#I feel like emphasizing that I absolutely don't mean to place any kind of hate for Nozessa
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thoughtfullyrainynightmare · 8 months ago
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Heyo 💘 For the ship game, how about Nozel x Vanessa, Yosuga x Mereoleona and (thinks about something outside of the box) Magna x Rebecca? I would have also asked for Fuegoleon x Solara, but since you've already answered them. Except of course if you want to talk some more ;)
Hiya~! ^^
Ooo! Hmm...
Nozel x Vanessa
(Kinda) doesn't make sense (??) and ... doesn't (??) compel me ??
Like.... I feel bad typing that, but it's not something for which I'd write a fic if I was not prompted to do that, if it makes sense? As in, if it wasn't requested, I wouldn't make content for it, so I can't say that it compels me in that essence. But I can't say that I'd dislike it either, because I do write fics for it it, and I absolutely don't mind writing fics for it. It's just not a love relationship for me with this ship. The reason why I say that it wouldn't make sense, is that I don't think they've really interacted in canon, and I'm still struggling to piece in my head how they'd get together. As in, usually, if I'm writing for a ship, and I have it established (at least in my head) how a ship came to be, then I have an easier time with picturing how the ship operates.
Overall I don't mind the ship, it's just not something that I love for me. (But I am also very biased for Nozel being shipped with my mutuals' OCs... ^^')
Vanessa is the flirty one, and Nozel is the stern one. But they're also birds in cages. Only that Vanessa has broken out, Nozel hasn't, not really at least (yet). So, while I say that it doesn't make sense, there are absolutely thematics to both of them that work with this ship.
They're just two birds from two very different cages.
Yosuga x Mereoleona
Makes sense and compels me
She's the firey lion woman and he's the tiger man. They could (probably) take each other on in a fight, and though I think Yosuga would lose, he would not be sorry for losing.
I know, I know, this ship is kinda hinted at in canon, but I can just see these two locking eyes and saying "you. fight me." after which (the brawl) they'd build mutual respect, and from there on a relationship.
For me, this ship just works, for some reason. And Mereo would wife Yosuga.
Magna x Rebecca
makes sense and doesn't compel me
I can see Magna settling down in some point, and being the good guy, the Real Man(tm) that he is, I can see him being a Family Man(tm). And Rebecca, while having to have looked after her younger siblings, is Motherly(tm). So, I can see these two working out.
It wouldn't be a particularly fun paring, but it kinda does make sense. However, I'm not particularly interested in it. It's just another personal preference. But overall, I'm neutral towards this ship as well.
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crumblinggothicarchitecture · 6 months ago
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Hi, I absolutely love the way you breakdown tswift songs, and I just wanted to clarify something, that's been bothering me. In 7 she mentions this part "we'll move to India forever" at first I was just like yeah, but the more I listened to it, the more I was like what kind of fucking colonist/white mindset is that? You'll never tour to India but you want to move here?? LIKE??? NO!!!! Don't!!! We've had enough of you white people exploiting us without ever actually ever caring for our country.
Feel free to vent about whatever Taylor Swift lyric you hate. I literally love it. :)
Because you're right, I always saw the line "we'll move to India forever" in the most charitable light. I remember thinking to myself, when I first heard it, that maybe she just loves India.
It made sense to me- because during the pandemic I fell into reading a BUNCH about India's culture, religion, food, anything. (My interest was mostly a result of linguistic interest into how India has shaped the English Language over time). Despite English only being present in the region due to colonialism, India has had a remarkable impact on shaping the Language itself! I emphasize post-colonial theory in my real job- and while I don't write much on India's relation to English Linguistics, I enjoy reading on the subject. So that's why I find it so interesting- because it really speaks to human ingenuity and perseverance. You know? The linguistic diversity present in India alone is so cool- and I really could talk about it forever.
So, I heard the line, and my first thought was like "yeah, okay maybe she just loves India?"
I think I was being too kind with that initial response.
But dude- she's never even toured in India? Like she just refused to go? She's never once talked about India in a positive light at all. So then why would she write that line? Like she will go to any random country in Europe, go to any random state in the USA, and go to couple of select places in Latin America, but it seems like she outright ignores Southern parts of Asia? Except Singapore- because they gave her a boatload of money, I guess. So, why write that line? Why write all of "Karma" is she has no genuine interest or respect for the people from which that philosophy comes?
In combination with her obvious pro-colonialist imagery in her other work, like the "Wildest Dreams" music video, the line in "Bejeweled" about reclaiming the land, and the latest line in "But Daddy I Love Him" about how she wants to win the West, I now believe her line about moving to India to be pure Orientalism.
Plus, the whole issue with the "Karma" song in which she is denigrating the philosophical concept of Karma and making it seem like nothing more than a shallow idiomatic ideal on revenge.
I think she's just an idiot who wants to mention "India" like it's some fantastical realm far away from "reality" (Eg), to her, the USA, as if India is not a real place with a real history and real culture. This is what I mean when I say she offers India no respect or appreciation- you can't liken a place to a mystical realm removed from reality without removing it from its history, culture, and people.
If the whole line is "Pack your dolls in a sweater/ We'll move to India forever/ Passed down like Folksongs" ("Seven" 2020).
She is intuitively linking the concept of moving to India with that of a childhood fantasy- with the word "dolls"- one childhood fantasy which will be ultimately unfulfilled. Thus, I support the argument that her line about moving to India is only in reference to the fact that it's like an unreal fantasy- worlds away from reality.
In literary theory, we call this process of subjective reality removal, and fetishization of the East as a fantasy realm, Orientalism. Orientalism is the act of creating a fantasy of the East, in this case India, that is often full of stereotypes or predicated solely on the myopic lens of western perspective.
Naturally, this facet of literature was mainly popular during the height of British Colonialism in India- in the 19th century. So why is Taylor Swift negotiating Orientalist attitudes in a song in the year of 2020? WHY! Uh- (because she's a fucking Racist with no respect for anyone who's not White and from USA). I've been blind- I fear.
It's such a rude oversimplification of such a diverse and interesting place- and all of her many nods towards Colonialism are so disgusting - I'm actually pissed off about it.
Anyway- That was my long-winded way of completely agreeing with you. You're right it's a shitty colonialist attitude and she should not be getting away with it.
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shaniacsboogara · 7 months ago
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i think a lot of things i agree with are already being said about watcher tv, so instead of focusing on those, i'm going to try to highlight things i think need to be reiterated or haven't been discussed enough.
first of all, i've been a fan of watcher's content for a long time. i followed shane and ryan over to the network after unsolved ended, and since then have made a TON of incredible friends and memories because of their shows. to anyone at watcher reading this, i really hope you're doing alright. thank you for everything you've done to foster this incredible community. and to anyone here in tumblr who's followed me for my watcher content or to any of my mutuals, i hope you're doing as well as you can. drink some water, get outside, and make sure you're getting enough sleep. this has been a rough time for a lot of us, and understandably so.
obviously, watcher tv is a massive change, and everyone who feels upset or disappointed is extremely valid in feeling that way. however, the calibre of hate being sent to the watcher crew is kind of horrific. yes, this could turn out to be a bad business decision for them, but that does make them evil morally bankrupt capitalists who never actually cared about their fanbase in the first place??? honestly, i think this type of commentary is doing a disservice to everyone who's trying to discuss this situation from a genuine analytical standpoint. not only that, but these are real people??? sure, they're on the internet and have probably had people send hate comments their way before, but as a community there are so many more productive things we could be doing instead of tearing down the folks over at watcher.
it is disheartening for content you've enjoyed to suddenly be locked behind a paywall, especially if it's not something you'll be able to afford. i've seen a lot of people emphasizing that artists should be compensated for their art, and i think that definitely applies here, but that doesn't mean people don't have a right to be upset. the fandom community we've built here on tumblr is incredible, it's brought so many people together and overall been so positive, fun, and welcoming to be a part of, so it's understandable that a change threatening the stability of that fanspace would make people upset. i'm not happy about the possibility of the watcher fandom dissipating after this announcement, but i think it's highly likely. watcher TV has created a divide in the fandom, and no matter what it looks like after this is over, it won't be the same. what's going to happen when most people can't access watcher content anymore??? no matter what happens, being in this fandom was absolutely incredible while it lasted.
what's my overall take on the situation??? i don't know how this will turn out for them, i'm not sure the announcement was carried out in the best way (it was hyped up in a way i don't think it should've been, a slower lead up to this could've made it more digestible), i'm sad that a lot of people won't be able to enjoy content that used to mean so much to them, but if this is a business move they think they need to make, then think i understand that. i'm no business expert, i have no idea how this will work out, but i'm absolutely not manifesting their downfall. i think it's very important to discuss this in a civil manner, to critique and analyze the effects of this situation on both the community and the company, but letting that turn into blatant hate and threats to watcher employees is WAY TOO FAR.
these are just some of my thoughts. if you want me to clarify anything or know my thoughts on specific aspects of this situation, please don't be afraid to ask!!! my only request is that this post doesn't turn into a vessel for hating on anyone, whether that be watcher or anyone posting about the situation.
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waitineedaname · 2 years ago
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Um. do you think about how mr & mrs kageyama are undoubtedly on the Good-er side of the Parents scale but also are probably viewed differently by ritsu and shigeo. like i think about how ritsu probably had to be the easy one (the one that doesn't need you to care about them and comfort them) since shigeo has probably come home beaten up and bloodied enough times for the both of them?? also i feel like they might've said something like "well shigeo you don't HAVE to do [thing that will make any parent happy/proud] right ritsu :)" at some point. like idkkk i feel like that is definitely part of why ritsu feels so pressured to be twice as good at whatever he does (to make up for whatever mob lacks) but also if anyone said that to me i'd kill myself on the spot because it puts Zero trust in mob's abilities? like i feel it doesn't give him a chance to try because well ritsu will do it anyways why do i need to :/ (but then body improvement club happened. W)
anyways i just thing his parents (unintentionally) put sooo much pressure on ritsu. like the bar for being Good is drastically different for ritsu and shigeo*. and pre-claw ritsu thought that half of this pressure would probably disappear if mob did what he was ""supposed"" to do as the Older Sibling which might be one of the many many reasons ritsu thought he hated him?
*marathon arc is the first instance that comes to mind cuz...idk..before it happens they're like Hm. we should go wait in the middway of the path for shigeo (who waited for ritsu at the finish line?🤨). and after it they're like hehe ritsu got 9th place and shigeo did his best :) (this just sounds. damn. the bar's that low/high?). and both of these are normal! considering how shigeo and ritsu are! but i also feel like they're only normal because that's what you'd expect from shigeo and ritsu respectively which kind of. fucked up my worldview.
okayyy this got long. Sowwy. 😆
the kageyama parents make me NUTS when I think about them too hard bc they're probably the best parents in the series and definitely the most normal, but with being normal comes very normal flaws and parenting fuck ups, like comparing their sons. like comparing kids against each other is a very normal and common thing for parents to do, but it fucking sucks, and it's only made worse with the specific baggage the brother have
they absolutely put so much pressure on ritsu, which is one of the components of him snapping in the cleanup arc. he's like,, the ideal that they compare shigeo too, like they're always like "shigeo, why don't you get better grades, like ritsu. shigeo, why don't you stop doing weird things, like ritsu." I feel like the best example of this is these two pages from the cleanup arc (chapter 23, if you're curious)
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literally every day I think about "ritsu is way smarter than I am. he doesn't do anything weird" [panel of ritsu looking so fucking haunted]
I'm going to put the rest of this under a read more because I had a Lot To Say
anyway, this sets up the expectations for the two of them. shigeo is the one who struggles at school, who messes up, whose psychic powers do weird things. ritsu is the star student, the perfect son, the Normal One. neither of these expectations are fair to them at all, especially since shigeo works really fucking hard when he sets his mind to something, and ritsu has to wear the mask of normalcy and perfection even if it doesn't feel right. it puts too much pressure on ritsu and sets mob up with the expectations of failure! goddammit!!
I don't necessarily blame the kageyama parents, I mean like I said, this is a very normal thing for parents to do, especially with kids so close in age. I've been compared to my stepsister, I've seen this happen to friends who are close in age to their siblings. it sucks ass, but it's a very normal flaw for a family to have. but also, even though the series really emphasizes that psychic powers are just a normal thing, I don't think the kageyama parents were equipped to deal with the specific issues their kids have bc of psychic powers. I can't help but wonder how much they know about that part of their sons' lives... the more I think about it, the more I think that ritsu definitely didn't tell them the truth about the first ???% incident, he definitely lied to protect his brother because I feel like they would treat shigeo differently if they knew he almost killed his brother and several teenagers at age ten. and it's unclear how much, if anything, they know about the major arcs of the show. do they know ritsu was kidnapped? do they know shigeo was trapped in a mental hellscape for six months? I'm pretty sure ritsu actively hid the events of the world domination arc from them. we see their mom watching the news report in the confession arc -- did she see her son on the screen?
idk, I just get the impression that the brothers don't really let their parents into that part of their lives, which means they still get treated normally but also means their parents don't really understand them. I think that's part of why reigen was so important to mob's development as a kid, because he gave him a person he could go to about things he couldn't talk about with his parents. it also means ritsu was especially isolated because he didn't have that kind of person, at least not until he and shou became friends
also what you said about ritsu being the "easy one", that fits directly into the way I think about both of the kageyama brothers being autistic. I think mob was much more visibly autistic, probably needed more support, and because ritsu didn't need the same support, everyone assumed ritsu must be allistic. I think he knew he was the "easy one" between the two of them and I think that got wrapped up in him masking a LOT to make things easier on his parents so they could focus on shigeo. this kid is so damn undiagnosed that I don't think he even realizes he might also be autistic until his teenage years at least
something something psychic powers as a metaphor for autism something something ritsu desperately trying to seem normal because he doesn't have powers, but also desperately wanting to get powers and stop having to act normal. this kid is so fucking sick of masking.
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egg-emperor · 10 months ago
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do you think Eggman actually wants to kill/torture sonic? The sonic channel says in eggmans bio that he doesn’t hate sonic deep down in his heart, does Eggman have morals??
That's what the Sonic Channel bio says with Google translate, which is the most unreliable form of translation and in this case very inaccurate for Eggman's character. I rely more on DeepL but it's having trouble with this, it just says "deep down he hates him" lol
But in more reliable translation it doesn't seem to state that he doesn't actually hate him, which I think is an important distinction to make. Here's an example of a human translation of that part, which is always better than a machine one:
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"Tender" doesn't feel like a fitting word at all though. This is the absolute closest you've ever got to him being somewhat... affectionate?... towards Sonic in a genuine way in the games, I suppose:
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I mean, he's saying he finds him admirable. And it's funny because this is as he's attempting to blow him up to kill him and really thinks he's succeeded this time. I guess you can say that's kind of affectionate in his own twisted way by declaring it in his send-off, that works lol
Now in his Origins bio, they're very clearly referring to this same aspect in that bio but with a huge rephrasing that feels muuuch more fitting than "tender":
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You can tell because it's beat for beat with the whole "he wants to defeat Sonic, but deep down-" phrasing
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In this case, kinship clearly refers to the feeling of "a sharing of characteristics/other similarities." (Not the other way in being related in a familial sense, no way in hell lol) This is a massive improvement, absolutely PERFECT phrasing Imo.
