#I feel like if they think they're the majority

[ckret2]

What's your stance on Ford as a person? Honestly, I believe that for thr majority of canon he is a bad person. But I believe he grew. Still not great though XD

(Love him anyways obvs)

I disagree entirely! I think he's equally as good a person as any of the other main cast.*

*Except Mabel, who, as we all know, is always right about everything.**

(**This is a lighthearted joke. For the love of god, I don't want Mabel discourse in my inbox.)

His biggest sins in the show:

After telling his brother that he was thinking about changing their shared life plans, and then discovering that his brother had gone to the high school that night for no good reason and gone to the science fair for no good reason and messed around near Ford's science project for no good reason and broke it and didn't tell Ford about it... Ford believed Stan did it intentionally and held a grudge for it. You know what, it WOULD be pretty damn hard to believe it was an accident.

Hilariously ill-equipped to cope with Fiddleford's mental health. A guy who responds to "I have anxiety" with "have you tried yoga, it helps me" isn't a bad person, he's clueless. "Character cheerfully enacts a bad idea while a loved one in the background goes NO PLEASE DON'T DO THAT" describes half the episodes of Gravity Falls.

Was successfully manipulated by a professional manipulator into believing his best friend wished him ill. Man, what a terrible person Ford is for being manipulated by a manipulator and saying cruel things to somebody he'd been genuinely convinced was trying to harm him.

??? Didn't say thanks to a guy he was still mad at after the guy fixed a problem he himself had caused. This is a solitary example of stubborn bad etiquette, jesus christ. There's half a dozen different reasons why it makes perfect sense Ford wasn't in the right mindset to feel grateful, this is not something worth indicting his entire character over.

He had high ambitions, which everyone seems to lambast him for, but high ambitions that wouldn't have required doing anybody harm! (Until the professional manipulator started manipulating him into harming the people around him, but we are going to demonstrate some reading comprehension and not blame Ford's underlying morality as a person for things he never would've done if not for Bill's bullying, con artistry, and outright lies.) Like, what is it that he wanted to do with his life? Use his talents to get rich and famous? Shit, that's exactly what Stan wanted to do with his life. It's what Dipper fantasizes about doing with his life. Even Mabel, who thinks about her long-term future the least, dreams big with her art & performances and is already making big money off cheap-ass commissions. What terrible people they all are, for—let me check my notes here—uhhh... unrealistically fantasizing about achieving success in life by doing the things they're good at.

When their dad accuses Stan of lying as a child, Ford puts his entire summer on the line to defend Stan even though he knows Stan is a habitual liar and has no reason to believe Stan is telling the truth this time.

When his new college roommate he barely even knows gets laughed at for proposing an outlandish scientific theory, his first emotion is outrage at this injustice and he drops everything to convince his already-despondent roommate that he was right and help him prove it beyond a shadow of a doubt.

When he moves to a new town, he tries again and again to befriend his new neighbors, and fails not because he's rude or a jerk, but because he's awkward as hell, tells terrible jokes, and sucks at identifying phoenixes.

When Fiddleford gets hurt around him, he cares about it, feels guilty about putting him in that position, doesn't want it to happen again, and tries his best to help even though he's bad at helping.

When he gets kidnapped by a weird holiday folklore creature, he concludes without even thinking about it that he's now in charge of protecting and rescuing the kidnapped kids. Yeah, then he immediately starts hollering at the folklore creature for trying to impose his religious beliefs on Ford and the kids—but like, Ford was right tho, he just had bad timing.

When he discovers that the Northwest family committed atrocities against their poorer neighbors a century ago, his first instinct is to march up to their house, find the first Northwest he can locate, and give them a piece of his mind for it. Like, this won't even FIX anything. He's just THAT OUTRAGED over the injustice.

When he sees what he thinks is a fortune telling fraud conning the people, he attempts to debunk her because he's mad to see someone cheating other people with lies—and when he can't debunk her, he just leaves her alone rather than harass her about it. Typically, if assholes think somebody's doing something wrong but don't have any proof of it and fail to get proof when they look, they decide they're right anyway and keep giving that person shit. Ford doesn't give her shit. That's the opposite of an asshole move.

When he discovers his Portal To Knowledge (And Fame & Fortune) is actually a Portal To Doom (But Still Possibly Fame & Fortune, Maybe Even Godly Power), he isn't tempted for a second to keep working on it anyway. There is no moment where Bill manages to tempt him. No matter what Bill offers, no matter how long Bill offers, never, at ANY point, does Ford have a SECOND of "but what if I did make a deal with the devil?" the way so many heroes in similar situations often do.

You ever notice that? So often moral moments in the show are presented as choices the characters make. Will or won't Dipper give Bill a "puppet" in exchange for knowledge. Will or won't Stan fight a pterodactyl to protect Mabel's pig. Will or won't Mabel hand Bipper the journal. Ford is never given a "will or won't he" moment over Bill's threats, offers of friendship, or offers of infinite power—he steamrolls straight past them without a second of consideration—because, to him, the selfish, cowardly, easy choice ISN'T EVEN AN OPTION. He doesn't even SEE it as making a choice because the possibility of doing the wrong thing is invisible. A character who wavers first before turning Bill down would look more noble for "overcoming" temptation—it's harder to notice just how much stronger Ford's moral compass must be to not even feel temptation in the first place.

Greed and pride never tempt him to join Bill's side. Exhaustion, despair, and fear never tempt him to give up. He bears up under weeks, possibly months of extreme sleep deprivation, physical torture, psychological torture, emotional torture, threats of death, threats of brainwashing, threats to his family. He doesn't hold up so that he can pat himself on the back for being a hero—if that was all it was he would've gone "screw it, this isn't worth it and nobody would know I'm the one who gave up" a week in—he does it because he simply knows it must be done and because he's so isolated (half because of Bill's influence!) that he believes he's the one who must do it, all alone.

Thinking he has to do it by himself isn't egotism or pride; it's helplessness. He thinks no one else stands a chance. He thinks he's alone.

And, when he discovers his Portal To Knowledge is a Portal To Doom, he immediately feels guilty. No trying to deny the situation to protect his ego. No shuffling the blame off to someone else. No "maybe the apocalypse could have a silver lining!" No locking the door and trying to ignore the problem. He blames himself for being fooled—he IMMEDIATELY takes full responsibility for his actions—and he CONTINUES to take responsibility FOR THE NEXT THIRTY YEARS.

He takes more responsibility than is even warranted—he treats himself like he's an idiot for believing in an APPARENT GOD who's been practicing manipulating humans for thousands of years and who had never given Ford reason to believe the portal was anything but what Bill said it was. He beats himself up to no end every single time his past with Bill comes up. He even keeps beating himself up thirty years later when he's shoving warning notes to future readers in Bill's evil unkillable book!

When he falls into the multiverse, he dedicates his entire life NOT to finding a way to rescue himself, but to finding a way to permanently stop the CHAOS GOD who's still at the threshold of destroying Ford's world and countless others. He makes himself a hated criminal in the process, just to stop Bill. He's ready to spend the rest of his life trying to protect a world he doesn't think he'll ever see again. He does it because, as he sees it, somebody has to stand in between the children and the obnoxious folklore cryptid menacing them, and he's the only adult in this damn cave with the skills and knowledge for the job.

