#I did NOT lose interest and have been silently consuming the fandom content for a bit because I guess I lost energy (life stuff)
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itsclydebitches · 3 years ago
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I kinda wonder, what could bakugou do (hori write bakugou to do) to make him less popular with the "anti" crowd. Like He was a horrid child no doubt and people who try to put blame on Deku or lessen the terrible shit bakugou did aren't great. But as we don't rly see it, we have to assume bakugous behaviour wasn't stopped, we only ever saw his mum "punishing" him when he was being rude after getting kiddnapped. Nothing will excuse what bakugou did, but he has stopped? He's overall a harsh person but he's not harrassing and bullying people anymore, specifically not deku, he's trying to attone for what he did to deku and has now apologised for it. His behaviour was never viewed as justified or good in the series, he's a scary figure in middle school, we're not meant to like his behaviour, so the series itself hasn't justified his actions.
As someone who relate to both bakugou and deku more than I'd like to admit (never told someone to jump tho, that's fucked lol) so I can 100% understand not liking or even hating bakugou but as someone who's not 15 anymore, looking back I also made a lot of really shitty decisions and like bakugou have tried to make up for it, and like deku I was 'friends' with people who hurt me.
Is there anything he can do for the "antis" to just dislike him rather that be "anti"?
(I'm very sorry if you've talked about this somewhere, you can just tell me to look for it if you have, I'll continue to look for your posts on the subject)
Hey there, anon! I think I’ve spoken about this only tangentially and/or in my main Bakugo meta, which is too big for anyone sane to read. So yeah, let’s chat here!
For me personally—and that’s all I can ever do: speak personally. I think it’s important to keep in mind that there is no single solution to please the “anti” crowd. Each fan will be looking for something slightly different in Bakugo’s character, much of which might contradict what a “stan” is currently enjoying. Given how charged a character he is, I'm not sure it's possible to get the entire fandom to like him—what I’m looking for hinges on having a different reading of the story than you seem to. Meaning, I think the series does justify his behavior. Not in any overt, super obvious way like having all the characters go, “Wow, Bakugo! I sure do love how you threaten people all the time. That’s super cool and heroic!” Things are rarely that straightforward. Rather, it’s in a more subtle, but consistent manner that paints a rather conclusive picture across hundreds of chapters.
Simply put, Bakugo is continually rewarded for his actions. Or, if not outright rewarded, his actions are ignored in a way that implies silent acceptance. Characters may not always like what he does... but they're willing to let it slide because Bakugo's heroism was always treated as a given, not something he had to earn and prove.
With the ever necessary disclaimer that I’m not fully caught up yet, here’s a list of some of the things that stood out to me in the first half of the series:
Bakugo’s bullying made him the most popular kid in school.
Bakugo’s bullying was ignored by/outright supported by the teachers.
Bakugo’s bullying did not hinder him from getting into U.A., one of the most prestigious hero schools around.
Despite acting horribly throughout his time at U.A. too, this behavior was continually ignored by the teachers and other authority figures around him.
Bakugo’s struggle to realize that other people aren’t “trash” doesn’t hurt his achievements in any way. He still gets top scores, still wins the tournament, etc.
Bakugo’s behavior gets him special attention from All Might, the greatest hero and Bakugo’s personal idol.
His behavior doesn’t make others dislike him in any manner that’s taken seriously. Everybody is still willing to not just put up with Bakugo, but—in time—start treating his behavior as a quirk (no pun intended lol) that they’re secretly fond of, rather than something he should legitimately be striving to change. Kirishima is the most overt example of this.
This is compounded by his behavior constantly being framed as humorous. Much like with Mineta’s perverted actions, characters might superficially go, “No, that’s bad!” but the story never demands any significant development because then we’d lose the “joke” of Bakugo screaming in rage at the slightest inconvenience, threatening to murder someone over nothing, constantly belittling everyone around him in a “funny” manner, etc. When fans talk about development of a manga character as archetypal and extreme as Bakugo, most don’t really want to see significant change to his base personality. Because then that would result in someone who doesn’t look like the “real” Bakugo: someone nicer, more even-tempered, more mature, etc. But for those of us who were never drawn to that personality in the first place, the continued acceptance of his rude, egotistical, and violent behavior is discomforting. The easiest comparison I can draw is between this and Bakugo’s mother slapping him. That slap is meant to be another “joke”—we see it constantly in shonen anime, something "humorous" you shouldn’t take too seriously because haha, it's just an overprotective mother—but many fans do take it seriously, using it as the basis for a whole “Bakugo was abused and this explains his behavior” reading. Well, I take the “joke” of Bakugo’s threats and insults seriously, especially in a story that starts with something like telling Izuku to jump off the roof. In the same way that many fans want others to treat Bakugo’s mother as a serious topic that has had a negative influence on his development, I want the series to take Bakugo’s everyday actions seriously as a negative influence on… well, everyone around him. But it doesn’t. His base personality is grudgingly adored.
The above two points are seen most overtly in Izuku, who never wavers in his respect for Bakugo despite how Bakugo treats him. Not just prior to U.A., but during their training too. Izuku, as the protagonist, is the emotional heart of this tale, so when he talks about how inspiring Bakugo is, it encourages the reader to see his behavior as inspiring too. Rather than, as said, something that needs to change. Izuku's continued friendship with Bakugo, his adoration of him, and his acceptance of the way he's treated has severely warped how the entire story sees Bakugo's actions. After all, if #pure Izuku can see the good in Bakugo, why can't everyone else? He must not be that bad after all.
I could get into detailed analyses of all the above—like how Bakugo was the one comforted after attacking Izuku outside the dorms at night and how the messed up relationship he has with Izuku is upheld as something to nurture; how the remedial courses he had to take were made to be rather silly, thereby undermining their supposed importance to his development; how Bakugo’s kidnapping had nothing to do with his flaws, but much of the fandom uses it as a way to dismiss any appropriate consequences because, “Hasn’t he suffered enough?” etc.—but in the interest of keeping this within a readable length, I’ll leave it at that. The point is that Bakugo has always been privileged when it comes to his behavior, resulting in others either outright praising it, ignoring it, or demanding that he change a miniscule bit, which always keeps him far below the standards of both his peers and the expectations of a hero. Everyone in 1-A must learn to be even better than the good people they already are... Bakugo needs to learn that other people aren't dirt at the bottom of his shoes. It's never been a particularly impressive development when pit against the rest of the class. All of which can make something like an apology feel pretty hollow. Yes, he’s apologized and I say with all seriousness that that’s great! But how does that apology stack up against 300+ chapters of content? As Bakugo’s words highlight, he's been a really awful person up "until now": he was consumed by Izuku being “miles ahead of [him],” he “looked down on [him]” because he didn’t have a quirk, he “didn’t want to recognize that,” he “hated that,” “grew distant,” “tried to beat you down,” “opposed you and tried to show my superiority over you,” and ends it all with, “it probably doesn’t mean anything telling you all this” before finally getting to the “I’m sorry.” This is basically a laundry list of how horrible a person Bakugo has been for the entire series, with an acknowledgement that this apology is coming really, really late. This is the moment where I could START to like Bakugo, depending on how he acts form here on out, but that pivotal moment arrived after six years of content and in the final arc of the story. It’s too late. Bakugo needed this kind of self-reflection and positive action 250+ chapters ago so he could (hopefully) grow into a better person across the story, not at the story's end. What we got instead is 322 chapters of him being a really horrible person, but the story going out of its way to excuse or even praise that behavior the majority of the time.
