#I don't know why I did all this...bored I guess

[beartes22]

he was the ONLY one character (along with his wife) that did not wise up he was in a horror movie at ANY TIME and I respect him so much for that. SO MUCH. He went down very quick when he caught up what was going on but then again, his losses were not "oh i woke up and a weird ugly corpse is feeding from my chest while thrusting into me - i love my pants. thank you pants. i love you pants - so maybe the horrors are real" his losses were "my wife is dead of pestilence and my two daughters were violentally murdered while I was asleep and STILL you insist on your nonsense specter vampire thing which is obssesed with your MAD UNREASONABLE wife, who i cared for during MONTHS wasting no expense and losing sleep over - a thing all of you are judging me, btw, oh how could i tie the convulsing, raging, sleepwalking woman to the bed i should let her wander into my home convulsing sexually (why? how? Eww) where my TWO LITTLE DAUGHTERS plagued by NIGHTMARES live bc better they be scared that a woman confined? Excuse me for being down about that while all of you center about an hypothetical being of darkness while everyone dies around us and oh! also that fucking NIGHTMARE WOMAN."

Like this movie was very beautiful, the aesthetics were on point and they got the repulsion aspect of the dark romanticism very well but ohmygod the characters and the dialogue were all awful and rushed and just...incoherent.

I only stan Friedrich in this movie and maybe his wife (she was far too lax with the lilyrose character to be believable) and i did not even like them. They were just the only believable people there, for me.

(And maybe the dove-eating servant. He was very consistent with his shit. He wanted to be king of rats and was ready to salivate over his lord at any time any motive anywhere. Disgusting but! consistent)

funniest part of nosferatu 2024 is when the boys are trying to roll out for boys night but one dude is a no show so they go to find him and he's like. it turns out he's awol from boys night because he went mad with grief and died of the The Plague while he was defiling the corpse of his beloved wife. and the other lads just have to go wow sad and leave it at that because they're on a CRAZY time crunch trying to kill this fucking feratu. you know how it is with boys night.

[harrystylesfan2686]

Languages

Just a snippet of something I was working on but then got bored of the concept so didn't write it but I still want everyone to read the fluf. Tell me if y'all are interested in this, maybe I'll continue it with public demand<3

Plot: reader is kinda reincarnate. She was cursed in her first life by a witch because she had an affair with the witches husband. (Don't judge okay, my girl made a mistake!!) And the curse was to be reincarnated in every lifetime with her memories of last life still intact, and to find someone she loves and watch them die (Because why not).

Masterlist

○●○●

"Do you remember the languages?"

"Of course, I do. Cursed to do so, remember?" You smirk.

"Tell me something in them." Azriel's eyes sparkling with curiosity.

"我过了愉快的一天。It means, I had a good day." He looks awed by the foreign words. And then excitedly asks for more, like a child wanting to know new facts.

You laugh and amuse him, speaking in different languages, repeating a few when he asks to learn them. Speaking in these tounges, many that you forgot even existed in different worlds, it feels nostalgic, the words awakening all the happy and sad mamories that you had buried deep in your brain.

"I also remember my first language, the one I spoke in the life I got cursed."

"Oh? Tell me." He smiles softly.

You smile at him, bluntly admiring his beautiful face.

"હું તને પ્રેમ કરું છુ."

You look deep into his eyes, speaking the truth that was buried within your heart. Even though you've said it before, it feels somehow different, even more intimate in your native language. Azriel seems to have sensed the raw emotion in your words, his face filled with adortion as he asks, "What does that mean?"

You want to answer him truly but think to mess with him a little and smirk up at him. "You are weird."

The two of you bust out laughing, looking at each other, him shaking his head in disbelief with the smile still on his lips, and your head tossed back, eyes closed in pure contentment.

"I hate you." Azriel still shakes his head, looking elsewhere for a moment, trying to look annoyed but failing.

When you finally pause laughing, you crook out a reply, "I'm sorry! You are not weird-" He finally looks at you, an eyebrow raised. "You are just- odd," He scoffs. "But good odd, I promise!" The last sentence barely understandable through your laughter.

"Well, હું તને પ્રેમ કરું છુ, too."

You freeze. All signs of amusement leaving your face as you gaze at him. Your eyes widened, mouth agaped. Hearing those words, in your language, from his mouths, ignited something in you.

Also, how did he say it without mistakes after hearing only once?

He frowns at your reaction. "What- Did I say it wrong? Oh god, I made a mistake didn't I?" He winces, thinking about all the possibilities about what he could've said to have a reaction like this.

"No,You-" Blinking at him in shock, you put your hands on his neck and gently kiss him. He instanty melts into the kiss, moving his lips with yours with passion.

You pull back after a moment and say, "You said it perfectly." You're lips curved into a soft smile.

"Yeah? Now tell me what it really means."

"Huh?"

"Considering the kiss you gave me, it can't actually mean what you said."

You laugh. "Well, guess you'll never know." He sighs dramatically, then smirks. "Then I'll just keep saying it until you tell me."

"Darling, હું તને પ્રેમ કરું છુ."

●○●○

(હું તને પ્રેમ કરું છુ. = I love you. In gujarati.)

[supernaturalfreewill]

Warnings: mild sexual content Reader pronouns: she/her

"Sam!" Dean stood up, his cell phone still pressed to his ear, and fixed his green eyes on his brother, who had just walked in through the motel room door. "Where the hell have you been?! I've been calling you all morning! Is Y/N okay??"

Sam shoved his hands in his pockets and blew out a long breath, his eyes slightly wide. "Sorry! I'm sorry. My cell phone—the battery must have died or something," he said, drawing it out of his pocket. The screen was a spiderweb of broken class and completely unresponsive. "Oh. I guess it's—broken... that's weird," he mused quietly. He paused thoughtfully and now vaguely could remember it clattering to the floor during all the—chaos.

Dean paced over toward him, his brow heavily furrowed. "But Y/N is alright? No more ghosts? That spirit freak didn't show up again last night?"

Sam pressed his lips into a thin line and shook his head. "Nope. No more ghosts. She's—good. She's gr—fine. She's good. I—I think we got it done. So..."

Dean's eyes narrowed. "Why're you acting so weird?" he asked.

Sam let out a dry laugh and shrugged. "What? I'm not acting weird," he retorted, striding farther into the room and digging around in his duffel bag.

Dean was staring at him closely. Sam could feel his older brother's eyes boring into him and gulped nervously. "You are acting weird," Dean said again, his voice deepening. "What's going on?"

Sam pulled some clean clothes out of his bag and straightened up. "Nothing is going on!" He started backing toward the bathroom to change. "I'm just gonna change and then I told Y/N we'd pick her up and go get some food, okay?"

Dean stared at him backing toward the door and then something in his brain seemed to spark. His eyes went wide and he licked his bottom lip thoughtfully. "Hey—hold on a second," he said, his voice less gruff and demanding now. "What did you and Y/N get up to last night to pass the time?"

Sam froze looking like a deer in headlights. "...What?"

"Last night. What did you and Y/N do? You know, while you waited to see if everything was all taken care of."

Sam shook his head. "Nothing. You know, we—" he cleared his throat nervously, "—talked and stuff."

"And stuff?" Dean repeated, unable to hide a smirk any longer. Sam stared back at him. Dean crossed his arms and surveyed his little brother one more time. "Uh huh. You slept with her, didn't you?"

Sam's mouth dropped open and he mouthed wordlessly for a moment before his face flushed bright red and he couldn't help the huge (but semi-awkward) smile that broke out on his face. "I—I don't think that's any of your business!" he retorted.

Dean laughed and shook his head. "You didn't deny it just now and your face looks like a tomato, so clearly you did. That's why you're acting so squirrelly," he said, giving his younger brother an approving nod. "You think I didn't notice what was going on with you two? Why do you think I stayed at the cemetery and sent you home with her, huh? And what, your phone got destroyed while you were—actually, you know what—NOPE! I don't need to know anything else," Dean said, chuckling to himself, holding his hands up.

Sam made a break for the bathroom and the door slammed much louder than necessary.

"Atta boy, Sammy!"

Prompt: "You slept with her, didn't you?"

[imjustdreamingig]

Isn't that sweet, I guess so

Part 1, Part 2

pairing: Steve Harrington x fem!reader

summary: The secret's out, Steve's proud of himself, and you can't seem to keep your mouth shut

A/N: chat there is no way I put out 2 fic in the past week, this has never happened to me before! yay everyone cheer. again, i have no idea where this story is going how far im gonna go, i def want to try writing other stuff and idk if this is the best place to put and end to whatever this series is but again, we shall see i guess. thank you all so much on the love on my last two works you have no idea what that means to me! please please PLEASE send me asks or comment what you'd like me to write next or if you want a pt4 i need help people

warnings: sfw, swearing, fluff, idiots who like each other

Facing your fears is tough. No matter what it is, no one would actually choose putting themselves through a situation in which they know would cause them extreme distress. For some that may be going on a rollercoaster, interacting with a clown, going into a dark forrest alone, it could even be making a phone call by yourself to schedule a doctor's appointment (which is a valid fear to have, thank you very much.)

And here you were, facing your fears: being sat in your living room with Steve Harrington 3 feet away from you for an extended period of time. It's only been about 15 minutes, where no talking has happened since minute two.

You hope you can get to 30 minutes without fainting.

As you attempted to focus on the book in front of you, Jane Austen's words, who usually kept your focused for hours on end, were not being absorbed by you in the slightest. How could they, when Steve fucking Harrington was in your house.

Steve is the type of guy who Jane Austen would write about, you thought, eyes flickering towards him as he hunched over his book, face crinkled in concentration, trying to understand said author's musings.

The swoop of his hair, the two moles near his neck, his deep, beautiful, chocolate eyes, his gorgeous smile, and my god those arms? Yep, Jane would be absolutely obsessed with him.

"God, why did I agree to do this book?" You are snapped out of your daze at Steve's words. "What do you mean?", you replied. He gave you a look that can only be described as "seriously?"

"I mean, that I can barley understand what any of these characters are saying half the time, and honestly, it's a bit boring. I thought you would have better book recommendations," he said, running a hand through his hair to push it out of his face.

