#I could probably quote Louis L'amour

[dmcoffee]

Every day, I am slowly just becoming a weird amalgamation of my maternal Grandpa and my dad. I...do not know how to feel about that.

[pilferingapples]

Hey Pilf, I know there have been conversations about how the French all collectively went through a Scottish/Celtic phase but do you have any resources to prove that? Or can you at least list some of the people you usually reference when you mention this phase? (for example, there was a French writer who changed their name to a Scottish one for Aesthetic reasons but I can't remember their name and Google is useless for me here)

Sure! The writer you're probably thinking of is Auguste Maquet aka "Augustus MacKeat". He's little-known, but not little-read, being a collaborative partner in a lot of Alex Dumas'* works! If you've read The Count of Monte Cristo or The Three Musketeers, you've read some of his work! Stendahl's de l'Amour, in 1822, praised the Irish for their brave and loving (and, especially , not English ) spirit-- an influential essay on the popular perception at the time! Petrus Borel's novel Madame Putiphar also starts in Ireland, and the heroes are Irish--albeit one of them is the daughter of an English lord (who is, of course, a horrible person--both English AND aristocracyXD)

I know the Revue de Paris published multiple articles about Ireland in particular through the 1830s**, more or less swooning over the tragic heroic spirit of Ireland. The rest...gad, forgive me, this is one of those things where, having been asked for examples, I've gone blank. I know I've seen the Scotland/Ireland refs elsewhere; @sainteverge, @thiswaitingheart, any of my fellow Romanticism Nerds of Tumblr, any other suggestions?

As for Why, there are a lot of factors?

Politically, it was easy for French writers to sympathize with Scotland and Ireland really hating the English; the original French Republic had actually tried to link up with Irish rebels against England (it went Badly). And figures like Daniel O'Connell ("the liberator") were hugely popular.

There was also an idea that French and Irish people were somehow especially related? To quote Louis Blanc (a republican, and so relevant on the political side):

The Irish betray so many qualities similar to those we ourselves possess—for example, the same ardor, the same excitable temperament—that it might be said they belong to the same race. It is, however, a historical fact that the Irish and French come from the same Celtic stock, and such a fact explains those similar trails of character I have remarked. I am an advocate of Irish independence. You can say from me, and I give you full permission to say, L'lrlande doit s’apparteinir. Ireland ought to be self ruled. She has every right to bo so, if the will of the people can be interpreted as in favor of the project. And from what I know, you Irish are not content with English rule in your couutry. You want your native rule; hence by the laws of justice you are entitled to it, and should have it....But my opinion on the affair is this: The greatest hope of Ireland lies in a war between France and England. ...There is a possibility of it; but as regards the probability of it I cannot say. In such a case France and Ireland would unite their forces, and the two people serried together, what power on earth could withstand them?

And in the same article, no less a Romanticist than Victor Hugo says:

...Ireland is near us if we look to the ties of mutual sympathy which have existed between both. Thus it can be seen that in general, though England, as I said, comes between us, she cannot break the moral chain that binds the Irish race and the French together. The case, however, would be still better if Ireland’s geographical position could be changed to this side of England and send England about her business to the other side, just where your country now lies. In that new position Ireland would be not alone morally and sympathetically near us—she would be our next-door neighbor also geographically.... in the last century your Irish brigade fought and bled for us, and we essayed to give you aid to wrest your independence from England. ...the system which is prevalent over in Ireland I understand to be that by which 800 or 900 persons own the entire soil. That system means this there are in Ireland 800 or 900 lords and somewhat over 5,000,000 slaves (esclaves). A miserably small fraction tyrannize— the rest, i.e., the vast majority, are the automatons that move at the beck of the fraction. That land system is, I have no hesitation in affirming, a glaringly unjust and absurd one. It is unjust, inasmuch as it pampers and enriches the minority of a people at the expense of the majority, and is, consequently, an outrage upon justice.

This article is from later than what we're generally talking about, but the attitudes toward Ireland are basically the same: The Irish Hate the English Too! They're Just Like Us!

Back in the land of art, the writing of Sir Walter Scott had a huge effect on French Romanticism, and he's been described as "the man who invented Scotland" (in the way we might joke about Hugo inventing France, that is, someone who helped define the concept , especially to people outside the country) .

There was also a woman called Lady Morgan, an Irish woman, who was consciously building up a very Romantic legend of Ireland in France as early as 1806.

