#I love Hannigram so much but there’s so much potential for Bedelia and Hannibal and literally no one ships my ship I am positively drowning

[abominable-space-they]

Ok but now I can't stop thinking about this

I need this story, it has so much bloody action rom-com Au potential

I physically can't stop thinking about how it would go down...

Say the Mizumono break up was real?

& Hannibal didn't follow the plan. He ran w/ Frederick instead just to be spiteful. Leaving a an easily FBI trackable trail specifically for Will to follow once he wakes up.

Alana didn't get pushed out a window because Hannigram were to busy breaking up for real to do all their carefully planned torture, so she's the one telling Will that Hannibal had been having an affair w/Chilton behind her(their) back once he does wake up.

Will dragging himself out of the hospital the second he's able to at all, still kinda weak, unmasked, no person suit, no sad wet cat, just furious & deadly, carrying a gun and his favorite hunting knife.

During the chase across Europe Hannibal is pretending to woo Frederick, wining and dining him, being seen with him very publically everywhere, taking him through all his past haunts. Frederick doesn't know the significance of the places they're going but Will does. Will is very much for real hunting them through the tour of Hannibal's past.

Frederick starts getting increasingly anxious about the bloody swath Will is cutting behind them... but doesn't want to believe Hannibal doesn't really love him. His ego can't take the strain. Hannibal giggling & kicking his feet at all the murder drama bc it means Will still cares enough to be jealous.

Maybe Will would snatch Bedelia too, thinking he could make Hannibal jealous right back. Bedelia and Will just mean girl snarking at each other all through Europe.

The Verger grab still happens more or less as originally planned.

Frederick & Bedelia end up sitting in an Italian hotel after the grab. He's trying to make polite conversation, pretending he's not relieved, while she's getting blisteringly high.

He says fuck it and joins her in tossing whiskey back like his life depends on it. Maybe it does anyway

Margot still lets Hannibal out of his restraints, he still saves Will. But Will isn't plausible deniability unconscious. They fight it out & make up(make out) while massacring everyone there together.

It was really just a misunderstanding after all.

The FBI gets an anonymous tip 5 days later about Muskrat farms. It was a blood bath, the pigs got out, they ate everything, including the two men hog tied in the barn. there was so much blood...

Will Graham & Hannibal Lecter were officially reported dead a month later after an extensive investigation.

Bedelia goes back to self medicating away her issues in seclusion, Frederick retires to write a book about the whole thing.

Because of her seclusion and acidic demeanor, no one really notices Bedelia's gone missing. Frederick leaves a note about writing a sequel to his best selling book, "Like Blood & Chocolate, One Year In Hannibal the Cannibal's Heart", at a private writing retreat. No one noticed he was actually missing for months.

When Alana went missing, people, the relevant people, understood what was going on. But it was much to late by then.

Vengeance would be had

Divine Retribution on the tip of their sacred tongues

The few people left who thought Hannibal Lecter and Will Graham might have a bone to pick with them scattered like rats abandoning a sinking ship.

That was their Design

If you were wise, you would run too.

Even though it's much to late

[lisas-waterfall]

Social Worker in Horse - It’s Beautiful. Hannibal being so turned on, being sweet to the animals and openly showing this all to Will.

Abigail and Alana in the hospital- Atrocious Aftershave. I don’t like Abigail. There, I said it. And Alana is just so dumb at this stage, blithely gliding around in those goddam wrap dresses so overly confident in her POV it’s tiresome.

Red Dragon Lip Eating - is a Rare Gift because it’s a nice callback to the other Hot British Guy(tm) pretending to be hideous in the movie (which I like a lot but there are much better moments)

Will stealing Winston - It’s Beautiful. A harbinger of how unwholesome shit is gonna get. Tender.

Bedelia and Hannibal - it’s one of the most Beautiful Things there is. I love this even more than Hannigram just cause Will is so withholding. Bedelia though, is full on Bluebeard’s Wife here (with her “I would have preferred to be the only one” head ass that shit makes my day whenever I think about it cause SAMEFRIENDSAME) and without that, Will wouldn’t have the subsequent conversations with her which are bitchy and jealous and amazing and the most honest Will is with anyone almost the whole goddam show.

Bella slapping him - eh, I dunno. It’s Peter’s confused. It really warranted a punch and so, you know, it’s like wasted potential to me.

H and Sutcliff is Peter’s Confused.

Hannibal Scenes Tier List Game

Categories:

It's beautiful (your favorites)

A rare gift (you like it a lot)

Peter's confused (it's meh to you)

Atrocious Aftershave (makes you angry/you hate it)

ROUND 1

- Social worker in the horse

- Alana/Will in the hospital with Abigail (Alana reading for her)

- Red Dragon eating Frederick's lips

- Will getting/stealing? Winston

- Will running after Buster in the snow

- Bedelia bathing Hannibal

- Hannibal getting slapped by Bella

- Hannibal and Sutcliff having dinner and talking about Will

@hannibalismos-jaaneman @sadundefinedbread @sillywillygrahamcracker

[vera-dal-1926]

I would sell my soul to find someone to talk to about all my Bedelia Du Maurier feelings, I have been searching for months

[anamelessfacelessnerd]

When I see a Hannigram fic where Will and Hannibal go off and live a completely normal, domestic life (with the exception of a couple murders) I automatically assume that the author fundamentally misinterpreted the nature of their relationship.

Will does not want Hannibal alive. He knows that he can't (or at least doesn't want to) live without him, but he also knows that he will never be content living with him, and he certainly doesn't want Hannibal to continue living without him, because as collected as Hannibal may seem, deep down he's an emotional bitch and no one knows what he would do in the throes of grief. AND Will doesn't want Hannibal locked up because that's basically scenario A (Hannibal might not be dead, but Will couldn't be with him) and despite everything he actually loves Hannibal and he knows that locking him up is worse than killing him.

That's why Will throws them off the cliff, because he knows that he will never be satisfied if both of them are still alive, and that sentiment won't change just because they survived the fall.

Living in domestic bliss, as murderous as it is, will never be anything more than a crude mimicry of a healthy relationship. Their personalities are essentially unchanged, so they will never truly be content.

Let’s talk about Hannibal first. Like I mentioned before, Hannibal has distinct layers to his personality. The first is what he shows everyone, the charming, yet eccentric psychiatrist, then there’s the darker side, the calculating and unflappable psychopath, that Hannibal shows to Will and Bedelia and Alana and Abigail etc, then, even deeper is the side of Hannibal that has never been seen by anyone who lived to tell of it. Deep down Hannibal is emotional, he’s driven by anger and spite and a god complex to end all god complexes, and he holds a grudge. It is in Hannibal’s nature to manipulate and cause pain, as much as he believes he loves Will, he will harbor a grudge against him for trying to catch him, for sending him to jail, for throwing them off a clif. It might take a while to show, but Will slighted him and Hannibal can’t just let that go. And he won’t be able to stop himself from manipulating Will, because that’s what he’s done since he first met him.

Now let’s look at Will. I could write pages upon pages about how Will was dark from the beginning, but for now I’ll just sum it up quickly. First we have to talk about what Bryan Fuller has said about Will’s character. Although Will tells Jack in episode one (Aperitif) that he is on the spectrum, Fuller has said that Will is not in fact autistic, but the “opposite” (whatever that means) and Hugh Dancy mentioned in the Post Mortem interview he did with Scott Thompson that Will fakes autism to cover up his actual pathology and seem more non threatening. That’s why he has such an easy time acting “dark” in season two, because for the first time he’s not acting. Aside from the actual brain infection he has, his vulnerability and oversensitivity is just an act.