A scoff left your mouth before you could stop it. "Excuse me, are you actually hating on Pride and Prejudice, the best romance story of all time, the romance story, period." You leaned over and snatched his book. "I mean, come on! You are literally only 6 pages in, you can't just judge it that quickly, you haven't even gotten to the good parts yet!", you exclaim.

Steve watched you with an amused look on his face, unbeknownst to you, who kept rambling on, trying to convince Steve this book was worth continuing.

"— and Elizabeth, she is just funny, like actually hilarious. There is one part where she basically tells someone that I'd rather not be wasting my air talking to someone like you, like please, how did she even come up with that? Also, I'm just obsessed with this proper English style of speaking, or writing I guess, because they're basically talking shit but covering it up with fancy words! And when—"

"You talk a lot, don't you?"

You look up from the book and towards Steve, eyes widening slightly, realizing you had indeed been talking too much.

"One of my greatest faults, some may say, and by faults I mean my mom, but she only tells me this when we're arguing, so..." You glance away from Steve's face for a little reprieve. God, he's so hot.

"Well, like a good partner," you continue. "I'm trying to help you get some of this project done, and maybe if Robin were here, she could've helped," you defended yourself, crossing your arms, "which I'm still confused about, by the way. You said something about her telling you earlier how I invited you guys and some other people to work on the project together, but then she doesn't show?"

Steve leans back in his chair, also crossing his arms. You glance down for a quick second and send a quick thank you to anyone who's that Steve is wearing a tight shirt that beautifully enunciates his biceps. Or maybe you should be mad at them, you don't know yet.

"Maybe it's the fact that she noticed, like I did, that it's been a month since this project was assigned and we haven't even started," Steve countered, "which is unlike you, you usually want to get stuff done ASAP."

You look at him in confusion. "How the fuck do you know that?"

Steve smirks, "I also happen to know that you don't have a sister, thanks to that lovely dinner with your mom." You shake your head in disbelief, mentally making a note to yell at your mom later.

"Isn't that what you said one of the many times I asked you to work on the project?" Steve looked so amused with himself, all cocky and proud that he had uncovered your lie. Your brain tried desperately to come up with a realistic enough explanation, but nothing was coming up.

You throw your hands up in defeat. "Ok, fine! I lied! Is it just so hard for you to believe that maybe, just maybe, not everyone in that high school wants to spend time with you outside of it?" Oh my God, why the fuck would you say that, you screamed internally.

Steve stared at you for a second before letting out a chuckle. " You know, I did think of that actually, but only for a bit." He reaches out for the book and grabs it from your grasp, flipping to a random page.

"You can only run away from a guy so many times before he catches a hint," he peers over at you, " and I mean literally, you're a fast runner, did you ever do track?"

"Yeah, in middle school," you answer quickly. Steve lets out a hum of agreement before placing his attention back on the book. You open your mouth, about to quip about being careful to not rip the pages when he speaks again. "I know I'm dumb, but I'm not an idiot, ya know?"

Your gaze snaps to his face. "Steve, I don't think you're dumb." He doesn't look too convinced. "Eh, I think you do. But you're interesting, you took me a lot longer to figure out than the others since girls just typically throw themselves at me."

You make a face of disgust, "Ok, you sound like a total prick, you know."

"Yep, heard it after I said it, but that's not the point here." He point his finger at you, "You have a crush on me."

You splutter out a sound of indignation. "Hello, what?" In your head, fire alarms are sounding. It's a code red, all hell is breaking loose. "Pfft, no I absolutely do not."

Steve raises his eyebrows. "Then how else do you explain the running away when you see me anywhere at school? You always have an insane excuse why we're not able to meet up to start the project, which some are hilarious," he admits, "but you've got me complaining about not doing homework, look what you've done to me!"

At this point you've gone silent, mouth agape with an excuse stuck in your throat refusing to come out. Steve's expression has changed, his eyes bore into yours with earnest, almost as if he's anticipating a certain answer, hoping for it. "So?"

You muster all the courage you have left and just when you're about to respond, Steve interrupts you again for like, the 15th time.

"Anyways, I've to get going, have some things to do and whatever." He gets up, shrugs on his jacket and then places his books in his backpack. You get up too, having absolutely no clue how to tell him not to go, that you want him to stay. "Steve, what do you mean?"

He glances over at you, "Nothing, I just have to go. I'm a busy guy." He starts making his way to your front door, leaving you behind in the kitchen, trying to understand what the fuck just happened. First, he accuses you of having a crush on him, which you do, and then he just thinks he can leave?

Oh, absolutely not.

With a new wave of determination, you catch up to Steve just as he's finishing putting on his shoes. "Say thanks to your mom for me for dinner, it was great," he says as he grabs the door handle. You don't let him continue with whatever stupid thing he was going to say next.

"Listen Harrington, I don't know what the fuck just happened back there, but the fact you think can just, leave after dropping a bomb like that is ridiculous," you say, glaring at him in annoyance, and Steve's just staring back at you with that stupid, stupid, smirk that has not left his face since the moment he stepped foot in here.

"So what if I did like you, huh? What if I did have a crush on you? Because I do, but that, quite frankly, is none of your business, none of your concern, actually, so... yeah." Steve is looking at you and you're looking at him, a little out of breath after your declaration. You don't have the energy right now to fully process what you just said.

All of a sudden, Steve seems to break character, the smugness gone, replaced with subtle endearment. He leans down and presses a swift kiss on your cheek before whispering, "Well, it's a good thing I like you too." He straightness back up and says, "I told you I knew you were different, you're a mystery. You're lucky running away seemed to work on me, by the way. I don't think it would for everyone else," he says while you stare at him in shock. You've been rendered silent once again, with nothing but the thought that Steve likes you back, repeating over and over again.

You clear your throat before speaking, "Well! Um, yay?" You truly have no idea what to do right now. Steve chuckles at your reaction, like he can't believe his words have caused you of all people, who continuously talk and talk and talk, to not have anything profound to say for once. He's kind of into it.

Steve grabs your hand and encases it with the other. "Come over to my house tomorrow after school, I'll drive you. We can work on the project and you know, talk, if you want." You nod fervently, "Yeah, yeah ok."

He smiles and drops your hand. "I really do have to go though, I wasn't making that up," he remarks as he opens the front door. "Oh, sure, that's fine," you reply. You hold open the door for him and watch as he descends the steps and makes his way towards his car. You watch him, holding onto the door for dear life.

As Steve gets into the car, he looks over at you and waves, "I'll see you tomorrow!" You wave back and yell back, "Yeah, tomorrow!" You don't go back inside until the car is out of sight. As you shut the door, you press your back against it, trying to wrap your head around what exactly happened in the last few hours.

Holy shit, you though, Steve Harrington likes me. Steve fucking Harrington. You let out an involuntarily squeal of excitement and immediately regret doing it as your mother calls down from upstairs. "Mija, are you ok? What happened?" Hearing her voice reminds you of her involvement over the events that transpired tonight.

Putting your happiness on hold for a moment, you start to storm up the stairs. "Mom!", you yelled, "How could you embarrass me like that, asking him to stay over for dinner, you know how I feel about him, I just about fainted 5 times throughout the night, how does that make you feel!? You almost killed me an—"

You would thank your mom later, because ultimately she helped, but for now, you'll stick to this.

[auguryofjellyfish]

[Dare to Dream]

Kamimura knows that nothing lasts forever all too well. You can blink, and find that everything you've ever loved is gone. This time, he would rather not add more to the ocean full of things left unsaid.

A short Hasemura story. Alternate ending to [Woodshop].

“Ken, I...”

“Y-yeah...?”

Kamimura looks to the side, tops of his cheeks growing rosy. It's very prominent on his pale skin. He clenches his jaw, takes a deep breath and steels himself, before turning back to Hasegawa.

“Fuck, I...I'm not gonna...

I've only known you for three weeks, but...Ken...”

He trails off, eyes boring into a random point below Hasegawa's chin.

Shakily, he draws air into his lungs again, and finally raises his head. A single tear slips down his cheek, his mouth curling into a slightly pained smile.

“Ken, I think...you...you're the best thing that's ever happened to me.”

Hasegawa's mouth drops open, breath catching in his throat, his ever-present blush glowing more fiercely. He reaches for Kamimura's hand, enveloping it with both of his, and brings it up to his chest, making Kamimura's face even redder.

“Kazutoshi, I, I.... Y-you, too...! Oh, gosh...” Tears well up in his eyes. He's at a loss of words.

His eyes flicker over Kamimura's expression. Whatever he finds in it, it makes his shoulders slump.

“You...you, too.” he mumbles, quieter. He smiles, face softening. There are words rising from somewhere deep within him. He hasn't been aware of them before now. But, saying them, somehow...is the easiest thing he's ever done.

“I...I love you, too.”

“Wh-wh-KEN !” Kamimura shouts, wrenching his hand away as if burned, his face now a deep shade of crimson, “Don't just say shit like that!”

Hasegawa chuckles softly. “But it's true!”

Kamimura's hand is shaking. “It's no-ot....funny...” His voice grows quieter and weaker, and his eyes slip shut. The last thing he hears is Hasegawa's panicked “Oh, shi-”

When he comes to, he's laying on the floor, with something soft under his head. He blinks blearily, confused.

When his eyes adjust, he sees a worried Hasegawa kneeling next to him, gnawing on his lip and twiddling his thumbs.

He stops when he sees that Kamimura's awake. “Hey,” he says softly.

“Hey.” Kamimura whispers back. He blinks, looking closer. “Where's...your jacket?”

“O-oh, that...it's um, under your head,” Hasegawa mumbles. He looks guilty, “...sorry.”

“It's fine.” Kamimura props himself up on his elbows, and sits up, “Put it on, it's cold as fuck in here.”

Hasegawa nods and takes it back. It's quiet again.

Glancing at him, Hasegawa looks absent-minded, deep in his thoughts, and they don't seem like a nice place to be. Kamimura sighs internally, closing his eyes. They can't just move on and pretend this didn't happen, can they...oh, fuck it...

“Hey!” Kamimura says louder, making Hasegawa jump, “I told you, it's fine. You don't have to feel bad or whatever. This is normal for me.”

“I know...but, still...” Hasegawa sighs. Kamimura groans internally. He takes a deep breath, holds it in for a few seconds, and releases it with a sigh.

