#I hope you are as perfect a professor at the academy as I envision you
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Extract/dribbles # 8
But if he didn’t stay in Antwerp, what then? Where would he go? Sander loved his school. It had become the one thing apart from Robbe - no, he couldn’t think about that, not now - that kept him grounded. He knew he had talent. It wasn’t a feeling of grandeur or superiority, it was a simple acknowledgement of his skills, nothing more, nothing less. And the days his insecurity took over and dominated all he wanted to create, his professors kept him believing in himself. Because they believed in him.
The Academie wasn’t a walkover, not in the slightest, not for Sander. His professors were actually quite hard on him, he thought a month after beginning the term. They had somehow singled him out, he felt, being more harsh in their critique of him than they were of his fellow students. And one day it nearly broke him.
They were in the middle of their lecture in Studio Painting when his professor walked up to him, glanced at his gouache with disdain, and in front of the whole class asked him to just throw out what Sander had been working on the last week. Stone faced, like a curtain fall over Sander’s eyes, he just stared at his professor. Mr. Mathysen shook his head, fuming at Sander and said “You’re wasting my time!” before focusing on the student next to Sander, commenting “Keep up the good work” at something Sander could have painted as a fourteen year old.
“She could spit in the eyes of fools, as they ask her to focus on...” The lyrics flashed through Sander’s mind as his first reaction as usual was to react outwardly, rip the painting from his easel and dramatically tear it apart before noisily walking out of class, at least making a point in front of the other students that he was above this shit. But he didn’t.
To this day Sander wasn’t really sure what held him back from his normally perfected fight and flight response. It could have been just simple inhibitions - oh yes, he still had those, at least a few - as he had only been at the Academie for a month. Or maybe he was just being in control for once, remembering his therapist’s words about not everything having to turn into an argument, a fight, that it was alright just once in a while to let go, to listen, to not judge on first impulse. Maybe it was because he really liked Mr. Mathysen.
So Sander took a deep breath and instead of making a scene stopped himself from throwing away not only the painting on the easel, but the prospect of him actually connecting with his fellow students and his professor. Waiting for the bell to ring he just passively stood there looking at what he now acknowledged had been a feeble attempt at creating something reminiscent of art.
“Driesen, please stay after class,” Mr. Mathysen yelled when everyone noisily gathered their belongings as the bell rang for lunch break. Sander went cold.
“Do you smoke?” Mr. Mathysen asked him when the others students had left the room. “Cigarettes, Driesen, cigarettes. We’re still on campus. God, I need a cigarette! Come on,” Mr. Mathysen said as he took Sander with him outside.
“You alright?” the professor asked after lighting their cigarettes. Sander just stared at his teacher. What did he want him to say? Hadn’t he just shamed Sander in front of the whole class? And now he casually asked Sander if he was alright? Who was this man? Well, apart from being one of the only professors teaching first years who actually had a career as an artist. And Sander really respected Mr. Mathysen’s work.
“I’m Pieter, by the way,” the professor said. “Look kid, I’m sorry! I shouldn’t have chided you in front of the others. That was... yeah, that was just shitty!” He looked up at Sander with an apologetic smile, leaving Sander totally speechless.
“But you really piss me off!” Pieter locked his eyes on Sander. The expression on his face was not one of anger or resentment, as Sander so often had seen, never having known anything else from men in power his whole life, his teachers, his doctors, his father. Malice or purposeful disregard he could deal with. But this? Sander was not used to people smiling kindly at him when they told him, he was an idiot.
“Yeah, I get that a lot,” Sander said, a bit snappy, not knowing how else to respond. Pieter laughed. It was not the kind of laugh that left Sander feeling uncomfortable, he wasn’t being laughed at. It was a genuine laugh.
“Listen, Ziggy Stardust! Oh, don’t give me that look!” Pieter said seeing Sander’s face. “Do you really think you’re the first rebel to walk through the gates at the Academie? Been there, done that!” The last bit came out as a sigh, making it difficult for Sander to hear.
“Yeah, I know, you don’t want to hear this from someone twice your age, but I’ve been where you are now. And had I gotten my shit together, actually listening to people who knew what they were talking about, I wouldn’t be here now, teaching you lot, when I could make a living out of being an artist.” The hint of sorrow in his professor’s eyes made Sander look at Pieter openly, without prejudice.
“You know, I was on the board this year, judging all the applicants. I’ve seen your full portfolio, kid. So if there’s just a tiny bit of sense left in that rebellious brain of yours, do me a favour! Don’t you fucking dare to throw away the biggest talent we’ve accepted into the Academie for years!”
Sander stared at the shoe laces of his Doc’s. He knew that any trace of colour had left his face. He had no idea how to reply, how to even acknowledge Pieter’s words.
“I won’t let you do that. Not ever! So get used to me being a pain in your ass! And now go and get some lunch, kid. God, I’m starving!” Leaving Sander behind on the bench in the courtyard, he turned around: “And if you ever really, like really, need help, you let me know!”
It was Pieter who had assigned a private studio to Sander as one of the only first year students ever.
#wtfock#wtfock fanfic#sander driesen#sorry the keep reading thing still doesn’t work for me#Mr. Pieter Mathysen sorry for stealing your name#I hope you are as perfect a professor at the academy as I envision you
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Stony Expression (F!Byleth x Edelgard)
Rating: General Audience Archive Warning: Major Character Death Category: F/F Summary: It's a compliment to Byleth. Any sort of emotion beyond the generic smile and cheeky attitude never saw the light of day, even in extreme situations. But in her life, there were only three people who saw through her facade.
A/N: RIP, I had an idea after reading the screenshots of dialogues from Byleth in Fire Emblem Heroes. Decided to write a somewhat... heartwarming... not really... kind of work? (We need more Mama Edelgard, if you know what I’m saying.) Hope you enjoy the work!
----
“Gosh, don’t you think the professor is scary, Dorothea?”
“How so?”
“She’s never shown any sort of emotion to us!”
“Um… why are you so bothered about it? Isn’t that the point of keeping cool-headed?”
“It is, to an extent.”
“What do you mean?”
“I heard that when her dad died last week, she didn’t even shed a tear!”
“Whoa. Talk about creepy.”
“You sure you’re telling the truth, Ferdinand? You always seem to blow these situations out of proportion.”
“Um, duh, Casper. I’m sure someone else can attest to it.”
“I doubt so—”
“I did.”
“Lindhardt? YOU?”
“I saw it with my very own eyes. Mmgh… I’m gonna skip class and take a nap, ‘kay?”
“HEY! Don’t you leave us hanging like that!”
“Geez, why are you so loud, Petra?”
“U-Um… don’t… you think we should be… you know… comforting her?”
“I would, Bernadetta, but Teach is clearly keeping her guard up. I mean, just… look at her right now.”
Caspar, Dorothea, Ferdinand, Lindhardt, Petra, and Bernadetta shot a glance at their professor. In the classroom where lecture won’t start for another fifteen minutes, the early birds were given the treat to gossip, jest, and horseplay. The perfect occasion for learning about the hottest rumors too. Today, Ferdinand brought up a rather morbid rumor—No, it wasn’t even a rumor. It was facts about their professor, Byleth.
They kept an eye on Byleth. The young woman in her early 20s fingered through the worksheets behind her desk. Based on their observations, their instructor remained the same. Diligent in her duties, attentive to her colleagues, and always there for her students. That’s the Byleth they knew all too well. However, Ferdinand wasn’t wrong from his remarks. The Byleth they envisioned was a bit more… reactive. Byleth’s stony expression and lack of anything beyond her rare, cheeky attitude painted her in a different light. Strange is a euphemism about the older female. Cold-hearted as a dysphemism about the ex-mercenary.
