#I am like so incredibly gay for this animatronic
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ihearnocomplaints · 1 year ago
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Psssst @fairstival I drew a thing for you :3
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Kaboom explosion!!!
It's not my greatest work. But I worked on it for like 3 and a half hours. It's a bit funky but I'm pretty happy with it !! :D
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lettersfromcats · 1 year ago
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August movies!!
hi doreen !!!
ive decided to watch at least one film a day this month for no reason, but i have been having fun. since i don't use letterbox to give proper reviews i thought it'd be fun to start documenting my thoughts on each one for the month :) (ratings based on intuition alone) (this will take a while/ in progress)
-the cabin in the woods: 6/10 i really wanted to like this cause i liked the vibes and it seemed right up my alley- i love a horror comedy; but i found myself really bored halfway through. i do like the premise but i think the characters were a bit too archetype-y for me, which i get is the point. i still found it enjoyable and i would watch it again- just probably with other people, i think it's a group watch film.
-the virgin suicides: 9/10 i'm using this to work through some of my watchlist and this was on there for a while, we talked about watching it and i was not disappointed. the exploration of grief from the peripherals really struck me as well as the depiction of girlhood. i understand the criticism of the girls stories being told by the boys but to me the film seemed very self-aware and deliberate in that depiction (and i do love an unreliable narrator). the utter foreboding that hung over the mystical haze of memory throughout the film was enchanting and i mean the cinematography and soundtrack, impeccable. i can't move on without mentioning the symbolism of the elm trees, it's as if a literary technique was designed specifically to get me to like a film. the elm in itself has such interesting mythos and history which maybe wasn't deliberate beyond the obvious symbols in the film, but still is really interesting, for example, in norse mythology, the first woman was made from an elm and in america elms became a symbol of war and liberation during the revolution.
-girl, interrupted: 10/10 started with simon and garfunkle and still got better. incredible performances from any lesbians idea of a stacked cast and jared leto dies at war so win-win. the depictions of illness while i can't say are flawless, never feel like the intentions are wholly mocking- (though i obviously can't speak for everyone) and are devastating when brought to focus. and there's a homoerotic friendship so i was always gonna like it.
-purple hearts: 0/10 i dont even want to talk about it, i was watching it ironically and i couldn't even bring myself to have fun. the politics are beyond confused and seem to boil down to a centrist mush of love everyone despite their flaws (racism) and war's okay if the soldiers are big pouty white men. the romance was even rushed i don't know how anyone enjoyed it.
-the lighthouse: 8/10 exactly my type of artsy bullshit, robert pattinson and willam defoe shine in this weird, gross, claustrophobic, anxious masterpiece and i was having a great time. so much and so little happened but the delirious descent into madness was wonderful and a little bit gay so score.
-saw: 10/10 i finally watched it and as i predicted am obsessed, i just love a horror that is just a little ridiculous. i want to keep billy in a cage and feed him carrot sticks, (is he an animatronic or a puppet? how does he cycle???) jigsaws motivations make no sense and honestly good from him, i'd go batshit crazy if i were him too. the editing is so 2000s i can't stop thinking about it. the bathroom trap is where i want to go when i die. the horror was a lot less visceral than i was expecting; i think the contained nature of the traps really just creates such tension, especially between the characters stuck together, which is so compelling to me. the reverse bear trap is crazy i love it and what lesbian horror fan isn't a little in love with amanda. im so glad i hadn't had the twist spoiled for me because oh my god. also score slapped: hello zepp.
-old: 4/10 so silly i think more rich people should pay out of pocket to make bad films unintentionally. i watched with my siblings and i love nothing more than tearing apart this sort of thing with a captive audience who have to find me funny or be bored.
-extra ordinary: 8/10 i didn't know this was Irish until it started and what a pleasant surprise it all was. such a fun watch i really enjoyed it. the supernatural elements were the good side of corny and the romance was cheesy but heartfelt, with quintessentially irish humour just a really easy to watch, fun little film.
-piggy: 7/10 i really enjoyed this despite the not-great dub i was watching. i like how the bullied girl revenge trope was subverted and saras character felt very real, her reactions to events came off as very genuine and the suspension throughout is pulled off really well. i do get the criticisms of it being a drawn-out short cause i did find it a little slow at times but not having seen the short i didn't find the plot at all diminished. i liked the aspect of detachment from the killings emphasized by none of them being on camera while the emotional impact remained as well as the almost haunting presence of the killer and his intentions.
