#I can't animate so I edit >:)

[miraluking-respectfully]

MEAN TO HIM!!!

[moonlightflower-queen]

The rulers of the underworld have an important message about mental health

[gallusneve]

Metaphor: ReFantazio - Louis Guiabern (ルイ・グイアベルン)

Louis Guiabern. A prodigal tactician, and a master of magla arts. Some said it was only a matter of time before he made general— the youngest the nation's had... Most think the royal army was at its best when he was in charge, and in truth, it's hard to deny. Without him, we'd never have crushed the rebel uprisings so quickly.

[fruity-legos]

I couldn't choose so I just- *polycules them*

[apparently-artless]

⚾⚾ WEEK #12 OF #WEEKLYDAIYA ⚾⚾

Daiya no Ace S03E43 - Sawamura Eijun vs Natto

[gamebunny-advance]

"Let's Dance"

(Loop the video for the intended experience.)

Even though I actually forgot that the 1st was Mayday's birthday, I got the sudden urge to draw something like this. It's a little belated, but let's call this birthday art anyway~

As frustrating as it is, I booted up AnimeEffects for this one to get a little bounce on 'em. It's a little scuffed, but I'm kinda tired of banging my head against a wall trying to make it better~

[glassanmals]

dreamland (2020) + music videos (part 1)

[applestorms]

the winners & losers of death note

after repeatedly trying and failing to write this death note essay i'm just gonna go for it:

the fundamental flaw of L, whether you see this as a flaw/discrepancy in his character or the writing surrounding him itself, is the fact that by the time of his death, he has no clear win state. let me explain... by first talking extensively about light aljdsflksd.

MAJOR spoiler warning after this point. 3-ish (very long) sections.

1. light's goals: kira & utopian ideals (ft. fem!light)

i discussed this a bit in my tags on this post talking about how light's core character traits would translate over to a female version of himself, but to elaborate/summarize my thoughts further: i believe that light's fundamental flaw/weakness comes down to his desire to be Seen, to be recognized & validated by the people around him. i often see/hear people describing light's ultimate flaw as "ego," and while that's definitely a part of it, i think this is perhaps a more nuanced/neutral way of understanding it.

as has been pointed out before, light's goal of becoming the "god of the new world," isn't really an idea he immediately comes up with but rather is more of a retroactive justification that he clings to for the rest of the series after the initial rush of guilt he feels for murdering two people without thinking. this is perhaps even more obvious in the manga, as while episode 1 of the anime ends with light's claim to godhood, in the manga it takes him a lot longer to build up to that conclusion and really develop the full extent of his hubris. (EDIT: he totally says this in ch1 of the manga too, i just forgot. the point about it being retroactive justification still stands, though.) even so, i think post-death note light takes to this justification so easily for a reason: again, his desire to be seen.

before the death note, light takes a very understandable if somewhat flawed/juvenile approach to this sating this desire, specifically in how he aims to excel in every single system he is presented with, whether that be academics, sports/physicality (not just tennis, but physical attractiveness/neatness/cleanliness), and social interactions. it's that last category that i think is the most notable here, as light wants to succeed socially on multiple levels: on a personal scale, he aims to be pleasing and charming and polite to everyone he speaks to, for the sake of manipulating them, sure, but also so that he can extend that victory past personal relationships and into something Greater, into the Image of Light Yagami as the studious, respectable son. it isn't just enough for him to do well, he needs the reputation to go along with it, and the recognition and respect that comes with it.

this is part of the reason why the lind l. tailor moment is such a beautiful part of the writing of death note, as it is a moment where L simultaneously fucks light over massively, pinpointing his location and sending a squad his way in an instant, but also a moment where L gives light exactly what he wants: recognition. L doesn't just establish himself as a rival to take seriously w/ this move, he also reveals kira's existence to the world, that the deaths are the actions of a single person consciously and carefully acting and not just some divine power. he see's light's humanity, the potential cracks in his ego and temper, the overwhelming humanity of his ideals, efficiently using such traits to get kira to reveal himself in the first place.