So overall, while Ireland and Scotland may not have been mentioned as much as Poland or Greece in Romantic writing and politics, they were definitely a part of the ongoing political/literary discussion!

Anyway, I hope this admittedly rather sparse answer is of some interest!

*there's a tendency to describe Dumas as "stealing" from other authors he worked with, because he was the one whose name went on the covers, but from what I've read--including correspondence with Maquet!-- these really were collaborations, and not at all an uncommon way to write novels at the time,or plays. But getting into that more would be a whole other essay, let alone a tumblr post ><

**if you've got J Stor access, DO check out French romanticism and the Ireland myth, by R. Bolster, to see some a description of some of these articles! They are really Something XD

[aestheticvoyage2023]

Day 154: Saturday June 3,  2023 - “William’s First Library Card”

We strolled up to the info desk at Golf Links Miller Library and explained to the lady that we were looking to get William his very first library card. He picked out the one with the coyote on it.  Then got busy picking out books to take home, filling up the Powell’s Book bag I brought as the designated Library bag.  We went through the bins of board books, used the catalogue to find Thomas The Train and even picked out a couple readers.  We’ll have these 19 books until June 19th and I was as excited as he was to get a fresh batch of reading material on our first go round to the library.

Growing up, I remember the library in town being a very special place - we could get books, rent disney movies, and go for special events.  I can remember the layout and the smell and the ladies that worked there, even though Ive not been in probably 30+ years.  I hope William has a special relationship with the library too - afterall, his Great Great Grandfather was a very important librarian in Indiana.  We’re off to a great start.  After explaining to him yesterday afternoon about how the Library is where books come from and we can go pick out new books to take home for awhile, he didn’t skip a beat finding several books he wanted to read at bedtime.  In fact, William was curious why I didnt just bring the blue yogurt here for bedtime.  I felt like a real proud dad watching William excitedly explore the books as if he was in a toy store.

Song: David Bowie - Heroes

Quote: “I have read my books by many lights, hoarding their beauty, their wit or wisdom against the dark days when I would have no book, nor a place to read. I have known hunger of the belly kind many times over, but I have known a worse hunger: the need to know and to learn.” ― Louis L'Amour, Education of a Wandering Man: A Memoir

[statemant]

SUNDAY STATEMANTS - NO 1

This post is a solution that I have reached few days ago – due to having almost no time to create posts daily (while I really want to share my option), I thought of making one (longer) post on every Sunday (which I have mostly free – except fashion months) and combine everything that happened in Menswear during the past week – let’s see how It works out. So,

What would be the better start for the new format than Paris Men’s Fashion Week, that has just recently finished (on Sunday according to official FHCM schedule but actually on Monday with JACQUEMUS show).

FACTS

Runway Shows: 60 (according to official schedule)

Presentations: 27 (according to offial schedule)

Total Looks: Around 3500

Yes, when you combine the numbers, there’re fascinating results – there were around 3500 looks offered – just for Men, just in Paris – that is around 12000 pieces of clothing, 3500 pairs of shoes, around 2000 accessories – a lot! Especially considering the fact that few brands produce very identical outfits (in terms of fabrics, styling, vibes) and there’s a rapidly rising competition at Men’s fashion market. Thanks god Paris is the most diversified of them all and I could name like like only 7-8 brands that does not really fit in the schedule (compared to other 50 brands) – either they look similar, or I don’t get them (my problem?).

PALOMO SPAIN   (18 June, 11:00)

The SS 2020 (that already sounds quite major itself) has started on Tuesday, 18th June, 11:00 AM with Palomo Spain (who returned in Paris after previous season’s try in NY) with some beautiful dresses – yes, you read it correctly. Designer thinks that none of the specific garments are made exclusilvey for any gender and that he sees many boys that could rock those chiffon garments – a significant part of the collection that was inspired by Pompeii.

BODE  (18 June, 12:00)

Emily Adams Bode has just recently won CFDA Award (Emerging Designer of the Year) and there she was at 12:00 AM (straight after Palomo) in Paris, sending the collection that was inspired by her family’s history as wagonmakers for Circus in the early 1900s. She literally looked at the outfits from century ago and re-made them to keep appropriate with time.

