#I feel like the ‘leaked’ trailer captures that horror feeling better than the new one that’s out officially yknow?? feels like a downgrade

[r0semultiverse]

Mark also uploaded his own vision for The Edge of Sleep trailer so now we have 3 trailers! (I personally think the New Regency site link unlisted official trailer and the Markiplier Youtube unofficial ones are better than the 2nd official trailer, but maybe that’s just me)

Fuck it, here is the full The Edge Of Sleep trailer what got leaked back in February. If they don't post it, then leaked it is. If they do, great, late but great. And yes, this is legit one. This was also New Regency website before they took it down. Also 7 days until The Edge Of sleep release.

[head-and-heart]

The 100 Highlights - “Eden” (5x01)

Hey there fam! I’m starting this series in honour of the new season of The 100 that is now airing. Basically, it will function similar to review of the episode, except I will be pointing out the highlights of the episode - the things that I liked (not what I was critical of).

In light of 5x01 airing, it has become increasingly clear to me that - no matter how good an episode is - it is too easy for this fandom to get caught up on the negative aspects of it. (And yes, that includes myself sometimes.)

Being critical is good - it is a part of consuming fiction - but it is also important to recognize the positive aspects of literature as well. If not for anyone else, than for your own sanity. So that sparked the purpose of this series: for me to take a step back and think about what I enjoyed about the episode, and then share it to spread a little positivity in fandom. 

I intend to do this for every episode of Season 5, and possibly for later seasons as well (assuming we get renewed) depending on how it goes. 

So, for my first post, I will be talking about “Eden”. 

In no particular order:

The camera following the Ark and speeding down to Earth as the very first shot of the season was pretty cool and really captured the atmosphere of the episode as well as what the heart of the show seems to be: the connection among people even when they are apart, and the ways in which they fight to get back to each other.

Looking back, the cinematography of this episode was honestly stunning. The dull and bleached colour pallet of the scorched Earth versus the vibrancy of Eden is a shocking contrast and there were so many beautiful shots throughout the episode.

Loved the little callbacks to past places and characters - like the stones where they signalled to Luna, Jasper’s goggles, the stick from L.exa’s throne, Maya’s iPod, the rover, etc - it shows how all these people are still very present in Clarke’s mind (and how they are indirectly keeping her alive, keeping her centered).

The attention to detail was really strong in this episode (see above point) with all the props and the music choices (eg. playing the CL theme when Clarke finds L.exa’s throne). Due to this it ensured that, in spite of the time jump, the heart and history of The 100 remained present.

Seriously, there were sooo many cool shots. The shot of Clarke driving as the dust/lightning storm approaches was super neat. I loved how they depicted what life on Earth looks like after Praimfaya, the devastation of the planet. And also the shot of her staring into the flames as she burns the bodies of the villagers was stunning.

Having the entirety of the first 27 minutes following Clarke (and narrated almost solely by her) really nailed home the impact of her isolation and was, not to mention, a very bold storytelling decision

Music was used expertly in this episode. Tree Adams did such a great job at pinpointing when the music was needed, and when the episode was better served by using it liberally (and, on occasion, not at all). In the shot of Clarke sorting through Arkadia, the music is very light, the most prominent sound the whistling of the wind, as if to accentuate the fact that the world has gone completely silent following Praimfaya. It is also used as an homage to old characters who have passed, such as Maya, or L.exa, which I appreciated.

The scene where Clarke finds Jasper’s things was absolutely beautiful, and Eliza killed the scene with her acting. When I watched 4x13 last year I was disappointed to find that the scene where Clarke found Jasper’s suicide note was cut from the finale (it was in the leaked scripts) because I thought it meant Jasper’s memory would be forgotten. In retrospect, I’m happy that they did it this way instead, when Clarke is completely and utterly alone, and she can finally allow the emotions to hit her properly. There were so many amazing callbacks to characters from previous seasons who are no longer around anymore.

“Anyway ... in case this is the last time I get to do this, I just wanna say .. please don’t feel bad about leaving me here. You did what you had to do. I’m proud of you.” We’ve all had over a month to mentally and emotionally prepare ourselves for this line, since the trailer came out, but it remains just as beautiful as the first time.

There’s just something so badass about Clarke driving through an empty post-apocalyptic wasteland, listening to EDM on one of the last remaining pieces of tech on planet Earth. Clarke finding Maya’s iPod was the gift I didn’t know I needed.

Kudos to the makeup department for depicting their female lead realistically after almost dying of dehydration and radiation burns in the desert - sometimes this is not easy to find on a CW show.

Clarke’s frequent radio calls/narration offers up a fresh and interesting way of telling the story in this episode, revealing how Clarke has grown and reflected over the years.

There were soooo many parallels to previous episodes (eg. Clarke rising out of the water like Octavia in 1x01, the irradiated dining room in the village visually paralleling Mount Weather in 2x16, Clarke confronting her map like she did in the very first episode of the series, the shot of her face through the flames as she burns the bodies of the villagers is very reminiscent of 3x12, and everything to do with Madi and Clarke parallels the Blakes. And, of course, Charmaine’s “it means we’re not alone” is an obvious callback to Clarke’s words in the Pilot.)