‘ I’m used to it. ‘
Byleth was not oblivious to their dagger-like stares. It pierced her exposed skin and armor without a moment of hesitation. Despite the mental remark, her shoulder’s muscles became rigid, hidden by the worksheets tossed onto the wooden podium.
‘ They’re just like everyone else. ‘
The male student was not wrong with his impression of her. Her father, whom she looked up to so dearly, died in the heat of battle. It was supposed to be a practical lesson in warfare for her students. The once-a-week “field trip” the staffs put together as part of the Officer’s Academy curriculum. Tragedy hardly described the scene that had befallen them.
Byleth and her father were chaperones and commanders of last week’s trip. A simple mission of pushing back the rebels that dare disrupt the peace near the monastery. It was the usual skirmish to counter any troublemakers and doers. Little did they know of the rebel’s leader. It was an old-time friend of theirs back when they were mercenaries. An older male roughly the same age as her father now stood on the opposite end. They tried to reason with him. The students were uncertain of their role in the fight. He rejected their proposal with a spear thrust into her father’s chest.
The spear
that
pierced
his heart.
It was a complete blur afterward. Byleth knew she didn’t lose her composure. That would be disastrous for the remaining troops and students left on the field. In lieu of fury, she coolly commanded the units to defeat the rebellion. Victory was easily achievable… but at what cost?
She shook her head and refocused her attention to the present time. From the far back, the green-haired spotted Edelgard and Hubert make their entrance into the classroom. The chatters from the other Black Eagles simmered down at the appearance of the two intimidating figures. Both the noble Edelgard and commoner Byleth made eye contact. Byleth smiled. Edelgard’s cheeks reddened before hurrying to her assigned seat at the front. Hubert narrowed his eyes at the professor and seated himself in the back. As if the death of her father hadn’t occurred, her classroom ran exactly as how it should’ve operated. Even the addition of a romantic relationship that recently sparked between Edelgard and Byleth didn’t disrupt the natural order for education.
It was
all so normal.
Like he
never
died.
Was this… really what she wanted though? Did Byleth want some sort of validation?
“Good morning, everyone.”
Byleth’s mature voice rang throughout the premise. If there were any remaining whispers and giggles, they were hushed by the more responsible scholars. She approached the podium. Then, with both hands lightly gripping the surface’s edge, she scanned her surroundings.
Nothing out of place. (Right?) Lindhardt was also present, which was a bit of a surprise. Byleth had lowered her expectations ever since he skipped class for a nap in the garden. The fact that he was here was a huge plus. That amusing idea screeched to a complete halt when he began to nod off. The corner of her lip twitched. At least he did try to come to class…
As for the others… Ferdinand was eyeing the white-haired rival with a small smirk. He twirled a feather between his index and middle finger, eyes twinkled in excitement. A typical reaction from their competitive relationship. Petra toyed with her hair and rolled her eyes at the sight of Ferdinand’s obvious reaction about their future lord. Casper stifled a yawn, elbows on the table and chin resting on the palms of his hands. Bernadetta had beads of sweat fly out of her head as her thumbs toyed with one another. Dorothea sat at the front like an obedient puppy. Maybe a bit too obedient since she was clearly shooting heart eyes at the professor in a playful manner… And then there was Hubert. Oh, Hubert. He was always a loyal servant to Edelgard. The man is kind, but ever since Byleth started a private and secretive relationship with the noble, he has been awfully overprotective with the young lady.
Byleth suppressed a sigh. She closed her eyes and, after counting to five, reopened them and flashed her signature smile.
“Let’s review some materials from last week. It doesn’t hurt to get a little refresher after the long three-day weekend.”
The three-day weekend that was partially due to her absence to quietly mourn for her father. Byleth had disappeared from existence to visit his grave. Accompanied by the ever-so-noisy Sothis that she can only see, speak, hear, and touch, the two paid their respect. Numbness. Byleth felt numb during those three days. No—she still felt numb right now.
“I’m surprised you can still hold yourself together, mortal,” Sothis muttered. She crossed her arms and looked up to the female. “But don’t hold it all in. The bottle is going to explode one day.”
Sothis was one of the few individuals who saw through Byleth’s brick-like features. The second person is her father.
She lowered her gaze. Soon, the woman got down to her knees and reached out to touch her father’s tombstone. His name will forever be immortalized on the thick slab of rock. Unfortunately, it won’t be immortalized for a reason worth celebrating.
“…leth.”
The ex-mercenary now found herself staring at an empty desk. This shared office with other staffs not prestigious enough to earn their own office (like Byleth), who were crammed into this one area. Her father was one of them, yet he never complained. In reality, he had actually enjoyed it. The daughter would always hear his jolly laughter and gruff voice echo from within. Students unfamiliar with his booming personality were in for a shock every single time they walk past the room. To Byleth, she welcomed it. After all, he is her father and she is his daughter.
Most of his supplies were placed in a rusted chest box. If there were any supplies to begin with, that is. Her father was not one to possess many materialistic items, save it for his clothes, weapons, armors, and whiskey. There wasn’t even a family portrait in his possession! He was always a firm believer that memories were picturistic enough. Seeking nostalgia? Dig even deeper into the memory zone. Forgot about it? It was probably not important enough to remember!
“By…”
Byleth sat on her mattress, her knees held close to her chest. She hugged them and stared at the somewhat decorated wall. Unlike her father, she allowed a bit of flair to settle in her personal space. Student notes were pinned to the wall. Some portraits and doodles hung alongside with them. One of them was a portrait of everyone in the Officer’s Academy. All three houses were together, and all of the staffs stood for the shot. It took the artist more than five hours to get them squeezed into this magnificent art. The process was excruciating but worth it.
It was the only physical piece of evidence she has in memory of her father. Her heart clenched at the thought of his death. Flashbacks replayed over and over in her head at the time of his doom. She nearly scoffed at mental torment. How much longer was this going to go on?
It
was going to
keep
on
going.
“Byleth.”
The older female blinked. Warmth enveloped her entire being in one swoop. Frantic, she rapidly examined her surroundings—until Byleth considered the context of her current situation. Edelgard held her seated mentor in an embrace. The two were safely hiding in the professor’s now-closed office. It was still early evening where students ran amok in the monastery. Musical melodies from talented choir members faintly trickled through the glass windows. A light breeze ruffled nearby leaves of a tree. Birds chirped alongside with the singers as an accompanist. It was a pleasant day.
Well, it was supposed to be for the two. Edelgard fingers began to run through her lover’s hair, nails satisfyingly brushing the scalp. She planted a gentle kiss to Byleth’s head.
“It’s okay to show what you’re feeling, Byleth.”
No—That wasn’t right. It wasn’t Byleth’s nature to show her feelings to the public. The stony expression, the bland reaction to extreme situations… those were compliments. She’s been told that she lacks emotion since she was a little girl! Even the Black Eagles think she is cold-hearted and cruel in the face of battle! Many of the students and paid troops think of her as an anomaly. Byleth thinks it’s natural.
But when it came to grief this strong, Byleth felt her heartstrings tug. For once, she wanted to let someone know about how she felt. It’s not an easy feat, though. The other half of her rational personality scream that she keeps it to herself. There was no use in burdening others of her sorrows and mourns. The death of her mother was a shining example of this. Besides, even if she did try to open up, she couldn’t. This nature of hers was just too ingrained into her system.
