#I can draw her however I want tyvm
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thatblueknight · 10 months ago
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Do smthn abt ur kid Hunter
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fatesundress · 2 years ago
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⭑ observations ii. tom riddle x reader
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part i here.
summary. two weeks after your last encounter with tom shatters all of your previous observations, tensions are high, and eventually, something's gotta give. (it's tom. he’s giving head)
tags. smut (so. so much. minors BE GONE TO WHENCE YOU CAME!), fem anatomy + reader is referred to as a woman by someone, fingering, cunnilingus, piv, again implied tall!tom or short!reader (take it however you prefer), jealous tom does not understand friendship but then again neither does reader apparently, a little wine is had, the room of requirement is used shamelessly as a plot device, did i mention smut, i’ve lost my mind etc etc.
note. this is a part two, so go ahead and read the first part and come back if you'd like :) obligatory preface: it's safe to assume any smut i write within hogwarts is a university au — these people are all 18+ tyvm. also woahh was not expecting the love on my last post so thank you! i'm still trying to figure this whole acc out so support, questions, (requests? never done those before) anything is appreciated ♡
word count. 6.3k
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The next two weeks are agony. You don’t, in fact, stop meeting with Godefrey to study, because you do, in fact, still need a good mark in Ancient Runes and for all his faults he can reach the tallest shelves and he’s a faster writer than you. Also, Tom Riddle is fantastic with his hands but this does not make him God.
You find pureblood politics a bit archaic. You find muggle courting a bit stifling. This leaves very little space for what took place between you and Tom in the middle of a corridor two weeks ago (you can’t stop wincing at how insane that sounds) and very little patience for his utterly original and not-at-all entitled request that you halt your studies with Godefrey. Godefrey doesn’t stick his hands up your skirts while the two of you are studying, doesn’t silence your gasps with a shush and a finger to your mouth, doesn’t — wouldn’t (you’re so imaginative when you want to be) — tell you to keep reading as his thumb draws circles between your legs, tell you to repeat the words that get caught in your throat, tell you how much he likes it when your eyes go dumb and glassy and all you can say is his name. So, really, Tom should have nothing to worry about.
“I swear,” Selwyn says, picking at a plate you don’t think she’s actually eaten anything off with how distracted she is, “he’s looked over here at least three times.”
You don’t dare glance at who you know she’s talking about. “You’re obsessed.”
Pot. Kettle. Whatever.
“Are you sure you didn’t do something to upset him in Potions? Didn’t botch something that might mar his perfect record?”
You flick her forehead and she scowls. “I’m not an idiot, Selwyn. I handle myself just as well in Potions as he does — he wouldn’t —” Wouldn’t have complimented your rapport if that weren’t true, wouldn’t have said you communicate efficiently, make a good pair, probably wouldn’t have — fingered you in the hallway? — yes, that too. Slipped your mind. So easy to forget.
You take a long exhale, and smile impassively at her. “I didn’t botch anything, trust me.”
She finally takes a bite of food. “Maybe I did something…”
And then she’s lost in thought again, eating now, at least, and you shake your head softly as you watch what are likely a million different theories flitting through her head.
“Morning,” Tom says to you when you enter Potions after breakfast, a delicate smile tugging at his lips.
You have, of course, trained for this. 
It’s your fifth — sixth? — time sharing a table with him since that night and it is somehow easier by nature and harder by anticipation (of what, you have no idea) every time. The first was terrible. Unsalvageable and without a silver lining. It had taken almost an hour that morning to charm the violent hues of red and purple spanning the column of your throat, and ultimately, the marks were so persistent you’d forgone the glamours and decided to just wear a turtleneck. You’d been fortunate it was completely inconspicuous to wear such a thing in December, but that was about all there’d been to be grateful for. You hadn’t been able to look at Tom all class and his hand had brushed yours once to take a phial from you and you’d flinched so sharply it would have shattered on the floor if he hadn’t caught it. And he’d smiled, like he’s smiling now, a soft, “Careful,” that honestly, for a short moment, made you want him dead.
Now you could speak just fine, look him in the eyes in practised intervals, and almost, impressively, make articulate conversation with him again. Make stupid comments about Slughorn and Lestrange and bear the weight of his grin knowing it was there for you.
His, he’d called you. A very funny thing.
“Morning,” you answer on a smiling sigh, sleepy but jovial all the same. 
You deserve applause for this.
“Tired?”
“Mhm — Essays for Ancient Runes are due Friday and it’s been keeping us up all night.”
His eyes flash with something you’ve yet to ascertain. Your research has been put temporarily on hold, scattered and splintered by the revelation that your first observation was, admittedly, a little bit off, and you have no means of figuring out a look like that when you can’t even begin to figure out anything else.
