#I don't really see this style much anymore outside of a few performances here and there

[redpomegranateblossoms]

I was thinking about chehelgis hair the other day (a traditional hairstyle of Iran and central asia where hair is braided into a sacred number of braids, often 40).

[thommi-tomate]

Interview with Thomas (January 9, 2011)

By: Andreas Burkert for Süddeutsche Zeitung

Mr. Müller, where is the Golden Shoe for the best World Cup shooter?

At home, in my games room, where the dartboard and Play Station are. Everything that has now accumulated is on the windowsill. Before it gets dusty in the boxes, I'd rather put it outside.

The reason for your award, Germany's World Cup performance in South Africa, was part of every annual review. Did you watch it when this Müller suddenly walks through the picture?

Of course I've also seen Müller in a few previews. But I don't necessarily have to watch the whole thing. The year went really well and I'm always reminded of that, even if I forget about it; I can't avoid it anymore. But it's over now. I can't buy anything for it anymore. Now I have to prove myself again.

What came up in your personal review of 2010 on New Year's Eve?

It was the World Cup. But there wasn't just one moment for me, there were so many great moments.

You only made your debut for the national team just under ten months ago, in Munich against Argentina.

Yes, that was special. When I heard the national anthem, I thought: Now I've made it, now I'm really where I want to be - (A German tourist of an older age approaches the table and wants an autograph. Müller asks for her understanding that he can't now, but will be happy to do so later) - Well, since the World Cup, even those who don't know much about soccer recognize you.

Just older ladies?

Nah, nah, all the age-group are already there.

Does at least your grandma, who you greeted on TV after the round of 16 against England, have some peace now?

In the meantime, yes. The problem was that my parents, my grandma and the people here in Pähl didn't have a media manager like we did at Bayern or the DFB. But I was back home over the Christmas period and everything was nice and quiet.

People who know you well say: Müller, he doesn't take off, not even now, he doesn't drive a Ferrari yet. Don't you have a quirk? And how do you reward yourself after a year like that?

I once asked myself the same question. We have a great sponsor, so I don't need a new car. But I do sometimes walk past watch stores, but then I see that they are sometimes really expensive. Then I'd rather not, it's not worth it to me. I'm also not a bird of paradise who dyes her hair. My wife rides, which has now become important for us. Apart from that, I really do have everything. I'd have to make my own problems if I wanted to have any.

Do you ride yourself?

I tried it out a year and a half ago. Well, I didn't fall off directly, but I felt sorry for the horse afterwards. The risk is too big for me and the horse.

2011 has started for you with the loss of a title: You no longer have the thinnest legs.

You mean because of Luiz Gustavo? Well, we haven't measured his thighs yet, but it's possible. People always joke about my legs, I know they always have. But don't worry, my mother has already noticed that they don't break much. They were never a problem for me, in fact I think they helped me, even when I was younger. Because if you don't just have your body to fight back with, you also have to use your brain to run certain routes to avoid direct duels.

Is that how this urge came about? Müller goes up top, to where the ball suddenly appears?

Certain things are certainly trained automatisms. But often it's a certain instinct, a feeling for the spaces. I'm glad to have this ability.

In any case, it's difficult to compare your style with another player. Do you perhaps know one?

No, I am somehow unique. There are dribblers who are pretty similar, strikers too, but what am I actually?

Yes, what is Müller?

Hm. Well, what am I? A Raumdeuter (space interpreter) ? Yes, I'm a Raumdeuter. That would be a good title, wouldn't it?

In any case. Because, if I may say so, you do score goals, but particularly beautiful ones are rare. But you are there.

That's true, I'm not known for scoring beautiful goals. But the important thing is when it's in. I've often been accused of being lucky, but if it happens five times in a row at the World Cup, there must be another reason for it

Your former amateur coach Hermann Gerland once said: "Müller can play like shit for 90 minutes - but then he scores a goal.

The statement is correct. I consciously take risks in my game, I often try things on the direct route towards goal that are perhaps great in terms of the idea, but difficult to execute. Mistakes happen, but you have to say to yourself: no more, next time I'll try again. Reviews sometimes say: He tried a lot but didn't succeed. Yes, then it just didn't work out. I try a lot, and there are a lot of rejects. I know that, and that's why I don't drive myself crazy.

Did you get the impression after the World Cup that your opponents adjusted better to your unconventional style?

Not really. The first half of the season was a bit different, I mainly played on the right or left. It just didn't go well for the team overall, no individual player was able to break away from the trend, not even me.

Your roles change frequently. Where would you have Müller play?

