Disgusted because the story is literally being hijacked for numbers, and boy does it show. Disappointed because while Jensen/Beau was my gateway to this show, I did actually enjoy the show for itself after bingeing season 1 and falling in love with Cassie and her friendship with Jenny. Angry because they are literally not only moving Cassie to the back in favor of this bs but they're literally having a WOC prop up the white leads. Even though the WOC is the main protagonist and a lead herself. And I hate to say it but Beau has literally replaced Cassie, not just in Jenny's story but also in the main narrative of the show. He gets more screen time than Cassie does every single episode (which again is for the numbers). Not to mention, they literally used Cassie to help along the Beau/Jenny bs. She was used to make Jenny jealous (both romantically and emotionally), to help Beau open up to get him into position to be able to open up to Jenny, and to ease the way for Beau and Jenny in their own dynamic. And that is just so beyond wrong, I don't even know where to begin. For comparison's sake, check out the new show Alaska Daily. It's only half a season in but in those few episodes, they're handling the format of weekly cases vs the big case in the background way better and they're not sacrificing POC/WOC to do it. Eileen (Hilary Swank) is the main character but Roz is never pushed to the side or run over in favor of the white lead or to sell something for Eileen's story within the narrative. Roz is not used as a device by the writers to account for any incompetency or inconsistency or to solve a problem for them. The difference between the two is quite striking though they're literally on the same network lol.
But, back to Big Sky and Elwood, talk about ringing the death knell of what could have been a decent show. Anytime you see a showrunner doing fanservice like this (with the addition of making it obvious that you're only doing the fanservice for the numbers) rather than what actually serves the story and/or the characters, it's pretty much a done deal. Imho, it will only be a matter of time before this runs into the ground and completely disintegrates. Especially when romance is not supposed to be the focus of a show like this.
So I'm not going to continue to watch the show once it returns after the holidays. I truly have no interest. I think Reba, Jensen, and the cast are doing a phenomenal job trying to give life to these characters and give their stories their due, and the show has only lasted as long as it has due to the incredible work of the existing cast that the newbies got added onto. But seeing how little the showrunner actually cares about the story of the show based on not only the final product he's putting out but also his own responses and his moving the goal posts on certain parts of the narrative at large...no thank you. My time and energy can go to another show that tells a better story and gets it right, where the showrunner actually cares about the story and its characters.
After the season ends, I might binge it just to see the end because I don't like to say never and I don't like to leave things unresolved like that for myself, but I have to be honest, I highly doubt it. I love Cassie, I love Beau, and I do love Jenny, but it isn't worth it imho. And I feel super bad saying that because I do love Reba, Jensen, Kylie, Katheryn, Dedee, and the cast, and the work they do but even they can't make me forget the horrific and lackadaisical writing I'm witnessing.
I hope I was able to adequately answer your ask, Anon. I hope in somewhere in that long novel I made some sense lol. Sorry it took so long for me to reply! And thank you again for sending me my first Big Sky ask. =) I hope you have a wonderful rest of your day!!! <3
#ask#ask answered#thanks for being my first big sky ask anon#big sky#bigskyask#elwood reid critical#big sky critical#big sky season 3
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Top 50 Songs Scrobbled for the Week Ending 2/12/2016