Will is a member of the BSU and a teacher at the FBI academy, so he’s obviously educated. In any psychology course you take, even my high school AP psychology course, they have a unit on therapy and how therapists are supposed to interact with their patients. I think it’s safe to assume that Will has taken a few psychology courses before, so he should know right away that Hannibal is not doing things right. JACK should know that Hannibal’s not doing things right, the first red flag is the blurred line between their doctor patient relationship and their working relationship and their friendship.

The point I’m trying to make is that Will is a lot more perceptive than we initially realize, and he has a much higher capacity for evil. First of all, he’s gotta still be angry with Hannibal for sending him to jail, covering up (and potentially giving him in the first place, I mean, encephalitis can be contracted from eating human brains) his brain infection, stabbing him, killing Abigail, tainting his family, the list goes on and on, and I don’t see actual forgiveness as an option any time soon. And there is still a part of Will that is good, that’s the part that threw himself and Hannibal off the cliff. He won’t be content to live with him.

So even if they do “settle down”, they won’t be happy and content. Hannibal will always try to manipulate and hurt Will, and Will will always want him dead and will never be able to truly trust or forgive him. Because of this, all they’ll ever have is an illusion of domesticity.

[luci-cunt]

Hannigram??? Works???

aka: Hannibal and Will’s relationship isn’t healthy but at the end of the series its sort of has the potential to be? Or: a very long and rambly analysis of idiot gay cannibals and the power of equal standing in relationships

(1.5k words because I murder brevity with my teeth)

Trigger/ Spoiler warning for: Hannibal

-------------------

Ok I said they have the potential to be healthy and not that they are healthy because--lol, they’re not. 

In the first season they’re “friends” but Hannibal’s also gaslighting the hell out of Will/ keeping a life threatening disease diagnosis from him/ framing him for murder/ shoving their daughters ear down his throat.

In the second season they’re almost enemies? but not really? Because Will is just as fucked up as Hannibal is so he doesn’t actually consider Hannibal to be his enemy, he just realizes he has Hannibal twisted around his finger and starts jerking the fucker around and it takes Hannibal all the way up to the finale to realize he’s not the one in control anymore.

