#I can't be the only person who likes to write that

[felassan]

David Gaider on Fenris, under a cut for length:

"Fenris. Now, DA2 is a story all on its own but I'm not going to go there other than to sum it up as "we had just over a year and a half to make this". It's why I only wrote one follower, Fenris, and although it'll make his fans mad: I probably shouldn't have. Let me explain. The way we'd approach making the followers is brainstorming a list of concepts covering first the array of gameplay classes (and sub-classes) and then making sure they each have some skin in the game when it came to the story's conflicts - ideally having characters on both sides of the major ones. Why? You can't make a player care about the world, but you can make them care about characters who care about the world. It's the easiest way to provide hooks into a conflict, outside of it knocking on the player's door. Heck, it's probably better than that. Players will burn the world for approval. After that, we'd decide things like romances/sexuality. Then the writers would pick who they'd write. I always let my writers pick first. I figured they do their best work when it's something they're inspired to write... and they got so few chances at ownership, I wanted to give it whenever I could It's why I (reluctantly) let Patrick wrest Cole from my grasp in DAI, a character I'd created in Asunder. It's also why I let Jennifer take Anders in DA2, who I'd started in Awakening. In this instance, it meant I was left with the angry elven warrior character who nobody else appeared to want."

"It should have been my first clue that something was up. The second was how the artists had zero clue what to do with him. The art concepts were all over the place - from mages to crows to... well, even weirder. No matter how hard I tried to explain the idea, the artists simply didn't seem to get it Does this mean he was a bad character? Not exactly. Just an idea that probably deserved some re-examining. You can tell when an idea has a certain spark, and part of that is being easy to communicate. Sadly, there wasn't time for any re-examining even if it'd occurred to me. And it didn't, not yet. If it had, if I had time, maybe I'd have re-booted him as a templar. Someone pro-templar rather than anti-mage, who could give a personal hook into Meredith and give the templars some badly-needed humanity. But this falls into the shoulda-woulda-coulda category. I had a follower to write. Quickly. I struggled, at first. It was hard to get away from "Fenris hates everything, all the time". It felt very one-note, and I didn't know where to take him. My third clue, I guess. I also wasn't sure if I was the right person to write a former slave. I did know that couldn't be the center of his story. I did know trauma, however. How it can eat you up. How the hate and resentment is like drinking poison and hoping the other person dies. How it can infect your relationships. Fenris's trauma isn't my trauma, obviously, but here I dipped into a more personal part of myself than I'd ever done before."

"It gave me the center of his story I was missing, but wow was it uncomfortable. In a good way, maybe. I likely wouldn't have, if I hadn't been so desperate. In a way, I think DA2 had some of our best writing *because* of the timeline. It was raw, with little time to sand down the interesting parts. I wouldn't have done the "Fenris doesn't talk to you for three years" thing if I'd known we were going to cut all the reactivity initially planned for the time jumps. When that call was made, I campaigned to cut the jumps to a year, but there was no time for the revisions it'd need. So, um. Awkward. I used to get asked where the name came from, and I... don't remember? Obviously it's derived from Fenrir, but I don't recall why we picked that. Someone pointed at Fenris the Feared from Joe Abercrombie's books... and I did read them, so maybe the name lodged in my head? Wouldn't be the first time. Casting Fenris turned out to be easy. He was the first time I requested a specific VA and got him. (The other times were Merrill and then Solas, my two "I want these specific Welsh actors, please".) Why? OK, if you must know, I'd played a bit of Final Fantasy XII. I heard Balthier. "Yes, that." 😅 And Gideon Emery was a delight, as it turned out. Consummate professional, and that lovely gravel in his voice... good god. Bite the knuckles. There was a struggle to find the voice at the outset where I did my best not to say "just pls do Balthier" but he found Fenris on his own and it was amazing. Overall, Fenris turned out better than he had any right to, considering the rocky start. He had a lot of soul, a vulnerability forged by pain that struck a chord with a lot of players, and I'm glad. Do I regret anything? Probably having him live in a corpse-filled mansion that would never update. That's a hindsight thing, though, as again the cut to reactivity over the time jumps came late. Outside of that, maybe letting the player give him back to Danarius? Poor shock value and a waste of resources because almost nobody took the option. Good evil options are ones that are tempting to take. And the lyrium tattoos. Interesting concept, but they're probably why you'll never see Fenris in a future DA. He requires a custom body, and the tattoos make that expensive. It's why I put Fenris in my 4th DA novel - the cancelled one. Don't fret, though. He died in it, so this way he lives on. 😉"

[source thread]

User: "Wait wait how does he die in [the cancelled novel]??" David Gaider: "Gloriously, after taking up a cause he didn't believe in at first but then made his own, one that allowed him to rediscover what it meant to be elven." [source] David Gaider: "I’m not sorry about the novel cancellation. I’m the one who cancelled it. I am kinda sad we couldn’t make it work, though. Considering it was after I left the DA team, it would have been my final DA hurrah." [source] David Gaider: "From my perspective, it was kind of "well if you're never going to use him again, let me at least give him a proper send off" and the story required a glorious death... but I get that's not the story his biggest fans would want (which is Hawke + Fenris 4ever), so it's just as well." [source]

User: "You all did some incredible work with such a tight deadline" David Gaider: "I'm of the opinion that even if we'd had only another six months to bake, DA2 would be remembered as a classic and not either a flawed gem or underbaked sequel, depending on who you ask." [source]

[chaosmagetwin]

For me, I would push the button as much as I possibly could. And some of this i because of how I was raised, some of this is a lack of self worth (which I will explain), and some of this is a true desire to improve the world.

But this is all correct. Some people really do see the world as a competition. I think, for some, they can't envision a world where everyone else gets better, except for them. There has to be loss somewhere. There has to be winners, and losers, because "That's the way the world works". There is no neutral option, because those don't exist in their mind.

And some people see it as collaborative, and some of them think "If their lives improve, mine will too", and they're right. But also, some of them think similarly to the first group. That there are winners, and losers... and they're okay with being a loser.

CW: The Bad Brain, Clinical Depression ++

I was one of them, for a long time. Sometimes, I still slip back into these patterns of thoughts. The button wasn't some hypothetical, the button was real. The button was suicide.

I thought of the world in the terms of resources; people lived, and breathed, and ate food, and our poor little Earth couldn't really sustain us. I was a sad little child who didn't know she was trans, and thought "Well, I'll never have kids, I have no skills (I was 11 btw), and I have no interests outside of writing, I truly believe I will die at 22 years old, and ergo will serve no purpose. Also, no one loves me, and although they care about and miss me, I think they'll get over it. The only ethical decision is to die. It will make everyone happier, reduce the strain on resources (only slightly paraphrased), and I will be forgotten. Best case scenario."

In my 11 year old head, I'd convinced myself that pushing that button was possible. I'm certain there are people who would agree that I should have done it, but even at 11 I knew that anyone who agreed was a bad person.

I don't really know my point here. One read is "Maybe be wary of buttons like that". One is "Maybe the button isn't what you think it is, ELEVEN YEAR OLD CHILD." One is "Maybe such buttons do exist, but they really are neutral". Maybe it's "Everyone has a different view of what The Button is. Maybe we shouldn't judge folk for how or why they push the button. You don't know what it means to them."

I genuinely believe that some people could encounter a button that says “if you push this button everyone in the world has the opportunity to live a better life and your life remains exactly the same” and they would not push it.

They’d be like “well that button’s not fair to me, though,” even though there’s literally no other buttons around and nothing newly bad would happen to them if the button was pushed.

[mcrveilles]

just this once // ln4

still overwhelmed, still can't believe this this is getting to much attention 😭 ❤️🫶 THANK YOU FOR YOUR FEEDBACK AND YOUR RESPONSES I LOVE EVERY BIT OF IT

also why are my WORDS LIMITED???? I want to write MORE wtf tumblr

word count: 3.7k with some extras in the form of social media posts warnings: casual intimacy themes, secrecy, conflicts of loyalty, romantic tension and suggestive content includes: friends to lovers, fluff, best friends little sister, brothers best friend summary: after things cooled down for a little while, you have to face lando and your feelings once again... this time with consequences.

tag list: @sltwins @sarx164 @hadesnumber1daughter @fullmugwolffish @willowsnook @sageskiesf1 @f1fantasys @cmleitora @rawr-123s-stuff @leclercdream @chezmardybum @landossainz @cloud-55 @sillyfreakfanparty @harrysdimple05 @mwuaferrari @milkysoop

PART FOUR/2 previous part - next part

The sun dips low over the sky, painting it in shades of amber and rose as you finish getting ready. You’ve been pacing your hotel room for the last twenty minutes, debating whether you should even go to this dinner. Max made it sound casual, just friends and some of Lando’s crew, but the way your stomach twists tells you it’s anything but simple.

Since Monaco, things with Lando have been... complicated. He stayed over after Qualifying, the two of you wrapped in an unspoken agreement to keep things platonic. But nothing about the way he looked at you, the way his presence filled your space, felt friendly. Then there was the race—his P4 finish—and the small get-together afterward, where you both acted like nothing had happened. Since then, his schedule’s relentless pace kept you apart, exchanging only a few texts that danced around anything real. Just keeping in touch.

And now, this dinner.

You change into your favorite outfit, something understated but flattering, and force yourself to take a deep breath. It’s just a dinner. You’re friends, you tell yourself.

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The restaurant hums with life as you step inside, trailing Max and Pietra. Warm light glints off polished wood and delicate glassware, and the buzz of conversation wraps around you like a soft blanket. You glance at the private room Max mentioned earlier, feeling your pulse quicken. You know who’s waiting there.

When you walk in, the first person you see is him. He’s tipped back in his chair at the head of the table, laughing at something someone said, his grin so easy and familiar it makes your chest ache. Then his eyes land on you, and for a moment, everything else in the room seems to blur.

“About time,” he says, standing up in one smooth motion. His voice is light, teasing, but there’s something in his gaze that sends a spark down your spine. He greets Max with an effortless handshake-hug, Pietra with a peck on the cheek, and then his attention falls to you.

“Stranger,” he says. “Lando,” you reply, keeping your voice even as you raise an eyebrow. His grin tilts, just a little lopsided, and the look in his eyes feels like a challenge.

The dinner is exactly what you expected—good food, great wine, and laughter that fills the space like it’s been waiting for all of you to show up. Max, seated on your right, is in big-brother mode, making sure you try everything and nudging your glass whenever it’s even close to empty. Across from you, Pietra chats animatedly with one of Lando’s friends, and you smile along, but your attention keeps drifting. Lando is at the far end of the table, surrounded by people who hang onto his every word. He’s effortlessly charismatic, telling some story you can’t quite hear, but that has everyone laughing. Except every now and then, his eyes meet yours, just for a second. It’s like he’s checking in, or maybe daring you to look away first.

You don’t.

When he gets up to refill his drink, he passes behind you, his hand brushing lightly over your shoulder. The touch is so brief, so casual, that no one else notices. But it sends a shiver through you anyway. “Having fun?” he murmurs, his voice low and private, meant just for you. “Loads,” you reply, trying to sound unimpressed even as heat rises to your cheeks.