Edelgard continued to smooth through Byleth’s hair. In response, Byleth buried her face into the noble’s abdomen. The aromatic scent blossomed in the teacher’s sensory nerves. She gradually wrapped her arms around the student. Byleth deeply inhaled. A shaky exhale. At that instant, the floodgates from her lacrimal glands came loose as she felt her respiration shudder. The mentor slowly shook her head against Edelgard.
“Why did he have to die?”
She bit her lower lip hard. Eyelids stiff, throat scratchy, a choking cry erupted from her lips.
“I should’ve died in his place!”
Edelgard simply ran her fingers through the green locks, her eyes focused on her girlfriend. Soft “shh”s emitted from her lips as she planted another tender kiss on the head. Small whispers of “you’re going to be okay” and “I’m here for you, Byleth” sprinkled during the breakdown. It caused great agony to the empire’s upcoming lord to feel powerless for her teacher. However, unlike Byleth, who beat herself up, Edelgard’s emotional and mental health was far more resilient. Could it be because she was able to properly grieve when the time came? To release her anger unto others in an appropriate manner? Perhaps. For Byleth, she had always held everything inside.
“Oh, I miss him so much!”
She curled her fingers inward and dug her nails into Edelgard’s clothes. A slight wince from the student went unnoticed as she continued to wail uncontrollably. It was so unlike Byleth. If anyone else were to witness this, they would have assumed a trickster replaced Byleth with another person!
This is no good. Byleth is breaking free from her nature. She shouldn’t be venting, let alone blast her emotions to another person… even if that person is her significant other. Yet it was too late for Byleth. She became oversensitive from being honest with her feelings. The fear. The sadness. The grief. Out of all the people that saw through her façade, for Edelgard, she was the third person in her life to have seen through her stony expression.
#loyalflutist#fire emblem#fire emblem three houses#f!byleth x edelgard#fan fiction#fanfic#os#one shot#AnGSTTTTTTTTT#idk what else to tag it as#prepare to be depressed????#my angsty writing is taking over and i should've gone for fluff lmao
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SWAN QUEEN FICRECS
FOREVER FAVORITE
1. The Secret's in the Telling by pyrophoric Summary: "It's the sixth of October. A pivotal moment in Storybrooke's history and the turning point in Regina Mills' life. And it all began with a spell, a Sheriff, and a thief." Reaction: WTF WTF WTF WTF WTF!!!!!!!!!!!! (I know it is a slow start but give it a try and it’s all worth it.)
2. The Worlds You Never See by writetherest Summary: The lives I'll never lead / Couldn't make me sing / Could they? Could they? Could they? ** As soon as she had stepped through the doorway, the door closed tightly. And only then, with Regina inside, did the lines, curves, and swirls shift and move, assembling themselves into words within the heart. The Road You Didn't Take Reaction: *cry emoji*
3. The Art of Being Extraordinary by purplehershey Summary: AU. Henry, age 23, decides to give the crowd what they want, what they really want. A story. So he tells them the only one he knows: the greatest love story of all time, and it just so happens, that this love story is his mothers'. Henry's on and off POV. WARNING: VERY ANGSTY MAY OR MAY NOT CONTAIN A CHARACTER DEATH Reaction: I cried.
4. Shadow Haven by Delirious_Comfort Summary: Emma Swan is a PR agent who is sent on a holiday by her boss. Regina Mills is the owner of a private island named Shadow Haven. There is more to Regina than initially meets the eye. This story dips heavily into the BDSM subculture. Swan Queen romance / BDSM story. Emma was silent for a long time. Truth be told, she had no idea if she wanted to stay here. She desperately wanted the break, but didn't want to spend her time with some stranger who had been hostile from the moment she had laid eyes on her. Hostility that had been replaced by semi-friendliness as soon as money had been added into the equation, and Emma wasn't sure how she felt about that. "I don't know," Emma finally said. "Give it one week, Miss Swan. If you are not enjoying yourself here on Shadow Haven at the end of that time, we will look into the possibilities of returning you home," Regina offered as she stood up from her spot on the couch and made her way over to Emma. She held out her hand to the younger woman when she reluctantly gave the gorgeous brunette a nod, "It is nice to meet you Miss Swan. My name is Regina Mills. Welcome to Shadow Haven, I do hope you will enjoy your time here." Reaction: Definitely NSFW, This story is not just hot but I also love the development of Emma and Regina’s relationship.
5. Bait and Switch by JuiceCup Summary: Henry Mills is sick and tired of his mothers skating around the truth and not realizing that they are perfect for each other and that they belong together. So he has a plan to bring them together and convinces his grandmother to help.Robin and Marian had never left. The story starts out with MILD Outlaw Queen but there is NO KISSING and NO SEX, so NO WORRIES! THIS is a Swan Queen story with major Swan Queen feels already in the first chapter! Reaction: DO NOT READ THIS WHEN YOU’RE GOING TO SLEEP! IT WILL KEEP YOU UP DUE TO MAJOR SWAN QUEEN FEELS!!!
6. I'm Not A Writer I Just Drink A Lot About It by Exquisiteliltart Summary: Regina decides to write her own happy ending and Emma helps. Reaction: So much feels!!! Fluff and Swan-Mills Family *sighs and watch them live happily ever after*
AU
·Don't Let Me Die In Florida by Exquisiteliltart Emma works as a brokerage administrator at a commerical real estate firm in Florida. Regina is a wealthy client who likes to take a 'hands on' approach to business.
·The Big Uneasy by SkinnyProcrastinator Emma Swan loves her carefree life in New Orleans but becomes exasperated when she constantly starts bumping into Regina Mills, a haughty and rude business woman on an enforced vacation in The Big Easy.
·Deliver Me by wistfulwatcher Bike messenger AU, in which Regina is a CEO that enjoys messing with Emma, and Emma does not back down. For the sake of her job, of course, and not because of the way Regina eyes light up when she's angry.
·lattes & lace by AnaG Regina's a successful, focused businesswoman running a burgeoning lingerie line that is just starting to gain international attention. Until one winter, an irritating woman opens up a coffee shop next to her studio... and generates constant distractions. But not all of the distractions are a complete disaster. Only few.
·Teacher's Pet by RegalChromaggia69 [NSFW] Emma Swan is starting her senior year this year and she's got a pretty easy schedule. But as her friends tell her about the Creative Writing teacher and how no one has passed her class with an A, what will she do? And who exactly is this 'bitch' as they claim her to be? Swan Queen-Student/Teacher AU. M for language and eventual smut.
·Butterfly Effect by misscanteloupe In her final year of college, Emma finds she has more to account for than the extra credits she needs in order to graduate. Only... she doesn't expect it to come in the form of her newest instructor, Professor Regina Mills.
·Teaching Miss Mills by HelveticaBrown Teacher AU: Emma is a gym teacher, who moves to Storybrooke Academy after becoming disenchanted with her job back in Boston. Regina Mills is the Head of English who Emma somehow seems to keep having run-ins with, despite the best of intentions. Along the way, Emma adjusts to life in a small town, gets her teaching mojo back, and gradually grows closer to Regina.
·5 Times Regina Almost Froze and One Time She Got Fucked 5 Times: A Super Festive Swan Queen Christmas Story by Exquisiteliltart College AU, Swan Queen. Regina relies on Emma to get her home in time for Christmas.
·I Wanna Dance With Somebody (Who Loves Me) by writetherest Emma Swan doesn't consider herself a star, but she finds herself thrust into the spotlight and competing as a celebrity dancer on Dancing with the Stars. Over the course of ten weeks, she'll struggle to learn to dance with her professional partner - Regina Mills - and may just end up dancing with somebody who loves her.
