#I know way too much about conspiracy theories

[shoresoftheshadowlands]

This is misinformation please stop spreading it for fucks sake I'm sick of people spreading this goddamn proven false conspiracy theory on my dash there are NOT missing votes. They are being counted. Goddamn it. You're making us all look like Stop The Steal morons. We are better than this. This is also old news I've seen this post for almost a week now. There's also now a fucking Elon 'stole' the election conspiracy going around now too and it is just as false. I'm sick of reblogging it with the accurate info and I'm sure my followers are sick of seeing it too. You all need to STOP. You need to ACCEPT. We lost, Okay? it was NOT a landslide, recent tallies prove that. I'm so tired of repeating myself but I want people to understand they are being made fools of by hopes and denial when we need acceptance and resistance now.

The title on this one and the thumbnail are slightly misleading but Lawrence goes into the numbers on how this wasn't as much of a landslide as it is being portrayed as, current as of yesterday. It's worth the listen, about 15 minutes of your time.

I will post this ONE more time for the people in the back. I am exhausted. This is not being 'defeatist', this is being realistic and accepting. There was no fraud last election and there wasn't major fraud in this one. There were some idiots who burned some ballots, WAY LESS than many reported (None in georgia btw). Most were saved by anti fire mechanisms in the ballot boxes, only some 450 ish were lost and people were contacted to 'cure' those.

The count is STILL ongoing- That's why we don't know yet the entire house and senate.

Please people I am begging you all to use your heads. I know it is tempting to want to believe this couldn't possibly have happened but it did, and we need to move on from here. A lot of places are already vouching to resist Mr.Dump in every way they can, even refusing to mass deport even if ordered. If we're all stuck on the conspiracy theories how are we going to pay attention to what's actually happening right now and resist it?

I haven’t really seen any of the more recent U.S. election news hitting tumblr yet so here’s some updates (now edited with sources added):

There’s evidence of Trump cheating and interfering with the election.

Possible Russian interference.

Mail-in ballots are not being counted or “recognized” in multiple (notably swing) states.

30+ bomb threats were called in and shut down polling stations on Election Day.

20+ million votes are still unaccounted for, and that’s just to have the same voter turnout as 2020.

There was record voter turnout and new/first-time voter registration this year. We definitely should be well over the turnout in 2020.

U.S. citizens are using this site to demand, not only a recount, but a complete investigation into election fraud and interference for the reasons stated above:

Here is what I submitted as an example:

An investigation for election interference and fraud is required. We desperately need a recount or even a revote. The American people deserve the right to a free and fair election. There has been evidence unveiled of Trump cheating and committing election fraud which is illegal. There is some evidence of possible Russian interference. At least 30+ bomb threats were called in to polling places. Multiple, notably swing states, have ballots unaccounted for and voting machines not registering votes. Ballots and ballot boxes were tampered with and burned. Over 20 million votes that we know of are unaccounted for. With record turnout and new voter registration this year, there should be no possibility that there are less votes than even in the 2020 election.

Sources (working on finding more links but if anyone wants to add info, it’s appreciated):

FBI addressing Russian interference and bomb threats:

Emails released by Rachael Bellis (private account, can’t share original tweet) confirming Trump committing election fraud:

Pennsylvania's Centre County officials say they are working with their ballot scanner vendor to figure out why the county's mail-in ballot data is "not being recognized when uploaded to the elections software:”

Wisconsin recount:

[ID:

Multiple screenshots and images.

The first is a screenshot with a link and information for contacting the White House directly regarding election fraud. The instructions include choosing to leave a comment to President Joe Biden directly and to select election security as the reason.

The screenshot then instructs people to include any or all of the following information in a paragraph as a comment to the president:

32 fake bomb threats were called into Democratic leaning poll places, rendering polling places closed for at least an hour.

A lot of people reporting their ballots were not counted for various reasons.

This all occurred in swing states.

This is too coincidental that these things happen and swing in his favor after months of hinting at foul play.

Directly state that an investigation for tampering, interference, fraud is required, not just a recount.

The second image is from the FBI Twitter account that reads:

The FBI is aware of bomb threats to polling locations in several states, many of which appear to originate from Russian email domains. None of the threats have been determined to be credible thus far. https://t.co/j3YfajVK1m — FBI (@FBI) November 5, 2024

The next four Gmail screenshots of an email sent to Rachael Bellis from Chris T. Spackman that read together as follows:

Dear BELLIS, RACHAEL E., The Dauphin County Board of Elections received a challenge to your absentee ballot you applied for in the November 5, 2024 General Election. The challenge argues that a provision of the Pennsylvania Election Code takes precedence over the federal Uniformed and Overseas Citizens Absentee Voting Act (UOCAVA), which requires states and counties to permit U.S. citizens who move overseas to vote by absentee ballot for federal offices based on their last U.S. residential address.

