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dansedan · 4 years ago

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HAPPY APRIL FOOLS DISCO ELYSIUM COMMUNITY HERE IS MY BOLERO/LATIN POP HARRY DU BOIS PLAYLIST FUCK YOU PAY ME

(liner notes and English lyric translations under the cut, listen-along with the playlist!)

(warning, LONG LONG post)

BOLERO ELYSIUM:

1. No Soy Nada- Harry mourning over Dora.

Translated lyrics:

[Verse 1]

My love, how I would like to have you with me

Turn back the clock and feel your heartbeat again

My love, how I wish not to be alive for today

And that you can be born again, walk your way

[Chorus]

And sorry for crying at your feet, unable to see your face

For the sake of both of us I’ll leave, if it’ll make you smile tomorrow

And now I know that I do not do you as well as I imagined

It is not me that you should love because I am nothing

[Verse 2]

My love, I never meant to be bad, I swear

And as much as I tried and improved, it is not enough for me

[Chorus]

And sorry for crying at your feet, unable to see your face

For the sake of both of us I’ll leave, if it’ll make you smile tomorrow

And now I know that I do not do you as well as I imagined

It is not me that you should love because I am nothing

It’s a good, simple angst chanson. Very accurate for a drunk idiot mourning over a relationship and self-flagellating.

2. Te Fuiste a Tiempo- battle-tested relationshit/partner-divorce

Translated lyrics:

[INTRO]

You could’ve killed me like this,

So cruel and merciless

[Verse 1]

You left on time

Because you were starting to be a necessity

How lucky was I

When fate gave me my freedom

You left on time

Because I was beginning to understand that you were a disguise

And with the cynicism of a mirage

You asked for one more kiss

[Chorus]

I hung a sigh from the spark of your hair

Like a comet that knew it was going to the ground

I gave you my wings when I was just taking off

I gave you everything and even neglected myself

[Post-chorus]

You could kill me (Ah, ah, ah)

So cruel and slow (Ah, ah, ah)

But it was better ...

You left on time

(The ra ra ra ra ...)

[Chorus]

I hung a sigh from the spark of your hair

Like a comet that knew it was going to the ground

I gave you my wings when I was just taking off

I gave you everything and even neglected myself

[Post-chorus]

You could kill me (Ah, ah, ah)

So cruelly and slowly (Ah, ah, ah)

But it was better ...

You left o-o-o-on time

From the point of view of both of them!!! fucking insane dudes. It’s an April fools playlist of boleros so I am not going to pretend to have nuance here they are pining cheesily. Jean and “I gave you my wings when I was just taking off/I gave you everything and even neglected myself” makes me see red. Plus the idea of Very Soppily switching Jean’s attempts at having Harry… Not Do What He’s About To Do as “one last kiss” is. Soppy and amazing ok shut up.

4. El Último Trago- the bender of apocaliptic proportions

Translated lyrics:

Drink this bottle with me

And after the last drink we’ll leave

I want to see what forgetting you tastes like

Without putting your hands over my eyes

Tonight I'm not going to beg you

Tonight you're really going to go;

How hard it is to have to leave you

Without feeling that you no longer love me

The years have taught me nothing

I always make the same mistakes

Yet again toasting with strangers

And crying over the same pains

Drink this bottle with me

And after the last drink, kiss me

Let’s hope there are no witnesses

Just in case you were embarrassed

If one day we accidentally meet again

Do not bend down or speak to me directly;

Let us simply shake hands

And let the people murmur after

The years have taught me nothing

I always make the same mistakes

Yet again toasting with strangers

And crying over the same pains

Drink this bottle with me

And after the last drink we’ll leave...

It’s the LAST DRINK hah see what I did there but also it’s a song about the foibles of drunkenness and drunken romantics so it’s very apt for harry trying to drown his Dora-related sorrows in alcohol. Poor mans. Also Dolores does just mean “pains” in here but. Dolores…

5. No Soy de Aquí Ni Soy de Allá- Amnesia (hah, get it. Geddit. Yes this is mostly here because of the name but LOOK THERE’S MORE)

Translated lyrics:

[Verse 1]

I like the sun, Alice and the doves

good cigars and bad ladies

Jumping walls and opening windows

And when a woman cries

I like wine as much as flowers

And rabbits, but not tractors

And homemade bread and the voice of Dolores

And the sea wetting my feet.

[Chorus]

I am not from here, neither from there

I have no age nor future

And being happy is the color of my identity

[Verse 2]

I like to always be lying in the sand

To chase Manuela on my steed

For all the time, to see the stars

With Mary in the wheat field

[Chorus]

I am not from here, neither from there

I have no age nor future

And being happy is the color of my identity

[Verse 3]

I like the sun, Alice and the doves

good cigars and bad ladies

Jumping walls and opening windows

And when a woman cries

Okay so hear me out: the stupid boiadero rugged macho man listing shit he likes to seem cool? So good for early amnesia Harry. This has Raphael Ambrosius Costeau written all over it. The mild mysoginy is only the cherry on top but all the random-ass nonsense lines that are just there to sound cool is perfect for Harry just. Saying shit and seeing if it sticks. Also the song bops so it’s here. Also like… “bad ladies” = klaasje thirst, “Jumping walls and opening windows” = the jamrock shuffle, “I like wine as much as flowers” = commodore red, forget-me-nots, “the sea wetting my feet”= Martinaise… ey? Ey? Ey?? Am I saying Jorge cafurne predicted disco Elysium? I don’t know but I’m sure saying SOMETHING. Also this would be a great ARB karaoke song.

6. Diez pasos hacia tí- getting to know Kim

Translated lyrics:

[Verse 1]

Life left us crossed

In a very casual way

You came like the sun

Stealing my shadow gradually

Any leak of light

Everything was a sign

Ten steps towards you

A thousand doubts over me

And the fear, naturally.

[Chorus]

You made me tremble like that (You made me tremble like that)

Like the moon over the water

And then I let go (And then I let go)

To embrace your gaze

And that's how I discovered you (And that's how I discovered you)

But it was in a kiss that I met you

Uh, uh-uh-uh-uh, ten steps towards you

Uh, uh-uh-uh-uh

Any leak of light

Served as a signal

Ten steps towards you

A thousand doubts about me

And the natural fear

You made me tremble like that (You made me tremble like that)

Like the moon over the water

And then I let go (And then I let go)

To embrace your gaze

And that's how I discovered you (And that's how I discovered you)

But it was in a kiss that I met you

You made me shake like that (You made me shake like that)

Like the moon over the water

And then I let go (And then I let go)

To swim in your gaze

And that's how I discovered you (And that's how I discovered you)

But it was in a kiss that I met you

Uh, uh-uh-uh-uh, ten steps towards you

Uh, uh-uh-uh-uh

Okay so clearly they don’t kiss YET but. We’re keeping on the theme of being very very cheesy and romantic because this is a shitpost playlist so here is a song with some vibes of slowly allowing yourself to trust someone who takes a bit of darkness from your life. “any leak of light��, “you arrived like the sun”, sunrise parabellum… also I love Harry being weak for Kim so “you made me tremble like that” is just. Yes thank you.