“Has it?” he asks, a tinge less friendly.
“Well,” you say, grinding the lacewing flies, “that’s commonplace, isn’t it? You take all sorts of advanced classes, I’m sure you understand the work it takes.”
“...Hm.”
That’s it. That’s all you get from him.
And if Selwyn’s concern over you botching your work in Potions wasn’t already, obviously dispelled, the glee on Slughorn’s face as he assesses your and Tom’s cauldron should do it.
“Brilliant! Just brilliant!” He claps a hand over Tom’s back, regarding you both with pride so thick it clouds his eyes, like he's drifted into a revery of the future (you and Tom, you expect, are his most prized graduates, making history under his name, proving his immense wisdom) before he appears to return to Earth. “Ten points between the two of you, hm? Very, very good — though, of course, no surprises there!”
He chuckles to himself as he evaluates the other students, and you catch a horrified wheeze of Godefrey’s name (bless his heart) as one of the cauldrons in the back begins to sputter and froth.
You look to Tom with some droll little comment at making it to the end of term with top marks, but his gaze is burning into Godefrey’s table in such a way you wouldn’t be surprised if it was what was causing his cauldron to boil.
Well. Perhaps not, then.
You and Godefrey hand in your essay that Friday with more relief than apprehension — you both decide it’s quite good — and you laugh loudly and breathlessly as he picks you up and thanks you a thousand times, spinning you until you’re dizzy. You refrain from making any promises to attend his Quidditch games, but he vows to let you have the snitch he catches.
And Slughorn, you come to find, was not exaggerating his elation at your skill. After trotting after you on your walk back from Ancient Runes to invite you to the last Slug Club dinner of the year, your spirits are high with the blissful satisfaction of a job well done and a night to celebrate it with.
You can breathe, finally, when it’s the last week of school before Christmas break and Selwyn’s zipping the back of a last-minute dress you purchased in Hogsmeade.
“Gorgeous,” Selwyn says with a grin. “Wish this school would have a bloody ball so I could really dress you up.”
“Buy a doll, Selwyn; you can dress them however you like.”
“You are such a —”
You burst into laugher, swatting her wand away as she pokes your side with it. 
“Just — go then, before I hex you.”
“All right, all right!” you concede, arms raised in surrender. “Don’t ruin all your hard work now.”
“Oh,” she calls on your way out the door. You turn and there’s a mischievous look in her eyes as she tucks her wand back in her pocket. “And do tell me before I leave tomorrow if Riddle stares at you all night.”
You groan as if it’s a truly abominable thing to imagine. Riddle, staring with those dark eyes of his? You, the centre of his attention? Ghastly. You daresay you’d never recover from the horror of it.
“Don’t leave before I tell you how remarkably uneventful a night it was,” you say with a sidelong glare, and leave before she can edge in the final word.
You have no idea what a Slug Club supper typically consists of, but you imagine for Christmas he’s gone a little further with his festivities. His office is glittering in hues of green and red and fleecy, snow-dappled gold. The lights overheard (some similar charm to the one in the Great Hall but a tad less complex, you think) drip and then vanish into the air like squeezed berries, and the berries — served with pastries and ice cream — taste like they must be enchanted with something.
Selwyn was right that the standard dress isn’t quite formal enough for a ball, but it’s… formal. The boys are in clean-cut dress robes and the girls are in fine gowns of different lengths. By the overwhelming number of them you recall being archetypes of Slytherin pureblood fanaticism, it makes sense how expensive they all look. You yourself brush up nicely, if not a bit more frugally, but you haven’t been to an event like this at the school yet, and that’s exciting on its own.
It’s another degree of training (is there going to be a marathon? Are you at war?), a step up from your preparations before Potions every other day, to be ready when Tom Riddle enters the room a respectable five minutes late with a gleam about him more captivating than any of the lights.
“Ah, Tom!” Slughorn exclaims, and ushers him into a seat you remark before Tom is even in it is discomfitingly near to yours. “We’re all here at last… Supper, then? Hope you aren’t too full already, I’ve got the House Elves running laps!”
You’re spared Tom’s closeness by a Ravenclaw couple sat in the chairs between you, their hands clasped under the table while they sip wine from their goblets, and you only realise the length of your observation when Tom glances at you from the spot over, and you startle yourself into reaching for your own goblet and pretending to enjoy Slughorn’s bitter wine.
You eat. You listen to cluttered, unending tales of Slughorn’s time at school and how he earned his post. You drink, and then you regret not drinking before eating because there’s only a very light, very nice buzz that warms you when you finish your cup, and the Ravenclaw couple is — oh, wait, it isn’t just them — they’re standing up to dance as a gramophone sparks to life and a low, dulcet instrumental begins to play. There are now two notably empty seats separating you from Tom.