When he gets home, he doesn't tell his family about Bill and his quest because he's afraid that doing so will get them involved and endanger them too—and because he's too deeply ashamed of himself and his mistakes to stand the thought of his family knowing about the horrible things he's done (AGAIN, WHILE BEING MANIPULATED BY THE GOD OF MANIPULATION).

He loves his great-niece and great-nephew the second he lays eyes on them; he nevertheless tries to steer away from them to keep them safe from Bill; and yet he caves to the very first temptation to emotionally bond with his great-nephew he gets, because in spite of his noble "keep them safe" intentions, he wants so so badly to be close to his family.

As pissed as he still is at Stan and even though neither of them can look at each other without hissing like cats, he still makes an attempt to start bridging their divide by inviting him to play DD&MD.

When the apocalypse happens, he immediately puts his life on the line to try to kill Bill.

And when he's captured, isn't fazed for a second by Bill's offers or threats... until his family is threatened. The exact thing he'd been trying to avoid & prevent from the very start.

And when he's reunited with Fiddleford, his immediate reaction is to point out that Fiddleford's well within his rights to hate him—which isn't a new revelation, it's not like Ford had to do any soul-searching to reach this conclusion, he'd concluded that 30 years ago the instant he realized Bill had played him and that he'd been lied to about Fiddleford.

And then he tries to kill Bill again.

And then he's ready to sacrifice his own life to kill Bill—and the only reason he doesn't is because he has a metal plate preventing him from making the sacrifice... but, Stan doesn't have a plate. If Ford hadn't had the metal plate, he would have gladly done the exact same thing Stan did—and he would have thought it was right for him and only him to make that sacrifice, because it's VERY clear he feels (and has felt from the start) that this is all his fault and he's obligated to fix it.

Over and over and over, these are Ford's two defining character traits: getting so pissed off at injustice that his common sense shuts off and he goes into terminator mode until he's righted this wrong as best he can, even when he can't actually do anything about it; and feeling like he's Atlas, weighed down with the full responsibility of fixing everything he's done wrong and made to believe that, for everyone else's sake, he has to do it all alone. Even when doing so puts himself in harm's way, even when he has to put his entire life on hold for it, even if it might cost him his life. Scrape off his awkward social skills, his loneliness, his nerdiness, his endless curiosity, his zealous love of the strange, his starry ambitions, his yearning for recognition and success—scrape his personality down to the bone and that's what you're left with. A man who believes in defending the exploited so strongly that it makes him a little stupid.

I'm gonna go out on a limb and assume that you probably don't think Stan's fundamentally a bad person, and that you probably think that isn't even worth questioning. Stan's made a whole career out of swindling people, conning them out of as much money as he possibly can, stealing, lying, committing a long list of goofily-named crimes, and attempting douchy pick-up artistry on women; and to cap it all off, he held the safety of the entire universe hostage to demand a goddamn "thank you." Don't send me any "But he had reasons—" "But it was only to—" I don't need it, I don't want the essay, I'm not arguing that Stan's a bad guy, it's fine.

But. You can look at Stan's moments of cruelty and unkindness, his uncharitable thoughts, his character flaws, and think, "that doesn't define him. He's more than his cruelest moments and worst mistakes. He's imperfect, but he cares so much and his heart's in the right place, and beneath all the flaws his core is good."

And if you can't do the same for Ford, it's not because he's a worse person. It's because we got two seasons with Stan and five and a half episodes with Ford—and while we saw Stan yearning to fish with the kids or encouraging Mabel to whoop Pacifica's butt at minigolf or crying over a black and white period drama or punching zombies to save his family, we only saw Ford at the worst moments in his life and under the stress of a prolonged apocalyptic crisis—and, it so happens, all the moments he was pissed at the guy we spent two seasons learning to love.

Ford's got moments of cruelty and unkindness, uncharitable thoughts, and character flaws. But, at his core, he's a good person, and he always has been, and he still is.

[shalomniscient]

I don't know why Feixiao gives me himbo energy (i know she doesn't complete the trifecta bc she's smart) i think it's the wholesome jock vibes idk.

Which reminds me, I feel like Feixiao would go full on Gomez Addams on her S/O if given the chance. Absolutely shameless about her affection.

ur so right about everything u mentioned anon. wholesome jock feixiao is SO real like she's the embodiment of buff gf who helps you lift your furniture when you wanna redecorate or move out. also hdsfjhskdfj feixiao in a varsity jacket over a big hoodie in loose jeans........... the sleeper build boyfriend(gn) fit of all time........... head in hands i need to be her pretty academia girlfriend SO BADDD

while we're on the topic though, college!au feixiao got in on a sports scholarship and does sport science as her major. she's president of the taekwondo club and the college's star tk athlete. you can usually find her training with moze, another member of the tk club, while their friend jiaoqiu, who's doing his phd in nutrition, sits nearby and studies. despite spending almost an unhealthy amount of time in the gym she's still incredibly smart, and gets pretty good grades in her academics. she's your PT if you hit the gym with her, and she makes the BEST workout plans i just know it!!! reassures you the whole time as you start out and is super excited when you can move on to bigger weights. for her, she loves using YOU as her weights. she has you sit nice and pretty on her hips while she does hip thrusts OR has you sit on her back while she does push-ups. gets a little cheeky when it comes to sit-ups, because she'll make you hold her feet down and then surprise you with a kiss when she comes up.

she lets you borrow her varsity jackets because she LOVES the way you drown in them, how they're so big they hang off your shoulders and how your fingertips are barely visible by the end of the sleeves. if you're both taking a break from studying she'll drive you out (secondhand supra, white and teal coating, custom tuned ECU on top of a whole lot of other mods she managed to weasel in by interning at her uncle huaiyan's shop back in high school) for a late night tea run. she prefers fruit teas, and maybe you'll both get an ice cream to share. and if you fall asleep in the car on the way back, she'll drape her jacket over you and maybe secretly snap a picture that you'll later find set as her phone wallpaper.

[sensorydephrivation]

Amatonormative assumptions and the language of a hard launch: a rambly DnP essay thing

I have a lot of Discourse Thoughts about hard launching and all that, but there’s not much I can say that hasn’t already been said. This fandom is one that generally has significant representation on both sides of any major issue; any take you look for you can find someone genuinely believing. What I am interested in analyzing is how some people are insistent, whether or not they want it to happen or believe it will happen, that they haven’t Hard Launched, and others are equally insistent that they have. Because on the surface those should be completely contradictory takes, but a large amount of people believe each to be true.

I’ve seen posts making comparisons to PJ and Sophie, and I definitely think that’s a useful tool because it brings up the real question here: how do we speak about romantic and platonic relationships, and what underlying assumptions are at play when we use or don't use certain words?

Firstly, this issue is obviously mostly to entirely due to homophobia. Why do people assume PJ and Sophie are a couple just because they live together, even though they've never used the words? Because they're a man and a woman. Why couldn't DnP be publicly open about their relationship back in the day? Because they're gay. I'm not going to spend too much time on this point because it's obvious, but I feel like it's important to remember that Dan and Phil's relationship wasn't some Great Secret for no reason. They weren't no-homo-ing because of privacy or whatever, but because they weren't yet ready to face the immense challenges being publicly out sticks you with, especially in the early 2010s. If homophobia wasn't a thing, everything else I'm going to say in this post would still be true, but it would all be significantly less charged. Just remember that gay marriage wasn't legal in the UK when DnP met each other, and that 2000s pop culture overall was routinely, openly, virulently homophobic. Just keep that in mind. (Also, everything I talk about in this post refers to 2019 onwards, after they came out. I wasn't around for the no-homo era and can't speak on it. I'm also not going to be talking about the speculation around their relationship, because that's been talked about so much. It definitely is a factor in all of this, but you know that already)

Onto the main point of this post. The reason DnP haven't "hard launched" (that term itself is incredibly vague, but its popular meaning in this fandom seems to be explicit confirmation of a romantic relationship, which is how I'm using it here) while also having clearly done so is because their use of language does not line up with conventional expectations of how language around romantic and platonic relationships should be used.