In the third season they’re struggling because they don’t know how to be equals, they’re both fucked up and don’t know how to have normal, stable relationships so they’re jsut kind of feeling in the dark, falling back on old habits (eating your problems, murdering your problems, running away from your problems, etc) when things get uncomfortable. It’s--again--not until the season finale that they both realize that’s what they’re BOTH doing and find a comfort in realizing they’re both trying, but not succeeding.

~~~~~~~~~~~~~~~~~~

When Hannibal finds people interesting he “fosters codependency” so they cannot leave him (Abigail with the Boyle murder cover-up, Bedelia with getting eaten, Will with literally all the first season). Meanwhile Will just doesn’t do close relationships. Alana is the only person he considers to be his friend but she’s constantly fighting to keep that title, same with Beverly actually. Will himself doesn’t put any effort into keeping those friendships, he leaves it entirely up to them.

But Hannibal and Will’s bond forms so easily that it surprises both of them--and then when Hannibal defaults to his need to make Will dependent on him so he can’t leave, Will defaults to his rejection of dependency and points out that’s what Hannibal’s doing but also goes along with it because he finds himself almost wanting to be closer to the man.

This--the fact that Hannibal’s attempt at closeness is recognized and accepted, and that Will is allowing himself to be open with someone--is new to both of them. Equally.

(By the way this is in the form of Abigail, Hannibal fosters codependency by putting the responsibility of Abigail on both his and Will’s shoulders and Will allows this by recognizing it, pointing it out [”You’re fostering codependency doctor.”], and then still allowing it [going along with the Boyle cover up].)

Just--ok think about Dolce. (The ep where they reunite in the third season and Will tries to kill Hannibal only to get shot by Chiyoh and then for Hannibal to decide he’s going to eat Will’s brain before the Italian’s show up and kidnap them both.)

Will finding Hannibal is big for both of them: because it means that Will looked for Hannibal--actively sought him out by reflecting on past conversations they’ve had--and it also means that Hannibal was where Will could find him. It’s a shaky apology on both sides because they aren’t willing to actually apologize for any of their actions but they recognize the pain they’ve caused on another.

However, Will tries to murder Hannibal because he doesn’t know what he’s doing. I mean--he does--what I mean is that this relationship is such unexplored territory for both of them that it’s uncomfortable at first, and Will doesn’t trust Hannibal to be waiting on the other side while he stumbles thru the dark rn, so he falls back on old habits and tries murdering the problem.

Hannibal tries to eat Will’s brain because he’s also falling back on old habits (eating his problems) because he’s also uncomfortable with the new territory. He’s just more open to fumbling, but he’s hypersensitive to rejection (Mizumono, Dolce, getting himself arrested when Will tells him to get gone, that “Was it good to see me Will?” scene, etc.), and he takes Will’s stabbing attempt as rejection. At least until he drags him away and they have their “you forgive like god does Will--would you have made it quick? Or would you have stopped to gloat?” “Does god gloat?” “Often.” Conversation, and he realizes he’s not being rejected BUT he reminded that he’s still terrified OF the rejection so--boop eat the man.

(Oh also Will running away from the problem by letting Hannibal kill him--which, yes, is what was happening. He could have warned Jack that Hannibal was under the table as SOON as Jack came in the door but instead he waits until the last possible second. Also you can’t blame it on the drugs either if he can complain about Hannibal’s soup and keep up with this idiots waxing poetic ramblings he can tell that Jack came in. Also also also: Hannibal told him Jack was coming and also got under the table literally there was no reason for Will to NOT call out to Jack when he came in except that he didn’t want Jack to stop Hannibal.)

I guess what I’m trying to say is that in season one the power balance is in Hannibal’s court--and season two it’s in Will’s--and then in season three it’s wildly rocking back and forth between both of them before someone hits a metaphorical pause button--aka the “this is all I’ve ever wanted for you--for us.” “It’s beautiful.” scene.

Fundamentally I think this show is about Hannibal and Will’s relationship. The cliff scene is as much an ending as it is a beginning. That “it’s beautiful” exchange is both of them realizing they’re EQUALLY having trouble finding footing in their relationship, they’re realizing they’re BOTH uncomfortable to a certain degree with the new territory and that it’s just that for both of them--new territory.

Idk, you know when you’re taking a test and you have no idea what the answer to some question is so you’re slyly trying to look around to figure out if you’re the only one being stupid or if it’s just a hard test? And you don’t see anyone else looking around so you just miserably try your best but it’s not your best becasue you’re already in the mindset that you’re an idiot? And it’s not until after the test at lunch when you hear everyone else talking about how difficult it was that you realize you weren’t the only one struggling?

THATS this.

Hannibal and Will are both extremely lonely people becasue they’re fucked up. No one can know Hannibal entirely because he’s a serial cannibal, and no one can know Will entirely because his boredom with other peoples mortality scares them. Neither of them have been seen entirely until the other came into their lives, but they’re not used to being seen so it’s scary.

Both of them react to one another hostilely first--Will blatantly being an asshole at the prospect of Hannibal psychoanalyzing him and then Hannibal putting on this guise of “I’m completely removed from the situation and just curious to wind this man up and watch him go” but he’s not removed.

Honestly to me it feels like it was originally Hannibal’s plan to just leave Will in jail taking the blame for his murders, but actually misses Will, because being seen was scary but the other option is so lonely.

Will’s going through something similar, but he’s less inflammatory. Hannibal is all action, present--Will is getting too close? Get rid of him. He starts missing Will? Get him back. He has a problem and he acts on it immediately.

Will is patient and willing to wait and watch--Hannibal frames him for murder? Set up an elaborate series of events that will end in Hannibal losing something he holds more dear than his own life--his freedom. Mason kills his unborn child? Convince Mason to kill Hannibal so that Hannibal will torture Mason for Will.

Hannibal is dramatic and Will is apathetic, they’re both danger but different brands.

If the first two seasons are them trading power, then the third is them wildly grabbing for it despite the fact that they don’t want power over one another, and that final episode--that final scene--is them realizing this.

I said it was a beginning as much as an ending because it’s now that their relationship can finally actually advance, but it’s also the conclusion of them working separately, and instead embracing the idea of fumbling together.

I honestly don’t know where people get the idea that the show is about Hannibal “corrupting” Will. If that’s the case then this final episode makes this show a tragedy. Good succumbing to evil.

But--motherfuckers its not!!!

Will isn’t good, he tells us from the first episode he enjoyed killing Hobbes, that the reason he stopped being a cop was because he knew once he started killing he wouldn’t be able to stop. He manipulates people constantly, he got Abel killed, tried to get Chilton murdered, and then a season later he gets Chilton burned alive. He’s not good, he’s fucked up!!!

This show isn’t about corruption--it’s about realization!!!

Idk I love them, I hate them, and I love them.

[hannigrammest]

The Story of How Hannigram Became Canon to Those Who Are in Doubt

This post is mostly meant for the casual viewers who I noticed have joined Hannibal Subreddit after the news about the S4 negotiations. It is great that we are growing in numbers, but there seems to be a misunderstanding in regard to Hannigram (the romantic relationship between Will and Hannibal) and people who ship this pairing.

Hannigram is not a fanon pairing. It is not ‘just in the heads’ of silly girls or overly-romantic viewers. It is a canonically acknowledged couple that is supported massively by the cast and Bryan Fuller. Furthermore, this romance is the essence of the show, because Will and Hannibal find everything in each other. No, their relationship is not based merely on romance or sexual attraction. But also no, a more explicit romance in S4, which seems very likely and has been hinted at many times, will not destroy the complexity of the relationship. It will add to it.

The first part is canon evidence of Hannigram season by season. The second part of this huge post is tweets, quotes, and photos with Bryan and cast in regard to Hannigram. (Sorry, I can't seem to break the post in parts for easier reading, the formatting links don't work here for some reason.)

THE SHOW ITSELF