7. Soy un Corpóreo y Dentro de Mí Hay una Actriz Recién Titulada Llorando -superstar cop

Translated lyrics:

[Chorus]

I am a corporeal and within me

There's a newly graduated actress crying

I am a corporeal and within me

There's a newly graduated actress crying

[Post-Chorus]

And in the official photos

I appear smiling with the children of the place

And in the promo clips

The sobs that inhabit me cannot be heard

[Verse 1]

The show must go on

Experts indicate that it is the best

Two out of three recommend it

For your daily use

[Chorus]

I am a corporeal and within me

There's a newly graduated actress crying

I am a corporeal and within me

There's a newly graduated actress crying

[Post-Chorus]

And in the official photos

I appear smiling with the children of the place

And in the promo clips

The sobs that inhabit me cannot be heard

[Verse 2]

I have no other life than the one that sweats inside of me

And I don't want it to go, and I don't want it to go

It is that I have no other life than the one that cries inside me

And without her I am nothing, and without her I am nothing

[Outro]

And without her I am nothing, and without her I am nothing

OK SO THIS ONE IS HEAVY but for both the tentatively-affectionately-titled “terminal cop brain” that Harry (and Kim and Jean) suffer as well as a touch of his internal struggle with his own self-hate and depression AND Dora shit it is here. Superstar cop just needs to buckle up his disco belt and bring down the law (no he doesn’t he needs a lot of real actual help but uh. Okay harrier.)

8. Lo Mal que Estoy y Lo Poco que me Quejo- the jamrock shuffle around Martinaise

Translated lyrics:

[Chorus]

How bad I am and how little I complain

[Verse 1]

I always get up with my foot looking at the ground

The mute voice greets me from afar

He gives me his silence but I play the idiot

Looking in the mirror

[Verse 2]

And the mirror gives me its reflection without mine

I assume it and I continue but I do not trust myself

I self-diagnose without even minimal success

And so I get depressed

[Chorus]

How bad I am and how little I complain

I have my soul in quarantine and my body is broken

What pain, what pity and what torment

[Verse 3]

I go out to the sidewalks, my walking out of tune

My suitcase full of boulders

My smile upside-down from climbing so many stairs

Without getting anywhere

[Verse 4]

And history criticizes me because I'm always grieving

And I tell them ‘poor is he who hides his crying’

A brick doesn’t know how to cry

But it doesn’t follow a beat well either

[Chorus]

How bad I am and how little I complain

I have my soul in quarantine and my body is broken

What pain, what pity and what torment

[Bridge]

And how my whole life hurts

And the doctor has told me

That calls into question the truest truth

That I'm late to the niche

And that to each new pain I look for a placebo

[Outro]

My donkey, my donkey's love hurts

Because nobody loves him, only me

And grief greets me when I'm laughing the most

My heart is full of patches

My donkey, my donkey's love hurts

Because nobody loves him, only me

And grief greets me when I'm laughing the most

My heart is full of patches

Chin pon!

Is this not the most perfect song for the absolute insanity of mr. Du Bois? First, the catchy fucking tempo, let us enjoy how splendidly jaunty it is. Amazing. Then, all the stuff about the mirror, ESPECIALLY “And the mirror gives me its reflection without mine/ I assume it and I continue but I do not trust myself”. Also the line “And history criticizes me because I'm always grieving/And I tell them ‘poor is he who hides his crying’” feels so much like an argument between Harry and skills over Dora shit… this song is also just a bop.

9. Algo Contigo- falling in love with Kim (which is a canonical event fuck you)

Translated lyrics:

[Verse 1]

Do I need to tell you

That I am dying to have something with you?

Have you not noticed

How much it costs me to be your friend?

I can no longer get close to your mouth

Without desiring you in a crazy way

I need to control your life

To know who kisses you and who shelters you

[Verse 2]

Do I need to tell you

That I am dying to have something with you?

Have you not noticed

How much it costs me to be your friend?

I can no longer continue spying

Day and night, guessing when you’ll arrive

I don't even know with what innocent excuse to pass by your house, oh-oh

I have so few roads left

And although it may seem like a folly to you

I would not want to die without having something with you

[Verse 3]

Do I need to tell you

That I'm dying to have something with you, oh

Have you not noticed

How much it costs me to be your friend?

I can no longer get close to your mouth

Without desiring you in a crazy way

I need, baby, to control your life

Know who kisses you and who shelters you

I have very few roads left

And although it may seem like a folly to you

I would not want die without having something with you

[Outro]

(Something with you, something with you)

baby, I wouldn't want to die without having (Something with you)

Something with you (Something with you)

Sad the fate that awaits me without being able to get to know you (Something with you)

Something with you (Something with you)

There is no excuse, there is nothing I have to lose

(Something with you)

Like a slave (Something with you)

A slave forever, I wouldn't mind being

(Something with you)

Eternally slave (Something with you)

Girl, I wouldn't want to die without having (Something with you)

Something with you (Something with you)

Sad is the fate that awaits me without being able to get to know you (Something with you)

Okay so for one it’s pretty clingy as a romance song so it’s already perfect. We’re choosing to ignore it’s sung to a woman shhhh but look, okay. “I can no longer get close to your mouth/Without desiring you in a crazy way” is one of my favorite love song lines ever because I’m that brand of idiot but LUCKILY SO IS HARRY DU FUCKING BOIS OKAY so it makes me think of… devastatingly cool smoking Kim. I laughed a lot at the way “Day and night, guessing when you’ll arrive” paralleled a lot of my friends’ testimonies of getting really bummed out that Kim left with the body and they couldn’t hang out with him anymore. Also the sort of desperate air of “I have so few roads left/And although it may seem like a folly to you/I would not want to die without having something with you” also pings really nicely with Harry’s state of mind and inexperience and the assumed (reasonable lol) reaction that Kim might have at figuring out about this very unstable man’s pining after him. I almost had a different version of this song but despite the cheesiness of this rendition I like the way the ending lines devolve into… even more desperation. You go to therapy Harry, maybe you’ll get to smooch Kim if that works out…

4. Ya Sé- the final dream with Dora.

Translated lyrics:

[Verse 1]

I know ... that you don't want to see me, I already know

That you are tired of my way of loving

That you don’t understand me and my jealousy does you wrong

That my caresses no longer shine on your skin

And that my nights are full of anxiety

[Verse 2]

I know ... that you're with someone else, I already know

That you are calm and that you do not plan to return

That he has everything that he could never be

What are you saying that I have no dignity

That you don't care if I'm well or if I'm bad

[Chorus]

Oh Love! Sorry if I call you to hear your voice

Sorry

I know you’re hating me

I'm leaving now! I want you to know something:

My heart fled, it left, I lost it on your lips

[Verse 2]

