#I have so much more shit for this actually but most of it is just giant spoilers for if I ever decide to write this fr

[katya-1917]

Omg this is so frustrating. The goddamn headphone jacks disappearing is so infuriating!

Physical buttons disappearing/decreasing is one thing, and yeah, I'm mad that we went from swappable batteries and other types of user repairability, to now not even having storage expansion options, but the headphone jack is one of the most infuriating for me personally...

Whether I buy $5 headphones at a discount store or $50 midrange ones, not one pair lasts more than a few months before destroying itself on me, no matter how much I baby them. Only thing that extends their life at all is literally leaving them at home and not using them. And here's the thing, you can still actually get crappy headphone jack earbuds for a few bucks. USB-C and wireless headphones, of any style? Shitloads more expensive for even the crap ones. And as mentioned, I could buy ones that cost hundreds of dollars, they won't last much longer than the $5 a pair discount store/bought in bulk ones.

And the adapter dongles? The cheap crap ones are like ten to fifteen bucks. They last a month if you're extremely lucky and baby the crap out of them and barely use them. And as soon as you know they're failing, you'll be up the creek for a bit while waiting for a new one you ordered online to arrive, or until you can get to the discount store to buy one in person. And by buying the cheap ones, you're taking a risk... you might get a month of crappy but functional sound for a few bucks, or they might be dead or dying as soon as you open the packaging and you're just out the money with nothing in return.

Essentially, they've made using headphones an expensive, annoying, or both, third party subscription. And if you've seen my tech posts and reblogs on here, you know how I feel about subscriptions and paying more to use shit you already bloody paid for.

Fuck. Modern. Technology.

Babby's 2st post :) modern tech is infuriating, and it was either this or I write a manifesto.

[ittybittyfanblog]

Error 404: (Self-Aware!AU, Sylus Edition) – Pt. 3

Summary: A LADS self-aware!AU featuring Sylus and a (now skeptical!) player. That’s it, that’s the plot. A/N: I’ve already outlined the entire thing–now it’s just a matter of writing it, so don’t worry! Even if some chapters take me longer to update, I’m gonna finish this one way or another. Promise. *fingers crossed* Tags: player!reader x sylus, fem!reader x sylus, reader x lads, self-aware!au, strong language, reader thinks she’s losing her marbles because of a certain someone

Pt. 1 - Pt. 2 - Pt. 3

“Alright—okay, don’t be stupid,” You chant to yourself as you pace restlessly from the kitchen area of your studio, to the coffee table where you’ve set your phone lying facedown. “Just open the damn thing.” 

You’ve just arrived back at the condo a little past seven PM after a, frankly, productive–if not slightly distracted–day of running errands. You’re home, and you haven’t even got to unpacking the two paper bags (and a box) worth of groceries that were all but thrown carelessly on the kitchen counter, and already, you’re back to stressing over all the weird shit that's been happening lately.

Throughout the afternoon, you tried your hardest to resist the urge to check your phone, especially whenever you see the screen light up–whether it was in your hand or stashed away in your half-zipped fanny pack.

It’s at the most random times too, but always when you act on your unfortunate tendency to monologue your thoughts out loud. 

Sure, it could just be some random push app notifications. Text messages from the few people that hit you up on the weekends–invitations to hang out, maybe. A few newsletters you forgot to unsubscribe from, if you’re unlucky. 

But you think the timing’s far too deliberate to be purely coincidental. 

“Do I get a dozen eggs or just half? What do I even need a dozen for?” (Phone vibrates)

“Oh, hey, Indomie’s on sale if you buy in bulk. How much for a box?” (Screen flashes. Twice.)

“Who the hell is holding up the line, damn–oh, it’s an old lady. Better hurry the fuck up, grandma.” (Screen flashes) “...Sorry! I didn’t mean that.” 

“Ughhh… my tummy hurty…” (Phone vibrates) “What—” 

“Everything’s perfectly normal. Just your average, sunny Saturday! You are an independent, capable adult… who’s fucking losing it.” (Screen flashes–after a minute interval) 

Of course, you have an inkling as to what’s–or who’s–blowing your phone up; in fact, he’s never left your mind since this morning.

So presently, you’re in the middle of having a small existential crisis over what that means, for you and your sanity. No big deal. 

You puff out your cheeks for a couple of seconds before letting out a deep breath. Don’t be a pussy. I’m sure there’s a logical explanation to all of this. You’re–you’re not crazy. 

Landing heavily down in front of the low table, you finally grab your phone, hand shaking with the teensiest amount of trepidation. Not giving yourself any more time to think and second-guess, you flip it over, switching it back to Ring mode as you swipe up to see—

—a barrage of notifications; one popping up after another. 

Some of them are what you’ve expected: plain, old push notifications from banking apps, others from varying socials. There’s one from your mom. A reminder to email her the flight tickets you still haven’t gotten around to booking yet. 

And. Six banner notifications from the game. From… from–him. It’s something you’ve already braced yourself for. It doesn’t prepare you, however, for what they actually said. 

A knot grows in your chest, spreading rapidly like slithering twine as your mind tries, and somewhat fails, to make sense of what your eyes are seeing. 

Grab a dozen, sweetie. It won’t add much to the total cost, and you need that protein every morning. Cereal’s not gonna cut it. 

You really ought to lessen your sodium intake, kitten. (and) Do NOT get the box. Stop. 

Haha. A feisty one, aren’t you? 

Mmm, poor baby.

I– we can talk about this later when you get home.

Each notification contains a completely unique dialogue you’ve never seen before. A play-by-play commentary specifically in response to you— to your personal remarks from earlier, spoken out loud— that there is absolutely no way anyone could still pass it off as simply being system-generated. 

A faint ringing echoes in your ears as you slowly draw back, putting some distance between the onslaught of text and… you. You can’t seem to tear your gaze away from the screen, though. Even if the back of your head bumps against the seat edge of the sofa behind you from how far you’ve already leaned back. 

Blinking in stunned silence, the only thing you could croak out is a strained “what the fuuuck.” 

... Ping!

Still mustering the courage to face me? Don’t keep me in suspense, darling. 

The sudden message jolts you back to reality. You suck in a deep breath.

… Despite everything, you can’t help but find his nonchalant response to your gradual spiral into hysterics–because he knows–a little amusing. Also rude. But mostly funny. 

(It’s also probably just your brain’s last-ditch effort to find some semblance of control, but whatever.)

At this point, you know that you’re merely delaying the inevitable. Swallowing, you press on one of Sylus’ messages and it immediately boots up the game. 

Instead of soothing your nerves like it usually does, the orchestral background music from the loading screen puts you more on edge; your anxiety builds up to a crescendo, harmonious to the heralding of what you know will undoubtedly change the trajectory of your life. 

Dramatic, but true. 

48%... 82%... 98%...

There’s a hollow drop in your stomach when the screen–finally–reveals the familiar sight of the café. The golden ambient light enters your field of vision for a split second before your eyes flit reflexively to the man standing in the middle of the screen, whose presence commandeered your full attention.

He’s wearing his motorcycle jacket–the black one with the red and white thorn(?) accents, paired along the pair of leather pants with the iconic double zipper. Aside from the black zircon studs, he’s not wearing anything out of the ordinary. Nothing is looking out of the ordinary, actually. 

Holding your breath, you wait for the other shoe to drop. 

“Are you waiting for me to say hello? Then–” Sylus muses with an amused lilt to his voice, sauntering closer to flick “my” forehead. There’s a beat before he continues: “That’s my way of saying hello.” 

… Huh? 

That’s—this isn’t how it’s supposed to go. You… you don’t know what you were expecting, but this wasn’t it.

The man in front of you doesn’t look any different from how he usually does; the way that his… character animation (Should you call it that? It doesn’t seem right, given the circumstance, but you don’t know how best to describe anything anymore) flows is so–-so infuriatingly… normal. As if it’s just like any other day that you’ve logged in the game. 

Where did the sentience go? Why is he reciting lines he’s programmed to say? None of it adds up.

Your mouth tries to form words, but nothing comes out. With wide eyes, you helplessly gape at him. Speechless. For a moment, you feel like you’ve actually gone mad. 

A small “what’s happening?” slips past your lips. Your eyes dart across his face, trying to analyze every microexpression, any hint of sentience on him–in his eyes, in his movements. 

You find none. 

Mechanically, you exit the game.

“What the actual fuck?” You whisper-shout at nothing in particular, and maybe to the biggest cause of your current disconcertion; one who you thought… Who you were sure was—

-

-

Fuck it. It’s time to put your detective skills to work.

[astrow1zar6]

Astro Observations~ 40

Scorpio moons take really long to talk about themselves and their past. Especially when getting to know someone they are romantically interested in (I notice this more with the men) it’ll be years until you really start to know them. This is why many can view them as toxic.. but once you wait out their little game they are loyal to you for life.

Taurus moons would rather pretend they are happy and content than ask for help. This is why they are viewed as emotional stable (but really they’re just repressing a lot:( it’s okay to be not okay♥️)

Aries Venus people get turned on from arguing (especially if paired with a Scorpio Mars)

Fire mercuries were yelled at a lot for talking too loud

Moon in Leo’s and be SO toxic when insecure. Cockiness to the extreme.

Every Leo sun I meet I see attract so many people to them. They really are such magnetic people their energy gives people life (like the sun). As dramatic as they are their confidence is so refreshing & admiring to be around. Their confidence gives others confidence as well.

Virgo suns Leo Venus women smell soooo good usually. Every time I walked someone to smelled like heaven they had this combo.

Aquarius sun tend to mold into their environment. Their personality can become easily influenced by those around them. This is why it’s important for them to surround themselves around positive influences. (Their friend group can usually change them for the better or worse)

Mars in Aquarius folks love things that are out of the ordinary whether it be clothes, sex, people, friends ect. Anything that confuses them or shocks them they usually become obsessed with.

Uranus in the 3rd house sounds like such a smart placement! I never met one person with this placement so I’m so interested on what these people think. (If you have this placement talk about it in the comments 🤗)

Mercury retrograde people are FUNNY omg. For a placement that has a hard time communicating they are absolutely hilarious. They say the most original jokes, shit that makes you think “how do you even come up with that🤣” they are able to see things people normally overlook which makes them so witty.

All Scorpio placements have such piercing dark eyes (sun, moon, rising esp). Even if you have light colored eyes they still appear dark in a way idk how to explain it.

Scorpio risings love people who can hold eye contact. It’s like their secret way of communicating. Insecure types however I see completely avoid it.. but most I notice really dig it. (Especially when it’s their crush 😏..)

Leo risings can exaggerate things about themselves to impress others. They are very dazzling and engaging but you can sense a fakeness in how they present themselves at times. (You guys don’t have to be something you’re not to impress others you guys are so cool regardless 🫶🏽) I’ve seen a lot of people with this placement be actually really awkward and nerdy but most cover it up with a glamorous mask.