His chuckle is soft, almost affectionate, before he moves away. You tell yourself to focus, to ignore the way your heart is beating just a little too fast.

Later, the table splits into smaller conversations, and somehow, Lando ends up next to you. Max is too busy laughing at something Pietra said to notice when Lando leans in, his shoulder brushing yours. “This is torture,” he says under his breath, his knee knocking lightly against yours under the table. Your throat goes dry. “What is?” “You. Wearing this dress.” His voice is teasing, but there’s an edge to it that makes you hold your breath.

You don’t know how to respond, and for a moment, you just sit there, the noise of the room fading into the background. Then Max glances over, and Lando straightens, all easy charm again. “What are you two whispering about?” Max asks, his eyes narrowing suspiciously. Lando doesn’t miss a beat. “Just telling your sister she has terrible taste in wine.”

“Hey!” you protest, and the table laughs. Max shakes his head, rolling his eyes. “Don’t listen to him. He drinks that sparkling stuff like it’s water.” The conversation moves on, and you pretend everything is normal, even as Lando’s knee stays pressed against yours under the table. And you don’t move away.

As the laughter around the table flows easily, your own chuckle gets caught in your throat when Lando leans back in his chair, stretching casually, but you don’t miss the way his knee once again brushes against yours under the table. It’s subtle, almost as if he’s testing to see how long he can get away with it without anyone noticing. Your pulse quickens, and you do your best to focus on Pietra, who’s telling an animated story about a mishap at her last work event.

But Lando is… distracting. His words replay in your head on an endless loop—”this is torture”—and you swear you can still feel the ghost of his knee against yours under the table. It’s maddening, really. The ease with which he teases you under Max’s nose, how effortlessly he switches back to joking with the group like he didn’t just upend your entire sense of composure.

You glance his way and catch him smirking, like he knows exactly what he’s doing. His focus shifts back to his drink, but there’s a flicker of something in his expression—playful yet deliberate—that makes it impossible to ignore him. You try to shake it off. You tell yourself that it’s just Lando being Lando: cheeky, teasing, good at making people feel... something. Just like always. Except this doesn’t feel like always, and that’s the problem. You’re trying to focus on the ongoing conversation. Something about summer plans, maybe? You’re not even sure anymore. Lando is leaning back in his chair again now, one arm draped lazily over the back of his seat, looking every bit like someone who hasn’t a care in the world. But he keeps glancing at you when he thinks no one else will notice.

“Alright,” Max announces suddenly, clapping his hands together as if he’s about to make a grand proclamation. “Drinks back at mine?” There’s a chorus of agreement around the table as chairs start scraping against the floor and people gather their things. You hesitate, glancing at your phone like you might have an excuse to slip away. But before you can concoct some half-hearted reason to head back to the hotel, Pietra loops an arm through yours, effectively trapping you. “You’re coming, right?” although she forms it as a question, you know it’s really not.

“I wouldn’t want to miss out,” you reply lightly, smiling at Pietra. Who, satisfied with your response, let’s go of you to join Max again. Your stomach twists again when you see Lando standing by the door, your coat in his hands, waiting like he has all the time in the world. His curls are a little messy, his grin lazy, yet sharp as his eyes meet yours in the dim light. It’s as if he can sense your hesitation and is daring you to pull away. “Come on, stranger,” he says softly, leaning just close enough that his voice feels like it’s wrapping around you. “Can’t bail now.” You narrow your eyes at him, trying to ignore the way your heart jumps at the way he towers ever so slightly over you. “I didn’t say I was bailing.” “No?” His gaze drops briefly to your phone in your hand, then flicks back up to catch yours. “Good,” he says, his voice dipping lower, quieter. “Because I wasn’t going to let you.”

It’s infuriating how easily he gets under your skin. With a huff of mock-annoyance—because genuine annoyance is impossible when he’s looking at you like that—you slide your arms into the coat he’s still holding and step away before the spark between you burns any brighter.

The group spills out into the cool night air, laughter echoing down the cobblestone street as everyone makes their way toward Max’s flat. Pietra loops her arm through yours again, chatting about some new café she wants to try tomorrow for breakfast. The walk to Max’s place is short, but it feels like an eternity with Lando so close behind you in the group. Every step feels charged, like there’s an invisible string stretched taut between the two of you. You try not to think about what he said earlier—or how his knee pressed against yours, or how warm his hand had been on your shoulder at dinner—but it’s useless. He’s inescapable, even when he isn’t touching you.

When you finally reach Max's apartment, everyone else appears calm and carefree. However, you have come to the realization that you can no longer let Lando do this to you. You don’t know if he isn’t aware of the drama it would cause if Max found out or if he just doesn’t care about the consequences—you however do care about the consequences. While never openly spoken about, you know how your brother would feel about this. He’d hate it. Lando is his best friend and you are his little sister. Two things that, frankly, shouldn’t mingle so close. So you make the decision to talk to Lando tonight.

It’s not like you don’t care or that you don’t feel things when you’re around him, but is acting on it really worth the pain it could and would cause?

Eventually everyone is spread across the living room, laughing and reminiscing, the buzz of good drinks and great music keeping the energy alive. You’re perched on the arm of the couch, balancing your drink as Pietra chats animatedly beside you. Across the room, Lando lounges in a chair, looking infuriatingly relaxed, his attention shifting to you every few minutes. It’s subtle, the way his gaze lingers just a fraction too long, but you feel it—like a spark skittering across your skin. You pretend not to notice, focusing on Pietra's story about her disastrous attempt at paddleboarding last summer. But when Lando catches your eye mid-sentence, raising his brow in a silent tease, your stomach flips.

Max comes in from the kitchen, holding a fresh beer, his presence immediately commanding attention. “Alright, whose idea was it to leave me in charge of snacks?” he announces. “I could barely find some crisps, let alone figure out this sweets situation.”

Pietra groans. “Max, it’s literally all in the cupboard. You just have to put it in some bowls.”

“But that’s where you put them!” Max protests, plopping down beside Pietra. His knee bumps yours, but his focus is on his girlfriend, who shakes her head fondly. Lando seizes the moment to move closer, taking the newly vacated spot on the couch next to you. “You okay there?” he murmurs, low enough that only you can hear. “Perfectly fine,” you shoot back, matching his tone with a pointed glare. But your attempt at indifference falters when his knee brushes yours—deliberately, you’re sure. “You’re really gonna keep your distance tonight, are you?” he asks, his voice light but carrying that edge of challenge that makes your heart race. “I am sitting next to you,” you counter, swirling your drink for effect. “You’re just mad I’m busy talking to everyone else tonight.” He chuckles softly, the sound brushing against your skin like velvet. “Give it time.”

Before you can respond, Max’s voice cuts through the room. “What are you two whispering about now?” His tone is joking, but there’s a hint of suspicion there that makes you stiffen. “Just telling your sister she needs to get some updated LN4 merch for the weekend,” Lando says smoothly, leaning back like he doesn’t have a care in the world. “Excuse me?” you retort, feigning outrage. “That stuff is expensive, genius.” The group erupts into laughter, and Max shakes his head, rolling his eyes. “Of course, it is. You should stick to the Quadrant merch anyhow.”

"Hey now," Lando protests with a grin, "I'm hurt, Max. Thought we were friends." The conversation shifts, but you can't shake the tension thrumming beneath your skin. Lando's presence beside you is electric, and you're acutely aware of every subtle movement he makes. You try to focus on the others, laughing at the right moments and nodding along, but your mind keeps drifting back to the man next to you. While Lando's quick thinking may have diffused the situation, it only reinforces your resolve to talk to him. You need to set things straight before they spiral out of control.

As the night wears on, you find yourself growing more and more restless. You've been careful to mingle with everyone, pointedly avoiding extended conversations with Lando. But his presence is a constant, hovering at the edge of your awareness. You catch his eye across the room more than once, and each time, that familiar spark ignites in your chest.

Finally, as the party begins to wind down, you see your chance. Lando slips out onto the balcony, and after a moment's hesitation, you follow. The cool night air is a relief after the warmth of the apartment, and for a moment, you just stand there, letting it wash over you. "Thought you might follow me out here," Lando says softly, not turning around. He's leaning against the railing, his profile illuminated by the city lights below. You take a deep breath, steeling yourself. "Lando, we need to talk."

He turns to face you, his expression unreadable in the dim light. "I was wondering when you'd say that," he says softly, a hint of resignation in his voice. You step closer, careful to keep some distance between you. The city sprawls below, a tapestry of twinkling lights and distant sounds, but your focus narrows to the man in front of you. The air feels thick with unspoken words and simmering tension.

"This... whatever this is," you begin, gesturing vaguely between the two of you, "it needs to stop." Lando's brow furrows, a flash of hurt crossing his features before he schools his expression. "What exactly are you referring to?" he asks, his tone carefully neutral. You take a deep breath, steeling yourself. "The touches. The looks. The... the way you've been pushing boundaries tonight. It's not fair, Lando." Your words hang in the air between you, heavy with implication. Lando's jaw clenches, a muscle twitching as he processes what you've said. For a moment, the only sound is the distant hum of the city below and the muffled laughter from inside.

"Not fair?" Lando repeats, his voice low but charged with emotion. "What's not fair is pretending there's nothing between us." He takes a step closer, his eyes searching yours in the dim light. "Do you really want to ignore this? To act like we don't feel anything when we're around each other?" You bite your lip, trying to ignore the way your heart races at his proximity. "Lando, it's not that simple. Max is your best friend, and he's my brother. We can't just—"

"Can't what?" he interrupts, his voice rising slightly. "Can't be honest about how we feel? Can't take a chance on something that could be amazing?"—"Shh!" you hiss, glancing nervously at the sliding glass door. "Keep your voice down. Do you want everyone to hear?" Lando runs a hand through his curls, frustration evident in every line of his body. "Maybe I do," he says, though he lowers his voice. "Maybe I'm tired of sneaking around, of pretending I don't want to be near you every second we're in the same room."

His words send a shiver down your spine, and you struggle to maintain your composure. "It's not just about us," you argue, your voice rising slightly. "What about Max? He's your best friend, Lando. How do you think he'd react?" Lando's eyes flash with a mix of frustration and determination. "I care about Max, you know I do. But I'm not going to let fear of his reaction dictate my life. Or my feelings." You glance nervously towards the sliding glass door, worried that your raised voices might carry inside. The last thing you need is for someone to come investigate. "Please, keep your voice down," you hiss, even as your own emotions threaten to overwhelm you. "No," Lando says, his tone firm but not unkind. "I'm tired of keeping quiet about this. About us." He takes another step closer, close enough that you can smell his cologne, a mixture of citrus and something woody that makes your head spin. His proximity is intoxicating, and you find yourself swaying towards him almost unconsciously.

"Lando," you breathe, your resolve weakening with every passing second. The city lights dance in his eyes, casting shadows across his face that only enhance his features. You can see the determination there, the longing, and it mirrors the ache in your own chest. But he's not listening. His eyes are locked on yours, dark and intense in the city lights. "I can't keep pretending," he murmurs, his voice low and husky. "Can you?" And before you can answer, before you can even think, he closes the distance between you.