What had you said this night would be? Blissful satisfaction? 
You couldn’t blame Selwyn for suggesting you’d blundered Potions — you didn’t feel exceptionally smart right now.
“I didn’t know you would be here tonight,” Tom says, pulling the chair beside you.
Where is the bottle of wine? No. Nevermind. You behave regrettably enough sober.
You manage a simple, “And yet.”
“...And yet.” His lips quirk before he takes a drink from his goblet. 
You lament for a second that you’ve only actually kissed those lips once. They spent a great deal longer on your neck.
“Will you be here over break?” he asks, and it isn’t an unreasonable thing to ask, you suppose.
“I think so. Why?”
“I’d like to know whether to expect you or not.”
Expect you… No, yes — revert to observation two: unusual is not an apt enough word for him.
It takes you a moment to conjure a response befitting polite dinner conversation. That is, after all, still what this is.
“I suppose you can. I’ll be busy, of course.”
Well, you didn’t say you conjured something good. It’s a big fat lie. Placating, vague, empty. And you suspect Tom knows that.
“Pity.”
Yes, he knows. He’s all quiet amusement again.
You stare off, satisfied to be left alone —
"And what is it that'll be taking so much of your time?"
“Well, I'm —” And now you have to build the lie — “I’ve told Godefrey I’ll attend to his Quidditch practise. Since the pitch isn’t in use.”
God, it’s so stupid it’s almost impressive — you don’t even know if Godefrey will be here over break, and you could have chosen any number of excuses that would pique Tom’s interest less than it’s apparently consistently piqued by the mention of your study partner. 
There’s that strange, indecipherable look again. Riddle is a perfect surname for him, you decide then, and you almost laugh at yourself for it, but that would probably not go over well should he ask what’s so funny.
“Have you, now? That’s very kind of you.”
“It’s hardly charity.”
“Hm, it’s kind of you to think so.”
You huff, tipping your goblet back to swallow the last meagre dregs of your wine.
“You look lovely.”
It’s just a little bit — just a tiny, straggling little bit of elderflower that captures your throat — and you cough into your goblet. “Thank — thank you.”
And, well, he looks lovely too. Obviously. Sickeningly so. You know little about his personal life but you’re positive he’s at least a half-blood, if not muggle-born, and it makes you wonder the influence of his renownedly plain black suit in a crowd of neat, long robes.
He manages with little effort to look better than all of them at their best.
His eyes drift over you appreciatively, quick enough not to be rude but — enough. (Enough that you daresay you might never recover from the horror of it.) You adjust under his gaze even when it’s situated on your face, far too heavy a thing for you to carry. “Does Godefrey call you lovely?”
What?
You blink at him, your mouth is probably open and you probably look stupid but he’s so… irritating. Yes, of course Godefrey calls you lovely. Godefrey tells you you’re the smartest woman he’s ever met (after his mother), and he drowns you with sherbet lemons at no cost, and he writes at the speed of light to match the quickness with which you recite your textbook, and none of it means anything. Tom is just —
“Unbelievable…”
He quirks a brow. “What was that?”
“I said you’re unbelievable, Riddle. Is it impossible for you to comprehend that I might have friends? That Godefrey is my friend?”
“Well, memory serves me right that you seemed a bit confused on the conventions of friendship last you mentioned it. Do forgive my uncertainty.”
He — that was —
“Well, that’s because we are not friends.”
“No.” He leans in. “We are not.”
You push your chair from the table with all the grace you can manage for such an abrupt thing: a tight, impersonal smile on your face as you walk away and approach Slughorn, only realising when you get there that your empty goblet is clutched in your hand like you’re trying to strangle it.
Whatever he sees on your face, he isn’t drunk enough not to frown at. “Ah, our newest gem — hardly seen you all night! Not leaving already, are we?”
You glance at the clock. It isn’t as though you’re being impolite by abandoning his party in the middle of the event. It’s quite late, the servers are stuck to the walls with little to do, and most of the room has divided into waltzing pairs.
“I’m taking my friend to the train station tomorrow, sir. Unfortunately I need to be up quite early.”
Yes, yes, it’s all so tragic. You’re depressed to go.
“Such a shame,” Slughorn frets, wobbling a tad and balancing himself on the wall. “You’ll be all right getting back? Not at all dizzy, are you?” His laugh is cleaved by a loud hiccough, and then he laughs even more. “My, well, I myself will need to be carried!”
“...I’ll be fine, sir. Thank you.”
“Oh, no trouble at all — there’s — hm… ah, Tom!”
No, no — is it bad you almost reach over and slap your palm over your professor’s mouth? Is it at all impressive that you don’t? You should look on the bright side in moments like these. You should admire your restraint.