This makes a lot more sense because it has game evidence. I look at what's in the games to support any outside word. If there isn't any, I don't accept it, canon is what's in the source media/text, any word outside has to be at least heavily supported by/align with it.
This scene specifically has him explain his feelings on Sonic in his own words perfectly. You're not gonna get it from a better place than the horse's mouth. It also shows where I feel the "kinship" is:
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It reaffirms that he absolutely does hate him and makes sure to specifically heavily emphasize it. You can hear it in his voice and it's not just in his words, he shows it in his actions, his dislike and threats aren't empty as he tries to outright hurt and kill Sonic all the time.
But it also shines more light on the way that he can also have respect for him, similarly to the way that he called him his admirable adversary in SA2. He can acknowledge that he has talent and admirable tenacity without liking him.
These are closest to "tender" they've gotten with him towards Sonic in canon if we're going to try assign anything to that at all. But again, I feel the rephrasing of it being him feeling a kinship is a lot more accurate with all things considered.
It fits perfectly because Eggman is exactly the same. He also has raw talent with his genius IQ and his creations and plans and tenacity to keep trying and never give up on his goals.
They've always been like two sides of the same coin, drastic opposites of traits in some aspects but also very similar in others, such as tenacity and skill level. This is what makes them perfect narrative foils to each other.
It shows they're a match in battle. Proves he's smart too in recognizing it, if he wasn't he wouldn't stand a chance against Sonic but instead he puts up the greatest fight of all villains and the one that still lives to fight again and again.
I talked a bit more about how even the way that they're opposites in themes yet can have an interesting overlap into almost similarities in the way they go about it at the same time in this post, which I feel is also worth mentioning.
Sage recognizes and praises Eggman's tenacity in the next cutscene they're together after he specifically mentions and praises Sonic for his, so she notices similarity between them too:
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So to sum up my stance- the idea of it being "tenderness" on Eggman's part feels inaccurate too, unless you're saying it's like, the closest he can get in his own twisted way then sure lol. But it certainly isn't in the way that fits the genuine definition with the ways he's actually shown to feel and think about him.
I feel the words kinship and respect are the most accurate descriptors by definition though. He does indeed feel those towards him but he absolutely hates his guts at the same time. And that's what makes that Frontiers scene so good for summing it up so perfectly. I think it really is that simple at its core.
And he absolutely does hate him and makes it very clear constantly in the games, as recently as Frontiers, so it hasn't changed at all over time either. He's been very violent and shown eagerness and attempt various kinds of graphic injury and death to Sonic and often attempts to act on those threats.
He has taken great delight in Sonic seemingly meeting his demise twice, so it doesn't get any more blatant than that:
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He has also been very unenthused and expressed disappointment when he survives his attempts to kill him multiple times:
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Lol
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And no, Eggman doesn't have any known good morals that ever limit him from doing anything bad and harmful in the games. His only limit is what results in the world he wants to rule being completely destroyed so he can no longer rule it, also the only reason he teams up to save the world, besides to save himself too of course.
Case in point- Eggman saying that he doesn't want to destroy the planet completely:
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Yet also showing little care for the state of it when the damage is done, as long as there's still enough for him to conquer:
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Sums it up because this is within the same game too, though there are many examples of this throughout the series. Where he'll cause mass amounts of destruction to get what he wants but if another bad guy threatens to completely destroy it to the point it ceases to exist so he can't rule it and of course puts him in danger, he'll team up to stop it.
He also tries to kill Sonic and co all the time, even characters as young as 8 and 6 and has no hesitation or remorse. Sage also hasn't changed this at all, as Dream Team is canon and takes place after Frontiers.
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So if he doesn't have good moral standards that stop him from targeting actual children then yeah, makes sense for him to not have them anywhere else either. You can't really stoop any lower.
Which is why I think the concept of him torturing Sonic in Forces makes a lot of sense too. There's never been anything to say he wouldn't. Certainly not any moral limits. I can imagine he'd jump at the chance to torture Sonic in at least some way when he gets his hands on him for that long.
Eggman's character when broken down to its essentials are very simple. Hating Sonic is one of them. But his feelings and actions in how he actually goes about them are a lot more complex and complicated. In the way he's still able to recognize his ability and give him credit where it's due and have respect for him from a formidable adversary standpoint.
The man's got a point
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Simple when it comes to his core traits, personality, and motives. Can be much more complex and complicated in his feelings and actions. That's what gives him such compelling depth to me. He's super interesting to analyze and it's so much more fun and eye opening when viewing his character with this nuance. He's not to be oversimplified or overcomplicated.
I like Eggman's dynamic with Sonic because it's not simplistic in the "he hates him so much he can't recognize and respect any of his abilities/skills" nor "he can recognize and respect any of his abilities/skills, so that means he doesn't really hate him". It's more complex and nuanced than that and I like it.
It shows he's smart when he can recognize and respect Sonic's skills so he can stand a chance against him. It also benefits him by proving his intelligence and strength in being able to continue to challenge him after all this time, so it's a way for him to take pride in it too.
If he denied them, it would also make himself look weak for being able to defeat him but he's far from it. If Sonic wasn't as strong and skilled as he is, Eggman would easily be able to take over the world. He proved it in Forces, if it wasn't for Sonic it would've been a permanent victory.
Having a powerful enemy proves he's a powerful threat. Having what it takes to take on a guy who's been able to kill beings of god-like power says a lot about his own too, so acknowledging it benefits himself in multiple ways and that's always an important factor when it comes to him lol
The Sonic Channel commentary at the end of this Sonic and Eggman cover story describes Eggman's feelings on Sonic and their roles in each other's lives perfectly (excerpt from the "what really entertains him" section):
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I also like how it notes that Eggman can enjoy the thrill of the battles as he is seen having as great of a time with it as often as he can be fueled by rage during them. Just like Sonic can too, another of their similarities there 💜
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keshetchai · 11 months ago
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Thank you for your deconstruction of that post about Jewish ethnicity and your detailed explanation of why it was a terrible take! I saw that post earlier and it got my hackles up but I didn't even know where to start when they're starting from such a flawed understanding of Jewish identity and ethnicity in general.
Yeah idk the most generous conclusions I have were those last two points — the argument either starts from assuming ethnonationalists have always been the ones defining ethnicity/they are the main arbiters of defining it (which I just reject categorically), or they have misunderstood or don't actually know what ethnicity means (outside of understanding ethnonationalism is bad).
And I never want to come out the gate with like "I think you just don't know what that word means," because that feels extremely condescending and combative. At the same time we're clearly facing some kind of vast language gap if the concept of "Jews are an ethnic group" is considered absurd or laughable. So working backwards those are my guesses for how someone got themselves to that conclusion which bizarrely had a lot of reblogs and i didn't look at the notes but like.
Please tell me I wasn't the only one baffled by this?? Anti-/non-zionist Jewish movements have typically still explicitly emphasized ethnicity, like...sometimes even moreso because "shared cultural identity here-ness" HAS to care more about group belonging in culture rather than in place or nation.
Either way: We can just reject ethnonationalism without erasing the concept of people having ethnicities! That's totally an option. Israel and Palestine both have histories of nationalist movements AND both can and should reject ethnonationalism because the levant itself is a place full of a variety of ethnicities. No matter what the future of the levant and any states within it look, ethnonationalism should be rejected.
Like yeah I can fully climb on board the whole "the modern nation state itself is bad, borders are violence enacted upon people, nation-states foment nationalism, colonialism, and so on, let's move forwards towards stateless society." Ethnonationalism is bad.
But simultaneously I live in like...a reality where something has to float us all until we can get there and I don't believe in a leftist rapture of "bloody revolution will overthrow all of current society."
spoilers: ethnic self-determination and governance doesn't mean you can avoid ethnonationalism strains cropping up!
Also just because this has been getting to me recently, here's a big tangent not part of the OP but something else I've been seeing: Indigeneity to a place doesn't actually elevate you to this morally pure and uncorrupt self, and it doesn't mean you're going to be a better society than anyone else trying to govern there or avoid ethnonationalism or nationalism.
That's...I mean that's not how it fucking works. I keep seeing like "these Israelis are destroying olive trees, an indigenous people wouldn't do that!" And it's like...such a kindergarten way of treating the status of being "native" as morally and ethically untainted by bad ideologies. To me it absolutely reeks of "noble savage" fantasies wherein like: nobleness of character, innocent benevolence to foreigners, and perfect stewardship of land is somehow the hallmarks of "true" Indigeneity.
I regret to inform everyone but if you only ever get the highlights reel history of Spanish colonialism in Mexico: the Spaniards were able to conquer Mexico the way they did for a variety of reasons (smallpox devastating the native populace is one of them), but one of those big key ways is the fact that various native groups hated the aztec triumvirate (the Mexica) so much that they actively helped the Spanish overthrow them.
The Spanish didn't conquer the Aztecs by themselves. The Spanish had maybe an army of 3,100 or so. The Aztecs had a fighting force of 200,000+, not including other allied forces. The spanish were able to conquer the Aztec empire because a whole lot of other indigenous forces were assisting them.
Being indigenous to somewhere absolutely doesn't mean you won't burn or destroy farms, or murder your also indigenous neighbors, or commit terrible atrocities, or even become an imperial force who enslaves people or enforces a caste system or anything else. It's not a guarantee that your society won't be shitty somehow. The Aztecs were comprised of native people, and they still cracked open rib cages of other human beings to extract their hearts in ritual sacrifice so like. It's not a strong argument to say "they definitely aren't from here because they destroy tree groves or murder Innocents."
If you wanna talk about settlers being settlers there's other ways to do it.
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exsqueezememacaroni · 2 months ago
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HIIII IM THE ASTRO ANON YOU ASKED ABOUT HEHE. i can expand more on mikes chart!!! Every source I have seen says mikes time of birth is 2:30AM but im not too sure how accurate that is. someone should confirm but honestly, i think it lines up bc it coincides w his personality so well
here are some references for his chart: https://astro-charts.com/persons/chart/mike-patton/
https://www.astro-seek.com/birth-chart/mike-patton-horoscope
w the 2:30am time this makes him a scorpio ascendant w a night chart!!! neptune is directly on his ascendant in the 1st house of self which gives him suchhhh a dreamy quality, neptune here also amplifies his mysteriousness. it also affects how people perceive him, they either love or hate him, but either way many are still fascinated by him. with his chart ruler mars, placed in the 5th house of pleasure, under the sugn pisces (using whole sign right now but both his whole sign and placidus descriptions line up) his neptunian qualities are very amplified with his creativeness, it seems he was honestly born to excel in art and self expression.
his moon and venus are conjunct in the 3rd house of communication, showing that his strengths come from writing, talking or singing!!! The video of him being interviewed by I wanna say puffy????? he goes “im feeling pretty shitty today so im going to put on a snazzy suit to feel better” such a perfect manifestation of moon/venus conjunction lol, venus with his moon can mean his self expression and style are very reliant on his mood and how he feels & vice versa!!
his sun and mercury are in the 4th house of family, under the sign of aquarius. in astrology, the 4th house is the lowest point in the chart- the planets places here are unseen and very private. The 4th house is associated with one's roots, inner world, and personal security. with his sun and mercury here, it emphasizes his need for his privacy. under the sign of aquarius, it shows that his home life or family dynamics are very unique! his mercury is directly squared his ascendant, which could show how his thoughts and ideas that he communicates can be very easily misunderstood by others.
his chart is super interesting because most of his innerplanets are below the horizon, while his outer planets, like jupiter, pluto, and uranus are all conjunct his midheaven!!! the midheaven is the highest point of the chart and represents his career and how the world sees him. with his inner planets below the horizon, he’s extremely private and introspective but with the MC placements, theres an incredible dynamic going on with how he presents himself to the world. with jupiter, pluto, and uranus here it shows his persona is very unconventional but very powerful!!!!!
This is all i could come up with from the top of my head. i could write an actual entire analysis with all of his placements explained if anyone is actually interested HAHAHAHA but if you have any questions or need me to expand on anything (the house system is kinda wacky So very understandable) i can try my absolute best. hehehehe
🙏🙏🙏🙏
I mean....uuuhhhhhhh....I love this so much? I dunno, astrology is so strange for me, because to me it's a bit of a "story"...but I *love* the story????
And it's so fascinating, yes, that dynamic quality of being so publicly creative and expressive being conflated with that privateness, his hidden self. The most charismatic person you know who teases a secret that is somehow even more appealing.
Thank you so much for this - and honestly even though you're anon, I would 100% want to pay you for a reading of my own chart???
And I would also welcome you to come in here anytime you want to expand on Mike's chart - it really is fascinating to me....actually it's super interesting too, your note on the "love/hate" and "easily misunderstood" parts of his chart - because I think that's something people kind of skirt around but don't often directly address...that he's (for the most part) always created in a way that feels true to himself and he seeks out collaboration with a lot of different musicians to further tease out his own expression, but sometimes people dismiss it as being a workaholic and even being derivative. Or that Fantômas is stream of conscious and improvised when for him it's so meticulously mapped out and arranged to the point of *almost* smothering his fellow bandmates.
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invested-in-your-future · 1 year ago
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Why do you hate Ever After? It looks cool.
Where to begin...where to even begin...
First of all, It clashes with the established Remnant aesthetic
And like not in a GOOD way where you have this different place. It just outright does not fit and feels like its right out of some other different work (because IT IS - they just copy pasted Wonderland without adapting it to Remnant setting or aesthetic).
Let me remind you what RWBY setting is
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The key element aesthetically is that the world itself is close to contemporary. Its part of the selling point. And its necessary. Sure There's variation like Mistral and Atlas both of which have their design and thematic issues (Mistral being basically a filler Kingdom with nothing but forests and orientalist locations and Atlas literally running on magic), but they still fit in the same "aesthetic".
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Why? Part of it is to sell the absurd transforming weapons and superpowers and eldritch monsters. The setting being this way grounds those elements. We are repeatedly told that Semblances, Aura, etc aren't just simply some magical thing. They are very much grounded with their limitations, science, etc. They are things that are tied to human progress and development.
The first thing we see in show is Ruby fighting off robbers with an oversized sniper-rifle-scythe.
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That's what is basically establishing scene for the setting. OF THE SHOW
Whether its Vale, Mistral or Atlas, its a story of human beings in a contemporary world, following contemporary semi-realistic rules and logic. There's specific logic that comes with the aesthetic and specific kind of coherence.
Its the story where politicking between kingdoms, discrimination of marginalized minorities, classism, authoritarian governments, unshackled and morally dubious science exist. Its the setting where normal people, huntsmen, criminal organizations and conspiring revolutionaries live. Its the story of human nature and ambiguity and self-destructivity that can hold.
The specific look and setting is what drew a lot of people to the story in the first place. I mean the Red Trailer's biggest aesthetic selling point is "OH WOW IS THAT A GIRL IN A RED CAPE WITH A SCYTHE-SNIPER-RIFLE FIGHTING MONSTERS?!". Weiss trailer adds other elements and a grounded sense of violence and darkness as she gets her scar, Blake's trailer emphasizes the contemporary even more with mechs, robots and trains. Yang's trailer is outright set in a club.