“Listen...did you mean, what you said before?” Kamimura inquires, catching Hasegawa's eye. Trying to keep his tone and face as neutral as he can.

Immediately, Hasegawa's posture straightens, his eyes shining with such conviction that it takes Kamimura aback.

“Of course I did! Why would I lie about that?” he exclaims. Then, wilting slightly, “As...long as you're okay with that, I guess.”

Kamimura lets a small smile come on his face, feeling a long-lost feeling of warmth bloom in is chest. He recoils from it for a few moments, but then surrenders, welcomes it, embraces it. It makes his body seem light.

He felt like utter shit just a few minutes ago, talking about every single thing that's wrong with him and his life, and in a way, nothing has changed, but...It all seems a little more distant from here and now.

He feels young, younger than he's felt in years, and it makes him feel like, somehow, everything might turn out okay.

“Y-yeah,” he breathes. “I am.” He reaches out his hand, hesitating, before placing it on top of Hasegawa's.

Hasegawa looks down at their hands, and then back at him, surprised, before breathing out a sigh of relief, his frame visibly sagging. He flips his hand and grabs Kamimura's, gently but firmly, caressing the knuckles with his thumb. It's warm.

He smiles, so sweetly, so genuinely, in a way that only he can, that Kamimura can't help but believe him. He's been weak to it since the day they met.

“We'll get out of here...okay? Together.”

“Right.” Kamimura says, and despite everything, he dares to dream.

‎

[pikagatogirltits]

I was curious about that because I knew Brother's War had some dragons (including some artifact dragons) and upon checking I found that yeah, it's dragons were all rare (and one uncommon.)

I was then curious how much farther back you'd have to go to find the next set without a red dragon at mythic rare, and what I learned is that The Brother's War is an outlier.

Now depending on how technical you want to get depends on the answer. If by "red dragon at mythic" you mean a mono-red dragon then technically the answer is New Capenna from earlier in the same year (literally the set before the set before Brother's War). New Capenna's sole dragon is Ziatora, who does sit at mythic rare but is Jund colors (BRG) rather than mono-red.

But if by "red dragon at mythic" you mean any dragon with red in its cost/color identity, we have to keep going because Ziatora does have red in her cost. Strixhaven would be the next set to fail the mono-red criteria, but two of the founder dragons that make up a mythic cycle in the set have red in their costs (Galazeth Prismari and Velomachus Lorehold.) So we have to keep going until we hit 2020's Ikoria, which surprisingly only has a single dragon in the entire set, Sprite Dragon at uncommon.

In the interest of further curiosity I went just a little farther back. Interestingly enough Theros Beyond Death and Throne of Eldraine, the next two sets on our trip backwards also lack dragons at mythic in the sets proper (but do have red dragons at rare)...although Throne of Eldraine does have Korvold from the Brawl precons who is technically a mythic rare and Jund colors again, but I'm not gonna count him. War of the Spark and Ravnica Allegiance get us back on track with some mythic red dragons (War of the Spark's Niv-Mizzet is 5 color but that counts.) Interestingly, Guilds of Ravnica doesn't have a mythic red dragon despite having a Niv-Mizzet card because he's only rare in this set. Dominaria did have a mythic red dragon again (two technically, one mono-red the other Jund), only for us to finally run into the end of the block model with the two sets of Ixalan block which didn't have any dragons because dinosaurs ate up the available creature slots for large red creatures. So if we go from 2018's Dominaria to Bloomburrow this year, we hit 24 sets, of which only 5 sets lack any kind of dragon at mythic rare, and an additional 3 lack a mono-red dragon at mythic rare.

The last premiere set without a red Dragon at mythic was The Brother's War two years ago.

[himbohimhoe]

Holding out hope that the writing in veilguard will get more bearable but rook saying to lucanis that it's "not nice that Spite hurt him" and he "shouldn't accept that it’s fine bc it wouldn't be ok if a person did that" like. That is a demon. Built off a single emotion called SPITE. Rook I am finding it really hard to believe that u have lived in thedas for more than 30 seconds.

[mildcicada]

[eruherdiriel]

was looking for the exact wording of the "sun and the moon" quote about Arya and Sansa, and came across spec saying that Arya would kill Sansa, presented as a "mercy kill" (that's as far as I got before clicking the back button). Are those people on drugs. can you imagine having such a bad take.

I'm so glad I don't see this kind of stuff 90% of the time but ooohh man. This is worse than the curtain of light honestly.

[ramayantika]

It took me these many years to figure out that YES I am an introvert, and I can comfortably talk to anyone anytime if I WANT TO and make it seem as effortless than the general perception of introverts to be shaking at the thought of having a conversation with a new person or maybe even with a known circle of people

[thatonecrookedsmile]

["So what can you expect in the coming months?"] ["…you never know!"] ["He’s always watching me..."] ["-I saw Mister Drew the other day…was meeting with that Connor fellow, holding some papers."] ["I think they saw me looking though…"] ["Just too many secrets being cooked up in the kitchen!"] ["If I didn’t know better, I’d say there was magic there."] ["A well calculated understanding between creation-"] ["-big things are coming!"] ["-and creator."] ["Massive things!"] ["That smile…"] ["..you just learn to go with it."] ["He’s always watching me..."] ["You just watch…"] ["I’ve got a good feeling something great is going to happen…”]

...

…How very interesting,such… knowledge.

{A message from Wilson Arch}

-----

Yoooo, guess who is having a birthday today. Me,obviously. :D

Oh, and Wilson too, I guess. If you wanna be THAT guy.

Remember when this video came out there were people who heard the voice at the end and thought the voice was either Sammy or the Ink Demon? Man, those were the days. However with all due respect, I'm glad neither case was right in the end lol.

On this day 5 years ago, "Unknown - April 14th" was posted on YouTube, which means it's been 5 damn years since we first heard from Wilson...

man, what a damn BABY MAN, am i right folks

It's interesting to think that even though it's been 5 years, we've only known who Wilson really is for 2 years now (or more appropriately, 1 year and 5 months of those 5 years). Of course, now, after BATDR was released, we know who he is and what his place is in the Bendy universe. But between April 1, 2019 and November 1, 2022, all we knew about him was that he…existed. He was someone - someone bad apparently - who sounded old and who would have some relevance in the plot of Dark Revival. And that's it. We had no name, no appearance, nothing. He was someone, but we didn't know who.

It's no wonder he was only referred to as "Unknown" by fans during these 3 and a half years.

In the end, I would say that this drawing is a mix of 2 things. The first being the result of an idea I've had for a while, which is basically making a drawing in relation to the original video/"unknown" tape, but this time with Wilson, since now we know it was recorded by him. Plus it's been 5 years since the original upload,5 years of Wilson. I think this would be the perfect time to do this.

And second, a strange kind of redux/homage/"final chapter" in this kind of "collection" of drawings I did between 2019 and 2022 all based on the idea of "the unknown weirdo from BATDR saying How Very Interesting Such Knowledge" and so on. All of them having other characters in mind in the role of the Unknown. And now, here I am, redoing this idea again, only with The Man Himself this time. The real Unknown. Now as the Known, so to speak.

Going back to what I said before, you can see this drawing as a kind of farewell to this particular idea that I've kind of repeated over the years, as I've now done it again only with Wilson this time. (Does this mean I'll never draw this concept/line of thought again? I mean, I assume so. But there's no guarantee I can't make something similar again down the line. Who knows what the future holds. We will see what happens in the next 5 years.)

But,yeah. 5 years of Such Knowledge™.

Have a good April Fools' Day.

(Also, there are still a few hours until the day ends where I live, so for me it's still April 1st, so yeah, this still counts)

[louismygf]

just recently watched this is us with my college friends

[bunkernine]

society if hoo had them at uni age and the lost trio went to chb and chiron is like "how tf are ANY of u alive and unclaimed". wilderness was just community college.

[medicinemane]

The problem with a lot of body horror for me is it's just gross without being compelling

Like yeah you had that person tear their leg open and pull muscle away from bone in a way that's very uncomfortable... but I don't care. Or a lot of Hostel style horror for me it's just kinda... yeah... grossing me out isn't some kinda win

Cause it's not that I don't like body horror, I love Dead Space for instance which... kinda the core pillar of that is body horror if we're honest

Could be a matter of that that kind of body horror is more fantastic making it easier to digest, I will advance that as a theory, but personally I kinda think that it's more that they do something actually interesting with it

Like if I wanted to I could probably see a really fucked up leg wound (and worse) in looking online about this shitty world

Can't really find dead bodies contorted into killing machines though

So I kinda feel like it's my problem with a lot of horror, of that it's horrible in a mundane way where as I'm looking for some unfathomable secret out of horror

So there's a difference between some stabbing a person in the eye cause they're just a shitty person, and doing it to try and create a replica of an alien artifact that gives unlimited energy but also drives people crazy and then turns their bodies into horrible monstrosities

One is just way more interesting to me

[leatherbookmark]

was browsing UKO (i know. i know) out of boredom and i'm personally in love with the idea that it's somehow Bad to say you don't like a song without listening to it fully, eg. only after 30 seconds. "you're missing out on so many banger bridges" "if you can't spare 2-3 minutes i don't think your opinion is worth listening to" you'd think it's music journalists scoffing at someone who wants to submit album reviews with this mindset, and not redditors talking about sillay kpop songs

[barnacles34]

Professional Hazard (And Blue Tongues)

Karina x Male Reader

9k words

18+ smut

'I expected you to have...'

'Grey hair? Glasses thick as tank armor?' You lean back. 'Let me guess—ancient and decrepit?'

'Something like that.' She toys with her iced americano, ice cubes clinking.

'Get that more than you'd think.'

'Can't imagine why.'

'Sure you can't.'

She straightens in her chair. 'Well? Are you going to ask your questions or what?'

'Did you have something specific in mind?'

'I thought you'd at least come prepared.' The sharp edge in her voice softens, adapting. 'After that email you sent.'

'I am prepared.'

'Do you know who I am?'

'I know you're Karina. I know you agreed to fund my little Italian vacation.' You keep your voice flat, unimpressed.

She laughs, short and sharp. 'They really sent someone who knows nothing.'