His lips crash against yours, urgent and desperate. For a heartbeat, you're frozen, caught between shock and desire. Then, as if a dam has broken, you're kissing him back with equal fervor. Your hands find their way to his curls, fingers tangling in the soft strands as his arms wrap around your waist, pulling you flush against him. The world narrows to this moment—the taste of him, the warmth of his body, the way your heart threatens to burst from your chest.

It's everything you've been trying to deny, everything you've been afraid to want, distilled into a single, burning instant.

But reality crashes back in like a bucket of ice water, and you jerk away, your eyes wide with panic, breathing hard, your lips tingling and your mind reeling. "We can't," you whisper, your voice trembling. "Lando, we can't do this." Even as every fiber of your being screams to pull him close again. Lando's eyes are wide, his chest heaving as he stares at you, looking as stunned as you feel.

Before he can respond, the sound of the balcony door sliding open makes you both freeze. You take a hasty step back, your heart pounding so loudly you're sure everyone can hear it. Max steps out onto the balcony, his eyes narrowing as he takes in the scene before him. You and Lando are standing suspiciously close, both of you looking flushed and slightly disheveled. The air between you crackles with tension, and for a moment, the only sound is the distant hum of the city below.

"What's going on out here?" Max asks, his tone light but laced with suspicion. His gaze flicks between you and Lando, searching for answers in your expressions. Lando, ever quick on his feet, lets out a low whistle and gestures broadly at the cityscape. "Just admiring the view, mate," he says, his voice only slightly strained. "Can't beat a night like this, can you?" You nod enthusiastically, perhaps a bit too eagerly. "It's gorgeous," you agree, willing your racing heart to slow. "I was just telling Lando how I could stay out here all night."

Max leans against the doorframe, his arms crossed over his chest. The look he gives you is one you've known since childhood—the one that says he's not quite buying what you're selling. "Really?" he drawls. "Because from where I was standing, it looked like you two were having a pretty intense conversation."

You feel your face flush as Max's gaze bores into you, his expression a mixture of concern and growing suspicion. The air on the balcony suddenly feels thick, charged with an uncomfortable tension that even the cool night breeze can't dispel. The city lights twinkle innocently behind you, a stark contrast to the tension crackling in the air. You open your mouth to respond, but the words stick in your throat. Lando shifts beside you, and you can feel the heat radiating off him, a reminder of what just transpired.

"Max," Lando starts, his voice steady despite the circumstances. But Max holds up a hand, silencing him. "Max," Lando repeats, forcing a laugh that sounds hollow even to your ears. "Mate. We were just..."—"No," Max says, his tone sharp. "I want to hear it from my sister." His gaze locks onto you, and suddenly you feel like you're fifteen again, caught sneaking out to a party. Except this is so much worse.

You take a deep breath, willing your voice not to shake. "Max, it's not—"

"Don't," he interrupts, his eyes flashing. "Don't lie to me. I've seen the way you two have been acting all night. The whispers, the looks. And now I find you out here, alone, looking like..." He gestures vaguely at your disheveled appearance. Your stomach drops as you realize the jig is up. Max's eyes narrow as he looks between you and Lando, taking in your flushed faces, the slight dishevelment of Lando's curls where your fingers had been moments ago.

The silence stretches between you, heavy with unspoken truths. You can hear the muffled sounds of the party inside, laughter and music that seems to belong to another world entirely. A cool breeze ruffles your hair, carrying with it the scent of the city and the faintest trace of Lando's cologne.

"How long?" Max asks, his voice barely above a whisper. "How long has this been going on?" You open your mouth to speak, but no words come out. Lando steps forward, his shoulder brushing yours in a gesture that feels both protective and defiant. "Max," he begins, his voice steady despite the tension thrumming through his body. "It's not what you think."

"Oh really?" Max's laugh is bitter, cutting through the night air like a knife. "Because what I think is that my best friend and my sister have been sneaking around behind my back. Am I wrong?"

[valyrfia]

I think Max will either retire or move to Ferrari in 2027

OUR LESBIAN FERRARI PROPHET SAYS SO? DROP THE TIMELINE

Okay okay anon walk with me.

So I think Lewis is Ready for Retirement. I think he would've retired at Mercedes, eighth championship be damned, if Mercedes had just given him an ambassador contract so he could've used his position and his brand for the causes he wants to dedicate the second half of his life to. As is, Mercedes refused to give him that contract (which, I could go on for AGES about how blindly ridiculous that is and is a clear marker of how far this sport still has to go re: racism)–but Ferrari did.

However, to be a Ferrari ambassador, a 2+1 year race contract accompanies it. Obviously this is a good move for Lewis anyway since it's looking like Ferrari will be one of the quickest teams moving into 2025 and Lewis must have some information on how they might nail the regulation change come 2026, but, and this may be controversial. Charles Leclerc is an established driver at Ferrari, the absolute darling of the tifosi (I mean, he's the second most important person in Italy after the literal pope), and most importantly he's a driver that has not yet hit his ceiling. Now, this is where I tread carefully, but I believe that Lewis, in comparison, is past his prime. Sure, he pulled off an incredible drive at Silverstone this year but he has not been able to match George–and George I believe is currently at a lower level than Charles. I have a sneaking suspicion that Charles is, well, going to walk all over Lewis next year. And if Lewis truly has only moved for the sake of the ambassador contract, he'll break the racing contract after 2 years.

Okay but Ollie is supposedly lined up for that Ferrari seat, and Ferrari NEED an order of succession, so who says that Max will take it?

Red Bull Racing is falling apart at the seams (sorry RB fans). Christian Horner is a power-hungry [REDACTED] who will bring the whole team down with him. The Thai side have never really cared about the Formula 1 team (and I know from Sources, backed Christian Horner in this whole fiasco which is why CH wasn't fired). Newey is gone, I'm sure other key figures will get pinched in the next couple of years, Max has kept everything together for pure skill this past year but the writing is on the wall. I'm going to hold everyone's hands when I say this, but I don't think Red Bull are winning either championships next year....

However, for as much as Max loves to talk about it, I don't think he's actually ready for retirement. I also don't think he'll be the type of guy to retire on a low. Max's contract is until 2028, but he can break it if he drops to P3 in the championship, which, I think there's a non-zero chance of happening in 2026 especially under new regulations/brand new engines.

So Ferrari are likely going to nail the new regs, Max doesn't want to retire on a low, and it looks like Ferrari shopping for a driver and Max wanting to leave Red Bull will line up within roughly the same window.

There's also a couple of sentimental reasons I want to point to. Max (as much as he tries to deny it) is a victim of the old Red Bull Golden Boy curse of being a Ferrari fan. I mean, he literally grew up in the Schumacher era, with his father being friends with Schumacher. He's stated multiple times how if he can't hear the Dutch anthem on the podium he'd like to hear the Italian one. I suspect deep down, he's much more of a tifoso than any of us realise.

There's also the Charles Leclerc of it all. Now really walk with me here because this is tenuous and yes is coming from a known Lestappie (tomato tomato) but isn't really a Lestappen argument.

Charles throughout his entire career has been obsessed with measuring himself up against those who are considered the "best of the best" and showing that he can beat them. He ate Seb alive, he'll likely do the same with Lewis. But both of these are drivers past their primes, at the very end of their lifespans. Charles has still yet to prove he can go toe to toe with a great at their prime and win.

Charles is, literally obsessed, with comparing himself to Max in interviews. Now (RIGHTLY SO) we Lestappies all point and laugh and call him a little obsessed but there's a very real publicity reason he wants to insist to everyone how him and Max were on each other's level in karting–people will subconsciously start to associate Charles as being on Max's level even if he hasn't proven it with championships. It's a very calculated move by Charles, and one I haven't seen many people discuss. Charles wants his name and Max's to be said in the same sentence because it validates Charles' own skill.

But Charles doesn't want to be known as Max's equal, not really, what he really wants is to be considered better than Max. And if he can't do that through number of championships, he can do it by putting the two of them in equal machinery. I think Charles will actually push Ferrari into trying to sign Max, because this is the way he can cement himself firmly as one of the greatest F1 drivers of all time.

So I think a perfect storm of these combination of different factors will result in a Max to Ferrari move in 2027. Obviously all pure speculation, but drawing everything together, I'd give it maybe a 50% chance (providing Ferrari actually do come together which, Forza).

[skzaholix]

amore , mio stray kids series

AMORE MIO : otherwise known as "my love" is a collective bunch short love stories about our favorite boys based on songs to celebrate the upcoming love season, winter !

HE'S A GENTLEMAN , c.b - in progress / highschool au / sunshine / grumpy trope ! you've always been one who is oppressive to love, rightfully so, you've been through many heartbreaks. yet, what happens when the one guy you've never shown much of an interest in, shows you what love truly is?

MILLION DOLLAR MAN , l.m - in progress / fake dating trope / holidate au "they say money can't buy happiness, but money bought you, didn't it?" in which the million-dollar man chooses you to be his fake date for each holiday with his nagging family.

ARE YOU LONELY? , s.c - in progress / enemies (?) to lovers / popular prson, loser boy trope being popular doesn't mean having friends, at least friends who are real, so what happens when the only person there for you, is the one person that you hate?

KISS ME , h.h - in progress / she's all that au / popular boy , nerdy other trope popular boy, hwang hyunjin gets peer pressured into a bet to date the nerdy, pretentious, loser of the school and to make them popular in 6 weeks yet, what happens when you become more than just a bet?

LOVE , h.j - finished / starcrossed lovers / rich and poor au / lovesick! jisung " It doesn't matter if I'm not enough for the future or the things to come cause I'm young and in love " you're in different worlds yet individuals who love each other, you've accepted it. you know you can't be together but he just can't get enough.

LOVE STORY , l.f - in progress / starcrossed lovers / prince and painter au months, weeks, days are coming very close til prince felix is crowned king and before he does that, he needs to pick someone to rule with him but, why can't it be you?

I WANNA BE YOURS , k.sm - in progress / fake enemies to lovers / sunshine and grumpy trope in the eyes of seungmin, you're annoying, you're too bright, and definitely too happy so when you take notice of that and decide to hang with someone else, why does it make him... jealous?

THE NIGHT WE MET, y.j - in progress / strangers to lovers / starstruck(?) au you, getting away from a crowd of your family's bodyguards ran into him yang jeongin, the man you'll spend a night of fun, scares and more with

AUTHORS NOTE: happy (almost) holidays everyone, i had so much fun preparing these plots for everyone, i kinda feel like we need more sfw fluff in the skz or even more writing communities so i decided to muster up my very first series lmk what ygs think maybe i'll do more series i also wanted to do something new for some members than expected soooo

[draconeko]

I just arrived and I apologize in advance if I write a lot of text but omg I like to explain what's on my mind even if there's no need @asperanna @jonksi @onionowt @nanomii @rainbigbrain @ejsuperstar @ebi-skycotl ( You don't have to read my ramblings but I put the tags anyway )

Pluto is a mix of orange, skrunkly and smol. The kind of cat that I would totally hold in my hands but end up with a bitten finger. They are funny, they talk a lot and I find them very authentic, the kind that you imagine running energetically around you and their motivation rubs off on you, when I met them I thought they were more chill but I never felt disappointed for being wrong

Jojo/Kitty/Catofaurora I would say is a mix of Loaf and skrunkly, she is very funny, she makes you feel welcome, she is understanding and her humor always makes me laugh, she always has some joke to make about some random post. You can tell she has a good heart, that's why she is a loaf to me, I wouldn't be here if she hadn't found me.