·step into my office, baby by foxbones This is what you get for doing the nice thing, Emma thinks. You do that whole Pay It Forward bullshit - you buy a lady some coffee and you pretend like it isn’t totally motivated by how she looks in a pencil skirt - and she goes and insults your business card and turns out to be your company’s new Executive Director. Real fucking cute.From now on, she is drinking tea. or, the one where they're in an office.
FLUFF
·Incoming Messages by hunnyfresh Ruby makes Emma a dating profile. The only catch is that she's listed as a guy. That wouldn't be such a problem if Emma hadn't found Regina's profile and begins communicating with the Mayor
·Your Hands Are My Castle, Your Heart Is My Sky by Exquisiteliltart 5 times Regina and Emma share a bed.
·Through a Rose-Coloured Camera Lens by aurorstorm Henry has to make a video presentation to his class about his family, which forces Regina and Emma to interact. Undoubtedly, cute bickering and fluffy moments make their way onto film. The resulting presentation might just cause Regina and Emma to finally realise their true feelings and begin to appreciate their quaint little family.
ANGST
·Bruises by starsthatburn AU: Henry is ill in hospital, and so when the time comes for Henry to know his birth mom, Regina is the one who seeks her out. However, when she arrives in Boston, Regina finds that Emma now has a family of her own. Trigger warnings for domestic violence.
·always known by deceptivelycomplex3925 "Tell me the truth."And Emma whirls around and Regina's standing in the doorway, eyes glittering with unshed tears, and she looks like she knows. Knows exactly why Emma got shit-faced last night. Knows exactly why she broke up with Hook. Knows exactly why she said those words a few moments ago.
·she's already ruined her makeup by deceptivelycomplex3925 "Emma," Regina breathes, a warning. Don't do this, it says. She can hear it in her head, the husky lilt of Regina's voice."I'm late with it, I know. I'm about five years too late with it but when have I ever been good with punctuality?"She gets a laugh out of that, something like a sharp exhale, something choked and small and laden with fondness, and brown eyes start to glisten with forming tears. Emma hates that she's the cause for this. She'll ruin her makeup.On her wedding day. This is her wedding day.
·An Ill Wind by neverenough04 Regina and Emma have gone from enemies to frenemies to friends to...something else. But the something else takes a backseat to their busy lives and their "true loves"...until it doesn't.A rare Tornado Warning has been issued for Storybrooke, and the women seek safety together in the basement of the police station. Their time together lasts a lot longer than they had envisioned when they find themselves trapped in the dark cellar.
·If The Blazer Fits by FlyYouFools (MK47) Emma decides to dress up like Regina for a Halloween party at The Rabbit Hole, a seemingly innocent decision that surprisingly leads to a relationship. The romance is openly feared by some and secretly despised by an unlikely source, who plots to end it.
CANON DIVERGENCE
·truths you have to grow into by celaenos Set during 4b. Emma avoids her parents expectations and Gold's manipulations by crashing on Regina's couch. A former villain protecting a hero from falling into her own fate; a messily ever after. And then, they lived.
·imagine me and you by bayloriffic After they return from Neverland, Henry decides to set a parent trap for Emma and Regina. By the time Emma realizes what he’s up to, she’s already half in love with Regina and it’s pretty much too late to do anything about it.
·our hearts will make a fire by bayloriffic Of course Emma would end up trapped in Rumpelstiltskin’s enchanted log cabin with the Evil Queen. Because that’s just how her life is these days.
·we'll make our home on the water by bayloriffic For some reason, Emma thought they’d pass through the portal and end up right at Neverland. Instead, they spend weeks aboard the Jolly Roger, sailing the vast blue-green oceans with no land in sight, the water seeming to stretch on forever all around them.
·A Christmas Getaway by SwanQueen4tw Set after 4x12. Henry doesn't find the library but Robin does leave. Starts after Emma and Regina become drinking buddies. Henry sees how sad his mother is so he plans a trip to NYC and suckers Emma into going along with it.
ONE-SHOTS
·A Sorta Fairytale (aka: Gay for a Day) by Exquisiteliltart Young Regina realizes something is missing in her life, so when her friend suggests courting a woman, she decides to try, but believes she is unlikely to meet anyone… but she does. Regina unwittingly saves Princess Emma from a harrowing accident, and grapples with the strange feelings that begin to develop between the pair.
·It's in the Genes by hunnyfresh In which Emma's brother Neal has a massive crush on Regina which spurs Emma into acting on her feelings - Future Fic
·Rubbers by hunnyfresh In which Emma sucks at trash bin basketball and spends her time as Sheriff doing something more entertaining
·Oddish Little Thing Called Love by coalitiongirl Our Pokémon gym. It’s not quite our son, but it still makes Emma’s heart flutter a tiny bit.
·Someone has already claimed that username by coalitiongirl Written for Meet-Cute AU day of Swan Queen Week. Emma meme-ifies Regina, so Regina hoards her urls. Swan Queen, as told through far too many memes and a whole lot of Tumblr text posts. Canon-compliant through 4a.
·in the right place by forgottendialect "From the other side of the reception station, a nurse who has apparently been eavesdropping pipes up. “Well, she is engaged, though.” “Auntie Zelena isn’t engaged.” The nurse blinks. “Yes, she is.” She points, suddenly, over at Emma. “Her fiancé is right over there.” "Emma Swan saves a woman's life, is wrongly identified as her fiancé, accidentally falls in love with her sister, and finds herself a home.
·by the light of the moon by bayloriffic “What are you doing?” Regina demands, but she's staring at Emma's mouth and her chest is actually heaving, like some kind of romance novel cliché, her skin flushed dark in the bright light of the moon. She puts her hands on Emma’s shoulders like she’s going to push her away, but she curls her fingers around Emma’s arms instead, clutching her instead of shoving her away. “Miss Swan?”
·Love Me Rex by JuiceCup Regina Mills is a busy woman. At least that’s what she tries to tell her sister when the frantic woman calls needing her help with a very important Christmas gift matter. Her sister forgot to get her niece’s gift from Santa this year! Persuaded to brave the bad weather and the crowds the day before Christmas Eve, Regina considers herself lucky to have managed to snag the last Love Me Rex Dinosaur on the shelf! That is, until she glances up and finds herself in a toy-tug-of-war with a beautiful blonde!All Emma Swan wanted for Christmas was to get her six-year-old son the hottest toy that was selling out all over the country! He’d been talking about the darn thing for days. This was the last Love Me Rex in the store and she was darned if she was going to let this one go. However, what she hadn’t counted on was meeting the stunningly gorgeous and enigmatic Regina Mills.Swan Queen Alternative Universe. There’s no magic and no curse. This is Emma and Regina in completely different roles. You may find a couple of your other favorite characters as well.
FAKE RELATIONSHIP
·I Can Almost Hear Your Harmony by swansaloft (orphan_account) Regina and Emma decide to engage in a short-term pretend relationship (for Very Important Reasons, obviously), but what should be a simple arrangement becomes complicated when a sprig of everyone's favorite kiss-inducing plant is thrown (literally) into the mix.
MAGICAL ACCIDENTS
·Second Time Around by RowArk Emma magically reverts herself to a toddler, with her adult memories, but is unable to communicate and no one knows who she is. Regina takes in the lost baby girl and bonds with her, eventually telling her personal things, having no idea she's actually talking to Miss Swan, who is hearing everything, and it changes how she sees Regina (in a good way).