The concept of "dating" as we think of it today is relatively recent, and language around it is even newer. The terms "boyfriend" and "girlfriend" only became prominent in the mid- to late- 20th century, and it took a while for them to gain the connotation (of almost always meaning a romantic relationship) that they have today. And yet people have still had romantic relationships for forever! How these things were described would depend on the society's norms around marriage and sex and often on the exact social dynamic of the couple. Today, we think we're better than all that and can find words for anything.

I'm no expert on what makes a relationship romantic vs platonic or even how to define those terms. I find it hard to define the concept of romance in a way that doesn't bring with it centuries of heteronormative amatonormative assumptions. And boy are there assumptions. (No, people who live together for life do not have to be romantically involved, that's a silly thing to believe.) When people see a relationship that lines up or does not line up with those assumptions, they expect it to have a clean, simple label. But the words we used for romantic relationships outside of marriage, due to how new they are, are completely not simple!

While these days they seem to be the most "unambiguous" terms to describe a romantic relationship, "boyfriend" and "girlfriend" are essentially euphemisms that can seem infantilizing and demeaning of the seriousness of a relationship. It's easy to see how they aren't for everyone, even if many people are fine using them for serious committed relationships. "Partner" is kind of ambiguous on purpose, thought like bf and gf, I think it's on its way to becoming a word with mainly romantic connotations. The term "significant other" is out of fashion these days, but just like bf, gf, and "partner," it's basically a euphemism that doesn't mean much in and of itself. We have no words to describe an unmarried romantic couple that aren't on some level unclear or unindicative of the actual nature of the relationship.

Dan and Phil have acknowledged that they were once in a romantic relationship, have made many many jokes about having sex with each other, and are committed life partners. On some level, you can take the combination of these things as a very clear confirmation of a current romantic relationship, which many do. Yes, this requires making a few assumptions, but they aren't the craziest assumptions in the world. In fact, as one can see from the PJ and Sophie example, they are assumptions that are often normal and expected to be made in social situations. So why do so many others not see it this way?

Well for one, we are a mostly queer community that understands the complexity of queer relationships and how these assumptions do not get applied equally. We see how these assumptions are often used against queer people to devalue their identities, especially those on the ace-aro spectrum and/or in queerplatonic relationships. We also are an extremely online community, familiar with the complicated layers of discourse around RPF and shipping, and hesitant to make assumptions in a way that could potentially damage relationships or invade someone's privacy.

But honestly? It's because DnP don't call themselves boyfriends. They don't explicitly frame their activities in romantic ways (e.g. call things dates). The terms they use and jokes they make, even in 2024, are not the sort of things we expect from the set of assumptions that go with a committed romantic relationship. (This is also where the discourse about whether or not they're open/poly comes from, but that's a topic for another day.)

The Date Night video stretches this to its absolute max. The game is full of cards about kissing and other things that fit cleanly into the set of romantic relationship assumptions, but they didn't use any of those cards. They only used things that were ambiguous, and tried to downplay the romantic implications as much as possible aside from the lampshading of it at the start of the video ("this is a great game to play with your best buddy as well" "phil says no homo" as well as the entire "ugh i can't believe they send us this" tone of the intro). The use of "partner" in this video is the clearest example of this. The game uses this word exclusively- after all, it's a standard, accepted, gender-neutral word for people in a romantic relationship. Phil confidently reads it off the card, with the "I don't care which set of assumptions this assigns us" attitude that's been prevalent over the past year and past few months especially. Dan avoids it half the time, and at the end of the video, seems to clearly mock the term, saying it in a silly voice and then comparing it to how stereotypical cowboys use the word. This stuck out to me; it made it very noticeable that they don't use that word at least in videos, and made me think about the connation of the word they do use-- "friend." That term, unlike any of the words I've mentioned so far, implies literally nothing. "Friends" can be people with a barely positive relationship or people with an incredibly meaningful relationship they center their life around. With no other qualifiers, it also implies that the people in question don't have a romantic relationship (are "just friends"), or even (because of amatonormativity) that their relationship is not especially deep or meaningful.

Dan and Phil have defined their relationship in quite a few ways-- or rather, Dan has, in BIG and in his interviews for WAD. These quotes circulate on here constantly as people discuss the meaning of them. I'm not really interested in talking about those as they've already been talked to death. I do think it's worth noting that we only get these things from Dan-- the one time Phil has ever spoken on his "current dating life" it was just to say "I don't want to talk about that, the door is closed." Obviously some of this is because the interviewers were pushy, but also I'm sure Dan enjoys his elaborate poetic metaphors enough to not be able to shut up about them haha. (Very unrelated but I wonder if this will come up if they end up doing interviews for TIT?) The thing is, these definitions show a deep, meaningful, complex, committed relationship. They include directly romantic terms like "husbands," "soul mates," and "normal gay relationship." You would think being willing to call someone your husband, even with a million other words around it, would mean you wouldn't have a problem calling them your partner, right? Yet these words do not reflect the language they use when speaking about each other in videos!

There are times when they say "friend" "buddy" or "mate" in a clearly humorous, ironic way, and seem aware that it isn't a term that makes people think of a committed, long term relationship. Other times, they use the word as if it is a fully accurate descriptor of their relationship-- in the glue story, Dan jokes about being ashamed to be seen as "the friend of the glue guy," and in How Phil Nearly Died, he quotes himself telling the hospital staff he is looking for "my friend." I use the hospital stories as examples because they are high-stakes (or seemingly high-stakes in the case of the glue story) situations and examples of how other people in their real lives perceive them. The way they choose to tell these stories to the internet is one in which the fact that a random hospital worker would likely interact differently with Dan if he was Phil's friendly roommate as opposed to his life partner doesn't matter. In other words: if they actually do call each other "friends" irl around strangers, those strangers probably have a very different impression of their relationship than we do. Their consistency in describing themselves doing so just means that they want to consistently use the term "friends" in their videos, not that they actually do that in real life. But to a viewer who is unsure about their relationship status, the fact that they are clearly life partners, no matter platonic or romantic, but in all situations opt for a word that does not imply that seems to be confirmation that their relationship is not clearly romantic, or at least that they don't want to refer to it as such.

If I have to draw a conclusion from all this, it's that DnP consider their relationship very complex and unusual (ymmv on if it is, lol) and have had to deal with a ridiculous level of scrutiny about it nonetheless. Again, Phil has almost never spoken on this, but Dan clearly dislikes any descriptor that carries with it a sense of assumptions about the nature of the relationship, hence why he uses like fifty contradicting ones or strange metaphors instead. "Friend" carries with it no assumptions. You can be "friends" and be in a romantic relationship-- plenty of people say "I married my best friend." But our society considers romantic relationships to be more meaningful and important than platonic ones. People assume that if you are in a romantic relationship, you would want to describe your relationship exclusively using terms that carry that set of assumptions, because that is the most important part about it. I honestly think Dan is being quite subversive in refusing to do so.