Water mercuries can sense when people have bad intentions. They are usually the first ones to see when someone is fake while others might miss it. (Can catch a bad vibe from someone everyone likes then later find out they were horrible people all along).

Moon in Aries women are so HOT. The men are hot as well but very immature and annoying most of the time.

Aqua moons I feel like are the most unconventional and eccentric of all the Aquarius placements. They on a different wavelength then us all.

Gemini Risings in school were usually getting trouble for talking too much or disrupting the class lol.

Sorry I took to long to post I’ve been violently sick all week ♥️🫶🏽

[shradsmanifestt]

These are the only things You need to know about manifestation :

Manifestation is not a process. You aren't trying to manifest anything. You are just accepting the fact that it's already yours.

Don't get stuck in the trying/learning phase, you don't need it to make sense. You don't need to know how/when/what. Just know that it's already done.

You make the rules in your reality. Stop asking if you can manifest this/that or why some coach was saying this and the other coach said the opposite. Don't accept what they say as true in your reality. What's the point of being the operant power in your own reality if you're just gonna go behind the latest technique/ fad some random person on the internet tells you to do.

The simplest way is the real way. Accept it as true in your reality. That's all there is to it. If you wanna affirm and persist do that, If you wanna do saturation do that, If you wanna listen to subs do that. There is no right or wrong way. Just accept the fact that it is already done.

To answer the question of how can I assume something to be true when it clearly isn't - How come you always assume the worst when it comes to stuff you want? Don't you assume how you're gonna be late somewhere before it even happens? Don't you assume that something's gonna go wrong before it even happened? Don't you overthink all sorts of shit without once knowing what's actually happening behind the scenes? If you can do all this shit with no proof whatsoever, you can assume what you want is true - if you really want it. I said what I said.

Don't be afraid to claim it as true. You aren't being delusional, You aren't aiming too high, No it's not that farfetched, It's okay to want what you want, It isn't impossible (unless you assume it is). Stop letting fear take over your power. If you can desire it you can have it.

More often than not people stumble upon manifestation because they are desperately trying to manifest something. Like their SP, or money or the job or appearance change or whatever it might be. Most people fail at manifesting what they want the most. In my personal opinion, it's because you're so busy "TRYING" to manifest it and just stuck in the process and have just too much resistance. You guys are never like - I have it, but instead like - I'm trying to manifest it. I'm manifesting this and that.

Change that. You are not gonna be stuck in that anymore. You are gonna decide now and here that it is already done. You have it. It is yours. NOT TOMORROW, NOT TWO WEEKS FROM TODAY, BUT NOW.

You have it now. If you can accept this, nothing can stop you from having what you want.

[amoebab22]

I completely agree with this. I feel like this is one of the worst parts about Veilguard. My Inky is in the South, and while I firmly believe Orlais is the devil, it's very weird that Tevinter is just super chill about my elf Rook when my elf Inky had constant micro-aggressions as well as just out and out slurs hurled at her. Also I'm going on a rant about Mythal.

SPOILERS BELOW

Bellara also seems to just...kind of ignore that I'm an elf? Davrin makes more sense. He left his clan and joined the Wardens because he just didn't really vibe with the Dalish. He'd think of himself as a Warden first, I think. Wardens don't seem to give much of a shit about your race or religion or sexuality or whatever. In The Calling, they canonically don't give a fuck about the gay couple in their little group, or that Fiona is a mage and an elf. Absolutely irrelevant. So Davrin could start to fall into that mindset because frankly, it's a nice way to live. It's just not real outside the Wardens.

So when Bellara is like oh my god our gods are evil and Davrin is like eh, fuck 'em, that's actually about the most realistic reaction we've got re: elves. Davrin is just out here like yo I'm a little busy saving the world fuck them gods. Love Davrin.

Also, in Inquisition, there's concern that knowing Corypheus's artifact is Elvhen will cause violence against elves. So knowing it's the Elvhen gods causing all of this? The consequences of that, even if an elf Rook saves the world, should be looming for a Shadow Dragon in particular. Clearly Inquisitor Ameridan's race did nothing for the elves of Orlais. It was covered up over time. His sacrifice meant nothing to the humans. This should make Solas's plans to restore the elves much, much more tempting.

The way the Crows were presented REALLY bothered me as well as someone who romanced Zev. The Crows *tortured* him, sexually assaulted him, made him feel worthless, because it was seen as necessary. Sure, Lucanis being blood family might give him a very different perspective and experience, but Jacobus is just allowed to be a Crow and start his own house when he wouldn't kill? I mean, I totally agree that prolonged, public shaming and imprisonment is worse for this individual, but like.... That's not how the Crows work. They kill stuff for money. Sure, they run Antiva and would be pretty pissed off about the Antaam taking their territory I'm sure, and they might work with Rook since Rook helped Lucanis and he's a big deal to the First Talon. But like... It should be a hard choice to work with them for Shadow Dragon Rook, because SLAVERY.

I feel like the pullback on slavery is to make Solas's actions seem more ambiguous, and to make it seem like there was some equal power between him and Mythal. But I have a very hard time believing he was never Mythal's slave. Also, a spirit of BENEVOLENCE? Get ABSOLUTELY fucked. She was fine with SLAVERY. Thought she could just slowly phase it out, maybe. Yeah, no .

Because here's the thing: slavery is evil. Whatever you have to do to stop slavery, short of participating or killing slaves, is pretty easy to justify. Maybe I'm just John Brown-pilled from living in Kansas a good chunk of my life, but killing slavers and slave owners and freeing slaves is MORALLY CORRECT. FULL STOP. A "kind" master is still a master. Sure, you can give them a chance to free their slaves and make reparations first, but waiting to vote slavery out didn't work. The US had to go to war. Haiti had to rebel (and give basically all its GDP to France for like two hundred years. Fuck Orlais AND France).

The only reason my Inky was able to befriend Dorian, at first, was their shared trauma in going to the future. That changes people (that whole quest fucked me up the first time I did it) and I think my elf Inky was looking for reasons to trust Dorian and ignore the system he participated in. She didn't have to see it so it seemed less real. He's an altus so he doesn't own the estate. He seems open to other opinions! And some part of him knows it's wrong, or he wouldn't be so awkward upon talking to Inky the first time.

But Solas's inherent and never fully overcome distrust of Dorian isn't wrong. Solas needs to see action; words aren't enough. I don't blame him.

This is the same softening we saw of the Templars in DA2 and Inquisition, but if you read The Stolen Throne and The Calling and play DAO, it's very clear that mages are oppressed by the Chantry and live in horrible conditions. The ones in Lake Calenhad are described as pale and kinda sickly looking (or something like that) because they don't get any fucking sunlight. Fiona is happy to go to the circle at first because she was a SLAVE in Orlais (Honestly Loghain's hatred of Orlais is justified even though his actions aren't). If you decide to allow the right of annulment or whatever in DAO, Zevran calls it genocide. Zevran isn't one to mince words. He doesn't pretend he isn't a killer or that he wasn't tortured.

My Inky and my Rook are both 'no gods no masters' types, which is why I think clan Lavellan sent their First on a risky mission supposedly by herself (got real sick of her shit lol). As a result, she heavily sympathizes with Solas's cause, and would have happily joined him in bringing down the Veil if he'd just agreed to spend time making sure as few people died as possible, particularly after she meets the Avvar and sees how spirits really are. She knows Solas better than anyone, and even without a full explanation, she'd know that his reasons for doing this were morally right. He freed her people. He never meant to hurt them. He can't live with his guilt. Inky (who in my game was more like 30 because I don't think she could have made decisions or led on her own at 20, nor would she have been a studied enough mage) wants freedom for everyone. She's chaotic good.

Rook is a Shadow Dragon who killed slavers a little too hard for an organization dedicated to killing slavers (based Rook). They're also chaotic good, and a bit of an idiot, bless them, who kinda sees everything as a nail because they have a hammer. They see slavery, they fight it. Fuck the consequences. Solas did the same.

So why is Rook not bringing up slavery a lot? Why is Rook only finding out that Solas freed slaves on the regular at the beginning of the game? Did Varric just decide that wasn't worth bringing up to a person whose entire life revolves around ending slavery? Why is Rook not having an existential crisis after talking to Solas and finding out the truth of his past in his memories?

Look, all I'm saying is that I don't understand why more people aren't angry with Mythal and why no one is talking about slavery and racism. The whole point of fantasy and sci-fi, and the point of Dragon Age, is to critique modern society through thinly veiled references. That's why people get so passionate about Star Trek. And yeah, yes, it's necessarily going to make a piece of media more niche, or people are going to bitch about it (especially gamer bros my dude calm down, sorry something is very briefly not about you), but it makes a game *good* and lasting

BG3 did a good job of exploring the themes of trauma and power imbalance, and while some characters I think needed more fleshing out (Wyll my beloved, I owe you a lengthy fanfic for the injustice done to you), it was particularly powerful in Astarion. The people are ready for real exploration of real issues. We always have been. Backing off was a mistake.

ANYWAY I have feelings and none of my friends share my special interest. Here you go.

Why Fenris could Never Cameo in Dragon Age: The Veilguard

In the run up to Dragon age: The Veilguard, I was almost certain that Fenris would be our main legacy character from previous games. Not only has he been central in the comics released between DAI and DATV, he is an escaped Tevinter slave who's plot revolved around magisters, magic and the structural prejudices surrounding elves in Thedas. Not only that, but he's canonically in Tevinter killing slavers currently so he's geographically in the right place for us to meet him.

About halfway through the game though, it was clear to me: Fenris could never cameo in The Veilguard. Because he'd break it.

How the Veilguard treats Thedas is...odd to me, to say the least. I will be writing another post about how much I adored the expanded big lore in this game (the titans, ancient elves were spirits, where the blight came from etc.) and yet while these large lore expansions worked for me, the actual culture of modern Thedas is entirely softened, its sharp edges filed down until it's a sanitised fantasy world devoid of what made the franchise so vibrant and compelling in the first place.

So let's start with Fenris and slavery. In all three games, the reality of slavery is pushing at the corners of the world. In DAO Loghain allows Tevinter Magisters to enslave elves in order to raise money for his war effort. In DA2 Fenris is fighting to be free from slavers who will not leave him be, let alone the reminders that the city was built by slaves which are everywhere. In DAI one of the two possible mini-bosses is Calpurnia who was a slave, and characters such as Gatt and Dorian both show us how much slavery is tied into Tevinters culture and success.

But DATV the first game actually set in Tevinter where we get to see the famed Minrathous...it's like the game purposefully wants to avoid the issue. I can feel it tilting the camera away to not allow me to see. Slavery is mentioned, but never talked about in depth or as a specifically ELVEN problem in Tevinter. This might have been done to be less problematic, it feels ignored.