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How do you top “Hamilton”? Author Ron Chernow is about to find out
NEW YORK — Ron Chernow’s timing is exquisite, even if it took six years and 25,000 index cards to get to this moment.
As Americans debate the continued reverence for Confederate general Robert E. Lee in the wake of the Charlottesville, Virginia, protests, the biographer of Hamilton — the “Hamilton” who inspired the theatrical juggernaut — delivers his latest brick of a book, “Grant” (publishing Oct. 10), to help rescue the Union commander and 18th president from the ash heap of history.
Ulysses S. Grant, you may recall, won the Civil War. He was the military architect who triumphed on multiple battlefields and vanquished Lee in Virginia after six other Union generals failed.
Yet after the South’s defeat, “Lee was puffed up to almost godlike proportions, not only as a great general, but as a perfect Christian gentleman, this noble and exemplary figure and an aristocratic example,” says Chernow, 68, sitting in his sun-splashed kitchen on the top floor of the 19th-century Brooklyn Heights brownstone where he rents two stories. “The glorification of Lee and the denigration of Grant are two sides of the same coin. We’ve created our own mythology of what happened.”
“Grant” is Chernow’s second successive book about an American general who became president, following the Pulitzer Prize-winning “Washington” (2010). It is also his first volume since Chernow became a household name — a claim few scholarly biographers can make.
Lin-Manuel Miranda’s little play helped sell more than a million copies of “Alexander Hamilton,” making Chernow the rare historian of 900-page, footnote-saturated tomes who can claim that “teenagers all over the country want to take selfies with me.”
Now, he’s moved from the Founding Fathers on the one- and 10-dollar bills to the Civil War victor on the 50, a man adored by Walt Whitman and Mark Twain.
Yet, “I’m giving you every reason not to buy this book,” he admits, gesturing at the three-pound door stopper by his elbow. “It’s $40. Its more than 1,000 pages.”
It’s 1,074 pages, to be exact. But he’s grateful. “To my loyal readers, who have soldiered on through my lengthy sagas,” the dedication reads.
“This is a story unlike any that I have written, maybe one more people can identify with,” says Chernow, who has also written biographies of John D. Rockefeller (the masterful “Titan”), J.P. Morgan and the Warburg banking family. Those previous subjects, he says, “were built for success. They had a focus, a drive, an intelligence, and an ambition that when you begin the story, you know they’re going to succeed.”
Related Articles
October 6, 2017 “The Woman Who Smashed Codes” should be the next “Hidden Figures”
September 29, 2017 Tell a story in six words. Mystery writers dare you to try.
September 27, 2017 Book review: What scientists learn from footsteps of ants and elephants
September 27, 2017 Book review: Egan’s heroine dives into a love as dark as it is deep
September 27, 2017 Regional books: “Out Where the West Begins, Vol. 2”
Grant “goes through more failure and hardship and degradation I think than anyone else in American history who becomes president.” He notes, “I was so moved by the pathos of the story, of a bright, hard-working and fundamentally decent man who again and again is defeated by circumstance and seems destined to a life of complete obscurity.” Grant “becomes a hero despite himself.”
Grant’s grand ambition was to be a math professor — an assistant math professor — at the U.S. Military Academy, from which he graduated in the middle of his class. He was plagued by money woes until the end, fleeced by the Bernie Madoff of his day. Grant’s wife, Julia, the daughter of an unrepentant slave owner, had a pronounced taste for status.
“The psychological portrait is at the center of all these books,” says Chernow, a New York native – his schmear of an accent is a giveaway – with English degrees from Yale and Cambridge, who began his career as a freelance journalist. Most of his subjects had “an impossible parent.” Grant was doubly cursed, with an impossible father and father-in-law, both of whom lived well into old age.
“This man who had been a clerk in a leather goods store in Galena, Illinois, a man who was almost 40 years old,” Chernow says, a man no one marked for success. “And four years later, he’s a general with a million soldiers under his command. Is there a more startling transformation in American history?”
Grant is remembered as a heavy drinker, a president riddled by scandal, scoundrels and nepotism, all of which Chernow addresses.
“It was always Grant, the drunkard. I felt they got it wrong,” he says, describing the general as opposing two enemies during the war, the Confederacy and liquor. “He was Grant, the alcoholic.”
As recently as 1996, a poll of historians ranked Grant as an abject failure, scraping the bottom of the presidential barrel along with Warren G. Harding, Richard Nixon and James Buchanan. That assessment has begun to change.
Grant was the two-term president of the Reconstruction, an era of extraordinary if fleeting gains for African-Americans. It was also a time of relentless violence fomented by the Ku Klux Klan and other hate groups, which Chernow deems “the largest outbreak of domestic terrorism in American history, where thousands of people were killed.” The Department of Justice, established during Grant’s presidency, brought 3,000 indictments against Klan members and other agitators.
For many American students, the war stops cold with Lee’s surrender at Appomattox and Lincoln’s assassination days later, on April 15, 1865. “We historians, in the wake of the controversy over Confederate monuments, we have to use this as a teachable moment,” Chernow says. “Reconstruction is the great black hole that remains to be filled. Even experts on the Civil War don’t really understand its full significance.”
Chernow’s wife, Valerie, a community college professor, died in 2006. He still wears his wedding ring. He’s “a pretty active cultural consumer,” he says, of all things that New York has to offer: the Metropolitan Opera, film, theater, art, the Yankees.
Tidy, too. His immaculate study displays the thousands of 4-by-6-inch index cards, amounting to 22 boxes, that he compiled in researching Grant. The task did not daunt him. “There were 900 books on Washington when I began writing on him,” he says.
“He’s a very happy writer,” says his friend, the financial writer Roger Lowenstein. “Ron often uses the phrase ‘Never underestimate the laziness of your predecessors.’ ”
Nine years ago, Miranda prophetically purchased Chernow’s “Hamilton” before going on vacation and envisioned — what else? — a hip-hop musical about the nation’s first treasury secretary. He enlisted the biographer as the show’s historical adviser. Chernow asked to experience the musical fully, to be as involved as he could be, to attend one performance seated in the orchestra pit and to sit in on the album recording. He estimates that he has seen the show “dozens of times,” the young cast becoming a second family. (Chernow has no children.)
He spent his days with Grant, his nights with Hamilton. He’s listed in the show’s playbill and, though he demurs on the subject — “I don’t go there” — he has a reported 1 percent royalty of the show’s adjusted grosses, which amounted to an estimated $900,000 in 2016. This year, with three additional productions, his return is substantially larger.
After the musical’s first week, Chernow called his longtime editor Ann Godoff and said, “Print up a lot of copies of ‘Hamilton.’ Everyone’s coming up to the theater and saying, ‘Mr. Chernow, I loved the show. I was embarrassed to realize how little I knew about the history of the country.’ ”
Godoff, Penguin Press president and editor in chief, says, “I remember thinking, ‘Ha ha ha.’ Then we went to the Public Theater, and there were a lot of people crying, and I was crying for my author. What this meant, watching his whole career and life, was knowing that I was experiencing this transformative experience.”
“Grant,” Godoff says, is an entirely different biography. “You feel his vulnerability, as well as his successes. He feels a figure much more capable of our empathy.”
Chernow hopes that with his book, people will reassess the hero of the Civil War and his presidency.
“There have been other good books on Grant, but in terms of dramatizing and humanizing this character, and making the character vividly come alive on the page, I feel that’s my comparative advantage,” Chernow says.