I would put Müller behind the front line, which is the position at Bayern that is closer to the opponent's goal and therefore more dangerous. I can penetrate the gaps better from there. You have to be more tactically disciplined on the right and left, and the number seven position in the national team is a different right than at Bayern, because the DFB always swap sides with Mesut Özil. I need a bit of freedom to be able to play on the left or right. That's why I see myself behind the front ten. But I'm versatile and also like to play other roles.

Van Gaal said last season: "Müller always plays for me". Has this confidence made your rise possible?

He didn't even need to make that statement. Because I always had the feeling that he was counting on me.

How did you notice that, his confidence? A year ago it was said that some players were afraid of van Gaal.

Oh, I like talking like him too. He wants to create a certain amount of friction, which is why he prefers his way of talking. I really like his direct manner, we're similar in that respect

You, but also other players, were unusually outspoken in your support of the coach during the critical fall weeks. Out of gratitude?

No, there was no agreement between us, but I think everyone deliberately supported the coach. You could have asked each player individually, independently of each other, and everyone would have told you how convinced they were of him and his philosophy. Of course, in a squad of 25, there is dissatisfaction from players who don't play. But even colleagues like Hamit Altintop or even Martin Demichelis have spoken positively about the coach. And when you see what's happening here in Doha at the training camp, how they're stepping on the gas: This team really enjoys working with this coach.

Were you not worried when President Hoeneß was sharply critical and things were tight with the headstrong coach?

Not really, and after the contract extension I had the feeling that the club management was counting on him. We were all very happy about that, and the coach was also pleased that he had the support of the whole team. That's why there was never any talk of a rift between players and coach.

Then you would actually have to persuade van Gaal to stay as long as you and the others who have now signed such long-term contracts.

I think if push comes to shove, you might be able to do something about it. However, the pressure here in Munich is certainly exhausting and I don't think you can be Bayern coach for ten years without damaging your health.

At 21, you are part of the Lahm/Schweinsteiger generation, which is gradually replacing the Ballack generation. What are the differences?

Football-wise, that's certainly a level. But I think even Michael Ballack experienced different times as a young player when it was more difficult to integrate into teams. There are now many young coaches who bring in their philosophy, with a flatter hierarchy. That perhaps makes it easier for us young players today.

At 21, you've already achieved a lot. What else is there to come?

I want to bite down hard, at a very high level. In ten years' time, I want to say that I've always played at the very top for a decade and my body has endured it, and fortunately so has my head. That's my main goal.

[whitehartlane]

Been a fan for ages but don't watch the academy much, mind telling me a bit about it?

of course! i love our academy to death (mostly watch the u18s and the u21s as a disclaimer whenever i’ve got the time) and think we’ve got some great talent at the moment.

a quick rundown of some of our recent history: our academy definitely has not been the best in the country and especially the past 4 years, under mourinho and conte, has honestly been kind of a dead end for many youth players. we’ve obviously had some academy talent who have made a great impact on the first team (in recent years: kane, skipp, winks, etc. mason and tanganga to a lesser extent) but you can argue that their development happened mostly on their loans.

either way the glaring problem has mostly been that we’ve had managers who recruit big name players from outside the club rather than focusing on youth talent and development inside the club. this kind of peaked under conte where the u18s were thriving because of their complete independence from the first team (won trophies!) meanwhile the u21s got relegated (which was overturn because of some new ruling) because their players were pulled out of training sessions to essentially be stationary cones in first team training.

this could not have changed more in the first few weeks of the pl2 season! i’ve been following the u21s mostly and so far the kids have won every match, scored 15 and conceded 1 and are top of the league. they’ve just won 0-5 against colchester in the efl trophy as well. the abundance of talent we’ve got that was apparent last season also has been able to be set free because shock horror they don’t have to stand around in training sessions anymore. i think another large factor in this turnaround is the fact that ange’s style of play has been clearly implemented in this team. they build out from the back and press insistently. simply a joy to watch and refreshing to see because implementing the same play style in the first team and the academy allows an easier pathway into the senior team à la barcelona and all that. also ange generally looks towards youth talent within the academy to recruit to the first team and reports have been saying that he’s already watched over some practices and told the lads that he selects based on performance and merit so if they want a chance and work hard for it they will get a chance.

so far currently i think our standouts at academy level (not including players on loan like alfie devine and dane scarlett) are jamie donley, jude soonsup-bell, will lankshear, yago santiago, josh keeley, alfie dorrington, mikey moore, ashley phillips etc. moore especially has got a lot of hype and is regarded as one of the best youngsters in england for his age group (he’s 15 iirc). all of these kids have a lot of potential for different reasons, we’ve got an abundance of attacking talent in donley, santiago, and soonsup-bell. also keeley for example is a really talented young keeper who’s very composed for his age and communicates with his back line well.