Now, you can do weird within the aesthetic. Salem's "place" is extremely weird looking but fits (at least the early incarnations of it before all the silly two gods things).
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It looks intentionally "off" and destroyed but it still retains same "style" while looking considerably more eldritch. You can still have recognizable elements there and in style and as much as Salem is "different" looking, she's still pretty much a human character, just a bit more eldritch. Its the same aesthetic but warped.
Now can you guess what's different about this:
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If to ignore the absolute nightmare in terms of overall composition, it's outright different show (or, well, game).
Its a zany goofy Wonderland filled with immortal creatures and talking animals. There's nothing tying this to Remnant aesthetic. It just IS THERE because writers willed it to be there.
That not only clashes with intended aesthetic, it clashes with suspension of disbelief too.
Ever After breaks whatever is left in terms of Suspension of Disbelief.
Remember how I said the setting is kind of necessary to sell the more "out there" fighting moments or other elements?
The very premise of realm like EA existing breaks that.
TALKING ANIMALS.
Just let that sink in.
Now let it sink in that in RWBY now there's a setting where logic, as well as cause and effect is not necessary because everything runs on Magic. Nothing needs explanation because MAGIC. Nothing needs cause and effect because DIVINE GREATER WILL decides things happen or don't happen.
How are you supposed to take ANYTHING in Remnant seriously next when there's this huge vomit stain on the setting where ANYTHING GOES?
Are we supposed to view "Two Gods" as these incomprehensible beings toying with humanity or these goofy uwu dragon teenagers in their rebelous phase against magic tree dad?
Are we supposed to be disturbed by Grimm or more eldritch aspects of the setting like before when there are TALKING ANIMALS LITERALLY NEXT DOOR???
Are we supposed to take death seriously when its not even an universal concept anymore and plot can break the rules whenever it wants?
Are we supposed to be worried for characters and their emotional state when the show has proudly proclaimed that psychological trauma isn't real????
Are we supposed to believe Dust is grounded in logic and science, when, well you catch my drift.
Third of All, Its the writers doublingTRIPLING down on what DOESN'T WORK.
So yeah, Two Gods was silly concept and idea and broke the story. Remnant always was built up as something that naturally came to be via evolution and advancement of civilization. We started the show with Humanity learning to use Dust to beat back the Creatures of Grimm. There's specific effort to establish a sense of agency for civilization - the idea that Vale, Mistral, Atlas, Vacuo all can go in different directions on their own and have different ideals and beliefs. The idea of cause and consequence of human actions and human morality. The creationist Two Gods Nonsense shatters all of that. Suddenly the agency humanity has is gone. Suddenly its all part of Greater Plan. Suddenly Morality is a TEST rather than ambiguous choice with it's consequences. Suddenly its not the story about humanity's own nature, but the story of a scorned lover raging against the havens and dooming humanity with sin.
So yeah, Relics and literally everything in the world being tied to Relics was silly concept and idea and broke the story. We were led to believe that the Kingdoms were a naturally developing thing, that technology rose to it's heights via, well...the same way it does in our world. Sure most of technology was running on Dust but it was still science. The focus on Relics essentially paints science as FAKE. Atlas, the show's expy for unparalleled and unbound scientific progress, exists because of a relic. Does anything in Remnant's civilization happen because of the civilization itself and not because of Relics or Salem? The way the relics are used completely ruins that aspect.
HEY LET'S DO IT AGAIN. But this time its a zany whacky Alice in Wonderland Realm filled with talking animals, goofy creatures, ridiculous landscapes and LITERAL GODS (as in more than two). Oh and everything is predestined. Oh and trauma isn't real. Oh and the decision to go to Vacuo and do things there is also A MISSION FROM GOD now.
Last but not least, its a "filler padding dimension of Character Development (Minus the ACTUAL Development)
The showrunners legit said "we can't really do this characterization stuff within relevant plot, let's stuff everyone in a side-quest dimension"
That alone is insulting because it insinuates the development and characterization of the FOUR LEAD CHARACTERS is SECONDARY to EVERYTHING ELSE.
And then the showrunners legit made nothing there matter.
Ruby's trauma exploration ends with the cast proclaiming Ruby is flawless and healthy and always right. Trauma doesn't matter, Trauma is just "haterzzz". Oh look Ruby is cheerful and happy again without really ever dealing with dozens of issues she has. NOTHING MATTERS!
Blake and Yang finally get together but the underlying issues between them aren't even touched upon. They just simply are together now. Who needs to actually address the problems they had with each other or any of those things or actually have characters talk with each other when you can just have Divine Greater Will do it.
Weiss and Blake outright don't have a character arc here. In fact, Blake hasn't had one ever since the very unfortunate conclusion to WF arc. Likewise, Yang still has absolutely zero characterization in regards to her trauma or her disability. Even beyond that Yang has zero characterization in terms of her aimlessness and search of identity and the supposedly strained relationship with her sister. She just is there.
The Issue with Team's bonds is LITERALLY swept aside.
Jaune's actions are never ever really brought up. ONE CONSEQUENCE he got, his age, is magically reversed.
Y'all literally made a goofy magic Character Development Dimension from scratch with COMPLETELY NEW locations, character designs and monsters, filled it with TALKING animals and then had nothing of note happen there.
Nothing is learned, nothing matters.
You could LITERALLY offscreen all of V9 and just start V10 saying the cast sorted out their issues in between Volumes and nothing would change. It would be better.
I am not even going to get into the ABSOLUTELY PROBLEMATIC NATURE OF PRETTY MUCH EVERYTHING IN EVER AFTER, be it representation or treatment of mental health because that would be another big post in on itself.
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jonnnysuh · 3 years ago
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How To Write Good // Vernon
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A/N: It all started with watching Vernon’s English tutor series and now we’re here omg. This is my first series so please give it some love <3 kind of unedited so lmk if there’s any mistakes! PART ONE | PART TWO | PART THREE
PAIRING: Vernon x You
GENRE: enemies to ???, fluff, student!vernon, tutor!vernon
WARNINGS: swearing
WORD COUNT: 2.7K
SUMMARY: There’s the crisp air of campus, the rush of something new, and a four year degree ahead of you. Your college experience doesn’t go off as smoothly as you’d hoped when you fall asleep on course selection day and are stuck with left over electives. Struggling to get through your creative writing class, you have no idea how you’re going to get through this semester. Fate steps in when the stranger you fought in the library might just be your only chance at passing. This is all just part of the college experience… right?
Orange leaves began surrounding the burnt red brick pathway, and the small green hills of the campus quad.  Fall was fast approaching, without much warning.  The bright summer sky, now often clouds of gray. The wind brushed past you, causing your hair to fly up. Your legs brushed together quickly as you tried to make your way through campus to get to your Writing in the Arts class. You swore to yourself that you wouldn't sleep through course selection but sometimes sleep was an actual priority to you...and it so happened to be on that day.  Not your first choice, but definitely miles ahead of  Economic History on the list of leftover electives.
You flipped over your wrist to take a look at the time on your brown pleather watch. 8:12.
Professor Hampton was an older woman, who always kept her sandy brown hair in a slick tight low bun. She had enforced a rule that the doors to the lecture hall would shut 15 minutes past the hour. If you didn’t make it then you’d have to get notes from a classmate. Maybe it’d be fine if you had a friend in the class that was actually punctual, but you had often sat alone in the same spot in the far left corner of the class room.  Time was definitely never on your side as you reckoned you only had 3 minutes left until your trip downtown was rendered useless. 
You swung the thick metal door open, and began pumping your legs forward, not stopping until you reached the top of the stairs. To your luck, the lecture hall was on the exact end of the hallway. As you took longer strides, your gray backpack bounced behind you. Finally arriving at the end of the long hallway, you came face to face with Professor Hampton, who had a scowl so thick you’d think it was drawn on with a felt tip permanent marker. Without an ounce of forgiveness, that old lady secured the door shut, eyes keen on your betrayed face just a few centimetres from hers.
With the little pride you still had, you contained the urge  to bang on the door repeatedly and say "OPEN UP."
If you hadn't had time to get ready that day, or missed your bus, dammit this would've been the boiling point that would've driven you to  kick the wall. Your saving grace was that there was a cute guy typing away on his laptop in this hallway and you'd be damned if you were about to look a fool.
It was that moment, you knew that if you were going to pass this class without sacrificing a wink of sleep, you were going to have to make a friend that was good at writing notes. And quick.
The next day, you navigated your way through the twists and turns of the library, never having had been there a day in your life. You swear you’d gone in a circle at this point. You promised your best friend, Taylor that you’d secure a spot for your impromptu study date. Although you both had good intentions, you knew it was more than likely going to become a gossip session that involved sometimes looking at class material.
Among the rows and rows of occupied tables, you finally found an empty table, situated next to the window that overlooked the architecture and art buildings. You settled in the chair, slipping your laptop out of your tote bag , and typing mindlessly to look busy while you waited for your friend. With a look around the room, you wondered if people actually studied at the library or if they were just faking it like you.
You were so immersed in your game of Tetris you almost didn’t hear the voice that said , “Hey, I think you’re at the wrong table.”
You paused your game and surveyed the empty wooden table you were sitting at.  You blinked slowly at the brown haired man.  “I was here first.”
“That might be true but I booked it out for the hour.” The stranger stood with a slight slouch, sporting a backwards snapback and a deep green hoodie. He didn't look like the type to hang out around the library- but then again, neither did you. You swear you had seen him before, but you couldn't place where.
Did I go to high school with him?  you thought.
What if he was ugly and had a glow up and that’s why I don’t recognize him?
You took a closer look at him.
Nah. I don’t think he’s ever been ugly in his life.
“Look. My name's right here." He leaned forward, showing you his screen.
[TABLE 9] 3:00pm - Vernon C.
You pushed the phone away, unimpressed. "But you showed up late."
"It was only 6 minutes." Vernon scoffed, as if his tardiness would automatically forfeit him from his table.
"Well, have you ever heard of finder's keepers?"
Vernon nodded, his voice pointed. "But have you ever heard of fair and square?"
You tried your best to conceal the fact that you were somewhat amused by his elementary-level comeback.
"Could you look into your great, big heart to share?” You pouted tauntingly.
"Oh, yeah, because you need a table to play Tetris." He responded sarcastically but it was as if he had crept into your mind. You dreaded the idea of being on your feet trying to find another place for your game.
Your best friend rolled in between you two innocently, confused at the interaction at hand. It was like a kid walking in on their mom and dad fighting for the first time… except dad is a Tetris-hating stranger you just met 3 minutes ago.
“Sorry I’m late, Y/N.”  Taylor interjected, trying her best to mend the atmosphere with a grin.  Vernon's posture went notably straight as he exhaled, returning a sweet close-lipped smile. You couldn't help but notice the way he looked at your friend- you squinted at the shadow of the difference between this Vernon and the one that basically told you to fuck off only moments prior.
Without a doubt, you knew he was suffering from the "Taylor Effect".
Taylor was your textbook girl next door; equipped with a warm demeanour, and a confidence that was endearing rather than cocky.  You could tell that Vernon was trying his best not to stare so obviously, but he was failing miserably.
Because everyone gravitated towards her, many found it odd that she chose to keep you as company. Sometimes you thought she stuck around only because your personalities were so starkly different and would emphasize how great she was, but time and time again she proved she was notable on her own accord.
"Did I interrupt something?"
You and the man shared a look.
Vernon had a feeling that if he let you speak first, that you might ruin his chances with Taylor, and there was absolutely NO shot that he was going to tell her what had just happened. You were quick to take advantage of the situation.
“Vernon just wanted to take the tab-“
He shook his head, "No, no, no I was just leaving."
You raised your eyebrow, smugly.
“I'll see you later,” He bid.  Your eyes widened as he went closer to you, clasping his hand around yours and pulling you forwards into an almost embrace. He dapped you up. Vernon dapped you up. What? Did he think you were bros now?
Ya, right. You thought. This is my first and last time in this library. You will never see me or my Tetris again.
And with that, he swung his backpack over his shoulder  coolly and headed down the long carpeted aisle in the other direction.
Only a few moments later did he return to go through the north exit. “Wrong way.” He mumbled, charting past both of you.
“So you don’t know anyone in that class?” Taylor said in disbelief as you two sat at the table you had only marginally won.
“No, I missed the first two weeks so by the time I actually went to class  they already had their groups.”  you responded, blowing air out of your mouth in frustration.
School had only just begun and Taylor had swept up a bunch of friends, including you, in just this one semester.
You, on the other hand, were awkward, but not in the forgivable way. You never knew the right thing to say, and your sarcasm drew a fine line between a joke and the truth. You felt like you always had to bite your tongue to hold a decent conversation with someone. In turn, this scared a lot of people away, and resulted in a small but good group of friends that understood you.
For some reason though, you did well with confrontation. That was the only time you could force yourself to not care about what someone else thought about you. Other than that, your communication skills were almost useless.
“So go up to those kids and say hi.” Taylor responded.
You knew your best friend was being well meaning, but sometimes she felt like she oversimplified your problems because she saw it through her own lens. Of course it would be easy for Taylor to do so, but for you it would be a different story. Your stomach turned at even the mere thought of introducing yourself to the group of strangers that always sat all the way in the front of the lecture hall.
“I’ll just figure it out. I don't know how to just talk to people."
“What about that guy that I just saw you with? What was that about?”
You cleared your throat, fixing your attention to your laptop screen. Getting work done suddenly seemed more interesting.
“No, no, no look at me.” Taylor dragged your laptop away.
You begrudgingly looked at your friend. “What about him?”
“Who was that? He was kind of cute.” She cupped her cheek with her hand and sat closer, clearly interested. It was rare to see you with anyone other than your usual friend group so Taylor was invested in your endeavours outside of it.
You knew that if you told Taylor about your weird argument with a stranger, that she’d explain that you were unfriendly, that you needed to be nicer, etc. etc. You didn’t need a lecture today.
“Just some dude who finished using the table.”
Taylor chuckled, “What kind of guy says bye like that to a person he just met?”
Her guess was as good as yours.
ONE WEEK LATER
Determination is setting 25 morning alarms, pre-picking your clothes and opting for an on-the-go breakfast in order to just make it on time for class. You took your final strides towards the class slowly, knowing you finally had time on your side. Would it be crazy to call waking up at 6am a victory? Doesn’t matter, you were just so happy, you could answer Professor Hampton’s questions… that is, if you listened.
At the bottom of the lecture hall, sat the aforementioned groups, while the top were lonesome stragglers looking at their phones in an effort to look less lonely. You knew they were probably just reviewing their settings; turning their wifi on and off.
Professor Hampton cleared her throat into the microphone at the front of the class, prompting you to pick up the pace to your regular spot at the far left corner.
No way.
Your speed slowed down again, as you craned your head to get a better look at a brown-haired boy sitting by himself.
Despite the numerous empty seats to choose from, your caffeine rush assisted you in making the possibly dumb decision of sitting exactly right next to him. He seemed unbothered, though as he didn’t look up to question it.