The full text of the challenge that was filed appears below this email.

You may respond to the challenge in any of the following ways:

1. Call the Bureau of Registration and Election at (717) 780-6360;

2. Email a statement to the Bureau at Election election@dauphincounty.gov. Any statement you submit regarding the period during which you lived in Dauphin County, any family or connections that you still have here, and why you are now residing abroad would be read into the record.

3. Appear in person at a Board of Elections hearing scheduled for Friday, November 8 at a time to be determined in the Commissioners Public Hearing Room, 4th floor of Dauphin County Administration Building, 2 S 20d St, Harrisburg, PA 17111. The meeting is also likely to be livestreamed on Facebook on the Dauphin County channel.

Sincerely,

Christopher T Spackman

TEXT OF CHALLENGE BEGINS

Dear Dauphin County Board of Elections,

I am submitting this challenge to an absentee ballot application pursuant to 25 Pa. Stat.

3146.8(f).

25 Pa. Stat. 3146.8(f) Any person challenging an application for an absentee ballot, an absentee ballot, an application for a mail-in ballot or a mail-in ballot for any of the reasons provided in this act shall deposit the sum of ten dollars ($10.00) in cash with the county board, which sum shall only be refunded if the challenge is sustained or if the challenge is withdrawn within five (5) days after the primary or election. If the challenge is dismissed by any lawful order then the deposit shall be forfeited. The county board shall deposit all deposit money in the general fund of the…

The rest of the forwarded email is cut off.

The last image is a screenshot of the official statement from the Centre County, Pennsylvania Board of Commissioners released on November 6, 2024 that states:

Centre County Working with Ballot Scanner Vendor to Export Election Results.

(Bellefonte, PA) -Centre County Elections Office is working continuously to provide mail-in ballot data in order to post unofficial results.

To this point, all ballots have been scanned, including all mail-in ballots.

Centre County's Election team and IT team have identified that the data are successfully being exported from the mail-in ballot scanners, but that the data is not being recognized when uploaded to the elections software.

Centre County's Administrator, John Franek, Jr. stated, "We have not stopped working, and we will continue to work until unofficial results are posted and reported to the Pennsylvania Department of State."

As a next step, Centre County has begun working with the equipment vendor to adjust configurations to make the two systems-the mail-in ballot scanner and the elections software where data are uploaded -compatible with one another.

We will provide updates as we make progress.

/end ID]

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[wild-at-mind]

Not reblogging it for reasons, but I really agree with that person on here who said people are reframing depression and generally feeling shit all the time as a good thing because of the horrors of Gaza. There are people on here heavily implying that you feeling bad and finding it more and more difficult to live with yourself is actually an appropriate response to war and genocide. In some way, it might be. But the thing is, where does that lead? Does it lead to decisive action in accordance to your values, or to nihilistic stewing and self isolation from your community?

The post went on to call it anti-recovery culture- I don't know if I would call it that, because I get why people don't like recovery culture, especially in relation to addiction, but mental illness also. I think that's something I'm not qualified to speak on. So I wouldn't call this anti-recovery culture. Instead I would call it pro-burnout in activism culture. Do you honestly think people who are the most productively working in their communities and participating in actions to help overseas are feeling like this? Or do you think they have learned to use self-accountability and community support to reign themselves in when they begin to burn out emotionally, and rest and recuperate their mind in order to come back stronger? Ask yourself, is that wrong of them to do, because they should be feeling bad, because after all that is the appropriate response....does it mean they don't care, because they don't spend all their time feeling shit? Or perhaps, the truth is, they do care, and are demonstrating it all the time, but they also understand that them feeling shit literally doesn't help anyone. Why can we not talk about or acknowledge this?

[louderfade]

exene talking about the state of the world. the good stuff starts at eight minutes. or you can just read the transcript complete with the usual errors that accompany robot transcribed speech (the irony of which is not lost on me). maybe it's not about transhumanism and living forever (or maybe it is who knows), but there's definitely an agenda of surveillance and control at work which is designed to keep the powerful in power. cash rules everything around me and you will own nothing etc. the future is worse.