I know ... that you're with someone else, I already know

That you are calm and that you do not plan to return

That he has everything that he could never be

What are you saying that I have no dignity

That you don't care if I'm well or if I'm bad

[Chorus]

Oh Love! Sorry if I call you to hear your voice

Sorry

I know you’re hating me

I'm going now! I want you to know something:

My heart fled, it left, I lost it on your lips

[Outro]

My heart fled, it left, I lost it on your lips

Okay so the final dream kicked me in the emotional nuts and this is such a fucking fitting song. I mean, the phonecall had already killed me pretty hard, and the idea of Dora’s voice being so stuck in Harry’s mind that he can immediately react is… it’s a lot. I like the lip imagery here too bc I’m a slut for parallels between Kim and Dora, sue me. The self-flagellation and repetition and just… “ I know what you’re feeling but I don’t care I’m feeling this about it” is so very fitting for the two of them… I just think about it a lot…

5. Ódiame- Jean again… Jean in Martinaise…

Translated lyrics:

Love, don't forget me

Please,

Hate me

Hate me as a mercy, I beg you

Hate me without measure or clemency

Hate, I want, more than indifference

Because resentment wants less than oblivion

Hate me for mercy I ask you

Hate me without measure or mercy

Hate, I want, more than indifference

Because resentment wants less than oblivion

If you hate me, I’ll be convinced

That you loved me well, with insistence

But keep in mind, according to experience,

That you can only hate that which you love

What is worth more, me, humble, you, proud

Or is it worth more, your weak beauty

Think that at the bottom of the burial pit

We’ll be wearing the same clothing

What is worth more, me, humble, you, proud

Or is it worth more, your weak beauty

Think that at the bottom of the burial pit

We’ll be wearing the same clothing

If you hate me, I’ll be convinced

That you loved me well, with insistence

But keep in mind, according to experience,

That you can only hate that which you love

But keep in mind, according to experience,

That you can only hate that which you love

OKAY SO THIS ONE IS JUICY AS WELL… the whole theme of hate vs forgetting is very directly a Harryjean dynamic but. Please consider the way that this song is very directly interpretable as Jean just. Straight up going into bargaining over the harry amnesia thing. Like, fuck, even if you’re gonna keep being a horrible abusive asshole and pushing me away, at least don’t go an forget me. WHAT A KICK IN THE FUCKING NUTS. Also love the Broderbund bullshit with “Think that at the bottom of the burial pit/We’ll be wearing the same clothing” because. Cop Angst and their equality as partners is Important To Me. Also definitely calling out Jean’s entire being with “ you can only hate that which you love”

6. Sí Po’- Inviting Kim to the 41st (gay)/post-mart domestica

Translated lyrics:

[Verse 1]

The stars aligned

You can't guess what happened

Do you remember that chore

That they had set me for today

[Verse 2]

Yea, see, I managed to run it for tomorrow

I have all the time in the world for you

Mmm mmm mmm

Yea, see, just today that you are also free

We will have all the time in the world to do

Mmm mmm mmm

[Pre-chorus 1]

It’s not like it was planned

Once it touches us

All the time giving up

Always going towards the crash

Meeting deadlines that do not exist in practice

Fulfilling goals that you never set for yourself

[Chorus]

"Let’s not go shopping, not today"

" Let’s not go shopping, not today "

You tell me and I’ll shop for you

" Let’s not go shopping, not today "

You tell me and I’ll shop for you

[Verse 3]

The weight of the glue

It doesn't make sense if it's like this

Dying with the excuse (From!)

That there is no other way to live

[Verse 4]

No, see, I want to spend more time with you

If a window opens I will take advantage of it

Mmm mmm mmm

Yeah, see, and now that you’re also free

We will have all the time in the world to do

Mmm mmm mmm

[Pre-chorus 2]

More than enough

And I fully complain

But the time of the world

It's not that long either

Meeting deadlines that do not exist in practice

Fulfilling goals that you never set for yourself

[Chorus]

" Let’s not go shopping, not today "

You tell me and I’ll shop for you

" Let’s not go shopping, not today " ("please!")

" Let’s not go shopping, not today "

You tell me and I’ll shop for you

[Outro]

With you I have the impression of being safe

That you don't always have to be doing something

LOOK. LOOK. I LOVE LOVE LOVE LOVE THE TROPE OF THESE TWO ACTING LIKE EMBARASSED TEENAGERS AND THIS IS MY SHITPOST APRIL FOOLS PLAYLIST SO I AM GOING TO THROW IN A COOL TEEN CRUSH SONG SHUT UP. I love the intimacy of just. Groceries for each other, “casually” making time for each other, it’s just the best. Also “But the time of the world/It's not that long either” is HNNG with full game spoilers but you know what. It is also sweet. Fuck you, they want to spend quality time…

7. Tartar de estár major- literally just a terrible cheesy “things will be better OR ELSE” credits scene type song

Translated lyrics:

Tell that old story

That despite everything some things remain

The moments lived

Memories that will remain

Deep in the soul

Nothing can make you forget

That we walked the same path

And the things that we did

It was because we wanted to be

Again in this place

Despite the mistakes

Despite the flaws and virtues

I keep in me the best

Moments that will remain

Deep in the soul

abandon everything and think no more

You can not forget what you lived

And your loved ones

They miss you when you are gone

They don't want to cry for you

Many times

we had to be apart

And feel that despite the distance

We feel the same as each other always

Nothing can make you forget

That we walked the same path

And the things we did was because we wanted to be

Again in this place

Do not overthink it more

There is always a reason

Trying to revive

Trying to be better

A song about memories… and being loved and values… and surviving through those memories and that love in order to try to become a better person……. That’s all I’m gonna say….

#disco elysium #fan playlist #silly

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annoying-lucy · 5 years ago

Text

Evan Evagora did an AMA involving the Star Trek Shitposting Facebook Group - the questions and answers below were copy/pasted direct from the collated master post. Evan is a member of the group, who participates under an unknown pseudonym.

———————————————

AMA Master Post!

Thanks so much to Evan Evagora for taking time out of his day for our AMA earlier. To make the questions and answers easier for ya'll to find, here they all are together below.

Q: How does my love of cats compare to Elnor?

A: Im actually more of a dog person, there was a scene that had Elnor and spot 2 unite briefly but unfortunately it didn’t leave the editing room

Q: How familiar was I with Star Trek before and did I have to do research?

A: I grew up with TNG, I’d have to say either worf, Guinan or Q are my favourite characters. And I was given episodes to watch that were to help with information before filming Picard

Q: How was I prepped to deal with the crazy fans?

A: I got told to join Star Trek shitposting 😉. Not but in all seriousness, it was Jonathan Frakes who gave me advice on entering the world of fandom from the other side and he said it’s been nothing short of a pleasure

Q: So if Hugh had survived would they have made out?

A: what happens on the cube stays on the cube

Q: My favourite moment of s1

A: getting to slice that romulans head off

Q: How did I hear about Star Trek shitposting?