TW LW ARTIST - SONG 1 5 The Chainsmokers/Daya – DONT LET ME DOWN(1 week @ #1) 2 6 Gourdan Banks – KEEP YOU IN MIND 3 8 Kari Faux - SUPPLIER 4 1 Craig David/Sigala – AIN’T GIVING UP(1 week @ #1) 5 10 Rae Sremmurd/Gucci Mane – BLACK BEATLES 6 13 DJ Cassidy/Chromeo – FUTURE IS MINE 7 2 Alessia Cara – SCARS TO YOUR BEAUTIFUL 8 3 The Weeknd/Daft Punk – STARBOY(3 weeks @ #1) 9 16 Gallant/Jhene Aiko – SKIPPING STONES 10 4 Bruno Mars – 24K MAGIC 11 7 Calvin Harris – MY WAY 12 9 Disclosure/Nao - SUPEREGO 13 25 GoldLink – PALM TREES 14 11 Solange/Samphaa – DON’T TOUCH MY HAIR 15 29 The xx – ON HOLD 16 12 AlunaGeorge – NOT YOUR LOVE 17 17 Emeli Sande - HURTS 18 14 Spencer Ludwig - DIGGY 19 15 P!nk – JUST LIKE FIRE 20 28 Frank Ocean – SELF CONTROL 21 18 Troye Sivan/Alessia Cara - WILD 22 21 Cookin’ On 3 Burners/Kylie Auldist – THIS GIRL(1 week @ #1) 23 33 Maroon 5/Kendrick Lamar – DON’T WANNA KNOW 24 34 Childish Gambino - REDBONE 25 37 John Mayer – LOVE ON THE WEEKEND 26 19 Janet Jacks0n – BROKEN HEARTS HEAL 27 20 Lady Gaga – PERFECT ILLUSION(1 week @ #1) 28 38 Ari Lennox - YUENGLING 29 39 Empire of the Sun – TWO VINES 30 23 The Chainsmokers/Halsey - CLOSER 31 40 The Weeknd/Daft Punk – I FEEL IT COMING 32 41 Solange – CRANES IN THE SKY 33 22 Sia/Kendrick Lamar – THE GREATEST 34 24 Twenty One Pilots - RIDE 35 26 Hailee Steinfed/Grey/Zedd - STARVING 36 27 Tinashe - SUPERLOVE 37 46 J Cole – FALSE PROPHETS 38 45 PARTYNEXTDOOR/Drake – COME AND SEE ME 39 47 Janet Jackson – BLACK EAGLE 40 49 Daniel Caesar/Kali Uchis – GET YOU 41 48 A Tribe Called Quest – WE THE PEOPLE….. 42 30 The 1975 – THE SOUND 43 31 Tory Lanez - LUV 44 32 Empire of the Sun – HIGH AND LOW(2 weeks @ #1) 45 35 Tinie Tempah/Zara Larsson – GIRLS LIKE 46 36 Jon Bellion – ALL TIME LOW 47 42 Meghan Trainer/Yo Gotti - BETTER 48 43 Twenty88 – ON THE WAY 49 44 Frank Ocean - SEIGFRIED 50 50 Beyonce – HOLD UP
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National Dance Radio Airplay
For the week ending September 7. 2024
In The Dark --Armin Van Buuren, David Guetta f/Aldae -1
Heat --Tove Lo & SG Lewis -2
Free --TELYKAST f/x.o.anne -5
360 --Charlie XCX -3
Girl$ --Dom Dolla -4
Music Is Better --RUFUS DU SOL -6
Fire --MEDUZA, OneRepublic, Leony -7
Free --Calvin Harris & Ellie Goulding -11
15 Minutes --Madison Beer -13
I Like It --Alesso & Nate Smith -12
End Of Time --Lucas & Steve, LAWRENT f/Jordan Shaw -9
I'm The Drama --Bebe Rexha -15
Lioness --Swedish House Mafia f/Nike & The Dove -10
Without You --KYGO f/HAYLA -14
Go Back --John Summit & Sub Focus f/Julia Church -18
Living In Color --Audien f/Jeoff Harris -22
One Cry --Galantis -8
Hot Honey --Tiesto & Alana Springsteen -20
Wrong Way --Two Friends, Alexander Stewart -25
She's Gone, Dance On --Disclosure -17
I Go Dance --Kiesza -16
A Little Closer --Diffrent -21
Midnight --VASSY -19
Illusion --Dua Lipa -26
Thinkin' Bout U --Mattilo & Julian -28
Stumblin' In --CYRIL -23
Never Us --Menew & Dzeko -24
Somedays --Sonny Fodera, Jazzy & D.O.D -31
Find Love Now --Cheat Codes, Punctual, Raphael -33
Heavenly Hell --Steve Aoki f/Ne-Yo -32
Believe It --Louis The Child & Madeon -34
Love Bites --Nelly Furtado f/Tove Lo & SG Lewis -27
***Tears Don't Fall --Kaskade & Enisa -55
Chills (Feel My Love) --Oliver Heldens, David Guetta, FAST BOY -40
My Oh My --Kylie Minogue, Bebe Rexha, Tove Lo -38 ---->
Yo Bunny --PRODBYCPKSHAN X Cheat Codes -43
Count On My Love --The Blessed Madonna, Daniel Wilson, Kon -39 ---->
Fair --Billy Gillies -36
Guess --Charlie XCX F/Billie Elish -42
I Like The Way You Kiss Me --ARTEMAS -47 ---->
Wherever You Are --Martin Garrix & DubVision f/Shaun Farrugla -37 ---->
Find The Way --Peggy Gou -45
Body Say --Xandra 7 Gigi Grombacher -48
Chase It (Mmm Da Da) --Bebe Rexha -35 ---->
Lonely (Planet Earth) --Dillon Francis, Chloe Moriondo -50
Espresso --Sabrina Carpenter -30
Joyride --Kesha -41
***Where Are You Tonight --Gryffin -54
On Again --MAU P -44 ---->
Move --Adam Port, STRYV -49
2***new on the chart this week ----> off next week 6 ----off next week
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