#I guess I could re-do this post with pictures but I'm not sure anyone's going to really give a shit
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deepdreamnights · 3 months ago
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Hey there, saw your post re: harassment around artists using gen ai and thought it was great esp with the debunking of data usage myths. Would you share your thoughts regarding concerns that models are being trained to copy specific art styles and thus pose a direct threat to the artists whose art styles are being used?
Well, there's several levels to that.
The main one is that on copyright grounds, styles are explicitly non-copyrightable. Moreover:
No one's style is unique
No one's style is unimitatable by analogue means.
The second point is important, because anyone can go on Fiverr right now and and find someone to replicate any given art style, and every competent draftsperson has to be able to do it to some degree or another. No major animation house, art studio, or comic company has ever hired someone because they couldn't find someone else that could imitate the surface-level aspects of their style.
The first point is just a matter of basic reality. Ex-nihlo creativity either doesn't exist or is so rare as to be a once-in-an-epoch thing. Everyone builds on the influences that they learn from, and if you think someone has a unique style what they really have is a different media diet than you.
For example, Don Bluth. Born 1937, aged 15 in 1952.
Same year Time released this this picture of Burlesque Performer Dale Strong.
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Someone made an impression.
Marilyn Monroe was also a national sex symbol when Bluth was a teen, putting some context to most of his other ladies, but especially Goldie Pheasant (or maybe she's more Jayne Mansfield, hard to tell through the bird-ness). His art style has obvious roots with Tex Avery and I would guess he read Mad Magazine a lot as a kid.
And Not to hang the guy out to dry alone, I was a teenager in the 1990s, and most of my sexy fictional ladies are 9/10 some combination of Dana Scully, Peg Bundy, and Rhonda Shear.
The point being that style isn't something you create intentionally so much as an accumulation of influences, drawn from the commons. Attempting to claim ownership of such a thing is by itself an act of theft in my view, and allowing them to be protected under the law would mean a judge being shown exactly how many pieces of prior art the Walt Disney Corporation owns that your work superficially resembles. Why, they'll even run it through a style recognizing AI to make sure they catch them all.
But let's talk about style matching.
It just takes one image now, and doesn't require training.
Which I'm sure sounds frightening, but this has been the situation since February for Midjourney, and it was available in the Stable Diffusion ecosystem long before that. If the threat were as pronounced as feared, we'd have seen the impact by now. And we haven't, and we're unlikely to, for several reasons, several of them listed above.
The largest is that style isn't even close to the be all/end all of what an artist brings to a given project. And the kinds of execs who are making a 'replace 'em with a robot' kinda decision aren't the kinds of people who care about art style beyond how much it looks like the most recent successful thing. And nobody's ever needed a robot to ride coattails.
But the next largest part is that AI style imitations aren't really accurate because the robot doesn't see style in the same way we do. It's all just math to the robot, and it prioritizes what it notices, not what we do.
I'll demonstrate.
Jack Kirby will be my example, for several reasons.
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He has a bold and identifiable style, he's arguably the most famous artist in western comics history, and he has many analogue imitators and homagers.
Using Midjourney and prompting "an illustration of dana scully by jack kirby, 1968, in the style of 1960s marvel comics --ar 3:4 --s 15"
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Using the base model, on the first roll we get three complete style mismatches and one that's kinda close, though I'd say that's way more Sal Buscema or John Byrne.
Kirby's women had a certain, difficult to describe oddness about their faces that the robot doesn't seem to grok, and it doesn't touch on the kinds of wild patterns and bold black/white swatches that make Jack's work feel 'jack'.
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Tom Scioli's take on Kirby is a sort of lovingly flanderized parody, but it captures the spirit of Jack's art much more directly even if a lot of individual details aren't period-accurate. He draws Kirby the way you remember Kirby from your childhood, but I don't question whether the page above is trying to be a Jack Kirby homage or one to Sal Buscema.
But Midjourney has style reference, so we can inject the Kirby right in. Using the picture of Sersei dancing from above with the same prompt, we get:
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Well, the work is more convincingly period, but again, we're not terribly close to being on-point. In fact, they're not very consistent between each other. Top left is any 80s marvel fill-in artist. Top right is maybe Kirby-esq. Bottom Left is flat out Jim Lee, bottom right is very Byrne-y.
Using three reference images to give the best shot, I'm also moving to using images of a similar color style, and all with a woman as the central focus. I have included the infamous Crystal pin-up shot because as I said, Kirby women have a certain oddness to them (fondly).
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Results (MJ 6.1 on the left, Niji 6 on the right):
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It all says 60s-70s Marvel, but I don't think Kirby would be the first guess for any of them. Maaaaaaybe the lower-left Dana in image #2 if you squint.
And that's Jack Kirby. Massively popular and prolific with a career spanning decades. If anyone in the comics space should be impersonatable by this thing, its him.
I'm sure you could train a LORA to get closer, and sure, the tech is only going to get better from here, but by the nature of how the system works no generation pulls just from what is referenced. Every generation is both blended with other concepts and emphasizes only what the machine catalogs as relevant, not what we might.
There's not much to stop someone from imitating your style with a machine, but there was nothing stopping them from doing the same with an underpaid freelancer. The results are likely to miss the mark regardless.
If the client wants you, they'll try and get you. If they just want something kinda like you, they've always had an avenue to that.
Fortunately, you're more than your style, and whatever anyone can do with the machine, you can do better because you've got access to both.
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yolatirra · 6 months ago
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Okay, with all the Game Informer information I'm going to take a stab at some speculation for where the story is going & what's going to happen.
This turned out to be... a very long post.
---The Evanuris---
First of all, I was right that the male figure is Elgar'nan! Not that it was an uncommon theory, but I still haven't seen anyone else pointing out that his symbol is an eclipse, so I'm still running with my Elgar'nan - God of Darkness/Eclipses theory. But I'm still not sure exactly what to say about it other than that.
We can now make a pretty solid guess that the final voice in the Thedas Calls teaser trailer is Elgar'nan. His dialogue suggests that he's trying conquer the world, which makes sense. He was the leader of the elven pantheon, and likely kind of a tyrant. Ghilan'nain, on the other hand, I suspect cares more about doing her weird experimental stuff than ruling the world. I suspect each one will be causing different problems for us.
-Ghilan'nain-
Ghilan'nain might be attacking places and/or sending monsters to attack for her, in order to collect material for her experiments, meaning people, animals, lyrium, red lyrium, and other stuff. She may have particular interest in Seheron, Par Vollen, and Rivain, because of the Qunari presence in those places. There's also the tentacle monster we see over Rivain in the Thedas Calls trailer, and the voice associated with Rivain saying "Glory to the risen gods, they come to deliver this world".
I've always suspected she has some connection to the Qunari, because they seem to be a created race, and she's the most likely candidate for having created them. If a Tevinter magister was responsible for creating the Qunari, it may have been the Augur of Mystery, aka the high priest of Razikale, who is almost certainly either Ghilan'nain herself or a dragon who is closely connected to her.
There are also the thaigs. In Horror of Hormak, we learn that there were 12 mountains that (probably) Ghilan'nain sent elven prisoners to. There were also 12 great Dwarven thaigs. With the creepy lyrium pool in Hormak destroyed, that leaves the 3 currently inhabited thaigs, Orzammar, Kal-Sharok, and Kal-Hirol (which was only recently reclaimed). Of these, Kal-Sharok I think is the most likely for us to visit, since it's furthest north and we've heard of vague weird stuff happening there. So I suspect Ghilan'nain will be up to some shit over there.
I'm also wondering now if the lyrium pools are directly powered by titans in some way, which would explain why they are seemingly in the same places as the thaigs. Or maybe they just need to be built near titans for better access to lyrium.
There's also the Scaled Ones. If they end up being relevant, they're probably connected to Ghilan'nain.
-Elgar'nan-
I have fewer guesses about Elgar'nan, but I expect he'll go after Tevinter. He might kill the Archon or the Black Divine, or both. I could see him convincing many magisters to follow him, just by offering them power. The Venatori in particular would probably be happy to follow Elgar'nan, since they're already familiar with red lyrium, and Elgar'nan probably knows how to use red lyrium far more effectively than anyone else in Thedas. I wouldn't be surprised if Elgar'nan fully takes control of Tevinter at some point in the game.
---Locations & Companions---
-Seheron & Par Vollen-
We don't have any confirmation or even strong hints that we'll be visiting these places, but it wouldn't surprise me if we do. We should at least be learning a lot more about them. I think with Ghilan'nain in the picture, we may even learn where the Qunari actually came from, or at least get some clearer hints about it. It would be cool to finally learn what the Fog Warriors are.
We've been hearing about the Qunari less than I expected in recent news, but they may just be choosing to focus on Solas and the Evanuris for now.
-Rivain-
Taash is probably from Rivain, going by her being a Lord of Fortune and her location in the reveal trailer, so that's one connection. There's also the "glory to the risen gods" voice from the Thedas Calls teaser, which is probably either a Qunari leader or a Rivaini spiritual leader of some kind. Or, if the Lords of Fortune have a leader, that's another option.
-Antiva-
The "the crows rule Antiva" voice from the Thedas Calls teaser is probably a leader of the Crows. I'm going to guess this is Caterina Dellamorte, grandmother of Lucanis. It would make sense that we have some connection to her through Lucanis. Either he gets us access to Caterina, or Lucanis joins us because we talk to Caterina. That said, the world seems to think Lucanis is dead according to "The Wake", and something weird is going on with him, with all the weird purple eyes and wings symbolism, so who knows.
-The Anderfells/Weishaupt-
I'd love to see more of the Anderfells besides Weishaupt, but I'm guessing Weishaupt will be a very important location in this game. I suspect the blighted forest we see Davrin in in the reveal trailer is either south-east of Weishaupt in the foothills of the Hunterhorn mountains, or north in the Donarks.
Really hoping we go to the shore of the Volca Sea at some point, but there's no particular evidence for that.
I think Weishaupt is going to be pretty much destroyed in this game, and we may visit it more than once.
-Nevarra-
The Necropolis is going to be important somehow, but I can't even guess at how. Maybe there's some old artifact buried in its depths and we have to find it? Maybe there's a particular spirit living down there we need to talk to? Maybe, like much of Thedas, the Necropolis is actually Old As Fuck and there's elven stuff at the bottom.
Emmrich, of course, will be our guide.
-The South-
I doubt we'll be going anywhere we've been before. Skyhold seems to have gotten its farewell in Callback, so as much as I'd love to see it updated in pretty graphics, I don't think we'll go there. Though maybe we could see it in a flashback, and find out why it's called Tarasyl'an Te'las. I could also see a quick visit to Val Royeux to talk to the Divine or whoever is on the throne, but I think it's more likely they'd come to us in the north or we'll just talk to them via letters or through the Inquisitor.
-Tevinter-
Okay, I think there are going to be some BIG changes to Tevinter by the end of this game. I expect Elgar'nan to kill most of its existing leadership, so by the time we take down Elgar'nan, Tevinter will need a completely new government.
I think the Tevinter-Qunari war will be resolved in the first half of the game, because both sides are going to be taken over or destroyed by the Evanuris. "Peace" via conquering.
---Plot---
-Prologue Predictions-
Here's my guess for "where the hell is Varric when Rook & the others are in the fade?"
While I, like most people, agree that Varric's death has been HEAVILLY foreshadowed, I don't think he dies this early on in the game. The devs and the community council members keep saying he's a major character, and I don't think they would keep emphasizing that if he dies a few hours into the game. At least a couple community council people have even said they do not know Varric's fate, and they've played a good bit further than the Game Informer article described. I do, however, think Varric will die at some point in the game, either at the midpoint or sometime during the second half. I doubt all the foreshadowing is purely a red herring.
I also think a part of the ritual site scene was cut out of the gameplay trailer. After Solas blows away the statue, I think Varric tries to take the dagger away from him while he's distracted, and probably succeeds. Either Varric has the dagger, or he gets it away from Solas and it falls off the platform (which I think is more likely). He then falls down the stairs, which is why we maybe see him in the background in that one shot. I doubt Solas attacked him or hurt him intentionally, but he may have used magic to pin him in place, which would explain the green glow & why the blurry figure seems to try to get up, but can't.
What I'm not sure about is how Rook's blood gets mixed in with the ritual. Maybe Rook helps Varric get the blade away from Solas, and ends up getting cut by it? Maybe there's some kind of fight between Solas and the Evanuris and Rook gets caught in the middle?
Moving on past the gameplay trailer, I don't think Varric gets sucked into the fade with the others. Either he manages to hide from Ghilan'nain and Elgar'nan, or they dismiss his presence as unworthy of their attention and leave without hurting him. A few things could happen after that.
Varric goes back through the eluvian and arrives back in Tevinter as expected. He goes to the Inquisitor or to Dorian, seeking help from old friends because he has no idea what happened to Rook, Neve, Harding, and Solas.
Varric goes back through the eluvian, but it takes him somewhere else, because it's not working right with Solas stuck in the fade. From there Varric still finds his way back to the Inquisitor or Dorian, or he ends up lost somewhere.
Varric gets picked up by other Veil Jumpers, and we meet up with him soon after the quest with Bellara. This could also happen if he tries going through the eluvian and it doesn't work.
If Varric ends up lost somewhere but isn't picked up by the Veil Jumpers, I think he'll end up back with the Inquisitor or Dorian regardless. I doubt we'll spend multiple missions trailing after Varric.
While the idea of Varric getting stuck in the fade with Solas is funny, I doubt it would actually happen. One, I don't know if anyone but an Evanuris could survive the fade prison Solas has created. Two, it seems like a waste of Varric as a character. Presumably he wouldn't be able to communicate with Rook the way Solas can, so he'd just be absent from the story until he and Solas are freed. That doesn't line up with him being a "major character".
Could the Evanuris capture him? I guess, but... why? These are elven gods, and we know the ancient elves didn't really see the dwarves as people ("witless, soulless"). What information would they expect to get from him? They likely wouldn't consider using him as a bargaining tool either. They'd be more likely to kill him than capture him, but even that I think is unlikely. I think they'd just ignore him, or not even notice him.
When Rook leaves the Lighthouse and ends up meeting Bellara, they're trying to get back to the ritual site. Why would it be important to return there? Two reasons. One, figure out where Varric is and if he's dead or not, and two, retrieve the ritual dagger. I doubt it ended up in the fade with Rook, because that would be way too easy. We'll have to search for it. That'll be the first big goal of the game.
If we meet up with Varric after the quest with Bellara, either he has the dagger or he doesn't. If he does, cool, we have it now. If he doesn't, we have to keep looking for it. I suspect he wouldn't have it.