But of course, Slughorn’s eyes don’t fall upon Tom for nothing. He's halfway across the room already, and Slughorn must have spotted him approaching to achieve this brilliant solution. “Tom can escort you back, no?”
Tom (unforgivably) is beside you now, a very mean, very pretty smile on his face.
“Not too much to ask, I should think? You know the castle best. Head Boy — sometimes I still can’t believe it!”
You look up at Tom and your jaw is clenched where you’ve since put down your goblet. There is too much tension in you to know what to do with, and he looks positively thrilled.
“It’s hardly charity, sir.” He holds out his arm.
You wonder what spell would catch him most off-guard if you were to blast him in the face right now.
Slughorn claps his hands together. “Ha! Yes, well… perfect, then! Off now, the two of you, off now. Do have a good — ” He hiccoughs again — “rest!”
You don’t even bother the diplomacy of smiling at Slughorn as your arm loops through Tom’s and you’re exiting the party. 
Neither of you say a word on the journey, and that’s very well.
If you could just get back to bed without speaking to him you may still consider it a good night. You may be able to push his strangeness and his entitlement and the annoying way his hair falls to another day, when he pesters you about Godefrey’s nonexistent Quidditch practise, which — come to think of it — you do think he told you he'd be headed home for the holidays. You really fumbled that one.
And then Tom’s thumb is brushing the bare skin of your arm and your walk stutters a bit. But he doesn’t mention it, and so neither do you.
And then he’s drawing down your elbow to your forearm so softly it almost feels like he isn’t touching you at all. He doesn’t mention it. Neither do you.
And then your arm, without really meaning for it to, is slipping from his and his hand is holding yours instead, feather-light as his fingers clasp yours and your breath is not the same as it was when you left.
He doesn’t mention it. He just keeps going.
His fingers work back up your arm and you shiver as they drag across your shoulder, gaze searing your neck as the soft digits find their way to your jaw, and you get the sense he’s remembering just how much he liked the taste of it, and you’re… you’re allowing it all again. You’re leaning in, you’re seeking him out, you want him flush against you and even that might not be satisfactory.
You are, in the end, a half-decent observer and a terrible liar.
You’re grabbing his hand with a small amount of direction and a great deal of meaning. You suppose it's because, historically, you’ve proven to have trouble with words in moments like these, and you don’t really know where you’re taking him but god, you know where you want him. Somewhere soft, this time, thick enough that you can fist your hands around it and melt. Somewhere he can hover over you, maybe hold you down a little, just until — maybe, miraculously — you might make him break a little too. Clamber over his lap. Make him yours.
“Tom,” you mouth, some question in the way your eyebrows knit.
The moment you say his name — the instant — he’s pulling you in, crushing his mouth against yours. And, ah, right, that’s what his lips feel like. You’d almost forgotten. 
This kiss is not chaste, hardly tender. It resists in that it asks you to push, to plead, to take this for yourself to prove how badly you want it, and he smiles into it when you do. And then, sated by your efforts, he lets you have him. You’re gripping the collar of his suit in your hands as his wander appreciatively over the back of your dress, pulling you into him as the kiss deepens. He’s savouring you like you’re something religious that’s been offered to him, and there’s the taste of wine on his tongue and you’re still here, aware enough that the symbolism isn’t lost on you.
“I've been thinking," he says between kisses, “about the way you felt when I touched you. I've been thinking about how long it might take before you need it again." 
You gasp at the sensation, and god, god, you've been wondering too, haven't you?
You’re pulling him impossibly closer and something hard is pressing into your hip and you clutch tighter onto his shirt as you moan into his mouth. You need it off, you think, and — has your dress been clinging to you like this all night? You need that off too. You need skin on skin. You careen him backwards without aim, your mind a muddled mess of all the many things your body is screaming it needs, like this is fucking imperative; to give it up would be catastrophic.
You suppose, based on what you’ve read, that that’s how the Room of Requirement works, but it’s still funny to think it would apply to this.
It hurts to remove yourself from him to watch in dumb awe as the door forms in the stone (to see the dark, languid shape of his eyes bearing down on you, the wet, stained pink of his lips), and Tom seems to recover from the revelation much faster than you.
His mouth is on yours once more, a hungry kiss; his free hand at your waist, guiding you through the door and shutting it carelessly behind him. 
He’s like fire against you, radiating as he presses down on you, his hand tangled in your hair and his hips flush against yours. You shiver as his mouth starts to move down (a cheap trick — he hasn’t forgotten how much you liked it the last time) from your jaw to your throat, as his lips trail down your chest and you're shivering into the warmth of him.
You’ve heard it said before, in some romantic sense, that it’s sometimes hard to tell where you end and someone else begins. 
This is not like that.