'Biographers aren't exactly growing on trees these days. Most of them are busy dying off.' [1]

'That's comforting.'

'About as comforting as your enthusiastic response to my email.'

'Ah.' She smirks. 'My monument to hubris?'

'Your words, not mine.'

'Christ, you're not exactly sunshine and roses, are you?'

'If only you knew.'

'Oh, I think I do.' She leans forward. 'People like me—we're your bread and butter. Desperate enough to take the abuse just to get that book written.'

'Quick study.'

'Experience, darling.' She draws out the last word like stretched taffy.

'If immortality's what you're after, we're off to a rocky start.'

'Not even grateful for the Italian holiday?'

You meet her eyes. 'Bribery's nothing new. Don't expect it to polish your image.'

'Tough nut to crack, aren't you?'

'I have what I need.'

'Meaning?'

'Let me put this delicately: my last subject bought me a year at New York's finest.' [2]

'Fantastic.' She rattles her ice cubes harder.

'You know what I think?' She sets down her drink with deliberate care.

'Enlighten me.'

'I think you enjoy this. The whole "unimpressed biographer" act.'

You pull out your notebook, unhurried. 'That'd make a great chapter one. "Local girl psychoanalyzes writer, lives to regret it."'

'There it is again.' Her smile doesn't reach her eyes. 'Tell me, do your subjects usually last long enough for chapter two?'

'The interesting ones do.'

'And the boring ones?'

You flip open to a blank page. 'They get a lovely rejection letter.'

'Which I didn't.'

'Yet.'

She leans back, studying you. The late afternoon sun catches the edge of her glass, throwing prismatic shapes across the table. 'You really don't care that I could walk away right now.'

'The door's right there.' You click your pen. 'But we both know you won't.'

'Because?'

'Because you didn't spend three months negotiating with my publisher just to storm off over hurt feelings.'

'Maybe I just like wasting time.'

'Maybe.' You meet her gaze. 'But people who like wasting time don't usually have a dozen designer brand sponsorships.'

Something shifts in her expression—surprise, maybe, or respect. 'So you did do your homework.'

'I always do.' You position your pen over the blank page. 'Now, shall we begin with the real questions?'

'Shoot.' She shifts in her chair, the late afternoon sun warming the cafe corner we've claimed.

'Tell me about your sister.'

Her eyebrows lift slightly. 'Not starting with the obvious questions?'

'Would you prefer those?'

'No.' She smiles, genuine this time. 'She's a nurse. Like our mom.'

'Close?'

'Very. She's the only person who still calls me Jimin.' She stirs her americano. 'Probably the only person who can get away with it, too.'

'Why's that?'

'Because she knew me when I was just the quiet kid who'd rather read in corners than talk to anyone. Before all of...' She waves her hand vaguely. 'This.'

'Still prefer corners?'

'Sometimes.' She considers the question. 'There's this tiny bookstore in Seongnam. When I go home, I still visit. They have this perfect spot by the window.'

'What do you read?'

'Whatever catches my eye. Last week it was about sharks.'

You raise an eyebrow. 'Sharks?'

'Don't look so surprised.' She laughs. 'They're fascinating. Everyone thinks they know them, but they don't, not really.'

'Speaking from experience?'

She takes a long sip of her drink instead of answering.

'You don't have to do that, you know.' You set your pen down.

'Do what?'

'Deflect. Turn everything into a metaphor.'

She meets your eyes for a long moment. 'Force of habit.'

'Bad one.'

'Says the person who's been matching my deflections word for word.' A half-smile plays at her lips. 'We're quite the pair, aren't we?'

'Difference is, I'm paid to be difficult.'

'And I was raised to be.' The words slip out before she can catch them. Her fingers tighten around her glass.

You wait.

'You're good at this,' she says quietly.

'At what?'

'Making silence comfortable.' She looks out the window. 'Most people try to fill it.'

'Most people aren't trying to understand.'

She turns back to you, something shifting in her expression. 'Is that what you're trying to do? Understand?'

'Would that be so terrible?'

'No,' she says.

'Progress.' You pick up your pen again. 'Though I've just realized something deeply troubling.'

'What's that?'

'Your americano's been empty for ten minutes, and you're still pretending to drink it.'

She glances at her glass, caught. 'Method acting.'

'Ah yes, the classic "I'm too invested in this conversation to pause for a refill" performance.' You wave to catch the barista's eye. 'Oscar-worthy.'

'Says the person who hasn't touched their...' She leans forward to peek at your cup. 'What even is that?'

'Green tea.'

'Pretentious.'

'Says the person who ordered an iced americano in winter.'

'It's barely spring.'

'Case in point.'

The barista arrives with fresh drinks. Karina raises an eyebrow at your cup. 'Still green tea?'

'I'm consistent.'

'Boring.'

'Strategic.' You take a deliberate sip. 'Can't blame caffeine jitters for whatever honesty slips out.'

'Sneaky.'

'Professional.'

'Same thing.' She stirs her new drink, ice cubes clinking. 'So what's next in your strategic interrogation?'

'Thought we agreed to drop the deflection thing.'

'Old habits. Ten seconds at a time.'

'That's oddly specific.'

'It's how I learned to swim.' At your questioning look, she continues, 'Ten seconds of courage. Then you can panic all you want.'

'Does that work?'

'Got me here, didn't it?' She gestures between you two. 'Letting a stranger with a notebook and suspiciously consistent beverage choices pick apart my life.'

'You could always run.'

'To where? Croatia?' She laughs at your surprised expression. 'What? I have dreams.'

'Of Croatia specifically?'

'Of anywhere that doesn't know my name.'

'That's rather poetic for someone who just called me pretentious.'

'I contain multitudes.' She mock-bows in her seat.

'Walt Whitman now?'

'See? You're not the only one who can be insufferably well-read.'

You make a show of writing something down. 

You flip to a fresh page. 'Tell me about Croatia.'

'Nothing to tell. Just a place.'

'There are plenty of places that don't know your name. Why that one?'

She traces the rim of her glass again, a habit you've started to recognize as her thinking gesture. 'Have you ever seen those old coastal towns? The ones with narrow streets and buildings that look like they're having conversations with each other?'

'Been to a few.'

'I want to get lost in one.' She looks up. 'Properly lost. No GPS, no itinerary. Just... walking until my feet decide to stop.'

'Most people want to be found.'

'Most people haven't spent years being findable.' The sharpness in her voice surprises both of you. She softens it with a smile. 'Sorry. That sounded more dramatic than intended.'

'Don't apologize. It's the first time you've stopped performing since we sat down.'

'I haven't been—' She stops. Laughs. 'Okay. Point taken.'

'Progress. Again.'

'You're keeping score?'

'Always.' You tap your notebook. 'It's kind of the whole point.'

'And how am I doing?'

'In being honest or deflecting?'

'Both.'

'You're averaging about fifty-fifty.'

'Generous scoring.'

'Strategic encouragement.'

'You're good at that.' She stretches slightly. 'Making people think they're in control of the conversation.'

'Are you not?'

'Please. We both know you've been steering this ship since you sat down.' She pauses. 'Though I will say, you're the first interviewer who hasn't asked about my routine yet.'

'Your routine?'

'You know. "What time do you wake up? What's your skincare regimen? How many hours do you practice?" That whole song and dance.'

'Would you like me to ask?'

'God no.' She grins. 'But I'm curious why you haven't.'

'Because routines are what people do. I'm more interested in who they are.'

'And who am I?'

'Still figuring that out. But I know you crack your knuckles when you're nervous.'

She stops mid-crack, caught. 'Observant.'

'Professional hazard.' You lean forward. 'Tell me something real. Not about routines or schedules or practices.'

'Like what?'

'Like what you think about at three AM when you can't sleep.'

She's quiet for a long moment. 'Sometimes I forget what my natural speaking voice sounds like.'

'What do you mean?'

'You spend so many years modulating everything—your voice, your laugh, your reactions—until one day...' She shrugs. 'One day you catch yourself using your "public" voice to order coffee at 3 AM in an empty convenience store, and you realize you can't remember what you used to sound like.'

'And that bothers you.'

'Wouldn't it bother you? Losing something that fundamental without even noticing it was gone?'

'Is that why we're here? Trying to find it again?'

'Maybe.' She smiles, but it's different now. Unpolished. 'Or maybe I'm just tired of having "public" and "private" versions of everything.'

'Including your voice.'

'Including my entire existence.'

'Right.' You snap your notebook shut. 'We're getting gelato.'

—

[1] The suspicious rate at which biographers are "dying off" has become something of an industry joke. Three prominent biographers mysteriously retired after attempting to write about a certain K-pop company's CEO. Totally not suspicious.

[2] The Plaza Hotel, to be specific. Said subject was a tech billionaire whose autobiography mysteriously never made it to print. The hotel suite, however, maintains legendary status among New York's housekeeping staff for its impressive collection of empty green tea bottles and rejection letters.

—

She blinks. 'What?'

'We're walking.' You stand, gathering your things. 'Unless you have somewhere to be?'

'Are you actually asking, or is this another strategic move?'

'Both. Neither. Whatever. Does it matter if there's gelato involved?'

A genuine laugh escapes her. 'Fair point.'

The early evening air hits your faces as you step outside. She pulls on a cap—more habit than disguise.

'Left or right?' you ask.

'You're the one who lives here.'

'Technically, I've been here three days.'

'And you already know where to get gelato?'

'First thing I do in any city. Professional secret.'

'Ah yes, the biographer's handbook. Chapter One: locate ice cream immediately.'

'Chapter Two: never reveal your sources.' You turn left. 'Unless they're wearing a questionably large cap and hiding from their own voice.'

'Low blow.' But she's grinning. 'Also, my cap is perfectly sized.'

'For what? Smuggling library books?'

'That's... oddly specific.'

'Says the person who just quoted Walt Whitman in a cafe.'

You find the gelato place tucked between a bookstore and a vintage shop. The owner, an elderly Italian woman, lights up at your approach.

'Due?' she asks.

'Sì,' you reply, then turn to Karina. 'What's your poison?'

She studies the flavors intently. 'What's the most unusual one?'

'Professional or personal answer?'

'There's a difference?'