Professor Hampton played her slides, while you pulled out your laptop out of your tote bag.
“Hey.” You whispered.
The man’s light brown eyes flickered towards you.
“You’re in this class?” Vernon whisper-exclaimed.
It registered in your brain that this might’ve been a mistake.
You nodded.
Vernon kept his focus on the front of the class, his pencil swivelled  away on his lined paper. You had never seen anyone actually take real-life notes before. You scanned his paper, pleasantly surprised at the organization.
“Why did you dap me up last week?”
“I honestly don’t know what I was doing.” He admitted.
Boys do dumb things around pretty girls. You'd seen it happen so many times with Taylor.
“She’s cute isn’t she?”
“Who?” Vernon was quick to play dumb, but he clearly knew. 
You were fascinated by how he was writing and listening to you at the same time.
“Taylor—my friend.”
Vernon squinted his eyes, either to think or because he couldn’t see the projection clearly. It made you wonder why he sat in the back of the class if that was the case.
“Yeah, she is.”
Bingo.
You silently relished in your impromptu decision to sit next to a stranger.
“What would you say if I got you a date with her?”
Vernon put his pencil down. “You strike me as the kind of person who wouldn’t do that out of the kindness of your heart.”
You snorted. “You’re right.”
Vernon let out a deep sigh, pushing his hoodie sleeve up his arms. He relaxed back in his seat and stared at you as he waited for your proposal.
“What is it?” His deep voice was littered with impatience but it was clear he was at least curious.
You weren’t  prepared to gain his full attention. Your mind went several ways as you collected your thoughts to be as concise as possible.
“I’m struggling in this class, okay? I can’t always make it on time, and creative writing? Not really something I’m interested in.”
“Then why’d you take the class?”
“Why does anyone do anything here? For the credit.” You responded as if the answer was obvious.
Vernon’s raised eyebrows was enough to tell you that he was actually passionate about this subject— which was perfect for you if you wanted to pass the class.
“How do I come into this, though?” His patience running thin from your incredibly interesting backstory.
“If you tutor me up until midterms and I pass, I’ll get you a date with Taylor.”
He shook his head “What if you fail?”
“Then you can take that as a reflection of your teaching skills,” Vernon rolled his eyes. Okay maybe that was a bad joke. “but on the plus side you’ve gained a new friendddddd.”
Professor Hampton gave you two a dirty look on her way back from shutting the lecture hall’s door. Vernon picked up his pencil to look busy and you tapped on your trackpad to turn the screen on.
“And what if I say no?” Vernon said between his teeth, catching the professor glare right at him with her scowl turned up to one hundred.
“Then I’ll shit talk about you to Taylor so you never have a chance.” You threatened. Your mom always urged you to use your brain, and boy, were you using it.
“You want me to teach you how to be creative?”
You shrugged. “I mean, how hard can it be?”
Vernon looked down at his notes contemplating his choices. He was silent for so long that you actually started typing notes.
“Y/N” Vernon whispered. You seemed to be fully immersed in the lesson now. Your eyes absorbing the information... Maybe writing was kind of fascinating.
“Y/N” He tried again, snapping you out of a trance.
“My bad.” you apologized. “I didn’t know the interesting part of the story was called the climax like ew—”
“I can only tutor you on Thursdays between 6 and 8 in the library. Bring your laptop and be prepared to learn.”
You knew you didn’t have class at those hours, so it should’ve been fine, but you also dreaded staying after school longer than you had to.
“What about 4-6?” You pleaded.
Vernon looked offended at your counter offer. “No. 6-8”
“4:30…?” You tried once again.
Vernon snorted at your no-quit attitude. “You wanna pass or not?”
You stuck out your hand defeatedly and Vernon shook on it before either of you could change your mind. Vernon was your new tutor.
Maybe Taylor was right. All you had to do was go up to someone and say “hi.”
And blackmail them. And use your friend as bait.
Making friends was easy.
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bigskydreaming · 3 years ago
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Hi! I was reading a fanfic and it brought up Roy and Dick's fight, which I see a lot of in fics but never what they fought about and consequently why they don't talk. I thought it was a vague excuse/reason why Roy was Jason's friend not Dick's anymore but this fic brought up when Dick was batman so I was wondering if there was actually a fight between them? Btw I really enjoy your metas! They're v thought out and well articulated. Also it's v easy to separate what's your opinion and what's fact which is. Very helpful for me
Yeah this is one hundred percent a fanon thing that's kept deliberately vague to justify why Roy in his friendship with Jason seems to have no positive thoughts or concerns about Dick whatsoever. Now granted, Dick and Roy are not nearly as close in the New 52 as they were pre-Reboot. The lack of their friendship there is definitely one of the things I disliked most about the Reboot - and I actually don't care if Jason and Roy are friends tbh, its the total erasure of his history with Dick as if he can't be friends with both, that like, bugs most.
But so like, yeah, Roy and Dick aren't super close when they interact on the Titans in the New 52, but there's literally nothing in any of their interactions that explains the complete absence of him from Roy's life or a reason that Roy would like, hate him the way he tends to in a lot of Jason-centric fics.
When you factor in pre-Reboot stuff though, it starts to get a LOT more.....uh wyd? And this is why I have trouble buying that people just write Roy and Jason the way they do because its the only thing they know from recent comics. Like one, most fans talk about how they don't even read the source comics, so there's no reason their knowledge of the characters or events would be limited to just recent comics if they're going off wiki summaries and scans anyway. And second, most fans AREN'T limited in their knowledge to just recent comics.
Like, the second people start writing Roy and Jason and Kori but with their pre-52 characterizations and references to events from THAT timeline, it all gets very messy, the way they're like, completely antagonistic towards Dick a lot of the time. Because Roy and Dick were always solid. Yes, they fought. A lot. But they always, ALWAYS made up afterwards. They had conflict about Roy's drug addiction - it didn't stop Dick from being there to support him through rehab, or Dick being the first person Roy called to help him get Lian after he learned of her existence. Dick literally held Lian before Roy ever did? He's the one who first put her in Roy's arms for the first time.
(Which is the prime grudge I and most Dick Grayson fans have about Roy and Jason fics which make Jason like, the absolute apple of Lian's eye. If you want to expand Lian's circle of loved and trusted ones to include Jason as Roy's friend and thus her uncle, like go for it! But there's zero reason that should require invalidating and erasing the fact that Dick was this little girl's adored godfather and uncle for pretty much her entire life. And the way Dick is just shoved offstage from Lian's life entirely, to slot Jason into his place as though they're completely interchangeable, its like....THAT'S the kind of thing that gets people irey about how Jason 'steals' Dick's dynamics and character relationships.
Because there's nothing saying they both can't be major players in Roy and Lian's lives! But just that they're not interchangeable! You need to develop the specific role Jason plays there WITHOUT just overwriting everything Dick actually did in relation to the two of them pre-Flashpoint, which is what you're drawing from the second you write Lian, unless you're specifically going with the few appearances we've had of her within literally just the last year.
But I mean, when people just search and replace Dick Grayson in all Roy and Lian's pre-Reboot stories and act like Jason was the one doing all of that instead.....why wouldn't fans of the source material be annoyed by a character getting credit for interactions and things done for Lian and Roy that Jason literally NEVER DID, while at the EXACT SAME TIME, conjuring some mysterious, unnamed 'Falling Out' that Roy and Dick had, that was clearly all Dick's fault, and resulted from him being basically excised entirely from Roy and Lian's lives?
Same with Kori, for the record, and like despite being Dick's ex, she and Dick have NEVER been like, estranged? She and Dick have often been close even after their breakup. None of it makes any sense, and the fact that a lot of fans don't even try to make it make sense or justify it, and expect other fans to just be fine with settling for an inexplicable reversal of Dick's every actual dynamic with these characters while setting up Jason to occupy the exact same role Dick played in these other characters' lives, like.....lol. Its fun.)
Anyway, back to your question, like, there are fights you can go with pre-Reboot as the source of various conflicts between Dick and Roy - but again, I maintain its just as crucial that they're always written as getting past them. They have a very tempestuous relationship because they are the two people MOST likely to call each other on their shit, two of the two people WITH the most shit in common due to the parallels in their childhoods and the roles they've occupied in the Titans and the superhero community in general, and the two people most resistant to being called out on their shit by each other, lol. Mostly in that case because like, they do recognize that they have a lot in common and understand each other very well, so the second the other is calling them out for something, they're usually like "ugh, if HE'S saying this, its probably true and I am just not prepared yet to be wrong about this. I need more time being unjustifiably rawr about things." Its like that thing where they both look at each other doing something that feels familiar or calls back to their own reasons for doing something and they're like ugh I'm in this picture and I don't like it.
So they clash. A lot. But always with the implicit bedrock of like, there's nothing either of them can do or say to the other that will push the other away for good.
They fought over Roy replacing Dick as leader of the Titans when Dick's wedding fell apart, even though Roy actually didn't want to do it and was kinda pushed into it by the government, but again, Dick like, got over it and realized it was for the best and forgave Roy for it that very same issue. And on and on. It always went like that. So there's plenty of stuff that can be used or pointed at as a source of conflict between the two, but the part I'll always call unbelievable is the idea that they never make up after one of these fights. Why now? What fight, specifically, is so bad between them that despite everything else they've gone through AND gotten past, they can't get past this one? Y'know?
So yeah, that's my take on this. There is no definitive falling out between Dick and Roy as many fics like to point to in order to shove him offscreen and make room for Jason in Roy and Lian's lives, and personally, I just don't find it necessary and I actually think it makes Roy look REALLY bad. Because when you're not specifically detailing all the things that Dick has actually DONE for Roy, the lengths to which he's been there for his friend, and like, specifically invalidating each and every one of them as something that never happened in a particular fic, then literally anyone who reads that fic and has their own awareness of Dick and Roy's friendship is kiiiiiinda likely to be reading that and thinking wow what an ungrateful asshole, when Roy's just written as bitching about Dick with Jason and sandbagging him without any real explanation as to WHY, beyond just 'oh they had a fight years ago.'
(And coming up with some random awful thing that Dick did to justify Roy hating him now isn't like, a superior alternative, lmao, because again, its still just trashing one character for the sake of getting him out of the way of two other characters' friendship and people are going to think what they think about that).
Anyway, my now standard stock disclaimer that like, there doesn't actually need to be a canon fight obviously, for people to just write things this way and handwave that Dick and Roy had an epic falling out years ago and now they just hate one another or whatever, or just Roy hates him or vice versa. Obviously people are free to do what they want. They don't need a reason other than "I want to write it this way so Jason and Roy are friends and Jason doesn't have to 'share' him with Dick or have his friendship be overshadowed by their greater history together." That just happens to be a reason that no Dick Grayson fan is ever really going to be happy about, lol, for what should be perfectly obvious reasons, so it honestly shouldn't be surprising to people that fans of the source material often gripe about it.
Because yeah fanfic is a tremendous opportunity to transform the source material into something better, but if what's better for some fans actively takes away what was working perfectly well for other fans the original way, they're going to say that. Especially in a fandom where so many new fans take their view of the characters and their dynamics from fics rather than the source material - when fandom has that much of an influence on what new fans perceive to be 'canon,' fans are perfectly within their right to emphasize what is ACTUALLY canon and what isn't, so that new fans at least have the opportunity to determine for themselves what take they want to go with, instead of just accepting at face value that the nature of say, Dick and Roy's relationship is just that Roy hates Dick because of some mumble mumble ancient history vague mumble details not found mumble mumble fight.
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evil-giggling · 4 years ago
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Langa VS. the Assholes Who Hurt Reki
Summary: Langa and Reki have finally made up! But that doesn't mean that they no longer have problems.
(or, Langa just wants Reki to be happy, but for some reason people are very against that.)
Warnings: Swearing (Langa has has enough), Mentions of violence, Ad*m.
Words: 1.7k
(haha wdym the title is a star vs the forces of evil pun,,, no it isnt haha)
The stars in Okinawa reflected the sea, and the sound of their laughter along with the scraping of wheels against the cement ground is one that symbolizes peace, unity, and pure, unadulterated love.
Langa and Reki are alright again, and everything is right with the world.
"You... What?" Langa looked befuddled, an unidentifiable look on his features, as Reki nervously fiddled with his fingers, blushing from embarrassment. From what? He doesn't know.
"It's— it's not as bad as you think!" Reki said hurriedly, but by now there was a prominent frown on Langa's face, "it's— I was just ran over by a car—"
"Just," Langa emphasized, his voice uncharacteristically firmer and louder, "ran over by a car? Reki, do you think everyone just gets run over by a car? And do you think people who get run over by a car wake up in a love hotel? With a stranger?"
It's the next day since Langa and Reki's making up from their fight, and neither of them quite expected that the comeback of their roof-top lunches would start with Reki accidentally spilling that he was in a love hotel. Much less brought to a love hotel because he was ran over. By a stranger.
Everything was all so suddenly not-right, and Langa couldn't decide if this was better, or worse.
"—Langa? Hey, earth to Prince Langa!" Reki snapped his fingers in front of Langa's face, and the latter blinked, wondering when he started to get lost in his thoughts, and—wow. Reki seemed a bit too close to his face right now. Not that he was complaining.
There was a cute pout on Reki's lips, Langa guessed it was caused by his own neglect of their conversation. The former, though, upon noticing that his companion's eyes were on his lips, blushed bright red again, and brought back distance between them. Langa didn't stop the disappointed sigh from his lips, but the disappointment didn't last long.
His face once again etched up in concern, looking at Reki, who was facing down at the ground, his headband covering his cheeks, in an attempt to cool them down. Langa let a small, fond smile on his lips, before shaking it off once he remembered what Reki mentioned earlier.
"Reki, you can't just brush this off," Langa said, eyebrows furrowing and his chest hardening in both concern and frustration, "what else happened to you when I wasn't around?"
Reki sneaked a glance at Langa, before sheepishly turning away.
"Nothing," Reki said, but the lie obvious to Langa, "and you're talking a lot about this, like last night."
Langa frowned, "of course I am, you worry me a lot when you say 'it's nothing' or 'I'm fine'," he played with the hem of his shirt, before letting go and continuing, "because most of the time, you're lying."
Reki said nothing, only burrowing farther in himself. Langa huffed, frustration building up in him. If Reki thought it was surprising to see him chatty, he'll definitely have a heart attack after this.
Langa engulfed Reki in a hug, and it wasn't only the latter who gasped in surprise. Perhaps they've gathered some nosy onlookers?
Who cares?, Langa thought, Reki's the only thing that's important right now.
"Reki, be honest please?" Langa said, voice muffled, as he buried his face on Reki's shoulder.
"O-okay! Langa, okay, I'll tell you!" Reki stuttered out, a flustered mess, from the way he spoke, "just, let go, please?" He whispered to Langa, "people are kind of looking at us right now."
Langa didn't care who saw them, honestly. But he got what he wanted, and he didn't want Reki to be embarrassed too bad, so he let go of Reki's waist, and sat back to where he was positioned earlier.
He looked at Reki expectantly, but with patience. The latter picked at his nails in nervousness, wherein Langa took one of his hands to ease his anxiety.