We are in DOCK TOWN. We are at the DOCKS. You would think that slaves from all over Thedas who are being smuggled and bought by various groups would be everywhere. You would think that the injustice in dock town would be partly built on the back of ships we've seen in the comics crammed with elves in chains. This is the world Dragon age set up for us. And yet...nothing. zilch. A tiny easily skippable side quest where we free a couple of venatori slaves, but only one of whom is an elf.

None of our Tevinter characters seem to have been influenced by their culture even a little bit when it comes to how they view elves; there is no moment when Neve fucks up and says something prejudiced, no moment when Bellara or Davrin are distrustful of her for being a Tevinter mage.

The same goes for Zevran; a character who epitomised the issues with the crows. The crows have consistently been characterised as very morally dubious assassins who kill for the highest bidder and who buy children on the slave market and torture them as they grow in order to assure that they reach maturity able to withstand torture without giving away a client's name. Zevran is very explicit about the fact that if you fail a contract your life is forefit.

Nobody responds particularly to you if you're an elf. Nobody trusts rook less for it in Tevinter. Nobody treats Rook any differently. Even DAI had better mechanics for this; with nobles in Orlais less likely to trust you as an elf.

Considering one of the main plot points of this game and what makes Solas sympathetic is the fact that he was fighting against the slavery of ancient elves...you'd think the game might want to mirror that in modern Thedas. It might want to show us how characters fighting to end slavery in Tevinter are similar to Solas and how the society Solas fought against was similar to the one that characters we love such as Fenris have fought against in modern Thedas. Maybe we'd want to explore how in a world of slavery like this, how could the answer NOT be to tear it all down? Maybe we should have that option at the end of the game so it really can chose whether we agree with Solas and his plans or not.

Adding Fenris to this game would entirely break the game because Fenris refuses to allow you to look away from this horror. He is a sympathetic character who had to learn to trust mages again because of course he didn't trust them. Of course he didn't. Fenris wouldn't allow the camera to shift focus because he's literally covered in the lyrium scars that show how slaves are used as experiments in Tevinter. Fenris WOULD question Neve on how she feels about elves and slaves. Fenris WOULD have things to say about Lucanis and the crows (let alone the fact Lucanis is an abomonation). So he could never be in this game; he'd drop a bomb on it's carefully constructed blinders to the very society its supposed to be set in.

And yet, in DATV, the crows are presented as...a found family of misfits and orphans? The politician who opposes the crows having absolute power in Antiva is framed as a comically evil idiot who doesn't understand that the crows are ontologically good. Yet...they're NOT. Crows in this game act more like a secret rebel group than an assassin organisation. We see no crow taking contracts with the VERY RICH venatori magisters despite being hired killers. We see crows just refuse to kill people despite having a contract because 'its crueler to leave them alive'. The crows don't feel like the crows here, they feel like a softened version of a cool assassin group who are cool because they wear black and purple.

Our pirate group are also sanitised; the Lords of Fortune are good pirates who only steal treasure that's not culturally significant. Theyve clearly read the modern critiques of the British Museum and have decided to explicitly stop anyone levelling similar critiques at them. There is no faction of the Lords of Fortune who aren't like this, no internal arguments about it. Everyone just. Agrees. And is able to accurately tell what a cultural artifact is vs. what treasure that you can have yourself is. Rather than showing us why a pirate stealing cultural artifacts might be bad (like in da2 where such a situation literally causes a coup and a war) it just tells us it's bad. But also pirates are cool so we still want them in our world.

This issue seaps into Thedas and drains it of any of the interesting complexity and ability to SAY anything that this franchise had before this game. It becomes a game about telling and not showing rather than the other way around. The games have ALWAYS asked questions about oppressive structural systems and their interplay with society, religion and culture and how these things can affect even the most well meaning character. Dragon age at its best IS a game about society and how society functions both for and against it's characters and what happens to societies built on cruelty and indifference. The best bad guys dragon age has given us are those who are bad because they embody these systems or have been shaped by them. Our main characters have had to wrestle with questions surrounding how to exist in these systems, fight against them, learn and grow.

Yet every group you come across in DATV is sanitised and cleaned up to the point of being as non problematic as humanly possible. None of our cast of characters have to wrestle with where they came from or the world that shaped them. None of them have to confront their own biases. They start the game perfectly non-problematic and end it that way too.

And this just...isn't what Dragon Age has been in the past. It isn't why I love the franchise. The whole game just felt, in a way, hollow. And this was a CHOICE and it is why the legacy characters are few and far between. Too many dragon age characters are just too...angry and complex for this game. You can feel them pulling their punches on this one. I have to imagine they did this because they didn't want to be criticised or have too much controversy? But I think it honestly goes far too much in the other direction and just makes it bland.

I can't imagine what I say here will be unique, but it is the basis for a LOT of my other thoughts on this game so I wanted to get it out of the way first. The softened Thedas and characters make this game by far the weakest in the franchise.

[kanmom51]

Jikook came home

God, how I missed this.

How I miss them!!

Before getting into the whole JM post followed by the cute-flirty interaction that followed, I will take this opportunity in congratulating both JM and JK for their MAMA awards achievements.

JM winning Daesang fans choice of the year.🎉🎉

JK winning top 10 fans choice, best male artist and best dance performance (SNTY).🎉🎉

JM being the sweetheart that he is came to us with a lengthy post to thank Army for voting and receiving a Daesang.

There are a couple of nuanced differences in some of the translations, but all in all, they are pretty much on the same page.

The main difference I've seen is the translation of this part:

벙벙 벙벙 벙벙벙벙벙

Being it "dumbfounded" or "stunned" or "bemused".

I think this probably captures it best:

And then we had JK....

Who was most likely sitting there right by JM's side, the speed of their back and forth being one of the indications to that (we are talking within seconds here), not to mention patterns of past behaviour with those two.

Do we discuss for a second the Weverse translation of the discussion?

Like wtf? 🤣🤣

Ok, so the actual translation would be:

Insert the word of bemusement of your choice I guess, lol. But basically we have JM telling us he's stunned/dumbfounded and mainly happy and then that back and forth between those two right in front of our salads.

Oh, and can someone explain the @JK to me please? I mean, I get JM @JK -ing when posting his replies, but why the hell is JK @JK -ing when posting his replies to JM?🤣🤣

The way those two keep doing this shit (in such a good way, may I add) is just absolutely and utterly hilarious.

This whole exchange gives me these vibes:

And Idk why, but this interaction came straight to mind as well when I saw this back and forth between them...

Take those two and combine them and then picture that in mind with this back and forth going on:

Oh, and do I mention that obviously they had access to Internet, enough to have this back and forth between them, while both in the same place, and JK preferring to flirt in our faces with JM rather than post himself about his wins, which I can assure you he knew of. You know how it is when you don't want to take away from your boyfriend's thunder...

Maybe we'll hear from him later on maybe not, but this was about JM, his win, his moment, his post, his excitement.

And JK CANNOT miss out on a little teasing-flirtatious banter with his man, now can he?

Let's back track for one moment, because I do want to talk about JM inserting JK into his post. I do believe this is going to be a new standard/constant/reality. You know, the "me and JK"/ "JK and I" or "me and JM"/"JM and I". That very natural way of inserting one another in their interactions/conversations with us. Now, don't get me wrong, this is not a new thing what so ever. They have been doing this since forever. But I do think that it's going to become more of a constant and less of a "OMG, he mentioned JK/JM" moment for us. They have shown us for years, but more so over the past year, just how important they are to each other, but even more so, just how intertwined their lives are with one another. They literally could not even part ways to do their military service!! Choosing to spend those 18 months together, even if it meant having to endure much harsher conditions and a much more difficult service as a whole. All to be able to be together. With each other. What I'm saying is that I do think we will be getting so much more of "US" from those two.

Openly and proudly.

US.

One last thing, and again this is either Jikook coincidence or kismet or maybe not too much of a coincidence and more of a conscious decision, but JM's post yesterday, 23 Nov 2024, was posted on the year mark of Jikook leaving for their oh so very special and emotionally charged Japan trip, 23 Nov 2023.

💜💜💜

Coincidence or not, we got Jikook back then, and after radio silence from those two for such a long time, we got Jikook yesterday again!!!

[childrenofcain-if]

Clingy D wasn't something I knew I needed. For research purposes, how would that fare though, author

the texas heat clung to D as they sat on the back porch of their grandfather’s old farm. the air smelled of earth and sunburnt grass, a scent that had grown oddly comforting in the months since they’d moved back.

the farm was quiet now, save for the low hum of cicadas and the occasional bark of a stray dog wandering by the fence. the peacefulness suited D—most days. but tonight, it was unbearable.

their phone sat on the wooden table in front of them, face down like it was a guilty party. they’d told themself they weren’t going to look at it anymore.

just leave it, rook, calm down.

stop being so needy, rook.

get your shit together, rook.

you’re always the recurring car crash, rook, the common denominator.

but their eyes flickered toward the phone anyway.

the truth sat under their ribs like a splinter: it had been three days since you’d texted anything more than a brief, polite response to a link they’d sent, and weeks since you’d called. three days of D’s mind running circles around itself, spiraling into every worst-case scenario it could conjure. and they were losing their grip. their fingers tapped restlessly on the armrest of the chair, their boot scuffing against the railing.

maybe you’re busy, they told themself for the fiftieth time that evening. new york is a big place. MBA programs are hard. you’ve got new friends now, fancy urbane friends who wear suits and drink wine like it’s water. you don’t have time to call your idiot partner who still wants to live in their old farmhouse down south and smells like hay and diesel these days.

that last thought stung, and D flinched like they’d spoken it aloud.

they picked up their phone and stared at the screen, willing your name to appear. a new message. a missed call. anything. they’d tried calling you twice yesterday but hung up before it even rang.

the phone buzzed suddenly in their hand, cutting through the peacefulness like a blade. D jumped, nearly dropping it in their haste to answer.

“hey,” they said, too quickly, the word coming out rough and broken, betraying how much they’d been waiting for this. they winced at their own pathetic eagerness.

“hi,” you replied. your voice was warm but tinged with something D couldn’t quite place. it wasn’t joy.

there was a pause, one of those long, awkward ones that stretched out like a wound neither of you wanted to clean out.

“why haven’t you replied to my texts?” you asked finally. your tone was light, sure, but the edge was unmistakable.

D blinked, thrown off-guard. “why haven’t you called me?”

the words left their mouth before they could stop them, sharper than intended, spilling out like blood from a clean incision. the silence on your end was deafening.

“excuse me?” you said after a moment, your voice now tight.

D pushed on, reckless now, the spiraling in their chest too loud to ignore.

“it’s been weeks,” they said, their voice rising despite themself. “weeks since you actually picked up the phone to call me. i’m supposed to be okay with a couple of dry texts here and there? a couple of ‘how are yous’ like you’re checking in on a goddamn houseplant? what am i even supposed to do with that? do you even want to talk to me anymore?”