AMI   (18 June, 20:00)

My favorite Parisian house is becoming bigger and bigger every season (and it little bit worries me to be honest, strange no? Here’s why: what I always loved about AMI is that it’s one-off menswear-only brands that produces timeless men’s clothes in a very affordable prices (and in a perfect quality), everything in the collections always feels modern (with bit of a twist), the styling is always impeccable with unexpected colors combined together BUT! I kind of missed this in the latest collection, shown at Grand Palais, it felt little bit too dark and serious (especially for Summer collection), I’ve missed color and the sense of freshness. I did like what was shown, there is a lot I would wear myself (especially now when Black has become favorite of mine) but I kind of think I could find many of those pieces at other rival brands, I understand that now brand established itself and it just becomes matter of brand loyality, when you decide where to buy regular black trench coat - that’s where AMI is headed now I guess.

ACNE STUDIOS   (19 June, 15:30) 

With Ambition to Create Novel Expressions, Jonny Johansson (brand founder) presented the collection that felt little bit weird for me (a huge brand fan tbh). I totally loved the opening with beige shirt, styled with yellow scarf, but then I did not quite get printed cycling shorts, or lace insets, or pvc details (and bit more, tbh). It was kind of everything but kind of nothing notable (Luke Leith from Vogue Runway agrees), and I felt disappointed, especially after few very, very strong seasons and increasing fame (after so many years on the market). At least, some great blazers were there (thank god!).

J.W. ANDERSON   (19 June, 13:00) 

It’s a second time for Jonathan in Paris, after moving his namesake label from London (that probably made his 2 out of 3 famed iPhones busier than before). As one of the pioneers who pushed gender-fluid shapes since the very beginning of the career, designer has put signature pieces on the runway - including dresses worn by male models. Blazers and coats had wide shoulder extensions and pants included giant fringe insets. Some of the looks could be well-fitted at his Loewe (the show was day after this in the calendar) but this still feels ”harder” and more personal.

Y/PROJECT   (19th June, 14:30)

Y/Project shows feel like a hard mathematical induction, you need a time to realize the logic behind and “solve” it, or maybe you don’t. Glenn Martens once again proved that there’s no stopping of him and he is cementing the brand aesthetic with gigantic steps every single season. For SS 20 (after showing previous Menswear at Pitti) distortion and asymmetric proportions became even more solid and serious. How can you not love the incredible outerwear, tailored blazers, knitwear and jaw-dropping denim pants – each of them proving that you can combine ugly and beautiful in a very smart way. One could analyze every single look in details, but I bet it would take a lots and lots and lots of time. Additional drama was brought by Bizet's "L'amour Est un Oiseau Rebelle" in one of the Parisian churches. It’s clear that brand’s approach to clothes are not welcomed just by fashion insiders or avid trend followers anymore, it’s just for everyone who love “smart”, fashion-forward and beautiful outfits (even if most of them are everything but classic understanding of beauty). There’s always a surprise cut or detail hidden in most of the Y/Project pieces, once you buy the garment, you get the freedom and possibility to wear it on your own way – I’ve seen myself three men wearing same Y/Project pieces in a completely different way in a same day.

VALENTINO  (19 June, 17:30) 

Pierpaolo Piccioli is keeping the youthful attitude with the insertion of loud graphic prints (this time deisgned by Roger Dean) at Valentino Men’s collections (continued from previous season’s UNDERCOVER collaboration) while keeping brand staple shapes and cuts and not following any of the ongoing trends as much, even the VLTN logo was gone this time (which makes me very happy), replaced with single vintage V sign. The signature camouflage sneaker (my first ever most expensive fashion purchase back in 2012) got upgrade shown alongside with new shapes. Long live Mr. Pierpaolo!

RAF SIMONS   (19 June, 21:00)

Raf Simons clearly is not done with America. After leaving CALVIN KLEIN (end of 2018), it’s his second outing in Paris and I think he used this time to digest everything then to express all in his latest collection. It was very Raf, I feel like he was just being honest putting his feelings and thoughts as motifs (likes of: STONED AMERICA, etc) and showing that he was disappointed with America.

LOUIS VUITTON   (20 June, 14:30)

Virgil Abloh has invited guests at Place Dauphine (Remember Carrie Bradshow walking there in SATC) and offered LV branded wooden green benches, crepes and ice creams, alongside with the beautiful collection. It was clear – Virgil has settled at the house in a year, already has several signature shapes (and lots of accessories) and as he mentioned he just (or “just”) wants to present collections that will be consistent, will help more men express themselves (and he has a huge fandom in that area) and he won’t push the exact specific inspirations (remember Michael Jackson case from previous season?). Show featured some mind-blowing floral pieces (in a form of signature harness, hat and various embroidery) modern tailoring (note: the colors), lots of mixtures of work wear with formal wear and many, many bags (some really hardcore shapes). Originally, show was planned around Notre Dame, but it had to be changed due to the recent fire (although the cathedral was still present as a motif on some of the pieces). In a few words – there’s no stopping for Virgil Abloh and his “work”.

