#I don't draw Kaze enough..

[flowey-apologist]

Kaze again

School is finally over so maybe I can post more often. Or atleast pump out better quality drawings🤒

[kazeofthemagun]

[That's HIS bread okay. You can't have it]

[alicealmost]

Jax once said to Ragatha:

"You, me and a bunch of ragbunnies."

Bro wasn't joking

Man, including Jaiden, Bunnydoll has around 65 kids! 65 KIDS! AND those are only the ones I know, it might be more out there.

I am addicted to Jax and Ragatha fankids. I guess it's because all creators have one thing in common, shipping bunnydoll (at least, most of creators). At same time, whenever someone create a shipchild, we are able to explore people's creativity and traits of their personality.

I will try to draw Jaiden with each one of her siblings before tadc ep 3 is due, if you guys allow me (if don't, ease tell me, there is no prob) I don't know if I will get it, as I don't have much time or ability.

Fankids mentioned belong to (this gonna be long)

*inhales*

Scruffy -> @lumineary-arts

Ruby, Jesse, Jett-> @ruemodes

Andy (girl) -> @sorascribbless

Lux-> @naitmeir

Klyukva-> @yakkuo13

Andy(boy) and Aba -> @eryberry594

Onyx -> @pxnky-prxmise

Jeager -> @michiruxbna

Patch, Sugar, Duffy-> @kodaaaaaaaaaaaaa

Maggie, Vivi, Benji, Roger -> @this-old-bee

Daisy, Nibs, Frankie, Periwinkle and Seymour -> @candy-heart-brew

Cole, Juniper and Loo -> @beanandberry / @raggedypina

Ellie, Ethan and Owyin-> @livi-in-digital-circus

Abby -> @fizzyellouw

Jinx -> @ese1anime

Rachel and Jayden -> @kansuda2478

Mopsy and Buster -> @raggstosketches

Rix -> @karikorii

June and Reggy -> @artzy-sketchy

Wink -> @zapperona

Randy -> @starquarck

Chucky -> @saffiroll

Velvet -> @snowthedemonfox

Randall and Mimo -> @Ra1bow-echo

Mimi -> @kazee-acxbi

Shuji and Ruthy -> @lazyxkazee

Donnie and Richard -> @fraudefiscal

Ralice -> @valentinbelleyh505

Anne, Rose and Andy -> @switcherooreo

Annie-> @lovelyragdolly

Kit -> @sh4tt3rg1rl

CJ -> @royalion9

Hope -> @groovygladiatorsheep

Needle and Thread-> @redvelvet-choclatecakes

Riska -> @iverylike-coffe

Wisteria -> @frazzledpixels

Marionette -> @whomstress

Wildyx -> @rayndis

Sabrina -> Star Blossom (pinterest)

Juliet -> this_person-does-art (pinterest)

Edit:

Quick apologize for marking Needle's creator wrong... I saw a drawing of her in another account and thought she was from that said account. And then I saw Needle has a brother and @lindseynicole1999 has designed fankids too, so...

It's more than 65 in the end of the day

Funny... haha...

Edit: two important announcements

1° Wildyx real creator is @rayndis and I can't apologize enough for the mistake. I marked a person in pinterest, but his real creator is rayndis. I am sorry

2° more kids, lol

Maelisa and Kelsey -> @naive-bunbun

Patcharicia -> @xxmia0wm4yh3mxx

Rajany and Athax -> @vanillakkat

Judy, Lola and Briar -> @wondwaeland

Rascall and Ann -> @lindseynicole1999

Raggit -> @6hstz

Hue, Lace and Denim -> @devilgem

Randall -> @krislgfox

Bonbob, Showee and Peabs -> @that-weird-skeleton-bastard

Randy --> @sillyseaveerablogs

Minx, Jinx, Jayce and Andy --> @aleesianicool

Clover and Jolane -> rasyleaf (devianart)

Janny --> PinkHiu (devianart)

Angora: @eldritch-muppetshow

Emma -> skelefun (instagram)

Rob ->There.Real.Lim (Twitter/X)

[sparklativekonnap2000]

My first tumblr post! Didn't expect it to be mine and not a reblog honestly but here we are! My fav ship from Hazbin Hotel (I want them to meet again so bad gosh..😩🙈). (Also I'm not so pro in art obviously although I really like drawing cause I don't practice enough but I do my best thank you! 😇)

[literally-1894]

Parallels Between Kaze to Ki no Uta and Blue Velvet

Whenever I read a manga, I take notes and such on the side as I'm reading it. I went through those notes for Keiko Takemiya's Kaze to Ki no Uta, which was an even more rough read for me than the first time that I read Berserk, and I had a thought; the scene in the first arc which has this page is oddly similar to the scene in David Lynch's Blue Velvet where Frank Booth is introduced. CWs; discussions of drugging, sexual violence, misogyny/patriarchy; everything that happens in Kazeki and Blue Velvet, pretty much.

