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#I love the ibis paint digital brush
lurkamargarine · 3 days
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Deus ex Madoka
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Auch Gott hat seine Hölle; es ist seine Liebe zu den Menschen
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mossy-paws · 5 months
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phighting x slugcats (rain world) would be possibly very epic and cool maybe
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Here you go :3 the silly little wawas
(+ a teensy little swocket doodle since a lot of people requested it)
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samgatinho · 1 year
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martyn again . testing rendering stuff or whatevaaaa
:p !!!!!!
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asmodeauxx · 4 days
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ace attorney splatoon crossover when???
(still not that used to drawing on my phone again)
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ironfoxgiver · 5 months
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Peace & War
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nannerism · 1 year
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It'll be okay, Wally! Mama Home is here for you.
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nickwheaters · 1 year
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sorry that it's been a while!! I'm really prioritising posting on Instagram lately- here's a sir nighteye doodle from a few days ago!
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alittlemonstersart · 1 year
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Girl time :3
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mistercakerz · 1 year
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the-halfling-prince · 8 months
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Legend has it, one day I'll start drawing characters in actual poses. But today was a lighting study so I had more important things on my mind.
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an-theduckin · 1 year
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Drew my friend as a princess <33
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nartothelar · 9 months
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Hiii I’m sorry if you’ve been asked this before but what brush do you use for your art?? I love your art so much, and the brush you use looks so clean. Thanks so much :)))
I use two main brushes when I line digitally, both default brushes on ibis paint :
hard turnip brush
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calligraphy brush
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for my usual sketchier style, I just use a lead 0.3 pencil on paper and scan and extract the lineart!
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gemapples · 9 months
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im so sorry it took me so long to answer these oml but YES i'd be happy to show how i draw and color :)
— SKETCHING
please note that i almost always sketch traditionally first lol it's just a lot easier for me to determine how the drawing is placed that way, but i always go over and re-sketch it digitally
for magolor i always start with a basic egg shape (lmao) and then i add his ears. then I draw the scarf; it's easy to determine the shape and dynamicism based on where the bottoms of the ears are located
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then i usually add the cape and hood together. where and how these are placed and what these look like in general are very important because they're the main area that perspective is directed to (the ears and everything else is important too ofc!! but the hood and cape usually help demonstrate where he is looking and how he is moving the most). then i add everything else, usually his hands last!
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— LINEART
ohhhhhh god my worst enemy. Hope youre sitting down because this will be embarrassing LMAO
lineart is easily what i struggle with most and is more often than not the most time consuming and grating step for me. If i had a choice i would drop it in a heartbeat, but my style is so dependent on thick lines and shapes that it's difficult to 😭 a hole i dug myself into unfortunately ITS FINE THOUGH. ANYWAYS I'm getting sidetracked
i use my finger to draw all my digital art, which means i usually have to use a Heavy stabilizer to avoid shakiness and staggered lines. Unfortunately ibis paint's stabilizer is actually dog water and doesn't even stabilize more than half the time (in which case i have to repeat lines over. And over. And over again until i get it right) but when it does like me and works properly it's very helpful!
i always use the soft school pen bleed brush as my main tool for lineart. This brush has been my best friend for everything, i even use it for sketching idk it just really like the way it looks lol. sometimes i change the aspect if i want the lines to look more ,, chalky?? or smoother depending on the work
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i don't really use this tool much but for this specific piece, force fade was my partner in crime
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also i think i need to mention that i use so many layers for this. So many layers lol like to the point it's embarrassing. and at the end i merge most of them (except for the gear patterns, rings on his ear, and eyes + hands, which usually need to be by themselves as they're colored separately) Thank you for layers
and i end up with this!
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— COLORING && SHADING
yippee yahoo the fun part !!! the part that i love the most
at this point, if i havent already, i always create a folder for convenience in organization because this is the part that i stress the most about what details are on which layers lmao
then i add ANOTHER layer below that for the color, then i put every single color used on their own separate layer!
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now, for shading, if im working on larger pieces with more complex shading, i'll usually plan it all out. normally when just drawing magolor, i don't really need to do this anymore because i'm so used to it lol, but for funsies i did it here anyways
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then i use the bucket tool to fill them all in
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i usually have a set color palette for all the characters i draw (though the way i shade white differs. A lot between my work as you can probably tell fhdfgf). For every color, i have two specific tones that are associated with the shading. for example, indigo + violet are shaded with my blue, pink + light orange (or lighter pink depending on my mood lol) are shaded with yellow, etc.
so, i shade the other areas with the 2nd shading color
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a big tip i can give for coloring is to look at a color wheel when you draw. i know that sounds like. Such basic advice LMAO but that seriously was a huge help for me when developing my shading and something i learned while studying — if you notice, in all of the shading in my work, all of the colors used are analogous on the color wheel. note that not ALL combinations will work together like others obv !! but it's a huge step in knowing where to go with it
then i add other extra details like extra lighting, halftones (if i feel like it // if it fits the work), glow to his eyes, and color the lines and ta-da!