-the florida project: 9/10 another one that's been collecting dust on my watchlist for a while now i was absolutely enchanted by every aspect of it. the honest depiction of childhood and a very american poverty was striking. the gorgeous use of colours brought the vibrance of childhood back even in the dilapidated americana of it all. the acting really shone, willam defoe slayed of course but the kids are what make it special. and that final shot.
-we're all going to the worlds fair: 8/10 such an interesting film, nothing has ever quite captured the echoing loneliness that existence on the internet can create like this before. i loved the aspect of the accidental acting in search of connection, to me the lead-caseys-personal experience reads as completely honest without necessarily pointing to the spooky aspects being beyond her own mind. the film's atmosphere remains evenly eerie throughout, actually spooking me a little at times. the incredible, universal isolation of each character was really well portrayed with no conversations taking place without some barrier (a screen, a door) and i loved the framing of the fair itself, especially in contrast to the bleak monotonous world of empty snowed-in woodland and soulless frosty towns that casey occupies. the lead actress did such a good job portraying casey and her shifting identity and breakdowns. the director's transness cannot be ignored and the film as an allegory for dysphoria works so well. all this set to the droning instrumentals of alex g creates such a foreboding ambiance i couldn't help but love. definitely one of my favourite watches so far.
-shiva baby: 8/10 oh boy so stressful but also really fun. im starting to really like rachel sennott, looking forward to seeing more of her in stuff soon; speaking of bottoms looks like it's gonna be so good.
-red, white and royal blue: look, we know this is not my kind of thing, i get why people like it but for me this one especially with the indescribably weird political message is just not good, i didn't like the book and i don't like the film. gay people should have cheesy bad films though so its fine.
-when harry met sally: 9/10 this is one of those films i always thought i'd get round to eventually and i was suprised how much i liked it. really really cute, made me believe in love again or something. meg ryans hair was stunning also.
-marry my dead body: 7/10 i definitely enjoyed watching this but if i was being haunted by a twink drastic things would happen and they would not be good. i liked the characters well enough and the mafia(?) plot was fun, action sequences were okay and i'll be charmed by most ghost plots plus a kooky grandparent? great film recipe.
-juno: 10/10 knew i'd love this and boy did i! everything about it was just so charming, the dialogue and mannerisms of the characters (except jason batemans who was so so scary), the soundtrack, the aesthetics and did i mention the soundtrack!!!!!!!!!!!!!!!!!!!!! i love kimya dawson so much. just a wonderful little film.
-submarine: 8/10 i'm a fan of richard ayode but i think this is his only directorial work of his i've seen and i have to say i really enjoyed it. the cinematography was really cool, i liked the use of symmetry and colour, especially the assigning a colour to each character, that's my shit; stand-out shot for me was the dream sequence over the dam drain thing- i love a water motif used to represent inner turmoil of a character- olivers basically kendall roy if logan was welsh instead of scottish. i know people love the score but i never got into the artic monkeys cause i'm not a huge fan of alex turners voice so a series of songs written and performed by the man didn't exactly stand out to me, but they seemed lyrically cool. i love the awkward stilted dialogue and the oddity of the main characters, they're not exactly likeable but that for me doesn't detract from the film. also his dad was a freak called lloyd and i love him.
-bound: 10/10 i mean what can i say, it's a lesbian crime thriller and if you don't think im gonna love that you're crazy. the plot is really compelling and corky and violet are an even more compelling. i enjoyed it. (also add this to my list of really good films made in 1996)
-bombshell: 2/10 lazy liberal feminism, i watched for margot and kate
-bones and all: 10/10 cannibalism in media <3<3<3 i also really enjoy a bit of Southern Gothic in my films so this was always gonna be a hit with me, even if i had to look past timothys presence. from the start the atmosphere is intense, the rural desolate setting, the immediate social and then literal isolation of maren really keeps the foreboding building only broken by the sudden violence. cannibalism works so well here as queer coding (and everywhere else, don't get me started). the weird balance of such realistic settings and this unchangeable almost supernatural aspect of biological 'survival cannibalism' is so interesting; and the romance element of the film worked really well for me.
-werewolves within: 6/10 a fun little horror comedy, i thought i would like it more but the humour wasn't quite my thing, a little millenial maybe. i still enjoyed it and it was a nice film to watch with my mam.