As a quick comparison to end on, I think what Bakugo needed was what Soo Jin got in True Beauty. You don’t need to have seen the drama to follow along. The tl;dr is that she has a lot of the core qualities of Bakugo: an all-consuming drive to win that was created due to abusive parents with high expectations, resulting in her bullying a peer to a pretty horrific extent. The difference between them is how the story frames their actions. When Soo Jin becomes the bully she loses everything. Rather than succeeding academically, her grades plummet, making it clear that this anxiety and self-doubt (things the fandom keeps insisting Bakugo is struggling with, but that rarely ever show up in the text) is actually impacting her day-to-day life. Her best friend drops her because she’s not going to support her choices. The boy she likes rejects her. She’s eventually forced to start over somewhere new - which importantly separates her from the girl she was bullying - and get some distance from her parents, resulting in the growth needed to become a healthier, happier, good person again. So when Soo Jin apologizes to the girl she hurt, it feels earned. The story continually recognized how horrific her actions were and put her into a place where she either had to change, or continue losing at everything else that was important to her. Bakugo? Bakugo doesn’t lose. Oh, he claims he does because he’s comparing himself to Izuku constantly, but that’s just him thinking in extremes. He still wins academically. Still wins many battles. Still wins at having friends. Still wins by maintaining the prestige of being a U.A. student. Still wins by getting All Might’s attention. Still wins by receiving Izuku’s respect and an agreement to maintain this rivalry that Bakugo is so obsessed with. Bakugo comes out well 99% of the time, he just thinks he's "lost" because he can't stand not being the absolute best.
For me, the story needed to have Bakugo face consequences for his behavior, not receive rewards and/or have others ignore it, and that revelation/apology needed to come way, way sooner. For me the issue is not a specific action that Horikoshi can have Bakugo do in the next chapter and them bam, I like him now. The problem is Bakugo’s entire concept, how he’s received by the entire cast, and his run across this entire series. "Entire" is the key word there. Which is why the “But he’s apologized. What more do you antis want?” reactions don’t sit well. What we wanted is a better written redemption arc across those 300+ chapters, not a single scene that’s meant to have us forget all the other problems inherent in the story. At this point it’s a far more complicated situation than, “Bakugo just needs to do X, Y, and Z and then we’re golden.” At the end of the day, Horikoshi failed to make me like him as a person and I’m pretty sure he isn’t going to change Bakugo enough to make him likable to me. Bakugo was never the sort of character I’d be inclined towards without a serious, nuanced redemption arc, but sadly, a core, crucial part of that redemption arc took six years to arrive. At this point there’s no way to change the problems in Bakugo’s writing for that huge chunk of the series and not enough time left in the series, it seems, to do the work we should have seen across the entire run. Honestly, idk if the Bakugo we'll get going forward is someone I can just dislike as opposed to being really uncomfortable with, but my money is on there being too little story left and too much investment in upholding Bakugo's base personality for that to happen. I could absolutely be proven wrong! But I think the problems are structural and needed to be better dealt with from page one, not hastily patched over in the final hour.
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nad-zeta · 3 years ago
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Vincent - Better together
Fandom: Ikevamp
Pairings: Vincent x Reader
Genre: Fluffffff
Words: 1100+
Comments: Eeeeep so ill let yall guess who this is for hehe! Eeeek so excited! Whooop Whooop! //dances around ❤❤ ❤😳🥺! 🥺😳❤🌈
.*:・’゚:。.*:゚・’゚゚:。’ .*:・’゚:。.*:゚・’゚゚:。’・゚。.*:・’゚: 。.*:・’゚:。.*:゚・’゚゚:
Oh, how you were truly a sucker for getting roped into all sorts of time-consuming tasks. You were too kind, honestly, and you worked far too hard. Your latest task? To grade the various exams of the learners attending the makeshift school founded by Napoleon and Isaac. To be honest, it wasn’t even your task to start with; it was fostered onto as the result of a bet lost.
Lessons had been learned the hard way, NEVER EVER challenge Arthur to a friendly wager, as you would be so lucky to leave with more than the socks on your feet. Regardless, the task allocated to him was now shifted to you, unfortunate really, but alas, what were you to do.
You sat at your writing desk burning that good ol midnight oil, clock tick ticking away. Naturally, neither Napoleon nor Isaac wanted to grade the students’ papers as that would be too biased—or that was the lame excuse they used—but you knew the truth.
Not that you minded this kind of work, it reminded you of your part-time job back home, the fond memories washing over you of helping out lecturers and students alike.
But this, this was different, this was hell! You must have read the first paper over and over, hells if you could only understand what was written. Chemistry, math, and the theory of relativity. Just how old were these kids, heck you studied these subjects at a university level and still, the words seemed like gibberish?
After the third paper, you were practically banging your head on the table in frustration; the least they could have done was given you a decent memo to follow. Losing all hope and succumbing to the darkness, it appeared as though the universe had heard your silent prayers and sent to you your very own ray of sunshine.
The soft knocks at the door were like a God sent, with Vincent peeking into your room, gentle blue eyes finding your own, ”oh, if you’re busy, I can always come back later,” his soft voice spoke with hints of hopefulness. 'NO NO NO, don’t leave me alone with these papers. I might just go mad', you wanted to shout out in desperation, but instead, you shot a weak smile over in his direction, gesturing for him to come inside.
“Nah, I’m just grading these papers, but if you are not busy, I’d love the company,” you offered, hoping, nay, praying he would stay. It had been a while since the two of you had spent some time together, with him being busy with painting and you, well, we all know Sabastian is a slave driver.
You mentally danced for joy when Vincent indeed did take up residence beside you, curious china blues gazing at the papers sprawled before you. “Need some help?” he offered, picking up one of the papers to examine the contents.
“How much do you know about maths and science?” you prompted
Vincent scratched the back of his neck, blue eyes never once losing their sparkle. ”Nothing! But I’m willing to learn or help out any way I can,” he affirmed cheerfully, tilting his head to the side, trying to decipher the string of numbers and letters.
His sunny features clouded over the longer he looked at the paper, and you could tell he was just as much out of his depth as you were.
Just then, an idea popped into your head, ”oh, I know! How about I mark, and you count them up and write the final score!”
“I can do that!!” he exclaimed happily, clouds dispersing and sunshine illuminating the room once more.
And so you marked and Vincent... drew?
You watched Vincent from the corner of your eyes, counting up the marks and charting them down in a little circle. His brows furrowed in concentration, voice barely above a whisper, letting go of a little sigh, “oh, this won’t do.” Honestly, his hands moved to their own accord sketching out cute little doodles next to the circled score.