Reki brought back Langa's hands, and started staring down at them and playing with them. He seemed to calm down, as his cheeks were no longer red, and Langa sent a dirty look to the passersby who were looking at them with keen interest, when Reki wasn't looking.
Reki swallowed, and looked up at him.
He scrunched up his face and looked away for a second, scratching his cheek with a finger, a small flush on his cheeks, "uhm..." letting out a sigh, Reki collected his thoughts and said, "erm, before I met you, I used to be in this sort of team? Gang? Thing... It was for skating." Reki added, upon the worried and horrified look on Langa's face, and the latter let out a sigh of relief, and encouraged him to continue.
"Er, they were sort of—they weren't really people I wanted to hang out with?" Reki mumbled, sheepishly, "they, uhm, they weren't really ones who enjoyed skating? They did it for the aesthetic, basically, and it made them sort of lame for me.
"So, I quit after three days."
Langa only seemed confused, so Reki added, "and well, I saw them while walking through the market and they kind of..." Reki mumbled the last part, and Langa blinked.
"'They kind of' what?" Langa pressed on, and Reki swallowed.
"They jumped me, but—" Reki immediately started to add, silencing a seething Langa with the palm of his hand.
Langa was nothing short of furious, and he was ready to tell Joe about this development to gang up on the little fucks that put a hand on Reki. And you know what? He'll do the same to that stranger! He'll make them have hell to pay, damn it, how dare they hurt his Reki.
But he couldn't express any of this right now, with Reki's hand on his mouth, so he (begrudgingly) let Reki continue.
"—but, it's fine! It's all in the past now. 'Sides, I kind of felt like I deserved it? I mean, I didn't actually deserve it—" he said, at the furious glare Langa sent to him, "it's just—well, it didn't compare to the people at S, y'know I—oops."
Reki flustered, detaching his palm from Langa's mouth to cover his own. Langa squashed the giddy feeling of that indirect kiss, and firmly, but with a gentleness Reki absolutely deserved, placed his hands on both of Reki's shoulders.
"What did 'the people of S' do, Reki?" Langa grounded out, tired of all of these people out to hurt Reki. Out of everyone he knew, Reki was the last one to deserve this much abuse.
Reki looked up at Langa, and knew he couldn't just lie his way out of not telling him. He looked down for a moment, simmering in guilt—of what?— and looked back up at Langa, setting his hands on his lap.
"They, uh. They would talk behind my back, and uhm, and talk about... How I'm just... A useless... Er," Reki struggled to find the words, and he felt tears sting at his eyes, and he looked up, not wanting them to fall. Langa felt guilty at making him relive these memories, but he needs to know exactly how he'll hurt these assholes.
Reki looked down, at his hands, and then at Langa, then he said, "they'd say that I'm no one... That I'm just... 'the guy who hangs around Snow'... Or just..." Reki bit his lip, "the one who's not Snow."
Langa was reminded of a meme, back from when he was still very much devoid of Reki and his kindness, talent, and all around amazing-ness. It was a dubbed line from an anime, wasn't it?
This is the first time in my life that I've been provoked to hit a woman.
Except they weren't a woman, in fact, they were the plethora of annoying assholes who made Reki feel worse than he already did.
Talk about kicking a guy while he was down.
"Names." Langa said, plain and simple.
"Huh?" Reki said, confused and flustered.
"I want their names, Reki."
"Langa, they were total strangers! Which makes it even more pathetic that their words got to me, honestly—"
"Don't blame yourself for them being stupid and blind." Langa said firmly, "you're amazing, Reki. Don't let them make you think otherwise."
At that, Reki smiled, and playfully punched Langa's shoulder, "thanks, Langa."
Before Reki could pull his hand away, Langa took it in both of his own, "I'm serious. You're so amazing Reki—"
Reki blushed, "th-thanks man, you're amazing too—"
"—you really don't understand, when you skate, you're the only thing I see—"
"—that's really enough!"
"—and you know exactly what I need, and you don't even have to try that hard to figure it out—"
"—is this even about skating anymore, Langa?"
"—and I think your headband is neat, but you look so cute without it, and your hair is a lot more fluffy—"
"Alright!" Reki squeaked out, just as the bell rang, signalling the end of the lunch period, "we'll talk about this later, we have to go back to school—er, class!" Flustered, Reki fixed his headband, and stomped his way back to the classroom.
Langa let out blissful laughter, and for now, he was satisfied with his work. He hoped it'd be enough for Reki to temporarily forget what those people did and said to him. Hoped it distracted Reki enough to not figure out that Langa was planning to find out everything with the rest of the gang, and would be punishing the ones who offended Reki accordingly.
He ran up to Reki, and offered his hand to the latter, whose cheeks were still flushed.
To his delight, Reki took his hand, and they walked down back to their classroom, hand in hand.
Later that evening, uncannily enough, Adam proposed an idea to the duo. A rematch, he had said, to redeem Reki of his loss in their last beef. There was an obvious, underlying malice, in his offer, though. Reki looked terrified, yet determined, but before he could agree, Langa had stepped in front of him, a chilling glower directed at Adam, who only smirked.
Langa had enough of people wanting to hurt Reki, and hated that smug face on Adam's features so much (it promised to hurt Reki to the point that he would be irreparable, and Langa was furious), that before Adam could even comment at Langa's protective stance, he had been punched in the face by the latter.
And, well, Joe seemed a bit inspired to do the same.
——————————————————————
A/N: haha i dont know how to make titles someone help
@andromeda612 @yunolik87
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cupcakeshakesnake · 4 years ago
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I rate different versions of two POTC characters
Recently I found out that Pirates of the Caribbean has a manga series of its own. And some comic books. And a LEGO game, though that wasn’t as big a surprise and was honestly more pleasant than not.
ANYWAY here I will rate the different Cutler Becketts because it was quite a ride for me.
I will also rate the different Norringtons if I end up feeling like it while writing the post. (Note: I did end up doing this.)
Movie Beckett
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The original. 2/10.
Might be a good character story-wise but overall very hateable. Smug asshole.  Everyone loves to hate him. (Which means the actor did a great job.)
If he existed IRL I'd want to be 50000 miles away from him. Apparently his past is really messed up but you don't find out about any of that through the movies. Might have been a better person if he had a better childhood, but then again the same goes for a lot of villains.
On the list of characters I consider interesting, he is right down there in the burning trash dump with Cave Johnson. Maybe even lower. At least he accepted defeat when the time came and went out with some dignity.
Manga Beckett
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AbSoLuTe fUcKiNg CyCLe pATh.  0.5/10.
Might as well be the reason I started this post.
Why is he like that. Why does he have eyeliner. Why is he so... anime villain-y.
He's supposed to be someone who keeps his face straight. Why does he seem to be constantly expressing with every single facial muscle that he is batshit insane.
Movie Beckett at least drinks tea like a normal person. This guy looks like he'd shove the entire teacup into his mouth and just munch it whole while staring directly into your eyes. Also his version of Mercer lacks eyebrows for some reason.
He gets half a point because there are some characters who were, unfortunately, butchered even more than him.
Lego Beckett
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Gremlin. 5/10.
He's kinda goofy compared to the other three and also absolutely tiny. He literally strains just to see the camera half the time. You cannot help but laugh at this man. He is also considerably less harmful, given the... nature of the Lego world... and that the worst he can do is order that a bunch of fruit (plus the occasional livestock) be thrown at people.
The only regret - quoting @nebbychan - is that they didn't make his wig taller to compensate for height.
That one comic book Beckett 
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The not-Beckett. -10/10. Note the minus sign.
That's just not him. There's no way you can convince me that's him.
It feels a bit like the artist went out of their way to emphasize the characters' appearances but this here is not how caricature works. Maybe they were looking at a different person.
That's not him. That's Pirate Extra #23 in a wig.
That being said, Norrington looks pretty horrible in here too - more on that later.
Alright, now for Norrington.
Movie Norrington
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The original. 10/10.
An honorable man. People love to love him. Did not deserve what he got.
Not much to say.
Manga Norrington
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Evil Twin Nottington (quoting @dirgeofcerberus111). 3/10.
Why does he look like a one-off side villain from the Hobbit movies. He deadass has that evil grin stuck on his face throughout most of the book. And that up top is NOT what he said in the movie.
Instead of anger stemming from the sense of being wronged and losing everything, this man right here is fueled by bloodlust. Dude looks like he'd murder Will Turner in cold blood without the slightest quiver in that manic grin. Set this guy up on the Dutchman and he could throw Davy Jones overboard.
Losing his ship didn’t just make him a wasted drunk; it turned him into an entirely different man on a molecular level.
What is this man.
Lego Norrington
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Carrot man. 6/10.
Sorry my dude, it might not be your fault that you were mistakenly delivered a carrot on your promotion day, but I am going to remember you as 'carrot man' because of that nevertheless.
For some reason, he lacks hair save for when he is not wearing a hat. Unlike Beckett’s, his wig is a magic wig that disappears when placed under a hat.
He looks unnecessarily mean-spirited in Dead Man’s Chest. When he gives Davy Jone's heart (which, by the way, wears a miniature hat. Yes, the heart wears a hat) to Beckett, he's not a wrecked man trying to regain some honor and a smidge of his past life. He's like 'Oh yeah give me that admiral sword, hand it right over.'
But he also slaps Davy Jones with a fish and kind of almost survives if it can be called that, so he gets some points.
That one comic book Norrington
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Tames Jorringnon. 0/10.
Barely recognizable. Makes me wonder if they kept the wig because otherwise it would be nearly impossible for readers to understand that this is indeed James Norrington, the wig man.
They did somehow remember to take his prominent nose into consideration, but said fuck it to everything else.
Who is this.
No.
-
I tag those who suffered with me: @dirgeofcerberus111, @casual-dark​ @directorhachi​ and @nebbychan​.
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tolkien-feels · 3 years ago
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If you're up for it, could you do all 13 questions for Frodo and Sam? You GET them and I'm so curious to see how you answer. If not, pick your favorite questions! (Could be samfro, could be platonic, whatever you want)
I... I... o...kay. Just because they're my darlings. Going with platonic bookverse here but there's probably not too much of a difference.
1. What’s the first thing they usually do to get the other’s attention?
I mean, when aren't they already paying attention? On the offchance this happens, Sam does his "I've been thinking" thing where he pretends he's just making a casual comment that needs no answer when this is actually very important to him or he wouldn't have said anything. Frodo, and I cannot emphasize this enough, has literally never in his life had to try and get Sam's attention. He can breathe wrong in the middle of the night five miles away and Sam immediately sits up in bed with his spidersense tingling.
2. How comfortable are they with touching/being touched by the other?
Please refer to literally the entirety of TTT and RotK and a good chunk of FotR too.
3. What quirks/mannerisms do they consider characteristic of each other?
Oh, this one is hard, because sort of... everything? They tend to describe each other in detail in the Red Book (as far as we can guess from LotR) which makes me think they could each fill pages listing quirks and mannerisms. What I think stands out to me is the very specific way Sam recites poetry ("I love doing this so much but I also want the ground to swallow me up") and the way Frodo tends to isolate himself in silence when he's trying to decide things. I feel like these are things that make them go "Oh yeah of course he'd do that, it's him."
4. How do they know the other is in a bad mood before they say anything?
Mindreading? Look, they just know, okay? They're not consciously doing the math to come to this conclusion, they just look and know.
5. How would they react if the other told them “I love you” or “I trust you”?
Okay, but would they even say it? Hobbits seem to think this kind of thing is Awkward, and in this particular case, they might as well be saying the sky is blue.
6. How do they react to casual eye contact? Do they tend to initiate or avoid it?
This one is actually interesting, because I feel like FotR Sam looked away pretty often when Frodo caught him looking at him? (It being not his place to stare at his betters, I assume.) But he eventually stops that, so this answer depends a lot on timing.
7. Describe how they walk together (i.e., matching strides, holding hands, etc).
There's so much walking in this book, I feel like no matter how many answers you list, you could go with All The Above and be correct. I don't think they have any particular quirks as far as this goes, other than they tend to be near-ish each other when in groups with other people. Not necessarily side by side, but close by.
8. Do they ever share (or steal) each other’s food? How do they act/react to it?
Sam is Sam, which means he'd never even consider stealing Frodo's food, and in FotR and before I think he might have to be persuaded to have proper meals with him at all because #class differences. (Things like tea or ale are probably fine if it's not a formal setting, though.) On the other hand, Frodo will share even mushrooms (!) with him, and is not above refusing to eat unless Sam does. He'd probably be absolutely delighted if Sam ever stole anything from him, but it's just never gonna happen.
9. How do they react to the other not realizing danger (ex: oncoming traffic)?
Literally like this:
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10. Would they believe it if someone told them the other secretly hated them?
Not for a second, and you'll probably pick a fight with them both for even suggesting such a thing. Sam in particular might escalate to shouting, not because he's upset about being lied to, but because how dare you call his master untrustworthy and doublefaced!!!
11. How do their arguments usually play out? Do they make up quickly?
They're making up before the argument is over. They're so sorry to have thought angrily at each other. Let's do this again never.
12. How do they react to each other’s nicknames/terms of endearment?
I mean, canonically, they're my dearing and superlativing and mastering each other all the time, so it probably doesn't even register. Just business as usual.
13. What do they do to make each other smile or laugh on bad days?
Impossible Cheerfulness from Sam and dark humor from Frodo. Unfortunately we see plenty of bad days in canon :/
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itsclydebitches · 4 years ago
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[1] Hi! I hope you don't mind, but can I ask a sorta uncomfortable question? I wanna ship cloqwork because I like their character dynamic, but at the same time I get uncomfortable because when Qrow enrolled at Beacon (at "the right age," as specified by Raven) he would've been 17 - legally not an adult. Ozpin would've had a disproportionate amount of power over him, both as a legal adult and as his teacher.
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Hi, Anon!
I apologize in advance that this response is probably going to be all over the place. I’ve got a lot of thoughts about this and very little ability right now to put them into a cohesive order. So we’re just chucking it all out lol.