“of course i want to talk to you!” you snapped, louder this time, frustration apparent in your tone. “but you’ve been so distant during our texts. i didn’t know if you even wanted to hear from me if you got too busy with the farm renovations.”

“distant?” D barked out a laugh, harsh and humorless. “i’m not the one out there living some shiny new life in new york city with shiny new friends. don’t talk to me about being distant when you’re the one who left!”

“oh wow, so it’s my fault now?”

“isn’t it?”

the words hung between you like a noose, both of you too angry to let go and too hurt to say anything else.

“this isn’t fair,” you said finally, your voice breaking just slightly, and D hated that they heard it, hated that they caused it. “you don’t get to put this all on me. you knew what this was going to be like. you knew it would be hard. you could’ve just come with me until renovations were done for the farm. you’re the one who insisted on supervising everything to stay in that stupid place.”

“don’t fucking call the farm stupid,” D shot back, their voice trembling now, but they couldn’t stop. “besides, i’m here, aren’t i? waiting by the damn phone every night like some... some pathetic—” they couldn’t finish the sentence.

“then maybe stop waiting!” you yelled, having had enough of it. “if this is so hard for you, maybe you should’ve just come here with me!”

the line went dead.

D stared at the phone in their hand, unblinking, as though willing it to come back to life. the silence that followed was heavier than the summer heat, heavier than anything they’d ever known.

they stood up abruptly, the chair screeching against the porch, and paced back and forth like a caged animal.

“unbelievable,” they muttered under their breath, the anger bubbling up again. “they hang up on me? after all this? after—”

the thing about D was that they wouldn’t—couldn’t—express their emotions in words a lot of the time. sure, they could write about it, but writing about it was different than actually saying it. so these emotions were usually spelled out in other ways.

a bloody fist. a slow song. a naked dance.

but this time, the anger burned out as quickly as it came, leaving behind nothing but the ache. the ache they always carried, the one they could never name but always felt. they sank back into the chair, burying their face in their hands.

you’re going to lose them, a small voice whispered in the back of their mind, insidious and cruel. you’re going to push them away forever. they’ve grown tired of you because you’re too much. you’re always too much, rook.

the thought made them sicker than a glass of cheap liquor.

D picked up their phone again, their thumb hovering over your name in the call log. they could call you back. they could apologize. they could beg.

they pictured you in new york, surrounded by skyscrapers and lights, people who had never set foot on a farm in their life and who probably never will. they imagined themself there, awkward and out of place, fumbling with subway cards with their doc martens too scuffed, their drawl too thick and alien.

they never belonged in san francisco. they never belonged in new haven. they’d never belong in new york city.

but they’d go. if you asked, they’d go in a heartbeat. they’d go and make themself fit into your world if that’s what you wanted. they’d camouflage themself all over again like they did in california and connecticut. even if they hated it, they’d still try.

or maybe you could come back. just for a little while. they’d show you the stars again, the ones you couldn’t see in the ever-polluted cities. they’d hold you close and tell you they loved you, over and over, until you believed it.

but for now, they’d wait by the phone like dogs waited for their owners on the front porch—all day, and then the next.

here’s the pt. 2 to this.

[coeurify]

“it’s november.”

the words have you jumping, the unsolid, rounded edges of the stool you’re currently standing on wobble with the movement of your foot. a squeak follows, rushing to find your balance— which is fine so by pressing your hand against the wall you were trying to reach the top of.

the hand that’s currently holding a string of multi colored christmas lights, the green trail of side dropping below you, your stool and the wall you had already pinned them to.

“it’s november,” the voice repeats— belonging to your girlfriend ellie, who walks behind you and peers up. the sweater she wears is pushed up to her elbows, pooling the cloth in a way that makes her look a little silly. as silly as the tone of voice she uses as she continues her obvious teasing. “and you’re already putting christmas lights up?”

your lips pout out immediately at the words, huffing as you press your sock clad feet. “november is almost over el. this is an absolutely valid time to put these up.” you wave your hand holding the clump of lights around, much more steady on your little wooden stool you were using for some added height.

“babe, thanksgiving hasn’t even passed,” ellie continues— and you can see her shaking her head even out of the corner of your eye as your head turns back to the wall— jaw clenching as you press up on your toes again to hand the light over the next pin. the small chuckle that the sight of you struggling to reach the spot seems to bring only annoys you more— head snapping to look over your shoulder with a look ellie liked to call your ‘scary eyes.’

“you can’t even— baby you can’t even reach. how did you get all that up?” ellie tries not to laugh but she can’t help it, the bursts of giggles slipping from her lips before she can stop them, green eyes trailing over the soft and cozy living room you two shared. somehow, alone with your little shitty stool.. you had covered at least half of the room while she was napping. “let me help,” she offered, a hand reaching out to steady your leg.

“no!” you complain, kicking your leg out a little to shrug off her hand. it only brings the wood below you to rock some more, which makes ellie grip a little harder. “you’re being judgy. i don’t want your help.” you sound petulant, maybe a little hurt by her amusement that you were doing this now.. alone.

“i am not being judgy,” ellie soothes her hand over your leg as you reach forward and successfully hook the sting of wired lights over the next spot. “you are, and you’re basically the same height as me— you can’t reach shit either.” you continue, the dig at her height a teasing one, paired with an eyebrow raise and fleeting glance back at her.

“ow?” ellie’s free hand clamped over her chest in faux hurt— the ragged cut strands of deep auburn hair shaking with her head. you find yourself watching the movement and fighting away a smile. “i meant by keeping you steady but if you wanna be mean i can totally let you do it all.” ellie pinches your leg over the fuzzy sweatpants you’re wearing. if it was anyone else you might be a little worried she was actually hurt.. but you can hear the humor seeping into her words and drawing out her sentences.

“fine,” the sigh that comes with the tingle word makes it seem like this decision was just absolutely the most difficult one you’ve had to make— the dramatics always evident. “i guess you can help. but only if you quit saying i’m doing it too early.”

honestly, you had planned to finish this little light hanging before she was done with her nap. she worked a long day with joel, you wanted to surprise her. and okay.. maybe you had seen one or two too many videos about the holidays that had given you the itch to decorate something and right then. but clearly the surprise element was lost, and ellie’s sarcastic taunting had replaced it. so now maybe you’re doing it out of spite. who knows, maybe you’ll even put on the santa clause after.

ellie’s fingers raise to her mouth, fake zipping them and nodding quickly. the urge to roll your eyes is one you act on, scoffing at her before you turn again and feel the steady warmth of her hands on both of your legs now, shifting you a little bit further down the wall for the next spot.

your lip falls between your teeth again, toes straining against your feet as you push as high as you can to get the next spot and—

“okay but you can admit most people wait for after thanksgiving right?”

“ellie!”

[tvwebs]

Excuse me? Oh no

Part 1 - curiosity

platonic!yandere!batfam x reader

Warnings: this was made with MALE reader in mind but please interpretate the gender however you like, the reader here is minor coded but no confirmed age, invasion of privacy, out of character depictions, this is a joke fic but taken seriously, mentions of kidnapping, no beta we die like jason

Dividers by aquazero

(this is a series) part one (your here) , part 2 , part 3, part 4

PLOT: you were given a phone, but your "family" can't help but feel nosy about your own privacy

You hate it here. There was no doubt to that, you have been held hostage by the Wayne's for a couple of months now and it was terrifying AND somewhat annoying. You don't these guys, you haven't met them until like when you were kidnapped, it was horrible.

They promised you can have boundaries, they broke those, privacy, you don't know they don't actually allow that, you felt like they were trying to be as considerate to you as possible for you to stay and you can't help but be in sort of awe, they are your kidnappers and despite their possessive and terrifying tendencies you felt like they geniuely cared for you (you didn't even wanna be here), so to cope with this situation you do what other people do- staying on social media.

Bruce gave you a new phone a few weeks ago and you have been obsessively using it so you could feel you have security again, not ideal nor healthy but hey, what else is there? You found a way to log in into your old Tumblr and/or Wattpad account, obviously you were trying to hide th fact from the bat family, you would be lectured for hours! So you tried to keep it in a down low, removing every search, hiding apps, deleting shit is saddening but it's for your safety and security.

Damian. He was the first to notice you spending much more time on your phone recently and as the little as he is, he tries peeking behind on what your doing but can't see clearly but he sees words? No texting- what is it your reading? "What is that?" He asked with a raised eyebrow and weirdly stern tone of voice, you flinched and quickly existed the app "o-oh! nothing." You are horrible at lying when it comes to Damian, he makes you feel.. uneasy.

Damian wasn't convinced as expected and he tries to grab the cellular device in your hand and with your idiotic instincts you slapped his hand away, he gasps and he turns irritated. That wasn't your best move. "How could you? All I want is to make sure you're safe and this is how you react?!" He huffs and now you're scared, like they are always so unpredictable when they are mad.

"i-im sorry." You apologized, you wish that Damian doesn't convince Bruce to put you back in the white room. It was torture, Damian scoffs and walks away, you were left shaking, what happened just now..? You just went back reading a stupid FNAF fic to calm your nerves (you are such a weirdo)

It was dinner time, you were eating in the so called "room" you were in everyday, Bruce said you weren't ready to eat at the dinner table, whatever that means. Alfred bought you your food, you thank him and he left, is the grandpa okay?

As you eat you listen in the conversation in the dinner table, "When will we ever have them eat over here?" Seemingly to be Dicks voice, he was the one that seemed to be the most clingy to you. "When they are ready." Bruce said to him in a stoic tone. You continue to listen in..

"Father, there's something I feel that needs your attention." Damian announces, oh no what is he going to do? Bruce perks his attention to Damian with the 'hm?' sound. "I feel that Y/N is hiding something from us. Just today they slapped my hand away when I asked." He said recalling the event from earlier.

Tim who was also here (don't forget him) looks confused "like what?" He asked, Damian always seemed so dramatic about you to Tim, Damian gave an annoying sigh "Their phone! They might be hiding something in their phone!" He shouted, "they shouldn't be keeping secrets from us, were family!" He continued to argue

Oh god.

"Damian calm down, I will handle this little situation later, if they are hiding something they aren't supposed to they are going back to the white room." Bruce exclaimed and/or added.

"Doesn't that seem a bit extreme Bruce?" Jason teased with a smirk in response with Bruce's statement, Jason may present himself as the most normal and gives you a lot of freedom but he is just as controlling and possessive as the others.

"of course not, it's for their own good." Jesus Christ he is so ominous and cryptic. This is the same guy that is seen as a good billionaire?, the family continue to eat and banter

While they were eating, you were stuck in a position, when Bruce mentioned the "white room" you don't wanna go back, you don't wanna go back. That place was awful. Your privacy is not valued.

They don't care about you, they just think they do. what can you even do?