You noticed he had been taking a while with each test handed to him, but you assumed he just double/triple checked his counting and final tallying of the scores. Not thinking much of it at the time, it was only after the last test was marked and handed off to him that your eyes dared to drift across the table to see what he was up to.
They widened slightly in surprise as you struggled to suppress the smile tugging at your lips. “Cent? What are you drawing,” came the curious question, after watching him doodle out the smiling sunflower with the words’ Good Job’ neatly written beneath
Vincent’s face bloomed into a bright smile as he proudly held up the newest motivational doodle, “well,” he started to trail off, “you know how some of the students did really badly?”
You nodded, humming thoughtfully as you urged him to continue,” I just thought it would make them sad to see they did so terribly, so I decided a little sketch might cheer them up.”
Oooh, bless his little angel heart, for only Vincent could be so sweet. You smiled back at him, eyes falling to each of the papers to take in the various little motivational sketches and messages left for the students to find. Although soon, your eyes found one test in particular that piqued your interest.
A test in which the student managed to score a near-perfect score, you held up the paper in confusion, “but, what about this one?”
“Ah, well, you see, I thought it would make the students who achieved top scores happy to receive a little sketch in acknowledgement of their hard work,” he continued to beam with pride.
You chuckled, shaking your head, “so what you’re saying is everybody gets a doodle?”
“Jip”
You almost had to laugh; it reminded you so very much of an Oprah show. You get a sketch; you get a sketch; everybody gets a sketch. “You are honestly too cute, Vincent,” you beamed at him, collecting the paper into a neat pile, shaking your head with a chuckle.
Vincent returned your smile with a sunny one of his own, taking your hand in his and squeezing it affectionately. “You are the cute one,” he said in all seriousness, bumping his shoulder against yours playfully.
You rested your head against his shoulder, closing your eyes and simply enjoying the moment. After a few seconds, you peeked your eyes open to gaze up at him, “hey, vincent? Thanks so much for helping.”
With a brush of his soft lips against your forehead, he spoke tenderly, closing his eyes as he reaffirmed his love for you. “I promised you, didn’t I? Whenever there is a problem, I will always be there to help find a solution together.”
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I felt like barfing out my thoughts
Hi, hello, long time no see. This isn’t really any sort of update or anything; like the title says, i just have some thoughts and i want to put them into words lol. And i’m putting it here instead of twitter cuz of the bigger word count fa;ewiofna;e
THIS IS A WHOLEASS JUMBLE OF WORDS THAT DON’T REALLY MEAN ANYTHING, SO FEEL FREE TO JUST SKIP PAST
Anyways, um... i feel like i’m kinda losing the thread on bnha. It doesn’t really have anything to do with how the story is going or anything (though i will admit my focus is stronger whenever there are major moments with aizawa and mic, which,,,, there haven’t been much lately fla;oewfnwai), but more to do with the fact that i’ve been here for 4 years straight, which is,, the longest time i’ve been in one fandom at a time??? i’m super impressed of myself by that, but also?? kinda burnt out and honestly kinda super lonely?
Since finishing my multichap, i’ve actually had a little time to try and catch up on fanart and fanfic i’ve missed, and,, i dunno. none of it’s really getting me; even content that has all the tropes and ships i’m super into hasn’t been really grabbing me. It’s nothing to do with the quality of said works; they’re all well-crafted. Idk i’m just not feeling as enthusiastic as i once did.
Not to mention like 95% of the people who were in the em fandom back when i first joined have all moved onto other fandoms, so a lot of the time it kinda just feels like i’m t-posing and screaming silently in a very big and empty room lol. And this isn’t meant to throw shade at anyone!! I genuinely hope all my mutuals are having the time of their lives with whatever series they devote their attention to. It’s just hard for me to keep being invested in a thing when everyone i know that was there with me have all moved on lol. And then also i feel like i lost a good 2/3s of my audience cuz of my extended hiatus, so that also puts a damper on things.
Ideally, I want to stay with bnha at least until the story concludes. But i’m not sure how long that’s gonna be, and how invested i can keep myself until that point. Right now my focus is being pulled in like 4 or 5 different directions: bnha, OC stuff, real life stuff, and a few other small interests i dabble in every now and again like botw. So it’s been uhhh... tough... to keep one stable thread going rn lol
Now that I’m graduating, I want to try and post more often, i’m just,,,, not sure what i would be posting. Again, ideally, I would love to get some spark for erasermic and rooftop squad stuff. But my brain has just been mush when it comes to coming up with any sort of art/story ideas lately. I don’t know what it is, but it feels like i just can’t come up with any sort of semi-to-fully fleshed out plot anymore. And not even just with fandom stuff, but with original stuff too. Over this past semester, I managed to come up with an original story and characters that i actually kinda like and want to pursue, but i just keep running into these blank spots that, no matter how hard i try, i can’t find a way to fill them in. I can’t bring myself to blame depression for my mental fog, just cuz in the past i was going through a bad depression bout, and that time ended up being the peak of my creativity, so idk what’s really going on with me right now f;aoweifn
I know a good portion of it is probably cuz i restrict how many stories i consume cuz i don’t like the threat of potentially jumping fandoms. I have a whole list of anime recommendations waiting for me and other shows/stories/whatnot that i’ve been passingly interested in, and i hesitate to watch any of them, cuz there’s always that chance i’ll get too invested. Unfortunately, i’m not one of those people who can have a bunch of hyperfixations lying dormant until someone speaks the magic words and suddenly i’m all about it again. The way my dumb brain works is that I have 1 Big interest and a few very small interests. The small interests are basically always there, and i can consume them quickly and briefly without ending up consumed by them. But once that 1 Big interest changes, it takes a lot of time and effort to try and keep up the enthusiasm for that previous Big interest, and often times, it doesn’t work out and i get to the point where i basically don’t want to see anything pertaining to that old Big interest anymore (if that makes,,,,,, any lick of sense at all omfg)
Idk. This is a whole mess and a half of words lol. Guess what i’m trying to lament is my inability to consume new media without fear of it taking over my brain af;oewina. I want to find new stories, I want to expand my horizons, but i always dread the possibility of jumping ship to a different fandom. And I know i know it’s a really stupid thing to be worried about, but idk. I invested a lot of time into bnha, a lot of which got lost when i went on my hiatus, and a part of me is just like “bro you’re not DONE here”, but like,,, brain no worky. And i’m not entirely sure what to do or how to feel lol
TL;DR:
- I’m getting kinda burnt out on bnha but i don’t really know whether to try and hold on or just let go; and if i let go, i don’t know what will happen lol
- i want to try and post more, but i’m not sure what i’ll be posting
- my brain is Big Stupid and it’s frustrating
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mybg3notebook · 3 years ago
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Lore: Well-known Characters in Faerûn
Here I'm going to explain some interesting characters worth knowing in detail that some groups in the fandom keep saying are Gale's true identity.
Disclaimer Game Version: All these analyses were written up to the game version v4.1.104.3536 (Early access). As long as new content is added, and as long as I have free time for that, I will try to keep updating this information. Written in June 2021.