First, there’s absolutely no need to apologize for being on anon. That’s what it’s there for! I think tumblr has developed a view of the anonymous option that, on the whole, isn’t particularly useful. In our efforts to call out those who are sending flames/hate under the comfort of anonymity (which you obviously are not), there’s no need for anyone to “prove” themselves by going off of it. You’re using anon because you (justifiably) fear how the fandom might react to these questions. I often use anon because I abandoned my “main” account years ago and dislike sending messages from it. There’s a huge range of reasons why someone might want to be on anon and ultimately it doesn’t matter why we use the tool that’s been provided to us. It’s there, so never feel bad about going anon for any reason :)
Onto the ozqrow! Or yes, onto the cloqwork. I learned “ozqrow” first so it’s pretty embedded in my head, but I agree that “cloqwork” is the more sophisticated of the two ;) Anyway, yes. There are potentially ways that we can view the relationship as unhealthy… with the key word there being potentially. AKA, as headcanons. No, Qrow wouldn’t have been an adult when he entered Beacon, but who’s to say a relationship began then? Some fans might like to imagine that despite the real world issues attached. Others—like you and me—would not. The important thing is that we both have the space to achieve whatever interpretation of the relationship we please. Far as I can tell, Qrow is 37 at the youngest. Four years at Beacon (17-20), 15 years after Summer’s death (35), and then roughly 2 years of in-canon present time (37). Realistically, he’s probably older than that. Based on the relationship dynamics it seems that Tai didn’t date Summer until he broke up with Raven and given Yang’s age compared to Ruby’s, that adds two years. So Qrow is probably around 39. Even that’s assuming that Raven had Yang right after Beacon. If she didn’t we could push the timeline another year or two, putting Qrow in his early 40’s. I lay all this out to demonstrate that… that’s a lot of time. How old “should” Qrow be before he enters a relationship with someone? Obviously that answer differs from individual to individual, but let’s say for the sake of argument that he should be at least 25. That puts him 5 years out of Beacon, potentially older than when Raven had Yang, and roughly 6 years older than most of our main ships right now (Blake/Yang, Jaune/Pyrrha, Ren/Nora etc.) where fans argue very strongly that at 19 they’re already adults and are able to make informed decisions, be it about relationships or world-shattering secrets. So we’re already holding Qrow to stricter standards than other characters and that still leaves roughly 15 years for him and Ozpin to start something, all of which is time that takes place outside of the Teacher/Student dynamic. It’s a choice to prioritize “But he was his headmaster for 4 years” over “But they were equals for 2 decades.”
Now granted, there’s more to this relationship than just Qrow’s own age. I’ve also seen people bring up the age gap and, more recently, Ozpin’s “manipulation” of Qrow. In regards to the former, we simply have to acknowledge that Ozpin is screwed in that regard. Everyone is younger than him. Almost the entire cast. At some point nearly everyone we meet will have, at some point, been a child while Ozpin is an adult simply by virtue of Ozpin being a reincarnating wizard who has already lived at least a thousand years. The only exceptions to this are Salem, the Gods, or Jinn, all of which are more “problematic” partners to my mind. Which again, isn’t to say no one can ship them together, just that it seems ridiculous to me that—if we’re really going to “justify” an in-canon relationship—we’d prioritize “Salem and Ozpin are the same age that’s so much healthier!” over “Salem abused Ozpin, killed their kids, and has hunted him for years on end. That’s... kind of not great!” It’s a matter of what parts of each relationship we choose to emphasize. And ozqrow is far from the only ship to grapple with this. In the witcher fandom I adore both Geralt/Jaskier and Geralt/Regis. Both of those ships have “issues” in regards to age. Is Jaskier not allowed to be with Geralt because he’s in his 30s and Geralt is in his 80s? Is Geralt not allowed to be with Regis because he’s in his 80s and Regis is in his 400s? When we talk about fantasy series we’re talking about species/races/abilities that are, obviously, fantastic. They don’t exist. Which means that real world concerns can’t perfectly map onto these scenarios. The question is not “Is a 1,000 year age gap problematic?” but rather “Are these both consenting adults who are in a position to make their own informed, romantic decisions?” To which we answer for ozqrow: yes. Unless we specifically imagine that the relationship began when Qrow was just a student but again, that’s purely headcanon. Emphasizing that non-canonical imagining of how a relationship might have started over the canonical years of working together as equal peers makes no more sense than going, “Yeah but there was a time when Regis was an adult and Geralt was just a kid, so if they’d met then it would have been super unhealthy so you shouldn’t ship them :/” They didn’t meet when Geralt was a kid. In the same way, Ozpin and Qrow didn’t start a relationship when Qrow was a kid for the simple reason that they have no canonical romance at all. That puts the power entirely in the viewers’ hands to imagine when/how such a relationship occurs. 
Which leaves us with second issue mentioned: power dynamics and Ozpin’s “manipulation.” Take everything said above and apply it to this point too. That power dynamic only exists if we imagine a relationship while they’re headmaster and student. Which you can! Plenty of people want to write/read about such “problematic” stuff. That’s partly what fandom is for. But again, if that’s not your cup of tea there’s no reason to prioritize those 4 years over the 20 years we get later. I have heard some people say that the relationship is indefinitely imbalanced because of Ozpin’s age/power/leadership/whatever but… that simply makes no sense to me. Or rather, it seems hypocritical. Does that mean it’s “problematic” for Weiss to be with Ruby? After all, Ruby is the leader of their team and calls all the shots. What if Weiss feels like she can’t say no to her?? It’s terribly unhealthy. Does that mean Weiss can’t be with Blake? She was racist, after all, and comes from such a place of privilege. I’m not sure Blake is educated enough to hold her own with Weiss. Does this mean Blake can’t be with Yang? Blake comes from a very rich and powerful family whereas Yang is just a country girl… what if Blake uses that power against her somehow? Does that mean that Nora can’t be with Ruby? Or again, Weiss with Ruby? I mean, Nora is homeless and Weiss has been cut off from the Schnee line, so they might stay in a relationship purely out of fear of being abandoned--super unhealthy. These are all revised versions of things I’ve heard applied to ozqrow: Qrow shouldn’t be with Ozpin because Ozpin is his leader (Ruby/Weiss), because Qrow grew up in an “uneducated” tribe whereas Ozpin is clearly so sophisticated (Blake/Weiss), because Ozpin has power and connections that Qrow could never match (Blake/Yang), because Ozpin is tied to the life Qrow has built and breaking up supposedly threatens that. Which means he can’t ever break up. Which means Qrow is trapped. Which means it’s unhealthy (Nora/Ruby or Ruby/Weiss). They’re all warped, assumption based arguments that are only taken seriously when they’re applied to a ship that people are already inclined to dislike. The takeaway is that every relationship has power dynamics and every relationship has the potential to be “problematic.” Literally everyone. Give me any two people and I can spin some yarn about how one holds too much power over the other for the relationship to be healthy. Which isn’t to say that real power dynamics don’t exist that should be avoided (like a teacher/student relationship as you point out), only that fans are inclined to extend that past the point of logic in an effort demonize ships they don’t like. Someone having trauma in their past (which, again, is everyone at this point in the series) is not the same “power dynamic” as an adult grooming a child (which, again again, Ozpin didn’t do). So when we’re left with the acknowledgement that any relationship has the potential to be unhealthy, we have to ask… is it? And the answer is no. As you say, “We all know that canonically Ozpin ISN’T that kind of person.” That’s what trumps every headcanon and negative assumption. I could headcanon/assume that a Weiss/Blake relationship would be horrific because Weiss would be a racist ass to Blake and Blake would only stay with her because she’s determined not to “run away” from something again… but we don’t see evidence for that on screen and it literally never happens. In the same way, some fans like to headcannon/assume that a Qrow/Ozpin relationship would be horrific because Ozpin would use his power over Qrow in various ways… but we don’t see evidence for that on screen and it literally doesn’t happen. 
If anything, post-Volume 6 I’d say there’s more of a potential problem with Qrow being with Ozpin. Meaning yes, as you point out Qrow has a lot of stuff in his past that makes him potentially vulnerable—toxic family environment, drinking problem, etc.—but we learn irrevocably in Volume 6 that so does Ozpin. He was manipulated by the Gods into accepting this “impossible” task. He was in an abusive relationship with Salem and, quite literally, didn’t survive it. He’s lived a thousand years of unimaginable trauma. He arguably was also an alcoholic at one point given the drinking we saw in Jinn’s flashback. He’s been betrayed time and time again by his allies… of which Qrow is a part. Arguably Ozpin has even more vulnerabilities than Qrow but both characters are in a position to hurt one another with those vulnerabilities: Ozpin could play on Qrow’s desire for family and Qrow could play on Ozpin’s need for support. That “could” is, again, important because it’s mostly headcanon speculation that chooses to see the relationship as inevitably negative… with the exception that canonically Qrow is the only one who we see using these vulnerabilities against Ozpin. The fandom likes to assume that Ozpin “manipulated” Qrow all these years but we simply never see that happening. In true RWBY fashion, RT gave Qrow a very damning sounding line—I gave up my life for you—and then let the fandom assume really negative connotations. In reality though what that line translated to was, “You trusted me despite the fact that I entered your school to learn how to kill you and your allies, then taught me how to be a better person and gave me a purpose in life: to help others, even if I’ve now learned I can’t fix it all in one lifetime.” Like yeah, what kind of horrible “manipulation”?? Ozpin’s supposed power over Qrow has only helped and benefited Qrow, despite how Volume 6 tried to paint that relationship as suddenly negative. What is said doesn’t align with what we’ve seen. In contrast, we do see Qrow using Ozpin’s vulnerabilities against him. He does betray him. He does punch him into a tree. He does help perpetuate those same lies to Ironwood. He does absolve Ruby without offering the same to Ozpin. He does then plant the seed—with absolutely no evidence—that he had a hand in Summer’s death. To be frank, Qrow has treated Ozpin like shit lately and it’s one of the (many) reasons why I hate Volume 6 and 7. Ozpin is coded as the perpetrator, but we never see him taking advantage of Qrow. Meanwhile, Qrow is coded as the victim, but we do see him taking advantage of Ozpin’s vulnerability. One character has helped the other flourish, the other has abandoned him in his greatest time of need. Right now I’d argue that the in-canon ship potential is “problematic” due to Qrow… but that doesn’t mean any of that has to impact fandom shipping. For me personally, I prefer to keep to Volume 1-5 material or AUs up until Qrow (hopefully) apologizes for his actions. Then I might feel inclined to write canon-based ozqrow content for Volume 8, or whenever we re-establish that respect (with AU elements involving giving Ozpin his own body. The Oscar situation is a whole other thing I’m not going to delve into here. Suffice to say, I’m considering Qrow and Ozpin as separate people right now). But even if they never make up, even if Qrow, or Ozpin, or both of them end up being completely toxic for one another, that doesn’t stop anyone from imagining something better for them in fandom. Fandom is transformative for a reason.
All of which isn’t to say that people have to like the ship (obviously) only that in the same vein it means that no one has to justify liking the ship either. Again, for me personally, I usually need some in-canon, healthy dynamic to work with in order to enjoy a ship. It’s why I love ozqrow because we did see that for 5 volumes and may indeed see it again. In contrast, it’s why I don’t love pairings like Yen/Geralt or Bakugo/Izuku because I don’t feel like I have a healthy foundation to work from and, for me, a healthy foundation is usually necessary (with some exceptions like my childhood love of Erik/Christine). But all those are preferences. They don’t—and shouldn’t—dictate anyone else’s enjoyment. Which is the problem when people don’t just assume that ozqrow is inherently unhealthy (which I hope I’ve somewhat helped to disprove here) but likewise assume that that’s necessary for anyone else to ship them. For you that potential coding of teacher/student and power dynamics might outweigh otherwise liking their dynamic and that’s fine! That’s a preference! But a preference doesn’t give anyone the right to throw shade at others for enjoying something different. 
Which finally brings me back to the hypocrisy in all this. Ozqrow (and Blake/Yang) are the only ships I’ve come across in this fandom where the fans have to continually “prove” why their ships are valid. Not as potentially canonical relationships, but just as fandom-based ships. Just as fictional preferences we enjoy as a hobby. It says something about the fandom’s bias that we can watch Ilia, on screen, be one of the bad guys, kidnap Blake, try to murder her parents, try to ship her off to her abuser… and despite all this the fandom went, “Oh yeah. I could see them together.” But Ozpin and Qrow, who have supported one another for the vast majority of the series, suddenly need to provide receipts for how healthy their relationship is and if you don’t do a good enough job proving that, it’s cancelled. That’s messed up. None of these ships are “bad.” Ilia/Blake shippers should go wild with that potential! It’s just an issue of comparison and applying different, rigged standards to certain ships. This is a fandom where people ship the heroes with the likes of Cinder, Roman, Raven, Ilia, Salem, Tyrian… tons of killers and would-be killers, characters who have done objectively horrifying things. But it’s when two loving adult men might get together that it’s suddenly too “problematic”? That says more about that bias than it does the ship. For you, anon, if I’ve failed to alleviate those concerns and that coding means ozqrow isn’t really your thing? Great! You can drop the ship, involve yourself only in AUs, or anything in between. That’s how fandom should work. The problem lies not in asking polite questions about how we might interpret a relationship in canon (which as said in the original reblog I greatly enjoy doing!) but rather in some fans’ tendency to demand a moral standard from a ship that none other is held to and then when fans inevitably fail to meet that standard, they’re criticized for daring to like the ship in the first place. Ultimately whether you end up shipping/liking ozqrow is up to you—which is precisely where the power should be. In your hands, not the hands of someone on tumblr trying to make others feel guilty. 
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mangadumpingground · 4 years ago
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Now some background information on our two favorite girls:
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Kurosawa Yurine
In the same class as Ayaka, she is a "genius" in a nutshell. Nobody can beat her and she usually spends her time sleeping. Yet one day, after Ayaka has helped her open herself a tiny bit, she falls in love and becomes obsessed with her, thinking she has found the one person who can best her.
The Ace: She is good at everything she does, be it in studies, sports, or even art. But since she succeeds at everything without even trying, she can't get invested in anything.
Animal Motifs: During her more excitable moments, she's drawn with dog ears.
Asleep in Class: Her default mode. If she's ever seen awake during class, it's because the teacher woke her up.
Caring Gardener: Her increasingly genuine interest in gardening parallels her growing sociability as the series progresses. She starts as an isolated girl who joined the gardening club more or less out of obligation, to a caring senpai who's willing to make friends and tries to make the gardening club prosper again. By the end of the series, she decides that she wants to become a florist.
Character Development: She has gained quite a few social skill points since the beginning of the series, and has become slightly less fixated on Ayaka alone (although she's still her main motivation). She even decides to join a club eventually. Chapter 22-23 is an important step, as for the first time, Yurine tries to interact with Ayaka not as a "rival" or a one-sided crush, but as someone she genuinely cares and worries for, giving her words of comfort that would have been unthinkable at the start of the series. Volume 7, being mostly from her point of view, emphasizes how much more fulfilling her life has become since she met Ayaka… and how much Ayaka, on the other hand, is still stuck in a state of mind not unlike that of the early Yurine.
Cool Big Sis: Sumire sees her as this, and well, she has reasons to.
Covert Pervert: She may not show it all the time, but in addition to their competition, she's also definitely curious of Ayaka's body.
Deuteragonist: She's as much of a protagonist as Ayaka, as a good chunk of the chapters about their relationship are from her own point of view. Her Character Development is also somewhat more noticeable than Ayaka's.
Ditzy Genius: Sure she can ace any test and learn at the speed of light, but that doesn't prevent her from occasionally being strangely clueless or taking odd actions − like trying to catch a paper stuck in a tree, even though it's obviously out of her reach and she's sitting on the second floor window.
Friendless Background: According to herself. In the first chapter, Chiharu notes that her excess of ability makes her hard to approach, and she is pretty distant herself. Though meeting Ayaka, Mizuki and Ai helped her open up it seems.
Green-Eyed Monster: Downplayed but clearly played straight. Yurine envies/admires Ayaka because she has a "role" in their school (see I Just Want to Have Friends below), and participates in life to a degree that Yurine can't.
Heavy Sleeper: Because she feels like she has nothing better to do than sleep, as she considers herself a bother for other people.