[ssaalexblake]

remember that time i bought an old library copy of howl's moving castle literally just for proving my 'the thirteenth doctor is howl' hypothesis??? bc good times

[flwrkid14]

Famous streamer Danny and his secret boyfriend:

Okay, but picture this: Danny Fenton is this massive streamer—like, he’s the guy everyone watches for chill vibes, chaotic gaming, and somehow getting sidetracked talking about conspiracy theories in the middle of a speedrun. His streams are a mess of ghost jokes, random facts about space, and way too much energy for someone running on three hours of sleep and coffee.

And then there’s his boyfriend—who the fans only know exists because Danny’s way too in love to not talk about him. Like, every stream, without fail, Danny’s casually dropping hints. “Oh yeah, my boyfriend brought me coffee, isn’t he the best?” or “I was playing this game with him last night, and he kept getting us killed, but he’s cute so I let it slide.”

The thing is, no one has ever seen this boyfriend. Not once. No name, no face, nothing. And at this point, it’s basically part of Danny’s brand. His fans are in the chat, spamming questions like, “Who is he?” “Is he another streamer?” “What’s his name?” and Danny’s just laughing it off every time, like, “Eh, maybe I’ll introduce you guys one day.”

The fan theories are wild. People have made entire reddit threads trying to piece together clues about who this mystery guy is. Some think Danny’s boyfriend is a celebrity. Others are convinced it’s someone famous in the gaming world, but no one has any proof. It’s like the internet’s biggest mystery, and Danny’s just sitting there, fully aware of it, leaning into the chaos without giving away a single detail.

Meanwhile, Tim Drake—yes, that Tim Drake, Gotham’s resident CEO of WE and vigilante—is just chilling in the background. He’s the boyfriend, obviously. The one who makes sure Danny actually eats between streams and sometimes joins him off-camera to play co-op games. But Tim’s got no intention of revealing himself. He likes the anonymity, the whole “mysterious boyfriend” thing. Plus, with his whole double life as a vigilante, staying out of the public eye (more than he already is) isn’t exactly a bad idea.

But the best part—Danny’s fans? They’re convinced his boyfriend is some kind of superhero or vigilante. The way Danny talks about him—like he’s always busy, never around during certain hours (because, you know, Tim’s out patrolling Gotham), and the fact that he’s never once shown up on camera? It’s practically begging for wild speculation. And Danny? He’s just letting them run with it, saying stuff like, “Oh yeah, he’s totally saving the world right now, can’t make it to stream today.”

So now Danny’s got this massive online following, all obsessed with his mystery boyfriend, while Tim’s just quietly in the background, living his double life and probably smirking every time Danny plays along with the fans’ theories. It’s lowkey hilarious, and neither of them is ever planning to set the record straight. They’re just having way too much fun with it.

[wp100]

ive been on a bit of a 9/11 binge lately and holy shit it's kinda insane how people did actually manage to get thru the impact zone on the second tower

very few ppl did, but they did

[alphawave-writes]

Now that I think about it, he’s startled when he sees the image of Jesse and Darling, but he only ducks down like that when he sees the Night Springs logo. He also runs away from Tim Breaker after being revealed to be a Sheriff.

Is he maybe trying to hide from Door and assumes initially that Jesse and Darling are in league with Door?

"They're onto us. If anyone asks, you were never here."

[esthercore]

Sweetness Overload!! (HSR Men and Cute Stuff they do!)

Argenti has the most exquisite house (spaceship) garden, making you the prettiest flowers weekly, and jotting on a note, what each flowers symbolizes. He also often likes making you flower crowns or random flower art, and will tear up if you do the same.

Aventurine before you start dating liked making a whole show of constantly calling you wrong names every time making your frustrated with him, except when he tucks his coat around shoulders after he find you slumped in front of your computer during overtime, dead asleep, whispering a good night, and sweet affirmations, checking your breath and finally uttering an 'i love you' once he confirms you are asleep. I think after 173 total posts this is the first time i wrote aventurine not being depressed or traumatizing him more lol.

Blade makes sure everyone knows you are his. You two out in public? He will be all over you, arm around you shoulder or simply clutching you from behind, as you two walk, he likes holding you whenever. You are rarely seen out alone, in public, if ever. He likes being with you as much as he can. Good things barely exist in his life, so he's gonna hoard you all to himself.