[pixiecaps]

i recommend watching connors video its really well done i think he went into the topic in a wonderful manner. he goes into the timeline of everything, explaining vtubers, mouseys primary immune deficiency, and all that context that i think people tend to gloss over.

connor even goes into showing examples of the hate mousey has gotten on platforms like tiktok. which sorta illustrate the overall picture of what mousey has had to consistently deal with. i think one of the moments for me when i realized how bad the hate had gotten was during the subathon where everyday people would come into mouseys chat to say something hateful. everyday. to the point where mousey would have to address these comments and specifically told her community, hey i know seeing hate sparks the reaction of wanting to comment back but dont. and if you truly feel the need to then simply reply donate plasma. saying this while facing some of the most malicious hate ive ever seen. still she would rather try to spread some positivity and awareness by saying to donate plasma rather than trying to shit on other creators communities which is a level of maturity i fucking admire. and i think in this period of the internet we dont see all too often. in the video connor actually shows examples of these chat messages from a 85 PAGE LONG DOCUMENT. fucking bizarre. and yet i still remember during that subathon era seeing people say she wasn’t getting hated on at all and that her fans were exaggerating.

what i really appreciate is connor even making this video on this cause as someone who watches ironmouse consistently and watched the entire subathon and all their streams together this is a topic that mousey is very vocal on with her chat and she talks a lot about this to connor. and he’s always been very sympathetic and there to defend her so it’s cool to see him constantly have her back and vtubers as a whole since hes so intertwined with these communities despite them not being his community per say. connor bluntly stating in the video, “yes you got me. this is a video about me defending my friend 100%. i’m not even trying to hide that. but i also just want to bring a tiny bit of attention to the level of normalized hate that is for some reason acceptable.” is awesome. and a video like this hopefully can inform others and make people realize that the level of hate thats accepted on the internet nowadays is wild. and i need this to be clear mousey has spoken about this hate train she’s been enduring a numerous amount of times and it doesnt get seen as much. but she has spoken about it and what she sees and gets told privately on a daily basis. from her own words the hate just gets more intense as time goes by. and it sucks that shes such a kind creator who has to deal with it just cause shes.. a vtuber.

in short. never send hate to anyone. be kind. watch more vtubers theyre fucking talented and great content creators. fuck what anyone else says about them.

[lipstickchainsaw]

Things I would've liked to see in Arcane S2, in no particular order:

Caitlyn doing some more heinous shit after becoming dictator. Let her be evil, damnit! Let her fuck up the Firelights' sanctuary to achieve whatever goal! Make some people mad!

More of a sense of the power struggle between Ambessa and Caitlyn. Let Caitlyn look into the disappearances as well, or at least give us a sense of what she thinks is going on. Maybe give Shoola something to do after even Salo left. Make the upper class of Piltover feel more alive.

Give Caitlyn the initiative in her turn away from Ambessa, mirror Vi choosing to trust Jinx while facing to Warwick here, and have it take a little more to get them on the same page.

Let Ekko and Jinx actually rally Zaun in the final act. The way they're seen by their people was a pretty big deal, and I would've liked to see that go somewhere in the climax.

Actually, have Zaun actually discuss what to do in the Noxus/Piltover war. Both sides oppressed Zaun pretty badly, so maybe there's some people who want to support Noxus (a very small group), or who figure they're happy to let their enemies fight it out. Let Sevika, Scar and the Jinxers about this.

Hell, let Sevika show up at all after episode 4! Isha was important to her too! Have her and Jinx suggest building a statue for her, like Silco did for Vander, as another notch to help Jinx stand upright.

When Jayce and Mel come back, have them reckon with what Caitlyn did to their city, and have them take some time to forge the place back together.

Let Zaun negotiate with Piltover for their aid! Give them more than just one seat on the council amongst people who already look down on them (although I think Sevika is canny enough to get the most out of it, it's a real consolation price for a group of people willing to abandon their own homies to rally to the defense of yours), and make Ekko a prominent voice here.

Warwick in episode 9 didn't really do much for me. Any of the emotional beats there were already covered in episode 6. Not sure what to do with him instead, though. Maybe make Vi and Jinx protect others from him more explicitly?

By emphasising the Piltover/Zaun conflict more, you can have Vi be more conflicted about where she falls on that divide.

Ambessa also lobbies to get Zaun on board, maybe pulls some Renni shenanigans again. Actually get me invested in that grand climax.

Same goes for Viktor, honestly. Maybe give his conversation with Mel and Jayce a bit more weight. His turn to Ambessa and Singed's side is a bit abrupt (and also very much caused by Jayce killing him, so his moral high ground in that conversation is a bit weird).

Don't make Jayce talk shit about Viktor's terminal illness, goddamnit. Heimerdinger's whole arc was about how corrosive that attitude was, and the conclusion of it was that you can't sit down on your laurels because change will keep happening with or without you. I think that makes for a much more compelling argument against Viktor's philosophy at this point.

No notes on Singed. What a ledge.

Overall, I think the show needed a bit more breathing room to build up to the level the climax was operating on. It left a bit too much of what I cared about behind to get there, and adding an act could've been a way to alleviate some of that.

[thatdisasterauthor]

I do indeed have much I can say on all of this! I don’t have time for a full breakdown, but let’s hit some key points.

🌪The Milton evacuation and changing the direction highways.

This is called “contraflow” and it is indeed a thing that is frequently used in evacuations. However, from what I understand, Florida might have laws against this? At least that’s what I’ve heard, or maybe just laws that do indeed make it very difficult. I haven’t had a chance to look into it too closely. And it is a tricky thing to do safely just off the cuff without a known procedure in place, which you wouldn’t have if it’s against the law in your area. You’ve gotta shut down all the exits/entrances accordingly so you don’t have issues with head-on traffic, you’ve gotta make sure you have effective alternate routes for emergency traffic, you’ve gotta have a space to reintegrate traffic into the proper lanes once the contraflow segment has ended, etc. etc.

You’re right that this isn’t a police problem, it’s a LAW problem. Maybe also a police problem in the sense of what trainings are available to them, what procedures they have in these situations, etc., but not an ACAB style police problem. Plenty of places DO use it, like I said. (Also, sometimes you’ll get spontaneous contraflow, where people just start doing on their own, but that’s a whole different can of worms.)

🚗 Over dependence on cars.

America is indeed super car dependent, but that’s not exactly the issue here, at least not in the way you’d think. First off, evacuations are just HARD. That’s a lot of people to move. Even if you took every large transport vehicle in a given area (so all the buses of any sort, any trains, any planes), you’re not going to get the entire population moved out in a timely manner, even if every seat is taken. It just isn’t feasible for so many reasons. People DO need to be able to evacuate via car. It’s also very dependent on the disaster in question. An evacuation for a hurricane is very different than most other evacuations due to the amount of time you, usually, have.

Now, one thing that happens and causes problems during evacuations is that people take ALL their cars instead of just one. Mom takes one car with the kids and as much stuff as possible stuffed in the back, and Dad takes his truck with the dogs and the bed piled high. A lot of evacuation planning doesn’t account for this. They see a four person family and think, “ah yes, the family sedan has six seats, they’ll just take that and go, we don’t need to plan for them to put both their cars on the road and at all the gas stations along the way.” But then they do take both cars, and so does every other family on the road, and suddenly you’ve got a shit ton more cars doing something that you expected a lot less cars to be doing. I have a lot more thoughts on this I can share later, if people are interested, but for now we shall move on.

(There’s also definitely an element of poor city planning and infrastructure in some places, but that’s very much a case by case thing.)

👩🏻‍🚒 We need a better emergency management system.

Yes! Though, actually, we already have a pretty good one as compared to other countries. Not great, by any means, but something like FEMA is pretty rare. Most countries just kind of ad hoc disaster response on a case by case basis, which is also what we did until we created FEMA in the 70s.

I have A LOT of thoughts about how we could improve the system as it currently stands, which is a big part of why I want to do a PhD in emergency management.

🔥 When to evacuate.

You mentioned this in relation to the Camp Fire, and that one is…yeah, that one was so bad. There’s a lot that goes into making evacuation decisions, and unfortunately studies have shown that a lot of emergency officials still believe the myth that people will panic if you give them too much information about a disaster. This leads to delays in evacuations, among other things. Also, evacuations are expensive, and that makes officials hold back. Plus, there’s the “cried wolf” effect where if it turns out the evacuation WASN’T needed, the next time it IS needed, people will be less likely to go, which again makes officials hold back.

With the Camp Fire, though, I don’t know if any of that specifically was what was at play. That thing just moved FAST. Also, this was a small mountain town. There were not a lot of ways out, just thin mountain roads. I guarantee those officials who made the evacuation call hesitated because they knew people WOULD get stuck on the few potential roads to safety. They weren’t making a choice about evacuation, they were making a choice on where they wanted people to be when the fire DID hit. Because it was going to hit. So do they concentrate people all in one spot, on a road that itself won’t burn but will be completely surrounded, or do they keep people spaced out all over town hoping that pockets of it might be safe? And they had to make that decision at the drop of a hat, knowing people were likely to die either way.

Fires are, in my opinion, the most terrifying thing to have to manage an evacuation for. They are both incredibly quick, but also potentially long lasting. They can shift direction at a moment’s notice. They can do things you never knew they could do. They can consume absolutely massive areas. They can die down and pop back up when you least expect it. And to be the person making the decision on how to handle that must be a very, very heavy weight.

👋🏻 People in positions of power just waving their hands.

Some do, some don’t. There are so, so many amazing people out there who care about this stuff and are doing their best to address these issues. But they need support. Taking over the department of transportation isn’t the answer, your local emergency management department is. Check out what their emergency plans look like, they should be on your county and state websites. Read through them, find the holes, go to meetings, contact your representatives. Be a nuisance to Congress RIGHT NOW.

🎓 Disaster education

Lastly, to @kyraneko’s point about needing better disaster education, yes! Yes we do! I think one of FEMA’s weakest points is its lack of addressing and helping individuals directly prior to a disaster, rather than in large groups. I’m working on it. Got a big project in the works that will, hopefully, start addressing this issue. And that’s not including the PhD.

Sooooooo….yeah! :D That ended up a lot longer than I thought, lol. Hope some of it was interesting to those of you who have made it to the end.

So I have a friend from high school who is a cop. (Yes, I KNOW.) I shared a photo on Facebook of a packed highway of people attempting to evacuate from Hurricane Milton, all while the lanes going in the opposite direction were open and empty. And my Facebook post was basically me screaming, “Open the other side of the highway and reverse it so that people can GET OUT.”

His response was essentially, “Yeah, that is *really* difficult for us to do.” Not in a condescending way, because he genuinely isn’t a huge asshole. (Yes, I KNOW.)

And then I may have vented in my response, in which I tried not to imply that the police were a problem. Because to be honest, I don’t see this as a police problem. I see this as how we have fucked ourselves as a nation by making ourselves so dependent on cars.