Onion, nanomii and Rain were definitely (maybe still are) Tux, but now that I've interacted with them they're more of a mix of Tux and other cats

Regarding Rain, I agree with Pluto, they're totally a cloud, they're chill, they're calming and friendly, probably introverted like most of us, but they're the perfect person to talk to when you have an anxious mind.

Onion is a shorthair! Outside of admiration, I always remember the post that talked about their studies, I've always perceived them as someone who has worked very hard but is unable to notice how much their effort has paid off. As a person they seem very soft to me, maybe that's why the hug, must protect?

Nano is smol, we're both too anxious to even talk, we probably want to but we don't know how, if you read this nano, I appreciate you just for leaving little messages on rbs

EJ would say they're smol too, maybe smol creature? they are right in the middle where they are not chill enough to be a cloud, but not chaotic enough to be orange or skrunkly. It's a balance that I find very curious. I can't describe this with cats but I find them very full of passion, I admire people who are passionate about the things they like (even if it's just a hyperfixation). Basically a person that makes me very curious but I'm not sure how to interact

Ebi, Ebi is Loaf and shorthair, they makes me feel cuteness aggression, very soft, very gentle, a good listener not only to friends but to total strangers, sometimes very altruistic too. It's a surprise that there's so much evil for their ocs in their heart, I can expect it from Ari, from pluto, bohap or aria, but ebi… Anyway I still remember what they wrote when thet made the drawing of the deer of the nine colors, I think it's something that totally stuck in my memory and I don't know why.

I hope I haven't forgotten anyone, I'm sure I can assign a cat to some other mutuals but right now my mind isn't bringing them up.

WHAT KINDA CAT ARE YOUR MUTUALS

I REALLY WANNA SIT HERE AMD GO THROUGH TAGGING EVERYONE BUT I HAVE TO GO TO BED NOW SO I’LL DO SO TOMORROW!!!

[zigrethsnotebook]

How do you manage to make even the most mundane things sound exciting?

Ford x Reader

words: 3,154

tags: sfw, hurt and comfort

a/n: this was the only note i made for myself before writing this: hnghnghng this is about moths now so yeah... enjoy:)

It's been a whole year. The twins are back from their sea adventure and the kids are staying with them for the summer again. You were on your way over to the shack. Stan had written you a letter, inviting you over. He said it'd be nice to catch up, tell you and the kids all about their time at sea and that way they wouldn't have to tell the stories twice.

The stories weren't the only thing you were excited for. Before they had left Stan had encouraged you to confess to Ford, insisting that his brother felt the same for you as you did for him. But when you told him he just went silent for way too long.

"Ford?" A nervous chuckle escaped you. "Please say something?" He looked into your eyes, his gaze blank and unreadable. "I'm sorry." The words felt like a dagger to your heart. "F-for what?" You at least wanted him to have the balls to say that he doesn't care for you. "I don't see a romantic relationship between us having a future. Especially with Stan and I going out to sea tomorrow. I'm sorry."

You just nodded, taking the words in. "...This didn’t ruin what we have, did it? Will we still be friends when you get back?" Your voice was small, afraid of his answer. "I'll always be your friend." A sigh of relief. The idea of him not being a part of your life had been the reason you didn’t want to confess to him in the first place. You only did it because Stan was so convincing that he reciprocated your feelings. Turns out you were both wrong.

You shook your head, breaking yourself out of the bad memory. After almost an entire year, you had come to terms with it. Now, you were just excited to see your friend again. Excited to have a normal conversation with him again.

Back in the shack the Family was preparing everything. The kids and Soos got the snacks and drinks ready while the Twins were busy starting the campfire. Stan watched as Ford poked around in the fire. He shook his head.

"I'll never understand it." Ford looked up at his brother. "I'll never understand how someone as smart as you could let go of the person who would have been the best thing in his life." Ford sighed. They had had this talk before.

It was pretty much the only thing they talked about the first week at sea. Stan would also bring it up anytime a night on the boat was too long and too quiet.

"We have nothing in common... That and our lifes are way too dangerous, I can't bring another person with me." He saw the disapproving look on Stan's face. "It's not like I have anything to offer. I've spent my whole life buried in books and research. I don't know how to be in a relationship."

Stan scoffed at that. "What are you talking about, Sixer? You're a catch! Times change, Nerds are the new Jocks. There's a reason I was the second choice for most of the babes we met." A bittersweet chuckle escaped Stan.

Ford sighed, focusing on the fire again. "It doesn't matter anyway. Even if I wanted to try again, I highly doubt that they're still single." Now that was something Stan couldn't counter. Mainly because it's something he hadn't even considered. You were so head-over-heels for Ford the last time you and Stan talked, it just didn’t seem likely that you'd go looking for someone else.

The kids and Soos came outside, carrying marshmallows, crackers, chocolate and Soda. Dipper was the first to sit down on one of the logs. "I can't wait to hear of all the creatures you found! It must have been awesome!"

"You bet!" Stan grinned at the boy. "But we won't start with the stories yet, someone is still missing." Ford looked at his brother suspiciously. "What are you talking about, Stanley?" At the same time Mabel's eyes widened. "Are you saying we get to see-" She was cut off as Stan stood up and called out your name, announcing your arrival.

You smiled sheepishly and greeted everyone. The kids were super excited to see you again and Mabel ran over to hug you. You hadn't realized how much you missed them. When she let go of you she practically dragged you over to the campfire. Stan, who was still standing, hugged you as well.

"It's good to see ya again, toots." You chuckled. "I missed you, too, Stan." You broke the hug and turned to Ford who made no effort to get up or anything along those lines. Instead, you just waved at him, but gave him the same fond smile you had shown the others. "The same goes for you, Ford."

Behind you, Stan frowned at his brother, obviously disappointed at the lack of enthusiasm he showed you. He quickly put on a smile as he addressed you again. "Please, take a seat! We were just about to begin with our stories."

You sat down between Stan and Soos, who just greeted you with a simple "Hey dude". You two had become friends over the course of the last year.

Soon everyone had prepared a stick with a marshmallow and held it over the fire while Stan told the most extravagant stories of their travels. You were glued to his every word, his storytelling being how you two became friends in the first place.

You were so engrossed in the stories that you didn’t notice the way Ford looked at you. He adored you. The way the warm light of the fire illuminated your features perfectly. The way your eyes seemed to sparkle with pure joy as Stan talked about heroically fighting off some beasts. Hell, he loved you.

This wasn't news to him, of course. Ford had known this for over a year. In fact, when you confessed your feelings for him, he wanted to hug you, kiss you, propose to you on the spot. But he didn’t. Because he felt like he wasn't enough.

Ford felt like he didn’t deserve happiness after almost ending the world and he knew that he would achieve it if he let himself be with you.

Back then, after you had left, Ford had told Stan about the whole thing, who took him by the shoulders and shook him, asking him if he was insane. The next day, when they were about to leave, you had stopped by to say goodbye to Stan, but refused to speak to Ford, politely making up a reason why you had to leave again.

It had crushed him. Ford wanted to sprint after you, turn you around and kiss you all dramatically like in the movies. But he didn’t. Because he had hurt you already and didn’t dare to make it even worse.

Which, of course, had made it worse anyway. The way you had parted ways meant that you were left all alone with a broken heart. And you couldn't even talk to your best friend about it because he was on the same boat as Ford.

But now, as Ford looked at you again, he felt all the feelings he had been trying to bury beneath the ocean floor bubble back up again.

"And that is how Ford and I defeated the mighty Kraken!" Stan was standing, his hands raised to the sky in triumph. All of you cheered and clapped your hands. It was so good to hear his gruff voice and exaggerated stories again. Although, you were more inclined to believe him this time.

The evening went on with more stories, smores and lots of laughter. You were so relieved to have them back in your life again, all four of them. You had missed them more than you realized.

Eventually, it turned late and the kids began to get sleepy. The fire had also died down. In a joined effort you all cleaned the place back up, bringing the rest of the snacks and drink back inside the shack.

After putting more things on the kitchen table for Stan and the kids to put away you went outside again to see if there was anything else to get. Soos came your way and you held the door open for him as you stepped outside.

Ford was still there. "That's everything. Soos took the last of it." You nodded. "Neat." You were about to step back inside again when you felt Ford's energy shift to a more energetic one. He pointed to the porch light.

"Look at that! That's a Tyria jacobaeae! I haven't seen one of these in ages. A beautiful creature, just look at the markings on its wings, the bright red color..." Ford looked at the moth in awe and when you stepped closer you realized why.

The little black and red creature truly was stunning. But if Ford hadn't pointed it out then you never would have noticed it. "It is really pretty. But there is no way I'm gonna remember a latin name for anything." You chuckled lightly as you said it.

Ford hummed in acknowledgement. "Well, it is more commonly known as the Cinnabar Moth. Cinnabar, like the mineral, of course, because of its striking color. It wards off predators, letting them know that they're toxic."

You instinctively took a step back and Ford chuckled at your reaction. "There is nothing for you to worry about unless you plan to eat the little guy." You rubbed the back of your neck sheepishly. "Haha, no. Doesn't really fit my diet." Ford and you shared a laugh together.

Another, considerably larger, moth joined the other one at the lamp. This one was bright white and yellow with little black dots on its wings. Ford nodded knowingly as he spotted it. "Estigmene acrea. The Salt Marsh Moth. Very pretty, but did you know that these little guys aren't very well liked around here?"

Even though it was a rhetorical question you shook your head 'no' and sat down on the couch Stan kept on the porch, letting Ford lecture you. He quickly sat down next to you as he continued. "They feed on most crops which means that farmers have to be on the lookout for them around this time."

God, how you had missed this. Just hanging out with Ford, letting him tell you all about a subject he was passionate about was one of your favorite things in the world.

Your gaze shifted from the Moths in front of you to Ford's face as he kept on talking about the little creatures. You didn’t try to keep the look of adoration off your face as you watched him animatedly explain the differences in their wingspans.

Eventually, he noticed your staring and turned his eyes to you, stuttering his speech to a halt. You chuckled fondly. "How do you manage to make even the most mundane things sound exciting?" He laughed and rubbed the back of his neck sheepishly.

"You just have to open your eyes and learn to find beauty in the mundane. That way you won't ever be bored again." As if on its own your body leaned towards him. You quickly stopped yourself. He rejected you once, you didn’t need to go through that again. Ford hadn't noticed.