Additional disclaimers about meta-knowledge and interpretations in this (post)while disclaimers about Context and the popularisation and misuses of professional words in "Context, persuasion, and manipulation".
Azuth
He is the Patron of Wizards, his personal preference is toward wizardry rather than sorcery, and his philosophy fits better with the studious life of a wizard than the more haphazard practices of a sorcerer. Wizards invoke Azuth when they scribe scrolls, inscribe magic circles, attempt to memorise spells, and even when they cast spells. Often this acknowledgement comes in the form of silently forming Azuth's holy symbol, pointing the index finger of the left hand to the sky.For many wizards, the gesture is so commonplace in their lives that it becomes an unconscious habit. Azuth is represented at such sites as a hooded and bearded figure with his left hand held high, finger pointed up. Sometimes he is represented by merely the hand. 
When he was a mortal, he was a wizard who showed prowess with spells and magical lore that attracted Mystryl’s attention, and after completing several quests to prove his worth, she named him Magister (old title in 1e and 2e, different to Chosen, related to a more bureaucratic role of Magic). With the new title, he taught magic to many people across Faerûn. 
Azuth came into conflict with a minor southern deity: Savras the All-Seeing. Both were powerful spellcasters and Mystryl favoured both. They began a battle that lasted several years, using agents, magic traps, and personal spell-battles. Azuth managed to defeat the young deity and imprison him. With this victory Azuth ascended to godhood, became Mystryl's lover, and pledged to serve her. 
During the Spellplague, Azuth fell to the Hells and Asmodeus consumed his divine spark to achieve godhood. It was thought that this had destroyed Azuth, but instead he ended up inhabiting Asmodeus' body together. Most of the time Asmodeus had control over the dormant Azuth. In 1486, Azuth managed to have a Cormyrian war wizard as a Chosen, and began to struggle with Asmodeus for dominion over their shared body. As a consequence, the hierarchy of the Nine Hells is jeopardized due to the unbalanced Asmodeus. After a while, The Chosen of Azuth sacrifices his life to be a vessel for the god and let him escape from the Hells. After the Second Sundering, Azuth returned to the faerunian pantheon.
Where is he in 1492?
Now, he has returned to the Faerunian pantheon, and considering Ao's ban, he can't be walking around Faerûn. 
Can Gale be Azuth? I certainly can't see it. Azuth has been trapped in the Hells for most of Gale's life, returning to the pantheon recently. And we can't forget Ao's ban of direct contact: no god can have direct contact with mortals anymore, with the strange exception of Mystra (see the post about "Mystra and her Chosen ones" for more details). Besides, if Gale were to be Azuth's avatar, we are usually talking about characters over lvl 40. 
The only link we can agree with Gale is that Azuth also has storm motif concepts in his design. Gale tends to explain with his pointing finger extended, but as it's said in the lore books, this is basically an unconscious common body language in most wizards. I cannot see any resemblance to make us infer “Gale is Azuth”. 
What we can see by reading Azuth's story is why the Hells are so convoluted at this point. The blood war is unbalanced, since powerful figures such as Asmodeus had been having weak periods of leadership due to the inner fight with Azuth in his own body. For this detail alone, it is so important to give context to BG3 I considered worthy to mention.
Sources: 3e : Magic of Faerûn 5e: Sword Coast Adventurer's Guide, Novels: Fire in the Blood. The devil you Know
Myrkul
Myrkul had a cold, malignant intelligence, and spoke in a high whisper. He was always alert, never slept, and was never surprised. He was never known to lose his temper or be anything other than coldly amused when a mortal succeeded in avoiding his directives or chosen fates. His influence in Faerûn was imposed through fear, and he was a master of making mortals terrified of him through his words and deeds. He was the one deity that almost all human mortals could picture clearly. 
As a mortal, Myrkul's full name and title is said to have been Myrkul Bey al-Kursi. He was a powerful adventuring necromancer who travelled with Bane and Bhaal in order to acquire divinity for themselves. In -375 DR, they slayed one of the Seven Lost Gods, gaining a bit of divine power. Using it to go further, they embarked to Jergal's realm with the intention to slay him as well. 
However, Jergal—tired of his godhood—freely agreed to hand over his dominion of the underworld. As the three could not decide who among them would sit upon the throne of the dead, they left the decision to chance with a game. More details and stories of several deaths and coming backs can be briefly read in the wiki. It makes no sense to add them here since they provide nothing interesting related to Gale.
Most of Myrkul's “recent” story can be seen/read in the game Neverwinter Nights 2, the Mask of the Betrayer. The game explains how Myrkul created the Wall of the Faithless (non existent anymore in 5e and nobody knows how it was destroyed) where the souls of the faithless or those abandoned by their gods got stuck in eternal pain. The main goal of the Wall was to use all that energy to feed Myrkul. The main character of Neverwinter 2 can visit the agonising God in the Astral Plane and kill him or leave him in a slow death.
Myrkul, with Bane and Bhaal, tried to seize the Tablets of Fate from the overgod Ao and use them to rule over Faerûn and its gods. They failed and were slain during the Time of Troubles. Since then, a variety of contingency plans they had in place allowed them to be reborn afterwards.
A small group of followers across Faerûn kept Myrkul's worshipping alive despite the dire events of the Spellplague and the Second Sundering. In the 1400’s, he is considered to have returned with the three dead in a quasi-deity condition. 
While the Sundering forced the other gods to withdraw their direct influence from the mortal world, the Dead Three remained behind in mortal form as quasi-divine beings. While their power has diminished, they remain a formidable trio and play a malevolent role in influencing events on Faerûn.
Where is he in 1492?
He is clearly somewhere in Faerûn, with Bhaal and Bane most probably (we have strong leads to assume that the Absolute is them, getting as many worshippers as they can to recover their deity status, since now they are only quasi-deities)
Can Gale be Myrkul? I honestly can't see anything that we can use to link him to Myrkul without making it look like an absurdity. The easiest argument to revoke that nonsense is that Gale clearly is not a quasi-deity. 
A quasi-deity is immune to every attempt to tamper with their mind (which would nullify the tadpole effect, and would make Gale immune to any tadpole intrusion, which is not the case as we saw in the post of "The Tadpole"). A quasi-deity is also immune to sap its vitality, or to force it into a different form. It has a strong defence against magic and a limited defence against heat. Weapons not enchanted with magic of an epic scope could not hurt a quasi-deity without problems. These defences against magic, heat, and non-magical physical attacks grew stronger as a deity rose in rank. It is crystal clear that none of this applies to Gale, the squishy wizard of the group. 
This comparison is nonsense, especially if we think that some people supported it because “Gale's robes have clasps in the shape of triangles”, which was considered an incomplete symbol of Myrkul. So... I really won't waste time in this comparison. I just did it because I wanted to offer a summary to compare Myrkul (the three dead more precisely) with The Absolute. This idea is very strong when we think that in 5e DM book is explaining that a quasi-deity can recover their godhood condition if they amassed a sufficiently high number of followers (which is what The Absolute is doing). But this should be done in another post related to the Absolute. 