He only has to point to “Hamilton” to prove his point.
from News And Updates http://www.denverpost.com/2017/10/06/how-do-you-top-hamilton-author-ron-chernow-is-about-to-find-out/
0 notes
Text
How do you top “Hamilton”? Author Ron Chernow is about to find out
NEW YORK — Ron Chernow’s timing is exquisite, even if it took six years and 25,000 index cards to get to this moment.
As Americans debate the continued reverence for Confederate general Robert E. Lee in the wake of the Charlottesville, Virginia, protests, the biographer of Hamilton — the “Hamilton” who inspired the theatrical juggernaut — delivers his latest brick of a book, “Grant” (publishing Oct. 10), to help rescue the Union commander and 18th president from the ash heap of history.
Ulysses S. Grant, you may recall, won the Civil War. He was the military architect who triumphed on multiple battlefields and vanquished Lee in Virginia after six other Union generals failed.
Yet after the South’s defeat, “Lee was puffed up to almost godlike proportions, not only as a great general, but as a perfect Christian gentleman, this noble and exemplary figure and an aristocratic example,” says Chernow, 68, sitting in his sun-splashed kitchen on the top floor of the 19th-century Brooklyn Heights brownstone where he rents two stories. “The glorification of Lee and the denigration of Grant are two sides of the same coin. We’ve created our own mythology of what happened.”
“Grant” is Chernow’s second successive book about an American general who became president, following the Pulitzer Prize-winning “Washington” (2010). It is also his first volume since Chernow became a household name — a claim few scholarly biographers can make.
Lin-Manuel Miranda’s little play helped sell more than a million copies of “Alexander Hamilton,” making Chernow the rare historian of 900-page, footnote-saturated tomes who can claim that “teenagers all over the country want to take selfies with me.”
Now, he’s moved from the Founding Fathers on the one- and 10-dollar bills to the Civil War victor on the 50, a man adored by Walt Whitman and Mark Twain.
Yet, “I’m giving you every reason not to buy this book,” he admits, gesturing at the three-pound door stopper by his elbow. “It’s $40. Its more than 1,000 pages.”
It’s 1,074 pages, to be exact. But he’s grateful. “To my loyal readers, who have soldiered on through my lengthy sagas,” the dedication reads.
“This is a story unlike any that I have written, maybe one more people can identify with,” says Chernow, who has also written biographies of John D. Rockefeller (the masterful “Titan”), J.P. Morgan and the Warburg banking family. Those previous subjects, he says, “were built for success. They had a focus, a drive, an intelligence, and an ambition that when you begin the story, you know they’re going to succeed.”
Related Articles
October 6, 2017 “The Woman Who Smashed Codes” should be the next “Hidden Figures”
September 29, 2017 Tell a story in six words. Mystery writers dare you to try.
September 27, 2017 Book review: What scientists learn from footsteps of ants and elephants
September 27, 2017 Book review: Egan’s heroine dives into a love as dark as it is deep
September 27, 2017 Regional books: “Out Where the West Begins, Vol. 2”
Grant “goes through more failure and hardship and degradation I think than anyone else in American history who becomes president.” He notes, “I was so moved by the pathos of the story, of a bright, hard-working and fundamentally decent man who again and again is defeated by circumstance and seems destined to a life of complete obscurity.” Grant “becomes a hero despite himself.”
Grant’s grand ambition was to be a math professor — an assistant math professor — at the U.S. Military Academy, from which he graduated in the middle of his class. He was plagued by money woes until the end, fleeced by the Bernie Madoff of his day. Grant’s wife, Julia, the daughter of an unrepentant slave owner, had a pronounced taste for status.
“The psychological portrait is at the center of all these books,” says Chernow, a New York native – his schmear of an accent is a giveaway – with English degrees from Yale and Cambridge, who began his career as a freelance journalist. Most of his subjects had “an impossible parent.” Grant was doubly cursed, with an impossible father and father-in-law, both of whom lived well into old age.
“This man who had been a clerk in a leather goods store in Galena, Illinois, a man who was almost 40 years old,” Chernow says, a man no one marked for success. “And four years later, he’s a general with a million soldiers under his command. Is there a more startling transformation in American history?”
Grant is remembered as a heavy drinker, a president riddled by scandal, scoundrels and nepotism, all of which Chernow addresses.
“It was always Grant, the drunkard. I felt they got it wrong,” he says, describing the general as opposing two enemies during the war, the Confederacy and liquor. “He was Grant, the alcoholic.”
As recently as 1996, a poll of historians ranked Grant as an abject failure, scraping the bottom of the presidential barrel along with Warren G. Harding, Richard Nixon and James Buchanan. That assessment has begun to change.
Grant was the two-term president of the Reconstruction, an era of extraordinary if fleeting gains for African-Americans. It was also a time of relentless violence fomented by the Ku Klux Klan and other hate groups, which Chernow deems “the largest outbreak of domestic terrorism in American history, where thousands of people were killed.” The Department of Justice, established during Grant’s presidency, brought 3,000 indictments against Klan members and other agitators.
For many American students, the war stops cold with Lee’s surrender at Appomattox and Lincoln’s assassination days later, on April 15, 1865. “We historians, in the wake of the controversy over Confederate monuments, we have to use this as a teachable moment,” Chernow says. “Reconstruction is the great black hole that remains to be filled. Even experts on the Civil War don’t really understand its full significance.”
Chernow’s wife, Valerie, a community college professor, died in 2006. He still wears his wedding ring. He’s “a pretty active cultural consumer,” he says, of all things that New York has to offer: the Metropolitan Opera, film, theater, art, the Yankees.
Tidy, too. His immaculate study displays the thousands of 4-by-6-inch index cards, amounting to 22 boxes, that he compiled in researching Grant. The task did not daunt him. “There were 900 books on Washington when I began writing on him,” he says.
“He’s a very happy writer,” says his friend, the financial writer Roger Lowenstein. “Ron often uses the phrase ‘Never underestimate the laziness of your predecessors.’ ”
Nine years ago, Miranda prophetically purchased Chernow’s “Hamilton” before going on vacation and envisioned — what else? — a hip-hop musical about the nation’s first treasury secretary. He enlisted the biographer as the show’s historical adviser. Chernow asked to experience the musical fully, to be as involved as he could be, to attend one performance seated in the orchestra pit and to sit in on the album recording. He estimates that he has seen the show “dozens of times,” the young cast becoming a second family. (Chernow has no children.)
He spent his days with Grant, his nights with Hamilton. He’s listed in the show’s playbill and, though he demurs on the subject — “I don’t go there” — he has a reported 1 percent royalty of the show’s adjusted grosses, which amounted to an estimated $900,000 in 2016. This year, with three additional productions, his return is substantially larger.
After the musical’s first week, Chernow called his longtime editor Ann Godoff and said, “Print up a lot of copies of ‘Hamilton.’ Everyone’s coming up to the theater and saying, ‘Mr. Chernow, I loved the show. I was embarrassed to realize how little I knew about the history of the country.’ ”
Godoff, Penguin Press president and editor in chief, says, “I remember thinking, ‘Ha ha ha.’ Then we went to the Public Theater, and there were a lot of people crying, and I was crying for my author. What this meant, watching his whole career and life, was knowing that I was experiencing this transformative experience.”
“Grant,” Godoff says, is an entirely different biography. “You feel his vulnerability, as well as his successes. He feels a figure much more capable of our empathy.”
Chernow hopes that with his book, people will reassess the hero of the Civil War and his presidency.
“There have been other good books on Grant, but in terms of dramatizing and humanizing this character, and making the character vividly come alive on the page, I feel that’s my comparative advantage,” Chernow says.