What happens in each scene is very similar; a horrified protagonist powerlessly witnessing a rape in the other side of the room which they are in. The impact is very similar, one of terror and confusion with a level of the absurd. The thematics are very similar as well, with Frank Booth's sexual violence throughout Blue Velvet *always* being half an attempt at real sexual pleasure, half an attempt at forcibly asserting a position of patriarchal dominance. The parallels are much more pronounced in the OVA, since that's in a semi-cinematic medium rather than manga, but the feeling was always there. Much of this came to mind when I thought to myself about how similar Auguste Beau and Frank Booth are conceptually. They both function as living examples of the Lacan quote which goes "masculinity is the pervert's position", they both obsessively control an otherwise picturesque rural environment through intimidation and shadow power, they both use a mix of blackmail, rape, and mercenary violence to torment and suppress those who pose a threat to them, and they both have a high level of familiarity with drugs, though Auguste doesn't have a cpap machine filled with strong drugs. I'm not sure if a parallel could be drawn between Dean Stockwell in the film and Jean-Pierre Bonnard in Kazeki, though both serve as the other half of their respective shadow tyrant's double-bind. Since Kazeki started a full decade before Blue Velvet, the latter could not have inspired the former and I don't know if manga piracy was advanced enough for it to reach the United States for David Lynch to read after his Dune adaptation crashed and burned. However, if I was to ask this to David Lynch, he'd probably tell me that they were both drawing on the same experiences, emotions, and ultimately societal systems. I remember once joking to my therapist that the plot of Death in Venice happened three separate times in the first Drakengard game and since he's a Jungian, he joked about Yoko Taro having the same "collective unconscious connection" as Thomas Mann. If a difference were to be drawn between Kazeki and Blue Velvet, it might be that the latter is much more optimistic. Despite how horrific, lurid, and simply bizarre Blue Velvet is as a genre pastiche of 50's Film Noir films such as Sunset Boulevard or Double Indemnity, Blue Velvet is ostensibly a film about the hero defeating the bad guy and saving the day. It was set at a point which was deep enough into the Aeon of Aquarius that the segmentary systems of heirarchic violence which sustain patriarchy, portrayed in the film as sexual or mercenary violence going downward from a symbolic father to those who are contained within his regime, had imploded so heavily that Patriarchy was rapidly ripping itself apart and self-destroying. The film, furthermore, takes a similar position to patriarchy to what Marx is described by Bataille as having taken about Capital, where once all of its various obstructions toward Human Development are simply removed, Humanity will flourish once more. With Kazeki, however? It's set during a time when there are some old people who were alive when Mary Wollstonecraft was still alive, when universal suffrage is many decades into the future, when the authoritarian rule of the church and the nobility is *only beginning* to be contested, when colonialism is at its highest levels of brutality (which the manga makes very clear, connecting Auguste's brother's incest and generalized sadism to his position as a colonial official in French Indochina), and in which the development of all of the forces of oppression and unfreedom present will not begin to be possible to assail until the First World War destroys their productive capabilities at least. Auguste Beau isn't as much of a cartoon villain as Frank Booth, furthermore, and has an ability to check his boundless hatred for all which is young and beautiful for the sake of self-preservation, rather than simply erupting into ultimately self-destructive violence at the slightest notice.

[castershellwrites]

Ghost of Tsushima CYOA Part 8

This is it. The conclusion.

It's not satisfying for Jin, but I don't think any confrontation with his uncle could be. It's sad, and melancholy, but with a hint of hope... much like the game.

I hope you've enjoyed this fic, and I thank everyone who voted on even a single poll, everyone who liked any of the parts, and everyone who reblogged. I wrote this for me, but I'm glad you enjoyed it too.

The conclusion is below the cut:

“I’m the man who killed Kazumasa Saki.” Tenzo declared.

Jin felt his heart jump into his throat. “Tenzo!”

“Jin,” Shimura said in a tone that would have had young Jin shaking where he stood and apologizing for anything and everything.

“Uncle, please. I’ve come to an understanding with him. We’re allies. He helped defeat The Eagle. Whatever his past crimes—”

“Enough.”

Jin’s ears rang, he heard that twice. Both Shimura and Tenzo scolded him into silence. They were both older than him, but Jin wasn’t a child!

“This isn’t about me. You cannot let it end like this, Jin. You’ve come to terms with your father. You both need to reconcile, now, or you’ll never be free,” Tenzo urged.

Shimura snorted derisively. “What would a murdering bandit know of reconciliation.”

“Your nephew still lives,” Tenzo declared. He sheathed his sword, his technique decent enough.

“To satisfy the shogun, you both should be dead.” Shimura glared at them both but didn’t draw his katana.