Source:  2e: Faith and pantheon, 5e: Descent to Avernus, Dungeon Master's guide
Karsus 
Karsus was born in Netheril in -696 DR. He was able to cast his first spell at the age of two, and by the age of twenty-two created his own floating city. He also founded a magic school encouraging radical thinking to keep pushing magical discoveries. A seer warned Karsus that soon Mystryl would face the greatest challenge of her divine life, so worried about the consequences of this, Karsus created his spell Karsus' Avatar with the objective to protect the Netheril civilization. This spell would steal the power of a deity and transfer it to him, giving him divine power to protect his people from Mystryl's challenge and destroy the magical aberrations that had been attacking Netheril (phaerimms) for years. He was very aware that the feat could cost him his life, but he accepted it as a worthy sacrifice to protect his people as well as remain in the History as an iconic figure.
In -339 DR, Karsus chose Mystryl, the goddess of magic, as his target, feeling that she was the most powerful deity and the most appropriate choice for his purposes. However, this was a mistake. The responsibilities of the deity of magic are to regulate the flow of magic to and from all beings, spells, and magic items in the world. Unable to fulfil Mystryl's function with the Weave, Karsus causes a surge of magic and violent fluctuations. 
In an attempt to save the Weave, Mystryl sacrificed herself to block Karsus's access to the Weave, causing all magic to cease for several minutes. The flying cities of Netheril (fuelled by magic) fell to the ground. The severing of the link also killed Karsus, who turned into stone and fell to the ground, seeing his entire civilisation being destroyed because of his actions. This is known as Karsus's Folly. 
The stone form of Karsus eventually landed in a part of the High Forest, now called the Dire Wood. Karsus was never accepted as a petitioner by any god, nor did he go to the Fugue Plane when he died. Instead, his soul was bound to the Material Plane. Those with experience in pact magic could call up his vestige, where he appeared as a giant blood-red boulder, like the one found in the High Forest where his petrified form landed. Blood burbles up from the top of the stone, trickling down the side facing the summoner, pooling at the base. Karsus granted the summoner a boost in magical ability, though he also imparted some of the arrogance he was renowned for. 
Where is he in 1492?
Even in death, Karsus' undying spirit persists in the chaotic magic of the Dire Wood. His essence is ensnared in a single point of time by the magic of the lich Wulgreth, and it manifests in three separate pieces. Each manifestation contains one portion of Karsus' tripartite spirit. It is believed that Karsus cannot depart from the Realms until his sundered spirit is reforged into one. 
Karsus' mortal body survives as a tall butte of red stone embedded in the ground and eroded by the elements. This manifestation radiates heavy magic (read the post about the "Orb" for more details)
Karsus' gigantic, ever bleeding heart beats within the butte itself. This manifestation is essentially powerless, but it cannot be destroyed. Karsus' heart continuously radiates an enchantment similar to the sadness effect produced by the 4th level wizard spell Emotion.
The final third piece is inside an animated golem created by Wulgreth. This manifestation bleeds an ever-flowing stream of blood like liquid which mingles with the Heartblood River, giving it its characteristic colour.
So, can Gale be Karsus? Hardly. Karsus' spirit is not even complete. One could ask if Gale is a part of Karsus? I don't see it either: each of these parts are stuck in the different stones across the Dire Wood, and since it was a lich who made the binding I see little reason to suspect how a piece of Karsus' spirit stuck in the middle of the continent reached a baby in Waterdeep. 
Sources: 2e: Magic of Faerun, Powers and Pantheons 3e: Lords of Darkness
Elminster 
Elminster was born in 212 DR, son of a prince of Athalantar. His parents were killed by mages and at the age of 12 he became a brigand and thief. With a friend thief, Elminster committed many acts of thievery together and lived life fully, creating the gang the Velvet Hands after a number of adventures. 
Elminster tried to desecrate a temple of Mystra as a gesture of vengeance for the goddess having not defended his parents when they were killed by mages. Mystra appeared before him, and despite Elminster's defiance, she offered him the power to take revenge for his dead parents. Elminster accepted, and Mystra turned him into a woman to see “the world with female eyes” and to strengthen his bond with magic before being a proper Chosen. This transformation also helped Elminster to pass unnoticed among his enemies. He spent a long time learning magic in this shape, taught by Mystra's avatar in disguise. When her disguise was uncovered, she and Elminster slept together and she offered him to become her Chosen. By that time, Elminster accepted any command from the Goddess, his defiance was completely gone. 
In 241DR he travelled to the city of Cormanthor and continued his magical studies.
Somewhere around the mid–7th century DR, Elminster entered a tomb and became trapped there in stasis for roughly a century. He emerged from the dusty tomb in 759 DR. By that time Magic was unreliable (Mystra was possessing Elué's body to conceive her daughters). The god Azuth told him that he couldn't rely on Mystra or magic for aid. Soon he had to learn how to survive without magic. He later underwent further magical training under the tutelage of a wicked sorceress who sought to tempt him away from Mystra's path. During a fake ritual for Bane, she revealed herself to be the goddess Mystra herself, once again testing him. 
In 767 DR, Elminster became a foster parent to three other of Mystra's Chosen: Laeral Silverhand, Storm Silverhand, and Dove Falconhand. 
In 851 DR, Elminster mentored the newly-appointed Chosen of Mystra, Sammaster, in how to use his new powers. 
During the Harpstar Wars in 1222 DR, Elminster defeated the Zulkir of Necromancy, Szass Tam, and earned himself (and the Harpers) the enmity of Thay. 
In 1358 DR, just before the Time of Troubles, Mystra gained some foreknowledge and backed up her power into Midnight, the human wizard, so it would not be lost. During this time, Elminster, like most wizards who received his power from Mystra/the Weave, was left powerless once more. 
In 1371 DR, the new Mystra stripped away many of Elminster's memories of her former incarnation's secrets. By the end of that year, he was called to Blackstaff Tower to discuss the phaerimm attack. The whole event ended up being related to a planificated attack from the Shadovars. Since shadovar were living shadow magic, and silver fire was raw magic, the collision between the two tore at the fabric of reality, creating a rift to the Nine Hells. Elminster realized that the only way to close the portal before legions of devils spilled forth into Toril was to close it from the other side. He did it, being trapped on the other side and at the expense of much of his magical strength. 
Once in Hell, he was abducted and enslaved by an outcast archdevil known as Nergal, who wished to discover the secret of Mystra's silver fire. Elminster was subject to brutal tortures, surviving only because of his exceptional endurance and ability to heal himself with silver fire. Mystra tried to save him herself, but ended up sending several Chosen ones instead. Only The Simbul was successful in his rescue.
In 1373 DR, Elminster discovered a daughter he had never known, conceived against his will with a dragon thanks to Mystra's intervention.