Boothill remember everything you say or do, your likes and dislikes? Can list all in his sleep. Each and every order you place in your favorite restaurants? Saved in his cloud storage. Every single important date? Your birthday, your first kiss, the first time he met you, the first time you hold hands, your anniversary, everything.

Dan Heng is an amazing listener. Every trouble you got, just tell him all about it and let him kiss them away. He's an empath and will help you mentally deal with your struggles. After everything he has faced in and even before the shackling prison, the last thing want is for his lover to face anything remotely as same, so very protective too. Also, he loves your voice, love hearing you speaks, loves to fall asleep to it, and to wake to your pretty voice. His fav place to kiss you is your throat,

Dan Feng liked to doll up and gift shiny stuff to his little mate. Anytime he sees any pretty accessory or clothes, he will bring them home, almost a hoarding problem. Loved to see you in the stuff in brought you, or enjoy any of his gifts. The high elder's mate was very popular for the way they were dressed like a god/goddess head to toe with jewelers and the best garments in all the Xianzhou ships.

Dr Ratio other than the hundreds of your statues he made, he likes to learn about all your interests. Any subject you like, any conspiracy theory, any fictional book you are reading, any game/tv show lore, he wants to know it. There is knowledge in everything, and by knowing about your interests more, he would learn about more, and he desperately wants that.

Gallagher names all of his drinks after you. Something sweet? It's name after something he likes about you. Spicy? Something that makes you feisty. Bitter? Something you hate. The entire bar staff, especially Siobhan likes to tease you for it.

Gepard likes to draw for you, like a little child, 2 stick figures holding hand. Little picture of his dear family of 4 (you him and his sister), and stuff like that. Will cry if you put those drawings on the refrigerator or frame it, that's literally make his inner child so happy after the abuse he suffered in his childhood.

Jiaoqiu likes talking about you. Anyone and everyone who knows him or get to talk to him for more than 5 minutes, will know how amazing you are and how much he loves you.

Jing Yuan loves holding you. Just sit in his lap play your games on your phone and let him nap, his head resting on your shoulders, he can spend an eternity like this. He is his happiest when you're in physical contact with him, too much tome away from you and gets antsy and pouty like a kid, though he don't show that exteriorly, for the sake of his reputation, but for Yanqing it's quite obvious.

Luocha loves to take care of you. Feed you, help you groom, help you with any tasks, everything, nor is he the type to shy away from complimenting you, he is a merchant, he words are beautiful and filled with flattery almost like those anime butlers. You are his little prince/princess and he makes sure you know that with how special he makes you feel.

Moze will give the chocolate end of his ice cream cone. This man is very self sacrificing for his love. You are his top priority, and in his his you are worth more than him himself. His happiness in entirely based on yours.

Sampo like to make chocolates for you. Very random, I know, but each valentines day, he with the help of the moles, makes you homemade chocolate, even go as far as to craft the box for you. They are not the best nor the prettiest, but it comes from the bottom of his heart, also he surprisingly buys all the ingredients too rather than stealing them, so you better apprecite it.

Sunday loves to either sing or you to sleep, he would yap and yap, his voice so melodious, the lullaby he sings so calming and nostalgoc, taking you in his arms, and gently petting you. Other than his sister when she was a child, you are the only one blesses enough to hear this bird chirp.

Welt trying to use gen z or gen alpha slangs and failing (definitely tried using 'skibidi ' or 'rizz' unironically), trying to imitate the express trio's speach pattern, so he can be cool, and match up with you, despite his withering bones. Kiss the grandpa and appreciate his efforts.

I will write nasty Dottore smut to cleanse my sins of writing fluff soon! The next post will should be very big, so I hope I can complete before falling asleep.

[qqueenofhades]

I really really REALLY need to see more people makimg the connection between trump and his russian handlers tbh.......like i know we've somehow gone through the looking glass of putin apologia but that piece abt the NYT you just posted, the bots, the interference: in the bag for trump? Yes. But i dont believe its due to his or even republican power or popularity or forcefulness.......this is a man with so much debt and kompromat thats only getting worse!! Not to sound kwazy BUT WE ARE BEING FULLY INFLITRATED and at the risk of conspiracizing i think the russians are ALSO behind the Times's demise along with so many other information centers etc. Like i KNOW these leftists love him but like. Wouldnt they care a LITTLE abt being manipulated like this???