I Just Want to Be Normal: She's sick of people praising, relying on or being jealous of her because of her talent. All she wants is to find someone who will make her feel like an ordinary girl, and Ayaka is that person.
I Just Want to Have Friends: Played with. She wants to belong somewhere, but is too dismissive of (or possibly disillusioned from past experiences with) people to engage with them.
Innocently Insensitive: She's so apathetic about talking to anyone, for any reason, that she comes off as rude. By the end of volume 7, she has thankfully improved quite a bit in this department.
Insufferable Genius: Has shades of this when she rubs Ayaka's "no.2" ranking in her face just to piss her off.
Lonely at the Top: And one reason she falls in love with Ayaka is that, finally, someone seems to be able to (eventually) best her.
Luminescent Blush: In chapter 35, she sports this when Ayaka holds her hand (because Yurine forgot her gloves); and later, for the first time her teasing backfires as Ayaka's (supposedly reluctant) kiss completely makes her lose her composure.
Mood-Swinger: Usually aloof and bored, but whenever she is with Ayaka, she can go from euphoric to teasing to pouty to Cloud Cuckoolander, all in an instant. In any case, she is clearly in heaven just by being with her.
No Social Skills: Generally ignores people, doesn't censor her speech, often intrudes on Ayaka's personal space, etc. As of chapter 22, she's improved with regard to the latter.
Photographic Memory: Implied, as she can memorize an entire textbook page with one casual reading.
Too Much Information: She ogles Ayaka. We know this because she tells her.
The Gadfly: An expert at rubbing Ayaka the wrong way.
The Tease: She takes an intense delight in playing with Ayaka, often physically. It can go quite far, yet the latter shows surprisingly little resistance to it.
Single-Target Sexuality: She has eyes only for Ayaka and only seems to feel any kind of satisfaction when she is at her side. Though chapter 11 subverts this when Ayaka tells her that in the end, she would just love anyone who can beat her. Yurine's answer is that it might be true, to Ayaka's shock. Afterwards she herself starts to worry that her feelings for Ayaka may not go further than that.
"Shut Up" Kiss: Gives one to Ayaka in chapter 12, when the latter warns her that her club activities might detract her from the tests.
Supreme Chef: Par for the course. So supreme that she can cook while sleeping.
Took a Level in Kindness: Through her interactions with Ayaka, Ai, and the gardening club, she becomes considerably less of a jerk over time, although she still has her occasional bouts of teasing.
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Shiramine Ayaka
A self-proclaimed "model student", she is obsessed with being the first at everything and thus sees her world turned upside-down when Yurine appears in high school.
Aggressive Submissive: Kind of. For all her defiance, Yurine can play her like a harp when she's in a flirtatious mood.
Armor-Piercing Question: She gives one to Yurine in chapter 11, but she's the one hit hard by Yurine's laconic answer.Ayaka: You say I'm special to you but… in the end, you would like anyone able to beat you, wouldn't you?" Yurine: *Beat*… You may be right.
Belligerent Sexual Tension: Not belligerent on Yurine's side, but on hers, definitely.
Bitch in Sheep's Clothing: Subverted. When she's alone with people close to her like Mizuki or (though she hates to admit it) Yurine, she's quite aggressive and stubborn. But that doesn't mean the kindness and helpfulness she shows towards her classmates isn't genuine. The few times she has a supporting role in another girl's arc (mostly in volume 8 with Hikari and 9 with Mikaze), she appears much friendlier than when she's the focus.
Character Development: Chapter 15 shows that she has largely gotten used to Yurine's presence and has become somewhat more conscious and accepting of her sweet side. In any case she doesn't reject her as strongly as early on. Continued in chapter 23 where she lets Yurine spend the night with her on the beach, whispering what seems to be a "thank you" and kissing her forehead. At that point, while she still wants to defeat her, she no longer shows any desperation or anger about it. By chapter 40, her motivation has shifted from wanting to defeat Yurine so that she can forget about her to wanting to defeat her so that she can admit her own feelings to her.
Class Representative: Unsurprisingly, she seems to be this (at least in role).
Determinator: She will not give up until she has gotten her first place back from Yurine, and won't allow Yurine to give up either. By chapter 35 it actually has become a double-edge sword in their relationship: she refuses to bond with Yurine further as long as she hasn't defeated her, but at the same time she won't acknowledge any bond with her beyond their competition (despite obviously showing that she cares for her). This is the opposite situation from chapter 11 mentioned above, in a way.
Expressive Hair: Mostly in the early chapters, where they tended to float around a lot. It became more straight and static as the art got somewhat cleaner around volume 5.
Go-Getter Girl: Ayaka sees it as absolutely imperative to be the best at absolutely everything.
Good Angel, Bad Angel: Subverted, as their roles are reversed. The good angel tells her to focus on being the best and reject Yurine at all costs; the bad angel tells her that Yurine isn't a bad person and that there's nothing wrong with being friends with her.
Hidden Buxom: She turns out to be far more busty than she seems in her uniform. She's apparently a D-cup according to Yurine.
Not So Different: It's not as immediately obvious as with Yurine, being the School Idol and helping various people around at school, but as we go on it's increasingly clear that she doesn't have any actual friends either. Mizuki even sarcastically points it out in chapter 18.In another sense, during Ayaka's Heroic BSoD she acts antisocial and listless, much like Yurine's default state. Again, this is pointed out by Yurine herself (who had some Character Development in the meantime) in chapter 35.
Out of Focus: Despite technically being a protagonist, there are actually very few chapters from her point of view (if you don't count the extras). Chapter 1 and 2, chapter 11, half of chapter 15, chapter 22-23, chapter 40 and that's pretty much it; in other chapters she only appears for a few pages, if at all, and volume 7 is primarily centered on Yurine with Ayaka in a supporting role. It doesn't help that, rather ironically, Ayaka almost only interacts with Yurine (and sometimes Mizuki) while Yurine herself intervenes in other characters' arcs. This only changes in the last two volumes, where she briefly gives advice to Mikaze in volume 9 and finally gets full focus in volume 10.
School Idol: And that's her pride, even if Yurine is no.1 in grades.
Second Place Is for Losers: She does not take losing to Yurine by three points lightly.Mizuki: Why does it bother you so much to be second? It's awesome. Ayaka: Yeah, for someone like you who is around the 150th place, being first or second probably doesn't make much of a difference!
Smart People Wear Glasses: She occasionally sports these when studying.
Tareme Eyes: Art Evolution made her distinctively drooping eyes more prominent, making her look somewhat less aggressive in later volumes. It might also serve to outline her bad eyesight.
Tsundere: While she usually shows an admirable façade at school, she shows a more aggressive side when alone with Mizuki, and completely loses her composure when it comes to Yurine. She can admit she is awesome and can't help but look at her constantly, but refuses to acknowledge that she's attracted to her. Made more amusing by the fact that even Yurine herself can see it. Interestingly though, that dynamic starts to be reversed in volume 7-8, where Yurine is now the one losing her composure while Ayaka calmly listens to her worries.
Well Done Daughter Girl: Implied in a flash-back, where her mother scolds her because she got "only" 95/100 at a test, while Mizuki's mother praises her for getting an 88. And confirmed in chapter 22 where Ayaka breaks down under the pressure and decides to say "screw that, I no longer care if I'm not the best".
Workaholic: She will study to death and work harder than any student, but she admits than she doesn't really have a precise goal beyond "being no. 1". This seems to come at least partly from her mother's overly high expectations.
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sushigirlali · 4 years ago
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If You Don't Love Me, Lie To My Face - Part I (Reylo Fanfic)
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Part I | Part II | Part III | Epilogue 
Summary: Grifter!Rey helps U.S. Senator Leia Organa's son, Ben Solo, out of a jam when a couple of muggers invade her turf. Afterward, she debates robbing the rich American herself, but can she protect her heart while stealing his?
Pairing: Rey + Ben Solo | Finn + Poe Dameron
Rating: E
Continuity: Modern AU
A/N: For the first time ever, I’ve actually written most of the story before I started posting! I think it will be way less stressful since I don’t have to “keep up” with updates. New chapters will be posted each Friday. Enjoy!
Master list –> AO3 | ff.net | Tumblr
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If You Don't Love Me, Lie To My Face - Part I
By: sushigirlali
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Kennington, London
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There are moments in life that make you question everything that came before. A look from a stranger, an incident at your job, a terrible movie... things Rey Niima was usually able to push past without pause, but tonight, she was finding it extremely difficult to ignore the feeling that her life was about to change forever.
"Hey, give us your wallet!" A pair of brawlers had cornered a man at the mouth of a nearby alley, drawing Rey's attention as soon as she stepped out the back door of her favorite pub, The Black Prince.
"Excuse me?" the would-be victim responded indignantly. His voice was deep with an American lilt, his stature intimidating.
Did these fools really think they could steal from a man like that? But then, not all criminals were as intelligent as her.
"You heard me! I want your wallet!"
Rey hung back from the potentially violent situation unfolding before her, sizing up the assailants. Their outfits were all black, including the ski masks covering their faces, but she couldn't see any identifying marks or gang affiliations. "Must be lone wolves," she thought.
There was something familiar about the tall one doing the talking, but she couldn't place them. It probably didn't matter, though, because the redwood with the nice accent looked like he could take the both of them with one hand tied behind his broad back.
Still, for some reason, she was finding it hard to walk the other way. Definitely not because the man was the most striking person she had ever seen. No, it had to be due to the fact that these bums were causing a ruckus on her turf. At least, that's what she kept telling herself, frozen to the spot as she was.
"Listen, I just got done volunteering at a shelter all day and just want to get home. Please allow me to leave unmolested."
"Volunteering at a shelter?" she muttered under her breath. "Well, fuck. But it's not your business, don't get involved." Rey was turning around to go back inside the pub when the sound of a gun cocking drew her up short.
"Don't make me repeat myself again, pretty boy."
"Whoa, hey, there's no need for that!"
"Then empty your pockets! Now!"
"No," he said crossly. "Put that thing away before somebody gets hurt."
"Dammit," Rey groaned, retrieving the silver baton clipped to her belt. Sometimes, she really hated having a conscience; in her line of work, it was a real liability.
"Hey, get your hands off me!"
"Oh, for fuck's sake," she growled, resolutely stalking toward the turbulent scene. "Oi! You lot!"
The big guy and his sidekick paused to look in her direction. "What?" the leader said in a surprisingly feminine voice.
"Not a guy," Rey mused. "Based on your absolutely abominable bullying technique, I don't think you're getting that guy's wallet any time this century, so why don't you just leave him alone and move along."
"Excuse me?" the woman said threateningly.
"I'm sorry, did I stutter?"
"You move along, little mouse, this doesn't concern you!" the shorter guy spat.
"You do know who's neighborhood this is, don't you?" Rey said tauntingly.
"Yeah?" the first one said dismissively. "So what."
"So, knock it off! We don't need the fuzz coming down here because some hooligans are roughing up a foreigner."
"Hooligans?! And who the fuck are you?"
"Me?" Rey sneered, flicking the baton out to the side so that it extended into a long poll. "I'm no one."
"Phas," the skinny guy said nervously, obviously recognizing her at last, "we should go."
Rey had never been so proud of her reputation as a grifter who was just as likely to steal an expensive piece of art from the peerage in an elaborate heist as kick a thug's ass in the street.
"But the boss—"
"He'll understand."
"But—"
"Phas!"
"Fine. But don't think this is over!" the woman yelled before running off with her companion.
"Well," the American said slowly, "that was an experience I never wish to repeat again." He smiled at her. "Thank you," he said sincerely.
"You're welcome," Rey replied gruffly, still riding high on adrenaline. "Do you always walk around by yourself at night in a city not your own?"
"Do you always save unsuspecting passersby from thieves?" he retorted.
Her phone went off, but she didn't answer it. Up close, the man was even more attractive than she had initially thought. "Suit looks expensive, too… and is that a Breitling?" Perhaps it was her lucky night after all. "Only if they're handsome," she said smoothly.
"Oh, uh…" he flushed at her compliment.
"Hmm… not the reaction I expected." It was kind of refreshing, though. "Sorry, I—ugh, one sec," she said as her cell went off again. "My brother," she explained, checking the caller ID. "I have to take this or he'll just keep phoning until I pick up."
The man shrugged, "No problem, I'll just wait over here." He stepped up onto the curb and walked a few paces away.
Rey nodded and lifted the phone to her ear. "What?" she said shortly.
"Who's the stiff?" Finn asked without preamble.
"Nobody."
"Right," he huffed. "Are you working him?"
"Undecided, stop pushing."
"Whatever you say, Rey. Just be careful."
"I will. Where are you anyway?" she said, humored by his tough older sibling act.
"Hanging outside the pub, just around the corner. Why? You need me?" Finn teased.
"No, I'll catch you later. Don't wait up." She ended the conversation before he could respond and stuffed the phone into her back pocket. "Sorry about that, uh…?"
"Ben," the stranger supplied, moving closer again. "Ben Solo."
"I'm Rey," she said, holding out a hand.
Ben's lips quirked and he gave her a firm handshake, his huge hand dwarfing hers. Rey felt a shiver run up her spine at the brief contact, but she shook it off.
"So, what's that for?" he indicated the weapon still in her hand. "Joining the circus?"
"No," she grinned, "it's a bo staff. I use it for self defense."
"And the defense of others," he said warmly.
"On occasion." She folded the bo staff back into a baton before reattaching it to her belt.
"Can I get you a drink?" he nodded toward the pub. "To say thank you?"
"I was actually on my way home before I… bumped into you."
"I could… walk you home? If you want." He didn't sound desperate, but it was a near thing.
"I'm not from around here," she said evasively. She couldn't really bring him back to her base of operations, which was only a few blocks down the street, but she didn't want to stop talking to him either. "What a dilemma."
"No? Where are you from then?"
"Nowhere."
"Okay… Well, I promise I'm not a pervert or a serial killer or anything," he said earnestly, "so you can come back to my hotel with me if you want. It's late and I'd hate for anything to happen to you."
She crossed her arms. "Because I'm a woman?"
"Hey, I'm 6'3" and double your weight and I almost got jumped like ten minutes ago," he reminded her. "It can happen to anyone."
"Fair enough," she allowed, lowering her defenses. "Still…"
"I can call my security detail if you want verification that I'm not a psycho," he offered. "I'd just like the opportunity to get to know the woman who saved my hide."
Rey's interest sharpened. "That's sweet, but uh… security detail?"
"Yeah," he said nonchalantly. "My mother is a U.S. Senator. I'm in town on her behalf. She was supposed to come herself, but her re-election campaign is heating up and she couldn't spare the time."
"You disapprove," she said perceptively.
Ben's dark brows shot up. "Yeah, actually. You a mind reader, Rey from nowhere?"
"Something like that," she smirked. "I prefer the term grifter."
"Grifter?" he said curiously. "What does that mean, exactly?"
"Oh, you know," Rey winked for effect, assuming the privileged American was about to run in the opposite direction, "I swindle rich people out of their valuables by preying on their weaknesses. Basically, I'm a professional bad guy."
Ben looked hopelessly confused by her explanation. "But you just helped me."
"Well, sometimes I like to help out the little guy." Rey looked him over. "Little big guys too."