You've never been more aware of anything than the point where you and him meet.
You’re tugging at him blindly again, trusting in the nature of the Room like this isn't the first time you've been in it, and then you're stumbling down onto a bed you're quite sure wasn't there a moment ago (people say magic is a neutral force but evidently this is not the fucking case), fingers carding through Tom's hair as his body pins you into the mattress.
His mouth is molten hot as you squirm and pant beneath him, your breath coming faster than it ever has. Everything feels sharper and deeper and more intense under his touch, every sensation heightened until it's almost impossible to tell pleasure from pain, his tongue from his teeth.
How did it take you this long to do this again? To need him like this?
And his — you should really have the mind to see the mistake in all of this but perhaps that's for later — his fingers are pulling your sleeves down, propping your back to arch as he reaches under you to unzip your dress, apparently too impatient to sit you up and take it off properly so he just bunches it around your waist instead. There’s a moment where he stops to look at you, your chest exposed to him in the dim sconce-light, and then his mouth returns to circle your breast and you're biting down on a pillow to hold back the whimpering gasp that seeks to escape you. He hums around your flesh, and then he’s at your sternum, kissing a stripe to your belly button before pushing past the dress he's left ringed around your abdomen.
You shimmy under the weight of him to prop your head up — to see past the mass of silk that obscures his face from you as moves lower and lower, hands spanning your hips to keep you still.
His face hovers above your thighs, and he doesn’t move.
“Did you enjoy my fingers?" he asks. 
At that you freeze, thighs pressing together to bury the hand that's rising between them. 
Tom smiles. “Hm, you did." 
And then he spreads your legs apart, one hand pushing your underwear aside and regarding you with delicate, shameless appetite — something that might even be adoration: like this is all he ever wanted you to want.
“Do you think you'd enjoy my mouth, too?"
Words are gone. There's nothing left in you.
His head moves happily between your knees, holding them apart, pressing kisses to the base of your thighs. Your hands flail from the sheets, desperate to grip something else and you hold back a sound that feels like irritation and need at the same time. You need him closer, higher than this. He knows. You can feel his smile biting into your skin.
And then you manage a nod though you're not even sure he's looking at your face anymore (and what a picture to imagine he is) and you worry momentarily it won’t be enough for him — that he’ll ask you to be nice and say it out loud for him — but he hums with something merciful, and — his chin dips. You catch the smallest glimpse of his tongue before it’s on you, wet and slow and unrelenting and you say his name, but it’s a mewl; you choke on it. It sounds like a cry.
Pitiful, needy, undone. Just how he wants you.
You think all efforts to remain even remotely composed are thrown to the wind as soon as his tongue is lapping at you, fast and then slow, everything you want and not even remotely close. He sinks all his weight down as if he can predict the moment you'll writhe before you do — and you do. And with his grip he tells you to endure it. You only need him to say it with his hands and his mouth but he breathes back, licking his lips and he actually says it. “Be good.”
That makes your breath hitch and your cheeks swell impossibly hotter, and reality is a small glint in your peripheral where everything else is burning red. “Y-you’re—”
His mouth returns to you, tongue catching your clit in a drawn-out, agonising motion, and you gasp and lurch forward to inch through the sensation, craving more, more, more. Reason is lost on you, a throbbing familiarity forcing you to grind your teeth down on the pillow to stop yourself from telling him to — you don’t even know. Finish you. Abandon all reluctance. Just let you come as hard as you know he wants you to.
But he pauses, observant as he starts to work his fingers against you. Watching how your slick coats them like it’s the most enthralling sight he’s ever witnessed. Slowly, ever so slowly, he starts to push one inside of you, hearing your breath catch above him and the moan that comes tumbling out of your throat, pillow be damned.
You do your best to breathe through it, and you know he knows how to make you unfold like this, so the meticulous lightness of his ministrations tells you he’s trying to keep it from you now. You’re almost embarrassed about the fact that you’re dripping onto his hand regardless; his lips puffy, his gaze unnervingly, dizzyingly carving you in two.
“Just,” you rasp, clutching desperately at his wrist. “Tom, please.” 
Your begging must be music to his ears. (It’s a rare, unplanned fifth observation: that you think he’ll never get tired of hearing you say his name like that.)
He adds a finger. It’s encircling you, first, and no amount of restraint can stop the harsh gasp that leaves you, but then it’s his tongue and two fingers and he’s pushing into you how you wanted, and he makes a pleased sound against you, gripping you tighter with his free hand, still not allowing you movement and fuck, are you trying. What you're feeling now — the need, the want, everything —  is more than rational thought. Your mind goes blank, and all that matters is this, him, right here and now; nothing else exists, not even for a second. You moan, a low, throaty noise that's a little too loud, a little too intense; you can't recall if anything has ever come from you quite like it and Tom devours you at the sound.