A: most of the crew is either a part of the group or knows about, one of the amazing hair and make up ladies got me into I think my first or second day

Q: If I had to be Tuvixed with someone excluding elnor?

A: mirror verse Elnor, nah worf to be honest

Q: What is something I’d like to do in season 2

A: Id like to see Elnor and spot 2 together

Q: How am I passing my time woth quarantine?

A: ama for the gronp! Nah I’ve just been reading, writing and also the contact I’m having with the fans too has really helped a lot

Q: If I had to quarantine with any of my costars who would it be and why

A: I’d go with hardy treadaway he’s got the nicest place

Q: What am I hoping to see in Elnor’s future

A: Inner peace, contentment and possibly shorter hair?

Q: Am I intimidated by working on a show with such a big fan base?

A: no I grew up with Star Trek, you’re really in a bubble of filming when you’re making the show, it all didn’t really hit home until the first trailer at San Diego

Q: Would I consider playing Elnor as non binary

A: I’ve seen a lot of debate and discussion about not only my character but others in the series, if there is something that connects you with a character on this show and it resonates with you, even if it’s shown, not shown or hinted at I’m all for it. I am not for the constant belittlement, bullying and criticism of not only the characters on the show but also other fans. It really does break my heart reading comments where people aren’t welcoming of one another, because that is the whole reason why Trek has bought so many together and by spewing these disgusting cruel words out your not only showing the world you don’t understand the meaning behind the show, you also are destroying the thing that makes us all love it

Q: Is there Australia on romulas

A: yeah they have a down under I’m sure of it. No the accent can easily be explained with, Elnor left romulas at a young age, moved to a planet with different species and languages spoken so that influenced his accent

Q: Have I seen Elnor fan fiction and art?

A: yeah some of it has been really amazing! And some others have been...creative

Q: How excited am I to make home movies with my action figures?

A: my plan is to buy everyone’s, make them record audio and then film shit using the dolls and their voices

Q: Are you playing animal crossing?

A: I’ve preordered it because they’ve sold out here in aus, but in playing civ 6 to pass time and Mario party

Q: Did I get to try Romulan ale?

A: no I wish, I’m kind of hoping for a scene next year where Elnor gets drunk for the first time

Q: What character did I wish would appear in our show?

A: one word, one letter Q

Q: What’s my background have I been acting long?

A: Picard was my third acting gig, and the first project to release, so I have got some experience acting and I have previous work but it has either just aired or is going to next year

Q: Please my friend choose a charity you would like us to donate to

A: food bank

Q: Favourite ninja turtle

A: it’s always been Raph and always will be

Q: Do I know much about Elnors background

A: I know things that haven’t been mentioned yet, but also given his character is new and season 1 just finished, hopefully some of those things are explored

Q: How would o feel about the fan theory that Spock is my father

A: I mean, I’m not really sure, I can always shoot Ethan a message and ask him what he thinks too

Q: Which classic episode trope would I like to see?

A: mirror universe

Q: Can we look forward to more ninja representation?

A: is Elnor not enough? ☹️

Q: Were there any particular characters I drew inspiration from, any elves?

A: there’s a particular group of people I think Elnor might have been inspired from. Can I just say how cool it would be if Elnor is just cosplaying as an elf because Picard left him a copy of Lotr when he was young

Q: Would I be open to exploring Elnors sexuality in s2 and what would it be?

A: I am totally open for that, and as for Elnors sexuality, I’m not sure he’s only 17 he’s just left his planet and gone off on an adventure where he openly knew the success may lead in his death or others he hasn’t had time to figure himself out so seeing his sexuality explored would be amazing

Q: What stories did you hear about working on precious trek series from the OG actors?

A; So we found out Michael Dorn used to muddle his lines up because he was normally the last close up of the day. They used to put bets on to see how many takes he’d have to do. All I must add in very fun spirits nothing ever malicious or mean

Q: My long term career goals

A: id like to keep pursuing more roles I’m acting, I’m a big writer and have some projects I’m looking at getting created but right now I’d say I’m just here to learn and grow

Q: What do I write?

A: right now I’m working on three screenplays and two pilots most of the stuff I’ve written is just sitting on my hard drive just waiting to be used

Q: Ever fried an egg, buttered and vegemite'd some toast and eaten it like a sandwich?

A: what I just read, scared the crap out of me, I love vegemite but the most I’ll do is add cheese to it

Q: What is one of my favourite stories about s1

A: Jeri Ryan and I had a scene together in the borg cube (what a queen she made!) it was shooting at night and I think it was the final shot of the day, we couldn’t keep a straight face and just laughed through about fifteen takes

Q: Are you a big fan of fandom besides Trek?

A: Star Wars, lotr, the magician series Raymond e feist, a song of fire and ice series, avatar last air bender and legend of Korra (would love to play zuko) and of course Batman (fav Jason Todd as the hood)

Q: Could I see myself playing Elnor for six or seven years?

A: as long as there’s a good story that myself and fans will enjoy, but if it didn’t meet my expectations no. And also hopefully the writers and creators would want to

Q: My top TNG eps are in no particular order

I borg, all good things, tapestry, the measure of a man and all good things

I’ll also add I borg especially because it’s just cool seeing where Hugh began and how he ended up

Q: How did I land the role of Elnor?

A: I was on a break from filming Fantasy Island (a movie based off the old tv show) and I was home for pilot season which is when they cast for shows, I had two weeks of daily auditions before I was due to fly back and start filming again, two days before I was meant to leave I got an audition for Picard, the script had a code name and Elnors name was Kbar on it, but I was told it was Star Trek. I went into the room and thought I didn’t do a very good job, then I flew to film and two days later I was told I’ve made a list of people being considered, after a few more auditions and a couple of phone calls from producers and everything I found myself on a plane to LA five weeks later

Q: Have I made friends among the cast?

A: no, we tried really hard to become friends, but unfortunately we ended up becoming a family instead. Everything we say in interviews about us getting along is all true and not fake. I’m the newest to acting out of everyone so I was kind of of shocked to find out that how close we all are isn’t necessarily how it will be when I shoot other projects, so I think we just got lucky or they casted really well

Q: Have the Picard people seen your memes?

A: yes I’ve shown them the memes from the page, I’ve shown everyone including Patrick we find most of them funny (some shocking)

Not shocking in a bad way

Unexpected I should say

Q: How do I feel about the ears?

A: I wore them so much they came up in my dreams, but they were the easiest thing to apply onto me

Q: Which non tng character would I like to see return?

A: I wouldn’t mind seeing the doctor

Q: The most relatable Star Trek character?

A: Look for me growing up it was Wesley, i just picked anyone who was the young one. And I grew up with my sisters and was always being told I’m either wrong, an idiot or just to shut up

Q: Did I have previous martial arts experience before the show?

A: I have a background in boxing which helps when it comes to movement, reflexes and just all around fitness for stunts. I didn’t have any sword fighting experience before we began training for the show however

Q: How do you think being raised by an order of women affected Elnor?