Season 1 is obviously the most ambiguous one in this regard because the relationship only starts to develop. And yes, the majority of scenes can be interpreted as the blossoming friendship, because it is a friendship first and foremost. Even several rather romantic moments can be technically classified as such — but only if you ignore the looks that Will and Hannibal give each other and the later narrative. Still, this is all ambiguous at this stage.

When Hannibal offers Will to take care of Abigail, he repeatedly calls them her “fathers”. Not “uncles” or “caretakers” or any other option — fathers, and while this word by itself might not mean much, it is clearly supposed to hint at what kind of relationship is going to unite Will and Hannibal in the future. In 1.07, Will doesn’t come to the appointment and Hannibal is pining. It is a very powerful and explicit scene, with Hannibal slowly walking to his chair, checking his calendar to make sure Will had to come, touching the phone longingly, then abruptly making a decision and going to look for him. All of this is accompanied by the corresponding music. Is this scene romantic? Some may see it this way, some may disagree. But I think most will agree that such obvious pining is a common romantic trope that's often shown in media. The focus and the way the scene is presented are everything: they didn't just show that Will didn't come and that Hannibal decided to find him. No, we had a slow focus on all his hesitant actions and his longing for contact. In any way, at this stage, it is no longer a mere friendship. It goes deeper, to the point where Hannibal can’t stand not knowing where Will is and craving contact enough to drive for hours in the search for him.

Once again in 1.07, Will brings Hannibal a bottle of wine out of blue and acts awkwardly and shyly when declining the invitation to join the dinner party. We don’t know why Will did it and it is never addressed again, but I think everyone will agree that bringing a bottle of wine to another person for no reason and just for him has a rather romantic shade.

Then, in that same scene, Will claims he can’t stay because he has ‘a date with a Chesapeake Ripper’. It is a joke, of course, but once again, it’s fiction. The word choice is very deliberate, and Bryan loves to foreshadow the upcoming events.

In 1.08, Will drives an hour in the snow to tell Hannibal about the kiss with Alana and Hannibal exhibits a very controlled jealousy, making a snarky comment about the long drive and telling Will that he had been motivated not by attraction, but by the need to find a balance.

In 1.09, Hannibal calls him and Will Abigail’s fathers again and touches his shoulder. Yes, it is ambiguous, but when (especially) you know what’s coming, you can’t help but notice how this touch is too hesitant and fragile for a mere gesture of friendship and unity. I’ll just say, even my father caught up on it right away, which is saying something.

These are the most explicit things I recall from season 1. Now, season 2 is way more direct.

Many scenes of Hannibal pining, sitting with a glass of wine and staring at Will’s chair at his time of appointments is a common romantic trope. Yes, it can be interpreted in different ways — for example, Will has already become a part of Hannibal and Hannibal misses him as the person who has the power to understand him. However, I feel like I have to emphasize the fact that it cannot be the only reason. Hannibal has already met people with extreme empathy before, such as Pazzi. He has also met people who were happy to join him and who had similar mindset, as Tobias Budge. Hannibal wasn’t interested in them, but he’s interested in Will. Will is special because he is himself, and like Hannibal will say later, love either pays you a visit or it does not. It clearly did with Will.

Soon after Will is released from prison, he goes to Hannibal to start the implementation of his and Jack’s plan. What does he choose to do? He dresses up and polishes himself up, presenting himself to Hannibal in the way that we have never seen him before. The first thought that comes to mind is ‘seduction’. Consciously or unconsciously, Will makes himself look as attractive as possible.

In 2.08, Hannibal touches Will’s face and holds it, staring into his eyes. This is romantic. It is one of the most popular romantic tropes that ever existed. ‘Transcendent’ love doesn’t require this kind of very intimate touch to be displayed. More than that, things become very dangerous here because if there had been no explicit follow-up, Bryan would have been accused of queerbaiting. Fortunately, it wasn’t the case.

In 2.09, Will has a dream where Hannibal directly calls him his ‘beloved’ several times. In 2.10, Hannibal treats Will’s hands very gently and we get camera focusing on it thoroughly. It is a deliberate depiction of eroticism that's often used in romances to create and underline romantic and/or sexual tension. In the same episode, we have a beautiful sex scene, seemingly between Hannibal and Alana and Will and Margot. However, it is there to show a very intimate and all-encompassing connection that is developing between Will and Hannibal, and it is structured this way specifically. Will reaches orgasm when he sees the Wendigo, a reflection of Hannibal. The words used before, like Hannibal's words about "never touching", are said to Alana but put on the image of Will.

Alana notices the shift in this relationship and asks Will and Hannibal about it. They talk about “crossing boundaries” and the fact that they “know where we are with each other”, and Alana clearly remains suspicious. In the end of the episode, Will and Hannibal have an intimate dinner full of lingering glances.

In 2.11, the episode starts with the eating of ortolans, which has being pointed out as an allusion to blowjob by the creator) If you have missed it, just re-watch this scene again with this in mind. It is very explicit, to the point of being uncomfortable. Hannibal’s reaction to learning that Margot is pregnant from Will is to hint Mason about it, thus endangering her and her child. Granted, he seems to genuinely regret it, but the deed is done. It is a jealous and possessive reaction, which has been further confirmed by Mads. During the con, he said: "If Margot had Will’s baby, it would be very hard for Hannibal to get over it. He’d be jealous and very grumpy." In this same episode, Alana looks at the burnt ‘Shiva’ that Hannibal has left for Will and calls it a ‘courtship’. So, we get the explicit confirmation that Hannibal is courting Will. And no, he isn’t courting an emerging killer in Will because at this point, he thinks that Will has already embraced his potential by killing Randall and Freddie and eating her. To Hannibal’s mind, Will is almost ready, but he is too lovesick to stop. Can you imagine him digging up the corpse of ‘Freddie’, decorating it, and displaying like that? It’s hilariously romantic — in a dark way.

In 2.12, Will chooses Hannibal by freeing him from the trap and then not giving him up to Jack after he mutilates Mason. Hannibal draws a fanart (!) of himself and Will as Achilles and Patroclus. For those who don’t know, these two are popular examples of lovers. This isn't just friendship. The reference to Achilles and Patroclus is often used to hint at a romance, it's a popular trope as well.

In 2.13, Hannibal talks about ‘imago’, an image of a loved one, and then says that he and Will have an image of each other and offers him to run away. Two men running away together to reunite with their daughter is romantic. Will chooses Hannibal once again by calling him, but it is too late. We get a heartbreakingly tender and intimate touch between them before the stabbing. As Mads said, "Will is the light of Hannibal's life and Hannibal killed Abigail to break Will's heart the way he broke his." Just as he said that "Hannibal was blinded by love."

Season 3 is where all subtext is taken into text. Hannibal has chosen Bedelia as a substitute to Will, and note how many people believe they become lovers. So, why Will and Hannibal running away is platonic, but Hannibal doing the same with Bedelia is not? Even though when the only person he does love is Will. We see that he is dissatisfied with Bedelia and is growing restless.

In 3.01, we get a flashback to Gideon who teases/mocks Hannibal by saying, ‘If only that company could be Will Graham’. So, in the very limited interactions, even he managed to glimpse the attraction, because let’s be honest, he didn’t have time to understand all deep layers of this relationship, but his phrase has been included deliberately.

In this episode, Hannibal meets Anthony, practically a Will mirror. He looks similarly, is smart, sassy, and he is even enthusiastic about Hannibal’s crimes. Ideally, he is everything Hannibal has wanted. But what does he do? He kills Anthony and turns him into a Valentine heart for Will. Before that, he makes an example of the heart from Da Vinci’s ‘perfect man’. In 3.02, Will recognizes it as such and calls it a Valentine and a ‘broken heart’. He asks himself, “Do I still want to go with him?”, and answers, “Yes”.

In 3.03, we get the first ‘in love’ confirmation. Hannibal is shaken after seeing Will and hearing his words of forgiveness. When talking about him with Bedelia, Bedelia says, “Betrayal and forgiveness are best seen as something akin to falling in love”, and Hannibal replies, “You can’t control with respect to whom you fall in love”. The longing for Will has made Hannibal reckless, and Bedelia notices it by mentioning that he is going to get caught with this kind of behavior. In the end of the episode, Hannibal once again says that Will makes him feel love. He adds, “Love. He pays you a visit or he doesn’t.” Which love can either come to a person or not? Technically, these words could be interpreted as platonic love, but in the beginning of this very episode, we got a confirmation that the nature of this love is romantic. Will, in turn, is still reverent about Hannibal and even travels to his home to find out more about him. His attitude changes when he sees Chiyoh, who he sees as another toy abandoned by Hannibal, and it brings back the insecurities. We see it through how often Will compares himself and Chiyoh and how he is filled with anger and bitterness again (which were absent before this meeting). Chiyoh sees right through him and repeatedly states that Will is wrong to compare them, but Will persists.