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another tool i use a lot especially with my more recent art are blending modes, especially multiply. i use a clipping layer to add a dark color (usually a dark blue or purple) and set it to multiply, then erase the areas that emit light
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and this is the end result! this is a very very basic demonstration of it fhdjg i was a pretty messy with the lighting and erasing in this example but you get the general idea right
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and that's how i draw :) i hope this was helpful, and thanks for asking and being so patient with the response!
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bl4z33467 · 6 days
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(Cracks knuckles) Alright folks I remember how to draw
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Fat fuck Vulpes by yours truly, Blaze Lander. Inspired by the lovely drawing by @yourmateyoya ,egged on by @legions-top-dog , and because i force you to deal with all my shitty drawings, @noomycatz
Yes, once again, i have put too much effort into a shitpost. Roughly 2 hours as I reused a canvas on ibis paint for a 5th drawing lmao
Yall can burn me at the stake later lol
Process below hehe i like to ramble
And just because i like to talk about my drawing process for characters with complex outfits, this is how my lobotomy brain does it:
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First i do silly fun colored sketch. I use different colors to differentiate the "skeleton" from the, euh, fleshy bits, and the clothing. You can see lots of lines that would not be shown in the final product so it makes it confusing to look at.
Next i do a clean sketch.
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This is where i clean up everything before doing the final lines. I use one color and a thin brush to make it easier to line over. Here i add any extra bits (like the top football armour) and "render the physics" as i call it, so properly drape cloth and the uhhh squish of stupid fat fuck vulpes' boobs and stomach. I also will balance the drawing here by flipping it and redrawing or using the drag tool.
Next is lining.
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For this drawing, i used a 9.0 digital pen with a taper. Its my standard :þ. I kept my pen at the same size for this piece. Sometimes i line the outside darker to make the drawing stand out more. I decided not to as i wanted to give the drawing a more "serious" tone. (How serious can this be though lol-)You may notice on the arms little bits of the lines are missing, thats because i gave him some arm hair. I like make little details like that show over the lines. But since the one shading technique i used works with clipping masks, i had to but the arm hairs on a layer lower than the line art. Next is colour:
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I colour in the drawing with midtones. Simple as. I tried to stick with warm colours besides his eyes, which are grey blue. Idc if they arent, im too lazy to google it. I mostly use flat colors but i did make his shirt a gradient. Next is do simple cell shading:
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Depending on how i feel i shade with or without the colours in the back. I went with a sorta "non decrepit" light source here. Didnt want too much intensity. I used a deep marronish orange on a multiply layer on 45% opacity. Soft shading/lighting next:
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I get intense with the soft shading. I use the airbrush with a deep maroon to add dark gradient and airbrush with a light pink to add a bit more depth. I usually use less light and more dark because im evil i like the intensity. I keep the layer the same amount of opacity and multiply it with the darks and soft light for the lights. Next are the shine highlights:
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I use the dip pen hard with a taper to add light highlights of white on shiny bits like metal and eyes. I uses pure white, set the layer to 25% opacity, and use normal blending.
I also shade the lines because it makes the lines softer. I use a clipping layer on the line art, set the whole thing to a dark grey, and airbrush in darker and lighter parts. (I felt like a picture wasnt needed cuz its hard to notice.
For the background, i used a dark red i stole from the cell shaded layer, drew a vine pattern with the kaleidoscope ruler, and added a vignette. Vignettes are my cheat code for background hehe~ it makes the subject stand out while keeping suave, seriousness and formality. To make a subject pop out more, put the vignette behind the character but in front of the background. For more intensity but it on top of both.
Also- I usually draw with a level 10 stabilizer (i got shaky hands) but i drew with a 2 stabilizer so im surprised it came out so smoothly-
Also i gave him goggle tan lines because if i have to have them from playing tennis with sunnies, so does he.
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sleepybabyrat · 21 days
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Hii, sorry if you’ve already been asked this but what’s your art setup? What programs and brushes do you use?? I absolutely love your style so so much and I really would love to get more into digital art! Tysm<3
Hi! I use ibis Paint X using just my fingers.
I didn’t make the brushes and don’t have the artist’s link, but I can send you the QR codes in a DM if you’re using ibis Paint too.
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felrija · 1 month
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Do you do all your pieces digitally?👀 just curious bc you get some WONDERFUL textures on a lot of them. I’m such a big fan of your art, it’s always so cool and beautiful, no matter what your subject is. Fan girling over, but if you do them digitally is it photoshop then? Or procreate?
Much love, i hope you have a great day
🦊
Hey thank you so much :) ! Yes they're all done digitally on Krita and Ibis Paint! I use Ibis Paint to do the sketches and set down the colors (with blurring marker 1 brush) the textured part with rendering is all done on Krita the bruses I use are dry bristles, dry brushing and RGBA 04 Impasto
The main brush I use is R T Masked 2 from a free bundle I found online now I don't remember where I found it but the name might be " Radian pack large bundle" the other brush I use from the same bundle is R FR Dirty :)
When I really want something to pop or have an Extra textured look I draw it on a separate layer than use Kritan sharpen mode which you can find when you click on Filter then Ehance !
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