"Like Robin Hood?" he said, disarming her with a crooked smile.
"What? I wouldn't say I'm—I'm a hero or anything," she stuttered.
"Well, you're my hero," he said smoothly, holding out a hand. "That's my driver pulling up over there, in the black Jag. Join me? Please?"
"I… okay," she agreed, placing her hand in his, "but just for a little while." This time, she couldn't ignore the shiver.
——————
Alarm bells should be going off in her head, but Rey felt perfectly comfortable with her new companion. It was odd, considering her trust issues, but Ben didn't seem to be only interested in her looks. And she knew she looked good tonight, her dark leather leggings were basically painted on and her lacy bra was visible through a mostly sheer black tank top. Add on her subtle smoky makeup and half-up hair style that emphasized her cheek bones and...
"Rey?"
She loved the way he said her name, almost like a caress. "Yes?"
"Are you hungry? I haven't had dinner yet."
"Oh, sure," she said, never one to give up a free meal. Though she did kinda wish something else was on the menu… "What is wrong with you? You just met the man! Note to self: masturbate more."
"Chinese okay?"
Her mouth watered. "Perfect."
"What do you like?"
"Besides you?" she said without thinking. "Uh, I mean—anything, really. Noodles, if they have them."
Ben let her comment pass, but he was beaming. "I like noodles too. Maybe some kind of chicken? Orange?"
"Excellent," she seconded.
"You're easy," he said, but then caught himself, looking horrified. "I mean to order food for, not—"
"It's okay," she laughed, patting his thigh. "I know what you meant."
"Sorry, I haven't done this in a long time," he said sheepishly, catching her hand before she could remove it.
"This?"
"Gone on a date."
"Oh." Was this a date? Rey couldn't remember the last time she had been on one. Pretty much anytime she'd been alone with a man not her brother in the past ten years it was because she intended to rob them.
"Not that this has to be a date," he said quickly, releasing her hand. "Sorry, I keep saying stupid things."
Dammit, but he was cute. "You don't have to keep apologizing," she replied lightly. "Let's just have dinner and talk and see where that takes us." Maybe the night would lead to some fun extracurricular activities, maybe not, but at least she'd be able to case his place. Based on what she knew so far, the guy definitely came from old money. "Just keep reminding yourself that he's potentially a mark, not a boyfriend, Rey."
"Sure," he smiled, looking relieved. "Hey, Poe?" he said to the driver. "Can you pick up some food after dropping us at the hotel? We're starving."
——————
Ben fumbled a little opening the door, but quickly recovered and ushered Rey inside with a gallant sweep of his arm. The hotel was nice, but not extravagant, something she found odd for the son of a U.S. Senator. Then again, he had apparently been helping out at a shelter all day, so maybe he really was as down to earth as he seemed.
"The bathroom is through there if you need it," he pointed toward the bedroom.
"I'm fine, thanks."
"Okay, I'm just going to grab a quick shower. Poe should be back within the hour, so make yourself at home."
"Can I join you?" she was tempted to say. "Sure, I'll just watch the telly."
Ben nodded and left the room. A few seconds later, Rey heard the water start. Flipping on the TV, she left it on the cartoon channel before having a look around.
There weren't any expensive electronics or pieces of art in plain sight, so Rey could only assume that anything valuable would be in his room. "Oh, well, nothing gained, nothing lost. Better update Finn, though."
Yanking her cell out, Rey sent a quick text to her brother with Ben's name, the hotel's address, and a couple sentences about the modest state of his living room. He answered her almost immediately, sounding concerned.
Finn: Are you sure about this bloke? If you're not there to rob him, I assume that means you're interested in something else?
Rey: Yes? Maybe? I don't know. We just met, but…
Finn: At least text me later, okay? So I don't have to worry
Rey: I will. Love you 3
Finn: Love you too, peanut
Finn: ...check the room safe if you get a chance. Those types of hotels always have them and you never know what might be inside ;)
Rolling her eyes, but knowing he was right, Rey listened for a moment. It sounded like Ben was still in the shower, so she took the opportunity to pop into the bedroom and search his closet. A standard issue hotel safe was at the back, surrounded by some very nice black suits.
It wouldn't have been hard to crack the safe if she had her gear, but her heart wouldn't have been in it even if she did. She didn't want to rob Ben Solo, which was a first. Still, she did appreciate a challenge...
"Did you need something?"
Rey whipped around to see her host in nothing but a low slung white towel. "No, I—uh…"
"Would you like something to change into?" he inquired kindly.
Unable to respond with his magnificent chest and long thighs on display, Rey just shook her head in the negative. His brow creased and she felt like a kid who had been caught snooping for Christmas presents. "Shit, shit, shit, I've totally blown it!" Backtracking to the living room, she wasn't surprised when he followed. "What should I do? Oh, god, I don't want him to think…"
"Rey, what you said earlier… about being a… what did you call it? A grifter? Are you—mmph!" he started, unable to complete his thought as Rey impulsively reached up to kiss him.
But instead of pushing her away and demanding an answer, Ben threaded his fingers through her hair and dragged her closer. Taking his response as permission, Rey wrapped her arms around his waist, gripping his bare back as the kiss went on and on.
Somehow, they ended up next to the couch. Rey pushed Ben into a sitting position and climbed onto his lap, rubbing her clothed core against the tent in his towel. "Rey," he whispered, lips trailing down to her neck, "Rey, I want you."
"Yes," she responded as he reached for her waistband. Coming up on her knees, she growled when he yanked her leggings and underwear down her hips with one forceful tug. Things were getting out of control, going too far too fast, but she didn't care; she wanted him too. "Help me," she demanded, legs trapped by the constricting garments.
"I've got you," he huffed, reaching behind her to unzip her black combat boots and pull her pants the rest of the way off.
Meanwhile, Rey tore her top and bralette over her head before going to work on the towel barely covering his lap. "Wow!" she blew out a breath, zeroing in on his ardent erection when it was uncovered. He was big, maybe bigger than anyone she'd ever been with. Would he fit?
"Fuck," Ben sighed, sitting back to stare at her body, "you're beautiful, Rey."
Feeling weirdly shy about the sincerity in his sinful voice, Rey kissed him again in lieu of a response, reaching between them to spread herself for entry.
"Wait," he said, gasping for air, "what about protection?"
"Implant," she mumbled, rubbing her slit against the tip of his penis. "I'm clean, are you?"
"Yeah, I haven't—oh, god—uh, done it in a while."
"Good." She felt strangely possessive of him, this man she had just met. It pleased her that he didn't sleep around. "Fuck me, then. Raw."
Ben slammed his mouth down on hers again, positioning his dick with one hand and gripping her left buttock with the other. But he didn't ram himself home, instead he teased her hole, sliding only a fraction of the way in before retreating. He did it over and over, mimicking the action with his tongue until she was incoherent with desire, squirming, imploring him to fill her…
And then he was, and she found that he fit very well inside her indeed. His thick cock seemed to be made for her, hitting all the right spots and ones she hadn't even known existed until now. "Ben!" she cried, furiously pumping her hips in time with his thrusts. "This is—you're—"
"I feel it too!" he returned, palming her breast and teasing her erect nipple. "From the first moment I saw you, I—"
She licked his mouth, begging for entrance, not wanting to hear his sweet words even as they made her heart soar. He opened for her, but was obviously frustrated that she had cut off his declaration. Before she knew it, the hand squeezing her ass drew back and lightly smacked against her butt-cheek.
"Oh!" Rey jolted at the slight sting, but it wasn't in pain. On the contrary, she requested, "Again! Ben, do that again, please! I'm—"
Knock, knock.
"Oh, shit, Poe's at the—"
"Don't you fucking dare, Ben Solo," she growled, bouncing up and down on him with renewed vigor. But the driver started knocking harder, likely because of the guttural sounds erupting from Ben's throat. "Come on, man, can't you tell we're busy?!"
"But—shit!" Ben hauled her against him, no longer playing, just looking for relief before his friend broke the door down.
Rey found his soft grunts and swears endearing, so she took pity on him and increased her pace even further. "Come for me, Ben," she instructed, grinding down on him with all her might. "Come now and then we can eat. Or you can eat me, whichever you prefer."
The dirty talk seemed to work, because in the next minute, Ben was biting down on her shoulder, shaking with the force of his orgasm. Not far behind, Rey led his hand to her swollen nub, needing just a hair more stimulation to tip over the edge. Almost instantly, his trembling touch sent her into climax. Still vaguely aware of what's-his-name banging on the hotel room door, she pressed her mouth to Ben's pectoral to muffle her cries and came for what felt like ages…
"That—was—amazing," Ben panted, hugging her so tightly she thought she might pop. "The—best—I've—ever—had!"
"Me—too," she couldn't help but admit.
Loosening his hold, Ben cupped her cheeks and kissed her softly. "Thank you."
"Ah—you're welcome," she said, smiling like an idiot. Before she could lean in again, Poe resumed making his presence known.
"Ben? Are you okay? Answer me! Did that woman kill you? Your mother will be so pissed if you're dead." He hit the door again. "Either answer me in the next ten seconds or I'm going to get security!"
"I'm fine, great, alive, whatever!" Ben called back loudly. "And annoyed," he said to Rey. "Go into the bedroom for a minute while I get rid of him."
"Okay," she agreed, gingerly getting up. They both groaned when he slipped out of her, which Rey found gratifying. "Can I use the shower now?"
"Sure, there are towels under the sink. My sleep shirts are in the top drawer of the dresser," he offered.
"He wants me to spend the night?" she mused, feeling giddy and terrified all at once. "Alright," she said aloud, picking up her clothes and disappearing into the bedroom she'd been casing earlier, "call out if you need backup."
"Will do," he chuckled, "will do."
——————
Ten minutes later, Rey emerged from the bathroom feeling fresh and back in control. Picking a long sleeve shirt out of Ben's dresser at random, she pulled it over her naked body before toweling off her wet hair. The black cotton was as soft as it was big, but Rey didn't mind; it smelled like Ben.
Catching her reflection in the floor length mirror by the closet, she was amused to see that the garment fell to her knees like a sack, giving her already slender body exactly zero shape. "Oh, well, it's not like I plan on wearing it lon—"
A disturbance in the living room suddenly diverted her reverie. Sneaking to the door, she carefully cracked it and peaked out.
"You can't just keep her here!" Poe nearly shouted at Ben.
"Keep your fucking voice down," he snarled back. "You're not my boss or my mother and you can't tell me what to do. I'm a grown ass man!"
"Maybe so, but you're acting like a teenager! You can't just sleep with some chick you picked up off the side of the road when Leia is counting on you to—"
"I told you," Ben said through gritted teeth, "she saved my ass and I wanted to get to know her. I didn't hire her for the fucking night!"
"Could have fooled me," Poe scoffed. "For all you know, she could have been in on the attack and—"
"Get out!" Ben ordered, clearly at his wit's end. "I'll call you when you're needed again, if you are."
"Are you firing me?!"
"Not yet," Ben said grimly, marching to the door and flinging it open. "Just go before I forget that you're my best friend and say something I regret."
"Fine," Poe said, storming out of the apartment. "Let me know when you come to your senses!"
Ben slammed the door shut, then turned around and leaned on it. Scurrying back into the bathroom before he caught her eavesdropping, she started combing her hair, attempting to look natural in case he came in after her. When he didn't, she tried not to feel disappointed.
Leaving her damp hair hanging loose around her shoulders, Rey found him sitting at the dining table in his towel with several brown paper bags in front of him. He looked lost in thought and she hoped he hadn't taken Poe's opinion about her motives to heart. "Wotcher, Ben?" she asked hesitantly.
"Hmm?" he said, looking up at her. "Sorry, I was just...uh…" The arrested look on his face made her toes curl. "Wow, you look amazing."
"This old thing?" she joked, sidling up next to him. "I borrowed it from a mate."
"He has good taste," he said, opening his arms.
"I certainly think so," she said coyly, moving to sit sideways on his lap. Rey curled one arm around his neck and placed the other one on his chest. "Are you still hungry?"
"For food?" he choked, holding her so that she wouldn't slide off.
"Food," she nodded, leaning her forehead against his, "and other things."
One of Ben's large hands inserted itself between her thighs. "These kinds of things?" he murmured. "I think we can—fuck!" he bit his lip as he discovered that she wasn't wearing anything underneath his shirt.
"We can certainly fuck," she teased, "but—oh!" Rey gasped as he stood with her in his strong arms. "Ben? What are you…?"
Before she could get the words out, he'd pushed their dinner out of the way and laid her down on the table. Placing the backs of her knees in the crook of each arm, Ben pulled her forward until her butt was on the edge of the table and her pussy was level with his mouth.
"Having dinner," he said in the most ridiculously sexy tone of voice she'd ever heard, flipping his nightshirt up so that she was bare from the waist down.
"Oh, god!" she whimpered as he lowered his head. "Ben, you don't really have to—ah!" Gripping the back of his head as he started to lick her folds, Rey shuddered every time his long nose bumped against her clit.
"Enjoying yourself?" he said a little arrogantly. "Is this why you came home with me? Cause you wanted me to make you feel good?"
Considering how very well he was treating her, and the uncertainty on his face, she decided to play along. "Yes, Ben, I wanted you the second I saw you!"
He smiled slightly, then resumed tasting her. "So, does that mean you want to come?"
"That would be lovely," she sighed, enjoying the pressure of his wide mouth.
His mouth quirked at that. "Never heard sex described that way before."
"Then you're doing it with the wrong people."
"Oh?" his gaze turned hot. "And how many people have you been doing it with?"
"Not many," she said hurriedly, "and not in a long time."
"Good girl," he said silkily. "So, if I were to put my fingers inside you, would your cunt feel… full?"
"Yes!" she panted, so wet she was dripping onto the table now.
"Let's see then."
Arching her back as he slid two fingers inside her body, Rey realized that she had never really known sexual satisfaction until tonight. She was twenty-five and still basically knew nothing about sex and relationships. "Huh."
Ben stopped moving, lifting his dark head to look at her. "Rey? Is everything okay?"
"Yeah," she said dreamily. "I guess I've just never felt this way before."
He held her eyes for an extended moment, amber striking against hazel. "Yeah, me too." And then he was fingering her again, sucking and teasing her slick opening until she was crying out his name in ecstasy.
Afterward, he scooped her up in his arms and carried her to the bedroom, kicking the door shut behind them. Needless to say, they skipped dinner that night.
——————
Rey grunted as she felt Ben leave the bed the next morning. He had been her heater since the sheets and pillows were strewn about the room. "Come back," she said hoarsely, throat worn from use. "I'm cold."
"Just a moment," he laughed, opening the bedroom door to fetch something from the living room. "Your cell has been going off for an hour straight."
"My cell?" she yawned. Then, "Oh, no." She sat bolt upright. "Wait! Don't—"
"Rey?" Ben called in disbelief. "Who the fuck is Finn?"
——————
A/N: I love Kingsman and always think about Rey being a punk with a heart of gold like Eggsy. I didn't include the spy angle, but I was able to visit The Black Prince, where scenes were filled for the movie, a couple years ago and have fond memories. Anyway, reviews are appreciated! <3 
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