A: I think it gave him a healthy understanding of not only the strength and resilience of women but I think he understands not only gender equality but just equality in general and I think that’s directly to do with growing up in a sect of all female warrior nuns

Q: What is a type of meme you would like to see more of in the group?

A: I love all the memes in the group, I hardly like any of them now incase someone figures out who I am though ahahah

Q: Favorite recent memes?

A: See my comment below

#evan evagora #star trek #star trek: picard #picard #elnor #ama #stsp

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lightdark18-blog · 8 years ago

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How to Fix RWBY Volume 4

I can’t bring myself to say I hate this volume. But I can’t bring myself to say it was fantastic either. After the drama of V3, it felt good to relax a little bit on the plot and attempt to balance world-building and character development to set up for later, bigger events in the story. However, as it much as it seems like I’m playing a broken record by saying this, the idea of segmenting all of Team RWBY’s individual subplots in a relatively short show like RWBY may work on paper, but it requires very fast pacing and extremely powerful scenes, something which this volume seemed to lack. Thus, I will talk about how V4 could have been improved to give it much better character development and an overall more exciting narrative.

Disclaimers: I will be structuring my arguments into individual sections in the following order: Team RNJR, Weiss, Blake, Yang, Oscar, Team WTCH, and Other Improvements. You can scroll down to whichever one you’d like, or you could read the whole thing. I will be talking about everything, including the finale, so if you haven’t finished the volume, you might want to do that. Spoilers will be flying. I won’t be touching World of Remnant, because that isn’t really part of the story as it is exposition (personally, I think it’s stupid that Miles and Kerry need to resort to exposition episodes rather than working the exposition directly into the plot, but whatever). Also, I won’t be addressing ship concerns. I mean, Renora is canon this volume, what more do you want?

Thus, without further ado, let’s begin this shitpost!

Team RNJR:

Explain why the team walked rather than taking trains. It’s great that all of Team RWBY will reunite at Mistral, and I will praise the volume for its pacing in this regard. However, the fact remains that RNJR could have gotten there much faster had they taken a train like Oscar did. Would it cut out a lot of RNJR’s tension this volume? Yes, unless you have Tyrian hijack the train, forcing RNJR to flee (maybe jump off the train, I don’t know) and walk the rest of the way. This would not account for 6 to 8 months’ worth of travel, but that flaw hurts the entire volume more than RNJR itself.

Ren talks too much. I’m a writer. It is very hard to write character development for a silent character, but it can be done. It just takes skill and delicate dialogue crafting. I don’t think Miles and Kerry understand this, and I have a few reasons why In Volume 3, Ren was relevant in the first couple episodes, where he would make constant remarks about Nora’s vomit comment in Episode 1, take an active part in JNPR’s strategies before their Episode 2 fight, and make sarcastic remarks when Jaune was strategizing (Jaune: “Ren, take out the sniper!”, Ren: “Sure, why not?”) All of this feels out of character. Fast forward to V4, where Ren becomes relevant, and they constantly have him give commentary on fights, argues with Nora about the team name, talks to a dying villager, etc. I’m not saying that silent characters don’t interact with people (I’m an introvert, so I know this for a fact), but Ren’s place in the story felt extremely deviant from the first to volumes. At the end of the day, once Kuroyuri comes, the sudden care and outbursts that Ren has towards the Nuckelavee and his home village should have been a drastic character change that the audience would have noticed and praised, but Ren’s overbearing role in the volume just ruins the impact of the character change.

Making Jaune the strategist is fine. Stealing time away from Ruby is not. Many people have already commented on this, so I’ll be brief. Jaune is on a good path to becoming the paladin of this show: the Lawful Good character that starts off shit-tier, but grows through his many experiences to become one of the show’s greatest characters. Think Donnel from Fire Emblem: Awakening. I’m excited for this change, and I’m even fine with his skepticism towards Qrow and how Pyrrha had to choose her role as a maiden. However, Ruby takes a back seat to all this development. Miles and Kerry keep her optimistic, naïve attitude for the sake of consistency, but at the expense of giving her development. Had she not read aloud her letter to Yang, I think Jaune would have had more lines than Ruby. And if there is anything that any story should NEVER do, it is keep attention away from the hero of the story. If Ruby is the main character, make her act like it. Have her learn new battle strategies. Make her use her new electricity and fire bullets more. Rewrite the fights to force Ruby to fight alone at times. Have her give feedback on what she thought of Tyrian, or Salem. Have her give feedback on Kuroyuri. ANYTHING to give Ruby more relevance this volume than just dragging her along for the ride. I hope that V5 goes better for giving Ruby screen time, because this volume did not.

Don’t drop Pyrrha’s attempt at communicating. Episode 2 felt strong in the regard that Pyrrha was attempting to communicate with Ruby (somehow), and I felt that this would come in handy in the finale fight. Guess what? It didn’t. Not once was it ever relevant again. And all it did was wake Ruby up to see Jaune training, which felt like a much better way to put Pyrrha in the volume. I like to think that Pyrrha turning into dust reflects how Ul in Fairy Tail became water, and communicated with Ultear on Tenrou Island by showing her memories (sorry to all who haven’t watched Fairy Tail because you won’t get this at all). Pyrrha’s soul is still alive somewhere in a dust form, and is attempting to tell Ruby something. If you want to use this, save it for a later volume. I guarantee that because RWBY has such a large gap between seasons, only hardcore fans will remember any of Pyrrha’s communication come V5.

Give the Bandits a role. I never saw one bandit this entire volume (no, I don’t count Raven). This would have been a PERFECT time to introduce them, especially since they were mentioned in Episode 2 after they attacked Shion Village. Nope. However, I do have a good way on how to introduce them in a later point (see Yang).

Give us Jaune’s semblance. Seriously. The new sword felt extremely underwhelming. I would rather see his semblance than a sword sheath that gives his sword a little extra cutting power (which never even proved that relevant in the Nuckelavee fight).

Explain why Tyrian is interested in Jaune. Is it because of Pyrrha? Is it because of his character? Is it because he could be the paladin that kills Salem at the end of the show, only for Raven to be revealed as the show’s final antagonist (look, that’s just my theory)? Beats me, because Jaune nor Tyrian (when he’s crying like a bitch to Salem) never bring it up again.

Shame how a stupid reaction shot allowed Qrow to be poisoned. When I was watching the Qrow vs. Tyrian fight, I had very little problems with it. Right up until Qrow cut the wooden board that was going to crush Ruby (a clever instance of his bad luck semblance). Let me explain my reaction:

Qrow: *cuts board*

Me: K.