More, you agree; it's almost an obsession in you now; more, more, please, anything and everything.
It’s the precision of his touch — not some bored, hurried transgression — that brings your hands helplessly to his hair.
“Tom,” you whine, holding him tight, and the purr of his mouth finding you again is something destructive.
As soon as you feel another swell of something deep down, your mouth is dropping open.
His tongue is sliding through you, fingers curling, and then your clit is in his mouth, and he’s watching you between your thighs as your eyes clench shut, and you’re coming.
Your voice breaks somewhere in the catastrophe of it. Your body spasms, electric down to every atom, and he pins you down through it. He doesn’t grant you the reprieve of escaping the frenzied, glorious torture of it. His mouth still lingers. His tongue moves thankful and unrelenting. 
He takes all of you, and you think this is destruction — creation — both. How terrifyingly similar they suddenly feel.
His lips are swollen and slick when he finally detaches them from you and you want to kiss him, but he’s leaning back to admire his work. You swallow, unable to blame him for it because you look down at yourself and — this is something else. You’re dripping down his chin. You're shaking. Your legs are still clenching around his torso. They’re holding him so tight you can’t imagine it doesn’t hurt.
But he just rolls off of you. Adjusts his trousers and your abdomen flutters and you think, don’t.
You don’t even realise you’re reaching for him until your hand is around his wrist and you’re still fucking sighing through the come-down, panting into the hot air.
He presses a kiss to your forehead, fingers damp on your chin as he holds you. You make a note that that’s the second time he’s done that. That you thought it was strangely intimate the first time and nothing’s changed other than how much more you like it.
And it doesn’t really feel like you can help it but crawl with gooey, trembling legs onto his lap. Doesn’t feel like you can help it when you lean in and capture his lips with yours, moan unabashedly into his mouth at the stiffness that presses against your core when you do, steal his tongue and the taste of you on it.
When he pulls away he’s looking at you like he doesn’t think you can actually do this. Like you’d just crumble the moment you tried.
A low, determined protest rises in your throat and you’re kissing him again. You’re unbuttoning his dress shirt, you’re trembling to reach for his trousers. 
When you can finally shrug his shirt off, press yourself against him, feel that skin on skin you wanted so badly, you find it somehow even more suffocating than its absence. You’re left wanting a more you aren’t able to even conceptualise, but you’re grinding involuntarily against him and his teeth are scraping your neck and he's hissing at the sensation, and — yes, there’s more.
Your breath is staggered when your hips stutter into a roll and you — fuck. You’re tugging desperately to remove his belt and he smiles against your throat as he takes your hands and guides them to him. You can feel his bulge against your thigh and you’re spreading your legs to usher him where you want, clawing at his chest without even meaning to.
Tom’s taking off his belt, and he’s pulling down his trousers just enough to bare himself to you, and maybe he’s right that you can’t manage it yourself but he stops his assistance like the intrigue of finding out is too good to resist. There's something both intimate and imperious, in a way, about the way he's looking at you now; it's a kind of focus and intensity and withheld hunger just for you; and you're more than happy to give yourself over to it, to let his hands and his eyes and his mouth claim you for his own. To claim him for yours, at last.
You do. You struggle for it. He’s very patient. 
But then it’s there — more — as you finally sink down on him and bite his shoulder and he shudders a low, pained exhale, his hands clutching your waist.
There’s a silent, suspended moment where neither of you move. The room feels entirely still. 
Your lips quiver over his pulse, and your stomach flips at the intensity of it, the undeniable rate of his desire beneath you. You smile against him now, like he always does to you, conscious enough to mumble into his neck, “Mine.”
Tom stutters inside you, fingers gripping you impossible tighter as you dare to think he even gasps. You dare to think he likes it.
And then one of his hands grabs your jaw and his kiss is searing. He thrusts upward and you cry into his mouth, searching to match his pace in a way that you appreciate, for once, he seems unlearned in. 
It’s all a bit messy, a bit new, palms in fists, in skin, in hair, digging for every part they haven’t already taken from. The sound in the back of Tom’s throat is divine, the feeling of him inside you as he slips his hand back between your legs — like he needs everything, like he knows you do too — it’s ineffable. It coils somewhere deep, touches something you didn’t know existed. Your hips are rotating, thighs still soft and slack from coming apart on his tongue, but you’re determined. It feels like finding even ground. It feels like something you deserve: to make him feel how you did.
Your head rolls back, eyes pinching shut in bliss, but Tom is there at your jaw again, forcing your blurry gaze back to him.
His hips are inching even further, the intensity of his pace as he adjusts to you making you dizzy. You think, realistically, there’s sound coming out of you, but you aren’t entirely sure when it’s so close to him, when your mouth is between his fingers and your ears are ringing and he’s looking at you like you’re made for him. 