i tend to take a lot of light's explanations of his actions to ryuk with a grain of salt as i think he is a lot less skilled at planning than he lets on, with his real skill being his in-the-moment acting & reactions, but i'm inclined to believe him when he tells ryuk in ch1 that

as a justification for not writing more specific deaths and therefore hiding his existence for longer. keep in mind, kira is established on the internet long before L enters the picture & the lind l. tailor incident-- light is utilizing the death note to push himself into the spotlight of the entire globe, not just the limited social sphere he grew up with.

(sidenote1: i think you can also definitely read into this on a more internal level of why light would want to be recognized so badly in the first place, considering how busy soichiro yagami most likely is and what their relationship looks like throughout the series. i don't think there's any evidence that he's actively neglectful necessarily, if anything light is described as being pretty spoiled & soichiro cares about him when he's around, but it still feels notable to me how empty his life is pre-death note. you can just Feel the silence as he goes through the motions in the first episode, barely talking to anyone as he ghosts his way through life. he might be succeeding in everything system he approaches technically, but that sure as hell doesn't make him happy. whether or not the death note makes him happy is a whole nother question...)

ANYWAYS. this is all to say that light's ideals give him a pretty clear win state, both in terms of what he actually, physically wants in terms of world domination/godhood, but also emotionally when it comes to what truly satisfies him. on a meta level, kira gives light really good motivation-- for the sake of his ideals, for the sake of trying to create his vision of a utopian society, for the sake of being Seen, he needs to keep writing names and out-thinking anyone who tries to stop him. on an internal level, it just starts getting complicated when the one who Sees him best is the one who fully dedicated to stopping him.

speaking of which.

2. L's goals: no real win state?

the lind l. tailor moment is such a fantastic instance in the story because it really works both ways in setting up the rivalry/mutual satisfaction that L and light grant each other. i've already described what light gets out of it, and simultaneous terror and delight that he gets out of it, but this is mostly an L post so let's talk about his side of things.

to my understanding, if what light fundamentally wants is to be Seen, what L fundamentally wants is to Win. ok, yeah, the way he says it is that he "hates losing," but same difference.

the problem with this desire is that in order for L to win or lose, he needs circumstances under which those options are the two main choices in the first place-- he needs a game, someone to test himself against, a challenge(r). when lind l. tailor dies and L proves kira's meager human existence to the world he practically sounds like he's cumming his pants, so i think we can assume kira stands as a particularly alluring challenge for him.

this also explains why L gets so depressed and frustrated with light over the course of the yotsuba arc. not only is light somehow out-foxing him by creating a circumstance under which he can claim not to be kira and actually be correct insofar as his memories are concerned, light has also set the game so that he's stepped off the board entirely, trusting his planning and his own non-death note influenced psyche and denouncing his role as a player entirely. in a way you could read this as light utilizing the one strength he has over L to his advantage: not just his awareness of the supernatural, as people often say, but the fact that kira has goals outside of winning, which can't really be said for L (or at least not without some additional extrapolation/interpretations of his inner psyche).

this is why my main claim here is that L doesn't really have a clear win state. for kira, winning consists of a few clear, distinct things: a utopian world, free from crime, under the reign of kira, where light has the control & worship of a god. for L, winning is a lot less distinct: really just. not letting light do all that. as this other post points out, it really isn't that far off to assume that L's motivations might've shifted from his initial state goal of executing kira, particularly as he gets more attached to light on an individual level, even if it's more as a rival than a true friendship. L is a liar and a troll, yes, but he still has "flashes of sentiment," and it makes a lot of sense to me that so many people see L winning as him stealing light away for himself to be locked away for the rest of their lives.