There is that poll on this site – or multiple polls, at this point – asking how long people can tolerate being in their cars. And the thing is, Americans (and Canadians as well, I am imagining) have almost no other options. We have to be used to spending a good 12 hours in a car without breaking a sweat. Everything in this country is built around being in a car. There’s a reason when you ask us how far away a place is from somewhere else, we normally give that distance in hours and not miles.

Air travel sucks. It sucks for a multitude of reasons – cost, the hassle of dealing with security, the time suck, etc. – and in an emergency, only a select few are going to be able to use it to get away from a hurricane. And that’s one of the few disasters where air travel is an optional escape.

Train travel sucks. Amtrak is not something you’re gonna be complaining about if you’re trying to get away from whatever disaster you need to evacuate from. But next to so many other countries, Amtrak looks like we’ve been receiving other countries’s leftover railway systems from the 70s. It also doesn’t go everywhere. I live in northeastern Pennsylvania near Scranton, which prides itself on its history in the train industry. We have a museum and everything. We have multiple things named after that museum, including the Steamtown marathon which is happening tomorrow.

Can you get on a passenger train in Scranton? Nope.

(The main argument against this always seems to be that people will come here from New York City and commit crimes, which is hilarious considering if somebody wanted to come here from New York City and commit crimes it’s only a 2.5-hour drive.)

Anyway, disasters.

If the only option you’re gonna give most people to get out of areas of Florida that are being targeted by hurricanes or areas of California that suffer from wildfires or places in the Midwest that face flooding are cars, then we need a better fucking emergency management system regarding transportation in this country. You can’t just sit there and mock people for not evacuating because they can’t or won’t when getting away from Milton meant sitting on highway for hours with absolutely no gas stations whatsoever nearby having any gas at all. (It just makes me think of those photos of people stranded on the highway in their cars in blizzards where people are like, “Now imagine imagine how bad it would be if all of those cars were electric!“ Well, all of those cars in that photo in that blizzard run on gas and they’re fucking stranded, sooooooo.)

Look, we can change the transportation system in this country. we did it before and we can do it again. We used to have more train options, fewer highways. My small hometown had a fucking trolley in the 40s. Now, if you don’t have a car here, you’re stuck. You can’t even get Uber here. if a wildfire started here and surrounded the town, it would be a clusterfuck.

Regardless of how you feel about the police, if police and fire departments in this country cannot organize an evacuation on a highway in a way that will reduce the backup so that tens of thousands of people aren’t sitting in their cars when a hurricane hits, that’s a problem – not just for those people, but for the police, and the fire department, and emergency management in general.

The people in charge of emergency management are just people, just human. I’m researching the Camp Fire in 2018 right now, and you had a bunch of people calling 911 saying, “I can see a huge fire off to the east. Are we safe? Should we evacuate?” The 911 operators could only work off the information they had. They could have told people to evacuate earlier, but Cal Fire didn’t anticipate the strength of the fire. Which is understandable. Nobody could anticipate the strength of that fire. But the 911 operators were sitting in an office with no windows, and they had no idea what was going on the east. They couldn’t look out and see exactly what was happening. If they could have, they probably would have told people to leave as soon as possible much sooner than they were told to. Instead, they waited for official confirmation, and when they did start telling people to evacuate, traffic managed to back up in a small town of 25,000 people until many of them were trapped in an unimaginable hellscape.

When people need to evacuate from a disaster, and they stay instead, far too many people - including those in positions of power – just kind of wave their hands and say, “Well, we tried.” No, we didn’t. This country made not trying its watchword, and now we’re at a point where unless you own a car, which is a luxury a lot of people cannot afford in this economy, escaping from disaster is impossible. So you can get in your car or somebody else’s car and go sit on a highway and hope your gas doesn’t run out, since none of the gas stations for 100 miles have any gas to give you, or you can stay in your house and hope you don’t die.

Sometimes, I really wish somebody would make me the head of the department of transportation. I would demand an absurd amount of money to build a better train system, to provide better transportation options for smaller towns, to provide extensive training for rescue personnel in managing evacuations like the clusterfuck in Florida this week. I would become an absolute fucking nuisance to Congress. I would be asking for money left and right to make it so that our only options as Americans weren’t to get into cars we can barely afford these days and attempt to organize our own evacuations from the growing number of natural disasters in this country.

Y’all keep posting these polls about how long you can tolerate being in a car at the same time that tens of thousands of Floridians were sitting on highways trying to get away from Tampa so they wouldn’t die in a hurricane.

We can tolerate being in a car all goddamn day. It’s because we don’t have a fucking choice, even when it’s life or death.

[littlespoonevan]

Would love to hear more about the Miss Congeniality Au!

ahhh miss congeniality au, my beloved!!!! 💖💗💞💕🩷❤️ truly, truly, truly i feel like this au could be so much FUN if i could find the discipline and motivation to just sit down and write it lmao. but i will say i v much enjoyed fitting all the pieces together for this snippet so here's hoping it awakens something in me askdjhf

i hope you like it 🥰

~

Eddie never imagined becoming a special agent. Then again, he never imagined becoming a single dad either.

But FBI work actually keeps him chained to a desk a hell of a lot more than regular police work used to and the pay’s better.

He’s regretting that decision right about now.

“Eddie, it has to be you.”

He pinches the bridge of his nose, quickening his step even as Chimney continues to keep pace with him.

“It absolutely doesn’t, Chim.”

“The whole office agrees-“

Eddie stops short, whirling around. “Just because the little simulation version of me you drew up on the computer had an eight-pack-“

“My computer does not lie, Diaz-“

“I don’t have time,” Eddie cuts in. “I can’t be away from Chris that long.”

“It’s one week. Less, if you do your job right.”

Eddie makes a face.

It’s the stupidest thing he’s ever heard. A charity firefighter competition that he really thinks sounds a hell of a lot like a beauty pageant. Sure, there’s obstacle courses and stuff to complete but he’s not sure what a speedo competition has to do with being a competent firefighter. The cause is noble, he guesses, but there has to be a better way to raise money than deciding who’s the most specialist firefighter in all of Los Angeles.

Especially when the host – Captain Bobby Nash – is the target of a bomb threat.

It wouldn’t even have landed on their desk if not for the fact that three people with ties to Bobby Nash and the LAFD had received bombs in the mail over the last two weeks.

Athena thinks their best chance to take down the mail bomber is to have someone on the inside, to infiltrate the competition and investigate the contestants while also being the FBI’s eyes and ears throughout the week.

Hen and Chim, of course, volunteered Eddie for the job.

“I don’t like undercover work.” It’s an oversimplified version of the truth – that Eddie hates having to perform for an extended period of time and that this competition sounds like his own personal version of hell. Also, as much as he knows he’s in good shape, he doesn’t actually want people ogling his body for a week straight.

Chim gives him an incredibly unsympathetic clap on the shoulder. “Just use those big, brown eyes of yours and wow the judges with your salsa skills and no one will be any the wiser.”

Eddie opens his mouth to argue back when another voice cuts through their conversation.

“She said yes!”

He and Chimney both look up to find Hen running towards them, a beaming grin on her face. “Athena said yes! Better start practicing your poses, Firefighter Diaz.”

Well, shit.

-

Captain Bobby Nash has got a made-for-TV smile that has Eddie understanding why he got the hosting gig over every other fire captain in LA.

“Special Agent Grant,” he says, shaking Athena’s hand with a warmth to his expression that Eddie doesn’t expect.

Athena clearly doesn’t expect it either because she clears her throat as she pulls her hand back. “Captain Nash. This is Agent Diaz.”

Nash redirects his attention to Eddie, extending his hand once again. “Great to meet you. And please, call me Bobby.”

“You too,” Eddie says, flashing a polite smile and following Athena’s lead to take a seat in front of Bobby’s desk.

“So I take it there’s been some progress in the case?” Bobby asks, settling into his chair.

Athena purses her lips, exchanging a look with Eddie. “Not as much as we’d like. Given that we still don’t have a trace on the letter the bomber sent and the LAFD’s reluctance to cancel the competition, we’ve decided to send one of our agents in undercover.”

Bobby’s eyes immediately flick to Eddie and Eddie feels the ridiculous urge to straighten his posture. “I’m guessing that’s where you come in, Agent Diaz?”

“Not that we want to undermine the integrity of the competition but it will be imperative that Eddie makes it to the final,” Athena says. “It’s the best chance we have of catching the bomber if we can’t determine a suspect before then.”

Bobby leans back in his chair, regarding them both with an unreadable expression. Finally, he cracks a smile. “Well, he certainly looks the part.”

“He gets that a lot,” Athena snorts and Eddie ducks his head to hide the heat in his cheeks. It’s bad enough when it’s Hen and Chim ribbing him; he didn’t actually think Athena ever overheard them.

“Which firehouse is he representing though?” Bobby asks. “All of the contestants have already been chosen.”

Without missing a beat, Athena hands over a file that Eddie knows contains the fake details of his new identity. “Apparently the 133’s entry came down with an awful bout of food poisoning.”

Bobby accepts the manila folder with a faint smirk. “Well, that���s a shame.”

-

“Diaz. Diaz, do you read me? Over.”

Eddie rolls his eyes as he steps onto the bus ready to ship the contestants to the opening luncheon. “Yes, Chim,” he mutters under his breath. “I can hear you; stop yelling.”

“Remember to smile, Eddie.” That’s Hen.

How Athena thought they were the two best suited to oversee this, he’ll never understand.

He scans the length of the bus, looking for an empty seat. The whole place is overrun with burly men in too tight t-shirts talking animatedly to each other. It takes him a second to realise one of the men in question is waving at him.

He’s got curly hair and a golden retriever-esque eagerness to his smile. “Edmundo?” he asks. “From the 133, right?”

Eddie clears his throat and rearranges his face into a smile as he makes his way to the empty seat. Though calling it an empty seat feels generous when the firefighter all but shoves himself against the window to make room.

“How’d you know who I was?” he asks, genuinely curious. They only finalised the details of Eddie’s position in the competition yesterday and they made sure to leave any of his information off the official competition website.

“Oh I did a little deep dive on the other contestants but you were the only one who didn’t have a picture so I figured it had to be you.” He shrugs with an affable charm before offering Eddie a hand. “I’m Evan Buckley, with the 118. Everyone calls me Buck though.”

“He’s cute,” Hen says in his ear.

“Like a puppy,” Chim adds.

Eddie ignores them and shakes his hand. “Uh, you can call me Eddie,” he greets. Changing his last name was necessary; he refuses to go by Edmundo for the next week. It’s only then that he clocks the station number Buck said. “You’re part of Nash’s team.”

“Yeah,” Buck says, beaming with pride. “Bobby’s the best captain ever. You know some of these guys have it out for me because they think he’s gonna play favourites even though he’s not a judge. He’s just the host. But whatever, it’s not a big deal.”

The dejected look that creeps onto Buck’s face suggests it very much is a big deal even if he won’t admit it. Eddie feels a pang of sympathy. The guy seems harmless, even with all the rippling muscles. Then again, he’s not surprised a competition this testosterone-fuelled has people acting territorial.