“Mine.” And it isn’t a dismissal of your own claim but a confirmation that one will not be without the other. His voice is raw and breathy and something about the way he says it makes you contract inadvertently around him, hands swatting his chest like they don’t know what else to do. There’s just too much.
You recognize you’re trying to say something. Some plea, a moan, his name (is there anything else left?), but you’re just babbling into his mouth and he holds you there. He doesn’t kiss you. It’s your failing words against his lips. He swallows whatever syllables try to shape them.
It’s there again when you need it most; the heavy, swirling feeling inside you as he snaps his hips, his fingers returning to your waist with punishing firmness. His breathing accelerates, low in his throat, and you push harder against him. Your vision is gone again, head held in his hands to keep from rolling back so that, you suspect, he can watch defeat split you down the middle again — not over your shoulder, not with his head between your legs — with his eyes on yours, with every broken moan you let out so close to his face he can feel the breath of each one.
You’re grappling desperately at skin that doesn’t feel like enough, even though he’s rocking inside you, and you see the insanity of it, you see that it isn’t logical. Too much and not enough at once — you’re smart enough to know that doesn’t work, but it just is.
“Please,” you manage in a voice you don’t recognize. “Please, Tom, pleasepleaseplease —”
Had you said before it was foolish to call him forgiving? You take it back. He’s very eager to oblige you.
He finds some place inside of you and you don’t know quite what it is that he changes but it's new, uncharted, and you break there. You dissolve. You’re liquid in his hands as you sob, stuttering around him, trembling like you didn’t know was possible, and you swear — you swear you’re going to take him there with you. It isn’t that you could stop yourself if you tried but your body is gripping around him, fingers carving halved spheres into his skin, and you’re pushing down on him through the ecstasy — you’re forcing your eyes open so he can see you break, watch them flutter back all soft and pretty.
And you're sated by your ruin when it ruins him too.
The sound he makes is ragged. Undone. He can only bury it halfway with a kiss you think is actually more of a bite, twitching inside you as he fucks you through it.
You’re both lost in each other for a moment that feels detached from time, feeling his hips stutter to a halt, feeling your body soften. And he’s pulling out of you like it hurts, mouth falling open as he does. You wince at the loss, the sweet soreness between your legs, and you’re held only by the weight of him. You think — and you actually sway like the mere idea is too strong — that if it weren’t for his hands, you’d fall flat off the bed.
But he sort of lifts you off him, lays you down and watches you for a long time as if to decide something important before he's laying down beside you. You watch him too. His fingers brush your hair out of your face, and when there’s not a single curl left clinging to the sweat on your skin, he continues anyway. You let him trace your lips, your jaw, your nose, and somehow, a bit terrifyingly, your final observation: nothing about it feels unusual at all.
You did say he was yours.
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ethossleepy · 4 months ago
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about time I did one of these— UM ANYWAYS!! ETHOSSLEEPY INTRO TIME YEAH OOH YEAH LET’S GO
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Personal Stuff:
I’m Ethan/Gill/Etho if you wanna put a proper name to my face! Otherwise, you can just call me Polar/Polaris! None of these names are preferred over the others. Call me any of these, or just use my url :3
My pronouns are He/Him! Please do not refer to me using they/them or she/her tyvm <3
I am a minor! Interact accordingly and please don’t be weird-
I’m autistic, trans & aro/ace !!!
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Blog Stuff:
My main three tags are #polaris reblogs (for anything I’ve reblogged), #polaris doodles (for anything I’ve drawn myself) and #polaris mumbles (for any post that’s only text or consists of high levels of yapping from yours truly)
I reblog/post stuff relating to my interests! Most often it’s Hermitcraft/Life Series, JRWI, TGWDLM/NPMD/Black Friday (or general StarKid stuff!), TMA & a few other things I may have forgotten about…
I post my own art here! As stated before, all of my own drawings are tagged with #polaris doodles (all of my art posts before my tagging system was put in place are tagged with #polaris scribbles along with my regular art tag) All the older reblogged posts are not tagged with my reblog tag, however I don’t intend to go back and tag them because that would take forever…
This blog used to be dedicated to bat facts! While I have virtually stopped sharing bat facts, I will share something new on occasion! If you ever want to look at my bat facts, they’re all tagged with #polaris batposts !!