You forced your eyes away from his and toward the moths again with a sigh. "The only times I haven't felt any boredom were the days I spent with you last year." A tight feeling settled in your chest as you spoke the words, but you couldn't stop yourself. "And today, of course."

You tried to keep your tone casual, your voice light. Ford felt an ache in his heart. He wanted you to never be bored again, show you the world through his eyes. Show you how he saw you.

"Surely you weren't bored every day of this past year, right? I bet you went on at least one interesting date?" He tried to keep his tone equally casual. Tried to keep the desperation out of his voice.

You snorted. "Yeah, right. Who'd wanna date me?" "I would." You froze. Surely you had misheard him? You turned to look at Ford again, his expression was... honest?

You frowned. "I'm not in the mood for jokes, Ford." You stood and turned, about to walk away. Ford grabbed your wrist, stopping you. "Who's laughing?" You pressed your eyes shut and stayed with your back to Ford, unable to look at him.

"I just got over you. Don't make me go through all of that again." Ford felt his heart shatter in his chest. "I am so sorry." He paused, trying to find the right words. "I was a selfish asshole. And you deserved so much better. You still deserve someone so much better than me."

Ford took a deep breath, still holding tightly onto your wrist. He couldn't let you go until you knew the truth. "I, on the other hand, don't deserve your forgiveness. Hell," A bitter laugh escaped him, "it took Stan a whole year to convince me that maybe I deserve to be happy sometimes at all, even though I almost caused the world to end."

He took a shaky breath, tears pricking at his eyes. But he wasn't done yet. "I spent the whole year regretting every word I said to you that day. Because... what I didn’t have the guts to tell you then is... I love you."

Ford stared at the back of your head, looking for any movement at all that could give away how you felt about his words. But you didn’t move for a moment, didn’t spare him a glance. Without a word, you flexed your arm and pulled hard, tearing your wrist from his grip.

You walked away from him and the shack without turning back. Ford was in shambles, his legs trembling and tears flowing freely. He wouldn't have been able to follow you.

Stan and the kids had watched the whole thing unfold from one of the windows, being attracted to the sudden noise like moths to the light. Now they stood shocked, with their jaws on the floor.

Back at home you threw your shoes and jacket in a corner before collapsing onto your bed. You were angry at Ford for treating you like that, playing with your emotions for over a year. Slowly, it settled in that Ford had just confessed his love to you.

After a year of thinking he didn’t want you that way, it left your emotions all over the place. Angry, sad and with a weird feeling of relief you cried yourself to sleep.

A soft knock to your window woke you up again. It was still dark outside. It was a big window that led to a balcony. You stepped in front of it and pulled the curtains back, revealing Ford. He looked like a kicked puppy, making it impossible for you to ignore him.

You opened the window and stepped outside to him. "What do you want, Ford?" He cringed at your harsh tone of voice. "I came to apologize... again. I know I hurt you. I know I behaved all wrong. And I'm sorry." He looked up into your eyes.

"I don't expect you to fall into my arms or anything like that. You're over me and that's fine. I won't try to win you back. I-I just wanted to be honest... but, maybe that made it worse again..." Ford shook his head, starting to pace around in front of you.

You took a deep breath. It was time to just let go of your anger and instead seize the moment while you had the chance. "Ford." He turned to look at you with big, hopeful eyes. "I'm not over you."

He took a step closer as you continued. "I thought I was. But everything that happened tonight... everything you said... I still love you." You locked eyes with him and you could see the relief flooding through him as he let out the breath he was holding.

Silence washed over the both of you, neither sure how to proceed. But the silence wasn't uncomfortable either.

The dull moonlight cast a blue hue over the both of you. You looked up at Ford's hair, admiring the way the light made it glow, when a little winged creature landed on his perfect hair. A smile crept on your face and you raised your eyebrow along with your hand to his hair.

Carefully, you held your hand out to the creature, offering your finger to sit on. Ford stayed quiet and you urged him not to move too much with one hand on his chest. The animal took your offer and when you felt every one of its six legs on your finger you brought your hand back down.

You held the little moth between you two. Its wings were light-blue with dark tips. Ford smiled at the creature. "Lomographa semiclarata or Bluish Spring Moth." He put one of his hands under yours, making you both hold it together.

"Did you know that in a more spiritual sense, moths often symbolize transformation and are generally considered as a good omen?" You looked up from the moth and smiled softly at him. "Is that so?" You let the hand you still held on his chest wander upwards to his neck.

Ford nodded lightly. "They represent positive conclusions." You let out a content breath, accidentally startling the moth into flight. Both of you followed the creature with your eyes. "...And sometimes death."

You laughed and lightly swatted him on the chest with your now free hand. "You better not die on me, Ford." He placed one of his hands on top of yours that was now on his chest and the other one on your waist, pulling you closer. "I wouldn't dare."

Ford slowly moved his face closer to yours, giving you plenty of time to back away in case you didn’t want what was about to happen. But why wouldn't you, this is the moment you spent an entire year dreaming about!

You let your eyes flutter shut and soon enough felt Ford's lips on yours. They were softer than you imagined, making you smile slightly into the kiss. You moved your lips against his in a way that felt just right. Like this was how it was always supposed to be.

Ford sighed into the kiss, finally relaxing and letting himself enjoy the moment. This was the kiss you would remember forever. Especially because he would immortalize it in his journal first thing tomorrow morning.

When you both parted you felt like you were floating. You rested your head on Ford's shoulder, just enjoying finally being able to hold him like this.

"Positive conclusion, indeed."

[pedroscurls]

you broke me first (one-shot)

summary: logan comes running to you after yet another disappointment with jean, but he's hurt you for the last time and you can't do this dance with him any longer. pairing: xmen series!logan x fem!reader content warnings: angst, unspoken feelings (logan has his reasons), logan pining for jean, broken friendship, no use of y/n. word count: 1.2k a/n: ok, so forgive me in advanced lol, this is my first time writing xmen series!logan (and idk if i'm the only one, but i do not like the jean x logan ship - i didn't feel any chemistry between them in the movies). anyway, enjoy this! this song came to mind and immediately i thought of this version of logan and it seemed fitting. song: you broke me first by tate mcrae

“She doesn’t love you, Logan,” you tell him once again after he comes straight to your room after Jean had told him that she would never leave Scott for him. You could never understand the feelings he had for Jean, his relationship with her purely physical. 

And each time he tried to convince Jean that being with him would make her happier than she was with Scott, he was always left disappointed. 

And each time, he always came running to you. The one person who had always been there for him since he had come to the mansion all those years ago. 

“You don’t know that,” Logan says, brows furrowed and his usual scowl written on his features. 

“Why do you keep going back to her?” you ask quietly, looking down at your hands. “She hurts you every time, Logan.”

“She just doesn’t know what she wants.”

“Logan,” you sigh. “We both know that’s not true.”

“If she knew what she wanted, why do we keep sleeping with each other, then? Hm?” 

You feel your heart break at his words. The more time you spent with Logan, the more you realized just how deeply you felt for him. He had become your best friend, and had made you feel welcome in a house full of mutants. Charles had hired you as a teacher despite not having any powers and while you loved your job, you always felt like you didn’t belong and you yearned to be one of them, to be part of a group like this. You couldn’t even be angry though, this was how every mutant had felt in this world. An outsider. 

But Logan… Logan had always made you feel like you belonged. He would talk to you about his problems and you would talk to him about yours. He’d be there to hold you whenever you had a bad day, to brush your hair away from your face when you were on the brink of tears. He’d always come to you whenever he couldn’t sleep, when his nightmares would take hold of him because he had admitted one night that you make him feel safe, calm, peaceful. 

And he’d always come to you whenever Jean didn’t want him anymore. 

And you’d always be there to welcome him with open arms. 

“I don’t know, Logan,” you finally answer. “She won’t ever leave Scott… You and I both know this.”

“She just needs to realize–”

“Stop,” you interrupt him. “Please, Logan.”

Logan looks down at you. “What?”

“I’ve always been right here,” you say quietly, teary eyes staring up at him. 

“I know,” he sighs. “And I’m lucky–”

“We both know that’s not what I mean,” you interrupt. “You can’t be that dense, Logan.”

He tightens his jaw and you look down at his hands to see them curled into fists. All it takes is one clench and his claws would come out. “We can’t. That can’t ever happen between us.” 

“Why?” you ask. “What’s so wrong with me that you can’t see that I would choose you?”

“Nothing’s wrong with you,” he sighs. “We just–” Logan shakes his head. “No, bub.”

“What’s so special about Jean, hm?” you ask, voice raising as tears now slowly trickle down your cheeks. “What does she have that I don’t? Is it her powers? Is it because she’s a mutant?”

“No,” he shakes his head. “I don’t care if you’re not a mutant.”

“Then what?!” Your lower lip quivers and you take a step back when you yell at him. You can feel your entire body shaking, emotions and feelings that you had kept bottled in now coming to the surface. “Then what, Logan?” you repeat. 

“I can’t love you.”

“You can’t, or you don’t?” 

“Bub,” Logan sighs, hand slowly reaching out for you but you shake your head and step away from him. 

“Whenever you needed someone, I have always been there. When you needed to leave for whatever reason, I was always here waiting for you to come back. It’s always been me, Logan. Me.” 

“I know…” Logan’s eyes soften at the sight of you and he wants so badly to just pull you into his arms. He would never admit to you the feelings he has for you, would never tell you how much he wishes that things were different. Part of him thinks he loves Jean, knows that she can handle her own if anything were to happen, but you… If you were to ever be in danger because of him, he would never forgive himself. So, he keeps you at a friendly distance, never displaying to the rest of the team just how much you mean to him. 

“I can’t do this anymore,” you whisper, voice shaky. “I can’t be the person you keep coming to whenever Jean doesn’t want anything to do with you. You deserve someone who’s going to choose you, Logan,” you stare up at him, eyes glistening with tears. “You deserve someone who’s not going to hurt you.”

Logan’s jaw tightens. “What do you mean you can’t do this anymore?”

“I fucking love you, Logan!” you bite your lower lip, your own hands clenching into fists in hopes that the action would ground you, would alleviate some of the frustration that you’re feeling. “I fucking love you and I can no longer just sit around and act like I don’t.” 

“Sweetheart,” his voice cracks and suddenly, he realizes that losing you hurts far more than the disappointment he continues to feel with Jean. “Don’t–”

“You break my heart every fucking time you come to me about Jean,” you admit. “And I can’t do it anymore. I can’t do this anymore,” you repeat. 

“Baby,” Logan whispers. 

“I’m going to tell Charles that I’ve got a family emergency and that I will need to leave immediately,” you tell Logan, moving around him to gather your duffle bag and setting it on your bed. “I’m sure he’ll know the real reason why I’m leaving, but–”

Logan reaches out for you, his hand a gentle touch against your wrist. “Stop, please…”

You pull your hand away from his grasp and look up at him, “Be honest with me and tell me that you don’t see anything here… That you don’t feel something for me.”

Logan stares into your eyes and he tightens his jaw, hand reaching up to gently brush a tear away from your cheek. “I can’t,” he whispers. “I need you to understand that I can’t, baby.” 