“They just want an excuse for when you beat them in the first round,” Eddie says, mostly to fill the silence but also to get this Buck guy to stop looking so downtrodden.

He definitely doesn’t expect the way Buck’s whole face lights up in awe.

“You think I’ve got a shot at making it to the finals?”

The earnest hopefulness in Buck’s voice catches Eddie off guard and Hen and Chimney in his ear don’t help.

“Aww Eddie’s making friends!”

“Forget friends! Eddie, he’s cute; keep flirting with him.”

Eddie bites down on the urge to tell them to fuck off and makes himself smile at Buck instead. “’Course you do. Some of these guys are lucky they even made it this far.”

Truthfully, Eddie hasn’t even taken the time to look at anyone else on the bus all that much yet but the words tumble out of his mouth without permission. And in the face of Buck’s delighted grin, he can’t find it in himself to take them back.

“Thanks, man,” Buck says bashfully. “Hey, you have anyone to share a room with at the hotel yet?”

“Please tell me there’s only gonna be one bed,” Hen squawks gleefully in his ear.

“Uh I don’t know. Are they assigned or-?”

“They figured since most of us know each other we could pair up however we want but- um…” Buck trails off, making it clear no one has offered to share with him and well, it seems like he knows a lot about the other contestants. That could be good for Eddie. To get information and close the case. Obviously.

“Yeah, man. We can share.”

“Awesome!” Buck declares, slumping more comfortably in his seat and bumping his shoulder –probably accidentally – against Eddie’s. The bus gets moving then and Eddie takes the opportunity to scope out some of the other contestants.

It’s unlikely their suspect is another firefighter but not impossible.

“So how come I’ve never seen you at a scene before?”

Eddie blinks, redirecting his attention to Buck who’s looking at him curiously.

“Oh uh, I just transferred in the last couple of months.”

“From where?” Buck’s expression doesn’t look suspicious and Eddie has to remind himself not every conversation with a stranger needs to be an interrogation.

“Um, El Paso,” he says, immediately cringing on the inside. This man does not need to know any of his real life personal details.

But Buck only smiles again. “Cool. I’ll have to look out for you on calls from now on.”

And it’s not said flirtatiously or anything like that but Buck looks bashful again and Chimney is cackling his ear about how, “Eddie’s got a fan,” and Eddie’s stomach does a strange, traitorous flip.

But this is fine.

Everything is fine.

It’s just-

It’s going to be a long week.

-

[rey-jake-therapist]

Honestly the more I see Adar presented as an anti hero who never was really evil, the more I love Sauron for being an unwhitewashable, hot little shit. My man's irredeemably evil, unfixable, when he's got a chance to do good he chooses evil EACH TIME, he's totally delusional into believing he's actually doing something good even when the truth is thrown at his ridiculously pretty face. When the she-Elf he loves in the most twisted way you can think of rejects him twice he reacts by being petty and cruel, he murders the one man who could have become his friend if he hadn't spent the entire time lying and manipulating him and the people who trusted him, etc etc ...

There's no headcanon, no mental gymnastics that can be done to make him less of an horrible person than he is. It's "take it or or leave it" because there's no way to bend canon to make Sauron "not a villain" here. Not after he tortured and murdered Celebrimbor, anyway. And it's very cool because I get very much tired of the trope of the "not really a villain" who's somehow not really evil, who even gets his redemption but is still killed off at the end because "he did too much evil to deserve to live". I mean make up your minds writers, the guy's evil or he is not ??

And while he's evil and basically unredeemable because he'll never make the right choice, he's still a complex, multi layered character and not a twirling mustache villain who just does evil shit for no reason. He was given the opportunity to take the right path and refused it multiple times, but we STILL saw him consider it and that's what makes him so fascinating : that he doesn't just straight out reject it. He actually doesn't think he does. He wants to heal Middle Earth ! Yeah sure many innocent people will die but it's a sacrifice he's willing to make, for you know, the greater good 🙃

That's him that's Sauron, he's evil, he's unredeemable, he will get even worse and I love him for that 😍

[cosmicanakin]

╰ ﹒ (sorta) long awaited PART 2 to this DEAN BLURB. 🍋‍🟩

i'm shit at writing a second part to any standalone FICS or BLURBS so i'm rlly sorry if this isn't the 'makeup sex' type blurb yall were lookin' for <3

⎯⎯ warning(s) smut | emotional vulnerability | strong language | semi-public sex | rough sex | praise kink | dirty talk (yum) | jealousy | overstimulation | POSSESSIVE!DEAN | power dynamics | mirror sex. ఌ︎ EIGHTEEN PLUS! ADULT CONTENT | minors do NOT interact.

the bar is loud, filled with the familiar hum of conversations, clinking glasses, and the occasional burst of laughter. you sit at a table near the back, surrounded by a few of your close friends—hunters like you, women who know the life, know the dangers, and are just as good at blowing off steam after a successful hunt. tonight, the drinks flow easily, and the laughter comes even easier. it's rare to get a reprieve like this, to have a night off where you can just relax and enjoy yourself. you deserve it. you know you do.

but even as your friends trade stories and jokes, your mind keeps drifting. keeps circling back to him. DEAN WINCHESTER. it's been weeks since you left him in that motel room, since you walked away without an explanation, with only a hastily written note. you haven't spoken to him since, haven't called, haven't reached out. not because you didn't want to. GOD, you wanted to. but fear held you back. fear of what he felt, of what you felt, of how everything had changed with those three words he'd let slip between gasps of pleasure.

i love you.

you still hear his voice in your head, still feel the way his body had tensed beneath you when he realized what he'd said. you'd thought about calling him a hundred times, a thousand times actually, to tell him you felt the same. that the reason you ran was because you were scared—scared of how much you loved him, how deeply you'd fallen without even realizing it. but every time you picked up the phone, you hesitated, and the moment passed.

now, sitting in this bar, surrounded by friends, you can't help but wonder if you made a mistake. if walking away from him was the worst decision you could've made. but before you can spiral any further, you hear it—a laugh. a deep, familiar laugh that sends a shock of recognition through your entire body.

you freeze, your drink halfway to your lips, as you turn your head and see him. DEAN WINCHESTER. standing at the entrance of the bar, his brother, sam, by his side. dean doesn't see you at first, too busy scanning the room, probably taking in the scene out of habit, always the hunter, always alert. but then his eyes snap to yours.

it feels like the air is sucked from the room. your heart stutters in your chest, and for a moment, you can't move, can't breathe. he looks just like you remember—broad shoulders, brown leather jacket, that chiseled jawline you've traced with your fingers more times than you can count. but there's something in his eyes, a flicker of something raw and unresolved, and you know he's thinking about that night, about the last time you saw each other.

he doesn't move. neither do you.

but his gaze lingers on you, even as a blonde woman sidles up to him, clearly trying to get his attention. she's pretty—tall, curvy, the kind of woman who turns heads in a place like this. but dean barely spares her a glance, his eyes locked on you like he can't tear himself away. you feel a surge of something hot and uncomfortable twist in your chest—jealousy, anger, desire. god, you miss him. you miss him so much it hurts.

and it's not just him. it's the way he made you feel, the way he looked at you like you were the only thing that mattered, the way his hands felt on your skin, rough and gentle all at once. the way he'd held you that night, the way he'd said he loved you, like it was the most natural thing in the world. like he couldn’t help it.

you tear your gaze away, pretending to focus on the conversation at your table, but your mind is spinning. your body is buzzing with the awareness of him, of how close he is, of how much you want him. but the thought of facing him, of having that conversation, of admitting how you feel... it terrifies you.

so you do the only thing you can think of. you excuse yourself, telling your friends you need to use the bathroom, and slip away from the table, weaving through the crowded bar until you reach the small, dingy restroom at the back. you close the door behind you, the fluorescent lights flickering overhead, and lean against the sink, staring at your reflection in the cracked mirror.

your heart is racing, your skin flushed, and all you can think about is dean. about the way his muscles flexed under that leather jacket, the way he looked at you like he was starving for you. heat pools low in your belly, and filthy thoughts flood your mind—thoughts of him pressing you against the mirror, fucking you from behind until you're a mess, just like he did that night in the motel.

you squeeze your eyes shut, trying to push the thoughts away, but it's no use. your body wants him. you want him.

and then the door creaks open.

your eyes snap open, and you see him—dean, standing in the doorway, his eyes dark with that same hunger you feel. he steps inside, closing the door behind him, locking it with a click. your heart pounds in your chest, and you can't move, can't speak, as he crosses the small space between you, his body heat radiating off him in waves.

he doesn't say a word. he doesn't have to.

his hands are on you in an instant, rough and desperate, pulling at your clothes, as you do the same to him. his leather jacket hits the floor, followed by your shirt, your jeans, his belt clinking as he yanks it free. his breath is hot against your neck, and he's whispering in your ear, his voice low and gravelly.

"you're such a bad girl for leaving me like that," he growls, his teeth grazing the sensitive skin of your throat. "but god, y'feel so fucking good... s'perfect."

his words send a shiver down your spine, and you can't stop the whimper that escapes your lips as he spins you around, pressing you against the mirror. your breath fogs the glass as his hands grip your hips, his body pressing against yours from behind. he wastes no time, thrusting into you with a force that makes your knees buckle, but his strong arms hold you steady, keep you grounded.

you're a mess beneath him, a blubbering, trembling mess as he fucks you hard and fast, his hips pistoning into yours with a desperation that matches your own. he's everywhere, all at once—his hands, his mouth, his body consuming you, and you can't think, can't breathe, can't do anything but feel.

"you're mine,” he growls, his voice rough and possessive in your ear. "you've always been mine."

and it's true. you know it's true. you've always been his.

you lose track of time, of how many times you come, his name spilling from your lips like a prayer, your body shaking with the force of it. by the time he finally pulls out of you, you're spent, your legs trembling, your breath ragged. but dean takes care of you, cleaning you up, pressing soft kisses to your skin as he helps you back into your clothes, his touch gentle and tender, so different from the roughness of moments ago.

when you're both dressed, you turn to him, your eyes meeting his, and without thinking, you pull him into a kiss. it's not like the others—it's not fueled by lust or desperation. this kiss is soft, slow, full of something deeper, something you've been too afraid to admit 'til now.

when you finally pull away, dean looks at you, his eyes searching yours. "what was that for?" he asks, his voice quiet, vulnerable.

you take a deep breath, your heart pounding in your chest. "i love you," you admit, the words catching in your throat. "and i'm sorry for leaving you like that. i was scared. but, fuck… i love you too, dean. i always have."

the smile that breaks across his face is like sunrise, brilliant and beautiful. he pulls you close again, pressing his body into yours. "yeah?"