DRIES VAN NOTEN   (20 June, 16:30)

I can never describe my exact feelings about Dries. It means and express so much of everything for me. I just let clothes speak themselves – out of this world beauty, that is all things modern, masculine, sexy, sensual, rebellious, stylish - just b e a u t I f u l. Sometimes I cried…

VETEMENTS   (20 June, 20:00)

I, myself predicted year ago that Vetements could go to McDonald’s one day - and it actually happened today. Guests went to Champs-Elysees branch of the restaurant (biggest one in Paris) to see the show that did not really shock anyone but I guess still brought the excitement to them. Show featured all things Capitalism and more - re-worked famous logos (Likes of Heineken, Vodafone, Internet Explorer to name a few), police-branded bombers, signature flower prints and awkward quotes - everything VETEMENTS has became known For. After previous season’s dark extravaganza (my least favorite show of the brand), they kind of got back to the roots and put everyone’s favorite parody and sarcasm backed pieces. Does it felt new? Ofc No, but still you do not get the fashion show at McDonald’s everyday (or at all) and condom as an invitation, so the mission that means making fashion more fun and sarcastic (but still sell it expensive) was again completed. One of the most interesting quotes that Demna Gvasalia has mentioned to Sarah Mower_ is that he always wanted to have his own celebration at McDonalds since 1997, when McD has opened in Tbilisi, Georgia (and I also remember that very day like it was yesterday, how happy I was to hold Happy Meal menu in my hands there) but he could complete it oy now, in Paris. I can’t stop loving the Gvasalias, for making my country on an international map by showcasing its darkest secrets to everyone!

BERLUTI   (21 June, 13:00)

It’s Kris Van Assche’s 2nd runway show at Berluti and we kind of see where he is going - positioning brand as impeccable (quality-wise) tailor-maker with an youthful, modern touch (mostly expressed in vibrant colors of formal clothing alongside with layered styling). Featuring older models on the runway is a message that Berluti does not forget about mature customers but wants them to look modern. Despite the very strong comptetition in this particular niche (Dior Men's and Louis Vuitton Men's in the same holding as Berluti, LVMH), there's always a need for a good (and fashion-forward) tailoring.

JIL SANDER   (21 June, 15:00)

If you thought Jil Sander could not get more sensitive and delicate, here you go with latest collection, as designers Lucie and Luke Meiers (wife and husband) mentioned in an interview with Alex Badia, they are showing their vision of tailoring, how they feel about the it and offering new ways of wearing it and it just feels right! I kind of feel the duo’s takeover at Jil Sander is still underrated and they are actual creators of the modern but absolutely timeless fashion!

SSS WORLD COPR   (20 June, 11:00)

t’s a daddies world! Justin O’Shea keeps the dandy aesthetic and crazy prints on top of his brand, always showcasing at the fanciest locations of Paris - this time at Ritz, casting some really hot models who are actually various sport (boxing among them) athletes and maybe thats why all the extravagant prints felt more real and wearable than before. And I bet many of you saw the O’Shea serving the guests himself by champagne at the start and taking the bow while he was riding a bike - very casual, indeed.

DIOR MENS   (21 June, 18:00)

Mr. Kim Jones was man of the hour (or the season) once again. He killed it 3rd time. With his couture-approach to the Men’s clothing (with continuous revisiting Dior’s women archives, especially Haute Couture alongside with John Galliano creations) and collaboratiosn with the hottest creative minds of the moment, Jones is just writing down history of modern menswear. This time it was Daniel Arsham, whom Kim contacted year ago with a request and to put his unique approach to the Dior pieces. Known formanipulating and reinterpreting existing materials and structures, Arsham has clearly engaged with Dior aesthetics and we have got some really extreme accessories (with Yoon Ambush included in the work). Appears, it’s not first time for Arsham working for Dior – back in 2005, Hedi Slimane commissioned him to design Dior’ Homme’s LA flagship. Wll, I just think of time, when they let Kim Jones take over entire Dior house (with rumors on Maria Grazia heading to Fendi after SS 20 show).