In 3.04, we see that Will spends a lot of time sitting in Hannibal’s house, which is yet another romantic trope. Even Alana knows where to find him. Will admits to Jack that he “wanted to run away with Hannibal”, which also has a romantic connotation. Before that, Will was making the boat that he later uses to come and find Hannibal. This scene is intercut with his Mizumono memories, namely, with Hannibal's face that emerges every time he moves yet another part of the engine. This is a vivid demonstration of Will trying to repair what is now broken. He also literally sails after Hannibal, which is considered extremely romantic by many tropes at once. Chilton calls Will and Hannibal’s interactions a “flirtation” in this episode.

In 3.05, when discussing what to do with Hannibal, Chiyoh says, “I told you, there are means of influence other than violence” and kisses Will, thus showing him what others means exist. It is yet another direct allusion to the romantic part of Will and Hannibal’s relationship because Chiyoh basically offers him to kiss Hannibal instead of trying to kill him.

In 3.06, Hannibal says the famous, ”If I saw you every day, forever, Will, I would remember this time”. He said the same words to Clarice in the books shortly before having sex with her. It is an utterly romantic phrase that just cannot have any other meaning, especially when you count the narrative and the source material. Will adds some more romantic phrases, like “We are conjoined, I wonder if either of us can survive separation.” Such level of love is incredible, but you don’t say things like that to a person who you feel can just understand you. Nor to a simple friend or a spiritual mentor. It’s everything at once, especially when coming from Will. Things go badly after that and we get a knife and a drill. Scenes in Mason’s house are great and show that Will and Hannibal could be a great team. Hannibal saves Will and carries him home bridal-style. He changes his clothes, puts him into bed, and waits for him to wake up while writing down formulas that could change the time and erase some of the events. When Will wakes up, Hannibal admits that he has discovered Will in his Mind Palace, victorious, thus giving the power into his hands. When Will rejects him (by saying he’s not going to miss him), Hannibal gives himself up, knowing that chances are, he will never get back to freedom and he will never see Will again. Prison is the ultimate act of love because Hannibal is helpless there, completely on Will’s mercy. As Mads said during the con, "Will forgetting him was the last thing Hannibal wanted to hear, so that’s why he surrendered. The only way Will would see him again is if he’s in jail, and he would eventually visit. He was afraid he’d never see Will again otherwise."

3 years pass and we see that Will has a family. But — surprise! He is unhappy. He doesn’t even go fishing with them to have some time for himself. He hides the letter from Hannibal and goes to read it in the middle of the night. He never returns Molly’s ‘I love you’, never attempts to touch her, can’t even keep up a conversation with her, and literally sees himself falling to pieces. At the earliest opportunity, he jumps at the chance to see Hannibal. He didn’t have to do it. We are shown that he has recreated the crime scene perfectly, better than ever before, but Will lies to Jack about it and asks to see Hannibal.

In 3.09, we have a very powerful scene of Hannibal and Will reuniting, exchanging long sorrowful and heartbroken gazes. Hannibal says, “I gave you a child”, which puts him and Will in a category of parents again. He says that Will has chosen a ready-made family and Will doesn’t argue. We get a “Murder Husbands” reference from Freddie.

In 3.10, Will seeks Bedelia out. He acts catty and jealous. Bedelia calls him “Hannibal’s bride”, and calls Will out on visiting Hannibal just because he missed him, which Will doesn’t deny. He is confident and snarky at those scenes, using every opportunity to cut into Bedelia for having a relationship with Hannibal and surviving it in even better shape than he did. Bedelia says, “My relationship with Hannibal is not as passionate as yours”, and then adds: “You are here visiting old flame. Is your wife aware of how intimately you and Hannibal know each other?” They literally place Hannibal on the same level as Will’s wife. Then we have, “Your experience of Hannibal’s attention is so profoundly harmful yet so irresistible, it undermines your ability to think rationally.”

In 3.11, Hannibal sends Francis after Molly and Walter. Will doesn’t really comfort them, we see clearer than ever what a wedge exists between them. Hannibal asks, “How is the wife?”, which is another display of blatant jealousy. Will gets it, and he can’t deny the truth any longer.

In 3.12, we have the exchange that should have settled the debates about romantic part of relationship once and for all. Bedelia compares herself and Will to Hannibal/Bluebeard’s wives, and mentions how she would have preferred to be the last — the one that Will is. Will asks, “Is Hannibal in love with me?”, and Bedelia replies, “Could he daily feel a stab of hunger for you, and find nourishment at the very sight of you? Yes. But do you ache for him?” Will’s look and his silence speak volumes as everything fades to black slowly. This is it, the textually explicit confirmation. Fans didn’t come up with the idea that Will and Hannibal are in love, it was stated directly on screen, several times.

Shortly before the confession, Bedelia says, "It excites him, knowing that you marked in this particular way." Personally, I always felt some sexual subtext in this phrase, and it is confirmed when we regard the similar scene in the book. Clarice gets sperm on her face and these same words sound. Granted, the situations are very different, but it proves that the phrase does indeed have sexual connotations, and it was deliberately planned like this.

Will devises a complicated and deadly plan after this. He sets up Chilton, which can be seen as courting gift to Hannibal, and in 3.13, he lies to everyone to break Hannibal out of prison. Bedelia calls him out on it once again, saying, "Can't live with him. Can't live without him." Will doesn't deny it - he confirms it. When Hannibal says he'll agree to the plan if Will says 'please', Will does it - in an obviously flirting way. Hannibal calls him a 'cunning boy', which is once again obvious flirting, especially considering the way he says it. His plan results in the deaths of numerous officers, but Hannibal is free. We have another romantic trope where Hannibal pretends that Will is a hitchhiker and asks if he’s going his way. In the house, they have another loaded conversation where Will admits that he doesn’t think he can save itself, and that it’s fine.

Predictably, Will can’t handle seeing Hannibal killed, so he reaches for his gun. We know the rest. At the cliff, Will finally accepts the truth, and he gives the fate a chance to stop both of them or to set them free. They fall into the ocean under the Love Crime song, and since the water symbolizes reborn, we can guess what happens after that.

Post-credits scene indicates that Will and Hannibal have paid a visit to Bedelia and are in the process of eating her while she’s hiding the fork to stab one of them as he approaches. The deleted epilogue to the series shows that they are in perfect harmony now.")

Who's too lazy to read all of that, you can just check the quotes below and watch some fan videos where direct lines from canon are presented. My two favorites:

Reciprocity

Crazy in love

QUOTES

Initially, during S1, Bryan said he wanted to explore the idea of “heterosexual male friendship”. However, he later admitted that he was worried about negative homosexual stereotypes surrounding the imbalance in power in the relationship between Will and Hannibal, and in the podcast due to the beginning of American Gods, he confessed that he “wanted to approach “Hannibal” from the angle that no one has explored before — the angle of romance”.

During the airing of S2-S3, and beyond, Bryan was the one who pointed out romantic and even sexual subtext, and promoted Hannigram further. The cliff scene is officially labeled as "Kiss_alts".

Their love is queer

A collection

Canon. Original tweet is deleted, so only Bryan's is left. The person asked him to say whether Hannigram is canon.

Falling

Last wife

They Flip

Always

Will and Hannibal survived the Fall

Mere teasing, but it shows that Bryan does acknowledge sexual tension between Will and Hannibal: They did change clothes as well as Their lips were busy (to the question of what Will and Hannibal were doing in the car in TWOTL).

Bryan's favorite quote from the show: Is Hannibal in love with me?

Finally, the shirt Bryan wore at one of the latest meetings

Hugh on why it took Will so long to realize Hannibal is in love with him

Hugh on Will's reaction to Bedelia's answer about Hannibal being in love with him: ‘Oh crap, maybe this thing I’m feeling is love’

Hugh: Relief from loneliness