From here, Bellara acts as a guide to get us back to the ritual site. The dagger is likely still here, and I suspect that recovering it will allow us to travel through the eluvians accurately. It's possible we'll have to keep searching for the dagger, but if I'm right about it acting as something like a key for the eluvians, we'll probably have access to it pretty early.
At this point, if we haven't met up with Varric yet, we'll probably seek him out. I would assume Harding knows how to get in touch with him and/or the Inquisitor, so this may be where the Inquisitor gets introduced. It seems a little early to introduce the Inquisitor, but maybe the pacing of it works out. Besides, I don't think Rook at this point would feel they have the authority to start giving orders or leading people on missions. They aren't a leader yet, so they're going to seek out leadership.
I kind of doubt we'll have a full dual-protagonist thing with Rook and the Inquisitor, but the Inquisitor may be playable for specific story sequences. The possible specializations for the Inquisitor are mostly not present in this game, so trying to transfer their abilities and playstyle to Veilguard wouldn't make much sense. They could have a very simplified playstyle in comparison to Rook, but I think it's more likely the Inquisitor just won't be playable in combat. They could join the party as a guest though, like Varric does in the gameplay trailer.
So, we might meet with Varric and/or the Inquisitor here, and this might be where our group gets the Veilguard name. Together we decide on our next mission.
With Bellara, Neve, and Harding in the party, we need a warrior, meaning we'll probably go to Rivain or Weishaupt next. I think, considering that darkspawn showed up in the Arlathan Forest during Bellara's intro mission, Weishaupt is more likely. Either we hear of something going on there, or we choose to seek out the wardens for help/advice/information.
It's also possible we meet Davrin somewhere else and go to Weishaupt later on, but if so I can't really predict where. Maybe Varric or the Inquisitor are already aware of Davrin and introduce us before we head over to Weishaupt.
-Major Plot Threads-
I think we'll have three major plot threads through the story.
Elgar'nan conquering and Ghilain'nain experimenting
Solas being trapped and us finding a way to free him (if we choose to)
The Tevinter-Qunari war & conflict between Qunari factions
There may also be a fourth one involving the titans but it's hard to guess at that with how little we know about them.
-Misc. Guesses & Theories-
From here it's a lot harder to speculate about anything specific, so here's a list of my guesses for future events:
If I were to guess about the order the rest of our companions will join in, I'd say Lucanis > Taash > Emmrich, mostly just because of their classes. I could see them joining in any order though.
Bellara manages to repair the housing for the archive spirit that we find in the veil bubble during her intro quest. It ends up living in the Lighthouse and either acts as our crafting/upgrade person or is a source of elven history.
Elgar'nan will fully take over Tevinter at some point.
The big circular building hovering over Minrathous will be involved in the final conflict somehow, though I doubt it's where the final battle will be. It might even crash down on the city at some point, leveling a good chunk of Minrathous.
Final battle will be in the black city.
Over the course of the game, Solas will try to convince us to free him. We might be able to choose whether or not to listen to him.
We are able to free Solas in the last 3rd of the game. Or, something happens that results in Solas being freed. The Inquisitor is present for this event and this is when their reunion happens.
Dorian & Maevaris show up in the story when some shit goes down with the Magisterium, maybe Elgar'nan convincing the other magisters to join him.
Either we meet the Inquisitor first and hear the Dorian's voice for the first time over their communication crystal thing, or vice versa.
Elgar'nan and Ghilan'nain are both against us, but not necessarily working together. They may even end up fighting each other. We know the Evanuris often fought amongst themselves, after all.
The old gods Lusacan and Razikale are to Elgar'nan and Ghilain'nain, respectively, what Corypheus's red lyrium dragon was to him. In Trespasser Solas says Corypheus "discovered the secret of effective immortality". Since the Evanuris were already immortal, I would assume this refers to them coming back from being killed, as Mythal can.
Lusacan and Razikale are ancient great dragons, not just high dragons, and are thus incredibly difficult to kill in their own right. They are also more intelligent, possibly capable of speech.
Elgar'nan is the one who murdered Mythal.
Mythal shows up in dragon form toward the end and fucking wrecks Elgar'nan, maybe saving Solas from dying/sacrificing himself in the process (okay this one's less of a prediction and more "what if!" but still)
I think the Titans and Sandal will be relevant to the story but I can't even guess at what their roles will be at this point.
And that's a long enough post. I'm sure I'll have more theories as we learn more.
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aelfgyvaa · 7 months ago
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re: your post about anne boleyn merch, would be interested to hear your thoughts on the musical "six"!!
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I think we were always gonna end up here eventually. To briefly summarise? I have pretty much nothing but distaste for Six.
Before I get into it, let me just say - I don't care if you like Six. If it makes you happy, that's great, I respect that. I'm not trying to tell anyone that they can't or shouldn't enjoy it, just that my personal opinion of it is... negative, to say the least.
TW - In the discussion below, I do mention child loss and child sexual abuse
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The very first song in Six promises that the show is going to explore a different side of the infamous six wives of Henry VIII, rejecting the popular narrative ('Get ready for the truth that we'll be revealing'). However, it only seems to succeed in retreading the same ground we've been going over for literal centuries. I'm sure a casual viewer of Six could certainly learn something new about these women from the show - if, that is, they'd never really known about them in the first place.
To start, I'll go over some of the gripes I have with each individual representation of the wives.
Catherine of Aragon
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First off - did no one pause to think that a jokey throwaway line like this in an upbeat pop track might have been distasteful when discussing a woman who lost five children?? No? Ok. Catherine had four miscarriages or stillbirths, and lost her son Henry when he was little more than a month old (and from what I've seen, none of this is mentioned at any point).
'Kiddy-less' is just obnoxious.
Anne Boleyn
In her character description at the beginning of the script, Anne is described as 'a bubbly, fun-loving gal who only wanted to snog a sexy guy'. At another point, she is referred to as 'The temptress'. Right. So we're just sticking to the exact same reductive portrayal of Anne that's been circulating forever? Cool, cool, very revisionist.
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The only person who confessed to an affair with Anne Boleyn was Mark Smeaton, who did so under torture, and his story didn't even align with known facts at the time. Portraying Anne as a flirt is not 'revealing' the 'truth' - it's quite literally repeating the narrative that saw her executed.
The script and the song lyrics are littered with jokey references to 'losing your head' and I just??? Apparently, the beheading of a real person was the opportune moment to slide in a blowjob joke. Sorry, didn't realise that her execution was funny - my bad I guess.
Jane Seymour
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Six seems to want to give us the impression that Henry VIII's affection for Jane Seymour, the only one of his wives to give birth to a surviving son, was reciprocated by her. Which is... certainly presumptive.
Of course, I can't definitely say anything about her personal feelings, but the fact that Henry married her eleven days after Anne's execution, and that she was reportedly sympathetic to Catherine of Aragon and Mary Tudor, paints an interesting picture of their relationship.
Other than that, there's not much to say about Jane - but that in itself isn't great. She comes off as flat, and little more than a doting housewife-esque stereotype. I understand that she was only queen for a year, but... go girl give us nothing?
Anne of Cleves
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Once again... this is just so lazy. Considering one of the two writers/composers for Six studied revisionist history at Cambridge, the revisionist narrative we were promised at the beginning remains entirely absent.
The first time Henry VIII met Anne, he burst in unannounced, in disguise, and kissed her without consent. I don't know about anyone else - but if I had just arrived in a new country, was not fluent in the language, and had never seen the man I was to marry before - I'd be freaking the fuck out if that happened. Henry seems to be one of the first people to ever call Anne 'ugly', which only happened after this incident wherein she was clearly unimpressed by him. Very convenient.
Katherine Howard
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Sigh...
Yeah, I hate this. I hate it so much.
Accounts are definitely murky, but I think it's safe to say that Katherine Howard had a childhood marred by sexual abuse. Whilst she was a ward of the Duchess of Norfolk, Katherine had a 'relationship' with her music teacher Henry Mannox. We don't know exactly how old Mannox was (Six puts him at 23, but yeah. We don't know), but given that their 'relationship' reportedly took place around 1536-ish, Katherine would've been about thirteen. There's an acknowledgement of this age gap in Six, but it's pretty gross how flippant it is.
Her alleged 'relationship' with the Duchess' secretary Francis Dereham is also referenced with similar thoughtlessness.
Given that Katherine was most likely still a teenager when she married Henry VIII - and when adultery accusations resulted in her execution - the pretty blatantly sexual tone with which she is presented is incredibly uncomfortable and, frankly, super inappropriate.
Katherine Parr
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First off - fucking pardon? Speaks for itself, really.
The first half of Katherine's song focuses on her relationship with Thomas Seymour as opposed to Henry VIII. Which, y'know, it's nice to move away from Henry, although Thomas Seymour is very much not off the fucking hook (child groomer👍).
Katherine's song is definitely the least blatantly offensive and/or boringly repetitive of the bunch, and I do appreciate the references to her writing (although it is pretty much thrown in without any context). To be honest, she's pretty much got the only characterisation that I'm not actively opposed to.
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Six claims to be a feminist, revisionist retelling, and yet in its first scene immediately pits the six women against each other by deciding to compete for who is the 'best wife' by... comparing trauma? Even when Katherine Parr's character questions this, she's mocked by the other characters.
There's an acknowledgement towards the end of the play that comparing the women and defining them by their relationships with King Henry is reductive - but frankly, by this point in the play, the damage has already been done. No half-assed 'Hey maybe we shouldn't compare ourselves after all!' is going to erase literally everything else that happened in the show prior to this. I don't care that you've decided to pull a complete 180 right at the very end, you still populated the rest of the show with disrespectful jokes that made light of the traumatic experiences of VERY REAL PEOPLE.
Six fundamentally fails at its introductory promise of revealing any sort of 'as yet untold' history surrounding these women. Worse, it arguably dehumanises them, reducing them to a group of dancing, singing, jokey fictional characters who reflect on the misery of their real-life counterparts with a disconcerting sense of humour. Instead of fulfilling its feminist framing, it falls for the tired, repetitive method of thought that presents these women as two-dimensional placeholders.
I read Six's entire script for this post, and honestly, I hope I never have to look at it again.
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apocalypticavolition · 8 months ago
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Let's (re)Read The Dragon Reborn! Chapter 5: Nightmares Walking
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Or uh, riding, since that's what my picture has. Alas. Anyway you know the drill by now I'm sure, spoilers for anything and everything under the sun in this post, especially The Wheel of Time since that's what I'm rereading.
This chapter has the Trolloc triptych because we're getting a Shadowspawn attack.
He opened his mouth to shout warning, and suddenly the door of Moiraine’s hut burst open and Lan dashed out, sword in hand and shouting, “Trollocs! Wake, for your lives! Trollocs!”
Perrin, with the magical help of an entire pack of wolves, is only ALMOST as fast to respond to a crisis as Lan. That man's real fucking badass, y'know? (But also: Perrin is fighting his powers every step of the way and Lan's got two decades of experience with his own supernatural aid. It's only a matter of time before Perrin makes Lan look like the chump.)
The Tuatha’an woman pressed her back against the log wall, a hand to her throat. The light from the burning trees showed him the pain and horror, the loathing on her face as she watched the carnage.
I was just reading some stuff iliiuan had to say on the Tuatha'an before I got into this chapter so let me just note: Leya's priorities are all out of whack here if Perrin's reliably relating her emotions. She's not keeping herself safe, she's just being judgy about violence happening in her vicinity. And it kills her.
All that mattered was that he had to reach Leya, had to get her to safety, and the Trolloc was in the way.
Perrin's desperation to do the right thing even though of course he could easily write Leya off as an inevitability (and an inconvenience until the inevitable happens to boot) is why he's a hero, you know? I'll be giving this boy the most shit out of anyone but he tries to save someone's life even though he knows he can't and that's something.
The stink of it filled his nostrils, goat-stench and sour man-sweat.
It's good to know that Trollocs produce all the scents available to them instead of just limiting themselves to one or the other. And by good I obviously mean gross, but since I read it you have to too!
She was still there, huddled in front of the hut, not more than ten paces upslope. And watching him with such a look on her face that he could barely meet her eyes.
Leya's zealotry may be a formative trauma for Perrin I think.
Suddenly Leya moved, throwing herself forward, attempting to wrap her arms around the Myrddraal’s legs.
Well that's great and all Leya but isn't restraining someone so they can't move a very light form of violence? Like good... well good may be strong, but some kind of positive adjective... effort trying to protect Perrin and all but if you tripped the Fade isn't that causing it physical harm? Where is the line for the Tuatha'an? Did she in the last moment of her life betray her own beliefs for nothing? Concerning if so.
“Fade,” Perrin said roughly, but then a different name came to him, from the wolves. Trollocs, the Twisted Ones, made during the War of the Shadow from melding men and animals, were bad enough, but the Myrddraal—. “Neverborn!” Young Bull spat.
Half the reason we don't get Rand POVs much in this book is that Perrin's stealing his TGH schtick of losing himself in his newfound powers. I think this is something of a leftover from the proto-Tam character who was going to be Jesus AND the luckiest SOB ever AND a werewolf AND probably a really good shot I guess or whatever that fourth kid was supposed to contribute. Being easily replaceable, maybe?
The urge to rush down the slope and join his brothers, join in killing the Twisted Ones, in hunting the remaining Neverborn, was strong, but a buried fragment that was still man remembered. Leya.
Perrin will of course spend this book (and the next... ten?) afraid that he might turn into a werewolf forever because of an encounter, but we see right here that this isn't a risk for him because he's always got stuff to pull him back. Leya's barely in the list of ten most recent people he talked to but he won't abandon his humanity for her sake - how much less likely is he to abandon it once he's got Faile?
He no longer thought of the greater battle. There was only the Trolloc he and the wolves—the brothers—cut off from the rest and brought down. Then there would be another, and another, and another, until none were left. None here, none anywhere.
Obviously this is a terrible viewpoint to adapt if you're trying to be the strategy guy, but since Perrin isn't that anyway and the battle isn't reliant on such things, it actually works for him here. He's also more aware of himself than he was with the Whitecloaks, showing he's developed a little with his powers even if he's afraid of them.
Young Bull threw back his head and howled with her, mourned with her. When he lowered his head, Min was staring at him. “Are you all right, Perrin?” she asked hesitantly.
Note that while Min's obviously freaked out by Perrin embracing his inner furry, she's not exactly treating him like a freak show either. Like I said, she'd probably be very supportive if she knew the details.
Frantically he walled himself off from contact with the wolves. Images seeped through, emotions, as he tried to stop them. Finally, though, he could no longer feel them, feel their pain, or their anger, or the desire to hunt the Twisted Ones, or to run. . . .