Trump is 100% an active, willing, and eager Russian agent. That's not even paranoid conspiracy theory, that's just the only reasonable interpretation of the facts:

NOT TO MENTION that in the next two years after the Helsinki conference where Trump kowtowed to Putin in every way, the CIA admitted to losing huge and unusually high numbers of classified informants around the world (not CIA agents, but people secretly working for the American government in often-hostile countries):

Once again, this all happened when Trump was in office, when he was actively handing over CIA intel to the Kremlin against the wishes of the entire national security establishment, and which other experts have suggested was directly as a result of Trump handing over the identities of American informants to Russia, including those stationed in Russia itself:

Now, I could go on, but you get the point. Not to mention that Trump just lost a major UK-based lawsuit against Christopher Steele, the former MI6 agent who was the first to provide documents linking Trump to Russia in the controversial "Steele dossier":

And now: Trump is deeply in hock for hundreds of millions in legal fees and punitive judgments that are only increasing by the day, he somehow just came up with $90 million to appeal the judgment against E. Jean Carroll (nobody knows where he got this money either), and Russian state TV spends all their time openly salivating for Trump's return to the presidency (so he can hand over Ukraine and the rest of NATO and, as he literally said, "let Russia do whatever the hell they want.") I know we're largely numb to all the awful treasonous shit that Trump does, but like. This isn't a conspiracy theory, this is just what's going on in plain sight, and while the Online Leftists have recently become so stupid that I honestly can't tell if it's just terminal brainworms or active Russian psyops, it's strongly indicated that it is in fact a mix of both:

So, like. Just some food for thought.

[psychotrenny]

I really do hate the way people use the phrase "Conspiracy Theory" to refer to everything from "Supernatural Bullshit" to "Technically Possible but all the actual evidence is against it" to "We know for sure that this happened like we have declassified documents and decades of testimony from dozens of people and..."

Like it's just such an actively counterproductive conflation of different phenomenon that mostly serves to discredit actual investigation into the activities of those in power. Because sure, it's stupid to act as though the world is primarily driven by the hidden schemes of the powerful. But it's just as stupid to act as though powerful individuals and institutions don't ever get together and enact hidden schemes. Even though these sorts of entities invariably engage in many more equally bad (if not worse) activities in the open, for certain programmes the maintenance of some sort of secrecy does have worthwhile advantages. The fact of the matter is that high level conspiracies happen and they happen for a reason. Along with all the conspiracy "theories" out there, you'll find plenty of conspiracy facts

And sure, broader structural forces are much much more important than any individual project could be. State and Corporate conspiracies generally serve the ultimate purpose of maintaining or accelerating processes that were happening openly and/or "naturally" (i.e. without large scale co-ordinated planning) anyway. But these sorts of plots are still worth talking about not only because of their direct impacts (the greatest of which can change the fate of entire small countries) but also because of the ways they reflect and reinforce the overarching structures that produced them. At the very least, you shouldn't dismiss them out of hand because you think "A powerful entity did something and tried to keep it a secret" is a claim made only by people who've been watching too much X-Files

[blond3ang3l]

Eren is a geek lover. He absolutely is enamored with you. Watching your lips with every word you spoke. The way you got excited telling him about every single new detail of the things you got interested in. Eren worked hard as a famous rnb singer, long days in the studio trying to perfect his songs. Then having to perform when he literally had the WORST anxiety known to man. It always felt like someone needed him and was on his ass about something.

But he did it all for you. For moment like this were he could come home and listen to you tell him. About the things you’ve watched in your huge list of video essays that you had in a playlist on YouTube. How you lit up telling him different facts from how the dating game killer had a coworker that also happened to be a serial killer and he didn’t know to the conspiracy theory of the 27 club, no matter what you said it always made you so happy and seeing you all giddy and stimming while you talked to him made him so content with his life.

…and his dick very hard

“I know cotards syndrome, Koro, Diogenes, fregoli, hypochondria, pica, capgras, boanthropy, apotenmophilia, kulver bulcy, ekbom, erotomania, Stendhal. Pics is like one of the more well known. You know that show my strange addiction that we watch together? Yeah so like those people who eat the random shit like the lady who ate rocks- omg that reminds me!”

Erens ass was not listening one bit. He was watching you, watching your body. You guys had been apart for a little over a month so could do a very short tour in another country and he was sick as fuck that he couldn’t bring you. Everyone knew it too. His attitude fucking sucked that trip. He was antsy, his anxiety was through the roof, he snapped at everyone, overall he fucking hated it. But now, sitting here with you he finally felt at peace.