“And yet we both live… and you are unharmed, my Lord.” Tenzo’s pronunciation of Shimura’s title dripped with sarcasm. Shimura frowned but otherwise didn’t voice his displeasure. Jin felt like he was about to be ill. Clearly, he and Shiumra were at an impasse. Tenzo wasn’t helping. He was trying… but not helping. Tenzo decided to not-help some more, “If your men hadn’t been so quick chasing after the butcher of Iki, I would have taken your nephew that day. He would have made a fitting raider. He’s strong, smart, and loyal, with a good heart. And I would have loved him as a son more than you ever have.”

“How dare you—” Shimura was interrupted.

“Raiders don’t kill our own. This man is your family, and you are too stubborn and bound by imaginary rules from a faraway lordling—playing at war and used to casting people’s lives aside like unlucky fortunes—to see that he still loves you despite all that!” Tenzo finished by shouting. The forest was eerily silent, all the wildlife scared into hiding. It was as if the world was holding its breath.

Shimura remained silent, staring past Jin and directly at Tenzo while contemplating his words. Jin wanted to fall to the ground and beg forgiveness. He wanted to agree and shout how unfair his uncle was being. He too remained silent and held his breath.

“Love… and honor… are not always compatible.” Shimura sighed, “Be glad I let both of you live.”

“That’s it? That’s the end?” Jin demanded, “You let us live?”

“Stay on Iki. The samurai will patrol the island once and leave. I will deem it not worth the shogunate’s time to rule.” Shimura strode to his horse without looking back, trusting Jin and Tenzo. “That is the end for us Jin. What I wish does not matter.”

“Uncle—” Jin tried to follow but Tenzo grabbed his arm to hold him back.

“Ride back with me… but stay out of sight of the camp.” Shimura patted Kaze on the nose, then mounted his own horse.

“What will you tell them?” Jin asked and gestured vaguely towards himself and his armor.

“Nothing. They are loyal enough to not question me,” Shimura’s response was enough of a rebuke that Jin asked no further questions. Tenzo squeezed his shoulder reassuringly.

They rode back. Shimura returned to the safety of the encampment. Tenzo spoke with Fune, directing the efforts of having raiders and commoners alike take refuge from the samurai patrol sweeping the island. There was no bloodshed. The samurai sailed away, to Tsushima.

Jin, now formally—or informally—exiled, remained.

Today, with the sails of his uncle’s fleet departed over the horizon, he sat once again at Hachibee’s apiary. His flute lay unplayed in his lap. He didn’t feel like making music much today. Mediating in silence, with the droning bug of bees in ambiance around him, was enough. The sun was warm on his back.

His get felt like he’d swallowed ice. Nothing had changed. Nothing had been gained.

“He loves you.” Tenzo walked out from Hachibee’s house with a pot of tea and two cups. “It’s only as much as a samurai can love, but it’s more than nothing.”

He had gained some closure. The knowledge that his uncle didn’t want him dead. A fact that did not change his current exile. He would never see Yuna again unless he got a letter to her. The same was true of Norio, Masako, and Ishikawa. Not that it was safe for any of them to be in contact with him.

“I wasn’t lying Jin. When I said I would have taken you in if the other samurai hadn’t come.” Tenzo sat next to Jin and laid out their tea. “You have more people that care for you than you know. Some of them are just too caught up in their own pain to show it.”

Jin sighed wearily and broke seiza to flop back on the soft grass of the meadow around Hachibee’s home. Tenzo wasn’t wrong. The pain still lingered. The voice of the Eagle’s poison, in reality the shrouded corners of his subconscious, snarked bitingly at him. Circular logic, which he now to be such, chased itself around the confines of his skull like a family of weasels. Thanks to that damnable potion dragging his demons into the light he’d been able to confront them, though… “You don’t think a dose of the Eagle’s poison would help him spit it out?” Jin attempted a joke.

Tenzo easily read through his tone. “I don’t think so. You’re still closed up tighter than a clam.”

“Is that an innuendo?” Jin chuckled bitterly.

“It could be, but I don’t think now’s the time.” He covered Jin’s hand with his own, and smiled when Jin interlaced their fingers. “Now you need to settle in to life on Iki. Once you’re comfortable here, then we’ll take next steps.”

Jin nodded and squeezed Tenzo’s hand.

“Both of you!” Hachibee called from behind the shoji door of his house, “food is ready.”

Tenzo chugged his tea and picked up the pot. Jin let his head loll to the side to stare at his own steaming cup.

When was the last time he’d been able to have a lazy day such as this. When had he been able to process his feelings instead of swallowing them down for the sake of his mission, honor, or the safety of his home. It felt like such a long time. Jin reached his hand out to Tenzo and brushed at the skin of his ankle; Tenzo had waited for him.