Again we can kind of see how the proto-Tam's various aspects would have tied into a central character arc, with rejecting the naturalistic wolf expression being just one more way he would have been hardening himself and just one more thing he'd need to embrace to be the full hero at the end.
The Shienarans still standing—so few—lifted their blades and joined him. “Tai’shar Manetheren! Tai’shar Andor!”
Hell, even the Shienarans aren't that judgmental since they are already following Rand around.
But when he was with the wolves, it was all so different. He did not have to worry about strangers being afraid of him just because he was big, then. There was no one thinking he was slow-witted just because he tried to be careful. Wolves knew each other even if they had never met before, and with them he was just another wolf.
Is it wrong that occasionally I think Perrin might be a little bit on the spectrum?
“A sign to confirm our faith. Even wolves came to fight for the Dragon Reborn. In the Last Battle, the Lord Dragon will summon even the beasts of the forest to fight at our sides. It is a sign for us to go forth. Only Darkfriends will fail to join us.”
Masema is of course foreshadowing his delightful nonsense, showcasing how he was still corrupted by Fain, and letting Jordan make it subtly clear that the real Last Battle will be more complicated. It's not just Darkfriends who won't be on the side of the Light, even at the very end.
Do you know what I did during the fight?” Still staring into the distance, Rand addressed the night. “Nothing! Nothing useful. At first, when I reached out for the True Source, I couldn’t touch it, couldn’t grasp it. It kept sliding away. Then, when I finally had hold of it, I was going to burn them all, burn all the Trollocs and Fades. And all I could do was set fire to some trees.”
Rand's an incredible channeler, but even he needs a teacher.
“We . . . dealt with them, Rand,” Perrin said. He shivered, thinking of all the wounded men down below. And the dead. Better that than the mountain down on top of us. “We didn’t need you.”
And likewise, in the final conflict, no one will be needing Rand to deal with the individual Shadowspawn and even if he could deal with them to keep the people alive it would be a waste of everyone's time.
There had been a man, Elyas Machera, who also could talk to wolves. Elyas ran with the wolves all the time, yet seemed able to remember he was a man. But he had never told Perrin how he did it, and Perrin had not seen him in a long time.
Sorry Perrin, but he doesn't really pull it off anywhere near well enough for your standards.
He gasped and almost dropped his axe. He could feel the skin on his back crawling, muscles writhing as they knit back together. His shoulder quivered uncontrollably, and everything blurred. Cold seared him to the bone, then deeper still. He had the impression of moving, falling, flying; he could not tell which, but he felt as if he were rushing—somewhere, somehow—at great speed, forever.
Another reminder that the best modern Aes Sedai have for healing at this point is emergency care, which works but definitely isn't the good stuff. Moiraine even tells him to eat afterward.
“Most of the wolves who were hurt made their own way to the forest,” Moiraine said, knuckling her back and stretching, “but I Healed those I could find.” Perrin gave her a sharp look, yet she seemed to be just making conversation. “Perhaps they came for their own reasons, yet we would likely all be dead without them.”
Moiraine is nice enough to try and thank Perrin subtly, but of course he's much too suspicious for any of that.
“If you could get me to Shayol Ghul now,” Rand said drowsily, “by Waygate or Portal Stone, there could be an end to it. No more dying. No more dreams. No more.”
It would obviously have a terrible ending, but a fanfic of Moiraine somehow taking sleep-deprived Rand to Shayol Ghul and just kind of hoping for the best would be hysterical. This Rand might not be as traumatized as he's going to be, but I still think assuming he'd last five minutes before agreeing to let the Dark One unmake reality is overly generous.
“That’s right,” Rand said bitterly. “I’m not to be trusted. Lews Therin Kinslayer killed everyone close to him. Maybe I’ll do the same before I am done.” “Pull yourself together, sheepherder,” Lan said harshly. “The whole world rides on your shoulders. Remember you’re a man, and do what needs to be done.”
If Perrin or Mat had tried sassing Lan like this they would have learned what their pancreas looked like once chopped in half before finishing the second sentence, so while Lan's toxic masculinity is of course only adding to the Dragonmount of psychological issues Rand's going to need to deal with, let's also reflect that it's still him going easy on his favorite boy.
Next time: Ingtar leads the crew out of Fal Dara, Rand finds out Moiraine fucked with his belongings again, and Lanf--
Wait no. Sorry. That was LAST book's chapter "The Hunt Begins". Next time we read THIS book's version, which probably has a lot less Ingtar due to his having a prior commitment. Also much less Rand on account of his running away.
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kafus · 1 year ago
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story update time! most of this is from yesterday when i was calling a friend on discord lmao. i got to celestic town and after talking to all the npcs i advanced the story
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man cyrus really thinks in black and white huh. like there's either full balance with no change, or he has to rewrite the entire world in his ideal image or whatever. can very much see why his, essentially, cult recruitment works so well. it's bold and sounds noble and cuts out nuanced thought lol
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at first i was slightly taken aback by the implication that change = bad at all, but after coming back to these screencaps i am pretty sure she means fundamental change with how the human spirit etc works, in reference to cyrus wanting to literally rewrite the universe and the mural of the lake trio behind everyone here
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and of course his threat in this situation is the destruction of an ancient illustration of the deities he seeks to control and destroy. not only is that symbolic for obvious reasons but this is an adult man with supposedly more power than you (a child) and the elderly person next to you who is able to fuck up a cave wall with his pokemon or whatever. he's trying to intimidate you. i won of course btw lol
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further confirming my thoughts earlier, cynthia's grandma goes on to say that sinnoh is filed with the memories and thoughts of countless people and pokemon... why would anyone want to change those memories or thoughts? the world IS wonderful actually. the indomitable human spirit etc. and pokemon spirit SSFDKSDFKS
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anyways ty for the surf HM SDFKSFDKSFD i somehow forgot to take a picture of it but she mentions that the HM belonged to cynthia, but she doesn't use it anymore. i'm assuming this means cynthia either has all her surf users, has spare surf HMs, or literally just flies everywhere. regardless i just think that's cool. my surf HM is the one cynthia used once a long while back. Neat!
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oh and last time i posted about story i made a joke about how nonchalant everyone is about terrorism but i forgot this dialogue happens after the encounter with cyrus in the cave LMAO i really wasn't wrong, that was intentional! cynthia says straight out that she thought they were harmless. everyone is treating galactic like delinquent teenagers spouting nonsense who aren't actual threats. especially after the bomb that went off in the great marsh caused little to no damage, i guess. sinnoh isn't routinely experiencing great threats of violence or threats of destabilizing the region.
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after our conversation cynthia recommends me to go to canalave city to check out the library and whatnot, which i can now do because i have surf, but first here's the dialogue when interacting with the dialga and palkia murals. i just think it's neat
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i did indeed visit the library and since it's been a while since i paid attention in here i actually re-read all the sinnoh myth books. i'm not going to show them as screenshots here since there's way too much text and i don't have interesting things to say about all of it, but all of their text is written out word-for-word here on Bulbapedia if you've never read them before and want to check them out
i do have a FEW stray thoughts though...
in "Sinnoh's Myth" about the lake trio it says:
Bearing with them the power to make vast lands, they rise again.
as far as i know this is the only time that the trio are referenced to have the power to "make vast lands" which feels kind of out of place. like these are the beings of knowledge, emotion, and willpower, not land sea and sky like the hoenn trio or something LOL this really just feels like a throwaway line without much meaning? perhaps you could interpret as them giving people the power to create land but that's a stretch. it is probably not that deep and just awkward writing tbh
in "Veilstone's Myth" it says:
Asked he, "Why do you hide?" To which the Pokémon replied... "If you bear your sword to bring harm upon us, with claws and fangs, we will exact a toll." "From your kind we will take our toll, for it must be done." "Done it must be to guard ourselves and for it, I apologize."
there is the interpretation that this is about Giratina since veilstone is the closest city to Turnback Cave where you can find giratina, and at the end of the myth it says "Seeing this, the Pokémon disappeared to a place beyond seeing..." which could be a reference to the distortion world. however, i think there's also a counter-argument to be had here since giratina is considered forgotten by sinnoh as a whole and later in the game cynthia remarks on how it is missing in the myths - she spends a good chunk of the game researching this in the background. so it'd be kinda weird if there was just something directly written about dialogue from giratina in the library.
HOWEVER that being said i think it's definitely still Possible and if it is true that this is about giratina, it puts giratina in a more sympathetic light. i jokingly call giratina Pokemon Satan a lot (in reference to him being the "evil" one as opposed to arceus, not an actual deep reference to christianity or the actual story of satan) but this frames giratina's actions as well intentioned or in self defense, which makes him a lot more interesting as a deity imo. personally i'm not sure whether i believe this is about giratina or not
lastly, while this is well known i still wanna talk about it, in "A Horrific Myth" it says:
Look not into the Pokémon's eyes. In but an instant, you'll have no recollection of who you are. Return home, but how? When there is nothing to remember? Dare not touch the Pokémon's body. In but three short days, all emotions will drain away. Above all, above all, harm not the Pokémon. In a scant five days, the offender will grow immobile in entirety.
this is pretty directly referencing uxie (knowledge), mesprit (emotion), and azelf (willpower) in that order. portraying the lake trio as dangerous and powerful entities that can literally wipe your memories or take away your emotions is interesting juxtaposition to them supposedly being the ones that blessed humans with the ability to feel joy, have memories, and do things... and not only that, they don't seem to want to use that dangerous power either, but it seems to be out of their control - uxie has its eyes always closed (so you can't look into its eyes), mesprit flees from you (that's why it's a roamer) and azelf is able to enter someone else's body (to avoid harm). they're probably so damn secluded in these lake caves so that they don't hurt anyone. they're good natured gods i suppose
sinnoh mythology is very cool and why i love this region so much but anyway i'm going to make a Gameplay Update post as well in a bit SDFKSF
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sequesteredschizo · 8 months ago
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cw // suicidal ideation & self harm 
thought too much about where I should post these words @ and where to do it if I did
Decided on here, both to challenge myself to be honest about how I'm doing and as a small private testament to myself, esp considering I can't guarantee I'll remember any of this later if I don't 
A few months ago I decided I was supposed to kill myself on April 26th 2024. I think something about doing that nullified certain anxieties of mine at times, for better and for worse. I thought the worst thing I could do that would ruin everyone I cared about was already going to happen, so I was able to loosen my grip somewhat on the people-pleasing and the social anxiety and the agoraphobia- maybe a sort of subconscious 'if something doesn't change, i will be dying. So I might as well try while I'm still around.' I've been callous and I've been unstable, but I also took risks (or, actions I that felt like risks to me) that landed me with more life-affirming results than I could have ever anticipated.
I sent texts I thought were annoying and stupid to people I wished I talked to more, I tried to eat like a well-adjusted adult person, I was honest with my dad about how hellish my disability was making my life for the first time. Etc etc. Anything to connect, anything to survive. I didn't care anymore. it felt like the end of the world. To everyone else it probably seemed like I was finally re-entering society, if anyone thought much of it at all (unlikely, imo.) At one point, I hurt myself worse than I ever had before, and without really meaning to, haven't done it since. It feels now like a microcosm of the bigger picture, just by coincidence. Doing better wasn't necessarily my intention, but it was a consequence of thinking I was fucking it all up one last time. Might as well throw all the chips in.
Last weekend I attended a wedding out-of-state for a relative I hadn't seen in years knowing id meet countless new faces and I didn't even freak out. And I was terrified, and I didn't want to go there and I didn't want to stay here but I did it anyways. Turns out I don't think I've ever felt so loved and welcomed and appreciated in my life. The people I reached out to on a whim, because what was the worst that could happen? Some of them actually respond back, fucking shocker. My dad is trying to stop pretending I don't exist. I'm a little less malnourished. So those are all good developments.
I feel like I reached up into an empty sky with the very last dregs of energy I had and by some miracle, just enough of the universe reached back. I don't and didnt want to scar and endanger my struggling loved ones because I couldn't be strong enough to deal with myself. It had to be my last option, after truly trying everything I could. I didn't even do much, and I didn't expect it to work. I didn't expect my favorite band to be dropping new shit on my due date. I didn't know that I would really honestly from the bottom of my heart not want to leave this fucked up horrible beautiful tragic world behind. 
I know there's always going to be a part of me that expects me to commit. it's always been easier for me to hurt myself than help myself. I've written a lot of suicide notes throughout my life. This is the first time I've ever done the opposite, I guess? This is supposed to be my promise to me that I want to live. I need to. Its really hard to admit that to myself. I'm pretty sure I can do it tho.
I think (and almost hope) that the handful of you who follow this stupid little blog wont read this, but I posted it here because theres too many people everywhere else. It's directed at myself anyway.
a distant yell into a cacophonous void, in hopes that typing it will act as a metaphysical vehicle for manifesting it in the collective subconscious:
TRANS PEOPLE DONT KILL YOURSELF!!!!!! PLEASE!!!!!!!!!!!!!!
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destinyc1020 · 11 months ago
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I do want to be specifically careful with how I address this. Please know I'm saying this with not only the utmost respect to you, but as well as Austin because this is his personal life. I hope this doesn't come across with any ill intent, because that is definitely not the intention whatsoever.
Now that Vanessa and Austin's relationship has been brought up a few times in recent months on this blog especially today with the whole "chemistry" and "energy" matching discussion on whether Austin and Kaia truly "fit" together.
I do think it's important for you and others to know especially for those who are new to knowing Austin re: weren't there for when this was a discussion. But it is common knowledge especially for those who lived in Williamsburg New York at the same time Austin and Vanessa did. That Vanessa was very cruel and controlling to Austin (she would publicly berate him).
Maybe their relationship looked and had the energy like it was together and perfect in all those paparazzi photos and Instagram selfies Vanessa would post. But it does go to show that we really don't know these celebrities therefore we can't judge what we don't know.
I hope in some way this makes sense, I reiterate I do not want to cause any drama with this, so I understand if you don't post this publicly. I just thought it was important to say.
Thanks Anon! 😊
No worries....I'm not taking any offense to your ask at all. I too have heard the rumors that Vanessa wasn't all that particularly nice to Austin at times. 😔
This could all be hearsay for all we know, but IF those rumors were indeed true....Do I think she was this way towards ALL the time? NO. I don't think Austin would have been with her for about 9 years (was it?) if she had been nasty to him all that time. Just like, I highly doubt Vanessa would have been with Austin all that time had he been a monster towards her. You just don't stay with someone THAT long (Especially when you have options and are famous lol) unless you really love that person. Jmho.