apart from the obvious shouts the player who has impressed me time in and time out is jamie donley. super versatile along that attack line and can play as a 9 but but i think he’s best employed as a 10. he’s got good instinctive finishing and a killer passing range. this is a kid who grew up watching kane. he’s definitely one of the players who’s head and shoulders above the pl2 and i think a loan would benefit him greatly come january, really hope the club are considering that. here’s a thread on him if you’d like to read more! also recommend following this handle on twt if you’ve got it, they’re the main hub for all academy news 🤍

[beautifulpersonpeach]

BPp do you think the western style promotions are still effective, especially for other k-pop acts? For BTS, the most standout appearance they’ve done so far (for local-> fan conversion) seems to be the James Corden car episode. Followed by, I think, the MTV cover for Fix You and the Jimmy Fallon BTS week. By that point, the locql is well into the rabbit hole lol. I think BTS is big enough that just their name alone sparks curiousity in locals to check them out.

I can’t say the same for the other acts??? I think for Seventeen their own show is still the biggest converter, and the other acts are still very much confined in the k-pop sphere where only fans of the genre are aware and there are comparatively still fewer fan conversions. I guess I’m asking if the western promos they do are worth it? I remember stans using Wonder Girls (or was is SNSD) going to Colbert to downplay BTS’ paving the way, but it really didn’t amount to anything more for the group and the industry, did it? I guess I’m wondering if the same will happen to the rest, if it’ll just continue to be appearances that don’t really make enough of a dent to push the industry forward???? Or are we reaching the ceiling when it comes to how much the western industry is willing to give to k-pop and how much the k-pop industry is going accomplish (outside of continued ‘fan’ achievements- like increased album sales and streams)?

Because I feel like the industry as a whole has already reached the ceiling when it comes to Korea. Their tried and true methods like having idols go on variety have shifted to groups doing their own shows (good for retaining fans but maybe bad for capturing the gp?) and doing those idol shows have been suffering these past few years. Korean GP seems to not care anymore except for the true breakouts like New Jeans and Aespa.

Im sorry I’m ESL, I dunno if I worded my point right 😭 Hipefully you understand what I’m trying to say

**

Hi Anon,

Your English is great and please don't ever apologize for it. 💜

You've said a lot so I'll try to keep my responses brief as I mostly agree with you.

"BPp do you think the western style promotions are still effective, especially for other k-pop acts?"

Yes. But not for all.

I think all your questions are related to the evergreen debate k-pop stans have on BTS 'paving the way' where a common rebuttal is that if BTS did indeed make it easier for k-pop to break out internationally and especially in the West, why aren't many groups achieving BTS-levels of success (or even anything close to it)? Why aren't many groups, despite doing US promotions, getting sizable exposure and a noticeable growth in committed fans the way BTS does?

The problem here is that, like clockwork, the k-pop industry wants to replicate BTS's success but misidentifies the cause of that success, so they try this gimmick after that tactic and then they wonder why they're not achieving the same results. To be blunt, there's no point going on a Western talk show if your music is shit to begin with or if the idols aren't good entertainers and performers.

BTS at their core, (1) actually make good music and (2) they're fantastic top class performers and (3) they have great interpersonal chemistry. (And this is before getting into world-building in their music which encourages people to dig deeper, their beautiful lyrical expression, just how oddly sweet the chemistry between the guys actually is, the fact that they write their own music and the sincerity that flows through their sound, and so on and so forth).

So, groups that have (1), (2), and (3) that go on to do Western promotions, will see more success in getting exposure that results in new fans, while groups that miss any or all of those three factors, will have less success doing Western promotions. Groups that have benefited from Western promotions include: TXT, Stray Kids, and Seventeen, and with those 3 factors, it's understandable why they're more successful.

Everything I've said above, apply to the rest of things you mentioned too. Meaning, there's little point making variety shows for idol groups, if those groups aren't all that entertaining or if they have poor chemistry anyway.

The long and short of it all is, the k-pop industry still relies a lot on marketing, fancy props, and mediaplay to promote their groups enough for those groups to survive the minimum 6-year group lifetime. But there comes a time when you cannot market and mediaplay your way out of bad music, bad performers, and/or bad chemistry. Most k-pop fans who have already bought into that culture might be fine with it, but gp and/or new converts need to be persuaded with actual quality. And there's no amount of pushing on Western platforms or individual variety shows, that will change that in the long run.