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I do not mind any asks or DMs from anyone (that’s why they’re set to public), again, just don’t be weird
Sometimes I reblog ask games! This means anyone who sees the post is allowed to participate and send me an ask :D
I will also draw requests if I’m up for it (no nsfw though.. get outta here!), so if you want me to draw something just ask and we’ll see >;3
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Mutual Stuff:
Anyone who’s mutuals with me is allowed to ping me, dm me, etc! I love interacting with you guys <33
I have a tag for when I reblog a friend’s post (usually it’s art) and it’s #reblogging friends !! Go check them out :3
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Other socials:
All of my socials are linked in my carrd, along with more information about me! Thx for taking the time to read this.. and possibly check back for updates? :3
You’re all super cool and I hope you have an awesome day!!
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youlooklikearealbabetoday · 7 years ago
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if you could get any kind of continuation or expansion of the movie thelma, what would you want to see?
asdakjhaljdafs so on the one hand i can’t even begin to comprehend what joachim and his talented team would bring to the table if either or occurred. i do know it would blow out of the water anything i have thought about. also i really think the movie is pretty perfect as is in content, editing, and narrative beats. on the other hand, the world of ‘thelma’ is ripe with possibilities, especially related to thelma, anja, and the former’s abilities. so yeah! there’s a few things i’d be very interested to sit down with joachim, eili, and kaya to discuss lol. 
the following are some things i’ve thought about along the way. they’re less headcanons and more like themes / general arcs (though i may have snuck a headcanon in once or twice). may end up having some new thoughts after a few more rewatches and these could change in that process. 
expansion
+ anja’s return and reunion with thelma
based on anja’s slight disorientation when she arrives outside thelma’s apartment and her saying she thought thelma texted her / non-plussed reactions the morning after, i’m thinking her behavior when she reappears goes about relatively the same way.  however… we did see her gasp / scream when the window ‘broke’ and enfolded her so maybe she remembers that much and is a little more distressed. not to mention last she remembers thelma and her weren’t speaking, so reuniting with thelma holding all these questions and uncertainties would be cathartic…and most likely heartbreaking. i feel like this alone could be a short film askhjfalsj,
+ their first time
i’ve gone back and forth in terms of thinking their first time happened between thelma leaving her parents’ place for good and the final scene with anja at blindern vs. happening after the end of the movie. atm i’m in the former camp based on how comfortable thelma was with PDA at the end and the sharing of clothes ;__;… but i’ll just leave @hedawolf‘s first time headcanons here because they’re a thing of beauty.
continuation 
+ evolution of thelma’s abilities
her powers are an allegory for her emotional / mental development and to see how those continue to evolve and stem from one another would be a key component of a continuation. are ‘physical displacement’ and ‘healing’ as far as it goes? i personally don’t think so as they represented different states of thelma’s development — repression and acceptance — so as thelma continues to mature, presumably so should her powers.
+ thelma’s grandmother
with trond no longer around to keep her in a drug coma, thelma’s grandmother should start to come out of it. i see thelma try to connect with her as the only other person (that we’re aware of) to have the same abilities as thelma. we know her grandmother shares the ability to displace, but can the grandmother ‘heal’ as well and/or have other abilities that thelma may not have based on her own personal experiences? 
+ thelma and anja navigating their relationship
thelma telling anja about the fate of her brother, father, and her abilities. obviously when in a new relationship, the discovery and learning about your s/o — both the good and not so good — is a raw thing. it can feel tenuous at times. i’m fascinated by how they would work together to understand those aspects of each other and especially of thelma’s abilities because they’re a they now. a team. 
per kaya’s request, an argument while doing dishes! for real though, some conflict would be a very honest part of them navigating a relationship. i can’t imagine — with all thelma’s been through — that her newfound confidence doesn’t waiver now and then. but because they are that gross couple, they work through it and come out even stronger. 
+ more of anja’s background 
loved the glimpses we got into her relationship with her father and mother that showed just how similar anja and thelma are. i’d be cool with separate interactions between anja and her mother to get a further understanding of their relationship, perhaps a part of it is anja telling her mother about thelma as a parallel to thelma telling trond about anja but in a MUCH different scenario and outcome tyvm. or her mother talking with thelma. still thinking on this… i’m guessing anja comes from the middle / upper middle class based on her nice apartment and it seems like her and her mother are able to go to the opera house frequently. 
i have a headcanon that anja drew her ‘smallest man’ tattoo, as well as one or two of her other ones. she’s secretly an amazing illustrator and photographer (someone so observant has to be). sometimes she leaves drawings on notecards or random pieces of ephemera like receipts for thelma to discover — various delicate half-profiles of thelma that were obviously done in the same room while the subject was unawares doing homework, taking a nap, reading, etc. or doodles of funny, weird characters she knows will make thelma laugh.
+ thelma / anja / julie
fluff wish. i really do think julie is an unsung hero and would love to see her with either thelma or anja or both. gimme all the positive, encouraging friendships between women.
thanks for the question and sorry it took me so long to answer! would love to hear what other folks would like to see.
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