I have no idea if or when this will ever change, but I hope I've given enough context for those who are convinced they've already hard launched to understand why others are still waiting, and for those who don't think they have to understand why the issue is more complicated than it seems. This topic has fascinated me ever since I first started watching them, and I hope this post can help people reach a bit more of a understanding, rather than inciting more discourse.

[redroomreflections]

Sorry For Your Loss

Natasha Romanoff x fem!reader

Summary: What if WLWD met TLH but even more tragic?

Note: I was fighting my sleep to write this. Enjoy and don't hate me lol

Warning: Super angst, mention of drunk driving, major character death.

ONLY READ IF YOU LIKE PAIN

Note: I’m too excited for my flight in a couple of hours. I was itching to write when this came into my head. 

The house feels suffocatingly quiet, an eerie stillness settling over every room. The absence of laughter and playful shouts from the children creates a palpable void that echoes in Natasha’s heart. It’s too quiet. The walls, usually vibrant with the sounds of life, now seem to absorb the sorrow that hangs in the air like a heavy fog. The television flickers in the background, casting an unnatural glow across the room, but no one is watching. It’s just noise—an attempt to fill the silence with anything, but it fails miserably. The news anchors drone on, their voices muted by the weight of grief that envelops them.

The clock ticks ominously in the background, reminding everyone that the funeral is only an hour away. The anticipation hangs heavy in the air, mingling with the scent of fresh flowers and the faint smell of coffee that no one seems interested in drinking. The cars would be arriving soon. Six children and a host of in-laws—how would they all fit into the designated family car?

Chase, your older brother, paces restlessly near the door, glancing toward the driveway. “Where’s Natasha? We need to get going,” he mutters, frustration seeping into his voice. No one has a real answer. They can feel the tension thickening around them, a shared anxiety that clings to the group like a shroud. Melina rises from her seat and walks toward the master bedroom, her hand poised to knock when Natasha emerges from the house's shadows. Her face is fresh and unreadable, an expression honed by years of practice in concealing emotions. The light from the doorway casts a soft glow around her, but her eyes betray nothing—no hint of the storm roiling within.

“Is everyone ready?” she asks, her voice steady yet distant.

Melina pauses, taken aback by Natasha’s calm demeanor. “We’ve been waiting for you. The car will be here any minute,” She replies, her tone softening. Natasha nods and walks past her, her steps silent against the hardwood floor.

"Where are the boys and Paige?" Natasha takes a headcount of the children in front of her. There are several but a few of hers are missing. She spots Cara cuddled into her Nana's side.

"They're upstairs," Peyton announces lowly. "They're refusing to come down."

"What do you mean they're refusing?" Natasha's eyebrow quirks.

"Exactly what it sounds like, Tasha," Yelena pipes up from her spot on the couch.

Natasha narrows her eyes at her sister and turns on her heels, climbing the stairs with determination. She ignores the pictures lining the walls. She doesn't bother looking at your photos. It hurts too much. The house feels cavernous and hauntingly silent, the absence of laughter amplifying the thud of her heart as she approaches the children's rooms. She can feel the tension coiling in her chest.

At the top of the stairs, she glances down the hallway, her mind racing with thoughts of what you would say in moments like this—words of encouragement, perhaps a reminder that it was okay to feel vulnerable. But today, she is the rock, and she cannot falter.

“Boys! Paige!” she calls out, her voice firm yet gentle. “You need to come downstairs. It’s time.” She waits, hoping for some sign of movement, a response that might break through the cloud of grief surrounding them.

Silence.

“Please!” she adds, softer this time, her heart aching for them. She thinks of how you would have approached this, with warmth and understanding, coaxing them out with stories or gentle humor. But those tools feel out of reach for her right now. The air in Paige’s room is thick. Natasha stands at the doorway, taking in the sight before her: Luke, just three years old, is perched on the edge of the bed, his tiny legs swinging rhythmically as he absentmindedly fidgets with his loose tie. Beside him, James, eight and usually so full of energy, sits slumped against the wall, staring blankly at the floor, his tie hanging loosely in his lap.

Paige sits in the center, the picture of a little girl trying to be brave. She wears a sleek black dress that flares slightly at the waist, her hair intricately styled in braids adorned with delicate black clips. But it’s the hot pink sneakers on her feet that draw Natasha’s gaze, a stark contrast to the somber attire they all wear. They were the last pair you had bought for her, a small gift meant to brighten her day, and now they feel like a painful reminder of the joy that has been snuffed out.

Natasha's heart aches at the sight, a wave of grief crashing over her. She wants to break down and cry, to let the tears flow freely, but she holds herself together, knowing she must be strong for her children. The weight of their loss presses heavily on her chest, and she feels a knot tightening in her throat.

"Hey, what's going on?" She kneels before them.

“We are not going,” Luke answers first, his tiny voice filled with defiance, his brows furrowing as he crosses his arms tightly over his chest.

“No. We are staying,” Paige declares with an earnestness that stabs at Natasha's heart, her small body taut with determination.

James pulls at the collar of his button-up shirt, a look of sheer discomfort painted on his face. “I’m not wearing this,” he complains, wrinkling his nose in disgust.

“Why not?” Natasha asks, her voice cracking just a bit, betraying the emotion she’s trying so hard to suppress. “You all look so beautiful.”

James shakes his head vigorously, clearly unconvinced. “I don’t want to look beautiful,” he replies, his frustration spilling over. “I want to stay here!”

“We don’t want to say goodbye to Mommy,” Paige supplies, her voice trembling as she fights back tears. The admission hangs in the air, heavy and painful.

“No, no, no,” Luke utters his agreement, kicking his feet against the bed, each thump echoing his dissent. “I want Mommy to come home!”

Natasha feels the tears pricking at her eyes as their innocent cries pierce through her heart. “I know, I know,” she whispers, her breath hitching. “But this is how we show her we love her. By saying goodbye.”

"But why?" Luke asks, tears streaming down his face as he becomes increasingly upset.

Natasha sighs, her heart breaking for her young son. "Because that's what happens when we love people. Sometimes, we have to say goodbye. Remember where I told you Mommy is?"

Luke sniffles. "With the angels."

"That's right, baby. She's in a place with lots of love. But we still have to say goodbye." Natasha strokes his cheek softly.

"Will she be okay?" Paige looks at Natasha with wide eyes, her chin quivering as she struggles to keep her composure.

Natasha smiles weakly, her eyes misty. "Of course, she will. And we will too. Because she'll always be with us, right here," she places her hand on her heart, a gesture that was so you, and one they were familiar with.

"I already lost two Mommies now," Paige says solemnly. "It makes me sad."

Natasha takes a deep breath, trying to maintain her composure. "I know, my love, but your mom will never be gone. She's always going to be right here with us." She taps her chest again. "If you really don't want to go I won't force you. I will, um, I will see if we can get one of the neighbors to come and stop in. Whatever makes you happy. Where's Charlie?"

"She's already downstairs," Paige says quietly, her shoulders slumping.

"Okay," Natasha nods. "I, um, gosh. I'm sorry. I don't really know what to say right now." She admits.

"But you always know what to say?" James tilts his head. "Are you sad too?"