You were sitting on his lap, yapping his ear off. His eyes couldn’t help but wander to your legs which lead him to notice you were wearing his boxers. The way your thick thighs filled them out compared to his own, he couldn’t resist grabbing them. Grabbing them led to groping them, which lead to him sneaking his hands under the boxer. This caught you off guard and stopped your sudden rant with a small gasp. He chuckled and slipped two fingers in his mouth covering them in his saliva before slipping them back under the boxers.

“Cmon baby, keeping telling me about the little videos.”

He had to have been joking. No way was he just gonna pretend he wasn’t teasing you. Like his finger wasn’t circling around your aching hole.

“Go on I’m waiting baby. Keeping telling me bout what you learned.”

As much as you wanted to roll your eyes you knew it would get you no where. This wasn’t a new thing, eren was always so needy. It was always worse after a tour. Even if it had only been a relatively short one.

“Okay well like I was saying, erotomania is something that a lot of celebrity stalkers have. Especially kpop ones. It’s when someone genuinely believes they’re in a relationship with a celebrity. Remember that girl that literally would follow you to the airport? That crazy bitch probably had it.”

Eren couldn’t help but bite his lip as he listened to you go on. God you looked so fucking good. Your hair looked so good. He was so glad he got you your own personal stylist so you never had to worry about needing to go to a shop or someone else’s house. You smelled so good too. That vanilla body oil you used was just fucking irresistible. He didn’t know whether he liked that one or the strawberry poundcake one more. Either way it only made him want you more.

He slowly slid a finger inside you, watching your face contort as you tried to keep your composure. A deep chuckle erupted from his throat. He missed seeing your face. Facetime wasn’t enough. Having to sneak off to the bathroom to jerk off to pictures and homemade pornos wasn’t enough for him. He needed to see you. To feel you. He slid his free hand up your shirt, groping your chest as he thrusted finger in out and of you.

“R-ren, fuck. Cmon baby, how am i supposed to talk while you’re doing this.”

Your whines only made eren smile as he thrusted a second finger inside you. He watched you as you threw your head back while crying out. He was enjoying every second of teasing you. You were so impatient and he knew it. That’s why he catered to every need you had. You hated having to wait and tended to be bratty when you did. So he made everything about you. Whatever you wanted you had. But this time he needed to be selfish. He wanted to watch you come undone first. And that’s exactly what we’re doing.

Your tight grip on his shoulders told him everything. Your nails were digging deep into his skin as you pushed back against his fingers. You didn’t want to admit it but you missed Ren so much. Your fingers and toys didn’t compare to what he could do. How he could prolong your orgasm by teasing you. He could feel you leaking all over his thigh, his boxers now all sticky along with his thigh. He slowly slid his fingers out of you causing you whine.

He didn’t feel bad at all. It was about him this time. He gripped your hips dragging you along his thigh, making it even more of a mess. You hid your face out of embarrassment. It was too much at how he could make you a whiny mess. No other man could do this to you but him.

You couldn’t help the small noises that fell past your lips as you grinded against his thigh. Eren shivered feeling your warm breath against the side of his neck. The way you tugged at his hair he knew you were close. He could read your body like a damn book.

“Cmon baby, almost there. Let me see you.”

“F-fuck ren, I cant.”

Eren wasn’t having that at all. You couldn’t what? You were gonna disobey him? No chance in hell. He gripped your jaw forcing you to look at him

“You telling me no baby? I could have sworn I said I wanted to see your face. I’ve been gone for a long time and you think your whining is gonna stop me?”

You loved moment like this when Eren suddenly got serious. He was…well he was very off Standish which came off to mean as others. But he babied you. The moment you told him no thought after he told you to do something? It was like a switch flipped in him. His tight grip on your face was only turning you on more which made you rut against his leg faster.

“You’re gonna be good aren’t you baby? Gonna cum for me like a good little whore?”

You eagerly nodded as you bit your lip. You could only cry out his name as you came all over his thigh, making a mess in his boxers. Eren kept his grip on your face to make sure you maintained eye contact the entire time. A smirk creeping on his face as you came.

“There you go baby, let’s go get you cleaned up..”