Hugh: It's romance

Mads: It was love at the first sight

You know better than to breed

Will Graham is covered in Hannibal’s body fluids

Bryan: I feel one is omnisexual and one is heterosexual and there's a lot of influence going back and forth, who knows with a six pack of beer what would happen: http://uproxx.com/sepinwall/hannibal-creator-i-wanted-to-be-sure-we-had-an-ending-for-the-story/

To the question of whether explicit Hannigram was a part of the initial plan, Bryan Fuller stated: "No, it naturally evolved because I guess I was absorbing so much of Mads and Hugh's performance, which felt like it was growing in intimacy, and it would have been inauthentic not to address it. Because all of these characters, and particularly Bedelia, was able to call out what she had witnessed [between Hannibal and Will], it seemed like a natural conclusion. I remember when I turned in the rewrite pages where Will asks Bedelia if Hannibal is in love with him, I got a note from Don Mancini, one of our writers who was always pushing for more homosexual text – not just context or subtext but text, text, text – and he was like, "I'm so glad you put that in there! They said it! They said it!" http://www.digitalspy.com/tv/hannibal/interviews/a667077/hannibal-bryan-fuller-talks-season-4-sexual-fluidity-and-how-will-became-clarice-starling/

Discussing what motivated him to verbally acknowledge the romance between Will and Hannibal, Fuller mentioned: "It felt like we had to s–t or get off the pot, ultimately, because there had been so much going on between these two men that when Will asks, "Is Hannibal Lecter in love with me?" it is very much about death and the romance between these two men. There is a quality to connections that go above and beyond sexuality. You can have this intimate connection with somebody that then causes you to wonder where the lines of your own sexuality are. And we didn't quite broach the sexuality. It was certainly suggested, but the love is absolutely on the table." http://tvline.com/2015/08/29/hannibal-series-finale-will-lecter-cliff-bryan-fuller-interview-season-4/

Remembering how the song for the finale of the series was created, Fuller said: "It was interesting. She [Siouxsie Sioux] was like, "I want to write this song, and what are the things I should really be thinking about?" And I was like, "this is a love story. A love story between a full-fledged psychopath and someone who has nascent psychopathic abilities." Actually, Hannibal Lecter is not a psychopath; he's something else entirely. But it's a love relationship between two men: one of them is a cannibal, and one of them understands those cannibalistic instincts all too well." http://uproxx.com/sepinwall/hannibal-creator-i-wanted-to-be-sure-we-had-an-ending-for-the-story/

Bryan Fuller: "Clarice never, until the end of Hannibal, submitted to that romance, whereas Will seemed to be on a slippery slope right from the beginning, so there's a contrast to be drawn between them." http://www.digitalspy.com/tv/hannibal/interviews/a667077/hannibal-bryan-fuller-talks-season-4-sexual-fluidity-and-how-will-became-clarice-starling/

Bryan in the commentary: "“After killing Francis Dolarhyde with Hannibal Lecter, he realizes this is exactly what Hannibal Lecter has wanted all along. He has wanted a partner in crime - a murder husband, as it were - and the sad truth of it all is that Hannibal was right. Will did enjoy it. Will thought it was a beautiful, powerful thing." https://omnisexualhanniballecter.tumblr.com/post/134099645797/after-killing-francis-dolarhyde-with-hannibal

Hugh during PaleyFest 2014 (prior to S3): "They are in love or they love each other, that's unquestionable. I think it's a platonic love... but it's rich in... (audience and cast laughs) Ok, we've done two seasons so far... so platonic love and they recognize each other as unique in the world, they reflect each other in a way, it's like profound recognition and relief that comes with it. And they are good looking guys." Mads agrees: "Exactly. Losing him or what Hannibal did with him in the two seasons is probably the closest he has ever been to loving anyone. And what love means in his universe we have to see later on. But it's heartbreaking everything that happens to poor Will is also heartbreaking for Hannibal."

Hugh: You could say that during the second half [of season three]-I mean, obviously we’re jumping ahead here, but Will comes back to Hannibal. He’s now got this family, and Will, independently and pretty quickly, starts coming to the conclusion that it’s not sustainable for him to have that family. Like, he’s not the guy. He’s not the right person to be able to look after them, to live with them. It’s not compatible with who he really is. And you could argue that Hannibal is just driving him more quickly to come to that realization. So in that sense, it is kind of brutal, tough love. His love is saying, “Know thyself.” Mads: As Hugh is saying, it’s unavoidable. It’s going to happen sooner or later. Might as well happen sooner, before he’s stuck. [Interview http://oh-dr-lecter.tumblr.com/post/129331180920/theyll-say-were-in-love-fangoria-august-2015]

Mads Mikkelsen on ‘Which scene has been the defining moment?'

"Probably one of the moments early on, maybe mid first season, where I spend some quality time in therapy session with Hugh and he’s flying away thinking about something and I have the chance, Hannibal has the chance, to watch him. And he becomes very warm watching him. He sees not only this brilliant person but he sees something he loves. I think that is the definition of Hannibal." [https://twitter.com/noforts/status/1071952333221888000]

Bryan and Hugh discussing Will's motivation in TWOTL at the cliff and beyond (in the commentary to S3):

Hugh: The point was that it wasn't the horror that drove Will to do this, the horror was secondary, it was a horror in reaction to how much he loved what happened between him and Hannibal. We have seen so many moments of Will is covered in blood and shaking and horrified and this moment he suddenly realizes it is his true self.

Bryan: I remember the day you shot the closeups, you both came running to me and I remember Mads was particularly giddy, giddy as a schoolgirl, he said we really went for it, we really went for the love story, we almost kissed and it's all there and you can use it.

Hugh: We had to push in that direction so that there is no point pretending otherwise.

About Bedelia's leg:

Bryan: The false interpretation is she cut her leg which is a crazier version of Bedelia than I understand. Of course the intention is they survived and there are three place settings."

Hugh, answering the question what is happening to Will and Hannibal now: "Let's just say they're on a beach somewhere. [Interviewer] Just chilling on a beach? [Dancy] Yeah, just chilling on a beach. Drinking something out of a coconut."

Also, the reports from people who visited one of the cons mentioned the following."Today at Red Dragon Con it was announced by Mads that Hannibal and Will are now married, have dogs which he calls “the ugly carpets” of the relationship, and live in seclusion for 4 years before hunting together." Regardless of whether it is going to come to fruition or not, this is how Mads imagines Will and Hannibal's life Post Fall.

Mads in May 2018:

"“I think that Hannibal and Will… they’re not really alive without each other. They are a piece of the puzzle for the other one’s soul.”

A great video where Mads talks about Hannibal and his feelings in S2 final.

Question: Was Hannibal suspicious of Will before he smelled Freddie Lounds or was he completely clueless about it at that point?

Mads: Hannibal doesn't have a masterplan. He's living from day to day and he's seeing possibilities and opportunities, and one of them is Will Graham, who he is obviously in love with, in a certain way - that way. But I think at that time, Hannibal has been blinded by Will Graham. He believes truly that he will walk down the path with the light, hand in hand, with Will - and Abigail. That's his dream, that's what he wants, and I think it does surprise him and it does break his heart. It is a turning point for Hannibal when he becomes the cleaning man instead of the man who loves. Until then, he'd been a man full of love, and after that, I think he is... slightly angry. It was a surprise for him. He was tricked.He got blinded by love.

Interesting interview bit:

IGN: Reba’s final scene was another where you got to really pull direct quotes from the book. But here, I was reading it as Will can also be projecting about himself, as he talks about what it might be like to have a serial killer in love with you. Was that in your mind too, given you had these great quotes from the book but that it could definitely be maybe be a bit more of an echo here, given the situation.?

Fuller: Oh, absolutely. It was a great synchronicity of events where everything that Will was saying to Reba in the novel actually applies to Will Graham in the television series. So there was the want of seeing that scene because I haven’t seen it in any of the adaptations where we get to see Reba, post all of this, and have a quiet moment between the two people who were in love with serial killers.

Bryan: "My ship is canon" (https://twitter.com/BryanFuller/status/1072599788581998593)

Bryan about Will and Hannibal's relationship: "Will accepts who Hannibal is. It’s also narcissistic, in the way that we fall in love with people who make us feel better about ourselves and who make us feel like we’re a better version of ourselves. That makes us feel more secure in our bodies, in the dysmorphia of who you are on the inside versus who you project on the outside. That disconnect narrows dramatically when somebody sees you, understands you, accepts you and loves you. It’s transcendent." (http://collider.com/bryan-fuller-hannibal-silence-of-the-lambs-interview/)