No emotional beats are missed in 5x01. Clarke finding the child on the step outside the church is just one example of a gutwrenching moment in this episode that emotionally impacts us just in the way that all good media should.

“I’ve lost track of how many bodies we’ve burned since reaching the ground. God, this would be so much easier if I knew you were alive, if I knew I was going to see you again.” My Bellarke heart is singing!

Clarke gushing about berries. Enough said.

The filming of Clarke’s encounter of Madi pays homage to the horror genre, with her appearing suddenly in between the trees, or in the window frame. While not scary, it holds the same mood as 3x12 and 4x07 did - two episodes most strongly associated with typical horror films. I really enjoyed the mystery and intrigue associated with the way they approached Clarke meeting Madi.

By displaying Madi as fearful of flamekeepers, it demonstrates an alternative perspective to the Grounder faith that we haven’t gotten to see before: resistance. It also shines a light on the brutality of the conclave system in a way that is rarely addressed in the show (but perhaps should be).

Clarke performing surgery on herself? SO ! BAD ! ASS !

Clarke’s drawing of Madi was beautiful. And the little girl’s smile after seeing it? Precious.

Clarke spearing a fish? I’m turned on.

They did the absolute MOST gorgeous transition this show has ever done in this episode. And you all know which one I’m talking about. When Clarke is looking up at the stars and says, “What about them? Do you think they’ll come down too?” AND THEN IT SMOOTHLY SHIFTS TO THE ARK, BELLAMY STARING OUT THE WINDOW LOOKING DOWN AT HER AS SHE LOOKS UP AT HIM - BOTH UNKNOWINGLY. And the MUSIC. The music, oh god. Everything about it was stunning. The camerawork, the music, the thematic implications of it all. I just can’t be coherent about how amazing that transition was. Lemme go watch it another five times before I continue.

Raven beating Echo. Raven laughing. Raven. 

The dynamic among the space squad is really intriguing, and Jason Rothenberg communicated so much with so little. With just a few short scenes and lines of dialogue we can perfectly understand everyone’s role on the Ark, the tension between Bellamy and Raven, the uncertainty of Echo paired with the internal struggle of Monty, the way Emori has so seamlessly fitted herself into the group, and how Murphy has just as easily removed himself from it. It’s fascinating to me to watch how these characters interact with each other; how things have remained constant, and how they have shifted.

The fact that “Murphy” is considered one of their chores on the Ark will never not be funny (and equally heartbreaking???).

“Seconds?” “Yeah right, I choose Murphy.” I will never be over Monty’s poor, cute, little hopeful face here. It was adorable.

The Murphy and Bellamy fight scene was a blessing in every single way. First of all, Bellamy being cheeky is my lifeblood. Second of all, Murphy’s story this season is super intriguing to me. And third of all, Bellamy holding Murphy in a headlock as he forces him to admit he’s not worthless is a scene I never would have imagined I would need this much.

“You know what I think your problem is? You like being the hero; only up here, there are no heroes.” I LOVE this line because of how it delves into Murphy’s psyche and also displays him in a different way than Murphy typically is. It shows that, deep down, he really does care about more than himself. When he has so much time to wallow in his own self-loathing, he feels he needs to live up to his own expectations, and he acts out. If he can’t be a hero, then he’ll be what he knows he can be. A dick.

Also ... “there are no heroes” = “there are no good guys”. I love my otp

Bellamy is the biggest dad and I am LIVING for it.

“I’ll make sure it’s my only choice.” Cue Kate’s Bellarkean death.

“Non-violent offenders with me?” “Yeah, both of them.” Okay, I’m sorry but I’ll never stop laughing about this.

“Relax, McCreary. You’re still my favourite mass-murderer.” I loved this little exchange because it hints at the dynamic between all of the Eligius crew. Again, Jason does so much with so little words. It clearly indicates just how different these prisoners are from The 100 - how dangerous. Also ... is Zeke a mass murderer, then?

Monty and Harper’s scene together was enlightening. I’m so excited for Monty’s journey this season, and it makes complete sense for him to go in this direction. What’s intriguing is that him and Harper have almost shifted places from where they were in Season 4, where Harper wanted to give up and Monty was insistent on the need to keep fighting. He brings up a good point now: “No one should have to be that strong.” Because isn’t that the whole truth? I also really appreciated the callback to Monty’s mom, as well as Jasper, as there was a serious concern as to whether those deaths would just be swept under the rug because of the time jump. I’m happy to see that my concerns were for nothing.

Emori and Raven’s friendship is EVERYTHING. 

Nothing is brighter than Raven Reyes’ smile and that’s a fact.

Lindsey and Richard continue to have stunning chemistry and they both feed off each other so well, no matter how you see their relationship.

Ending the episode with the single shot of the fight ring in the bunker and Octavia (and her “royal guards”, so to speak) observing blankly from above was absolutely chilling. And the best possible way to lead into the next episode. 

Hope you enjoyed reading my highlights! Feel free to share some of your own. I’ll be back sometime next week following “Red Queen”.