———————————————————————

@merakidoll Eren fic just like I promised🫶🏽

———————————————————————

Based of a conversation with my boyfriend where I literally was going on about mental illness during my rant about the many video essays I watch

[tombware]

judging from the EA datamines i was fully expecting cazador to go full tati like this and expose astarions several misdeeds trying to justify that he deserved what was coming to him and Cazador was doing a great justice and this is where Tav would go (and astarion would hopefully realise, regarding the past criminals he sold) that No. No one deserves this, no matter their crimes.

miss this like crazyyy

[reidology13]

we could make it better (breaking every habit)

Spencer Reid x fem ex-famous!reader

Summary: After Spencer overcomes his addiction, he seeks out the company and forgiveness of an old flame. cw: talk of addiction, a little sad? mostly fluffy though a/n: technically a part 2 of my fic based off making the bed by olivia rodrigo, but it can definitely be read as a oneshot. maybe they are a bit unhealthy, but they're cute and that's all that matters. also this was so incredibly delayed cause my phone drowned so I'm posting this from my dad's computer

Part 1

They say time heals all wounds, and standing at the door of his past mistake, Spencer hoped it had healed hers the way it had his. It had taken him too long to find her, for his pride to break down enough to ask Garcia to search for her. A few years ago it would have been all too easy, a few years ago she was on the cover of every magazine. Now she was the public's favourite conspiracy theory, the biggest where did she go? post made on some website full of self important nobodies. 

Where did she go? A small house in a small town, a few hours from D.C, just close enough that Spencer had gotten in his car without a second thought the moment he had her address. Maybe it was a slight invasion of privacy, but Spencer had seen much more of her than the house she lived in.

As he lifted his fist to knock, doubt crept in for the first time since the beginning of his endeavour. Was he right to apologise, to show up at the doorstep of the person he hurt worse than anyone else in his life, and say sorry? Sorry. ‘Sorry’ was a puny word that could never hope to mean anything compared to what he had done, how he had used her. But it would have to do, because he had not come all that way to turn back at the flashing neon sign that said ‘CLOSURE’.

Knock, knock, knock. Was three knocks not enough? Knock. God four was too many and the last one had been so separate from the others it was clearly an afterthought that she would think was weird before she even knew it was him on the other side of-

“Spencer?” The door opened, just enough for her face to be visible through the small opening. She was so much more beautiful than he remembered, although he really didn’t remember much from back then. 

“I’m sorry.” Well that was one way to get to the point. He smacked himself internally, scolding himself for being so stupid and inconsiderate, not even saying hello or asking her how she was doing.

“Do you wanna come in? You look like you need to sit down.” She pulled the door open, stepping back to let him in, and Spencer froze. She was allowing him into her home, her space, he who had squeezed her dry, used her up and tossed her aside when he didn’t need her anymore.

Unsure what else to do, Spencer found himself sitting on her couch, the awkward tension between them palpable as he sat silently in regret of every decision he had made in the last week.

“So,” She prompted, gesturing vaguely in his direction, “How are you?”

“Good, yeah, better. You?” He looked around the room, trying to find something that would tell him anything about her life, about her. She was a stranger, really, a stranger that used to be someone he knew. He wanted to know who she was then, on that day, in her house sitting across from him.

“I’m good too. You look better.” He knew what she meant – he didn’t look high out of his mind. The far wall of the room was covered in framed pictures of her and what he assumed were her family and friends. Some were from her childhood, some were taken in front of the very house he was sitting in. 

What surprised Spencer were the photos, though few and far between, where he made an appearance. The Fourth of July party, a bright, sunny photo full of smiling faces. The poor quality of the picture did nothing to disguise the bags under his eyes, nor the dead look in hers. Her birthday, a photo of her blowing out the candles on her cake, blurred from his shaky grip on the camera.

“I don’t remember that one.” He pointed to a picture of the two of them, a dark photo that he nearly hadn’t recognised as himself. The ability to not remember had been his favourite thing back then, now the haze left him with a pit in his stomach.

“Makes sense, you were… you were bad. It was taken right near the end.” 

“I am sorry, really.” Neither of them spoke after that, the silence a warm blanket rather than a thick smog. The apology wrapped around them in a warm embrace, they did not choke on it.

She moved first, after what felt like the most peaceful eternity, slipping her hand around his, holding it in the space between them. He looked down at their joined hands, his gaze slowly drifting up until it landed on the soft smile spread across her face.

“I missed you.” She squeezed his hand gently, although it felt like she squeezed his heart instead, “I missed you from the moment I met you. It’s nice to get you back.”

“I missed you too.” He didn’t know how to explain the way it had taken him a month to get sober enough that reality hit and he realised what he’d lost. At least, he didn’t know how to explain it without having to actually say something about his addiction. He’d always been good at avoiding the topic, skirting around it with suggestions and subtle confirmations. The word ‘addiction’ made him feel weak, like he’d been defeated. He’d talked about his problem once, in a room full of people who had been through the same thing, and even then he hadn’t been able to say it. 