'Professional would be something elegant. Personal...' You point to a vivid blue flavor. 'That one tastes like your childhood imaginary friend made a pact with a Smurf.'

She doesn't hesitate. 'Two scoops of that, please.'

'Really?'

'What?' She raises an eyebrow. 'Scared of a little blue tongue?'

'More scared of what my editor will say when the interview notes are stained cerulean.'

Ten minutes later, you're both leaning against a stone wall, gelato dripping in the warm evening air. Her tongue is, indeed, impressively blue.

'Yah! Why are you taking a picture?”

'Your tongue. I need photographic evidence for my editor.'

She complains, ‘self-respecting people would’ve walked a long time ago.’

‘And let me guess-’

‘Correct. Take a picture if you want.’

'Pulitzer worthy.' You take another bite of your considerably more dignified pistachio. 'So tell me about the sharks.'

'You're still on that?'

'You brought up marine biology in a cafe and then mysteriously changed the subject. I'm invested now.'

'There's nothing mysterious about it.' She licks a drop of blue from her knuckle. 'I just think they're neat.'

'That's the worst deflection yet.'

'Fine.' She pushes off the wall, starting to walk. 'When I was younger, I used to think they were lonely.'

You fall into step beside her. 'Sharks?'

'Mm. Always swimming, never stopping. Everyone afraid of them.' She shrugs. 'Stupid kid logic.'

'And now?'

'Now I think they're just... misunderstood.' She grins. 'That was terrible, wasn't it? Like a bad movie line.'

'Terrible. But honest.'

'You and your honesty fetish.'

'Says the person who just admitted to emotionally relating to sharks.'

She snorts, nearly dropping her cone. 'When you put it that way—'

'Oh, I'm definitely putting it that way. It's going in the book.'

'Absolutely not.'

'Chapter title: "The Shark Whisperer”. I can see it already'

She tries to hip-check you, but you dodge, protecting your gelato. 'I'm revoking your creative license.'

'Too late. The mental image of baby Jimin crying over shark documentaries is seared into my brain.'

'I did not cry over—' She stops. 'Okay, maybe once. But it was a very sad documentary.' [1]

The sun is setting now, painting the cobblestones gold. You pass a street musician playing something soft and acoustic.

'Your sister know about the sharks?'

'Of course. She bought me the books.' Her smile turns fond. 'Still does, actually. Sends them to me randomly.'

'Recent ones?'

'Last week.' She finishes her cone. 'She has... interesting timing.'

'Interesting timing?'

'Mm.' She wipes her hands on a napkin. 'Right after I told her about the interview. She sent me one about great whites. Said something about facing fears.'

'Subtle.'

'About as subtle as your interview techniques.' She eyes your notebook, still tucked away. 'Not writing anymore?'

'Memory's better when I'm walking.' You tap your temple. 'Also, harder to write about blue tongues while walking.'

'Still blue?'

'Devastatingly so.'

She sticks her tongue out at a passing window, checking her reflection. 'Oh god, it's worse than I thought.'

'Crisis?'

'Please. I once had to perform with my hair half-green because of a dye mishap. This?' She gestures to her mouth. 'This is nothing.'

'Half-green?'

'Not going in the book.'

'Already mentally drafting the chapter.'

She groans. 'I'm starting to regret this whole walking thing.'

'Because of the blackmail material or the exercise?'

'Both. Neither.' She pauses by a small fountain. 'It's just... nice.'

'Nice?'

'Yeah.' She sits on the fountain's edge. 'No schedule. No plan. Just... walking and talking and eating questionably colored gelato with a stranger who probably thinks I'm having a quarter-life crisis.'

'Are you?'

'Having a crisis or eating gelato?'

'Now who's deflecting?' 

And she pauses again, caught.

She dips her fingers in the fountain water, watching the ripples. 'Maybe I just wanted one normal evening. One conversation that wasn't prepackaged and pre-approved.'

'Mission accomplished, I'd say. Your tongue is literally blue.'

That startles a laugh out of her. 'You're never letting that go, are you?'

'It's going to be a running metaphor throughout the book. Deep, meaningful parallels between blue gelato and the human condition.'

'You're terrible at your job.'

'I'm excellent at my job. I got you to walk around Rome with blue teeth.'

'Is that the measure of success?'

'For this chapter? Absolutely.'

The street lamps are starting to flicker on, and the air has that peculiar Roman evening warmth that begs for a drink.

'Know any good bars?' she asks, as if reading your mind.

'Thought you'd never ask[2]. Fair warning though—my Italian's terrible.'

'Better or worse than your interview skills?'

'Much worse. But I can order Aperol Spritz in seventeen different ways.'

'Useful life skill.'

'More useful than relating to sharks.'

She shoves your shoulder lightly. 'One more shark joke and I'm leaving.'

'No, you're not.'

'No, I'm not.' She grins. 'Lead the way, worst Italian speaker.'

You find a tiny place tucked away from the main streets. The kind tourists don't know about, with mismatched chairs and a bartender who looks old enough to have served Caesar himself.

'Due aperol spritz, per favore.' You ask.

The bartender raises an eyebrow. 'Americano? Il tuo italiano è buono!' (your Italian was… apparently… good.)

'Peggio,' you say. 'Giornalista' 

(‘Worse. Journalist.’)

He laughs, already reaching for glasses. Karina slides onto a barstool, looking around with genuine curiosity.

‘He seems pretty impressed by your Italian.’

‘Oh trust me—he wasn’t. He just wanted to be nice. That’s all. The inflections are quite easy to catch.’

‘Alright, whatever you say. Giornalista—.'

You grin at her cute prod.

'How'd you find this place?' She asks; needless to say, she likes it here.

'Got lost my first night here––five years ago. It was either come in or keep pretending I knew where my hotel was.'

'And?'

'Woke up knowing exactly where my hotel was. And how to say "I'm sorry" in Italian.'

She laughs. 'That bad?'

'Let's just say there's a reason I stick to green tea now.'

The drinks arrive, vivid orange against the dark wood of the bar.

'To blue tongues,' you raise your glass.

'And bad Italian,' she clinks hers against it.

—

[1] The documentary in question was "Blue Planet II." Her sister still has the receipt for three boxes of tissues and a plush shark from the aquarium gift shop. The plush shark now sits in her studio, wearing a tiny version of her debut outfit. Her company has tried to mass-produce it twice. She's vetoed it both times.

[2] You were never this humble about your Italian until you talked to an Italian nonna. "Qui giace la dignità di un giornalista" (Here lies a journalist's dignity).

—

'Speaking of bad decisions—'

'We weren't.'

'We are now. Tell me about the green hair incident.'

'Absolutely not.' She takes another sip of her spritz. 'Some secrets I'm taking to my grave.'

'Come on. Half-green hair? There's got to be a story there.'

'There is. A great one. You're still not hearing it.'

'I'll trade you.'

'Oh?' She turns on her stool to face you fully. 'What could you possibly have that's worth my green hair story?'

'Remember when I said I learned to say sorry in Italian?'

'The plot thickens.'

'Let's just say it involved a fountain, three angry nuns, and a very patient carabinieri.'

She nearly chokes on her drink. 'You're making that up.'

'Want to bet your green hair story on it?'

'You know what?' She signals the bartender for another round. 'Fine. But if you're lying, you're buying drinks for the rest of the night.'

'Deal.'

'And no taking notes.'

'Now that's just cruel.'

'Professional hazard,' she mimics your earlier tone, then grins. 'Okay, storyteller. Dazzle me.'

The bartender sets down fresh drinks, and you lean in conspiratorially. 'So picture this: my first night in Rome, about five years ago...'

'Wait.' She holds up a hand. 'We need to establish stakes. If this story doesn't involve all three elements—fountain, nuns, and police—you're not only buying drinks, you're telling me where you actually learned to say sorry in Italian.'

'Counter-offer. If my story checks out, I get the green hair story plus whatever happened at that music show in Busan.'

Her eyes narrow. 'What music show in Busan?'

'The one you just reacted to.'

'That's... that's actually impressive.'

'Five years of professional nosiness at work. Deal?'

She clinks her glass against yours. 'Deal. Now stop stalling.'

'Right. So. Five years ago. I'd just finished an interview with this ancient countess at the bar. I mean, it’s the bar. Who else gets to interview a countess at a bar? That’s like crazy Bourdain-level shit right there.’

She nods along. 'Of course you did.'

'Anyway, she invited me to this wine cellar...'

'Oh no.'

'Oh yes. And mind you, I was already quite drunk. And she was very, very insistent about hospitality...'

Twenty minutes and much laughter later, you finish: '...and that's why you should never trust Google Translate to help you apologize to Italian law enforcement.'

She's wiping tears from her eyes. 'The part with the cat—'

'Hand to god. Still have the scars.'

'Okay.' She catches her breath. 'Okay, you win. That was worth it.'

'Time to pay up. Green hair. Spill.'

'Can I have one more drink first?'

'For courage?'

'So I can blame it on the drink.' She waves at the bartender. 'I still can't believe you showed those nuns your interview notes to prove you weren't a street performer.'

'Desperate times.'

'Speaking of desperate...' She takes a fortifying sip of her fresh spritz. 'Ever tried to fix green hair with grape juice?'

'No.'

'Don't.'

'There has to be more to this story than grape juice.'

'Oh, there's so much more.' She settles into her seat. 'Picture this: it's two hours before a live broadcast. I'm sitting in the makeup chair, feeling pretty good about life. You know, like that particular moment where your face just… shines. Then my stylist walks in, takes one look at my hair, and just... screams.'

'Screams?'

'Full horror movie scream. Turns out the hair dye we used was... let's say "not exactly approved by management."'

'Let me guess. DIY job?'

'Worse. My sister's friend's cousin who "totally went to beauty school."'

'Oh no.' You snort, taking a hefty drink of the remaining spritz.

'Oh yes. So there I am, one side of my head this bizarre shade of swamp-thing green, and everyone's running around like it's the end of the world.'

'Which is when someone suggested grape juice?'

'Actually, that was my idea.' She grimaces. 'I'd read somewhere that grape juice could neutralize green tones. What they failed to mention was that this works for swimming pools, not hair.' [1]

'So what happened?'

'Picture a very expensive wig, three cans of dry shampoo, and me trying to explain to the camera director why I couldn't turn my head to the left.'

