#I don't think most of y'all have seen a Scorcese film if you only think he does gangster films and think he is more *pretentious* than he i

[femme-foucault]

I just made my own post instead of dumping this on a reblog bc it's not a big deal but....when did Martin Scorcese become a stand-in for "guy who makes gangster movies" or "film-bro pretentious?"

Most of Scorcese's films are not about gangsters. Taxi Driver, Raging Bull, Cape Fear, New York New York, The King of Comedy, The Age of Innocence, and in fact pretty much every major Scorcese film that most people have seen that isn't Goodfellas or The Departed...is not a film about gangsters. (Mean Streets is great but it's a deeper cut). Gangs of New York, I think you could put in that category, but it's also a historical period piece and not the Goncharov'd/Godfather'd aesthetic that you would associate with a "gangster movie." Oh, I forgot The Irishman, but come on, that one only came out a few years ago and I know none of y'all watched it or remembered it unless you were a huge film nerd. I didn't even get into it.

When did Scorcese, of all people, become the stand-in for "filmmaker people assume is pretentious?" Was it when he said everything correctly wrong with Marvel films? Or on this site maybe Goncharov effect?

EDIT: I also totally forgot about The Departed, which I guess from one point of view is a "gangster film" (or really, a crime film). I distinguish between films like Goodfellas or The Godfather which are what most people think of as "gangster films" in that they focus on the perspective of people in organized crime vs "cops vs robber" films like Heat which usually include the perspective of law enforcement and The Departed is the later, but that's splitting hairs. It's a crime film, sure, and also a thriller.