He only has to point to “Hamilton” to prove his point.
from News And Updates http://www.denverpost.com/2017/10/06/how-do-you-top-hamilton-author-ron-chernow-is-about-to-find-out/
0 notes
Text
How do you top “Hamilton”? Author Ron Chernow is about to find out
NEW YORK — Ron Chernow’s timing is exquisite, even if it took six years and 25,000 index cards to get to this moment.
As Americans debate the continued reverence for Confederate general Robert E. Lee in the wake of the Charlottesville, Virginia, protests, the biographer of Hamilton — the “Hamilton” who inspired the theatrical juggernaut — delivers his latest brick of a book, “Grant” (publishing Oct. 10), to help rescue the Union commander and 18th president from the ash heap of history.
Ulysses S. Grant, you may recall, won the Civil War. He was the military architect who triumphed on multiple battlefields and vanquished Lee in Virginia after six other Union generals failed.
Yet after the South’s defeat, “Lee was puffed up to almost godlike proportions, not only as a great general, but as a perfect Christian gentleman, this noble and exemplary figure and an aristocratic example,” says Chernow, 68, sitting in his sun-splashed kitchen on the top floor of the 19th-century Brooklyn Heights brownstone where he rents two stories. “The glorification of Lee and the denigration of Grant are two sides of the same coin. We’ve created our own mythology of what happened.”
“Grant” is Chernow’s second successive book about an American general who became president, following the Pulitzer Prize-winning “Washington” (2010). It is also his first volume since Chernow became a household name — a claim few scholarly biographers can make.
Lin-Manuel Miranda’s little play helped sell more than a million copies of “Alexander Hamilton,” making Chernow the rare historian of 900-page, footnote-saturated tomes who can claim that “teenagers all over the country want to take selfies with me.”
Now, he’s moved from the Founding Fathers on the one- and 10-dollar bills to the Civil War victor on the 50, a man adored by Walt Whitman and Mark Twain.
Yet, “I’m giving you every reason not to buy this book,” he admits, gesturing at the three-pound door stopper by his elbow. “It’s $40. Its more than 1,000 pages.”
It’s 1,074 pages, to be exact. But he’s grateful. “To my loyal readers, who have soldiered on through my lengthy sagas,” the dedication reads.
“This is a story unlike any that I have written, maybe one more people can identify with,” says Chernow, who has also written biographies of John D. Rockefeller (the masterful “Titan”), J.P. Morgan and the Warburg banking family. Those previous subjects, he says, “were built for success. They had a focus, a drive, an intelligence, and an ambition that when you begin the story, you know they’re going to succeed.”
Related Articles
October 6, 2017 “The Woman Who Smashed Codes” should be the next “Hidden Figures”
September 29, 2017 Tell a story in six words. Mystery writers dare you to try.
September 27, 2017 Book review: What scientists learn from footsteps of ants and elephants
September 27, 2017 Book review: Egan’s heroine dives into a love as dark as it is deep
September 27, 2017 Regional books: “Out Where the West Begins, Vol. 2”
Grant “goes through more failure and hardship and degradation I think than anyone else in American history who becomes president.” He notes, “I was so moved by the pathos of the story, of a bright, hard-working and fundamentally decent man who again and again is defeated by circumstance and seems destined to a life of complete obscurity.” Grant “becomes a hero despite himself.”
Grant’s grand ambition was to be a math professor — an assistant math professor — at the U.S. Military Academy, from which he graduated in the middle of his class. He was plagued by money woes until the end, fleeced by the Bernie Madoff of his day. Grant’s wife, Julia, the daughter of an unrepentant slave owner, had a pronounced taste for status.
“The psychological portrait is at the center of all these books,” says Chernow, a New York native – his schmear of an accent is a giveaway – with English degrees from Yale and Cambridge, who began his career as a freelance journalist. Most of his subjects had “an impossible parent.” Grant was doubly cursed, with an impossible father and father-in-law, both of whom lived well into old age.
“This man who had been a clerk in a leather goods store in Galena, Illinois, a man who was almost 40 years old,” Chernow says, a man no one marked for success. “And four years later, he’s a general with a million soldiers under his command. Is there a more startling transformation in American history?”
Grant is remembered as a heavy drinker, a president riddled by scandal, scoundrels and nepotism, all of which Chernow addresses.
“It was always Grant, the drunkard. I felt they got it wrong,” he says, describing the general as opposing two enemies during the war, the Confederacy and liquor. “He was Grant, the alcoholic.”
As recently as 1996, a poll of historians ranked Grant as an abject failure, scraping the bottom of the presidential barrel along with Warren G. Harding, Richard Nixon and James Buchanan. That assessment has begun to change.
Grant was the two-term president of the Reconstruction, an era of extraordinary if fleeting gains for African-Americans. It was also a time of relentless violence fomented by the Ku Klux Klan and other hate groups, which Chernow deems “the largest outbreak of domestic terrorism in American history, where thousands of people were killed.” The Department of Justice, established during Grant’s presidency, brought 3,000 indictments against Klan members and other agitators.
For many American students, the war stops cold with Lee’s surrender at Appomattox and Lincoln’s assassination days later, on April 15, 1865. “We historians, in the wake of the controversy over Confederate monuments, we have to use this as a teachable moment,” Chernow says. “Reconstruction is the great black hole that remains to be filled. Even experts on the Civil War don’t really understand its full significance.”
Chernow’s wife, Valerie, a community college professor, died in 2006. He still wears his wedding ring. He’s “a pretty active cultural consumer,” he says, of all things that New York has to offer: the Metropolitan Opera, film, theater, art, the Yankees.
Tidy, too. His immaculate study displays the thousands of 4-by-6-inch index cards, amounting to 22 boxes, that he compiled in researching Grant. The task did not daunt him. “There were 900 books on Washington when I began writing on him,” he says.
“He’s a very happy writer,” says his friend, the financial writer Roger Lowenstein. “Ron often uses the phrase ‘Never underestimate the laziness of your predecessors.’ ”
Nine years ago, Miranda prophetically purchased Chernow’s “Hamilton” before going on vacation and envisioned — what else? — a hip-hop musical about the nation’s first treasury secretary. He enlisted the biographer as the show’s historical adviser. Chernow asked to experience the musical fully, to be as involved as he could be, to attend one performance seated in the orchestra pit and to sit in on the album recording. He estimates that he has seen the show “dozens of times,” the young cast becoming a second family. (Chernow has no children.)
He spent his days with Grant, his nights with Hamilton. He’s listed in the show’s playbill and, though he demurs on the subject — “I don’t go there” — he has a reported 1 percent royalty of the show’s adjusted grosses, which amounted to an estimated $900,000 in 2016. This year, with three additional productions, his return is substantially larger.
After the musical’s first week, Chernow called his longtime editor Ann Godoff and said, “Print up a lot of copies of ‘Hamilton.’ Everyone’s coming up to the theater and saying, ‘Mr. Chernow, I loved the show. I was embarrassed to realize how little I knew about the history of the country.’ ”
Godoff, Penguin Press president and editor in chief, says, “I remember thinking, ‘Ha ha ha.’ Then we went to the Public Theater, and there were a lot of people crying, and I was crying for my author. What this meant, watching his whole career and life, was knowing that I was experiencing this transformative experience.”
“Grant,” Godoff says, is an entirely different biography. “You feel his vulnerability, as well as his successes. He feels a figure much more capable of our empathy.”
Chernow hopes that with his book, people will reassess the hero of the Civil War and his presidency.