Bryan about Will's reasons for jumping, surviving, and attacking Bedelia with Hannibal: "I think one of the reasons it seemed so organic for Will to go over the cliff with Hannibal at the end was that, in his mind, as he understood the universe in his world, he had peaked. It’s also stopping a monster and stopping himself from becoming a monster, but I think part of him was thinking, “That was beautiful. I don’t think I can do that again and feel as high as I do now.” Everything overwhelmed him and he went over that cliff because there was an apex to his experience, in a way that was poetic and dramatic. ... The kind of suicide where somebody jumps off a bridge, part of them hopes they survive and part of them wants to be over. I think a lot of people are hoping for some percentage of survival that may change them because they’re looking for change within themselves. So, I think there was some bit of that. For the ending with Gillian [Anderson], there are two place settings for a reason." (http://collider.com/bryan-fuller-hannibal-silence-of-the-lambs-interview/)

Bryan about Will and Hannibal's relationship in S1: The relationship between Will and Hannibal in this first season is the seduction. It is Hannibal Lecter recognizing in Will Graham for the first time in anyone that he has ever encountered in his life the opportunity for a friendship, a real friendship, because he sees something in Will Graham that he also sees in himself. They are both unique in their crazy. https://www.youtube.com/watch?v=TzU7O7Q0R5U)

Hugh about the start of Will and Hannibal's relationship: "It’s an instant love between them, it is as if Will met not the best chess player in the world, but the only absolute, the only person he can play with, that enters in the room - or rather, in his life - with a chessboard in hand, and this provokes in him a pleasure and an incredible relief. When we find Will at the beginning of the second season, he was betrayed and thrown in jail, so he is not in a really enviable situation, but the connection he had with Hannibal has remained unchanged, it is something which he can not get rid of. This time, however, he manipulates their connection because Hannibal still needs him and their friendship, but beyond the practical utility must be said that the bond with Hannibal is, even for Will, a source of uncontrolled, involuntary pleasure.”

Mads about the start of relationship: "Hannibal sees an opportunity in this young man. And so he can hopefully, one day, walk hand in hand down the road of life." https://k-s-morgan.tumblr.com/post/187266698258/hannibal-sees-an-opportunity-in-this-young-man

Mads during S1: "When he sees Will, he recognizes himself to a degree. [Hannibal] has empathy, but [he] uses it as a tool; Will has empathy, but he doesn’t know what to do with it. Lecter sees an opportunity to open this man’s eyes and see his full potential realized. And he also sees the opportunity for a friend, which is probably not what he’s had too many of. Even though Hannibal is the puppeteer, he really loves Will." https://screencrush.com/hannibal-lunch-preview/?utm_source=tsmclip&utm_medium=referral

Bryan: "The tricky thing with this show is that it is a story about two men and their relationship. But if it were just about male point of views, it wouldn’t be interesting. I feel like we haven’t done as good of a job, in Season 2, of representing the female characters and their point of view of the world. I think there’s a greater opportunity in Season 3 to do that, and do more of that. In Season 2, we knew the story was about these two guys, and everybody else around them were pawns. Jack Crawford was a pawn. Alana Bloom was a pawn. It was all about what was between Hannibal and Will Graham." https://collider.com/hannibal-season-3-details-filming-europe/

Bryan about S4: I'm still hoping for more Murder Husband adventures!

source: https://www.reddit.com/r/HannibalTV/comments/72bk89/the_story_of_how_hannigram_became_canon_to_those/

[victorineb]

Fic Recs Mega Post

More fic recs for you fabulous fannibals, this time round there’s rare pairs a-plenty, actual devil Will Graham, and a fabulous Pacific Rim crossover AU

The Marriage of Heaven and Hell: Volume 1 by @fragile-teacup (fragile-teacup (Mrs_Gene_Hunt)): So what are the chances that Will and Hannibal emerge from the Atlantic with all their issues resolved, finally a stable unit, murder husbands for life? Pretty much none, right? Certainly, in this beautifully-written post-TWotL fic, there is still a massive amount of that typical Hannigram miscommunication, obfuscation and downright stubbornness that keeps our boys from their happy ending. None of which is made better by Hannibal keeping Will sedated while he recovers from his injuries, or by sequestering them in the house of the one person guaranteed to drive Will out of his mind with jealousy… Centred on that dinner hinted at by the post-credits scene in TWotL, this winds the tension between Will and Hannibal (and Bedelia) to a fever pitch, in an absolute riot of bitchiness, resentment and pining. And then busts everything wide open when Will just can’t keep his emotions under wraps any longer…

Tomorrow, More Sun by @shiphitsthefan: Beardogs (Nigel/Lee) is a new pairing for me but it took precisely five paragraphs of this fantastic fic to make me fall in love. For those who aren’t aware, Lee is the Hugh from the infamous “I like bears” gif, and more specifically is an adorable ball of sass and joy who loves wine and is suffering from terminal cancer (but don’t worry, this is very much not an angsty story). Anyway, our tale begins when Lee is suffering from the worst post-chemo effects of his life and, desperate for relief, begs his dealer – a certain formerly very bad man from Bucharest – to drive out in the snow and provide him with a hit. Now, I mentioned the part where Lee likes bears, right? And there’s no-one more bearlike than Nigel – even “New Nigel,” who’s had to reform his ways (a little) as a result of the bullet in his brain landing him in a wheelchair – and Lee is, unsurprisingly, infatuated. There follows a charming and romantic tale of getting high, telling wicked jokes, and maybe, just maybe, falling in love (but definitely getting the best shag of either man’s life).

To Fuel Your Radiance by @fancybedelia (GoldenUsagi): Mischa Lecter should have died. Should have… and did, except that her brother made a deal with the devil. Hannibal’s soul in exchange for Mischa’s life. Some forty years later, the devil pays Hannibal a visit (disguised as a rather handsome, blue-eyed man named Will) in order to see what he’s done with his life. And, as is the Hannigram way, a mutual interest quickly turns to something much more twisted and obsessive. The brilliant thing about this AU is that, despite being a devilishly sexy (literally), self-assured, phenomenally powerful version of himself, Will is still Will. He’s not some malevolent, flamboyant devourer of souls, he’s still conflicted and weighed down by the nature of what he is. Which leaves Hannibal to take up the role of tempter (yes, even to the Devil himself), drawing Will into killing with him (which, admittedly, takes much less effort with this version!) and falling helplessly in love with the beast that emerges.

Ugly by @slashyrogue (nightliferogue): We as a fandom should be immensely grateful to count slashy as one of our number. She turns out a frankly staggering number of AUs and rare pair fics (in addition to her wonderful Hannigram works) and they are all, without exception, imaginative and beautifully written. Recently she’s been writing a lot of Basic Chickens and this, her most recent (at the time of writing) might be the best yet. When Elias finds a strange, black egg in amongst the chickens, his superstitious brothers order him to smash it, fearing it contains a demon. Elias (of course, this is Elias) refuses, and tends to the egg until it hatches, revealing a small, black, winged monster, which Elias decides to keep,  christening it “Ugly.” Which is all well and good until it turns out that Ugly also sometimes takes the form of a man (quickly renamed Adam) whose determined seduction of Elias has worrying, potentially dangerous side-effects. This is Basic Chickens with a brilliant supernatural twist and the story is sexy, sweet, constantly surprising and very, very much worth your time.

Stricken by @crossroadscastiel (peacefrog): So say, instead of landing on the rocks at the bottom of that cliff, Will and Hannibal instead land in a completely different universe, one where everything seems to be the same, except that they’re not dead from their horrifying injuries. Seems like a win, right? Oh, except there’s the little issue of Hannibal suddenly producing slick and the pair of them needing to shag like bunnies every five minutes or they’ll explode. Yep, the boys are not in Baltimore anymore, they’re in an omegaverse, Hannibal’s in heat, and if they can stop knotting each other’s brains out for long enough, they’re going to need to have a serious talk about feelings. Wanna bet how well that turns out? This is such a fun exploration of the omegaverse concept, with our intrepid murder husbands utterly baffled by what’s happening to them and how they can deal with it. It’s also sexy and sweet as hell – if you’re not into a/b/o, give this a shot, I’d be surprised if it doesn’t change your mind.

