#I listened to epic the musical “600 strike” while I was writing this if that tells you anything about where I'm going with this
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aro-in-danyl · 22 days ago
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HP X HH AU - Alastor is Harry Potter and Voldemort is his Shadow
I've got a whole concept idea for how Alastor time-traveled to early 1910s New Orleans and how he trapped Tom Riddle as his shadow- but that's a separate post entirely. This is about what happens if they get de-aged in Hell following their retreat from Adam. Because I want to see the Hazbin crew's reaction to Harry and Tom.
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When Adam slashed him with his guitar, it purified both Alastor and his shadow to an age when they were still innocent.
Alastor, Harry, to age 11 -- moments before he'd disintegrated Quirrell to death.
Voldemort, Tom, to age 10 -- days before he led his fellow orphans into a cave to torture them.
They awaken in a crumbling radio tower covered in blood and a broken radio staff clutched in Harry's hands.
Tom, being raised Catholic and carrying all the trauma that comes with being able to talk to snakes from a young age, is the most terrified.
Harry still hopped up on the adrenaline of facing his parent's murderer from what he believes is only minutes before, manages to hear the creaking of the radio tower and get them out before it fully collapses.
They wander Hell and quickly come across various demons, all of which have nefarious intentions. They try to escape but even with magic there's only so much 2 human children can do against demons until-
"HEY!" Something hits the back of a hellhound's head, knocking him out and giving Harry the chance to run to stand in front of Tom.
They both look warily at their savior: a tall heavy-set demon with imp-like horns and bat-wings. In his hand was the broken guitar he'd used to smash over the hellhound's head. He looked angry.
"BITCH! You owe me a new guitar!"
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Adam sees these kids and assumes they're the reason he's in hell. That he has to save them and then he can return to heaven - how else would 2 human children who reminded him of his own just happen to wander into his path?
So he takes them in and re-learns what it means to be a father responsible and care have empathy for his descendants. He meets other sinners who are not the worst and it makes him feel guilty confused.
For 3 months, he tries to find a way to get these 2 children back to the human world. They're both so bright and kind but absolutely fucking traumatized. He's going to have to find them better parents when he takes them back because they were under no circumstances going back to whoever they were with before.
Everyday he's with them, the kids open up just a bit more. What does it say about their homelives that they feel more comfortable in Hell living with what they think is a demon? They have so much potential like Abel and capacity for goodness like Cain before he-.
He tries -oh god how he fucking tries- to get them out of this hell-hole, but eventually he has to man up and ask for help.
HA! Sike. No, he obviously was supposed to demand Lucifer send them back. After all, it must've been his fuck-up that got these kids stuck here so it was his responsibility to fix it. Not Adam's!
Yeah that sounded right.
He marches up to the Hazbin Hotel with the kids behind him he wasn't scared shut up and knocks on the door.
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Lucifer contacts Ozzie to open a portal.
Problem #1 The moment Harry touches the tear in realities, he hits a brick-wall. Or at least what feels like one. The portal is nothing more than a 2-way mirror for him. He can see but not cross-over.
Problem #2 Lucifer takes a closer look and realizes that their souls are already marked for Hell. But they're full of holy energy even after 3 months.
Adam refuses to believe this and demands to talk with Heaven.
Problem #3 ...No one has heard from Heaven since the failed Extermination.
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Adam stays at the Hotel since it's safer for the kids cheaper than renting his overpriced studio apartment that smells like piss and cheese. Niffty fucking hates him though, he hurt her favorite bad boy! He's not dead she would feel it but he's gone again because of him!
Over the next 3 months, the kids grow. Not normally though, every time they make even a minor sin, they age rapidly before Adam's eyes. Sometimes he swears their nails seem claw-like, their teeth sharper when they smile, and their eyes seem to glow when he's looking out of the corner of his eye.
They eventually get in contact with Emily who first informs them that Sir Pentious was redeemed. She then takes a look at the kids with Lucifer. They discover that the children had been de-aged to a period of innocence due to the holy-light that had flooded them.