[jihoonpandaeyes]

the week of ragnorok

posting this because so many kpop comebacks/debuts have happened from the 15th to the 21st it's so crazy that I've called this week "the week of ragnorok" lmao. what's companies' obsession w/this week we'll never know

anyways, let me begin!

1. ponzona - purple kiss

purple kiss are a seven member girl group under rbw entertainment, the same company that has mamamoo, oneus and onewe. they debuted two days ago with a such a STELLAR song called ponzona. this song is them flexing their vocals and raps and i'm OBSESSED.

their ep called into violet is no skips, including pre-release singles can we talk again and my heart skip a beat. the ep mostly consists of slower songs such as can we talk again and period that showcase their vocals really well. also some upbeat, hype songs such as my heart skip a beat and skip skip are also in the ep.

these girls are so talented, so let's root for them! i see such a bright future for them.

2. killa - mirae

mirae are a seven member boy group under dsp media, the same company that kard and april are under. they debuted on the 17th with the song killa which has a sound reminiscent of nct 127's superhuman. the concept is intriguing as it's a combination of futuristic sci-fi and traditional. i'm really curious to see how they develop it in the future.

the mood of the song is something that would be included in a superhero montage the vocals are solid along with the rap, making this overall a very strong debut in my opinion.

i haven't formed solid opinions of the ep killa yet, but it is a good step forward for a rookie group and has standout tracks such as swagger which was written by bm of kard, and higher, the instrumental being used as the theme song for mirae's youtube reality show.

pls perform one stage of higher mirae i am begging

these boys exude such an awkward but charming atmosphere when they're together, like that's the main reason i like them. but they're also mega talented, so check them out! they really do have the full package.

3. after school - weeekly

weeekly is a seven member (what's up w/the number 7?) girl group under playm entertainment, the same company that houses victon and apink. they debuted on june 30 2020 with the song tag me, gaining attention for being a cute song amongst all the girl crush-esque concepts debuting at the time.

after school is their third comeback on the 17th and let me say that I ADORE THE STYLING. when i saw the first concept photos, it was love at first sight. i kept up with the updates just to see more of the styling and hopefully find a bop while i'm at it. AND FOUND A BOP I DID.

the mv is so bright and vibrant and has a variety of sets, making it feel like a breath of fresh air. i loved the scene where the girls were skateboarding on the rooftop 'cause it felt like i hadn't been outside in ages due to how boxed in kpop mvs feel nowadays.

the song's hook is so smooth and catchy like it lives in my head rent-free. also that reference to tag me is so cute.

the stages for this song are on point from the styling to the stage presence and the brief use of a skateboard was a nice thing to see. they're honestly such a serotonin boost, so go watch one if you haven't already. this one is my favourite.

the ep, we play, is pretty solid judging from the few times i've heard it. i haven't fully listened to it yet, but instant standout tracks are yummy, which was written by one of the members. also lucky whose instrumental reminds me of panaroma by iz*one.

yeah, so check out weeekly!

3. do or not - pentagon

pentagon are a seven member boy group under cube entertainment and they're back with do or not which dropped on the 15th this song is has some rock elements much like their 2020 comeback, daisy. despite the bright visuals, do or not's lyrics are the exact opposite. they're about wanting to get over a breakup by pretending not to care, but still feeling hurt.

the lyric explanations are not my own, they are from a reddit post explaining all the aspects of this comeback linked here. all credit to them.

lyrics include:

"i don't care if you do or not. it doesn't matter, no matter what you say."

the chorus:

so what, i don't care

so far it seems like pentagon have gotten over the heartbreak and are vocal about it not controlling them anymore.

but the bridge tells a different story to the rest of the song:

leave me, let's see if you'll be alright

i'm going to try my best to forget you

i'll easily forget about you, and will hate you a little

the fact that they're trying to forget the heartbreak means that the song was a whole trick. that's what people do when they don't want to acknowledge their true feelings.

the contrast of pentagon's sound and visuals to their lyrics is interesting and a reminder to not take content at face value, to always look if there's a deeper meaning.

i love the overarching sound throughout this ep, like i could hear each of these songs being featured in a coming-of-age movie (one of my favourite subsection of music lmao).

standout tracks for me are that's me, baby i love you and boy in time. the album is a satisfying listen due to its cohesion, so i recommend you check it out.

whew, now i'm done. i didn't dive into every comeback that happened this week or this would never be released lmao. so here's my honorable mentions!

feel like - woodz

i like you - ciipher

young blood - drippin'

house party - super junior

breaking dawn - the boyz 1st japanese album