'Did it work?'

'Define "work."' She takes another sip. 'If by "work" you mean "did I make it through the broadcast without anyone seeing the grape-juice-tinged disaster," then yes. If by "work" you mean "did I maintain any dignity," then absolutely not.'

'The fans never found out?'

'Oh, they did. Someone leaked a backstage photo three months later.' She grins. 'By then I'd managed to fix it. Mostly.'

'Mostly?'

'My sister still has a strand of green hair she saved. Threatens to post it whenever I don't answer her calls.'

'Effective.'

'Terrifying.' She raises her glass. 'Your turn again. What's the worst interview you've ever done?'

'Besides this one?'

She kicks your chair. 'I'm delightful and you know it.'

'You're something, all right.'

Three drinks in, and the bar's emptied enough that her laugh echoes a little too loudly. She covers her mouth, but it's too late – the old bartender shoots them an amused look.

'Sorry,' she stage-whispers.

'For what? The laugh or the fact that it just shattered three ancient Roman wine glasses?'

'Shut up.' She kicks your chair again. 'I don't always laugh like that.'

'Let me guess – there's a public laugh and a private laugh?'

'There's a whole taxonomy.' She sits up straighter, counting on her fingers. 'Interview laugh, variety show laugh, fan meeting laugh, oh-that's-not-actually-funny-but-you're-my-sunbae laugh—'

'Please tell me you're joking.'

'I wish.' She slumps forward, head on her arms. 'I once had to attend a laughing seminar.'

'A what now?'

'A laughing seminar. Professional instruction on the art of the public giggle.' Her voice is muffled against her sleeve. 'There was a PowerPoint and everything.'

'You're making this up.'

She lifts her head. 'I spent three hours learning about laugh-adjacent breathing techniques while a woman named Mrs. Kim hit a triangle every time someone laughed "inappropriately."'

You stare at her. She stares back.

'That's the most horrifying thing I've ever heard,' you say finally.

'I know.' She dissolves into another too-loud laugh, this one definitely not seminar-approved. 'God, I can still hear that triangle.'

'Is that why you're here?'

'Getting drunk with a biographer in Rome? No, that's just poor life choices.'

'Speaking honest truths to a stranger?'

'Oh.' She straightens up, but there's still something loose in her smile. 'Maybe. Or maybe I just really needed to tell someone about Mrs. Kim and her triangle of terror.'

'Triangle of terror.' You shake your head. 'That's going in the book.'

'Along with the blue tongue and green hair? You're really painting a picture here.'

'It's called character development.'

'It's called character assassination.' She signals for water. 'What else are you putting in there?'

'Wouldn't you like to know.'

'Actually, yes. That's literally why I'm asking.'

'Fine.' You pretend to flip through your mental notes. 'Chapter One: Sharks and Empathy—'

'Oh my god.'

'Chapter Two: The Grape Juice Incident—'

'I'm starting to regret everything.'

'Chapter Three: Laugh Taxonomies by Aespa’s Karina—'

'I hate you.'

'Chapter Four: Why Romans Don't Trust Her With Fountains Anymore—'

'That was you! That was literally your story!'

'Was it? Everything's getting a bit fuzzy.' You tap your temple. 'Must be all that professional memory I was bragging about earlier.'

She throws an olive at you. The bartender clears his throat.

'Sorry,' you both say in unison, then look at each other and start laughing again.

'You know what's really funny?' she says, once you've both contained yourselves.

'Mrs. Kim's triangle?'

'Besides that.' She accepts the water from the bartender. 'This is probably the worst interview you've ever done.'

'Oh, definitely.'

'And yet...'

'And yet?'

'It's the most honest one I've given.' She pauses. 'God, that sounded way less cheesy in my head. Must be the spritz talking.'

'Blame it on the altitude.'

'We're at sea level.'

'Blame it on the sea level.'

'You're ridiculous.' She's grinning though. 'Is this how all your interviews go?'

'Usually there's less gelato. More gravitas.'

'Gravitas is overrated.'

'Says the woman who attended a laughing seminar.'

'Hey, I'll have you know my triangle-approved giggle is very dignified.'

'Prove it.'

She sits up straighter, arranges her features into something serene, and lets out the most artificial laugh you've ever heard. It's so pristine it's almost disturbing.

'That was horrifying.'

'That was three hours of professional training.'

'I'm concerned about your profession.'

'Join the club.' She relaxes back into her natural posture. 'We have meetings every Tuesday. Bring your own triangle.'

The bartender slides over the check with a knowing look. Last call came and went without either of you noticing.

'Well,' you say, reaching for your wallet. 'I suppose this is—'

'Wait.' She puts her hand on your arm. 'I have a confession.'

'Another one? The green hair wasn't enough?'

'I read your book.'

'Which one?'

'The one about the ballet dancer who quit to become a motorcycle mechanic.'

'Ah.' You sit back. 'And?'

'And I maybe, possibly, completely changed my mind about this whole interview when I read it.'

'Because?'

'Because...' She fidgets with her empty glass. 'You made her sound so... human.'

'As opposed to?'

'A story. A headline.' She traces a pattern on the bar top. 'Most people would've written about the scandal, the career she "threw away." But you wrote about how she names each motorcycle she fixes. How she still dances in her garage at midnight.'

'Ah. That.'

'That.' She looks up. 'Is that why you haven't asked me about any of it?'

'Any of what?'

'Don't play dumb. The headlines. The speculation. The—'

'The triangle-approved responses you've probably rehearsed?'

She laughs, caught. 'Something like that.'

'Here's the thing about headlines.' You start gathering your things. 'They're usually more interesting than the truth.'

'And what's the truth?'

'That sometimes people just want to eat blue gelato and tell embarrassing stories in a bar and talk a biographer’s ears off.'

She kicks your chair again, barely noticeable. 'Even if those stories end up in a book?'

'Especially then.' You stand, offering her jacket. 'Though I might need you to sign a waiver about the grape juice incident.'

'I knew it! You are using it!'

'Chapter title: "The Perils of Amateur Chemistry: A Cautionary Tale."'

She shrugs on her jacket, shaking her head. 'You're impossible. That AI flair was so intentional'

'Says the woman who legitimately attended a laughing seminar.'

'I'm never living that down, am I?'

'Not as long as I have a functioning memory and a publishing contract.'

The Roman night is warm as you both step out of the bar. She stumbles slightly on the cobblestones.

You offer a hand which she quickly grabs.

'Don't you dare put that in the book,' she warns.

'Put what? The graceful interpretation of contemporary dance you just performed?'

'These streets are rigged.' She steadies herself. 'Also, your hotel's this way.'

'How do you know where my hotel is?' You’re not exactly one to remember locations, probably the reason you were able to gain such a repository of ridiculous stories.

'Because it's my hotel.' She grins at your expression. 'What? You think you're the only one who does research?'

'I'm concerned about your stalking tendencies.'

'Says the person who somehow knew about the Busan incident.'

'Professional hazard.'

'You really need new catchphrases.'

The walk is quiet, comfortable. Rome at night feels like a different city—all golden lights and shadow play. A cat watches you pass from its perch on a window sill.

'Don't even think about it,' she says.

'About what?'

'Making some poetic comparison between me and that cat.'

'Please. I'm a much better writer than that.'

'Sure you are, shark whisperer.'

You reach the hotel entrance. She pauses.

'Well,' she says. 'This has been...'

'Professionally catastrophic?'

'I was going to say enlightening.'

'That too.'

The hotel lobby is all marble and soft lighting. Your footsteps echo slightly.

'I have a balcony,' she says suddenly. 'And a really pretentious coffee machine I can't figure out.'

'Is this a cry for help with appliances?' 

'This is...' She fidgets with her room key. 'This is me not wanting the interview to end yet.'

'The interview ended somewhere between blue gelato and the triangle story.'

'Then what's this?'

‘Believe or not, some people just like having fun on their Italian vacation.’

‘Haha. Very funny.’

'This is...' You pretend to consider. 'Two people who might be friends if one of them wasn't writing a book about the other.'

'Complicated.'

'Professional hazard.'

'There's that phrase again.' She presses the elevator button. 'Come on. I'll teach you how to laugh properly.'

'With or without the triangle?'

She steps into the elevator. 'Depends on how good you are at making coffee.'

'Now who's the impossible one?'

The doors start to close. She holds them.

'Coming?'

You join her in the elevator. 'For the record, I'm excellent at coffee.'

'For the record,' she mimics your tone, 'that's going in the book.'

Her room is on the top floor, with a view that makes you understand why people write poetry about Rome.

'So,' she says, fighting with the coffee machine. 'This button makes it angry, and this one makes it hiss.'

'Move over, amateur.' You reach around her to press a combination of buttons. The machine purrs to life.

'Show off.' But she's smiling as she heads for the balcony. 'Bring your coffee wizardry out here when it's ready.'

The balcony is small, just enough room for two chairs and all of Rome spread out below. She's curled up in one chair, shoes off, looking more real than she has all day.

'Your professional opinion,' she says as you hand her a cup. 'Is this going to be a good book?'

'Depends.'

'On?'

'On whether you let me keep the shark metaphors.'

She laughs into her coffee. 'You're never letting that go.'

'Never.' You take the other chair. 'Though I might be willing to negotiate.'

'Terms?'

'Tell me something nobody knows. Something that won't make the book.'

She's quiet for a moment, looking out at the city lights. 'I sing in the shower.'

'Everybody knows that.'

'No, I mean...' She turns to face you. 'I sing the old songs. The ones I used to practice when I was just some kid in Bundang with a dream too big for my voice.'

'And?'

'And sometimes I still feel like her. That kid. Especially at night, in foreign hotels, when the city feels like it belongs to someone else.'

'Especially at night, in foreign hotels, when the city feels like it belongs to someone else.'

'Wow.' You let out a low whistle. 'That was incredibly profound.'

She groans, covering her face. 'I know. I'm sorry. That was straight out of a drama script.'

'I was thinking more indie movie. You know, the kind where people have deep conversations on balconies in Rome at—' you check your watch, '—one in the morning.'

'Oh god, we're living a cliché.'

'Complete with coffee and two chairs overlooking Rome.'