You nod and step away from him. “I won’t ever be enough, will I?” 

“That’s not true–”

“Just get out, Logan. Please.” 

“I don’t want to lose you. I can’t lose you. You’re breaking me–”

“You broke me first, Logan,” you interject and turn back around to toss your clothes carelessly into your bag, tears strolling down your cheeks. You can still feel Logan’s presence, can hear him huffing lowly under his breath. 

When your clothes are in your bag, you toss it over your shoulder and turn around to see him standing near your door. You walk over to him and reach for the door handle, gripping it tightly as you look up at him once more. For one last time. 

“Don’t go, please,” he whispers. 

“I wish you nothing but the best, Logan,” you reply. “And I hope one day you realize that you deserve so much more than what Jean is giving you. You deserve to be happy, to be loved, to be chosen.”

“Baby–”

Slowly, you turn the handle and open the door, tearing your gaze away from him. “Goodbye, Logan.”

[vanglaggle]

something i do not like in writing, is when people make dust and horror extremely replaceable in the bad sanses

more specifically, when nightmare has had "hundreds" of previous dusts and horrors, and killer stopped caring about them or sees them as disposable too. it feels weird to make killer have the same views as nightmare.

to me, i see it as favoritism. you don't give me reason to care about dust or horror in this context when they just die and nightmare "gets a new one" all the time. it feels like an excuse to just focus on killer.

dust and horror are not weak, and I'd say they're not even weaker than killer. i think it's weird to make him the absolute strongest as an excuse to only keep him.

plus i see a lot of "horror wouldn't join the bad sanses." who would? neither dust or killer would want to, or even decide to. you're telling me they'd trade their situation for a worse one, willingly? okay.

and horror and dust are not stupid, they would also pick up on nightmare's mannerisms just like killer would. horror isn't just paranoid, he's also scarily observant. he wouldn't go "how did you know that??" it's another version of stupid horror. dust is also scarily observant, that came free with him being sans. making them unobservant is just another reason to make killer the smarter one.

this too, i personally not think nightmare would be able to keep any of them. what's the point? they'd be killing themselves at that point. i think they would die by their own hand more often than from in battle. why wouldn't they? sure nightmare can threaten to kill horror's brother but how long would that work? and ESPECIALLY dust. there's no leverage for him because everyone is already dead. the idea that nightmare cam just get hundreds of them and they all do his bidding is bad writing.

they're not replaceable, every version of them is different and unpredictable, and i personally can't enjoy any fiction when it's written like this.

there could be a lot of "well that's the point!!" i don't care. i don't like it.

[questionablehuman444]

THANK YOU. Someone put my thoughts into the correct words, and it makes me thoroughly happy.

Dick definitely has eldest daughter syndrome, but Tim was "really mature for his age"

(more below cut)

Okay, Dick holds the weight of the world on his shoulders as the oldest. He's the one everybody goes to when they're having problems with Bruce. He's the "trusted adult". He's the guy who has the ability to get people to open up, and let him help them. It weighs on him a lot as a result.

Dick feels that if he isn't constantly there for people, then he's failing, not only as a hero but as a brother and a friend. (I could also talk about how he leans into the himbo persona because his self esteem is a tripping hazard in hell, but that's for another time)

Then, you look at Tim. He's self sufficient, he's easy, and he's smart. Tim has gifted child syndrome. People think that since he's more mature, he can handle more. So they start treating him like an adult and whenever it's convenient, they double back to treat him like a kid.

So often, the adults in his life were emotionally inept, and their love for him was so often conditional. He had to grow up quick because nobody else wanted to.

Something I think about is how, despite Dick and Tim having similar experiences and bearing the weight of the world, they don't want to hurt each other more. Dick doesn't want to fuel Tim's gifted kid syndrome and Tim doesn't wanna fuel Dick's eldest daughter syndrome. They can't talk to each other because they're aware of the other person's situation, and don't want to continue fueling the other person's problems when, in reality, it would probably be the best course of action for the two of them.

They're so afraid of making the other's problems worse by talking, that they're don't realize that they're actually just harming the both of them. They fail to realize that they're stripping away the only other person who could fully understand in a way beyond just comprehending the words and feelings being told, the only other person who knows the family on a personal level and can empathize from a place of mutual feelings. They taking away the one person who *Gets It* fully and completely.

Anyway, sorry for rambling, I really like talking about things like this. Thanks for reading if you made it this far lol. I had a lot of fun writing all this.

Dick is for the eldest sibling while Tim is for the parentified children and I think that's the most important difference between them

[senmiyaazx]

Can you do reader that has SH scars or Them finding out that reader SH's

With Sol & Hyugo..!

But it's ok if you don't do it since its a sensitive topic!

tw: sensitive topics, self harm

a/n: can't decide which format i want to use for these kind of requests. thank you for the request <3

important note: if you're struggling with sh, please tell someone you trust or seek help. i do not know you, but i know that you are not alone in this. i hope things get better for everyone who's reading this:)

SOL:

Reader still does sh:

Oh, he's worried. Extremely worried. How could he not notice all this time? How could he not notice his darling was in pain? He feels horrible. Whether he discovers it accidentally or not, rest assured he won't pressure you into anything. He'll listen to your story and problems when you're comfortable and ready. He'll pull you into a hug while holding back tears. He's been through some shit and he knows how it feels. But he never wants to see it happen to you. If you're doing this because of someone, Sol will make sure they're taken care of. You don't have to worry <3 If it's because of something else and more personal, it's okay. He'll be with you till the end of time. From now on, he makes it his mission to watch over you more closely whenever he can, no matter how unethical. He's more subtle this time, though. He doesn't need you stressing even more.

He's still worried. And also a little upset. That was from a long time, wasn't it? You didn't know him back then. He wonders if he could've comforted you out of it, held you in his arms while you weeped. If only he could turn back time... Alas, there's other things to worry about. He's glad to hear that you're recovering, and you promised to never do it again. He'll help you on your journey. Sol isn't the most mentally stable himself, so I don't think he'll be much help either lol but for you? He's searching and making lists of healthy coping mechanisms he can give you. Thinks your scars are beautiful. He hated how it was made, but now it has faded and all that remains is the symbol of your strength and the fact you've made it this far despite being in an extremely tough situation. He'll kiss you on the forehead and tell you how proud he is. How happy he is.

Reader has sh scars (recovering):

HYUGO:

Reader still does sh:

He's very mysterious. I find it hard to write for him. Hyugo feels a mix of emotions wash over him when he discovers it. Shock, sadness and anger. Shocked, because like Sol, he couldn't believe he didn't notice anything until now. Sadness, because he couldn't imagine the pain you went through to resort to such thing. Anger, at himself and anyone or anything that caused you pain. He knows he can't use jokes or happy things to lighten up the mood like he usually does. Instead, he gently guides you to his arms and wraps you in a warm embrace. He'll whisper comforting words while you tell him things that have bothered you and asked you to promise him you'll never hurt yourself again and in return, he'll help you heal. You're hesitant. You didn't want to feel indebted to him, but he insisted. His determination made you embarrassed so you agreed. Since then, he's been extra caring (but not overbearing) to you and made sure to check in on you every chance he gets. If somehow he doesn't get to see you for the entire day, he'll call you in the middle of the night to ask about your day and it ends up being a long session of late night talks. Or he could just knock on your door and you'd let him in anyway. He knows he can't entirely prevent bad things from happening, but he can help lessen it for you. He'll be your sunshine, where you'll never feel miserable again under his bright smile. Of course, you do the same for him. You help each other out in your own ways eventually

Reader has sh scars (recovering):

When he first saw it, he didn't overreact or give a strong reaction. He smiles softly and grabs your hand, praising you for getting through your problems and even start to recover. It's something not many people are strong enough to do especially in your situation, but you did. And he makes sure to emphasize that. You guys end up sharing each other's experiences and stories (mostly you, he's still secretive and doesn't want to reveal anything bad) and find things you two relate to. He's overall a chill guy to have around. He won't make a big deal out of it if you don't and it's honestly really comforting. You don't notice it but he's secretly a little more cautious and gentle with you. He makes sure nothing hurts you again.

[azen13]

[Not really sure if this counts as a request but here we go] Who’s your favourite male yandere(s) from genshin? And could you talk about why?

Ah I love this question! Thank you so much for asking. I've been really busy with college lately so I haven't gotten a chance to write recently, but after this week I should be finished with a lot of tests until finals. Just to clear things up, I absolutely accept questions like this! I feel like I haven't really shared a lot about myself as a person so I'm hoping to do more of that in the future.

⋆⁺₊⋆ ☾⋆⁺₊⋆

CW: Yandere Themes, Spoilers for Wriothesley's Story Quest

⋆⁺₊⋆ ☾⋆⁺₊⋆

I'd say I have four yanderes who I really like, and then a few who I like but I'm not obsessed with. Those four being Alhaitham, Neuvillette, Wriothesley, and Zhongli. Beyond the fact that I just like them as characters (and I'm gay asf lol) they're the most interesting yanderes to me, in part because of how much power they have in their societies.

Alhaitham is really interesting to me because there's this personal conflict between his values and beliefs and the idea of falling in an obsessive love. Alhaitham is inherently self-centered, not narcissistically so, but to the point where he prioritizes and values his time alone. In doing so though, he's also extremely lonely. I think a lot on how Alhaitham would react to someone who's able to match his sharpened blade of wit with one of their own, how he might exchange parries and blows with that person and find himself needing to understand the nature of their mind. I also think about how he'd react to someone who struggles with taking care of themself, or overworking: how he'd try to get you to stop doing so much and trying to please everyone. If his lover can keep up with his intelligence, he treats the romance like a game of chess, lining up his pieces to topple over the defenses surrounding your heart. His possession of you is slow and methodical, like vines growing on walls, slowly creeping over every inch. If his lover's wisdom is spent in other areas, then he's quick to snatch them up and take them home. While I think he's quick to get you under his control, it's harder for him to make them fall in love and surrender to his calculating embrace.

Neuvillette brings a really interesting element that I like to think about when I'm writing for him: immortality. He's a dragon who's lived for centuries, and that element of the slow passage of time is really fun to both write and think about. I really like to think of Neuvillette as a really, really soft yandere; he's seen humanity at its worst, and doesn't want you, the beautiful thing you are, to be tainted by all of its ugliness. Besides, he just can't help himself, what with his draconic instincts.

Out of the four, Wriothesley is the character I'd say I have the hardest time writing for because it's harder for me to explain why he feels the way he does. The working justification I have is that being betrayed by his adoptive family and living his whole life in Meropide made him incredibly lonely and developed a lot of abandonment issues that remained unearthed for years, as he didn't really make many close friends in Meropide. Then you come along though, and for once, Wriothesley has something good, something he doesn't want to give up. He's definitely one of the hardest yanderes to escape, what with Meropide being a literal prison. I think he definitely takes extra precautions when it comes to you, though, because he's so scared of losing them. Beneath his gruff exterior, there's a heart of gold, a man who only craves your complete affection and attention.