Natasha swallows, fighting back tears that threaten to spill. “I am,” she replies, her voice shaking slightly. “I would like to say goodbye to your mommy because it brings me closure. It gives me peace.” The words feel heavy on her tongue, laden with the weight of the reality they all face.

James looks thoughtful, his small brows knitting together. “Will it help you feel better?” he asks, searching her face for answers.

“I hope so,” Natasha says gently, placing her hand on his leg. “It’s important for us to honor her and remember all the good times we shared. It’s okay to be sad, but it’s also okay to remember the happy moments.”

“Like when she taught me how to ride my bike?” Luke pipes up, his voice brightening just a bit. “And we went so fast?”

“Exactly!” Natasha encourages, her heart swelling with love for her children. “And all the times she read you stories before bed. Kissed your booboos. We can share those memories today.”

Paige perks up slightly at the mention of stories, a small flicker of interest sparking in her eyes. “She always made the best pancakes, too,” she adds, her voice softening.

Natasha nods, grateful for the direction of the conversation. “Yes! And how she would let you pick the toppings. Do you remember that one time she made a huge stack and put ice cream and strawberries on top?”

“Yeah!” Luke giggles, his laughter a small, bright note in the heavy atmosphere. “And then I spilled syrup all over my shirt!”

"Exactly," Natasha breathes. "She's the reason we have all these memories. It's not goodbye forever. I promise. And she will always watch over us. It will never be goodbye." She reassures. "Just a see you later."

Paige seems to think about it, her expression contemplative. She looks down at her pink sneakers and then back up at her mother, a question forming on her lips.

"Can we tell everyone a memory at the funeral?" she asks quietly, her voice wavering.

"Of course, you can," Natasha says. "Everyone will love to hear."

"Good. Because Mommy loved stories."

"She did."

"How about you go and find your sisters and I'll help your brothers finish getting dressed," Natasha suggests. "The car should be here soon."

"Okay, Mama," Paige slips off the bed and makes her way out the door.

Natasha takes a deep, shaky breath, exhaling slowly as she turns her attention to her sons. She does Luke first and he doesn't put up a fight. He's quiet the entire time. Her youngest is still processing the grief.

Natasha moves to James. "Hey, kid. Let's get you looking good for Mommy. Do you want your black shoes or not?"

"Can I wear the ones Mommy bought for me too?"

"Of course, baby."

"The spiderman ones?"

"Yeah."

"Okay. I'll go get them."

James runs off to the closet and Natasha turns her attention to Luke. "We're almost ready. How are you feeling?"

"Sad."

"I know."

“Mama, is Mommy sad?” Luke asks, looking up at her with wide, innocent eyes.

“What do you mean? Is she sad where she is?” Natasha asks, her voice gentle but steady, hoping to guide him through his thoughts.

He nods slowly. “She probably misses us so much. That’s what she always says when you go on vacation.”

Natasha feels a lump rise in her throat at his words, the reality of your absence cutting deep. “You’re right,” she replies, brushing a thumb over Luke’s cheek. “I know she misses you. She loved you so much, and I know she wishes she could be here right now.”

Luke looks down, the sadness etching deeper into his young features. “Will she come back?” he asks, his voice trembling.

Natasha swallows hard, knowing that this is one of those moments she wishes she could shield him from the harsh truth. “No, sweetheart. She won’t come back. But she’ll always be with us in our hearts, in our memories. And we can talk to her whenever we want. We just have to think of her and remember all the love she gave us.”

Luke furrows his brow, contemplating her words. “Like when I think about her making pancakes?”

“Exactly,” Natasha encourages, her heart swelling with pride for her son’s understanding. “You can always remember those moments. They’re special.”

Just then, James returns, a pair of Spiderman shoes in hand. “Can I wear these?” he asks, excitement creeping back into his voice despite the heavy atmosphere.

“Of course, baby,” Natasha smiles, relieved to see a spark of joy return to his eyes. “Let’s get you looking sharp for Mommy.”

As she helps James with his shoes, Natasha reflects on the gravity of the day ahead.

"Mama, why do there have to be drunk drivers?"

"I don't know, buddy. I really don't." Natasha attempts to focus on getting his feet in his shoes.

"That's what killed Mommy."

"Yeah. It is."

"I don't understand."

"There's a lot in this world we will never understand."

"Why?"

"Sometimes, life is cruel. And unfair." Natasha begins. "Sometimes people make bad choices that they have to live with."

"What if they can't live with it?"

"Then they can't change it. No time machine can turn back the clock. All we can do is remember your Mommy for the kind, loving, warm, funny, and brilliant woman she was." Natasha says.

"And how much she loved us."

"Yeah. She really did. And she was proud of all of us."

"Did we make her happy?"

"Very," Natasha nods. "Now, are we all ready?"

"Yes," James takes a deep breath just like you practiced.

"Good," Natasha exhales. "Let's go then. We can't miss Mommy's funeral."

Luke is the first to grab her hand. He squeezes her fingers tightly, the small gesture conveying a depth of emotion that words could never express. James joins in, holding onto her other hand as they descend the stairs together.

"I did Charlie's hair," Cara offers as they meet at the bottom of the stairs. "She was a little upset about it but I did it."

"Thank you," Natasha murmurs, squeezing her daughter's shoulder.

The doorbell rings, breaking the fragile calm.

"It's here," Melina announces, her voice thick with emotion. "Time to say goodbye."

As they gather by the front door, a heavy silence settles over the family, the enormity of the moment weighing heavily on their shoulders.

Natasha feels her heart racing, the tension coiling in her chest like a spring, ready to snap. She feels an overwhelming sense of emptiness settles in her chest. The warmth of Luke and James's small hands in hers provides some comfort, but it feels inadequate against the crushing weight of grief. Even with her family surrounding her, she feels more alone than she ever did when she was a spy or on the run, moments that, in hindsight, felt almost thrilling compared to this void.

The door swings open, and they step outside into the cool air. The family car awaits. Melina moves to help the younger ones, but Natasha remains still for a moment, staring into the distance as a rush of memories floods her mind—laughing with you in the kitchen, planning birthday parties, marking anniversaries that now feel like distant dreams.

Her heart aches at the thought of the anniversary circled in big red on the kitchen calendar, a day they had planned to celebrate together. Now, it serves as a painful reminder of the life that was supposed to be, a future now out of reach. The promise she made to you—to keep your family together—echoes in her mind, a vow she knows she must honor despite the challenges ahead.

“I can’t do this alone,” Natasha whispers to herself, though the words feel heavy and hollow. She hasn’t slept in her own bed since you passed; the sheets still smell like you, and the thought of facing that emptiness alone is unbearable. Her appetite has vanished, save for the muffin Cara brought her this morning—an attempt to nourish herself that felt almost futile.

“Are you okay, Mama?” Luke asks, his innocent concern snapping her back to the present.

Natasha forces a smile, though it doesn’t reach her eyes. “I’m okay, sweetheart. Just thinking about how much your Mommy loved all of you.”

James looks up at her, his face serious. “We can make her proud today, right?”

“Yes,” Natasha responds, her heart swelling for what felt like the millionth time today. “We will make her proud.”

As they approach the car, Natasha feels the weight of her family behind her, their collective grief palpable but also a source of strength. She knows she has to find a way to keep moving forward, not just for herself but for all six of the children depending on her.

mentioning that this is completely au and purely au and not real.