Ruby: *smiles at Qrow*

Me: You realize that there’s a psychotic scorpion Faunus that could literally poison any of you since you’re both low on aura, right? Maybe you ought to turn back to hi-

Qrow: *smiles at Ruby*

Me: DUDE WTF YOU’RE SUPPOSED TO BE FIGHTI-

Qrow: Aaah! *gets stung*

Me: *insert Michael Rage Quit dialogue here*

Explain how Ruby was able to cut off Tyrian’s stinger. So, Tyrian’s stinger could block Nora’s fully-charged hammer, Ruby’s scope bullets (even without him seeing their trajectory), and various other attacks, but all Ruby has to do is shoot him while his guard is down? Is this that “don’t let your guard down” BS that Goku suffered from in Resurrection F? Is Aura like Nen in Hunter x Hunter, and you have to force it to a specific point to block, else your limb is coming off? It makes no sense, even if Tyrian screaming “You BITCH!” is hilarious.

Tyrian should have been captured. I’ll talk later about how Monty warned against team fighting, and how RT refuses to follow his advice by choreographing bad teamwork fights, but why didn’t Ren and Nora, maybe even Ruby, go after him? He was low on aura. He could have been captured and questioned. Hell, some RWDE critics preferred that the Tyrian fight occur in a forest so Tyrian could have legitimately gotten away. Why not that?

The Relics are DUMB. D. U. M. B. Welp, Miles and Kerry just retconned Torchwick stealing all the dust again in V2, didn’t they? I was 100% sure at the end of V3 that Salem’s plan was to amount enough dust to infuse it into her body and become some sort of Dust God (which falls in line with the dust exposition in Volumes 1 and 2), and terror through attacking the schools was the only way to eliminate any threats in her way. Nope. Now we have out-of-place Relic bullshit that I’m certain Miles and Kerry just pulled out of their asses after Monty died and the holes in the story he planned began to surface. Shane’s letter suggested to me that RT wanted to take RWBY in their own direction, and retconning even the basic exposition of the OPENING EPISODE of the series just feels desperate. Stop taking our attention away from Dust, Aura, Semblance, and any of the other unique elements that make up the story. If you want to make a mythology, put in in place either at the beginning of the story, or in line with the past exposition. Miles and Kerry did neither. What’s next? By the end of the summer, a comet will arrive and give the Maidens unbelievable strength, and Salem plans to manipulate them to finish the war once and for all?

Explain why Qrow is a teacher. Qrow’s semblance is fine…except for the fact that V1, E1 stated that Qrow was a teacher. Why would Qrow be a teacher if he instigates bad luck onto his students? Wouldn’t he get like a 1.0 on RateMyProfessor? Or is this just another retcon?

“Don’t you know, you never split the party?” I don’t have too much of an argument for this, for RNJR splitting up to both Kuroyuri and Mistral sounds okay, but doesn’t that make both parties extremely vulnerable to large-scale Grimm attacks? Thank the two gods the Nuckelavee needed to wait for the plot to bring RNJR back together before it attacked, else we could be having one or two more Pyrrha’s on our hands.

Everything about Kuroyuri is fine, but it’s in the wrong volume. I like the Kuroyuri mini-arc, as well as Ren and Nora’s development, but let’s be honest. This volume is supposed about Team RWBY’s development. Cut Kuroyuri from this volume and give more screen time to Weiss, Yang, Blake, or literally anyone else. Kuroyuri isn’t far from Mistral, so it might’ve worked better as a mid-season finale for V5. Maybe. Eh.

Mistral airships giving RNJR a lift is just plot-convenient BS. “Lol bro we saw da smoke n we thot someone wus smoking weed and we wnted to buy a few grams”. At least that would have been kind of funny. But no. Mistral helicopters should not have been able to see the Grimm smoke, and immediately drop everything to show up at Kuroyuri, where they rescue COMPLETE STRANGERS to invite them to the kingdom. BS.

Weiss:

Explain Whitley and Weiss’ mother. Contrary to popular opinion, I like Jacques. He is certainly the “Rich Asshole Type A: the Overprotective/Abusive Father” character, but at least his devotion to maintain his rich and comfortable lifestyle falls in line with the absolute power dynamic that Atlas was established to have (I could even talk about how this reflects real-world politics right now, but I won’t). Whitley never felt necessary to introduce to the plot: all he did was go down on Jacques or criticize Weiss. I have a good way on how to make him relevant on a later point. Also, Weiss’ mother was mentioned once, “drinking in the garden”. You know what the powerful girl vs. refrained mother conflict reminds me of? Kallen from Code Geass. Did that show handle the conflict well? Yes. Could RWBY handle it well? Probably. Did it even try? No.

Explain Klein. Not a big issue, but what is up with Klein’s different personalities? Is this a reference to Launch from Dragon Ball with his sneezing, or does he have legitimate dissociative identity disorder? Considering that Klein probably won’t ever be relevant again, I don’t think we’ll get the answer, even though I wish we could. If J. Michael Tatum was hired to play a butler, his most famous role in his career (Sebastian from Black Butler), make him interesting.

Weiss’ song was beautiful, but I still have a couple issues. First, Casey Lee singing as Weiss just looks and sounds off. I know they didn’t have much choice, but maybe they could have had Kara Eberle sing it and heavily edit her vocals. Or maybe she has a naturally beautiful singing voice, I don’t know. Also, this song tends to have even less subtle lyrics than most of the RWBY songs so far. This is entirely a “daddy issue” song. Make it a bit more powerful by showing some of Weiss’ positive personality traits in the lyrics.

Henry Marigold’s role in the story is just too unclear. When you give a character a first and last name, HE/SHE SHOULD BE RELEVANT. Miles and Kerry did not follow through on this with the minor characters of Volume 3, and I doubt they will ever mention Henry again. Then again, that’s fine, even though he could’ve represented the youthful perception of Atlas’ place in the world that reflects the ego of Atlas’ parental and corporate figures which Weiss is precisely trying to fight in her character arc. But hey, what do I know?

This whole “rich people are snobs” shtick is just cliché. It makes logical sense for Atlas to have this mindset (absolute power corrupts absolutely), but it’s too cliché to consider interesting. Give it a twist. Maybe they want to gain control of the kingdom defenses in the rest of Remnant by using Veil and the Fall of Beacon as an excuse to supply better defenses.

Weiss’ rebellion feels weak, as well as her anticlimactic Summoning. Weiss summons a boar about to murder Rich Asshole Type B: the Complete Bitch? Ironwood ex machina, and Weiss never mentions her feelings about her uncontrollable summoning. Jacques locks her in her room and strips her of her heiress title? Cry for 5 seconds, and rebel by messing up the room. Weiss training to regain her skills as a Huntress and protect the friends she holds dear? Master her summoning by creating the knight in the White Trailer on a much smaller scale, and have it accomplish absolutely nothing except break a window (which was a result of the summoning, not the knight breaking the window itself). Some of my friends wanted her to summon a Nevermore, which would’ve been cool. But no.

Jacques should have noticed, or heard about, Weiss breaking the window. Surely someone from the garden must have seen or heard the window breaking, and informed Jacques about it. Wouldn’t that have actually given Jacques a role in preventing Weiss’ escape? Wouldn’t Klein be one of the last people to see or hear the window breaking?