"yeah," you whisper back. "turns out you're kind of hard to resist, winchester."

he laughs, the sound rumbling through his chest where you're pressed against him. "good thing i'm not trying to resist you anymore either, sweetheart."

when you eventually make your way back to the bar, sam takes one look at your slightly disheveled appearance and dean's stupid grin and rolls his eyes, but he's smiling. your friends are also giving you knowing looks, and the blonde from earlier has long since found another target.

none of that matters, because dean's hand finds yours again, and this time, neither of you are running anywhere. he also pulls you close to him again, his lips finding yours in a kiss that was both tender and passionate, a promise of something more.

something real.

꣑୧ UNOFFICIAL TAGLIST. @anqeliclust @aileenunfiltered @embarrasingmf @stereotypicalbarbie @ninii-winchester @suckitands33 @ohheyguyss @spxideyver @artyandink @titsout4nicholas 𓂃 ݁ 𖦹

[arcane-ish]

Vi got robbed by the finale

First, a few words on where I'm coming from. I really enjoyed Vi and felt for her in season 1. I'm a Cait/Vi enjoyer and was looking forward to their resolution. I do not have fundamental objections to Vi becoming an enforcer. I don't have a problem with Caitlyn and Vi having sex in the Jinx cell and I actually think it is one of the better scenes of her arc.

IMO she was great, tragic POV heroine and lead in season 1.

Her status changed in season 2, which is reflected in the screntime distribution (ie both Jinx and Caitlyn having more screentime). This does not have to be a bad thing. You can have good arcs and emotionally resonant stories even as a supporting character.

But the more and more I think about the finale and Act 3, the more I think Vi really got treated badly. And the core is really this:

I've joked that I thought about switching my ship allegiance to Mel/Cait after the finale. I'm not actually serious about it. But it got me to think.

And I came up with the following thesis:

1.) Vi is really, really unimportant and useless in the final fight 2.) That matters because they went with an an action finale

On to a long post discussing Vi's role in the finale and Vi's arcs in Act 1 and 2 and her lack of meaningful arc in Act 3.

Within the finale there's really a clear hierarchy of conflicts.

1.) Viktor is the biggest threat and the most emotionally emphasized climax. Jayce is the action and emotional hero of this threat, Ekko is the supporting cool action hero of this threat.

2.) Ambessa is the second most scary threat. She's not a universe threatening as Viktor, but she's still badass and interesting and she gets a cool and very lengthy action scene associated with her. Mel is the emotional core of this conflict. Cait gets the badass action part of this conflict. Mel and Cait also directly coordinate, increasing the badassery.

3.) Warwick by comparison is barely a goon. He feels like an afterthought. Not like a major threat. Vi and Jinx are "assigned" to him. Jinx is the hero of this already fairly unimportant conflict and I would argue she even gets the bigger emotional punch, even though Vi is clearly affected as well.

I find it striking how different Vi's role in the battle feels to Caitlyn. Caitlyn it feels gets two badass action sequences. First in the smoke, really getting to show of her sharp shooting:

While at the same time, Vi gets her shit kicked in by regular Noxian soldiers and is busy... trying to hold a door? Babysitting the shooting of a rocket?

I've been thinking about it. On paper, there isn't that much of a difference between Cait's sharp shooter sequence and Vi's sequence at the tower.

Both show several people dying around them (though Cait acts calm and professional about it while Vi reacts emotionally). Both have bit player characters stepping in to help execute what they are doing (Steb placing the bomb, Jhin tease guy shooting the rocket). Both have missions that kind of fail (Cait's bomb doesn't go off, the rocket shoots the empty egg thing).

But it still feels like Caitlyn just gets way more glory shots. While Vi gets pushed to the floor, gets rescued by Jinx and Ekko riding to her rescue.

Her big glory shot

In theory should be great. She is punching Warwick to rescue Jinx. But it's shot so far away and turns around so fast into Warwick choking her, we don't feel the impact of her punch at all, even though on paper it is Vi using her gauntlets in a really cool innovative way.

If I compare how the Cait/Ambessa fight goes, yes Cait also gets hurt and thrown to the ground.

But Cait's fight just feels way more badass and Cait like a fundamental part of that conflict. Cait and Mel fight like a well coordinated team while Vi, Jinx and Ekko feel a lot more erratic. Cait is the one who initiates the fight in the first place, Cait is the one who makes a badass sacrifice to open up an essential tactical weakness. Yes, Mel gets the last shot and the emotional payoff, but it still feels very much like Caitlyn's fight too.

Yes in theory, Vi and Jinx go back and forth with saving each other, but it's just much faster and erratic, and *busier*, it just never has the same impact to hit. (I would be very interested in seeing a numbers breakdown, how much screentime is spent on the various different fights but also who has longer scenes before the next cut is)

It just feels like this finale is filled with scene after scene after scene with Vi being shellshocked and helpless and not really being super effective enough to compensate for that. Neither her glory moments, not her emotional moments really get the time to breathe the way this moment does with slo-mo and a song.

Compare Vi hurtling herself at Warwick to save Jinx, versus Jinx hurtling herself at Warwick to save Vi.

Okay, so is this just a dick measuring contest over who gets to be the most badass?

No. It's not a crime for Vi not to be the most effective fighter in the finale. But let's take a step back.

Act 1: Vi is a supporting character, but she has a clear role

I have said before I feel a major difference to season 1 is that rather than Vi being the main driving character, the show switched. Cait is the main character of Act 1, Jinx of Act 2.

Vi has lost her spot as main character, but her role in the story is still very clear. She is there as Cait's partner, her heart, her conscience. She witnesses Cait's distress. She tries to reach out to her. When they have an action scene, they work together and coordinate.

Arcane has action roots. Characters express themselves through their action scenes. That's why it's important who gets what action scene.

Also, while Cait's grief and hate and decisions drive the events of Act 1, Vi has her own arc of having hardened towards Jinx (agreeing Cait should take the shot) and then having that challenged by the end and of course getting an emotionally charged poignant moment when Cait dumps her when Vi takes a stand for Isha (= Vi making a choice).

Act 2: Vi is a supporting character, but she has a clear emotional arc

IMO Jinx is the clear lead character of act 2. She has a clear arc with Isha, befriending Isha, rescuing Isha, losing Isha.

Jinx is also the driving force of the Warwick arc. She encounters Warwick first. She is the one Warwick recognizes first. She puts 2+2 together. She seeks out Vi. She initiates their trip to the mines. She gives Vi the important hint about correctly handling Warwick. Warwick jumps into action ("Don't touch my daughter") to save her. His "death" in this arc is linked to Jinx and Isha.

But Vi still has a nice and satisfying enough arc in Act 2 anyway. She starts at rock bottom and grieving, she gets roped in by Jinx, she is initially suspicious of Jinx, she starts to trust Jinx more, her reunion with Warwick is emotional, they all go and try to help him, Jinx and Vi think about their mother.

Vi also goes from grieving Cait, to fixing her own life a little bit, to re-encountering Cait and teaming up with her again.

The big theme of Vi's arc is trust. She has to get over her fears and trust Jinx's advice on Warwick, just like she has to trust Caitlyn about letting Cait tie her up and play fake prisoner.

Act 3: Jinx has an arc about Vi, but Vi has no arc about Jinx

Jinx's in arc in Act 3 is about deciding to leave Vi. Everything in this arc is to prepare us for it.

Vi is not at all in the first episode. Even though the trigger of that episode was according to Amanda Overton what would happen if Vi had died in the original explosion, and the episode is absolutely respectful of Vi, with much grief and praise about it, in the end the portrayal isn't really about how life is impossible for these characters without Vi.

We get told what's going to happen to Jinx and get emotionally prepared for it, even though we don't know it. Sometimes leaping a step forward means leaving a few things behind. We get prepared for the idea that leaving things behind doesn't have to be a bad thing.

In the next episode, again we are getting prepared for what Jinx wants to do through her vision of Silco. She's going to heroically break the cycle of violence. Also, codes and commitments (like Vi's to Jinx) can be the bars we lock outselves in with. Identities (like the Jinx identity) are the cells we want to break out of.

Jinx then makes her decision. She's going to leave Vi. Vi never giving up on her is perceived to be something negative by her. She sets Vi free, telling her to stop caring about Jinx, telling her to be happy with Cait instead.

In the last episode, Ekko talks her out of killing herself. But Jinx still is determined to leave Vi. She says her goodbye to Vi. She assures Vi that it's not a problem because they will always be close anyway.

She then cuts the ties, lets go of Vi's hand and tumbles down with Warwick (and by most people's logic, fakes her own death and leaves the city).

Jinx has made a decision about Vi, which she executes. But Vi has no say in this decision. That's why she has no arc. She doesn't get to make a decision about her future really.

Even sneaking out to try and save Jinx we find out was prepared for by Caitlyn (and of course we find out that Caitlyn is the one who understands what Jinx did while Vi is still outside of this decision). And yes, she chooses to sleep with Caitlyn and she chooses to live with Caitlyn. But do these things really feel like part of her arc or just Vi reacting to circumstances?

IMO Vi wasn't ready to let Jinx go, that's why Jinx had to do it against Vi's will. That's why Vi doesn't make a real decision in Act 3.

Amanda said they wanted to explore who Vi would be if she didn't have anybody she had to protect and that is a valid and cool idea. But how much time with that did we really get?

And yes I genuinely think that if Vi had gotten a better action role within the finale it would have made a real difference in not making her feel so aimless.

Don't get me wrong. I get why they split it like that. The story required for Vi and Jinx to be paired up, so they can execute the conclusion of their sisters story. And unfortunately, compared to the other threats going on in the finale that story didn't really get the attention and gravitas and time and focus it deserved. (also Vi doesn't have a meaningful enough relationship with Ambessa for it to work for her to be in the Ambessa confrontation)

The problem is also that Vi doesn't really have much of a say in the conclusion of the sisters story. And her future is with Caitlyn.

So if they had found a way to sneak in some Vi and Caitlyn also doing action together or even just have Vi react to Caitlyn's duel or have Caitlyn react to Vi being under attack from Warwick, I think it would have felt more satisfying vis a vis the relationship they are going to have.

Alternatively. I love Ekko. I love that he got a badass fighting moment against Viktor. But in the moment where Jayce flies past Vi, for a moment I thought Vi would switch battlefields and Jayce and Vi would team up again, like they've done a couple of times already. If Vi's identity within the final battle was to be a big damn hero, that would also have imo left us more assured about what her identity is moving forward. Rather than the only thing we have is her being fairly weak in battle, being left out of information loops/not being smart enough to recognize them and being Cait's sweet live in girlfriend.

I don't hate Vi. I don't hate CaitVi. And I actually have some hope that maybe there is a chance that CaitVi as a pair will get to show off their stuff in some other form after all. But yeah, that's why imo season 2 and particularly Act 3 really did Vi a disservice.

(I'm not even suggesting things like Vi's decision to fight for Piltover and seeing so many Zaunites die being given gravitas or her reacting to Sevika being on the council, because I think the writers just have no interest in this topic at all)