[piratecaptainscaptainpirates]

You know, if I have to read another take or fic that treats Ed ordering that racist French captain skinned with the snail fork as proof of Ed's anger issues, or, somehow bizarrely commonly, has Stede talk down to him about it, I'm gonna lose it. Both Ed and Stede indirectly cause some pretty major violence in s1e5, but only Ed's seems to be proof of a violent nature. Strange.

And I'm honestly a bit tired of talking around this, because when you look at what some portions of this fandom can excuse and what they can't, it becomes very obvious how this is really just a racism problem. I mean, in this episode:

Ed responds to racist abuse by ordering the French captain killed. It's in the context of him having already given the captain a chance to back the fuck off ("what's that supposed to mean," said very calmly considering we all know what "your kind" means), has to visibly hype himself up to start yelling, and is responding to being called a donkey. It's vile and Ed deserves to be upset, not to mention he knows he can't just let that slide when senior crew members like Fang are right there watching. Ed is visibly upset and shaken by this whole situation and what he thinks it says about him as a person.

Stede, upon learning that the party guests were cruel to Ed (in a passive-aggressive but undoubtedly racist way), is angry on his behalf, and also wants to retaliate, just as Ed did earlier. It's sweet that he's defending Ed, but this is surely also personal for Stede, who felt mocked and belittled earlier and has had to deal with a lifetime of that. We see the results of Stede's playing the crowd here, with the boat burning in the background and the screams of people jumping out into the open sea, and Stede is also visibly pretty stoked about the whole thing.

There's no way around it, I think: we have been conditioned to think it's morally superior for someone to "turn the other cheek" and "be the bigger person" in the face of racist abuse, and Ed doesn't do that, so that's why this is still such a big issue for some people. When Ed gets upset again at the party, unlike earlier when Stede was put off by Ed ordering the captain skinned, Stede validates his feelings and is the one to respond, and that's the difference in reactions, I think. In the second case, Stede has validated Ed's anger and pain - Ed's feelings have gotten White Permission to exist.

OFMD does something really very unusual in the current media landscape, and that's how it treats racism in itself as violence. It doesn't expect characters to look away, turn the other cheek, or try to make amends with racists when they're cruel to them. And the only problem here wrt Ed is that some viewers of the show, bringing in the biases of the society we live in, will get uncomfortable when Ed acts in accordance with the show's philosophy - it doesn't matter that Stede is much more gleeful about being the one to respond in a similar situation, it matters that Ed is brown, and we therefore expect him to have to put up racist abuse. The show doesn't ask us to pass judgment on Ed in this episode, and I think that if you're automatically more inclined to believe Stede's actions more "reasonable" and "justified" than Ed's, you just might need to unpack that.

[a-twistedheartslonging]

LMAO

That one post about sitting on his lap during a study session is great

I kinda want to ask about the others reactions.

Ahh but not sure who. I feel like there's three major camps of

1) flustered as fuck, doesn't do much else

-riddle, Sebek, deuce, jack, azul, jamil*, epel*, ruggie*, Idia

2) his ass is NOT studying, he's doing whatever's happening now

-ace*, floyd, Lilia, Malleus, kalim, rook*, epel*, ruggie*

3) continues session, tries to turn this on you/maximum flirting to see who furthers this

-Vil, Leona, Rook*, Jade, Jamil*, ace*

* the caveats for some

Jamil's reaction depends on where you are (library, study hall, his room etc) and he's way more likely to just fluster if he's in a more public setting- regardless if you have chosen a more secluded corner- but if he's somewhere where he feels more free and more hidden he's gonna do his best to flirt and be suave. He flusters way more with honest and genuine direct affection otherwise he wins out in patience and subtlety in flirting in the "study" session

Epel is flustered as fuck, also really proud and smug. He's distracted yes but depending on your actions such as promising rewards for finishing study session or going further or even just doing nothing which might confuse him then he'll either continue studying and be flustered or go along with your lead

Ruggie is flustered and might freeze up, he's not studying, he's busy trying to keep his heart from exploding at the close contact. He doesn't know what to do, will follow your lead though. If you just continue studying then you just have a free yeen seat

Ace is NOT focusing-probably wasn't really studying in the first place though that's due to having a one on one session with you- and his thing is that he is way more focused on where this is going, he's nervous about messing up and he's also trying to act like he's studying while trying to see where this goes. He is not very subtle or good at the act, he's very flustered but he's not in the same category as the others because he's more so distracted and trying to do something​.

Rook is no longer focused on studying. It's kind of a toss up of whether he'll put all his focus on you in his arms or if he'll play pretend and try to get you to fluster. Either way, you're in for a time.

Ahhhhh want to get details but brain going, would love further additions

One of the things I think of when it comes to lap sitting is the irony of a human sitting on the lap of a beastmen and I wonder if they think about it too.

Plus, with them in particular the urge to sniff, bite, nuzzle, and lick is very strong. Especially if they have a clear view of the back of your neck and shoulders. Leona says he wants you to sit in front of him in class, so he doesn't get caught napping, but we all know the true reason.

Nibblers/Biters include but are not limited to: Malleus, Idia, (once he gets over some of his anxiety about using his teeth on you) Leona, Jade, Floyd, Ruggie, Jack, Lilia, Sebek, Ace, Rook.

Leona and Silver would likely fall asleep on you. Which sounds cute but they're both solid and heavy so you're gonna get squished when he clonks out and puts all his weight on you.

Funny thing for the guys that get flustered, once they get more used to it, it ends up just being a normal thing and he doesn't like studying without you being close like that.

It helps Riddle destress while he still gets work done and helps Jack ease that separation anxiety he gets after you guys become a couple.

[x3dh]

Payton Gendron's Protips

Protip: at the day of the attack roll the driver car seat all the way back and have the seat slightly angled so you can shoot from 12 o'clock to 6 o'clock, shooting to the left is impossible to do without physically getting up and sitting on the middle console. Don't even attempt to shoot at your 8 o'clock unless in passenger seat. Can shoot in all positions while holding gun as a right dominant. Also when taking shotgun from the seat, raise the gun first then bring it out so it doesn't get stuck, and have the passenger seat all the way back without headrest for maximum coverage.

Protip: when adding the RAM cards make sure it is all the way seated, this may take more force than you would think.

Protip: Around blacks don't relax

Protip: when shooting always wear appropriate shooting glasses, ear plugs and ear muffs, I understand its a bit annoying but trust me, its worth it

Protip: with earpro get high cuts that can attach to the helmet.

Protip: Make sure you have the right tools for the job, I tried unscrewing the bolts by using my gerber multi tool and thumb for 40 minutes until I decided to get 2 small screwdrivers from my dad's toolbox, which got the the bolts off in 5

Protip: For a long barreled rifle or shotgun, get a decent 1 piece cleaning rod made of carbon fiber. Aluminum rods suck and break easily, and rods that come apart have too many weak points. The cleaning rod I use is a cheap hoppes one but if I were to continue cleaning guns for life then I would get a one piece

protip: dont put oil in your mags, it will only attract junk

protip: actually test ya guns and bombs for function before making an attack, otherwise you look retarded

Protip: Pedophilia is NEVER ACCEPTABLE or JUSTIFIABLE, If you lust for children then please seek therapy.

Protip: Dont do drugs

Protip: Record your answers and passwords in a secure place, also if you forget your password make sure to write down each attempt so you don't type the same false password twice

Said this before but protip: Be there for your children

Protip: Be prepared for shit to happen

Protip: For ICW plates ALWAYS use the proper backing material.