Following the death of Mystra in 1385 DR and the collapse of the Weave during the Spellplague, Elminster was stripped of many of his abilities as one of the Chosen, though he still aged as slowly as he had for the previous millennium and was still quite powerful magically. However, every use of his magic drove him insane. When this happened, only Storm was able to bring his mind back, giving off her own essence to soothe Elminster's mind. Despite these setbacks, Elminster and Storm continued with their campaign to save Faerûn, battling evil and fixing the Weave where they could.
In 1479 DR, Elminster sought to gain access to artifacts known to contain the spirits of the Nine—objects powerful enough to permanently restore the Simbul's sanity.
During one of his excursions for these artefacts, Elminster's body was destroyed by Manshoon, who had secretly been peeling away the Old Mage's contingency spells over several years. However, Manshoon departed before he realized that Elminster had survived his body's destruction in a near-undead state. With the agreement of Amarune and the aid of Storm, Elminster's essence was placed in Amarune's body with the aid of a spell the ex-Chosen had discovered in a cache once belonging to Azuth. Later, thanks to the sacrifice of the Simbul, he regained his former body again and ruined for good Manshoon's claim to the throne of Suzail.
In 1487 DR, Elminster (with the help of the Srinshee, Alustriel, and Laeral Silverhand) stopped Shar as well as Larloch from becoming the new deity of magic. He killed Telamont Tanthul and let Thultanthar fall upon Myth Drannor. Along the way, Mystra was completely restored. 
In 1491 DR, Elminster returned to the city of Waterdeep, aiding the newly appointed Open Lord of Waterdeep, Laeral Silverhand, to uncover the culprits behind a string of murders of Masked Lords. 
Sincerely, there is a lot of content left outside this summary because Elminster’s material is a lot. A LOT.
Where is he in 1492?
The last time we know about Elminster’s whereabouts is during the book Dead Masks, a year before BG3. He has been working in Mystra’s name in Waterdeep when Hidden Lords have been assassinated. It’s very hard to conceive Gale as Elminster in disguise. Elminster has a different personality and a very obvious pattern of speech, sounding more like a mixture of a scholar and a farmer, and using expressions like Nay, aye, and so on. Elminster being abandoned by Mystra is also a strange concept because if there is something very clear from all the material we can read about his adventures is that Mystra loves him with a particular and exceptional love. He was the only Chosen that, when he was being tortured in the Hells, she attempted to save him by herself, risking her life (obviously, then she changed her mind and sent several Chosen ones that died in the process). 
Also, if Gale were Elminster, he should sustain a spell of disguise constantly (many people know Elminster, an old man of white hair and beard), which is also very unlikely for a lvl1 wizard to do. 
Source: 3e: Elminster: The Making of a Mage. The Temptation of Elminster. Dead Masks
Sammaster
He was born in 800 DR, probably in Sembia, the Dalelands, or the North. At age of 17, fascinated by the theory of the Arts and how magic works, Sammaster became a follower of Mystra. He was a gaunt man of poor health, full of eccentricities: he never remained in one place for too long, he skipped his meals and sleep in favour of learning, and it's suspected to have fathered a countless number of children. 
Before being 40 y/o he acquired the skills of an archmage and he discovered, rediscovered, or improved numerous spells in the advanced theory of magic known as "metamagic". All this discovery of knowledge and magic (so favoured by Mystra as we can see in the post about "Mystra and her Chosen ones") granted him the attention of the Goddess, who appeared before him. 
At his 50 y/o Sammaster saw his most fervent dream appear before his very eyes. He was both awestruck and smitten with passion as he fell to his knees and wept upon Mystra’s feet. Raising him to meet her gaze, Mystra responded to his unspoken question and swept him into her embrace. They spent a tenday together, and at the end of that period, Mystra asked him if he thought he was worthy and strong enough to carry a part of her divine power within him. Despite not knowing what she meant, Sammaster accepted anyway, becoming the first Chosen after she conceived her seven daughters. Mystra explained that she had chosen him for his development in metamagic but also because she had foreseen the death of an already Chosen one (Syluné) whose place she wanted immediately filled with Sammaster.
Sammaster was ordered to be in contact with Elminster to learn more about his new condition of Chosen. Sammaster and Elminster developed a tense situation mostly because Sammaster's obsessive love for the Goddess deepened while Elminster kept reminding him that her only consort was Azuth.
Dejected for the truth that he would never have a personal long-lasting relationship with Mystra, Sammaster focused on understanding the powers of the Chosen and the mysteries of the Lady in himself and in Toril. However, a seed of resentment started to grow.
In 855 Sammaster found a Zhentarin slave caravan resting in a camp. In it, he found three large cage carts full of peasants taken from the farmlands in the surrounding area. Enraged, Sammaster attacked the Zhentarin using his spells and Silver Fire, but in the process he killed many innocents he wanted to save. His mind snapped that day. Despite trying to convince himself that the Zhentarins were to blame, this episode was—without any doubt—the seminal event that irrevocably turned Sammaster down the path to madness and, eventually, evil.
Years later he started to develop his interest in necromancy in an attempt to return those innocents he had killed, trying to find a way to revive the dead. During this time his interest was focused on the undead, and forged relationships with some liches. How did Mystra allow this? At that time, Mystra was a much more neutral deity. Her primary interest was the use and development of magic; she cared little about how it was used or by whom. As long as Sammaster continued to advance the theories of magic and push forward its frontiers for all mortals, Mystra turned a blind eye to his necromancy interests.
In 861 DR Sammaster met Alustriel, Chosen of Mystra, and fell in love with her. His unbalanced mind seemed to finally find some peace and stability, but his obsession —at first focused on Mystra—now turned upon Alustriel, wanting to master her, to make her entirely his, and to make her world revolve around him. Disturbed with Sammaster's necromancy research and his increasing need for control over her, Alustriel broke up with him.
Afterwards, while deepening in his experiments with necromancy, Sammaster befriended Algashon Nathaire, a priest of Bane who had formerly been a mage. In the unstable Sammaster, Algashon saw the chance to create a formidable tyrant. Bane must also have seen the chance to rob one of his most powerful enemy’s Chosen of his last vestiges of sanity and perhaps his powers or even his life. 
Presented as a friend, Algashon manipulated Sammaster into thinking that all his failures and problems were the fault of that uncaring goddess and her equally inconsiderate servants, her so-called "Chosen". Sammaster resisted this subtle indoctrination at first, only to be painfully reminded of the events at the slavers' camp (the Zhents' fault, of course), his uneasy relationship with Elminster, his failure to win the love of Mystra (Azuth's fault and Elminster's for pointing it out so hard-heartedly), and his failure to win Alustriel (her fault and that of her Goddess). As time went on, Sammaster argued against these superficial, easy excuses less and less, and Algashon's lies wove their way deeper into the unhappy and unstable mage's mind. The next step of Algashon was to steal the secrets of the power of the Chosen. To do that, he encouraged Sammaster to use his Chosen power at every opportunity.
Rather than risking their pawn's life (yet) by attempting to strip the silver fire from Sammaster outright, Bane and Algashon decided to try and arrange to steal another Chosen's silver fire: given her past with Sammaster, Algashon chose Alturiel. This way Sammster fought Alturiel, aiming silver fire against her. Losing the battle against a maniacal Sammaster, Alustriel called for help from Laeral Silverhand and Khelben Arunsun. The three of them won the combat against Sammaster.