And then there's Zhongli, who was actually the character who got me into writing Yanderes. The thing about Zhongli is that as a yandere, you're practically powerless, unless you're on a similar or higher level of power/divinity to him. Even if you exceed his power, you're still going to have a very difficult time escaping his control. With how long he's lived and how much he's seen, he knows the only way to guarantee your safety is to isolate you from Teyvat entirely. Zhongli has no qualms about doing this, regardless of how much you might protest. Because when you've lost everything but Zhongli, you'll eventually—and inevitably—crumble into his arms. Only then will Zhongli put you back together, shaping you to be his perfect lover. Zhongli's greatest power as a yandere is his patience.

[official-cvntified-gay]

TEETH masterlist

pairing: rio vidal x fem!reader

warnings: mentions of murder, desperate lesbian, an attempt at writing a songfic

wc: unknown

note: been a minute since I uploaded. The song is Teeth by 5 Seconds of Summer, I wrote this because I can't get the bridge out of my mind.

The moon hung high, a red sliver in the darkened sky, casting long shadows over the ancient magical forest. You and Rio Vidal walked in tense silence along the Witches Road, a treacherous path known only to those bound by magic. The air crackled with tension, every step a reminder of the unspoken words between you.

Rio was a force of nature beside you—sharp eyes glowing with an eerie green light, her aura suffused with the earthy scent of pine and decay. She was death personified, a Green Witch who controlled the cycles of life and death, yet here she was, fighting alongside you against the coven's trials. More like enjoying everything that's happening.

As you walked, memories of your relationship flooded your mind, as if the road itself was taunting you.

Some days you're the only thing I know, the only thing that's burning when the nights grow cold...

You glanced at her, heart aching with the weight of everything unsaid. How had things gotten so complicated between you? There were days when Rio was the only solid thing in your life, the one person you could count on. Yet lately, you felt her slipping away, like sand through your fingers. Every touch, every glance, was filled with a mix of desire and doubt.

“Don't know if I'm gonna make it out alive,” you heard Teen, a younger witch from Agatha's coven, mutter under his breath. The fear was evident in his voice, but you had no room for fear now—not with Rio's penetrating gaze fixed on you.

She didn't say anything, but you could feel her judgment, her disappointment, simmering just beneath the surface. It was always like this—this push and pull between you, where one wrong move could shatter whatever fragile peace existed between you.

The scene shifts, a memory dragging you back to a time when everything between you and Rio was on the brink of breaking. Blood on your shirt, a black rose clutched in your trembling hand. You had just done the unthinkable—struck down members of your found coven to prove your loyalty to her.

You're looking at me like you don't know who I am...

Rio's eyes, usually so playful and full of dark humor, were devoid of warmth as she looked at you. "Why would you do this?" she asked, her voice a whisper filled with disbelief. She has your heart in her hands, only beating for her.

“I did it for you, Rio,” you said, your voice cracking. “To show you that I’m worthy, that I can be just as ruthless.”

But instead of the approval you were expecting, all you got was her back as she turned away from you. Her silence was deafening, more cutting than any knife she so dearly loved. It broke something inside of you to see her like this, to see her reject the very darkness she had embraced her whole life.

“I never asked you to become like this,” she said softly, not even bothering to look back. “I never wanted you to lose yourself for me.”

The Witches Road stretched out like a serpentine nightmare, coiling around the dense forest with a darkness that seemed to swallow the moonlight whole. Beside you, Billy kept pace, his hands sparking with bursts of chaotic energy—a reminder of the unpredictable nature of his magic.

He shot a nervous glance your way. “I don’t know if we’re gonna make it out of here alive,” he muttered, eyes flicking to Rio, who walked ahead of you both with an air of calm that was unnerving.

You knew the danger of this known but not traverse path. The road had set this trial to test your fear, not just as a being but as someone daring to stand beside the Green Witch herself. Rio’s presence here was both a blessing and a curse. You wanted to prove yourself, to show her that you could face whatever darkness the road threw at you. But every step you took, every risk you embraced, felt like another misstep in her eyes.

“Stay focused,” you hissed under your breath. The air was thick with the scent of damp earth and leaves, a testament to the presence of death lurking in every shadow. Rio thrived in this environment, her magic humming with a vibrancy that was both beautiful and terrifying.

You wanted her to see you the way she saw herself—capable, powerful, and unafraid. But no matter what you did, it was never enough.

The memories of past nights with Rio were a whirlwind in your mind.

Fight so dirty but your love's so sweet, talk so pretty but your heart got teeth...

Those nights were your sanctuary, where the walls between you both crumbled. She was everything you wanted and feared—her touch was fire, her whispers like venom laced with honey. The bed had become a battleground, a place where your love was tested with every kiss, every desperate plea for her to stay.

You could still feel the ghost of her fingertips tracing patterns on your skin, her voice low and dangerous. “You think you can win me over with this?” she had asked, her breath hot against your ear as her hands tightened around your wrists. “You think I’m yours to control?”

You were never sure if she was truly asking or if it was just another one of her twisted games. But you played along, willing to give her whatever she wanted, even if it meant losing yourself in the process.

The aftermath of those nights always left you breathless, the line between love and hate blurring into something unrecognizable. Yet, despite the uncertainty, you couldn’t let go. You were addicted to the thrill of it, the way she could break you down only to build you back up again with a single touch.

Your mind was pulled back to the blood-soaked memory of your betrayal. The coven members had stood no chance against your beyond earth-fueled magic. You did it all for her, thinking that proving your ruthlessness would finally earn you a place by her side.

But Rio had been horrified. She had walked into the clearing, the scent of iron thick in the air, and looked at you as if you were a stranger.

“Why would you do this?” she demanded, her voice breaking. The playful, sarcastic edge that usually colored her words was gone, replaced with something raw and vulnerable.

“Because I love you,” you had shouted, tears burning in your eyes. “I thought this was what you wanted. I thought—”

“You thought wrong,” Rio interrupted, her eyes flashing with anger. “I never wanted you to become a monster for me. I loved you for who you were, not for what you thought you needed to become. You are life, you give but you can never take.”

Her words cut deeper than any knife. You had done the unthinkable, crossed lines you never imagined, all in the name of love. But instead of winning her heart, you had pushed her further away.

The weight of your actions hung heavy between you, a barrier that no amount of passion could break.

The Witches Road began to twist and warp, the shadows growing longer, almost sentient in their movements. The forest around you seemed to come alive, responding to the rising tension between you and Rio. You could feel the seven's magic, testing the limits of everyone's strength and resolve. Billy kept up, his chaotic magic flaring with nervous energy, but you could tell he was close to breaking. You knew who he was.

Rio remained calm, her steps confident as if she was walking through her own garden rather than a death trap set by the rage-filled witches. Yet, you knew her better than that. You could see the way her fingers tightened around the hilt of her knife, the only sign of her unease.

Sometimes you're a stranger in my bed... don't know if you love me or you want me dead. Those thoughts echoed in your mind as you walked beside her, wondering if this journey was another test, another way for her to see if you could survive the darkness that clung to her like a second skin.

Suddenly, a swarm of cursed roots burst from the ground, aiming to ensnare you. You reacted on instinct, flames bursting from your palms, incinerating the twisted vines before they could reach you.

Rio merely watched, her eyes flicking between you and the chaos unfolding around you. Was she waiting for you to fail? Or was she simply testing you again, pushing you to prove that you were worthy of the power you claimed to have?

“Don’t just stand there, Rio!” Billy shouted, desperation tinging his voice. But Rio merely tilted her head, her eyes locking onto yours.

“Show me what you’ve got,” she whispered, a challenge in her tone. The others looked at her in confusion but kept to themselves.

You didn't hesitate. You unleashed a wave of energy that rippled through the forest, tearing through the darkness like a blade. For a moment, there was silence, a stillness that made your heart pound. Then, slowly, a smile spread across Rio's lips, one that sent a shiver down your spine.

“That’s more like it,” she said, her voice low and dangerous.

The seven's ambush had only strengthened your resolve. But the real battle wasn't with the witches surrounding you—it was with Rio herself.

Push me away, push me away, then beg me to stay, beg me to stay...

It was always like this with her—a constant push and pull that left you breathless, aching for more even when you knew it could destroy you. You turned to her, your chest heaving with exertion and something else, something deeper.

“Is this what you want?” you demanded once the seven disappeared from the road, your voice raw. “To watch me fight, to see if I’m worthy of you? Or are you just waiting for me to fail so you can prove that I’m not enough?”

Rio's eyes flashed, her playful demeanor dropping. For a moment, you saw a glimpse of vulnerability, a crack in the armor she always wore so tightly. But it was gone in an instant, replaced by the familiar, teasing smirk that drove you insane.

“You think that's what I want?” she asked, her voice dripping with sarcasm. “You’re the one who’s always trying to prove something.”

The accusation stung because it was true. You had spent so much time trying to show her that you could match her darkness, that you were worthy of her love, that you had lost sight of who you were in the process.

But there was no time to dwell on it. The ground beneath you rumbled, the forest coming alive with a new wave of attacks. The coven was relentless, determined to crush you both, but you were ready. You fought with everything you had, drawing strength from the anger and frustration that had been building inside you for so long.

And when the dust settled, you were left standing in the wreckage, your chest heaving, your eyes locked onto Rio's.

“Is that enough for you?” you whispered, the question hanging in the air between you like a challenge.

Rio didn't answer. Instead, she stepped forward, closing the distance between you in a single breath. Her lips were on yours before you could react, the kiss searing, filled with all the anger and passion that had been simmering between you for so long.

The scene shifts once again to a hauntingly familiar memory—a bloodied clearing, a rose wilting in your hand. You had done the unspeakable to prove your worth to her, to show that you could embrace the darkness she thrived in. But instead of admiration, all you had found was her disappointment.

Rio had stood there, her eyes like emerald fire, not with pride but with something that felt dangerously close to heartbreak.

“You can’t keep doing this,” she had said, her voice breaking through the haze of adrenaline and regret. “Hurting others just to prove something to me? That’s not who you are. That’s not who I want you to be.”

“But I did it for you,” you had pleaded, desperation coloring your voice. “I thought if I showed you how far I could go...”

Rio had shaken her head, the ghost of a smile playing on her lips, bittersweet and sad. “Oh sweetheart, I never needed you to prove anything. I loved you because you were different, because you're my opposite yet we complete each other.”

Those words had cut deeper than any wound, leaving you to question everything you had done, everything you had become. And now, as you stood on the Witches Road, facing yet another trial, you couldn’t shake the feeling that you were still trying to prove yourself, still trying to win her approval.

[aryesdanger24]

I will be honest, I've seen the post a lot too and to me it has a different meaning. I think it is showing 2 different types of relationships. Not just wlw and mlm relationships, but the idea that there is a 3rd options that both are important. That even though one ship isn't shown in a physical way that doesn't mean it is any less gay than cannon ship.

For too long gay relationships were only shown through physicality, specifically gay men in relationships is always shown in aggressive physicality while lesbians in media feel overly said more than seen, less physical and more mental.