'Quick,' she straightens up, 'say something unprofound. Save us from ourselves.'

'My tongue is still kind of blue.'

She peeks at you over her coffee cup. 'Mine too.'

'Better?'

'Much better.' She slouches back in her chair. 'Though now I'm thinking about how this would look in your book. "Two idiots with blue tongues have existential crisis on expensive balcony."'

'Don't forget the part where one of them somehow charmed a coffee machine.'

'And the other one used to sing in her shower.'

'Still,' you correct. 'Present tense.'

'Still,' she admits. 'But if you put that in your book, I'll have to tell everyone about your fountain incident.'

'Mutually assured destruction. I like it.'

She yawns, then looks embarrassed. 'Sorry. It's not the company, it's—'

'The five Aperol Spritzes?'

'That. And the emotional toll of remembering Mrs. Kim's triangle.'

'Tragic backstory,' you nod solemnly. 'Very character-building.'

'Speaking of character-building...' She sets down her empty cup, turns to face you fully. 'This is usually the part in your books where something significant happens.'

'Is it?'

'Mm. Chapter twelve. Always a turning point.'

'You really did read my books.'

'I told you that already.' She's closer now, somehow. 'What I didn't mention was that I figured out your pattern.'

'My pattern?'

'The way you write moments like this.' Her voice is soft. 'When everything gets quiet, and the city's just background noise, and someone's about to do something...'

'Inadvisable?'

'I was going to say brave.'

'Brave is just inadvisable with better PR.'

She laughs, barely a whisper. 'You're deflecting again.'

'Professional—'

'If you say "hazard" right now,' she cuts in, 'I'm going to throw you off this balcony.'

'That would be...'

'Inadvisable?'

'I was going to say "terrible for my book sales."'

She's definitely closer now. 'Your book sales are about to be the least of your problems.'

'Because you're going to kiss me or throw me off the balcony?'

'I haven't decided yet.'

'Well,' you murmur, 'for what it's worth, one of those options would make a much better chapter twelve.'

She closes the distance between you, smiling against your lips. 'Professional hazard.'

You and Karina shared an instant spark that neither of you had experienced. Ever. The moment that first tease left your mouth, it was over.

—

[1] The sentiment of grape juice being able to eliminate green tones turned out to be completely unfounded. Despite this, wine sommeliers around the world have complained about Koreans with their distinct accent asking about grape juice’s ability to change colors.

—

The kiss tastes like coffee and Aperol and something sweet—probably the remnants of that ridiculous blue gelato. It's soft and quiet and perfect, the kind of moment that would sound made up in a book.

She pulls back slightly. 'Your editor's going to hate this.'

'Definitely.' You tuck a strand of hair behind her ear. 'Completely unprofessional.'

'Thoroughly inadvisable.'

'Absolutely perfect for chapter twelve.'

She kisses you again, and Rome keeps existing below, indifferent to your small moment of magic. Somewhere in the distance, a church bell chimes twice.

'You know,' she whispers, 'this is usually where you'd write something profound about the city of love.'

'That's Paris.'

'Now who's deflecting?'

'Still you. But I'm starting not to mind.'

She laughs, soft and real—definitely not triangle-approved—and rests her forehead against yours, your breaths intermixing, plenty of intimate eye contact. 'Is this going in the book?'

'What do you think?'

'I think...' Her fingers find yours. 'I think some stories we get to keep for ourselves.'

'I think some stories we get to keep for ourselves.'

'Even after I charmed your coffee machine? That's cold.'

She makes a face. 'You're really bringing up coffee machine prowess right after—'

'Right after you thoroughly compromised my journalistic integrity? Yes.'

'Your journalistic integrity was compromised the moment you let me eat blue gelato.'

'My journalistic integrity was compromised the moment I saw you.' You run your thumb across her knuckles.

Her eye contact wavers and her voice falters, ‘Gosh, you’re such a player.’

‘Flirting has never come so easily before.’ You whisper against her mouth.

'Oh really?'

'Obviously.'

'Which was?'

'Stare at that blue tongue some more.’'

She shoves you lightly. 'You're terrible.'

'And yet.'

'And yet.' She settles on your lap, the forehead to forehead more natural now. 'So what happens now?'

'Well, traditionally, this is where I'd write something about dawn breaking over the eternal city—'

'Please don't.'

'—with golden light catching on ancient stones—'

'I'm begging you to stop.'

'—as two souls find each other under the Roman sky—'

She claps a hand over your mouth. 'I will literally pay you to not finish that sentence.'

You kiss her palm before she pulls it away. 'Isn't that technically bribery?'

'Add it to the list. Right after "compromised journalistic integrity" and "suspicious coffee machine expertise."'

'Speaking of compromising situations...' You glance at your watch. 'It's almost three AM.'

'Worried about your reputation?'

'Worried about your triangle-approved schedule.'

'Bold of you to assume I ever sleep.' She stands, stretching. 'Want to order terrible room service and you can tell me about all the other journalists you've scandalized?'

'That's a very short list. Very enticing regardless.’ 

'Good.' She holds out her hand.

The night air has turned cooler, carrying the faint scent of jasmine from somewhere below. Her fingers trace the collar of your shirt, hesitant but deliberate.

'What happened to room service?' you murmur.

'It can wait.' Her eyes meet yours, playful but wanting. 'I'm conducting my own interview first.'

This kiss is different from the first. Slower, more certain. The city hums below, a distant lullaby of late-night cars and echoing footsteps. When she sighs into the kiss, it's the softest sound you've ever heard. When she falters against your forceful touches, it’s the softest you’ve ever felt a woman.

She pulls back just enough to breathe, her forehead resting against yours. Her heartbeat is quick under your palm.

'Better than chapter twelve?' she whispers.

You catch her lips again in answer, feeling her smile. The wind stirs her hair, sending strands brushing against your cheek. Everything smells like jasmine and coffee and her perfume—something subtle and expensive that you'll probably spend the rest of your life over-romanticizing.

Because that’s what Karina deserves.

Rome stretches out endless and ancient around you, but all you can focus on is how perfectly she fits against you, how real she feels away from cameras and crowds.

Your lips find hers in the dark, soft and certain now. Her fingers trail up your neck, threading through your hair, pulling you closer. There's an art to the way she kisses—deliberate yet desperate, like she's trying to memorize the moment. Your hands settle at her waist, and she makes a small sound that you know you'll remember forever.

Her lips part against yours, deepening the kiss until you're both breathless. The balcony railing presses into your back—when did that happen?—and her body is warm against yours, fitting perfectly in all the spaces between.

Her teeth graze your bottom lip, teasing. You respond by trailing kisses along her jaw, feeling her pulse jump under your lips. When you find that sensitive spot just below her ear, her sharp intake of breath makes you smile against her skin.

She pulls back just enough to meet your eyes. Her lips are slightly swollen, her careful composure beautifully undone––hair spread everywhere, but just so that she looks ethereal rather than messy. You brush your thumb across her lower lip, and she catches it with her teeth, playful even now.

‘Still planning to put this in chapter twelve?’ she whispers, breathless.

Your answer gets lost somewhere between her lips and… her lips.

Her laugh vibrates against your lips when you finally break apart. ‘We should probably—’

‘Go inside?’ Your lips find the curve of her neck again.

‘I was going to say breathe.’ But her head tilts back, giving you better access. Her pulse flutters under your kiss like a trapped bird. ‘Though inside works too.’

You pull back just enough to look at her. Hair mussed, eyes bright, that perfect composure completely undone. She's never looked more beautiful than she does right now, with the city lights catching in her eyes and her professional smile nowhere to be found.

‘What?’ she asks, suddenly self-conscious.

‘Just thinking.’

‘About?’

‘How this definitely isn't going in the book.’

Her smile turns mischievous. ‘No?’ Her fingers trace patterns on your chest. ‘Not even a little mention of how you completely forgot about journalistic integrity the moment I—’

‘Then chapter 12 would entirely consist of me betraying my profession in order to catch your lips with my teeth.’

‘Wow. You’re bad. Like, real bad.’

‘You have no idea.’

You cut her off with another kiss, swallowing her laugh. Her hands slide up your chest, around your neck, pulling you impossibly closer. The world narrows to just this: her lips on yours, her body pressed against you, the soft sounds she makes when you run your fingers down her spine.

‘Inside,’ she murmurs against your mouth. ‘Before we really give Rome something to talk about.’

You let her lead you through the balcony doors, both of you stumbling slightly, unwilling to break contact. She tastes like promises now, like stories yet to be written. Her hands are everywhere—your hair, your chest, your face – like she's trying to read you by touch alone.

‘Wait,’ you manage, as her lips find that spot below your ear that makes thinking difficult. ‘What about—’

‘If you mention room service right now,’ she warns, ‘I'm going back to my original plan of throwing you off the balcony.’

‘I was going to say 'what about your triangle-approved image?'’

She pulls back, eyes dancing. ‘Oh, that?’ Her lips brush yours, teasing. ‘I think we thoroughly compromised that at the first meeting.’

"Professional hazard?"

"Shut up," she whispers, and kisses you again.

She sighs into your mouth, a soft, vulnerable sound that makes your heart stutter.

Her fingers tangle in your hair, nails scraping lightly against your scalp, sending shivers down your spine. You walk her backward until she's pressed against the wall, her body arching into yours.

You trail kisses down her neck, learning her— the spot beneath her jaw that makes her gasp, the curve where neck meets shoulder that makes her fingers tighten in your hair. Her pulse races under your lips, a rapid drumbeat that matches your own. When you find a particularly sensitive spot, her sharp intake of breath is the sweetest sound you've ever heard.

She tugs you back up to her mouth, kissing you like she's trying to tell you something words can't capture. Her lips are soft but insistent, moving against yours with a rhythm that makes you dizzy. One of her legs hooks around yours, pulling you even closer, and you groan into her mouth.

Her hands frame your face now, thumbs stroking your cheeks as she kisses you deeper, slower, like she's trying to memorize every second. You respond in kind, pouring everything you can't say into the kiss—how beautiful she is like this, how real, how perfectly she fits against you.

When you finally break apart, you're both breathing hard. Her lips are swollen. You rest your forehead against hers, sharing the same air, neither of you willing to move away.

"Still thinking about the book?" she murmurs, voice husky.