Protip: BE THERE FOR YOUR CHILDREN AND NEVER MAKE THEM FEEL BAD FOR COMING TO YOU

Protip: Make sure to take care of yourself and personal items. It might seem easy to just be lazy and not but trust me you're life will be so much better. Exercise, brush your teeth, and clean yourself often. Same thing applies with cars and such too, they're investments and can last you for a long time if you take care of it

Protip: Do not stay in an unmoving car. Be aggressive when fighting in the store

Protip: NEVER shoot someone else's reloads, and know what is reloaded and what is not reloaded ammunition

Protip: Don't buy chinesium gun parts, there is NO actually good quality anonidized red parts, or decent scopes from NCstar. You are just wasting money that can be saved up for actually decent gun parts

Protip: NEVER stick your finger in the chamber when there is a bolt under pressure behind it, you will somehow fuck your finger up

Protip: Test your equipment and make sure they work properly. John Earnest apparantly had a jam in his gun that he didn’t even shoot before. Stephen Balliet’s luty didn’t function properly as well. Brenton had one failure to extract but he was quite smart and got it out quickly.

Also look at what people did before tou, I’m trying to find info on other mass shooters and see what they did and what to improve on. r/masskillers is very helpful. Imagine if I went in on March 15 not knowing my gun wasn't properly lubed and I had a failure to feed on every shot I took, that would be quite embarrassing

Protip: don’t go in areas where blacks are the majority.

Protip: Don't cheap out, make sure to get GOOD quality parts. Spending money on worse parts will likely leave you dissatisfied and with less money that could have rather been towards higher quality parts.

Protip: "extra spring power" magazines are a SCAM. Just get the standard power ones or magazines from a reliable company and you will be fine

Protip: Shit happens and you can't change the past, but you can learn from it. Don't try to make the same mistakes twice.

Oh and protip: bullets point upwards after going through a front car windshield

Protip: Don't put excessive use on your gloves, don't do stupid things like hip fire a traditional shotgun with them, do not abuse them

Protip: Don't abuse your gear. Take care of them and they will take care of you

Protip: Don't buy strange cheap ammo. You may be satisifed with the price but the quality you will not. | think the cheapest you should go is wolf/tula/barnaul steel case ammo. For example: Don't buy Romanian or Guatemalan shit. Then again maybe that's not applicable at your time. Steel case ammo is going out the door soon cause fag governments

Protip: keep it to yourself and there are no problems

Protip: Get good quality sleep, you're day will be much better. It may be easy to just stay up consoooming on your phone or something, but it will be worth it

Also protip: you never really learn something until you talk about it or teach it to someone else

Prove to me that white genocide isn’t real, prove to me that blacks are equivalrnt in the brain to whites, prove to me that the elite has any other goal than to line their pockets with cash. Protip: you can’t. I’m not delusional, I am only saying the truth

Protip: DO NOT use rifle bore solvent that is 40 years old, it will coat your barrel and turn it brown, idk if that's dangerous but it doesn't look right

OH, and protip: you always get more for yourself by helping other people

Protip: ALICE webbing should be on the outmost of your body, it doesn't work underneath a plate carrier

Oh and protip: Record everything you can and continue making memes and other shitposts, like you already do. Thanks guys G\

x

[youcouldmakealife]

are there any unexpected challenges when moving between two such tonally different works as sait and cott at the same time?

Interestingly, it's sort of the opposite! I've learned that having a tonally serious series at the same time as a more lighthearted one is great because I can work on either depending on my mood and what headspace I'm willing and able to enter at the time.

The stories of the week and the month also help for that -- they're much easier to pop in and out of versus the series, which tend to involve longer writing sessions and a lot more 'editing as I go' than the stories of the week, which are done in short sessions or sometimes, if it's clicking well, in big chunks or even all at once (the dream).

But having two series that are so different kind of counters my excuses? 'Oh I'm not in a Holden headspace today, he's too up tempo and frenetic' can be countered, quite easily, with 'may I interest you in the saddest man in the world, then?'. It's actually nice with alternating POVs too, because, barring my not knowing what comes in the next part, the answer could also be 'how about some James, then?'.

So depending on how my writing's going, I could have just one upcoming part in the works or like, bits and pieces of five (especially toward the beginning or end of series; I probably have snippets from 5 or 6 upcoming parts of SAIT right now, because we've reached the final 15% or so), all because whatever my brain wants to write, that's what we're writing.

The result of that is that I'm now pretty consistently productive, when, if I force myself to focus on one thing, that could either go well, or it could mean I get fuck all done. (mostly the latter)

I've had some pretty major breakthroughs since I started doing this professionally, since 'don't feel like it' is all well and fine for your hobbies, which should be providing you joy, but not so much when it comes time to pay the bills. Part of it is treating it as work (not the 'ugh, work' part, though sometimes, unfortunately, that's true, even if it's your passion, but the 'I don't feel like doing <insert task>, but I've got to do it anyway to because it's my job' part of work.)

One of the biggest breakthroughs was ignoring 90% of writing advice (and productivity advice, and frankly, general advice) as not applicable to me, rather than thinking I'm a failure at following said advice (which so often is just people writing what works for them and acting like it's a universal tenet and not simply a process that works for them).

Knowing my brain is literally wired differently has been really helpful in accepting that, not blaming myself for it, and going to find the things that do work for me. And I've found a bunch! That I will get into later because I...have turned this into productive procrastination (one of my most commonly used strategies) and I should be writing at the moment.

But later! I'll post some things that work for me, and may or may not work for you, who knows, none of this is cut and dry, we're all making it up as we go, even (especially) the people who claim otherwise.

[abbysimsfun]

Sims In Bloom: Generation 2 Pt. 55 (Major Mom Guilt)

Heather waited to tell Malcolm about Ash's accident until they returned from the hospital the next morning. She usually texted, but this time she phoned.

She fidgeted through several anxious rings before he picked up. "You never call. What's going on?"

Her heart jumped into her throat. "It's Ash," she choked out. "He's okay, but he...he had an accident."

"What kind of accident?" Malcolm surprised himself with how quickly he lost track of his surroundings, toppling a stack of papers he'd been meaning to ask someone to file for over a week. "Where is he?"

"He's at home. He was playing at daycare yesterday and hit his head, but doctors cleared and discharged him this morning."

Malcolm was quiet. "Why didn't you call me last night?"

"It wasn't on purpose. I couldn't think straight about anything. It was late when the doctor said he'd be fine, so Conrad and I stayed at the hospital all night and we got back five minutes ago."

"I...I had an interview but I'll get one of the other reporters to cover it. I want to come see him."

Heather didn't expect Nancy and Malcolm to drop everything and drive all the way from San Myshuno, but later that day they came to see for themselves that Ash was okay.

He'd been cheerful and talkative before they arrived. But in front of his father and grandmother he whined about his head and said he was hungry, even though he'd just eaten.

Nancy chastised Heather while she and Conrad tried to make dinner. "He doesn't eat. He spends all day at a cut-rate daycare in this half-baked town that almost left us planning a funeral, and you work all day, every day, at the clinic you love so much. Maybe if you cut the asparagus spears smaller, Ash could eat them."

"He eats," Heather insisted. "He's testing boundaries and he knows you and Malcolm will both give him what he wants if he whines."