Ananta by @unicornmagic (canis_m): A what-if fic, with the what-if in question being ‘how might things have gone, had Hannibal not rubber-stamped Will back into the field but instead recommended he receive further treatment. Oh, and asked him on a date while he’s at it.’ Well, in this ‘verse, it means Will stays away from murder scenes while Hannibal takes his place, that Will starts therapy with a certain blonde ice-queen, and Will has to navigate the beginnings of a relationship with Hannibal while contemplating when he should reveal that he’s asexual. This is a beautifully-paced, patiently crafted exploration of the complex relationship between these two characters and the ways in which they fit together with each other unlike with anyone else. Will’s asexuality is written with grace and sensitivity, as the writer explores the other, less obvious intimacies that he and Hannibal share. If you need something lovely in your life, read this.

The Best of All Possible Worlds by @desperatelyseekingcannibals (TigerPrawn): Mortimer (from Hysteria) is one of my favourite Hugh roles, so I’m always delighted when the adorable, slightly bumbly doctor turns up in a fic. And this one is so much fun, pairing Mortimer with Galen from Rogue One (via some timey-wimey shenanigans that land Galen back in ye olde England) and developing a very sweet romance between the two, even as they try to figure out how to get Galen home. These are two of the most decent characters in the madancy back catalogue and they work really wonderfully together, Mortimer’s eager earnestness nicely grounded by Galen’s steadiness. Plus I was very pleasantly surprised by how much chemistry the characters have together – not to put to fine a point on it, but they’re wicked hot XD. The rare pairs phenomenon is truly the gift that keeps on giving and this is one of my favourite ships to come out of it, please do hop on board and prepare to be totally charmed.

A Way to Live by @sugarmaus (Sugarmouse): Hannibal Lecter is in the market for a new slave. He goes through them quickly, always on the lookout for some elusive something that even Hannibal doesn’t seem able to define. When he spots Will Graham in the dealer’s catalogue, he thinks there’s a chance he may have found it, and when he sees the man in the flesh he is almost certain of it. But Hannibal soon learns an important lesson: Never Underestimate Will Graham. And so begins a complex, high-stakes game of shifting identities and hidden desires between master and slave, with Hannibal’s rigid control slipping further and further as he loses himself to his fascination with getting inside Will’s mind. Essentially an AU in which Hannibal can buy and dispose of murder interns instead of influencing them via therapy this is a sharp and intense character study of our darling cannibal. Hannibal’s ennui and loneliness are front and centre here as he both strives to gain control over Will and hopes that he will not be able to. It’s fascinating, compelling, intelligent stuff, with more than a few surprises up its sleeves.

Fais Do-Do by @moku-youbi: Will is on the run. He has lost control and shot a man, and now he’s tasted blood for the first time and Jack Crawford is on his tail. Which is how he winds up staying at The Little Bear Inn, owned by Mischa Lecter and currently being run by her brother while she is unwell. Of course, this is an establishment run by the Lecters, so nothing is quite as it seems and it may not turn out to be the safe haven Will is looking for. Even if Hannibal is unexpectedly easy to talk to (and not too hard on the eyes, either). Then again, Will’s got some secrets of his own, and we all know what happens to people who underestimate Will Graham… This is a really fun trip through some classic horror tropes, stylishly fusing a Hitchcockian vibe with supernatural elements as Will’s paranoia grows in the face of the Lecters’ strange behaviour and the threat of Jack hunting him down. It’s atmospheric, sexy, and thrilling – old-fashioned horror at its very best.

An American Empath in London by @legohanniballecter (MaddyHughes): In this (very slight) Sherlock crossover AU, Jack loans out Will to Scotland Yard in order to aid them in investigating a series of horrific murders involving Tory politicians (seeing as their normal consulting detective recently jumped off a roof…). Except here, Will hasn’t met Hannibal Lecter, not until he sits next to him on the plane to London, that is, though it doesn’t take long for the pair to become intimately acquainted. Yeah, ain’t no slow burn around here, and Will finds himself in a strange city, attempting to deal with a case that frustrates him, a police force that doesn’t understand him, and an intense, overwhelming attraction to a man he barely knows. Not to mention that Hannibal’s up to his usual tricks: murder, manipulation, and winding Will Graham up to see how he goes. Two years in the making, this densely-plotted, highly intelligent case fic also features some seriously intense Hannigram, with its trademark mix of sexual tension, blood and mind games turned up to the nth degree. I highly recommend giving it a shot – once I started, I found it nigh-on impossible to put down!

And Do Abominable Things With Grace by @thedancingwalrus-blog (The_Dancing_Walrus): I love and adore Pacific Rim, let’s get that out of the way. That said, it’s not exactly the subtlest movie ever made and I always kind of wished they’d done more to explore the concept of drifting. Well, wish granted and with Hannigram into the bargain in this fascinating crossover AU. Set sometime in s2, after Will’s mistrial but before his release, things diverge sharply from canon when Beverly and the FBI arrest Hannibal for his crimes. And then leave canon in the fucking dust when the first Kaiju arrives and Will and Hannibal are kidnapped by the government to be used as guinea pigs in the development of drift technology. Of course, it turns out that fusing the consciousnesses of two people like Will and Hannibal – who are pretty much inextricably bonded from their first glance anyway – has some interesting, and not altogether pleasant, side-effects. This is a genuinely stunning piece of work, playing with POVs and levels of consciousness to portray the invasive intimacy of being forcibly mind-melded with another person and written with a lyrical, experimental style that is both effective and highly memorable. It also has one of the most interesting, insightful depictions of the relationship between Hannibal and Will I’ve had the fortune to read – by turns sad, hopeful and endearing, and never less than utterly beautiful.

Caging the Beast by Vulcanmi: How many have us have begged pleaded wondered how things might have gone if Will had called off his Mizumono dinner plans with Jack and Hannibal? In this AU the stupid idiot our intrepid empath does just that, and, having realised that he doesn’t want to live in a world where Hannibal is behind bars, sets about constructing one in which he can tame the beast and put it in a cage of his own. His decision sets everybody on an unfamiliar path but while some things change (no Florentine jaunt for Bedelia this time), others just can’t be avoided (Mason still needs to be someone’s bacon, and Will and Hannibal still dance around each other like a pair of nervous teenagers). Or put off forever, as Will’s growing awareness of the nature of his feelings for Hannibal shows. Many Mizumono fix-its focus on the murder fam running off together and trying to avoid capture. This takes the opposite approach, keeping everybody in Baltimore with the inherent dangers and tensions that involves, extending the game between Will, Hannibal and Jack, even as the former two inch their way towards true Murder Husband status. It’s a fascinating reframing of canon, retaining many elements from s3 but with Will and Hannibal acting as a team and a family. I lost count of the number of times I sighed “If only…” while I was reading this – if you still dream of what could have been that rainy night in Baltimore, this is definitely the fic for you.

Yet Another Hannigram S1 AU (series) by @coloredink: Fans of intense, complex, drawn-out conversations between Will and Hannibal (which is… all of us, right?) will be in heaven with this two-part series set sometime post-Tobias Budge in s1. Both instalments see the boys thrust into close living quarters and exploring the powerful but confusing nature of their relationship. In and built a little house that we could live in, Will takes Hannibal up on the offer of using his vacation house for a week, on one condition: Hannibal comes with him. There follow seven days in which two solitary men begin to realise they might not want to be solitary anymore, and tentatively negotiate how that might work. By contrast, there’s nothing tentative in follow-up a tower to broadcast all our dreams, in which Will and Hannibal have to pretend to live together as a couple in order to draw out a serial killer. The pretence soon gives way to something else, but when you’re the Chesapeake Ripper, deciding you want a boyfriend comes with extra complications… This series is a beautiful riff on some favourite tropes, the second instalment in particular playing on the “fake date” with brilliant results. It also lets us see a charmingly domestic version of Hannigram, investing time and care in building up the relationship without sacrificing the dark and twisted aspects of their story. And really, does it get any better than domestic fluff with a bit of murder on the side? Nah, didn’t think so…

As ever, if there are bad links, or I’ve misattributed anything, let me know and I’ll fix it lickety-split. Happy reading, lovely fannibals!