I think, that like any couple, especially one that's been together for 9 YEARS, they probably fought and had disagreements or issues just like any other couple? 🤷🏾‍♀️
When you hear them talk about each other though in past interviews, and see how they interacted w/each other, they had nothing but good things to say about each other and seemed deeply in love. 😊 Granted, we don't always see what goes on behind closed doors, so I'm sure things weren't perfect, but I just don't believe that people are staying w/someone in a relationship for that long if it was lousy lol. They could have had anyone lol.
Kaia is probably much nicer I guess? 🤷🏾‍♀️ So maybe she's a breath of fresh air for him? Idk... Vanessa (as much as I love her) seems more like a firecracker lol 😅🤣 And definitely controlling lol. While that can be hot and sexy at first, I can see how over time, that could get a little old for a man lol. We don't know what happened in their relationship obviously, but I think fans need to keep in mind that they only saw that one snapshot of her being rude towards him. When you look at pictures of them otherwise, they seemed VERY happy w/each other, and like best friends. Again, I can only go by chemistry vibes and what I SEE. That's basically all people are saying.... "Chemistry". We're not saying whether one was better for the other or not.... 🤷🏾‍♀️
Ironically, if you were to ask me, he seemed happier with Vanessa than he does with Kaia tbh, but again, that could just be that he was younger at the time I guess.
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graycoin · 6 years ago
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Alright I’ve tried to largely use my tumblr blog for good but I gotta ramble about MK character design so I can get some sleep. I’m actually pretty disappointed with modern Mortal Kombat character designs - I wish they were all basically like Scorpion and Sub-Zero, where they’re basically cooler, more interesting versions of their original designs.
Why? Because it would be interesting, that’s why. Because so many of these characters were drawn from the same template, and seeing that same design template evolve in different ways with different characters would be really cool! I mean, look at what they did with Scorpion and Sub-Zero - the former looks a lot more threatening, and the latter looks much more formal, like a fantasy martial arts grandmaster. They did so much with such a simple template, and it would’ve been so interesting to see that applied to the rest of the cast.
I was genuinely looking forward to seeing that happen with Ermac - but they just kinda turned him into a dark mummy. Which is honestly kind of boring. And the ladies kind of got it rough too - looking at their designs, none of them really have any obvious through-lines. Milenna goes from scantily-clad to...tight pants and a crop top? Kitana just kinda has vaguely “regal ninja” looks, and Jade’s new design looks cool but doesn’t really echo her original look at all. She looks like a different character despite having obvious things like green armor and her bo staff to point out that this character is, in fact, Jade.
I dunno, I just think iterating off the classic designs would’ve been interesting, instead of throwing them out if they weren’t Sub-Zero or Scorpion. It would’ve had history, in a meta sense. It’d show where the franchise had been, and how far it had come. Modern MK designs just seem kinda disjointed, classic designs traded off for new ideas that don’t really stand out enough to be iconic in their own rights.
Maybe they tried too hard to be serious. I dunno. It’s interesting.
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katsukikitten · 3 years ago
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Part one. Master list for plus one can be found here.
Just a nice fic I decided to write for fun. Please enjoy!
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Asshole!
He was nothing but a huge, giant fucking ASSHOLE for the entire two years the two of you were dating and he decides NOW is a good time to break up with you?
Two days before your cousin's wedding and over TEXT MESSAGE?!
That fucking asshole.
He knew how you felt. Exactly how you felt about going alone to your cousin's wedding after your family begged to meet your boyfriend and teased you for "probably making him up." Which hell, he may as well have been made up considering how absent he was in the relationship. Using work as an excuse to come home late but forgetting to turn off his snap location when he showed up at the bar.
So you did what any rational woman in her upper twenties would do.
You drowned your sorrows in booze, tonight red wine as it was the only thing around, and you scrolled through your socials in hopes of distracting yourself from your suffering.
Alas the devil that is Instagram only amplified your sadness and irritation. Showing couple after couple, your friends on hikes kissing on the mountain top, kissing in the flickering light of candles at a fancy dinner or, worst yet, getting proposed to. The video showing her in hysterics screaming, "YES I DO I DO!"
And it feels terrible to feel this way. Especially about your friends, the people you love and want to support, still it stings. You hadn't told anyone about the breakup, you weren't even sure your friends even remembered that asshole's name.
A teardrop lands on your screen, magnifying all the magical lights of the led beneath the glad. You wipe away the tear and with that the feed refreshes. A new post has come in at the top, Res Riot's official account.
Kirishima stands with a fat white cat in his arms. He dwarfs the animal with his large stature that looks larger as he still has his Red Riot gear on. The caption reads something along the lines of "missed my precious baby."
Red wine is a dangerous thing as your body acts on its own. You go to his page to hit the little arrow to DM him. Typing out and backspacing your message as you struggle from the booze, you decide to say fuck it and use the voice memo feature. Before you know it your sniffling voice is playing back to you after you've hit send.
"My ex broke up with me before this stupid wedding. It's in two days and my family is going to roast me big time when I show up alone. They think I made that asshole up. I don't know why I'm even in your dms. Your account is probably run by some dick head who can't even capture your kindness. I guess I'm here cause my first thought seeing you on my timeline was Red Riot has always been my hero…"
Ugh totally fucking cringe.
There is no surprise as you see the three normally ominous dots pop up, probably his social media manager about to ask you to stop your "advances" as Kirishima is too busy to date and he'd hate to block you or some other bullshit.
But there it is a surprise to see a little bubble with the play button and some vertical lines in various heights. It takes your sluggish brain a moment to realize you've been sent a voice memo. Odd. Your thumb smashes the screen faster than you can think and a deep voice rumbles through the speakers of your phone.
"Actually I run my official and personal socials. And I'm sorry to hear about your ex doll. He sounds like a real ass. I'll be your hero, I'll go with you to the wedding."
Your heart stutters, no way, no way in HELL this was Red Riot. You had read about the horror stories before or pervy account managers taking advantage of women who so desperately wanted to talk to their hero.
Hell, it's happened to Dynamight plenty of times.
You swallow quickly but the bile rushes up your throat. Not just from the anxiety of a possible con but from drinking an entire bottle of wine with nothing on your stomach after months of sobriety. Quickly you stumble to the bathroom, abandoning your phone on your bed. You barely make it in time to praise the porcelain Gods before you fall onto your back. Looking up at the light in your cramped bathroom, the orb doubles and spins as you feel the Earth turning on its axis. You curl into your side using your bathmat as a pillow as you drift off into sleep, totally forgetting about the voice memo on your phone.
As you sleep peacefully on your memory foam bath rug, Kirishima settles into his nightly routine. One giant hand grabbing strands of long dark red hair into a towel while another sits snugly around his Adonis belt and the thick, black happy trail that follows up the center of his abs before spreading out onto his chest. He tosses the towel over the open door of the bathroom before sitting in his favorite armchair with phone in hand. Diamond, his beautiful white cat he rescued a few years ago, jumps onto the arm of the chair, purring loudly when Kirishima's free hand scratches her ears absentmindedly.
He chuckles to himself as he realizes exactly what he's done. Acting on a feeling instead of logic all because he heard a "damsel in distress." Starting off his rare vacation with spontaneity starting with an impromptu date with a stranger. He really isn't sure what you look like and it's obvious your handle doesn't have your real name in it, just PrincessPeach with some random numbers at the end. He takes the time to scroll through your profile. Seeing pictures of food, of many sunsets, a friend's dog that guest appears often, your own cat and plenty of strays.
It takes him a while before he sees a photo of you. His heart stutters in his chest as he looks you over. Laughing with a friend, soft lighting from strings over head that blur like little fireflies. Your smile is wide, half hidden by your hands as your eyes seem to smile with you. Sparkling as if they held stars.
For a moment Kirishima forgets how to breathe, it isn't until Diamond jumps down from the armchair does he inhale. He smiles softly to himself before he drops his towel, puts his phone on charge and promptly falls asleep in his bed.
Kirishima rises before the sun even has a chance to filter through his blinds. He sighs softly, getting up to a sitting position disturbing a fluffy white ball that lays beside him.
"Mmrow." Moon stone eyes blink slowly as they look at the mountainous man hogging the bed.
"I didn't mean to wake you sweet baby." He says softly, going to pet the soft white fur only for her to get up stretch and give him her butt before plopping back down.
"I know, mean ol' daddy woke you up too early again." He says softly, his hand falling onto her back before he rises from the bed. Fishing for his running shorts, socks, headphones and shoes. He makes his protein shake, leaning on the counter as he drinks it, looking at how you read, or better yet, listened to his message but still no reply. It was late and there was a small slurring of your words, he figures you've passed out. He just hopes you're okay.
His run goes as usual, up before anyone else unless they were the normal avid runner. Passing by the usual array of people. An old man holding onto his youth by jogging through his daily five mile morning run, Kirishima knows he runs another five in the evening while the sun is setting. He hopes he can embody some of this man's commitment when he is older. Then he passes a middle aged woman, who gives him the biggest smile as she pases, jogging backward to send him a wink before plowing ahead. Occasionally he'll see a running group or a few teens training to be heroes, they always ask if they can run his route. "It's long." He always warns in a kind, warm voice. They assure him they will be fine so far only one other person could handle his 12 mile morning run. A young woman in her second year of hero courses at UA. Since then Kirishima put in a word with his boss and so every time internships roll around she's in the office.
By the time Kirishima is rounding back towards his high rise apartment, the city begins to stir. Slowly waking as men and women in business suits rush towards the train, parents flinging open the doors or curtains fussing at their children who cling to an extra few minutes of sleep before school.
This was always his favorite part of the run, not because it was almost over, oh no it was because he had a chance to glimpse at everyday life. Of nine to fives, of school hours and after school hangs outs at snack bars or the library.
What most would call the mundane but Kirishima would never call it that. It's why he worked so hard to protect it.
Diamond greets his sweaty form at the door. Glaring angrily with her moon stone eyes. Tail swishing before she goes to the kitchen by her bowl. Waiting impatiently.
"I'm not late, sweet cheeks." He coos, and she glares, "I know I know. You're hungry now."
He opens the fridge, gets out the highest quality food there is and places it on her dish, sure to keep it all in the middle or she'll claim her bowl was empty. He added a splash of water too since the weather was starting to get hot.
He sucks down a water or two, demolishes a protein bar and then heads to the apartment gym.
A few hours roll by and without hearing from you yet his worry over your well being begins to cloud the forefront of his mind. He pauses his music, picks up his phone and talks out a voice memo.
A loud DING echoes from your room and around your skull as you rise with a throbbing headache.
"Fuck." You hiss to yourself grabbing at your head as you shakily rise to your feet. Yanking the handle of the faucet to drink from the stream before looking at yourself in the mirror.
"Ugh." You grunt ignoring your swollen face and eyes, yanking the mirror door open to snatch at the bottle of aspirin. Swallowing THREE extra strength pills before slamming the door shut and turning off the faucet. You make your way towards your bedroom, more than ready to sleep the rest of your day away. Grabbing at your phone to charge it you see the push notification of an Instagram message from Red Riot.
The fucking Red Riot.
Internally you scream before it bubbles up your throat and escapes. You fumble to unlock your phone before looking that it's a voice memo.
Mortified you realize you sent one too. And first at that.
"Fuck MEEE!" You plop onto the bed. Nervous this second voice memo is probably about how you're a weirdo or something as you relive the memory of asking him to be your plus one.
Hesitantly your thumb hovers over the play button before you find the strength to press the cool glass. A soft thunderous voice plays out.
"Good morning sleepy head. I haven't heard from you yet, I hope you're okay. Be sure to drink some water and eat something greasy. Trust me, late nights with Denki and Bakugou taught me something. Since the wedding is tomorrow I'll need a picture of your dress for the color and style so I can match you Sweet pea. Contact me soon so I can know where to pick you up."
Did he… did he just call you SWEET PEA? Your heart pounds in your chest before it registers he's asked for your dress color and lowkey asked for your address. This couldn't be real. It sounded like Kirishima, his voice familiar from interviews you've watched but it very well could be a prank. Defeated you hit the small microphone and reply.
Kirishima hears a sharp DING in his headphones over his music as he finishes his set. He wipes the sweat from his face on his shirt giving the few people in the gym a lovely view of his sweaty and thick torso. One woman trips on the treadmill but it goes unnoticed by Kirishima. He pauses his music and hits play on the little memo. Your beautiful yet groggy voice comes in through his ear buds causing Kirishima to bite his lip. It causes such a flutter of butterflies in his stomach he has to listen a second time to actually hear what you said. Although he understand, he cannot help but feel hurt by your reply.
"How do I know you're not just some pervy guy using Kirishima's Godly looks to prey on unsuspecting people."
Your phone chirps at you from the bed stand and you growl reaching for it. You had hoped your message would have been clear. An unspoken of you know they're a fucking creep taking advantage of their PR job.
"What can I do to prove it to you, Sweet Pea?"
You hate how that cute nickname sends your heart into a somersault and your stomach in delightful knots. Still your doubt pulls a harsh tut from your lips before you reply.
Kirishima doesn't need his phone to alert him that you've messaged him, he's been looking at his screen for far to long without having to restart his set. He listens to your voice as if it were music.
"Fine, you wanna prove it to me so bad. Take a picture of yourself shirtless with the word 'Sweet pea' you love so much and send it to me. No photoshop I know what my favorite hero looks like!"
For over an hour you don't hear back and you figure you showed that perv.
But now you can't sleep so you nurse a water, door dash a "greasy" breakfast all before cranking your shower as high as it can go. Your phone dings and you try to ignore it. You really do but as the saying goes curiosity killed the cat. Opening the message you see a classic guy mirror selfie. Kirishima is clear as day in the photo, his large hand pointing to his bare, hairy chest where sweat pea is scrawled in his adorable handwriting. He winks at the camera as his kissable lips wear a dangerous, almost cocky eyes travel down his bulk following his happy trail that dives under a pair of black shorts, the best part of the view getting cut off by the vanity. At first you try to rationalize that this was fake but damning evidence was sitting on the vanity. A fluffy white cat in a diamond and ruby encrusted collar sits on the counter giving her owner an odd look.
His cat Diamond that everyone knows he loves and adores. Slick begins to collect between your thighs and especially so after you listen to the voice memo that comes through shortly after. His normally friendly and soft voice comes out a bit dark, husky as he says in a playfully annoyed tone.
"Now send me a picture of that dress, Sweet Pea."
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qqueenofhades · 5 years ago
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Re: the post you reblogged about Bush. I'm 21 and tbh feel like I can only vote for Bernie, can you explain if/why I shouldn't? Thanks and sorry if this is dumb or anything.