This feels like it flips the script on a lot of the stereotype that lesbians in films are always soft touches rather than heavy physical touches and quick to act like CaitVi (yes i know there is a joke about how fast lesbian relationships move, but i meant in media it often doesn't show that).

Men on the otherside often get straight (hehe) to fucking to 'confirm' their sexualitys or relationships whereas this with Jayvik is very much that soft word filled confirmations of love.

So this meme doesn't feel like a 'haha look at this and compare' as much as it feels like a 'id like to bring your attention to how these relationships went and how confusing this will be for the straights to compare'.

Also I think it is people just wondering why Jayvik didn't get their happy ending rather than just bypassing CaitVi and their more traditionally happy ending.

I think it's people who don't know how to process what happened with Jayvik so they are comparing how CaitVi got a normal ending and the confusion of how to deal with Jayvik.

In short:

Wlw relationships are much harder to come by and many people are happy that Caitlyn and Vi got all the good writing into their characters to really enjoy the progress of their relationship. Jayviks's ending is more confusing that people can't help but compare and wonder (in the words of Arcane) what could have been.

This post, to me, is subjective to the viewer. Some can see it as trashing on CaitVi or on Jayvik. Some may interpret it as a show to how different their endings can be in the media of today. Some may even view it as the idea that despite a ship not being cannon, it can be just as gay and important as one shown on screen.

I personally love both of their endings and hate both for different reasons. Their pros and cons to each and yet it fit for them in a way I can't be mad at BECAUSE they are so well written as characters!

P.S. I didnt make the meme at all but I simply wanted to not assume the makers goal of sharing it into one of negativity. Unless the main poster is definitely some mlm supremacist or lesbian hater or something because then, by all means, bash that bitcherous. Until I see some evidence against the original meme maker I will just see it the way I see it, a way someone is coping with their idea of an 'unsatisfying' ending for Jayvik by comparing it to the more canonically physical confirmation of CaitVi

(Personally, I don't find the endings dissatifying, though, but that's just me)

Someone else's post:

~

I have seen so many posts like the one above in the last 24 hours and honestly, it's starting to piss me off. I know the majority of tumblr users aren't wlw, but do you know how patronising this kind of thing is? This was the most beautiful, intimate, lovingly animated lesbian sex scene, between two rich, well-drawn, compelling characters, but over and over, I see people comparing it unfavourably to Jayce and Viktor's final scene. The story between two men is seen as more powerful, more meaningful, gayer, deeper, than the one between two women.

Look, it's fine to enjoy the mlm ship more. I support you! I think Jayvik is cool! But can you all please, please, stop acting like it's inherently better just because the lesbian story didn't happen to be written for your personal tastes, this one time?

(Also, to answer the question: as a lesbian, I promise you, the lesbian sex is much, much gayer. You're just not the target audience.)

[hryniewiecki]

Grand Arcane S2 review

because I really need it to move on

Remember how I mentioned I could write an entire book about everything that went wrong with this season? Well, this is what a little excerpt from it would look like.

Let's start with a personal note to clarify my relationship with this hell of a piece of media.

S1 was this miracle show that was able to break through the several years of depression and anhedonia and make me interested in something, make me try to get back into making art (or at least try to try), to put myself out there on the internet a bit, to try be a part of something and not ashamed of enjoying it, which I never allowed myself before. Coincidentally, I've been at what I thought then was the worst place in my life when it aired and it helped me a lot to get through it. I didn't even think I would make it to see S2, as thee years felt like forever then. Taking all that into consideration, I think you can already tell where this is going.

I honestly thought I was prepared for S2 not being good, as no show could be this perfect. Turns out I wasn't prepared at all. Act 1 made me very happy, so happy I watched it two times, but the rest is something I would've never watch again and rather forget about.

The characters I wanted to see the most were Warwick (body horror, The Wrath of Zaun haunting the streets - got just a glimpse of that, but it felt like nothing) and Viktor (cyborgs and cyber gore, misunderstood idealist, Blitzcrank - got basically nothing; the idea was kinda there somewhere, but got changed so much it didn't matter at all).

I can't believe they took a godforsaken champion like Viktor and not only ruined his story completely, but also managed to fuck up everything else by all of a sudden making him a center of all of this mess. The center being the arcane/hextech/magic, which never even gets resolved/explained. Still no idea why it got corrupted and what was the nature of it; the void was never taken anywhere despite being heavily hinted - everything was evil because it was, but luckily the magic of friendship saved us!! (I'll get to that)

Speaking of crucial plotlines that weren't taken anywhere.. Basically every character got screwed over and made empty. Let's use Vi for a quick example (may not actually be the best example, but hopefully you'll get what I mean) - when I saw the pit fighter scene released early, I expected to see it have a continuation in the show, but instead it ended up just being the exact same music video, nothing more. And that goes for some more events - they get compressed into music videos that make it all incredibly hollow. Fight scenes are fine like this, sure, but not something that was supposed to be a bit more emotional and serious. Anyway, they successfully made me hate most of the characters. Either hate or just straight up not recognize them, and in a bad way.

Long story short the pacing is awful (it only gets back to normal in ep7, as it resembles the structure of S1) and the writing sucks ass. I can't for the love of god believe it was written alongside S1. There's no way in hell - it's literally all the worst fan theories I've seen come to life and get mixed with fanservice. *puts on a tinfoil hat* Maybe this is the real why they needed an extra year or two, as S2 was initially supposed to be released earlier. No way in hell the same people who wrote S1 and cared so much about the characters would do anything like this. Riot must've gotten heavily involved, making us believe they cut the story short (I think 5 seasons in Piltover/Zaun were planned initially?) for the benefit of it, but all it really was is greed - let's make a bunch of bullshit happen and quickly move to another region to sell more skins for new champions.

Now let's get back to the ending. Man, it really had it all - the nonsense, the multiverse bullshit which basically makes nothing make sense anymore (if there was anything left), the (yes, I'm going to say it, because that's exactly what I felt) cringe and embarrassment. Never seen anything more hollow trying to convince me it was deep and emotional (sums up the whole show perfectly).

How the hell the only thing that was supposed to save Viktor from himself was Jayce telling him he's perfect the way he is? Sure, don't try to cure your illness (that my city caused, but "fortunately" another crucial part of the plot, which is the sister cities conflict, ceased to exist), it makes you beautiful, this is who you are (miserable, unwanted, feeling meaningless and like a burden, dying). I am at loss of words.

Now buckle up jayvik fans. I wasn't a fan of the ship as I'm not a fan of any ships in general, but now I despise it. I wouldn't mind if they actually went on with it, which no, they didn't. We don't want two men kissing (women making out is fine tho, won't make the gamers too angry), so let's play extra safe to make sure it could be explained as any type of other close bond (and that's exactly what Christian Linke does when asked about it). You disgusting cowards, either you show me this in plain sight and I wouldn't give it a second thought, or don't even try bring it up at all (and you can't deny it wasn't implied in S1 with all the Viktor's looks and parallels to Mel).

Where do I even begin? Because I don't think you have any idea on how many levels it actually sucks. If you read it as romantic it's basically telling me that if I was a gay man struggling with my feelings and not being able to confess for years, because I'm convinced I'm unworthy of love as something is inherently wrong with me, then the best I could get after surviving all this (what honestly seems like hell) is a hug, because you're ashamed of me and thus I should be ashamed of who I am till the very end.

Something equally bad is Jayce finding out (or rather we finding out) how wonderful the world could look like if he let go of his beautiful dream, his life's work, and killed himself - it never gets denied, as the corruption of hextech doesn't get explained.

Long story short, if you're struggling with your mental health, trauma issues, disability or any of the problems the characters you related to deal with, this show spits you in the face.

I could go on forever about everything that's wrong (even Jinx got played dirty), but let's finish with the few things I liked: act 1 was promising (it's when I believed they could still make sense of Viktor), fun Sevika's arcade arm fight, the epic fight at the Janna's temple (Woodkid goat), Jayce killing Salo (I felt something) and Jayce's glitchy madness in general, young Vander flashback (felt something), ep7 and Singed's story (the only one that makes any sense).

Other than that the show left me with nothing but void in my heart (I guess that's when it all went). The saddest thing being the masses love it anyway, as it seems they'll watch anything that's colorful enough. And Riot will make lots of money of off it, because in the end they never loose. I'm not denying Fortiche absolutely outdid themselves with the art, it's just heartbreaking nothing else even remotely stands up to it.

[pessimisticpigeonsworld]

I've said it before, I'll say it again: I can't fucking stand the double standards of this fandom. Everytime I see someone bitch about how the Targaryens are "colonizers" I want to bash my brains out. And these posts always include the op talking about how great the Starks are and how they do no fucking wrong.

Like where are these people's media comprehension???? Do they know the basic definitions of things? Add to that the fact that most of these people also constantly call Dany a "white savior". Like literally read a dictionary and try actually reading the books!

I just saw a post where someone was saying that they hate the idea of Dany being the Prince that was Promised because her ancestors were colonizers and she's a white savior.

Instead, they wanted Jon Snow, who, you know, doesn't have any colonizer ancestry. Because the Starks were perfect angels, who took control of the North by asking nicely. And the First Men were gifted Westeros by the Children of the Forest when they arrived because they were all such good friends.

Literally anyone who read ASOIAF (and has the smallest bit of media comprehension) knows that that's the farthest thing from the truth.

The First Men were colonizers who waged outright war with the CotF for thousands of years and desecrated their sacred places. Yes, eventually they made the Pact, but that only resulted in the CotF being slowly pushed out of Westeros completely and they were eventually fully walled out of their ancestral land. They're literally dying out now, as Leaf explains to Bran in ADWD.

Now, doesn't that sound familiar? To me, that sounds an awful lot like what the European colonies did to the Indigenous peoples of the Americas. Of course it's similar, GRRM is heavily inspired by history.

The Targaryens are conquerors, not colonizers. By the time of the Conquest, they have lived in Westeros for hundreds of years. The Conquerors, their parents, and grandparents were all born and raised on Dragonstone in Westeros.

The Targaryens are a Westerosi house, just like the Starks, Martells, and Hightowers. The only difference between all these houses is the timing of their arrival in Westeros. What exactly are the implications of this belief?

And obviously Dany isn't a white savior. Essos is a very diverse continent, so is their slave system. It's class based, not race based. A large portion of the Essosi slaves looked like Dany because they were of Valyrian descent. The slaves span every ethnicity, why is that so difficult to understand? Not only do the books themselves describe the ethnicity of many of the slaves, GRRM himself came out and debunked this interpretation!

I understand not being comfortable with this kind of story to an extent. The concept of liberation efforts has been tainted by the white savior trope. However, one's personal preferences don't equal the actual content of the story!

I think the thing that pisses me off the most about people who take these stances in the ASOIAF fandom is their pseudo-intellectualism.

Each person who writes these posts believes they have better media comprehension and even superior morality than everyone else. They misapply definitions of extremely damaging ideas so smugly. They believe they are correcting the views of other readers and GRRM himself, and as such, refuse to see how gravely mistaken they are. It's as concerning as it is infuriating.