Lucifer tells Adam it was likely his holy-light wave that sliced the hotel in half that did the deed. They must've gotten caught too close to the blast-radius.
They hypothesize from their rapid age growth and behavior, that sinning will eventually revert the children back to their original demon forms.
And Adam-
Adam, for once in his immortal life, refuses to give up on his children.
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littlelav107 · 20 days ago
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born to endlessly imagine every scenario relating to 600 strike forced to be updated on current events in order to write a good editorial 😔
@philosophicalpug thoughts on angst heaven in tags
@z1ish you said you liked the angst well guess what (tags)
@yumewayuki I managed to mix up x and y intercept but not this apparently
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its-your-girl-geekerella · 15 days ago
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EPIC: The Vengeance Saga
I've procrastinated on this post for as long as I possibly could, but I'm here now! Let's get into it:
Not Sorry For Loving You. I love this song and I love Calypso, and you can't change my mind. I will not apologize. I'm not entirely sure why everyone hates her, but she is my smol child. The animatic cracked me up though, because while Calypso is sobbing and singing, Odysseus is hopping on his boat and sailing away like, "I'm just gonna go... yeah. Bye." It made him seem like a jerk, but it was also kinda funny.
Dangerous. It was a genuinely great song. The "Full Speed Ahead" callback showcasing Odysseus's loneliness was great, Hermes was great, the Winions were great. Everything was just great. There is literally nothing I could say about this song you haven't heard.
Charybdis. Honestly? This is the one song from EPIC that I would call truly "mid". Don't get me wrong, all of Jorge's work is epic (haha I'm so funny), but this one was slightly... less epic. Also, I'm more of a dialogue and emotions person, not really an action-enjoying one, so that may have contributed. I will say, however, that Odysseus's "NOOOO" was incredible and deeply relatable.
Get in the Water. Yes. Yes. And yes again. I had waited for this one for so long, and it did not disappoint. The dialogue between Poseidon and Ody? Chef's kiss. Immaculate writing, Jay. Poseidon's "I can't" really made it seem like he wasn't really that angry anymore, like this was something he put on his "to-do" list a few years back, and had to check off. But when Odysseus told him that he should "learn to forgive", implying that a mere MORTAL knew something more than a GOD, he got peeved. The character depth we see in this song is great, especially in comparison to the next song. Part of me does hope that aside from the finale, this is the last "dead people sing to Odysseus" we see for the rest of the show.
600 Strike. I know I said that I'm not super into action scenes, but this song SLAPS. HARD. The singing is so good, and the music really encapsulates the title of the show. When Ody says, "you're going to call of that storm", I got freaking SCARED. That last 1:40 of the song is my favorite part. The vocals are legit my favorite. And "next to my wife"????? WHO APPROVED THIS???? Jorge??? Are you OK???? Am I OK??? After listening to this last song, I literally went into an early-life crisis. I didn't talk to anyone, I ate some ice cream, and silently pondered to myself, "what just happened?" over and over again. I was fine two hours later, though😀
This Saga was everything I hoped it would be, and it was written really well. (Why am I surprised?) My two favorite songs were "Not Sorry For Loving You" and "600 Strike!"
My biggest "thing" with EPIC is that I want it to become a staged musical. I know that Jay at some point said that it may not work out like that, but then a few moths later he said that it could work, so I'm holding on to hope. After all, if EPIC never becomes a staged production, how are countless people supposed to play these characters we know and love? Don't be stingy, Mr. Jalapeno. /j
My largest concern with this Saga is that it would be the hardest to stage, especially with songs like "Charybdis" and "600 Strike". For example, the part where Poseidon drowns Odysseus. How to show Odysseus being drowned and the wind bag floating just above him and the dead people helping him WHILE still showing Poseidon above the water? I have some concepts, but it would still be really hard. Any ideas are welcome!
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