Oh boy. Okay, I’ll do my best here. Note that a) this will get long, and b) I’m old, Tired, and I‘m pretty sure my brain tried to kill me last night. Since by nature I am sure I will say something Controversial ™, if anyone reads this and feels a deep urge to inform me that I am Wrong, just… mark it down as me being Wrong and move on with your life. But also, really, you should read this and hopefully think about it. Because while I’m glad you asked this question, it feels like there’s a lot in your cohort who won’t, and that worries me. A lot.
First, not to sound utterly old-woman-in-a-rocking-chair ancient, people who came of age/are only old enough to have Obama be the first president that they really remember have no idea how good they had it. The world was falling the fuck apart in 2008 (not coincidentally, after 8 years of Bush). We came within a flicker of the permanent collapse of the global economy. The War on Terror was in full roar, the wars in Iraq and Afghanistan were at their height, we had Dick Cheney as the cartoon supervillain before we had any of Trump’s cohort, and this was before Chelsea Manning or Edward Snowden had exposed the extent of NSA/CIA intelligence-gathering/American excesses or there was any kind of public debate around the fact that we were all surveilled all the time. And the fact that a brown guy named Barack Hussein Obama was elected in this climate seems, and still seems tbh, kind of amazing. And Obama was certainly not a Perfect President ™. He had to scale back a lot of planned initiatives, he is notorious for expanding the drone strike/extrajudicial assassination program, he still subscribed to the overall principles of neoliberalism and American exceptionalism, etc etc. There is valid criticism to be made as to how the hopey-changey optimistic rhetoric stacked up against the hard realities of political office. And yet…. at this point, given what we’re seeing from the White House on a daily basis, the depth of the parallel universe/double standards is absurd.
Because here’s the thing. Obama, his entire family, and his entire administration had to be personally/ethically flawless the whole time (and they managed that – not one scandal or arrest in eight years, against the legions of Trumpistas now being convicted) because of the absolute frothing depths of Republican hatred, racial conspiracy theories, and obstruction against him. (Remember Merrick Garland and how Mitch McConnell got away with that, and now we have Gorsuch and Kavanaugh on the Supreme Court? Because I remember that). If Obama had pulled one-tenth of the shit, one-twentieth of the shit that the Trump administration does every day, he would be gone. It also meant that people who only remember Obama think he was typical for an American president, and he wasn’t. Since about… Jimmy Carter, and definitely since Ronald Reagan, the American people have gone for the Trump model a lot more than the Obama model. Whatever your opinion on his politics or character, Obama was a constitutional law professor, a community activist, a neighborhood organizer and brilliant Ivy League intellectual who used to randomly lie awake at night thinking about income inequality. Americans don’t value intellectualism in their politicians; they just don’t. They don’t like thinking that “the elites” are smarter than them. They like the folksy populist who seems fun to have a beer with, and Reagan/Bush Senior/Clinton/Bush Junior sold this persona as hard as they possibly could. As noted in said post, Bush Junior (or Shrub as the late, great Molly Ivins memorably dubbed him) was Trump Lite but from a long-established political family who could operate like an outwardly civilized human.
The point is: when you think Obama was relatively normal (which, again, he wasn’t, for any number of reasons) and not the outlier in a much larger pattern of catastrophic damage that has been accelerated since, again, the 1980s (oh Ronnie Raygun, how you lastingly fucked us!), you miss the overall context in which this, and which Trump, happened. Like most left-wingers, I don’t agree with Obama’s recent and baffling decision to insert himself into the 2020 race and warn the Democratic candidates against being too progressive or whatever he was on about. I think he was giving into the same fear that appears to be motivating the remaining chunk of Joe Biden’s support: that middle/working-class white America won’t go for anything too wild or that might sniff of Socialism, and that Uncle Joe, recalled fondly as said folksy populist and the internet’s favorite meme grandfather from his time as VP, could pick up the votes that went to Trump last time. And that by nature, no one else can.
The underlying belief is that these white voters just can’t support anything too “un-American,” and that by pushing too hard left, Democratic candidates risk handing Trump a second term. Again: I don’t agree and I think he was mistaken in saying it. But I also can’t say that Obama of all people doesn’t know exactly the strength of the political machine operating against the Democratic Party and the progressive agenda as a whole, because he ran headfirst into it for eight years. The fact that he managed to pass any of his legislative agenda, usually before the Tea Party became a thing in 2010, is because Democrats controlled the House and Senate for the first two years of his first term. He was not perfect, but it was clear that he really did care (just look up the pictures of him with kids). He installed smart, efficient, and scandal-free people to do jobs they were qualified for. He gave us Elena Kagan and Sonia Sotomayor to join RBG on the Supreme Court. All of this seems… like a dream.
That said: here we are in a place where Biden, Bernie Sanders, and Elizabeth Warren are the front-runners for the Democratic nomination (and apparently Pete Buttigieg is getting some airplay as a dark horse candidate, which… whatever). The appeal of Biden is discussed above, and he sure as hell is not my favored candidate (frankly, I wish he’d just quit). But Sanders and Warren are 85% - 95% similar in their policy platforms. The fact that Michael “50 Billion Dollar Fortune” Bloomberg started rattling his chains about running for president is because either a Sanders or Warren presidency terrifies the outrageously exploitative billionaire capitalist oligarchy that runs this country and has been allowed to proceed essentially however the fuck they like since… you guessed it, the 1980s, the era of voodoo economics, deregulation, and the free market above all. Warren just happens to be ten years younger than Sanders and female, and Sanders’ age is not insignificant. He’s 80 years old and just had a heart attack, and there’s still a year to go to the election. It’s also more than a little eye-rolling to describe him as the only progressive candidate in the race, when he’s an old white man (however much we like and approve of his policy positions). And here’s the thing, which I think is a big part of the reason why this polarized ideological purity internet leftist culture mistrusts Warren:
She may have changed her mind on things in the past.
Scary, right? I sound like I’m being facetious, but I’m not. An argument I had to read with my own two eyes on this godforsaken hellsite was that since Warren became a Democrat around the time Clinton signed Don’t Ask Don’t Tell, she sekritly hated gay people and might still be a corporate sellout, so on and etcetera. (And don’t even get me STARTED on the fact that DADT, coming a few years after the height of the AIDS crisis which was considered God’s Judgment of the Icky Gays, was the best Clinton could realistically hope to achieve, but this smacks of White Gay Syndrome anyway and that is a whole other kettle of fish.) Bernie has always demonstrably been a democratic socialist, and: good for him. I’m serious. But because there’s the chance that Warren might not have thought exactly as she does now at any point in her life, the hysterical and paranoid left-wing elements don’t trust that she might not still secretly do so. (Zomgz!) It’s the same element that’s feeding cancel culture and “wokeness.” Nobody can be allowed to have shifted or grown in their opinions or, like a functional, thoughtful, non-insane adult, changed their beliefs when presented with compelling evidence to the contrary. To the ideological hordes, any hint of uncertainty or past failure to completely toe the line is tantamount to heresy. Any evidence of any other belief except The Correct One means that this person is functionally as bad as Trump. And frankly, it’s only the Sanders supporters who, just as in 2016, are threatening to withhold their vote in the general election if their preferred candidate doesn’t win the primary, and indeed seem weirdly proud about it.
OK, boomer Bernie or Buster.
Here’s the thing, the thing, the thing: there is never going to be an American president free of the deeply toxic elements of American ideology. There just won’t be. This country has been built how it has for 250 years, and it’s not gonna change. You are never going to have, at least not in the current system, some dream candidate who gets up there and parrots the left-wing talking points and attacks American imperialism, exceptionalism, ravaging global capitalism, military and oil addiction, etc. They want to be elected as leader of a country that has deeply internalized and taken these things to heart for its entire existence, and most of them believe it to some degree themselves. So this groupthink white liberal mentality where the only acceptable candidate is this Perfect Non-Problematic robot who has only ever had one belief their entire lives and has never ever wavered in their devotion to doctrine has really gotten bad. The Democratic Party would be considered… maybe center/mild left in most other developed countries. It’s not even really left-wing by general standards, and Sanders and Warren are the only two candidates for the nomination who are even willing to go there and explicitly put out policy proposals that challenge the systematic structure of power, oppression, and exploitation of the late-stage capitalist 21st century. Warren has the billionaires fussed, and instead of backing down, she’s doubling down. That’s part of why they’re so scared of her. (And also misogyny, because the world is depressing like that.) She is going head-on after picking a fight with some of the worst people on the planet, who are actively killing the rest of us, and I don’t know about you, but I like that.
Of course: none of this will mean squat if she (or the eventual Democratic winner, who I will vote for regardless of who it is, but as you can probably tell, she’s my ride or die) don’t a) win the White House and then do as they promised on the campaign trail, and b) don’t have a Democratic House and Senate willing to have a backbone and pass the laws. Even Nancy Pelosi, much as she’s otherwise a badass, held off on opening a formal impeachment inquiry into Trump for months out of fear it would benefit him, until the Ukraine thing fell into everyone’s laps. The Democrats are really horrible at sticking together and voting the party line the way Republicans do consistently, because Democrats are big-tent people who like to think of themselves as accepting and tolerant of other views and unwilling to force their members’ hands. The Republicans have no such qualms (and indeed, judging by their enabling of Trump, have no qualms at all). 
The modern American Republican party has become a vehicle for no-holds-barred power for rich white men at the expense of absolutely everything and everyone else, and if your rationale is that you can’t vote for the person opposing Donald Goddamn Trump is that you’re just not vibing with them on the language of that one policy proposal… well, I’m glad that you, White Middle Class Liberal, feel relatively safe that the consequences of that decision won’t affect you personally. Even if we’re due to be out of the Paris Climate Accords one day after the 2020 election, and the issue of climate change now has the most visibility it’s ever had after years of big-business, Republican-led efforts to deny and discredit the science, hey, Secret Corporate Shill, am I right? Can’t trust ‘er. Let’s go have a craft beer.
As has been said before: vote as far left as you want in the primary. Vote your ideology, vote whatever candidate you want, because the only way to make actual, real-world change is to do that. The huge, embedded, all-consuming and horrible system in which we operate is not just going to suddenly be run by fairy dust and happy thoughts overnight. Select candidates that reflect your values exactly, be as picky and ideologically militant as you want. That’s the time to do that! Then when it comes to the general election:
America is a two-party system. It sucks, but that’s the case. Third-party votes, or refraining from voting because “it doesn’t matter” are functionally useless at best and actively harmful at worst.
Either the Democratic candidate or Donald Trump will win the 2020 election.
There is absolutely no length that the Republican/GOP machine, and its malevolent allies elsewhere, will not go to in order to secure a Trump victory. None.
Any talk whatsoever about “progressive values” or any kind of liberal activism, coupled with a course of action that increases the possibility of a Trump victory, is hypocritical at best and actively malicious at worst.
This is why I found the Democratic response to Obama’s “don’t go too wild” comments interesting. Bernie doubled down on the fact that his plans have widespread public support, and he’s right. (Frankly, the fact that Sanders and Warren are polling at the top, and the fact that they’re politicians and would not be crafting these campaign messages if they didn’t know that they were being positively received, says plenty on its own). Warren cleverly highlighted and praised Obama’s accomplishments in office (i.e. the Affordable Care Act) and didn’t say squat about whether she agreed or disagreed with him, then went right back to campaigning about why billionaires suck. And some guy named Julian Castro basically blew Obama off and claimed that “any Democrat” could beat Trump in 2020, just by nature of existing and being non-insane.
This is very dangerous! Do not be Julian Castro!
As I said in my tags on the Bush post: everyone assumed that sensible people would vote for Kerry in 2004. Guess what happened? Yeah, he got Swift Boated. The race between Obama and McCain in 2008, even after those said nightmare years of Bush, was very close until the global crash broke it open in Obama’s favor, and Sarah Palin was an actual disqualifier for a politician being brazenly incompetent and unprepared. (Then again, she was a woman from a remote backwater state, not a billionaire businessman.) In 2012, we thought Corporate MormonBot Mitt Fuggin’ Romney was somehow the worst and most dangerous candidate the Republicans could offer. In 2016, up until Election Day itself, everyone assumed that HRC was a badly flawed candidate but would win anyway. And… we saw how that worked out. Complacency is literally deadly.
I was born when Reagan was still president. I’m just old enough to remember the efforts to impeach Clinton over forcing an intern to give him a BJ in the Oval Office (This led by the same Republicans making Donald Trump into a darling of the evangelical Christian right wing.) I’m definitely old enough to remember 9/11 and how America lost its mind after that, and I remember the Bush years. And, obviously, the contrast with Obama, the swing back toward Trump, and everything that has happened since. We can’t afford to do this again. We’re hanging by a thread as it is, and not just America, but the entire planet.
So yes. By all means, vote for Sanders in the primary. Then when November 3, 2020 rolls around, if you care about literally any of this at all, hold your nose if necessary and vote straight-ticket Democrat, from the president, to the House and Senate, to the state and local offices. I cannot put it more strongly than that.
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prettyflyshyguy · 3 years ago
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1/2 Look into Neocities! It's run by people who actually give a shit about creative freedom, so it's fully donation-dependent and thus has NO ADS—which means NO CORPOS. You'll need to learn at least basic html and css, but after that? Pretty sure unless it's uh, Certain Pictures, you can upload ANYTHING you want. Free accounts get 1 GB of storage, 5 USD a month donators get 50 GB! Worth every penny imo. The community over there's also WAAAY less toxic than tumblr & twitter.
2/2 I'm gonna use it for my webcomics someday. Would be Very Cool to see Bug Leon there too!
Hey thanks for the rec!!! Truth be told I don't know shit about website building so I wouldnt know where to start, but Neocities sounds very cool! I follow an artist who's been promoting it as a platform too so I'll have to jump on it. I feel like learning basic html and css isnt a bad idea and I'd be doing that on any website I was setting up for myself.
I like the thought a lot of having a space that I control fully like that.
Though the question remains; how would I engage with it?
I've had a bit of a personal mantra recently about how I post to what platforms, and what I post. My artstation is my portfolio and only my portfolio. Profesh works, widely socially acceptable art that's appropriate to jobs I'm applying for in my chosen industry. Instagram and twitter are like, semi profesh spaces. I still stick to more main-stream focused content there. Niche interests sure, but I generally avoid fandom stuff that'd require me to give someone a lengthy explanation if they don't also engage in fandom stuff.
Should I just say fuck it and have both there?? Is that ok? Am I allowed to do that? I'd probably opt to not send it to people whomst I'm asking to work for, artstation'll suffice for that untill something happens to it.