(sidenote2: i believe it was one of the jdramas (?) that actually does portray L winning but specifically at the cost of his own life, which again fits considering everything i just went through. i don't think L is actively suicidal at the idea of no longer having kira as a rival (well. <3< rival, the children yearn for kismesissitude), but. well, see the final section of this essay where i talk more about boredom for more on that.)

ultimately, light and L kind of suffer for the same reason: living for the rivalry, but also because of that never being truly satisfied no matter which way they come out in the end. the tragic yaoi of it all. i guess one of the conclusions here is that you should read this fic time speaks by aSmallMoon333 for a fascinating evolution of the rivalry past the supposed ending point of canon. anywho.

3. L's death: a failure of writing, or character?

hot take (??? genuinely can't tell if this is hot anymore so ig mean this like, partially sarcastically) but L's death is kind of really fucking unsatisfying, especially if you're witnessing it for the first ever time. i remember distinctly reading the manga back in high school and being really caught off guard by it, despite already having been spoiled about it, and while i pinpointed the cause initially being the fact that light doesn't even bother to write down the damn name himself, i think there's a lot more to this than that.

i've been writing about this idea of L not having a clear win state primarily under the approach of character analysis, looking at L's motivations and emotional desires to see how they inform what him winning would look like, but you could very well read this as being a flaw in the writing surrounding him as well.

L's not really a moral character, primarily because that's one of the main ways he's a foil to light-- where light is painfully, excruciatingly human, naive in his ideals, dedicated to them at all costs, L is a lot more apathetic, perhaps not to the same degree as near sometimes comes across (though he has more to him too, even if the anime doesn't really give enough time for that), but still enough to be generally considered a pretty amoral character. L definitely comes across to me as the type of person that understands the world deeply on an intellectual level, but struggles to meaningfully emotionally connect with it. the way he interacts with people is the clearest example of this, again making him a foil to light in that he gives no shits about how people view him and prefers staying hidden as much as possible, creating detailed psychological profiles of the criminals he follows but still misreading details in-the-moment while speaking to people (the autism. the autism), but i think this could very well extend to how he views morals as well, deciding that kira is evil on a logical level because people dying=bad but not really emotionally connecting with that. like,

yeah yeah they're both JUSTICE!! or whatever, but is this really true? not to get into an in-depth discussion on the nature of ethics & morality in my tumblr essay (though i actually wouldn't mind doing that...), but as the series and especially the yotsuba arc goes on, it becomes more and more clear that L's lack of attachment to people extends to his lack of attachment to traditional ethics. time and time again, L does shady shit for the sake of finding kira, whether that be covering the yagami household in a truly absurd number of cameras, recruiting actual criminals to help with the investigation, or chaining some kid to him 24/7 for weeks on end. this is a large part of the reason behind why i question what winning would actually look like for L-- would he be willing to turn kira in, should he get sufficient evidence to put light through the actual justice system? even if he is willing to give that rivalry up, i have a hard time believing he wouldn't want to confirm the death by doing it himself or something. but if that's the case, then why bother waiting? clearly, he's pretty fucking sure that light is kira, and he basically does figure everything out by the end of the yotsuba arc. so, why? is he waiting to prove it to the task force? is he still waiting for light to incriminate himself? but that seems like an awfully stupid thing to still be waiting for. what does L actually want here?

^^^ this last entire paragraph was basically my motivation for writing this, btw. ultimately, i still don't know if i have a conclusion that i'm really satisfied with, here. perhaps it really is just that light isn't the one to pull the trigger in the end, the nerve of a move that bitchy that kinda instinctively icks me out. or maybe ohba just wrote it bad!! idk. final thoughts-wise.........

one satisfying thing: in a way, light wins because he wins over people (namely, the rest of the task force), which tracks. the only reason why he keeps winning post-L death is because of this win, actually, which keeps him going for years despite the fact that he's doing objectively a dogshit job as L, as near so sweetly points out.