“You’re so strong, Spencer. You’ve come so far.” It was like she could read his mind, see every fear that haunted him and soothe it accordingly.

“So are you, I mean, you got out of everything.” His eyes dropped to his lap in shame of everything that he hadn’t noticed, all of the obvious signs of just how not okay she had been. All that she must have been going through, that he had been too far from reality to know existed, even when it was staring him in the face.

“You say that like you didn’t.” It was a simple sentiment, but maybe that was what hit him like a freight train. It wasn’t some mantra he’d heard hundreds of times, or a complicated conversation with his friends where they tried to talk to him without saying anything that actually mattered.

He got out of it.

“You’re perfect, you know that right?” The way he looked at her in that moment could only be described as reverential, she was the brightest star in a sky that he had never truly seen before.

“No I’m not.” The way she said it like a definite fact made Spencer’s heart start to crack, “Do you know why I have those pictures up?”

Spencer shook his head, “Tell me,” he said the words under his breath, as if they were surrounded by people in the empty room, “I’m not going to find you any less perfect.”

“Hope. I could never get the thought out of my head that you would come back.” She shook her head, gaze locked on the ground like she couldn’t bear to look at him as she spoke. “It was stupid, and then you actually did, and that’s stupid all over again.”

“You’re even more perfect than I thought.” Spencer laughed, tears pricking in the corners of his eyes, happy and sad and something he couldn’t put a name to. She was still holding his hand, he realised, and he used that information to interlace their fingers, placing their joined hands in his spare palm.

“I’m stupid and lucky, that’s what I am.” She snorted, a smile tugging at the corners of her lips.

“No, not stupid.” Spencer drew circles with his thumb on her palm as he spoke, “Lucky, maybe.” 

“We’re gonna have to talk about this, us, you know that.”

“Eventually, yes. Not right now.”

“Not right now.” She confirmed, nodding slowly. They were both there, and that would have to be enough, at least for the moment.

[starry-bite]

ways to say i love you without saying i love you:

"look at me."

“i think it’s a good idea, though. you. kids.”

“for you” “oh, thank you. you read my mind.”

"i keep telling her [she looks great]"

“are you okay?”

“how are you?”

“here, sit.”

"hey, have a good weekend."

“you’re too good.”

"it's really good to see you."

“you’re hit!” “i’m good, go."

"[did you get] any sleep?”

“i’m not gonna leave you"

"thank you."

"i knew they'd call you."

"i got you."

“we missed you!”

"i remember why i missed you so much."

“you never told us that.” “well, i’m telling you now.”

"don't give me that look, i'm fine." "i know. but you're holding something back."

"i already think you're crazy."

"it’s pretty hard to resist getting the band back together”

“are you kidding me? this will be great.”

"what do you think?”

"i’ll support you, no matter what you decide”

“i’m gonna stay.”

"what's wrong?"

"can i talk to you for a second?”

“if you ever want someone to talk to, know that i am always here for you.”

“should i be worried?” “not as long as i’m in charge.”

“glad to hear your voice." "it's great to be heard."

“i’ve missed this. us.”

"i’m so sorry.”

"you want to talk about it?”

“you okay with this?”

"you okay?”

“it was a terrible time for us, you were leaving.”

"not you too.”

“there’s a whole lot of people out there who love you."

"i’m good to go, really.” “promise me, no jumping out of helicopters.”

“they would be lucky to have you."

"that means a lot, that you said that.”

"i wanted you to be the first to know"

“it’s emily.” “go.”

“jj, come in. come in. please.”

“we can’t afford any mistakes, so, jj, you’ll take the lead.”

“thank you.”

"i thought she was gonna be here.”

“none of what happened was her fault, but–” “i wish we could convince her of that.”

"we’ll get him on the record, emily.”

“emily practicing discretion isn’t a lie. it isn’t a conspiracy theory. it’s good leadership.”

“you got a sec?” “yeah, sure.”

“i think they’re gonna be okay. how about you?”

“hey, what did you want to talk about?”

“what are you even doing here?” “just making sure you’re okay.”

"i knew you could handle it. that doesn’t mean you had to."

“it’s not about protecting us, it’s about being honest with us. with me.” “i am."

“i didn’t quit on you. / you didn't quit on me."

"it gives me you."

"i’ll support you. always.”

[lucabyte]

i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"