Azuth presented himself on Mystra's behalf and removed Sammaster's Chosen condition. When the other Chosen left the place, Algashon helped Sammaster, affixing the immortality of the Chosen ones in his body despite having lost his powers. While he could be destroyed, Sammaster continued to remain ageless and to heal from wounds very quickly. However, as a side-effect of this spell, Sammaster lost his last vestige of sanity and morality that may have remained in his clouded mind. 
In 887 DR Sammaster retranslated old texts of a prophecy, highlighting the importance of undead dragons and creating soon afterward his own Cult. In his insanity, he kept doing more necromancy research focused on turning dragons into draconlich to follow this prophecy. His first success in turning a dragon (Shargrailar) into an undead made his cult famous. In this way, Sammaster earned a powerful weapon with which threatened many across Faerun and obtained an enormous amount of money. Even the rich nobles paid tribute when the Cult threatened to send Shargrailar to burn their farmlands and villages to ash. Sammaster did not think to oppress the peasants for their coppers, but the noble powerful ones.
In 960 DR, his cult finally adopted the name “Cult of the Dragon”, even though “Cult of the Dracolich” could be more appropriate, even though Shargrailar still looked like a normal dragon. By that time the cult increased too much for Sammaster and Algoshon to control, so Sammaster wrote all his wisdom in a book called Tome of the Dragon that would turn into the core of the cult, helping them to spread Sammaster's ideas beyond their limitations. 
The popularity of the cult was not missed by several groups. The Harpers tried to destroy it, but they failed. The Zhentarims are also against Sammaster's cult since their activities are limited with the constant threat of the Dragon Shargrailar. More groups were added to the cult's list of foes, but Sammaster ignored them or sent them a dragon to destroy them. Not merely mad now, Sammaster was becoming drunk with a level of power he had not felt since before he had been stripped of his powers as one of the Chosen. Algashor suggested that he keep a low profile in order to protect the cult, but his advice was ignored.
In 916 DR, The Harpers developed a plan to eliminate Sammaster and weaken the cult itself. The battle was brutal and Sammaster seemed to win by the end of it, commanding an army of undead and experimental creatures. Sammaster would have won had not Lathander sent a battle avatar, enraged by the undead abominations that Sammaster created. After an intense battle, Lathander incinerated Sammaster. However, Sammaster had planned ahead: he had sent his mind to a phylactery before being killed.
With the phylactery and a special book of the Tome of the Dragon, a loyal cultist called Zotulla had been ordered by Sammaster to create a new cell of the cult in the Northwest. However, Zotulla failed and died at the hands of an orc war party who discarded the phylactery and the book. Both items were lost for more than 300 years, until a shaman may have deciphered the instructions in the book and raised Sammaster as a lich.
In 1282 Sammaster rose as a lich and began to gather the remnants of his cult once more. Harpers and some countries began to plan to defend themselves from this danger again. In 1285 a group of adventuring paladins known as the Company of Twelve supported by the Harpers, attacked the lich and killed him at a great cost. However, neither the phylactery nor the book were found. The possibility for him to return is high. 
In 1373DR Sammaster completed the transformation of the Dracorage Mythal. This was a Mythal created by elves around -25.000DR which had a maddening effect on dragons, making them lose their minds for several tendays. This effect used to be linked to the appearance of the comet King-Killer Star in the sky. When Sammaster transformed this mythal by binding his phylactery to it, its maddening effect was no longer constrained by the appearance of the comet but linked instead to his own life force. Only Dracoliches remained unaffected by Sammaster’s endless, ever-intensifying Dracorage effect. This fact forced wyrms to join his Cult and accept to be transformed into dracoliches or suffer permanent madness. By manipulating this effect, Sammaster tried to retake control over his Cult. However, a group of adventurers destroyed the mythal—thus Sammaster’s phylactery—and put an end to this effect. 
Where is he in 1492?
So, is Gale Sammaster? Lore-wise, to destroy a lich for good you need to destroy their phylactery. This has been done in 1373DR, therefore, I hardly see any potential for Sammaster to raise again. And here is where any possible argument ends. 
What Sammaster's story shows us is that Mystra's sudden abandonment is not uncommon once she gave them their Chosen powers. In the report of the Harpers that narrate Sammaster's life in the book Cult of the dragon (2e), there are some comments pointing out how Mystra, despite noticing Sammaster's madness, allowed him to follow his dark path. One may speculate that maybe Mystra uses the obsession that she may cause in some of her Chosen ones, in order to make them eager to explore beyond their limits so she can acquire knowledge or control of new magic. 
Certainly, what Sammaster and Gale share in common is how they were favoured by Mystra, had a affair with her, and soon afterwards she stopped “whispering” in their ears. Their condition as Chosen had been kept intact, but their madness in one case, or their devotion in the other, made them go too far. Sammaster ended up being a toy of a priest of Bane, while Gale simply made the mistake of thinking himself capable of controlling an unknown magic to impress Mystra in order to have once more her attention on him. More than this is walking on the headcanon terrain since the game in EA can't provide more information. 
Source book: Cult of the dragon (2e), Dragons of Faerun (3.5e)
Conclusion
The truth is that Gale is Kirby. He doesn't only eat artefacts but also Faerûn iconic characters as well (joke done by a reddit user)
In my personal interpretation, I hardly see Gale as the incarnation of anyone. First, it would be very, very lazy writing. Characters such as Sammaster, Elminster, or Azuth tend to be NPCs. We found some of them in games such as previous Baldur’s Gate games or Neverwinter nights.
But the main and strongest argument against secretly being any of these characters is that he is an origin character. All companions are potential players in their origins. Anyone who played DOS2 AND played an origin character would understand this: there is no plot twist of that magnitude in their personal backstories that would erase completely the essence and the personality of the character. All that sensitive information is previously stated. 
All what we need to know about the origin char is basically said in the BG3 webpage. Those descriptions are the same ones found in the game, which changed after EA was released in Astarion’s and Gale’s case, showing—in my opinion—that Larian changed them a bit at the last stage of development. These descriptions spoil every secret that the characters have. This doesn’t mean their more complex background should not be part of a plot twist later in the game, but it would not have the impact of erasing completely the RPG characters you were playing for a while. 
Every companion has a secret spoiled in their descriptions: Astarion, his vampire condition; Shadowheart, her Shar faith and he mission; Wyll, Mizora; Lae’zel, the tadpole (not for the group, but for her people); Gale, the “orb”. All these secrets are informed beforehand to the player for them to pick an Origin if they want to play it and make it their own. As companions, we learn these secrets early (act 1). This happens in act 1 of DOS2 too.
A player choosing an origin has to be informed of the character’s secrets and motivations at the moment they pick it. Otherwise, it would ruin their RPG experience, making the player unaware of their own character’s true nature. This doesn’t mean that deepening their backgrounds would not make us discover information we don’t know. My point is, it won't remove the character’s persona turning him into a character very well known in lore. 