GmbH   (21st June, 19:00)

Did you notice the evil eye? Hard not to! Serhat Isik and Benjamin Huseby literally decided to ”protect” models (and then customers) from the misfortune but making it look fashionable and wearable. Featuring the usual diverse and exotic casting, GmBH presented their best to date (imo) collection at the National Institute of Young Deaf People in Paris. It was all things GmbH does the best - tailoring mixed with sportswear paired with both formal and Asics collaboration shoes - and everything being as vegan as possible. Designer duo rapidly took the spot for one of the most anticipated shows at PFW and with every season they are showing a very logical development in all areas. They’ve easily made some of their signatures well-recognisable: would this be a double-zipper denim or their logo-branded pieces and now the broader introduction of accessories, they will surely strengthen their space in buyers order sheets and customers wallets - and the strange magical effect of the ”evil eye” should actually play the significant role.

SIES MARJAN   (22 June, 13:00)

Sander Lak is the latest designer to move from NY to Paris (a step that has not been effective for Proenza or Rodarte, but still works for Altuzarra) and take Opera Bastille as a location for its debut Parisian show. Starting from knitted jampsuit (season’s trend) continued with beautiful segment of beiges (denim and cotton) and colorful crocodile-effect faux leather outwear, show also included variations on zebra print. Most of the pieces felt quite gender-fluid - all the pieces that were worn by male models could be well put on 6 females that also walked the show. Except SS 2020, show also featured Fall 2019 capsule pieces that will be available for purchase now. It all felt very modern and easily wearable - everything we all need now.

OFFICINE GENERALE   (23 June, 10:00)

Peter Maheo always serves us with delightful Sunday morning breakfasts in Paris – no, there are no croissants or chocola-chauds, but some really chic Men’s clothes. I could spend entire Spring wearing the show’s opening look (mint tailored duo), or the second look, and third, and all of the 45 others. I love how Officine Generale has kept it consistent and doe not tries hard to present gimmicks that you can never wear – I just want them all!

LANVIN   (23 June, 11:00)

After all the past year’s shake-overs at LANVIN , it seems that brand is on the way to settle and reboots itself with a fresh new page. Will this become a successful book tome? Only time will tell, but the foreword looks promising. It was a first Men’s show for house’s new creative director, Bruno Sialelli (who went from Loewe) and what he presented to audience made everyone think about only one thing – holidays! Staged around one of Parisian public pools, the show featured everything (and more) you associate with holidays – nautical stripes, bucket hats, sailor collars and even sleeping bags – white and blue shades dominated. LANVIN men now also wears printed sequin dress, azur intarsia knit jacket on a naked body and lots of baggy jumpsuits – and it all feels very young and naïve.

ALYX   (23 June, 19:00)

Can we call it the coolest show of the season? It just amazes me how Matthew Williams managed to put the brand on top of the current fashion industry in such a short time. I guess the quality that you can feel all around the brand and a dedication that Matthew and her wife Jennifer Williams (who walked the show actually) put in their brand (they have moved from NY to Ferrara, Italy to oversee brand’s production in the local factories). The collection featured sharp and sophisticated shapes. Started with classy suits and quite sexy (women’s especially) looks, show continued with signature streetwear vibe, but it also felt very, very sophisticated and elegant (and that’s not wrong for streetwear, at all), outerwear was to die for - crocodile effect rubber-like coat just nailed it!

CELINE   (23 June, 20:00)

With the second standalone Men’s show under the label, Hedi Slimane has presented “nostalgia for things I probably have never known” (read embroidery on a tote bag). It was classic Hedi (and it’s now a definition of particular style, not a single designer aesthetic), classic 70’s but felt still modern for me (and many argue on that). There’s clearly a huge market for what he is doing and with Saint Laurent making shifts to detach itself from Hedi (and CELINE as a brand), sales should be heading to the desired peak (LVMH plans to double brand sales with the help of Hedi in a short time).

JACQUEMUS   (24 June, 17:00)

Do we need to say anything more on this show?

- - -

it was a season of SS 2019 (in June 2018) that made a huge breakthrough in Menswear – that was when Kim Jones and Virgil Abloh both had a debut seasons at Dior and Louis Vuitton and when Raf Simons returned to Paris – the craze that you could feel in Paris those days was insane, that was when everyone agreed that Menswear has its notable importance and it’s only gonna rise with every new season – with SS 2020 being fantastic continuation for that.

Oh and almost every designer mentioned how they are trying to be more sustainable, nature-friendly, gluten-free, etc…