one unsatisfying thing: you could read L as losing because ohba doesn't actually have all that extensive of a view of what a good view of justice would look like, particularly in opposition to kira's view. in a way, L kind of just ends up representing a return to the status quo, where the criminals that kira is so desperate to purge are simply dealt with in the usual way & their crimes are a fact of life. perhaps this is asking too much, the rivalry alone is fun enough to watch without having to get too in-depth asking question about ideal global justice systems and the nature of crime & criminals. i genuinely do think a part of my frustration here is just that light was too much of a bitch to kill his main rival by his own hand, despite holding himself to a more respectable Standard in desperate moments prior (e.g. not taking the eyes deal w/ naomi misora). but it's at least an adjacent question, and maybe establishing more clearly what L's true win would've looked like could have made light's eventual victory just a bit more satisfying, instead of feeling like it comes out of nowhere after his extensive planning miraculously works perfectly according to keikaku. it's almost the marvel problem as is... but i digress.

bonus: boredom

in my recent reread/rewatch of the series, i keep getting struck by how much i really like the beginning of death note, like the beginning beginning of the series and when each main character is initially introduced, especially light and ryuk.

i don't think it's too much of a stretch to equate "boredom" with "depression" in this context. long before L is introduced to the series ryuk is the one being presented as light's equal and opposite-- parallels from opposite worlds, mutually disgusted by their own kind and the miserable state the world around them has devolved to. for L this sentiment is a bit less overt, mostly because again, apathy, but the fact that he spends the majority of his time hyperfixated on the worst parts of humanity speaks of something. perhaps i'll have more feelings about this upon rereading the ending, as that's a bit (a lot) fuzzy in my mind, but it's one of the main points i emotionally resonated with the strongest, a point of connection i keep coming back to.

light really is just a kid, at the core of everything. a teenager that did everything he was supposed to and still couldn't make himself happy with it. that's the real tragedy of death note to me, that for all he did to create a better, more ideal world, he never felt all that happy with any of it. not that he would admit that. but what is light yagami's greatest skill if not his denial...

[ladyelainehilfur]

saying the ending was bad because Horikoshi didn't pair Ochako and Deku at the end due to being afraid of alienating the fanbase + saying Ochako's entire arc was a waste of time because she never confessed to Deku

beep WRONG try again

Ochako's arc was becoming a successful hero who could save people like Toga and to provide for her family! Her crush on Deku is *one* of her character traits and dare I say, completely separate from her motivations! she's a main character in a shonen, not a shojou!! her non-romantic feats should have as much relevance as her romantic goals.

"she didn't marry deku in the end so the writing is bad" anime bros piss me off so bad sometimes 😐 this shiz is NOT Naruto, marriage for the female lead (who is 15-17 for 99.99% of the series!!) was never on the cards. marriage. pack it up, quickly. If you're not expecting Bakugou or Todoroki or Hatsume or Jirou to get married by the end of the series, why place that expectation on Uraraka? Yes, her admiration of Deku was underlined and circled. But at most, she was going to confess to him or date him. To genuinely expect *marriage*. smh.

To be totally fair, I also believe the romantic pairings were left open-ended so as not to cause chaos, because there would definitely be fans of other ships involving Deku and Ochako that would throw a nasty fit if Dekuchako became canon. I'm no BNHA fandom hater, I'm well aware most fans are chill and the toxic minority give the fandom a bad rep.

But Horikoshi made plenty of conscious decisions when he placed the characters where he did at the end. It would've been so easy for Ochako to tell Deku she loved him when they hugged after the war, because it's clear she does. But there was no confession. It would've been *so* easy to have them hold hands in the flashforward of them walking together in the snow. But they weren't. In the last panel, where they're full-fledged heroes, Deku could've been looking down to her when she looked up at him. But he wasn't. Deku didn't make a special note of seeing Uraraka more than he saw the others, he's not wearing a matching piece of Uravity merch like some are claiming she's wearing his. There was absolutely nothing implying that between the war and their mid-twenties, Deku and Ochako ever became more than friends.