But it'd be nice to sort of shed the fear I have about sharing my stuff with people and just have all my stuff in the one spot. Fandom or not. I mean my comic projects are weird as hell too. What difference does it make I guess. I could probably use a space to archive and document things even if they don't ever go anywhere, as a great big history of the projects I've embarked on, to look back on.
Anyone remember when I was trying to make a Sonic Adventure 2 comic re-write AU? lmao
TLDR: I'm afraid of posting bug Leon on twitter hahahaha
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ouyangzizhensdad · 3 years ago
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(1/2) isn't it hypocritical of you to pick on cql fans for their purposeful misreading of canon (which some do, i'm not denying that at all) and then turn around and do that to someone who hasn't said anything critical of mdzs? that person was just listing the merits of each adaptation and you just tore into them as if them saying that cql has any merits at all is an insult to mdzs.
2/2 for example, you pick on the three bows thing, but that is novel canon too and cql shows multiple instances of people bowing in respect only twice, so it's not insanely far-fetched that the three bows are read as an acknowledgement of their marital status. anyway, you're perfectly free to see it as bows of respect, but there's little need to ridicule someone who says they see it differently and that they like cql because of it.
3/2 and i'm sorry if i'm taking too much of your time, i guess i'm a little upset because i've always seen you as a voice of reason in the fandom. to see you make multiple posts tearing down what is an uncontroversial statement (that canon and all adaptations have their own merits, and people shouldn't be judged for preferring one over the other) is a bit hurtful. you say you don't hate cql, but you certainly seem eager to shit on anyone who has anything nice to say about it? 
Hi anon,
I’m not sure I’d consider it hypocritical. I don’t think I’ve ever operated with the caveat that I should only be critical of the arguments of people who have been critical of the book in turn--I guess the baseline is that I am critical of all things I come across. I am not likewise sure I’ve “torn down” into that person or “ridiculed” them. I’ve quoted one part “all adaptations are equally good” and said (yes, as per usual, in a bitter and pretentious tone): “at least take the subjective route of equally enjoyable”. I don’t see how that’s being extremely mean about cql: my view was more that it irks me, for a lack of a better word, that people truly just push aside all the very real issues at a technical level (aside from anything that has to do with the writing or creative choices) that prevents cql, imo, to be considered comparable to other adaptations like the audio drama or the donghua even if it is not my particular cup of tea--but that this does not mean I said that c/ql cannot be enjoyable. I guess I have my issues with people generally being unable to distinguish with a well-made piece of fiction versus one they enjoyed. And that I am still a little bit flabbergasted that it remains a controversial statement to explain that c/ql, despite trying very hard, has many issues that directly impact it’s ability to stand as a well-made tv series.
Then, I think a few days later, I showed the arguments being leveraged by that same person to argue c/ql was just as good or what it ‘brought’ to the table that the other adaptations didn’t (partly because they were representative of many others I had encounter) and ‘responded’ to them one by one underlining how I was left unconvinced by them. I mentioned how one argument in favour (it includes more emotional scenes of wwx crying and being angry) could be read as a failure of the adaptation to stay true to the characterisation of the main character, who is textually said to rarely cry or get angry. I questioned whether it was such a “win” for c/ql to include more scenes of wq and jyl considering how we can infer why this change too place, and how it focuses on a quantitative reading--it’s less a ‘the book handled female characters sooooo much better’ argument than a a ‘we’re really going to give kudos to a tv series because we saw the female characters more often, regardless of how this impacts their characterisation, agency and impact on the story on a narrative and thematic level or why this change likely was made?’.
Then, the three bows thing. I won’t pretend to be an expert here, but my understanding which has come from discussion with Chinese or chinese-diasporic people, is that the third bow must be to one another (bow to the heaven and earth 一拜天地, to the parents 二拜高堂, then to each other 夫妻对拜). We can consider the three bows a wink-wink from the production team because that was the best they could do in the circumstances, maybe. But can we say that these can really be read as an “acknowledgement of their marital status”? It’s different from the novel because wwx talks about reserving that third bow to one another for later. This relates as well to the way fandom have sort of exaggerated aspects of CQL due to misunderstanding certain cultural or linguistic aspects of it, as we have with people being convinced zhiji must always be a grand romantic declaration. Is it a crime to choose to interpret/headcanon these things that way? Of course not. But does it make for good arguments to argue c/ql brought something special to the table that the other works didn’t? I don’t think so.
Overall, I won’t pretend I don’t have a very bitter and pretentious way of phrasing things but I do wonder if that’s where I consider it gets into ‘ridiculing’ territory--I didn’t call them names or anything, I just responded to their points. But the truth is, as you might think that I am targeting that person, whoever they are, for ‘liking c/ql,’ that’s just how I am in general, about all things: I am critical of any arguments I hear and I have no filter. I’m actually trying to be courteous by keeping my responses to my blog, not reblogging from their posts, cutting off the person’s profile picture or name, etc. because in any case more often than not they simply represent to me an illustrative example. Hell, I even get to re-read how I worded things which makes them come out way better than in real life.
You can of course consider that I was out of line! Perhaps it is the pitfall of considering a person a certain thing. Even if you think of someone a “voice of reason” you might also consider that some of the stuff they do or say is a little bit unreasonable. We all draw lines differently. Just because you generally agree with someone does not mean some of the stuff they say or do won’t make you shake your head in disapproval. And if you dislike these posts of mine but still want to stay for the rest, you can blocklist “brine corner”. Unfortunately, although many have tried to change this, I am an incurable critic who is terminally and brutally honest.
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sorry-sorry-sorry · 4 years ago
Text
OBEY ME QUESTION GAME!!
BEFORE YOU START PLEASE READ THIS!
Alright, to start off let me explain how I want you to play this. All I expect of you is to just to either copy the questions or the numbers of the questions and answer them, and once you are done, I guess just re-blog it so others can play this too. I will include my answers under each question to inspire those who aren’t sure what to write or what they would do, and for those who want to get to know me more.
I actually made this because I want to see how everyone actually would react to specific situations so I can, when it comes to writing stories for you all, make them more relatable and not something where you would read the story and think “Umm I/My MC would never do something like this.... “ alright let me stop wasting time now
WARNING THIS CONTAINS SPOILERS FOR SEASON 1!!
Questions
1. Is this going to be about you or your OC/MC?
this is going to be about me, I think it will be about the things I would do realistically
2. What were you wearing when you first arrived? (Casual, smart, PJs, etc. Describe your outfit) 
Realistically speaking, I imagine myself arriving to devildom wearing my favourite BNHA hoodie and some black joggers/sweatpants
3. What we're you doing before you got teleported into devildom?
I actually like to headcanon/imagine that MC originally signed up to study abroad and as they go to the airport and sit on the plane, 2 hours into the flight as they are staring out of the window, they suddenly notice how the light suddenly went off around them and everything went quiet, so when they look away from the window to see what's going on they see that actually somehow everyone feel asleep around them, even the stewards and stewardess. When MC looks back out of the window they suddenly see everything is actually upside down, the plane is flying normally but the city/ land that they saw is suddenly now in the sky and the clouds are at the bottom, and suddenly the airplane starts lowering itself into the clouds which start looking more orange and grey. That is when they suddenly hear Belphagore's voice calling for them as they slowly drift to sleep and then end up waking up in devildom.
4. First reaction when you get there 
Once again Realistically speaking, I'd think this was all either A) a dream (based on Q3), B) A big joke or C) A game show or like a Darren brown kinda thing.
I would probably just be laughing at the whole situation out of nervousness and be like " ya guys are joking right? Hahaha very funny.... ok how do I wake up now?"
5. Reaction to finding out their names
The amount of times I'm going to repeat the word 'Realistically' in this post is uncountable, but realistically speaking I would start bursting out laughing when Satan and Lucifer would introduce themselves. I can imagine myself making fun of it and be like "SATAN AND LUCIFER??!! BWAHAHAHAHAHA IF YOU GUYS ARE SATAN AND LUCIFER, I'M BEYONCE! BWWAAAAHAHAHAHA"
I can clearly imagine them getting pissed at me due to this, because imagine someone laughs at you after you tell them your name, quite rude isn't it ? Lolol
6. Reaction to them actually dancing (dance battles )
In the beginning I'd start laughing but then also die out of second hand embarassment. I don't know why but seeing people dance makes me uncomfortable.
7. If you were to stand next to the characters where does your MC/ OC / Do you imagine yourself to reach up to?
(Going from tallest to smallest )
Beelzebub/Lucifer/Diavolo - around the chest area, Def not reaching up to their shoulders.
Simeon / Solomon / Satan / Barbatos - up to their necks
Leviathan / Mammon - up to their chins
Asmodeus / Belphagore - their ears
Luke my cute little sweet baby that I'm ready to kill for - he would reach up to my shoulders lmao
8. Would you miss anyone? When would you start missing them ?
My family? Lolol no, I wouldn't miss them.
I would only miss my friends and my cats probably after satan would talk about cats. I can imagine me missing them after the first week or the second week
9. Who would you be closest to ?
I can imagine myself being close to the following : Leviathan, Asmodeus and Satan. I think I'd be really good friends with levi or asmo though since they are both invested into things that I'm also really into. Ah! I forgot to mention, I'd try to be friends with Mammon if I saw the brothers getting rude to him.
I'd try to get close to Lucifer but be a bit intimidated by him though and Mammon's tsundere act would kinda hurt me, but after I would realize that he's a tsundere I would be be friends with him.
10. Realistically speaking would you go up the stairs when Lucifer tells you not to? 
Honestly, I would respect Lucifer's wishes and not go up the stairs but if Belphagore doesn't shut the fuck up and keeps telling me to come to him, I'd probably go.
11. How would you react after Belphie kills you? What would you say to him ? 
After the whole killing thing and me seeing my dead body, I would be shocked and probably start swearing worse than s sailor and then lunge at him and beat him up out of anger. Honestly If I ever got the chance to make one of my wishes come true, it would be to get in a fist fight with Belphagore, where I would beat the living hell out of him.
12. How would you react after finding out you left the original timeline?
I would honestly be sad about it, yes I get it that in this timeline we still have the same characters but honestly I would struggle accepting the new ones, and end up missing the original ones.
I think it would also result to me constantly thinking, if this Satan likes me, would the original Satan also like me? What would he have done in this situation, etc.
13. Reaction to finding out about being Liliths descendent? 
One word : shit
I would think it would be cool at first but then when I'd realize that the brothers are technically like my great-great¹⁰⁰⁰ granduncle ( ik that it says that human Lilith is not related to the brothers by blood ) I'd be a bit .... disturbed. I'd definitely crack a lot of grandpa jokes with them and joking call them "grandpapi" randomly.
Honestly though it would also make me feel bad about myself because I'd start thinking that they would start treating me as Lilith's replacement or that they are actually trying to find Lilith in me. But I guess after some time I'd get over it.
14. Reaction to the demon brothers being in their demon form ?
It's simple, if they are angry while being in their form, I'd be wary of them for a while, but if they are calm while being in it, I'd be amazed and ask a lot of questions, resulting to me jumping around excitedly and trying to touch them.
15. On the last day, realistically what would you do? Would you hug the brothers ? If you were to leave devildom who would you stay in contact with?
Honestly I'd kiss the character that I'd fall for the night before I leave. I can imagine that it's either Satan, Mammon, Lucifer, Leviathan or Solomon. It's either go big or go home!
I'd take one of those typical Victorian family pictures with everyone in it, meaning diavolo and barbs, the demon brothers, the angels and Solomon, and I'd make a copy for everyone to keep. I'd also maybe make something that they call all remember me by such as personalized keychains or bracelets.
I can definitely imagine myself staying in contact with Leviathan because... You know... Anime lolol and Solomon since he is the only human who I could talk to about devildom and everything that happened there. I'd love to stay in contact with the others but I feel like I won't be able to entertain them much via texting. I'd also love to stay in contact with the angels but I think we all know that won't be possible. Sad sigh
Would I cry? ... Yes, I would get ready eyed and hug them
16. Lastly, What would you tell your family and friends when you return, what will you tell them when they ask you about where you disappeared off to?
Honestly, I would tell my family about everything that happened, I'd tell them about devildom and everything I experienced since I know they would believe me because our family already has some history with demons and spiritual stuff.
However, I'd definitely lie to my friends saying something such as me breaking my phone when I went to study abroad causing me to lose contact as I was gone.
To be honest, this was really fun to make and answer, it really got me thinking about myself and my personality. I really hope you guys also end up doing this, and enjoy yourself. If you guys want I can also make part 2 which will contain scenes from season 2.
Once again I hope you enjoy yourself, and don't forget to re-blog this with your answers so I can see your responses and so others can play this too.
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let-them-eat-rakes · 5 years ago
Text
RED REALITY (part 1)
(my longest post yet.)
Item #: SCP-3001
Object Class: Euclid
Special Containment Procedures: To prevent further accidental entries into SCP-3001, all Foundation reality-bending technology will be upgraded/modified with multiple newly developed safeguards to prevent Class-C "Broken Entry" Wormhole creation. While knowledge of SCP-3001 is available to personnel of any level should they wish to learn about it, research and experimentation with SCP-3001 and its associated technology is strictly limited to personnel of Level 3 and above, with special clearance designation granted from Sites 120, 121, 124, and 133.
Description: SCP-3001 is a hypothesized paradoxical parallel/pocket "non-dimension" accessible through the creation of a momentary Class-C "Broken Entry" Wormhole.(1) While believed to be an infinitely extending parallel universe, SCP-3001 is almost completely devoid of any matter and has an extremely low Hume Level of 0.032,(2) contradicting Kejel's Laws of Reality with the relation between Humes and spacetime. This phenomenon causes matter inside it to decay at an extremely low rate, and damage that would otherwise prove fatal does not impede any biological/electronic function; simulations suggest an organism can lose more than 70% of their body's tissue and still operate normally, as long as at least 40% of the brain remains. However, prolonged exposure will cause said matter to gradually approach SCP-3001's own Hume Level, resulting in severe tissue/structural damage as the matter's own Hume Field begins to disintegrate.
SCP-3001 was initially discovered on January 2, 2000, at Site-120, a facility dedicated to testing and containing reality-bending technology. Dr. Robert Scranton and his wife Dr. Anna Lang were Head Researchers at Site-120, and were developing an experimental device, called the "Lang-Scranton Stabilizer" (LSS).(3) Dr. Scranton was transported to SCP-3001 after unexpected seismic activity damaged several active LSS in Site-120 Reality Lab A.