Weiss fleeing Atlas should have been completely rewritten. Weiss should have just ridden the Knight, smash through the garden, grab her mother (yes, more Code Geass references), and hop on a ship to Mistral, while using her rapier to summon and prevent any attacks by the Atlas military. But if this isn’t plausible, this is another option. Flee with Klein as usual, but after she locks Ironwood and Jacques in, Ironwood should break the door down (he’s a freaking metal man, he should be able to do it), and Jacques should alert the entire estate to find the sabotager. He should find Weiss’s room empty, and alert Whitley. Then, in the library, reveal that Whitley is a Hunter. Have him incapacitate Klein and fight Weiss, with her fleeing on the airship. Let me explain why this is good in the next point.

Give us foreshadowing into whether Jacques or Whitley will be relevant in V5, for they’re on a time limit. Ironwood has basically given Atlas an ultimatum: Atlas borders will be closing at the start of next week. This means that if any character from Atlas in V4 is to be relevant in a later volume, they need to leave. NOW. Jacques probably won’t so he can run the company, but Whitley, who could now be revealed to be a Hunter, can legitimately go after and stop Weiss at Mistral. Or have Whitley inherit the company immediately and have Jacques go after Weiss. Make someone important.

Blake:

Explain what Blake was doing for the last 6-8 months. So, six to eight months after the Fall of Beacon, Blake just NOW decides to go to Menagerie? What was she doing throughout all that time? Hiding? Contemplating? Getting her new outfit? Explain.

Sun following Blake is really OOC. Alright, let me get this out of the way right now. The FNDM is blowing this way out of proportion, especially once you factor in Black Sun and Bumblebee shippers. It is certainly out of character for Sun to follow Blake silently, and he should have just been open about it to find out why she fled Ruby and Yang in the first place, but it isn’t THAT big of a deal. End of story.

COMPLETELY change Blake’s family arc. Volume 2 convinced me that Blake was born into the White Fang, grew up in the streets, and had little actual freedom until she ran away from Adam in the Black Trailer. Therefore, giving Blake a family who is practically royalty in Menagerie is retconning at its finest. Plus, what does it prove? That Blake regrets her time in the White Fang after leaving her family like a child? Says more about her than it does the morality, or immorality, of the White Fang, which is exactly what Blake wants to challenge in V5. Have her find that her family is dead. Find some old friends of hers that left the White Fang. Put the good side of the White Fang front and center to make me care more about her fighting Adam. She has two grudges against Adam now: ruining the White Fang’s moral high ground, and disARMing Yang. Give me a better reason to see her fighting these grudges instead of “it sounds okay to the audience”. Blake proving that the Faunus are equal citizens is one of the show’s strongest potential plot points, so capitalize on it.

This Sun comic relief isn’t comical. Not much else you can do except avoid the cringy writing. Sun’s “just hanging around” pun and breaking in to Blake’s conversation with her dad are two good examples.

I get that Adam is too far away from Menagerie to be relevant in this volume, but Ilia is pointless. Who is Ilia? Why do I care? Why can’t we give Adam some screen time to see him going to Menagerie or Mistral? Is Ilia even that important? Was she an old friend of Blake that used to support the morally good White Fang? If so, why did she stop? If not, why is she relevant? Miles and Kerry, please make us care if you are introducing her so late in the volume.

Sun’s heart wound was dropped too quickly. Seriously, is Aura like Nen in Hunter x Hunter? Sun should not have run out of Aura, unless his multiple copies consumed all of it, which didn’t seem clear. Besides, even if I accepted the wound, Blake’s reaction to Sun’s potential death was honestly too good to waste on a wound that doesn’t even seem that bad in the long run. Unless Sun’s wound hurts his fighting in V5, it seems pointless.

Yang:

Yang’s PTSD is very underdeveloped. I was fine with Yang’s broken glass and nightmare-induced PTSD right up until the show dropped it entirely once she put the arm on. That is not how PTSD works. It should continue to haunt her for years, maybe even until she dies (hopefully not during the show, I love Yang too much). Keep her having PTSD symptoms with the arm on. Hell, especially with the arm constantly reminding her of Adam.

If Port and Oobleck are in this volume, we should learn more about the other teams. Do…none of the other characters in V3 matter? If Port and Oobleck matter to Taiyang, and Glenda is shown to be constantly working, then what about Team CFVY? Or the rest of Team SSSN? Or Team CRDL? Or, literally anyone else? Show us what they are doing, albeit briefly. The more they continue to not be relevant in the show, the more I believe that the tournament was a waste of time.

Yang gets used to the robot arm too quickly. Qrow is voiced by this random guy named Vic Mignogna, who, I don’t know, just happened to voice this character called Edward Elric in Fullmetal Alchemist and Brotherhood, one of the greatest anime franchises of all time. And, not that this is related or anything, Edward just happened to have his arm lost and got a mechanical arm that took him a year to master, which was far shorter than the expected length for a normal person. It involves sensitive nerve connections to allow alchemy to be performed. So, how can Yang master it in a matter of weeks, if that? I know that they are two different universes, and I am not educated on robotic arms in the real world, but it should take more than a few weeks to master.

Stop beating around the bush with Raven. So, Raven leads the bandits. Cool. She has family issues. Fine. So, why doesn’t the show capitalize on this? If Yang finds Raven, then what? What does that mean for both if they interact? I feel like the only reason that Yang chose Ruby over Raven was because she realized that her immediate family matters more, which invalidates Raven’s role in the show completely. And before you say “but she is against Salem”, there is nothing that she has physically done to perform this goal, besides forcing Neo to flee. If you want to give Raven a role, give her a more concrete role independent of her mommy issues with Yang.

The show needs to earn “Armed and Ready” with a climactic Yang fight with some Grimm or bandits or rogue White Fang members. “Armed and Ready” is easily the best song that the Williams family has ever done (that opening guitar is downright orgasmic), but Yang has done nothing to fight her PTSD besides training with Taiyang. That does not convince me that she is ready to kick Adam’s ass. Give her a fight towards the end of the volume and have it be the finale fight rather than RNJR vs. the Nuckelavee. Fight some Grimm as a metaphor for overcoming her negative emotions while simultaneously still harboring her PTSD. Have her fight some bandits to introduce them to the story. Have her fight some White Fang members to prove her change in strength since Volume 2. Bonus points if you have her drive on her motorcycle while fighting (just so I can make an AMV with some Initial D themes, probably Running in the 90s).

Oscar:

Cut out his scene in Episode 1. That scene communicates to the audience that Oscar is related to Salem’s antics (by waking up from a nightmare after the opening scene) and he works on a farm. You want to know what does that? The very next scene he is in a few episodes later. Save some money and cut his first scene.