To me, that's Horikoshi letting Ochako be more than a love interest. She went head to head against Bakugou in the sports festival and almost won, she helped save countless lives during her tenure at UA, she managed to befriend and disburden a villain who idolized her, AND she founded a successful nation-wide quirk program. And yet people are complaining that she's a waste of a character and the open-endedness of her romantic relationship with the main character spoiled the series. I think maybe people like that are reading the wrong manga.

[cinnamonsikwate]

i still hate how the onus was on zon and his people to "prove" that orcs were capable of more than violence meanwhile marcille didn't do a goddamn thing to change their minds about elves being raging bigots. funny how she thinks elves (a long-lived race with powerful magic) and orcs (a short-lived race with no magic as far as we can see) are on a level playing field when it comes to securing land and resources!

and having bahai, zon's child, be the one to go "why can't we all just get along" like ooh ryoko kui some crimes cannot be forgiven

[librathefangirl]

Shark Tale (2004)

[tarrielrae]

🍥 red-hot // naruto uzumaki icons pt. 33 🍥

[elvisqueso]

Pochontas (1995)

wiggins meta under the cut

here's the thing: ratcliffe is constantly being explained as a representation of the forces of greed and racism and colonialism/imperialism (arguably this can translate to capitalism as well), but what about wiggins? what is his role? he most obviously plays the role of the Fool, and provides a character for ratcliffe to have consistent dialogue with. but what does he represent?

i have a theory that wiggins is meant to represent the ethnic english, the culture of the english, and the willing servitude of the english to the evils of imperialism/greed/racism in exchange for a sense of superiority and security. wiggins is, paradoxically, both above and below the settlers in terms of status. he's a servant, but he serves the highest ranking man there. he's a yes-man, but he's also brutally truthful (spelling out for the audience ratcliffe's motivations and the immorality of the settler's presence and actions).

wiggins is also a caricature of the english to a T: he resembles many a self-styled stereotype of the typical englishman in english comedies. he's prim, a bit fussy, obsessed with gardening, a bit oblivious and silly and somewhat incessantly cheery. he's drawn, also, like an english caricature. his teeth and upturned nose in particular stand out to me.

the line "and he came so highly recommended" from each of these characters is so fascinating because of this because it highlights the mutual consent of these two allegorical characters to be involved with each other and subscribe to a master-servant dynamic, wherein ratcliffe has invested in wiggins to be useful and efficient, and wiggins has invested in ratcliffe to provide security both financially and socially. ratcliffe find's wiggins's personality (the cultural quirks of the english) trite and unnecessary. wiggins found ratcliffe's extremity to ultimately be outside of his own best interests once it could no longer protect him (ratcliffe being no longer able to provide the status and security once he was put in chains).

we can't be sure if wiggins has truly learned a lesson, however. he remains in America with some of the other settlers instead of returning to his homeland. we don't know what he intends to do there, or why he's made this choice. perhaps he's going to try turning over a new leaf and assimilate to a new society. perhaps he's going to try and influence his way into a similar position as before. in any case, we know wiggins's core motive is always going to be self-preservation. what that looks like without ratcliffe and the protections of aggressive imperialism, we simply don't know.

[sweetnsour-stuff]

Jenny animation! (With a pink version just for fun)

I made this over the span of like two days overall and I spent an entire day doing almost nothing else except working on it to the point I gave myself a headache lmao. However, I am happy with how it came out! It's a bit janky in some places but I just... Not enough for me to want to fix it rn I'm done with this lol

I've toyed with animation here and there over the years but rarely do I make anything substantial, so I am happy this turned out as good as it did. Though I also just find Jenny fun to draw, so that probably helped

[botanautical]

"I don't understand what anyone's thinking! I'm scared! It feels like I'm surrounded by monsters! It doesn't matter what I say - nobody understands me! My parents were the only ones who did, and they're dead!"

[spirit-of-anime]

I swear to god... ~ 🥹