“There have been other good books on Grant, but in terms of dramatizing and humanizing this character, and making the character vividly come alive on the page, I feel that’s my comparative advantage,” Chernow says.
He only has to point to “Hamilton” to prove his point.
from Latest Information http://www.denverpost.com/2017/10/06/how-do-you-top-hamilton-author-ron-chernow-is-about-to-find-out/
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How do you top “Hamilton”? Author Ron Chernow is about to find out
NEW YORK — Ron Chernow’s timing is exquisite, even if it took six years and 25,000 index cards to get to this moment.
As Americans debate the continued reverence for Confederate general Robert E. Lee in the wake of the Charlottesville, Virginia, protests, the biographer of Hamilton — the “Hamilton” who inspired the theatrical juggernaut — delivers his latest brick of a book, “Grant” (publishing Oct. 10), to help rescue the Union commander and 18th president from the ash heap of history.
Ulysses S. Grant, you may recall, won the Civil War. He was the military architect who triumphed on multiple battlefields and vanquished Lee in Virginia after six other Union generals failed.
Yet after the South’s defeat, “Lee was puffed up to almost godlike proportions, not only as a great general, but as a perfect Christian gentleman, this noble and exemplary figure and an aristocratic example,” says Chernow, 68, sitting in his sun-splashed kitchen on the top floor of the 19th-century Brooklyn Heights brownstone where he rents two stories. “The glorification of Lee and the denigration of Grant are two sides of the same coin. We’ve created our own mythology of what happened.”
“Grant” is Chernow’s second successive book about an American general who became president, following the Pulitzer Prize-winning “Washington” (2010). It is also his first volume since Chernow became a household name — a claim few scholarly biographers can make.
Lin-Manuel Miranda’s little play helped sell more than a million copies of “Alexander Hamilton,” making Chernow the rare historian of 900-page, footnote-saturated tomes who can claim that “teenagers all over the country want to take selfies with me.”
Now, he’s moved from the Founding Fathers on the one- and 10-dollar bills to the Civil War victor on the 50, a man adored by Walt Whitman and Mark Twain.
Yet, “I’m giving you every reason not to buy this book,” he admits, gesturing at the three-pound door stopper by his elbow. “It’s $40. Its more than 1,000 pages.”
It’s 1,074 pages, to be exact. But he’s grateful. “To my loyal readers, who have soldiered on through my lengthy sagas,” the dedication reads.
“This is a story unlike any that I have written, maybe one more people can identify with,” says Chernow, who has also written biographies of John D. Rockefeller (the masterful “Titan”), J.P. Morgan and the Warburg banking family. Those previous subjects, he says, “were built for success. They had a focus, a drive, an intelligence, and an ambition that when you begin the story, you know they’re going to succeed.”
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Grant “goes through more failure and hardship and degradation I think than anyone else in American history who becomes president.” He notes, “I was so moved by the pathos of the story, of a bright, hard-working and fundamentally decent man who again and again is defeated by circumstance and seems destined to a life of complete obscurity.” Grant “becomes a hero despite himself.”
Grant’s grand ambition was to be a math professor — an assistant math professor — at the U.S. Military Academy, from which he graduated in the middle of his class. He was plagued by money woes until the end, fleeced by the Bernie Madoff of his day. Grant’s wife, Julia, the daughter of an unrepentant slave owner, had a pronounced taste for status.
“The psychological portrait is at the center of all these books,” says Chernow, a New York native – his schmear of an accent is a giveaway – with English degrees from Yale and Cambridge, who began his career as a freelance journalist. Most of his subjects had “an impossible parent.” Grant was doubly cursed, with an impossible father and father-in-law, both of whom lived well into old age.
“This man who had been a clerk in a leather goods store in Galena, Illinois, a man who was almost 40 years old,” Chernow says, a man no one marked for success. “And four years later, he’s a general with a million soldiers under his command. Is there a more startling transformation in American history?”
Grant is remembered as a heavy drinker, a president riddled by scandal, scoundrels and nepotism, all of which Chernow addresses.
“It was always Grant, the drunkard. I felt they got it wrong,” he says, describing the general as opposing two enemies during the war, the Confederacy and liquor. “He was Grant, the alcoholic.”
As recently as 1996, a poll of historians ranked Grant as an abject failure, scraping the bottom of the presidential barrel along with Warren G. Harding, Richard Nixon and James Buchanan. That assessment has begun to change.
Grant was the two-term president of the Reconstruction, an era of extraordinary if fleeting gains for African-Americans. It was also a time of relentless violence fomented by the Ku Klux Klan and other hate groups, which Chernow deems “the largest outbreak of domestic terrorism in American history, where thousands of people were killed.” The Department of Justice, established during Grant’s presidency, brought 3,000 indictments against Klan members and other agitators.
For many American students, the war stops cold with Lee’s surrender at Appomattox and Lincoln’s assassination days later, on April 15, 1865. “We historians, in the wake of the controversy over Confederate monuments, we have to use this as a teachable moment,” Chernow says. “Reconstruction is the great black hole that remains to be filled. Even experts on the Civil War don’t really understand its full significance.”
Chernow’s wife, Valerie, a community college professor, died in 2006. He still wears his wedding ring. He’s “a pretty active cultural consumer,” he says, of all things that New York has to offer: the Metropolitan Opera, film, theater, art, the Yankees.
Tidy, too. His immaculate study displays the thousands of 4-by-6-inch index cards, amounting to 22 boxes, that he compiled in researching Grant. The task did not daunt him. “There were 900 books on Washington when I began writing on him,” he says.
“He’s a very happy writer,” says his friend, the financial writer Roger Lowenstein. “Ron often uses the phrase ‘Never underestimate the laziness of your predecessors.’ ”
Nine years ago, Miranda prophetically purchased Chernow’s “Hamilton” before going on vacation and envisioned — what else? — a hip-hop musical about the nation’s first treasury secretary. He enlisted the biographer as the show’s historical adviser. Chernow asked to experience the musical fully, to be as involved as he could be, to attend one performance seated in the orchestra pit and to sit in on the album recording. He estimates that he has seen the show “dozens of times,” the young cast becoming a second family. (Chernow has no children.)
He spent his days with Grant, his nights with Hamilton. He’s listed in the show’s playbill and, though he demurs on the subject — “I don’t go there” — he has a reported 1 percent royalty of the show’s adjusted grosses, which amounted to an estimated $900,000 in 2016. This year, with three additional productions, his return is substantially larger.
After the musical’s first week, Chernow called his longtime editor Ann Godoff and said, “Print up a lot of copies of ‘Hamilton.’ Everyone’s coming up to the theater and saying, ‘Mr. Chernow, I loved the show. I was embarrassed to realize how little I knew about the history of the country.’ ”
Godoff, Penguin Press president and editor in chief, says, “I remember thinking, ‘Ha ha ha.’ Then we went to the Public Theater, and there were a lot of people crying, and I was crying for my author. What this meant, watching his whole career and life, was knowing that I was experiencing this transformative experience.”
“Grant,” Godoff says, is an entirely different biography. “You feel his vulnerability, as well as his successes. He feels a figure much more capable of our empathy.”
Chernow hopes that with his book, people will reassess the hero of the Civil War and his presidency.
“There have been other good books on Grant, but in terms of dramatizing and humanizing this character, and making the character vividly come alive on the page, I feel that’s my comparative advantage,” Chernow says.
He only has to point to “Hamilton” to prove his point.
from Latest Information http://www.denverpost.com/2017/10/06/how-do-you-top-hamilton-author-ron-chernow-is-about-to-find-out/
0 notes