Give us some of Oscar’s own backstory, or individual character. If you introduce a character only for the sake of keeping a previous character relevant, it doesn’t make me sympathize with the new character. The ending scene with Oscar receiving Ozpin’s cane from Qrow sounds promising to give Oscar some development, but not giving him a backstory or why he works on a farm, or even why he just leaves so easily to head to Mistral. He is obviously the Dorothy character in the show (to keep the Wizard of Oz character metaphors going), and Dorothy had a backstory, however brief it was. Give Oscar one.

Ozpin/Oscar is driving the plot now. None of that. When Qrow is asked what Team RNJR should do now that they know about the relics, he literally responds with “I don’t know”. If that doesn’t sum up how irrelevant Ruby is, I don’t know what will. To put icing on the cake, Qrow says that they should put their faith in Ozpin to make up a plan. That means that even if Ruby dies, the only disadvantage that the characters have is that they lose the silver-eyed Super Saiyan (sorry Yang, but Ruby fits that bill better). I’ll talk about the Silver Eyes later, but my point is that Ozpin, regardless if he is the elder, should not drive the plot now. Otherwise, Oscar should be the main character. If he is the Dorothy of this show, that possibility is not too far off, unfortunately.

Team WTCH:

Give Mercury and Emerald more screentime. They were the ENTIRE REASON that Cinder could execute the Fall of Beacon. Now, Miles and Kerry have introduced new villains so fast that there is no time to give Emerald and Mercury any relevance. Emerald is merely a translator, and Mercury does ABSOLUTELY NOTHING. Have them go out and fight Team RWBY or RNJR. Hell, maybe even have them fight Yang in that hypothetical finale I talked about earlier. After all, Yang does have a grudge against both, even if she doesn’t know it yet.

Flesh out the other villains beside Tyrian and Cinder. They’re obviously being saved for later volumes, which is fine, by introducing them in Episode 1 only for each to have one or two more appearances in the rest of the volume feels out of place.

Make Tyrian cold rather than crazy. He’s a scorpion. Not a monkey (that’s Sun’s specialty). People pointed out that he sits like L from Death Note in his opening scene in the dining room (I think that’s what it is), and L was extremely cold and calculating. Make him like that. I’ll take intimidating cold villain over batshit crazy villain any day.

Explain about what happened at Beacon when Ruby unleashed the Silver Eyes. I have many questions. First, how did Cinder get out of there? Did Salem rescue her after she was frozen, or was she never frozen at all and just lost her eye? If not, why did the Grimm Dragon freeze (or is this just some sort of Portal talk in Fullmetal Alchemist where he takes something precious from each person, Cinder her eye that sees her future, and the dragon its ability to fly)? Why has Ruby never mentioned her silver eyes in the ENTIRE volume? Can she induce it under extreme pressure like the Avatar State, but it comes with a horrible cost? Or are Miles and Kerry just retconning all of it until a later volume, when whatever is relevant will just show up? I was looking forward to finding out exactly what happened to Cinder and Beacon, as well as Ruby wrestling with her new abilities. The former was only half developed, and the latter was never mentioned.

Explain why Team WTCH is only now acting 6-8 months after the Fall of Beacon. Tyrian has been looking for the Spring Maiden, and Cinder is undergoing treatment, but what has everyone else been doing? Reading Ninjas in Love alone in their rooms?

Is Cinder…afraid of Tyrian? If so, go into it more. Seeing Tyrian going insane against the Beowulf just felt satisfying to watch (albeit terrifying and stupid since the Beowulf should have disintegrated into dust after the first few stabs). However, Cinder being terrified by Tyrian’s reaction felt even more interesting to see. Maybe Cinder should have had a short PTSD-like flashback to an event from her past.

General Improvements:

Stop hiring so many professional voice actors. Look, I love Funimation. I love Team Four Star. But hiring so many professional voice actors to voice both one-shot and major characters just comes across as corporate money-hogging. RT should have more confidence in its own voice cast, not to mention that the voice acting feels wildly inconsistent, putting professionals on the same level as amateurs. I was fine when they nabbed Vic for Qrow, but this is just pandering.

Improve the fight scenes with Monty’s advice. Remember when Monty said that “you should utilize motion in a way that doesn’t waste movement?” Tell that to the animators that love to swing Crescent Rose around pointlessly during Ruby’s fight scenes. Don’t believe me? Check Episode 7 when she climbs to the rooftop to set up her scope against Tyrian. Also, remember when Monty said that “in team fights, get rid of as many people as quickly as possible?” RT should’ve taken his advice, for Team RNJR vs. Tyrian in Episode 6 was complete garbage, where everyone was standing around too much while Tyrian was fighting 1v1 or 1v2 instead of 1v4. Don’t believe me? Nora got hit with Ruby’s bullet, and stood there for 20 SECONDS while no one did anything else to distract Tyrian from Nora’s charging. I’m not saying that the fight scenes were overall bad in this volume (Qrow vs. Tyrian is my favorite fight in Volume 4 just how Qrow vs. Winter was in Volume 3), but they still need work. No one will be able to animate like Monty, but flash animation can always improve, and “keep moving forward”.

Give the Williams family more songs. The RWBY V4 soundtrack will be good. I guarantee it. I just wish we could have a couple more songs.

Keeping Pyrrha and Glynda in Poser but the rest of the show in Maya just looks awkward. I know it would cost more money to convert both Pyrrha’s recording and Glynda fixing the building on Yang’s TV from Poser Pro to Maya, but it would just look better. Plus, I really want to see Pyrrha’s new model in Maya. Maybe they’re just keeping it once Pyrrha comes back in a later volume (a man can dream, right?).

The show needs to make up its mind about religion. Qrow in V3: “Not many people are super religious these days.”

Captain in V4 E3: “By the gods!” (nice foreshadowing btw)

Qrow: *proceeds to talk about an entire religious mythology that will take the forefront of RWBY’s main conflict*

Me: wut

The sexual references are starting. And I hate them. Blake’s dad calling her clothing too revealing, and Nora telling Ren not to look up her skirt. Unless you’re Evangelion and subverting common fan-service tropes, you don’t have the right to being them into RWBY, especially since Monty was very avid in Volume 1 interviews about shying away from showing the girls in upskirt/sexual scenarios.

Talk about the moon. Qrow looked up at the moon during his talk with RNJR about the relics. Might want to explain why after four volumes of complete silence about it.

Where’s Neo? Is she alive? Dead? Relevant? Irrelevant? Why didn’t she fight Yang in my hypothetical finale? Has she been looking for Torchwick, not knowing that he’s dead? A mute character like her just has too many interesting scenarios for her to be completely dropped.

And that’s it. Thank you to all those who have sat through this 5,400-word post. In the end, there were many things I liked about Volume 4, like how the Nuckelavee was terrifying, and how Qrow’s poisoning was handled, with everyone on the edge of their seats on whether Qrow would die. I just wish it lived up to all the hype that we gave it. Oh well. Cheers to a good Volume 5 in Mistral, the most Omashu-looking city I’ve ever seen (when will this show stop ripping off of Avatar).

#rwby #rwby4 #rwby volume 4 #rwde #slight rwde #not really sure what to call this mess

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