Initially presumed dead, Dr. Scranton has survived in SCP-3001 for at least five years, 11 months, and 21 days. During this time, he was able to record his experiences and observations within SCP-3001 through a somehow still functioning LSS control panel, which was also brought into SCP-3001 with him through the Class-C "Broken Entry" Wormhole. These recordings were later recovered upon the panel's sudden return, an unexpected side effect from testing improved reality-bending technology; these logs are the basis of SCP-3001 study. Despite new technologies being developed, retrieval and re-integration of Dr. Scranton has been unsuccessful. His current physical and mental states, if he is still alive, are unknown. [Further information on Dr. Scranton's possible retrieval is under Ethics Committee review.] Transcripts of Dr. Scranton's logs are below.
[No discernible/coherent dialogue can be heard from Dr. Scranton for the first eight days. He cycles through periods of panic, confusion, and anger throughout, and it seems he was attempting to navigate SCP-3001 to find a way out. He finally moved close enough to the recording log on the eleventh day, though did not notice it was operating for several more hours.]
Name, Robert Scranton. Age, 39. Birthday, September 19, 1961.
Favorite color, blue.
Favorite song, "Living on a Prayer."
Wife… Anna…
Anna…
Name, Robert Scranton. Age, 39. Birthday, September 19, 1961.
Favorite color, blue.
Favorite song, "Living on a Prayer."
Wife, Anna. She has green eyes. I love her very much.
Name, Robert Scranton. Age, 39. Birthday, September 19, 1961.
Favorite color, blue.
Height, 178 cm.
Weight, 85 kg.
Wife, Anna. Anna, I'm sorry.
Name, Robert Scranton. Age, 39. Birthday, September 19, 1961.
Favorite color, blue.
My wife's name is Anna. We got married August 12, 1991.
I hope she got out okay.
Please let her be all right, please let her be all right.
Robert, Scranton. 39. Anna, blue, wife. Please… please, God, please…
Anna… Anna… Anna bo banna… Anna bo banna…
What the… what the hell is that? [It is assumed at this point Dr. Scranton noticed the flashing light of the recording module.]
What the fuck, this thing's actually recording?
[Metallic clang heard.]
[Voice is highly agitated and panicked.] My name, is Robert Scranton. Yeah, yeah, my name, is Robert Scranton, former researcher at Foundation Site-120. It has been… I don't know, actually, I… I can't remember. I… I estimate it's been ten days, but, I-I-I don't, I can't… Oh God, can anyone hear me?! I-I-I don't know what's happened, I-I don't know where I am, and-and, please, please is anyone there?! Hello?! Anyone?! ANYONE?!
No one can hear me. Oh God, oh God, oh God. Fuck, fuck, fuck, fuck, FUCK.
Why the hell is this thing even working, it can't be working, it SHOULDN'T be working, so what the hell?! I need to — God, I need to, I need to… see, how… long can I talk here, I think there's a-a-a cap or something on the recording log, and I-I-I can't see anything, I can only see the red light blinking on and off, I can't see any of the switches next to it…
I'm really hungry.
Thirsty, too. I think I should be dead from dehydration by now, but… I don't know.
Hi, little red light. Can you talk to me? Can you talk to… Anna, for me? Hello?
I found the controls.
Two weeks, three days, forty-seven hours, and fifty-eight minutes.
Two weeks, three days, forty-seven hours, and fifty-eight minutes.
Two weeks, three days, seven hours, and fifty-eight minutes.
Two weeks, three days, seven hours, and fifty-eight minutes.
Oh… Jesus.
ERROR WITH PLAYBACK, ERROR WITH PLAYBACK. ERROR WITH PLAYBACK.
Wherever the hell I am, I'm pretty sure now that… I don't need to eat to stay alive. It hurts… a lot, but… at this point I don't think I'm gonna die… So… I'm gonna… I'm gonna take my time… I guess. I… Maybe some sort of miracle will happen and I'll get out. Heh. Keep dreaming, Robert. Yeah, I'm… I'm tired, I'm gonna sleep.
Three weeks, four days, nineteen hours.
I have a picture of Anna in my pocket. I almost forgot. Little red light, let me see her face, please? Just a little bit, I just… I just want to see her a bit.
Hi, Anna, I'm still here, I'm still here. I'm coming back, okay?
Two months, four days, three hours.
… Hi. Robert here. Yeah, I-I haven't really recorded much to hear in the past few weeks. Ha. Hahahaha… Hahaha… huh… huh…
Sorry, gotta keep it together. Breathe.
I've been… I've been busy. Trying to learn more about the place I'm in. My prison. My kingdom all my own. Heh, King Robert. God, I stink. Is there even air in this goddamn place? Stinky King Robert, king of GODDAMN NOTHING FUCK.
…Sorry, sorry. I, I gotta keep this professional. I'll… I'll come back when I'm feeling rested.
… Okay, here goes. [Inhales then exhales deeply.]
My name is… Robert Scranton. I am a former Head Researcher of Site… 120, a Foundation facility dedicated to studying various reality-bending SCPs, for the purpose of developing more advanced countermeasures towards such threats.
For the last… red light, speak to me,
Two months, eight days, sixteen hours.
What red light said. I have been trapped in what I believe to be an empty pocket dimension. Alone. Yeah… alone. All alone.
I'm calling this place SCP… I don't know, I can't remember where we are, screw it. I don't know what's happened in the past… red light, please, again.
Two months, eight days, sixteen hours.
But… no one else is around to argue, and at this point… I'm just talking into this control panel to keep myself together. I… I need to keep a record. There might be some poor bastard in the future who ends up like me, and… if this ever actually makes it out… maybe, maybe I can help stop that from happening. That's all I have going for me right now, and I really need something to go for, hahahaha…
…So, yeah, Robert… Scranton… documenting a new SCP for… future research purposes. That'll have to do. Here we go!
- Close.
Two months, eleven days, ten hours.
Item number, SCP I don't fucking care.
Object Class, Euclid, I guess, but I don't know, I might update this in time. I need to explore more.
Special Containment Procedures, god I sound so much like a shrink right now… Um… I don't know if we could… contain wherever I am. It's… definitely not on Earth. To be honest I don't know where it is. I… I think it has do something with the Stabilizer prototype… I'll explain that more later. Okay… um… yeah, wherever I am, I don't think it can be contained much as… created. No, no, that's not the word I'm looking for. Um… entered. Yeah, entered is better. I came into this place because of some really bad reality-bending accident and… no, no, Robert, don't be like that yet, you don't know if there's no exit yet. Ooooh… livin' on a prayer… halfway… there. Ahem.
Two months, eleven days, eighteen hours.
So… wait, no, Description, Robert, stick to the format… This place… It's some sort of reality gap, I think. It's dark. Really dark. As in, this little red light that shows my words are actually being recorded is the only visible light in this entire place. I can't see my hands, and I can barely see the control panel here. I've had to basically use the light as a center, and remember how many steps I take and in which direction. I haven't gone past a hundred yet. I'm too… I'm too scared to. Heh. I wonder if my hair is turning white, right now? I can't even see what color it is anymore. Speaking of which, my head has been a bit itchy recently. If I don't concentrate on it, it's fine, but I feel this… tingling all over my face. I'm not sure why.
Two months, fifteen days, four hours.
Okay… hoooo… I-I need to relax for a minute, Jesus, god, shit. Holy… shit, shit, shit… I… just discovered a new property of this place. All this time, I've been thinking I might be walking on… some sort of… flat ground, if you will. I kept eye contact with little red as far as I could see, and it seems I could walk in a straight, flat path. Jesus, my head is buzzing right now, I think the adrenaline is still kicking… But, if my hypothesis is correct, and this really is some sort of reality… void, then there shouldn't be anything to walk on. Now that I think about, the whole time I've been in here, it's felt like… I'm walking, but I'm also swimming through something. And this something is thick, and form-fitting, it has this… pressure, which I know isn't the correct term, but goddamn it, this place makes no damn sense and I'm doing my best to understand it, okay?!
God… Sorry.
So, the best analogy I can come up with is… it's like I'm walking through really thick black gel. There's enough tension to keep me on a… "surface", but if I… imagine myself pressing down hard enough, I can descend. Wait. Wait, wait, wait, wait, wait, I think… I think I need to test this more, I'll be back.
Two months, seventeen days, two hours.
Navigation is largely affected by… conscious impulses to travel in a certain direction. So, this definitely isn't a complete reality gap, at least according to mine and Anna's theories. If-if it were I wouldn't have been able to move at all, since space wouldn't have existed. Holy shit, okay, okay, this makes a lot more sense than it did before, great, great job, Robert, you're getting there. …Come to think of it, I should've realized that sooner when I was able to move in a flat plane to and from little red. It also explains why I'm not dead from dehydration or hunger yet, time barely passes in here. Okay yeah, so, I stood right next to little red, and went straight… "down." Okay, from here on out, imagine little red as the origin of a 3D space. I went straight… down, right, yeah, and then… and then I was then able to come back "up" to little red again. I've also been able to "fly" above red. Movement in here is slow, like I said, gel analogy, best I can describe it by.
Two months, twenty-two-days, three hours.
Reporting back for another update, red, SIR! Hahaha, come on red, lighten up. Ha! Pun not intended… Come on red, crack a little smile, it's funny!
… Fine, whatever. Ahem.
This place still seems like it barely follows Kejel's Laws of Reality Parameters. And by barely, I mean, really just barely. I'm pretty sure my math is right, but… hold on, I'm gonna check again…
Jesus. Yeah, yeah, pretty sure it's good still. Okay, this place… if we're using the standard Hume scale, I'm pretty sure I'm in a reality where the Hume Field is… point zero… four… ish. Yeah, really, really, really fucking low, so… Like I said above, space-time exists on a very minuscule scale, so my biology is not getting shot to hell and back because of any malnutrition, but that also means… I… I'm actually not sure what that also means…
Adding on from the last entry. I'm… I'm not sure how my biology will react in such a low Hume concentration, actually. I mostly worked with higher than average Hume Fields, and the reality benders we tested never had a Field lower than 0.8. This… this is gonna be a first. An all-time first. I remember Site-133's "Prommel Killer", they called it that because it broke the previous theory about the lowest limit of Hume concentration. Really expensive, really weird machine that brought down a small area to 0.4. 0.05 is… yeah.
I was lying. I was lying, last log… I… I'm lying to myself. My own body, and… little red here too… We're about the realest things in this place. And that means… over time… the Hume field's going to want to… equalize, and… I'm… I'm gonna go for now, I have some… some calculation to do again. Red, Anna, take note I'm using Kejel's Second, Third, and Fourth Laws, got it? Use… use 0.05 as the surrounding, my external field as… somewhere in between 1 and 1.4, use the Second Law's error estimation correction, and my internal as… as… as… shit. I'm not done yet.
I am real. I am super-real. Super duper real. Ultra real, the realest guy in a world of no-real.
You have no sense of humor as usual, red. I'm talking about the LSS, red. When we got sent here, I think… I think our reality got cranked up a notch. Red, didn't you pay attention in class? Hey, don't get fucking smart with me, red. Okay, the point is, the LSS surge got us up to… to…
Two months, eighteen days, seven hours.
No, red, not even fucking close, you must've converted Kejel's Third Law equation wrong. Because of the malfunctioning LSS we got blasted by, we're somewhere in between 2.2 and 3.6. Yes, that's good red, that's very good, because that means we have more time than we thought to… to… yes, red, before we fucking DIE, okay?!
Two months, twenty four days, five hours.
About three years. Four, if… If I don't interact too much. If… If I had had an LSS here, I could maybe stretch it out to… eight, maybe, that's best case scenario… But I have… I have to… I… know… but… but… three years. Three years, then it's past the point of no return. Ha. Hahahahaha. I should… I should definitely figure something out by then. I think I still should be pretty good for a while… At least… no, no, I won't be in here that long… I'll definitely figure something out…
Anna, what would we do with a case like this? I need your help, honey. That… that tingling I've been feeling… That's my Hume Field diffusing… My… my reality fading… Three years. I need to stabilize myself within three years.
I've been thinking… Anna and I, we had this theory… Even though the Hume Field is low, it's still a Hume Field. And precisely since it's so low, Hume diffusion should take quite a while. Now if… if I could… contain… recycle the fields, keep the diffusion from spreading too thin, I could… And I could also maybe… it's only a theory, but… It's worth a shot. But that means…
Hey, red. I… I'm gonna have to go for a bit. I want to test something, and you can't come with me. I… I'm sorry. No, no, red, I'm really, really sorry, I want you to come, I do, but… if we're together the diffusion will increase faster… We both need as much time as possible. I need to figure this place out more, and you need to make sure you keep all that info in your head. It's… red, come on. You- you'll be fine red, I know you will, you're tough. A lot tougher than me… it'll only be for a bit, red, but I need to see if I can find a way to keep us alive a bit longer. Maybe even get us out of here. If I can contain enough field, I can… I can maybe even get us out. No, no I'm not sure, but I need to find out. Red, we're talking about possibly escaping, okay? Yeah, it's a gap. A gap should have an end, like a… like the walls of a canyon, understand? I need to find a wall, and then, and then I can…
I'm sorry, red, I hope we're still friends when I come back.
I'm… I'm going now… I'll see you soon.
- Close.
Six months, ten days, five hours.
Hello again, little red. It's been a while.
You know… thinking back… I don't know what the hell I was so excited about. This place is… god, this place. This place is is fucking… hell.
There's no end. It just goes on. And on. And on.
I traveled in one goddamn direction for two, damn, months. God, I'm so fucking stupid, why did I think I could get out? I'm thinking like those old European shits that thought the end of the world was at the horizon. Fucking stupid, Robert, stupid, just-just- GAAAAAAAAAAAH—
If I let myself fall down long enough would I eventually hit a bottom?
Ten months, 28 days, 15 hours.
There's no bottom. And fuck you, red.
I'm sorry, red, don't go out, I'm sorry I turned you off, come back, come back, please—
… I turned 40 today. Happy birthday, Robert.
I was adopted, did you know that? Yeah, my parents left me in a box on the side of a street. Got picked up by some American couple, which explains my not-so-Chinese names. I don't even know my original last name. Just thought I'd share. How about you, red?
Anna and I met on-site in 1988. God she was beautiful. She still is. It was our eyes. She has beautiful eyes. My eyes are grey, they're boring, but hers… God they're beautiful. Do you think… Do you think she's still worried about me, little red? Is she looking for me?
You know, red, you're a great listener. But I never hear you talk about yourself. Come on, don't be shy, there's no one else around, right? Hahaha, right? Hahaha… hahahahaha…
"I'm sorry, Robert, I'm afraid I can't do that." Hahaha, red, you're hilarious.