You answer by catching her lower lip between your teeth, gentle but playful, and feel her smile against your mouth.

Her smile against your mouth turns into a soft laugh. "I'll take that as a no."

‘Take it as whatever you want.’ Your lips find her temple, her cheek, the corner of her mouth. ‘I stopped thinking about the book long ago.’

She hums contentedly, her fingers tracing patterns on the nape of your neck. ‘Good.’ Her other hand is still tangled in your shirt, keeping you close. ‘Because I have a confession.’

‘Another one?’

Instead of answering, she kisses you again, slow and deep. Her tongue traces your lower lip, and you respond by pressing her further into the wall, swallowing the small sound she makes. One of her legs is still hooked around yours, and when she shifts slightly, the new angle makes you both gasp.

‘That wasn't a confession,’ you murmur against her lips.

‘No?’ Her teeth graze your earlobe. ‘I thought I was being pretty clear.’

Your hands slide to her waist, steadying her. She's intoxicating like this, all careful control abandoned, her public persona nowhere to be found.

‘Jimin,’ you breathe, and feel her shiver at the sound of her real name.

Her response is to pull you closer, kissing you like she's trying to say everything without words. Her lips are soft but certain against yours, and you lose yourself in the feeling—the warmth of her body, the subtle scent of her perfume.

The city continues its nighttime symphony outside, but in here, the only sound is your shared breathing and the soft, desperate noises she makes when you find that sensitive spot on her neck again.

She pulls back slightly, just enough to meet your eyes. In the dim light, her gaze is soft, unguarded. Her thumb traces your lower lip.

‘What?’ you ask, voice rough.

‘I'm trying to decide something.’

"Whether to throw me off the balcony? Because I thought we moved past—"

She cuts you off with another kiss. Her hands cup your face, holding you there as she explores your mouth with a thoroughness that makes you dizzy. You respond by feeling her firm and perky ass.

‘No—,’ she moans when you break apart for air. ‘I'm trying to decide if this is real.’

Instead of answering, you trail kisses down her neck, feeling her pulse jump under your lips. Her head falls back against the wall, giving you better access. When you reach her collarbone, she makes a sound that's half-sigh, half-moan.

‘Feels real enough,’ you murmur against her skin.

Her laugh is breathy, unsteady. ‘I meant—’ She gasps as you find a particularly sensitive spot. ‘I meant this. Us. This whole night.’

You lift your head to look at her. Her lips are swollen from kissing, her carefully styled hair a mess from your fingers. She's never looked more beautiful.

‘If you think I did all of this for the fun of it, you’re clearly missing something.’

‘A gear in the head?’

‘Definitely—’

‘Gosh, how do I allow this sort of petulance?’

‘Because it’s me.’

‘You’re a player.’

‘Only for you.’ You catch her lips, even more wanting—and she forfeits it all. 

You pick her up, mussing up her perfect outfit, mussing up her perfect lips. And you finally throw her against the bed.

‘You’re really roughing up Prada’s global ambassador.’

‘And ambassador to a dozen other brands worth billions—couldn’t care less.’’ 

She smirks, and her arms open, waiting, pliant, obedient.

You rip off your buttoned shirt, tear off your pants; now, there’s truly no way of going back.

‘Wow. That scar is a lot larger than I imagined.’ She’s referring back to the scar that you received during that drunk haze of a night.

‘It was dark. Might’ve even been a lion.’ 

‘Mm. Heroic. Come here.’

Now, who could ever resist that?

You rip off her clothes, each layer even more decadent than the other. And then, she was there. bra barely containing her breasts, and a layer of dampness along her sexy panties.

‘That was expensive, by the way.’

‘I’ve got a payment plan on course.’

‘Mm. Enlighten me.’

You pull her panties to the side.

She’s dripping wet, nectar spooling right on her pink core. A glorious sheen that makes you stare far longer than you should’ve. She’s red-faced at this point, and her forearms cover most of her sight, and yet, she doesn’t move, doesn’t retreat. 

The first lick you place, just a brush against her engorged clit, crumbles every self-regulated triangle-approved behavior she has. Two pants turn fifty, one lick crumbles everything. Her hips coax you in ways gymnasts can’t even replicate, and of course, you oblige.

Soft licks, teases around her outer lips, swollen from all the anticipation and arousal; tonguing at her inner lips, just at the crux of her clit, gets her screaming in ways her deep voice would never register; and above all, she’s orgasming, squirting, losing every pretense in favor of her built up lust. 

‘Oh~fuck—’

Her fingers find purchase in your hair, and she softly pulls you in—rides your face like it was all that she ever desired: her eternal wish.

‘Ohmygod! Imcumming!’ Her voice turns mousy, and her pupils go back in pure pleasure, coupled with hip movements thought impossible: this was the greatest pleasure of her life.

You grab her chin, squeeze softly, her cheeks molding to your grasp, and you press a soft kiss right on her kiss-bruised lips. You let her taste herself on your tongue.

‘Good. Right?’

And she nods. A complete personality switch from the playfulness she displayed earlier. Delicate.

Her hands land on your boxers as she melted into your kiss. Once you felt her palm your cock, you groaned right in her ear. She starts softly, stroking. But her strokes grow more all-encompassing as you press harder into the kiss.

‘Fuck. You’re so good for me.’

She mewls back, on the gradient slide of unadulterated pleasure.

Softly, you release your shaft from the boxer. And you press your cock right on her core. Feeling the wet heat, the sticky nectar that pooled to a mindbreaking degree. 

‘It goes without saying.’

‘That I’m head over heels for you?’

You grin, ‘Well, that too, but you’re hopeless.’

‘Maybe if we weren’t so compatible.’

You grab a breast, palming it, ‘Well that, that too, goes without saying.’

She smiles, so warmly, every trace of everything else melted off her face––the sort of smile you’d never forget, and the sort of smile you’d want to wake up to… forever.

Finally, you press into her, and her wet heat envelops you, enough to make you groan, enough to make her moan like there’s no greater pleasure––because really, there’s nothing else.

Her pussy clings onto you, a wet suction that is immeasurably soft and yet, a vacuum-seal-like tightness that gets you groaning after every thrust.

Her arms cling to you, and her eyebrows knit, her small face full of emotion—all of it processing how good you fuck her.

‘Oh god. Would it be bad that I want you to declare to the world that you own me?”

‘Chapter 12—’

She cuts you off, ‘Something along the lines of: “Chapter 12: Karina is my fuckslut”’ 

‘I don’t tolerate Karina disrespect.’ You say, truthfully.

‘Even if it’s by myself?’

‘Especially for that case, sweetheart.’

‘Oh… you’re too good.’

‘You’re blind.’

Most popular idol in the world, and… she’s hopelessly down bad for you.

‘If I’m blind. Then you don’t have eyes—complete darkness.’

‘We’re two of the same.’

‘I’m your biggest fan.’

‘We’re two of the same.’

‘I love you.’

‘You have a way with words, Karina.’ You reply, pressing soft kisses along her jaw, whispering sweet nothings into her ear, thrusting into her harder, sharing breaths.

‘You’ve inspired me.’

And you lock lips with her, the thrusts were becoming a blur, and her moans music to your ears—it was all just… heaven.

There was no technique. Nothing too purposeful. It was all just pure affection, pure love guiding all your actions. And the fact that she’s cumming again was no coincidence.

‘Oh. My. Fucking. God!’ Her head goes back deep into the pillow and you follow suit. Pressing soft kisses that covered every square centimeter of her beauty, kisses that made her giggle even in her most orgasmic moment of her life. 

‘If I knew anything that felt like this… I’d be doing it constantly.’

‘Well—’

‘That’s right,’ Karina gives a soft peck, ‘I have you now.’ 

You could feel her heartbeat, her skin precipitate, and her cunt pulse—it’s just heaven at this point. 

‘Are you trying to convince me to follow you?’

‘2 years, finest in New York.’

‘Deal. Though you overbid a little.’

‘Meaning?’

‘Means anything you want, dear.’

The soft slick of her cunt made it nearly frictionless, just pure pleasure for both parties. Her hips gave way every time, an identity of its own, retreating when you thrust too hard, giving in when softer.’

‘Is this like a sugar mommy situation?’

‘Two words I never expected you to say.’ You both share a laugh.

‘I mean that’s what it is right?’

‘A power imbalance? Please. I can get you to buy a New York penthouse for me at this point.’

‘Well. You’re right. But—’

You bring your cock to the hilt inside of her, whilst stealing her lips for a deep kiss. She moans and mewls and gasps—music to your ears. You change positions. You bring her legs to your shoulders, and you begin kissing along her ankle while thrusting inside of her.

This time, you can see the full view. How her breasts bounce against the thrusts, how her slick has completely covered your entire length at this point, and how beautifully her face is framed between it all. 

Her mouth’s agape, moaning, giggling intermittently with the jokes shared through eye contact. You bite softly at her ankle then down her legs, to her calves, then releasing her legs altogether to kiss her again.

She fits perfectly against you, small and delicate but the perfect puzzle piece under you. She’s absorbent, aware of your needs, placing soft kisses along the ridges of your eyebrows, rubbing away the day’s fatigue along your jaw and temple. 

‘I love you.’

‘I love you too.’

‘I didn’t hear.’

You press against her, feeling her breasts spool against your chest, bring your thrust to the hilt, the wetness of her loins pressed against yours, all of them vividly apparent. ‘I love your beauty. I love your humor. I love how clever you are. I love how authentic you are. And I could continue on and on but I’m about to cum.’

Karina sniffled, ‘God, I was about to cry and then you say that.’ She softly smacks your shoulder, ‘just cum inside me and let’s cuddle.’

You oblige, the thrusts turn into a haze of pure pleasure, a desperate moment chasing the local maxima, and finally, you burst inside of her. Cum spooled, all inside her, and she moans so gracefully, staring at you with all the affection in the world.

‘We can worry about this tomorrow.’ She palmed your jaw.

‘Of course.’ You fall onto her, cuddling her.

Both of you are a mess, gross, bodily fluids spread everywhere, and yet, the both of you fell into a deep slumber.

A/N: I'd like to apologize for switching up styles so much (But if you enjoyed this dialogue-heavy work, then lmk!)