"My son and I discussed transferring him to a private preschool in the city on the way here. They're much more exclusive and have better childhood educators than the glorified nannies at his little daycare."

"They need the same qualifications in Brindleton Bay as they do in San Myshuno," interjected Conrad, continuing the meal as Heather's stress level forced her to temporarily step away from her knives. "It was an accident."

Nancy ignored him. She liked Conrad a lot less now that he was with Heather, but she didn't have it in her heart to hate him outright. "We started the application but we can't submit it without your signature," she said, placing the coiled booklet on the kitchen table in front of Heather. "We think it would be good for his education."

Heather said nothing, getting up to check the food Conrad had placed on the stove while he tidied the kitchen.

Malcolm could feel the tension when he came down the stairs. "Ash went down a lot easier than he does at the penthouse."

"Thanks for helping get him back to sleep. The hospital bed wasn't the most comfortable for him," said Heather. She braced herself, glancing at the onions she was chopping to add to the meal. "Did you and Nancy want to stay for dinner?"

Malcolm shook his head. "I'm glad to know he's okay, but we should head back. My mother can still make her corporate ski trip in Mount Komorebi if we get on the Simmerloop before rush hour."

He glanced at the table and spotted the half-completed preschool application. He looked up again to find Heather studying his expression.

"What are you thinking, Malcolm?"

He glanced between his mother and his ex, both headstrong in their own ways. "I want what's best for my son."

Heather waited until he left with his mother before she tossed out the application with the trash.

"I swear I could fight her, but I feel horrible enough already."

"I know she's...intense. But I think she's as shocked as you are," said Conrad.

"Nancy has a right to be upset? I have a right to be upset!"

"Of course you do! I just mean, don't pick a fight with her over the application. It's gone now, right? Hopefully she'll calm down and won't bring it up again."

Heather scowled. "Private preschool! The second Nancy gets her hands on my son's education, she'll ship him off to boarding school in Champs les Sims, just like his father. I'll never allow it!"

"I love you, and I'm only saying this because I love you, but maybe Ash needs to go back to his old daycare. It was a freak accident, no one's fault."

"They weren't watching him!"

"They were, but they looked away for one second. Do you know how many cases I've dealt with where something happened in the blink of an eye that changed everything? Ash is lucky, but you can't dwell on what might have been."

"I'll take him to work with me for a while, until I know Dr. Serra was right and he's okay. He loves the animals."

Conrad shook his head. "It's not going to be stimulating enough for him and you know that. And you can't do your best work watching him over your shoulder all day."

"I have to keep him safe!"

"You do keep him safe. No one keeps him safer than you, but if you hold on too tight now you'll end up holding on too tight forever. Like Nancy."

That was all she needed to hear to force her to swallow her pride. Despite her fears after his accident, she knew he needed to spend his days with kids his own age and made plans to send him back to daycare.

Heather's busy work life would continue to compete with the needs of her family, but she was determined to find a way to manage both. ->

<- Previous Chapter | Gen 2 Start | Gen 1 Summary | Gen 1 Start

[jazeswhbhaven]

From what I've been seeing it feels like PB is focusing on quantity over quality. Things like Obey Me, TWST, and Nu-Carnival has a sizeable group of characters, but they're not too huge so it allows them to flesh each one out to a certain extent, but then they can introduce a diverse set of cards on each of them so you're not starving too much.

WHB has not only has 6 Kings and one more on the way, but they also keep introducing more nobles and angels. In a way it's not bad, but this is why I seriously feel it is a case of quantity and not enough quality. From what I've seen in this community, characters that have been in the game since Day 1 are being super neglected. Then we a have every new L card released being paywalled, nightmare passes that also have the top rewards paywalled, are more frequent, even this time around the S+ card requires more gold keys and it doesn't have anything remotely special about it whereas the last S+ did which was extremely exclusive only. Honestly it's...really sad. Now you don't NEED these cards and I'm not asking for freebies, but in the end they are asking for your life savings for even just the decent stuff, and then you still have to deal with the gacha to do that.

I personally need a decent amount of characterization to really appreciate a character so I do appreciate the world building but no character has stuck with me yet. So everytime a new one is released I go: "Okay but what about like...the existing ones?" Our last one was Leraye, which I'm sorry, it's just a reskinned of his OG card and I found that really scummy which was probably why he was locked through achievements which...was the saving grace still it was the only time it happened. The story was nice though.

I don't want to come off as ungrateful and I probably am, but I just don't understand PB's decisions on what they're doing anymore. We can't use the "they're a small company" card, I'm sure they're not the only small company, but I don't have any sources, but so far this is the first time I seen company really just throw their community into a blender like this...then again I only played like 3 other gachas which isn't a lot.

💭

hey there 💭 anon!

This observation came right in time with how I'd like to pretty much introduce the game to new players that are flocking in.

PB's decisions as of late to change how we get currencies, paid banners, and the progression of the main story and character building has been a damn journey.

I don't think you're ungrateful, I wouldn't call anyone that honestly because as the consumer YOU are the the one, p2p or f2p, in the end that has be entertained by this nsfw game. The only one in existence that is catered to both women and men audiences. With that in mind, you'd expect to see something worth buying/taking up nearly 8gb of space on your phone for.

When the game was first teased, me and my friend were talking about it and she was overwhelmed by the amount of characters they kept showing, I met her through the Obey Me fandom, so that was our bread and butter for the majority of conversations. When I moved on to WHB, she didn't come with, she stayed for like maybe a week or two and dropped it. I forget mostly why which I could ask her again on her opinion.

But I'll let you in on something I saw the other day, the community over in LaDS has been having some issues with their banners/other gacha related things as well stating that this recent banner is driving players away. I don't play LaDS but PB isn't the only company it seems starting to switch things up when it comes to decisions.

The S+ cards confuse me because what they introduced was hey here's beach Rara (Raphael) and he has an adore mode, a story with mild spice, and you chats/more lore about this bitey boi. I had so much fun reading through that. Amy and Sitri's all we get are the likability things and well from the previous expectation? That made me shake my head. (also for the extra gold keys thing, apparently it's only that high if you want to get it early, the card is going into the banner immediately after the event so in theory we all literally could have waited to pull them so we wouldn't have to spend that amount of gold keys)

As far as content goes, I think ultimately there's too many characters to work with. If anyone on the staff has a brain like me, it would be very easy to neglect characters here and there. I also do not like that Gehenna has yet ANOTHER noble (sorry Amy) but other countries are lackin'.

Also unrelated...WHERE IS GEHENNA'S GROUP PHOTO U G H.

Niflheim needs one too.

All in all I hear you. Chapter 6 and Mammons/Amy's events though have me believing that the best has yet to come, these banners though....we will see... Maybe things will pop off when Asmodeus debuts..

[owl-discourse]

I continously forget exclusionists exists until I go online and see an occasional post of theirs pop up in LGBTQ+ tags. In all my years of frequenting queer orgs and events, I've never met one at any of them.

[forsty]

literally every comment under any watcher post the last 24 hours regarding the "announcement"

[ruporas]

can’t talk about it

[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.

Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We  can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."

The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"

The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."

The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."

The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."

The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]

[flowerakatsuka]

gay ppl @ a summer festival, what will they do??

[zaacoy]

Very rushed value practice before I sleep!! They are vibin'

[keymintt]

aches and pains, mild and bothersome