Gale, so far, seems to be a pretty fair standard wizard who had a young obsession over Mystra (quite common in terms of lore for those who stand before her), which brought him troubles and made him prone to mistakes (as, once more, we know it tends to happen in lore). The justification why he was Chosen is also clear from a lore point of view: we have a context post-Spellplague that made Gale's skills more than useful for Mystra. In my opinion, there is nothing else abysmally suspicious beyond these points, and if there are more secrets, it seems fair to think that not even Gale is aware of them. 
This post was written in June2021. → For more Gale: Analysis Series Index
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from-a-distant-end · 8 years ago
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hello! you all may know me as the person who makes (used to make, more accurately) manga edits for this teeny fandom, or you may know me as this-world-of-his, a somewhat inactive Miharu rp blog, but anywho, I also wrote the first chapter of that Nabari no Ou - Harry Potter crossover 
and since its been years and i couldnt seem to get past the first chapter for anxiety reasons, I figured if anyone was interested still, I could upload the parts I have written already, including wand selection in Diagon Alley, in the train to Hogwarts with Harry, Ron and Hermione and the naberry children I decided to take along with Miharu and Yoite. and I believe other random moments that’ll make its way onto here for you to read as well.
so I’ll upload the parts I find in the order I find them in because my folders are a mess and to sort through them chronologically and upload them in that manner would be time consuming when tbh I’d rather just get it all out there without going through that much trouble. so without further adieu, thank you and I’m sorry. 
“It’s a school?” Yukimi repeated incredulously. “In England. And you want to go?”
“Miharu’s going,” Yoite clarified.
“Oh, is he?” The blond man turned his attention to the youngest ninja sitting contently upon the couch, juice box resting within his grasp. “You’re a member of Kairoushuu, kid. We need you here in Iga and Banten, where eyes can be on you all the time. What happens if some creepy ninja’s in England and kidnaps your guys’ asses, huh? Then what am I supposed to do? I’m not wasting money on airfare to rescue you. How’re you even gonna get there, does the little letter tell you that?”
Miharu nodded, emerald eyes tiredly glued to the baseball game upon the television. “It says transportation is provided. We just wait at the location that’s written and someone will pick us up and take us to… Diagon Alley.”
“I say no. I can’t let you go now, okay? I don’t care how legit this is made out to be. We almost have all the forbidden technique scrolls and as soon as we get our hands on that Engetsurin, we’ll be good to go.”
“He said we’ll be safe there. It’s a magic school, Yukimi. Ninja can’t get in,” Miharu continued. “Something’s coming after us, from their world.”
“You don’t know that. You’re as safe here as you’d be anywhere else in the world. Why listen to that old coot anyhow?”
“He seemed like a real wizard,” the youngest countered bluntly.
Yukimi scoffed. “Do you ever hear yourself, Miharu? Wizards aren’t real. They’re fairy tales; made up.”
“So are ninja, outside the Nabari World,” he defended quietly. “They have their own world too.”
Yukimi appeared unmoved. “You’re not going.”
“We’ll run away.”
“Like hell you will,” he huffed. “Yoite, move. You’re taking up the couch.”
“Let us go,” Yoite demanded lowly, watching the blond plop down beside him.
“Is this some kind of conspiracy? Get off my back. No means no.”
Miharu allowed a small frown to slide onto his features. He slipped off the sofa. “C’mon, Yoite, I think if we get everything packed now, we’ll be ready by the time they come,” Miharu suggested lightly, walking to the jacket he had placed on the coat hanger.
“Kid, would you stop messing around?” Yukimi warned, but nevertheless, rose as well with slight concern the two children in his care would somehow find their own ways to England.
“Will you take us there?”
Yukimi remained still. “What am I supposed to tell your grandma?”
“I’m moving in with you.”
“She doesn’t even know me!”
 ----
They had boarded trains many, many times in the past; living in Japan, that was essential for any traveling one might do. The pair had become glaringly familiar with the processes of departing and arriving. However, the ticket lightly grasped in Miharu’s fingers was surely mistaken in its platform number. He wrinkled his nose, sighing as he lowered it back down to his lap after reading it over for what seemed to be the hundredth time that half-hour.
“I don’t think they numbered it right, Yoite,” Miharu mumbled, absently handing the paper to his companion, eager to release it from his hold. “It says Platform 9¾. Trains aren’t numbered like that in Japan so… What do we do?”
“We could ask someone,” Yoite suggested quietly, his slightly blurred vision scanning the sea of people bustling by, miraculously somehow all unable to crash into one another.
“Okay. Go ahead.”
“You can ask.”
Miharu shook his head silently. “I don’t want to.”
“Me neither.”
“Did you notice a bunch of people would be over there with a lot of stuff and animals,” Miharu pointed towards a brick pillar stranded in the center, “then they’d just be gone? There’re too many people.” Yoite stood, Miharu’s green eyes darting to him in question before rising himself. “And I don’t even see some get on any trains. Where do you want to go?”
“We should look around.”
“Yeah. Maybe we missed it.”
The pair gathered their belongings and proceeded to venture into the mass of wandering train-boarders. The young ninja was sure to catch of glimpse of every platform sign (they walked by seven, eight, nine, and even ten) though it began to make him more and more uneasy about being in England, especially if he and Yoite couldn’t even locate a simple train. How were they supposed to get to their school? Perhaps this was all a joke. Miharu’s heart sank at the notion and fingered the seemingly authentic letter sitting in his pocket, stealing a troubled glance at the older boy.
“Do you want to rest again?” Miharu asked, halting beside Yoite. After making their dawdling round to each of the platforms, according to the ticket, their train was due to head off in less than ten minutes. “We’re gonna be late anyway,” he added bluntly. “We can just call Yukimi and ask him to fly out and get us. Kouichi and Shijima are probably boarded by now. I didn’t charge my cell phone either.” Miharu leaned his back on the brick wall behind him. Perhaps it was better this way, with Yoite’s Kira having so much of an effect on his body. The two of them would be gone for a whole year of school’s time. England’s time, Miharu reminded himself, fighting away an oncoming headache. That included three months off for summer, instead of one in May like in their home in Japan. It would definitely take some getting used to.
However, what would be the point in the end? Yoite wasn’t doing too well as it is, losing more and more of his senses, and… to be so many miles away from home? From comforting walls and floors, and people? And medicine? How long would Yoite even last once they arrived at the school? A month or two? Then what, the older boy… is gone one day,, perished into dust and Miharu would have means to even say goodbye, join him in his last few, precious moments? The school could be huge for all the pair knew. There were too many unanswered questions and Miharu suddenly understood all of Yukimi’s uncertainties and fears. England definitely wasn’t the place to learn dominance over the Fairy. One wrong move without the watchful eyes of hardened allied shinobi and he could topple London with a sneeze.
And being surrounded by magic for as long as their stay? Miharu slowed to a halt and peered at a crack near his shoe. Was that really smart? Was magic anything like chakra? 
“Excuse me, you’re in the way of the entrance,”
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