“I think I like it here,” Jin mused, “I could become comfortable with this.”

[hriobzagelthewanderer]

[kazeofthemagun] url meme maybe 👀 (but please do take all the time you need with it, you've been pumping these out like crazy haha)

URL;  1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 420 Blaze it Theme;  1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 420 Blaze it Posts; 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 420 Blaze it OOC; 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 420 Blaze it IC; 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 420 Blaze it Writing; 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 420 Blaze it Mun – Talk to them; Yes / No Follow; Yes / No

Final Opinion; [If you didn't already see my earlier post for @shiroi---kumo , then just know that this here is the OTHER half of that aforementioned Dynamic Duo, both in terms of sheer artistic and creative talent on the Mun's side of things, and the cool-as-hell Gun-Mage RPC. The difference, though, is that I found out about Kira and their Sword-Prince RPC through Quen here and their counterpart Kaze... and while the Magigun of Bahamut has indeed run into the Shaman, I don't think I can say enough how much I have been spoiled by Quen randomly dunking on me with fanart of the big lad. More interactions will eventually be in the works, and I'm going to show my appreciation to this incredible artist-and-writer properly one of these days, even if I have to shove my hard-earned money down their throat for something they draw me eventually.]

[creative-hanyou-girl]

InuKag Family (My Verision)

So this is my personal post-canon InuKag family!!!! Just in time before HNY-is-Over-Party Day is over!

NOTE: My personal post-canon universe is unrelated to my Yashahime rewrite universe that I posted about early today. The rewrite is more of a what-if scenario/Alternate Universe (much like how the actual Trashahime feels).

Of course I had to add Shippo because he'd without a doubt be the best Big Brother/Uncle figure to the InuKag daughters! I imagine though that Shippo is away often due to his fox exams. The reason too for him being the height of a 10-12 year old is because of his demon heritage. Maybe one day I'll draw him as a full-grown adult.🤷‍♀️

The 2nd daughter is my OC named Katsumi (Victorious Beauty) who I originally created back in 2017, but then went back and redesigned almost 2 years ago. Katsumi is about 3-4 years younger than Moroha, and also has demonic/spiritual powers, but is unable to do the bow and arrow due to disability, so Inu crafted for her a special sword that balances both demonic and spiritual powers.

I really tried emphasizing how Katsumi's appearance heavily favors Kagome, while we all pretty much agree Moroha favors InuYasha (even though you can see Kagome too in Moro just as much). Dispite their differences in appearance and personalities though, both Moro and Kat are really close and work well off of each other in battle (or pranks).

Also made Katsumi a bit taller than his big sis because I was influenced by Ed and Al from FMA:B, okay!? I just think it's funny.

I really like the 2nd pic best I think because I have this headcanon that Inu doesn't see his girls as his little princesses, but his little demons (both figuratively and literally), and that when they visited Kagome's era, he saw those shirts and was like "Yup, I'm getting these". So Moroha and Katsumi are Daddy's Lil' Demons!!!!! Sorry I don't make the rules.

(And yes, in my post-canon, the well still works, most likely due to Kagome's being strong enough to open it, and later, Moro and Kat's powers too).

Sorry that this was a little late, but hope y'all like these! Hope to do more and write for my post-canon universe in the future!!!!❤❤❤

Tag: @xfangheartx @sailorbabydoll92 @lemonlushff @keichanz @clearwillow @kaze-ranna @disneysooner @juliatheanimelover7 @born-for-eachother @zelink-inukag @ruddcatha @cstormsinukagblog

[kazeofthemagun]

Woah hey, calm down. We know your art is as amazing as your writing. Like, believe me. We see how talented you are. You're so creative and we all witness it every time to write or draw or even share a thought. Quen, calm down!! You're amazing and so is everything you make. Chaos can't even handle your creations. Everything you contribute is brilliant and beautiful and I am humbly begging you for more always.

[ ⬆️ Real footage of the floodgates of my love for u opening tf up]

[BUGGGGG YOU CANT JUST KEEP DOING THIS AAAAA MY FEELS ARE GONNA GET WRECKED but jokes aside ;__; omg. Thank you. I'm endlessly grateful I got to be friends with someone like you, and witness all that amazing creativity too. Listen, I love your art too. And your writing. Soooo much. You come here and say these things about me but you know I WILL Uno reverse it. Bcuz it's true. I'm happy I can call you a friend, and always will be 💜]

[Don't worry - you ask for more and more you shall receive >:)) ]

Kaze, suddenly appearing and staring at Mortem:

"The Witch can humbly beg me for more... anytime."

[Shameless bastard, I'll get Kiri's ghost to put you in a box. You can just admit you're smitten and will break character enough to shittily flirt just for her. That's how fucking awesome Bug's OC is.]