Were you married? Kids? Any family at all? Girlfriend? Boyfriend? Come on, red, I won't judge, just… talk to me, please. God, my head hurts. And my feet feel like they've been asleep for forever.
I worked at a comic store as a kid. So much cheaper back then, and I got free stuff at the end of each week. I liked Spiderman the best.
I was in a box, side of the street.
I… what the fuck… no. No. No, no, no, no, no, no, red, have you seen my picture? The picture red, Anna's picture, where is - come on, come on, where-where- Anna! ANNA! ANNA! Where did - no, no, no, no, no, please, please no, anything but, PLEASE.
It's fading, she's fading, she's fading, please, Anna, no, please, come on, sweetie, stay here, it's too soon, it's TOO SOON, my math isn't wrong, it's NOT WRONG, YOU SHOULD BE FINE. ANNA, ANNA, I can't hold you, come back, Anna, sweetie, honey, Anna please, I need you, I need you, please, please, don't go, I'm here, I'm still here. RED GET HELP. Anna, please, please, don't go, don't -
Black hair, green eyes, 160. Black hair, green eyes, 160. Black hair, green eyes, 160. Black hair, green eyes, 160. Black hair, green eyes, 160. Black hair, green eyes, 160. Black hair, green eyes, 160. Black hair, green eyes, 160. Black hair, green eyes, 160. Black hair, green eyes, 160. [Dr. Scranton repeats this for three hours.]
Anna and I got married in '91. We couldn't really get the nicest suit and dress we wanted because of work, but, damn, we both looked great. Anna looked better, of course. We just danced, and danced the whole night, got the whole week off. Even a job like mine lets you enjoy your honeymoon… So, come on red, open up, put 'er there, high five. Come on. Come on, red.
One year, two months, twenty-seven days.
AAAAAAA—
[The next recordings only play the control panel's automated voice giving times, with intervals of one to three days, with several month-long gaps in between as well; also intermixed are Dr. Scranton's sobbing, screaming, and mumbling. These recordings continue until the time reading reaches two years, seven months, and 28 days, after which they cease to pick up any sound until two months later.]
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sol1056 · 6 years ago
Note
Okay so i'm really confused. Who pitched the idea for the Voltron reboot? Did they write the original story or was that someone else? Who's writing the story now? Like i get that there is more than one person working on the story but like to take someone's vision of their story and to just throw it in the trash is just kinda fucked up ya know? I wouldn't want to work with a network if they're gonna screw over something I came up with.
It’s not a simple picture since there’s a lot of history. There’s three parts, behind the cut: who wrote the original story (vs the original-original), who pitched the idea for a voltron reboot, who’s writing the story now, and the issue of revisions. 
I must have at least three pages of asks that talk about Hedrick’s story and how the EPs butchered it… and I recently stumbled over something that made a few pieces click together. So, if you sent me an ask about Hedrick’s story and what he’d planned, you might want to read, ‘cause this answers a lot of your questions.
who created voltron
Back in the early 80s, the Koplar brothers purchased a license from Toei’s back catalog, and adapted/cut/rearranged the original GoLion into an American-only version called Voltron. GoLion hadn’t been much of a hit in Japan; it was kinda behind the curve. When the Koplars adapted it, Voltron was a huge enough hit in the US to warrant a second season, requiring new footage from scratch (mixed in with re-used stuff from the original season). 
The sequel (using a completely different anime from Toei’s back catalog) didn’t do anywhere as well. The planned third part was never made. Since then, there’s been reboots, comic books, idk what else. 
who pitched the idea
Long story short, Universal purchased a bundled archive of licenses. These are collected existing properties they could redevelop – anything from some no-name, one-season, failed cartoons to ones that were popular once and since forgotten. Voltron was one of those properties.
I doubt anyone pitched the idea, formally. More like, the execs saw Voltron in the pack and chose it for a reboot/remake. All they needed was staff to do it, so they interviewed potential showrunners. Around that time, JDS had pitched his idea for a Streetfighter cartoon. DW TV passed on JDS’ pitch, and instead offered him the position as EP of what would become the VLD reboot. 
(An aside: JDS and LM both talk up how much they loved Voltron as kids, but in early interviews they admit neither could remember for certain who Voltron’s ‘real’ leader was — Keith or Sven — all the way up to starting their interview with the execs.) 
who wrote the version we have now 
I’ve been operating under the assumption that as the story editor, Hedrick had a major influence on the story. I’ve also noted in several different posts that S1/S2 feels like a completely different story, in more ways than one:
As the story moved into the split-seasons, it’s clear that whomever lent that guiding hand in S1/S2 was no longer present. Someone else’s fingerprints are on S3, and my guess is it’s mostly Hedrick, at least on the script-level. The word choices change, the cadences change, the beats change. From S3 on, VLD has all the hallmarks of a muddy vision. 
A few days ago, I was researching for another ask and came across this:
On-screen, a “producer” credit for a TV series will generally be given to each member of the writing staff who made a demonstrable contribution to the final script. The actual producer of the show (in the traditional sense) is listed under the credit “produced by”.
According to IMDB, these are VLD’s  executive producers:
Joaquim Dos Santos  (63 episodes, 2016-2018)Lauren Montgomery (63 episodes, 2016-2018)Jae-Myung Yoo (24 episodes, 2016-2017)Robert Koplar (23 episodes, 2016-2017)Ted Koplar (23 episodes, 2016-2017)
We’ve been assuming Hedrick steered a large part of the story. If that were so, though, Hedrick should also have EP credits. He doesn’t. The Koplars have EP credit ‘cause they created the original Voltron. JDS and LM are on there, as showrunners. 
And then there’s this guy Jae-Myung Yoo. He’s done key animation, directing, and storyboards. He has a handful of executive producer credits, mostly for single episodes.��Yoo left VLD in 2016, and joined Big Fish & Begonia as a co-producer. 
I think we just found the voice that steered the first two seasons, and whose departure left the story without a clear vision. 
Yoo doesn’t have any writing credentials, but his resume goes all the way back to Gargoyles in 1995. He doesn’t have to be a writer to be a storyteller, after all; there are different ways and methods of telling stories. My guess is Yoo’s a respected directorial voice around Studio Mir, understands how a story flows, and most importantly was probably a trusted voice after working with Ryu, JDS, and LM on AtLA and LoK. 
We’re left with one of two options: Hedrick stuck to the Yoo-created outline, rewriting and rearranging as the EPs shifted tracks, and the majority of the story’s direction since S2 has been from JDS and LM. Or Hedrick did have a substantial impact from S3 on, and JDS/LM refused to grant Hedrick the proper credit for that level of contribution.  
the issue of revisions
Television’s a wacky environment. It’s somewhere between collaboration and sheer hell, especially if you don’t come with major credentials (ie, your name is not Guillermo del Toro). 
Here’s how it starts: the showrunners, any other EPs, the writers, the senior writer/head editor/story editor (title depends on seniority), production assistants, writing assistants, and other producers will gather and brainstorm the story, and come up with a synopsis for the story’s outline. When the execs approve the synopsis (after probably a round or two of feedback), the expands the synopsis into a full outline of the entire story. 
The writers set about writing the script, which are sent to various execs for their feedback. The execs send their feedback — called ‘notes’ — to the showrunner. These are usually a jumble of responses (and a lot apparently tends to be personal taste, too), and also often contradictory. It’s the EP’s job to relay the exec response to the writers’ room, and make sure things get changed so the execs are happy. 
The EP (and the writers) must do a delicate balancing act, between budget, story, and sheer insanity like one exec demanding a scene be cut and another exec thinking the scene should not only stay, but be expanded. Or insisting on specific pairing endgames (or lack thereof). Or — as seems to have plagued VLD — saying the story is too dark and ‘needs more humor,’ which the EPs appear to have interpreted as ‘do more filler episodes that have no plot relevance.’ 
The first thing to remember is that most execs are not intentionally malicious. They will ask for too much, and they often have their own agendas, but their goal is a hit, not wasting a bazillion dollars for no gain. If you look at the credentials for decision-level execs at Dreamworks, every single one came up through the ranks: they’ve directed, produced, some were also animators, and at least one did either acting or voice acting. They’ve been doing this for awhile. My advice to any wannabe-EPs (or writers) would be that when an exec says, “kids are going to be bored stiff with this scene,” listen. I’m not saying automatically change it, just give it a fair listen. 
Collaboration is hard. It takes patience and good listening skills and empathy for the people on the other side of the table. It takes a willingness to bargain and enough strength to be vulnerable, and a whole lot of honesty about your own reasonings for wanting one thing or another. 
Stories created in the high-pressure hot-house environment of a collaborative group are a very different critter than one-author novels: no one person owns the story. Not everyone wants to sign up for sharing that creative process, and that’s fine, too. We do need books with good stories as much as we need shows and movies with good stories. 
Just color me seriously unimpressed when someone in a collaborative storytelling process constantly snarks about exec meddling. I have no sympathy: they signed up for this. If their creativity is so fragile it’s threatened by feedback, they need to find a different medium, ‘cause the collaborative world of television production is probably not the best fit.  
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goretzkastits · 3 years ago
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Peinlicher Cringe Lurch - The Hummels Dating drama told in songs <3
N.M.E. - Set It Off
okay, we get it, you're both a happy couple. why else go through the trouble of posting it ten times a day?
When I Grow Up - The Pussycat Dolls
when i grow up, i wanna see the world, drive nice cars, i wanna have groupies [...] but be careful what you wish for, cause you just might get it
Love Drunk - Boys Like Girls
I used to be love drunk, but now I'm hungover
Kiss and Sell - The Maine
I need to find myself a new chick, i need to kiss a set of new lips. she's gotta be something new to me, fresh drinks, someone new to please [...] if I had to guess, i'd say we have a mess, you could sell
Paparazzi - Lady Gaga
not sure what it means, but this picture of us it don't have a price
Social Climb - I Don't Know How But They Found Me
come break some hearts now, tear them out, filing for amusements with the crowd
Fick Ihn Doch - Alligatoah
ok die song lyrics passen nicht, aber der titel ok lasst mich
Casual Sex - My Darkest Days
I'm never gonna fall, but I'm never hard to catch. she said she's cool with it, she is down with it, there's nothing wrong with it, cause it's easier this way
Dirty Little Secret - The All-American Rejects
i'll keep you my dirty little secret, don't tell anyone or you'll be just another regret
You Give Love a Bad Name - Bon Jovi
an angel's smile is what you sell, you promised me heaven, then put me through hell
Homewrecker - Marina and the Diamonds
girls and their pearls and their gourmet vomit, boys and their toys and their six inch rockets. we're all very lovely till we get to know each other, as we stop becoming friends and we start becoming lovers
Treppenhaus - LEA
verpasster anruf grad' von ihr, genau gesehen und ignoriert. mann, warum machst du so 'n scheiß mit mir und ihr?
Scumbag - Goody Grace
She says I'm a scumbag, wants to take her love back, story of my life. why am I such an asshole? everything is my fault, happens every time
Groupie - Cate
he was so cool and cruel at the same time, he could do no wrong in my eyes, cause I was the groupie and he was the star
Angeleyes - ABBA
last night, I was taking a walk along the river and I saw him together with a young girl. and the look that he gave her made me shiver, cause he always used to look at me that way.t hen I thought maybe I should walk right up to her and say, it's a game he likes to play
FYI - Cassadee Pope
Nothin' has changed, from the bedroom to the pain except you're the one who's sleepin' there tonight
Revenge Is Sweeter (Than You Ever Were) - The Veronicas
i saw it in the news, you told me they were wrong and i stood up for you, cause i believed you were the one
Favorite Crime - Olivia Rodrigo
i let you treat me like that, i was your willing accomplice, honey. and i watched as you fled the scene, doe eyed as you buried me, one heart broke, four hands bloody
Mr. Perfectly Fine (Taylor's Version) - Taylor Swift
hello mr. perfectly fine, how's your heart after breaking mine?
Bad Idea! - girl in red
it was a bad idea to think you were the one, was such a bad idea, cause now everything's wrong
I Knew You Were Trouble (Taylor's Version) - Taylor Swift
i heard you moved on from the whispers on the street, a new notch in your belt is all I'll ever be
Cruel Game - The Relentless
if misery loves company, oh get the hell out of my house. won't you please just look at me? oh, why'd i let you under my blouse?
Did You Come? - girl in red
you should know better now, to fuck it up and fuck around. see yourself through my eyes, you're so fake, it's all lies
Fake Love Don't Last - Machine Gun Kelly
i want you to know that fake love don't last, so go ahead and pose like that and post like that
Do Re Mi - blackbear
if i could go back to the day we met, i probably would just stay in bed, you run your mouth all over town
Men Are Trash - Scotty Sire
he ain't shit, girl i know, he ain't shit, still want him though. men are trash and maybe you're a raccoon
Little Boy - Ashnikko
oh you think you're worth all the fuss?
Bois Lie - Avril Lavigne
girls cry and so will you
I DONT EVEN LIKE U - Royal and The Serpent
i hate this, you're chasing all these young bitches down the drain, pathetic, you're reckless
5 Of Your Exes - VVAVES
you're the kinda guy that can make a girl go crazy, but i don't mean love, i actually lose my mind [...] better watch out if you think he's mr. right
Deal With It - Ashnikko
emotional maturity for dummies, i don't have the time to pretend you're funny
Acting Like That - Yungblud
you're way too hot to be acting like that
Vanilla - The Maine
you're boring, face it, at your best you're still basic
All Too Well (10 Minute Version) - Taylor Swift
i was never good at telling jokes, but the punchline goes "i'll get older, but your lovers stay my age"
Careless Whisper - George Michael
i'm never gonna dance again, guilty feet have got no rhythm. though it's easy to pretend, i know you're not a fool
Sick Little Games - All Time Low
oh my god, I'm such a terrible mess, i'm turned on by the tabloids, you would never have guessed that I'm a sucker for their gossip. man, I take it too far
Queen of Broken Hearts - blackbear
i'm the queen of broken hearts, break you in a thousand parts
Heul Doch - SXTN
heul doch. ich weiß ja, es gibt so viel' schlimme sachen, bruder. heul doch. halt dein' kopf hoch, du wirst es schaffen, bruder. heul doch. trockne deine Tränen mit dei'm Pelz, heul doch, heul doch
Modern Day Cain - I Don't Know How But They Found Me
So now you've done a little wrong and you need to be forgiven by the Vicar and the company you keep. and then you conjure up a fiction, to get the pretty girl to listen. This is the sin, that I will confess to release myself from consequence and everyone can tell
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