-as above, so below: 7/10 subpar acting and script writing made up for by such a good concept, Dantes Inferno as the catacombs absolutely slayed, and i was actually pretty spooked a couple times which doesn't usually happen to me beyond overreacting to jumpscares, which while im on the subject the jumpscares here were really well done, didn't feel lazy to me at all. it does need to be said that it really feels like they had a good concept but needed to work the script and plot more, the horror could use some backup from a better-written storyline and better justification for the character's endings.
-primal fear: 8/10 young edward norton was a real standout here. definitely an interesting legal mystery thriller, i think the twist would probably be more impactful back in 1996 (good year for film), it felt a little played out at this point but still very well done.
-slums of beverly hills: 7/10 i love a good coming-of-age and also natasha lyonne so i definitely enjoyed this. don't love the way some topics were glossed over but what can you do.
-fifty shades of grey: bad.
-vampires suck: 6/10 a funny little parody, mentioned the black eyed peas.
-weird: the al yankovic story: 7/10 daniel radcliff as a freak strikes again. definitely my favourite musician biopic i've seen so far. charming in its ridiculousness.
-ginger snaps: 9/10 a coming of age horror which conflates the begining of puberty to the transformation of warewolfism. i really appreciated the body horror elements as a cronenberg fan and i just think the horror was done really well. the two main characters were played so well and it was quite funny at times. i liked the interpretation of lycanthropy as a disease and the route of cure the characters used. would definitely recommend!
-insidious: 5/10 while i didn't find it especially scary i think the horror was well done and the plot was actually quite interesting! astral projection is quite a unique look at a ghost story and i loved that it was a person being haunted not a house, it was a good subversion. i did watch for leigh whannell and he made such a fun supporting character among some pretty meh main characters. definetely not a bad film!
-no hard feelings: 6/10 so fun! im so glad more stuff like this is coming out again and i mean jennifer lawrence slayed so hard. weird how people are such prudes about female nudity still, it wasn't like she was being overly sexualised in the scene but people are making such a huge deal out of it, i thought it made for a funny moment. i really enjoyed the characters and their relationship felt very real and cute! also depicted modern teenagers as very scary which i approve of.
-ghost world: 8/10 a really interesting look at two girls stuck in limbo between high school and adulthood. i really liked the depiction of enid avidly avoiding confronting moving on and how she inadvertently hurts everyone around her by being so casually selfish and how shes contrasted by rebecca (also scar jo slayed here gave absoloutely nothing, such a good character). the aesthetics of the film were really fun, with the delapedated city really highlighting the girls and also how fun the costuming was. steve buscemi also had a standout performance in which he was an awkward freak and a pretentious asshole about music! what a slay.
i really enjoyed doing this, it kind of forced me to actually engage in the media i was consuming past the casual level i usually find myself on. and it sure beat watching tiktok for six hours before bed.
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sammydem0n64 · 4 years ago
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Go ahead and just infodump on me fam. It could be about DJ, Drac, Wendell, a minor background character that appears for 2 seconds, literally anyone about anything,, i am listening, 👀👀
I’m in love with you Alpaca /platonic
UHHH IM IN A CHARLES MOOD 💔💔 so u get Charles facts
FUCKER NEVER GOT ENOUGH LOVE AS A CHILD CAUSE HIS DAD Charles Sr. IS A DICK- I mean like that wasn’t the reason he’s just a dick. The reason is that this man was often caught up in his work of. Running Benson Bear’s party plaza (which if it wasn’t already clear, is like the Chuck E. Cheese of LilyHeart mixed with a bit of Rock a fire) and shit so he has daddy issues now. Kinda ironic how his dad’s whole carrier was built off of the happiness of children, yet his own kid was neglected and unhappy 💔
Wow that was edgy
anyways this fucker also has internalized homophobia cause his dad is also. Homophobic 🤢🤢 the audacity this old cishet man has. So yeah he like, like he doesn’t hate the gays he just doesn’t think he is. A homosexual (it’s so funny cause he really thought he was the token straight friend of his friend group... Charles...)
Ok no more negative Charles stuff
He’s a cat person, like not a major one but he prefers cats over dogs by just a slight bit. This is foreshadowing.
He likes to have attention on himself, since he never got it from his dad but also cause he has NPD (Narcissistic personality disorder), he has low empathy bc of this but jusy because he has a hard time understanding and relating to his pals’ feelies doesn’t mean he’s like... a bad person.
Anyways his whole thing is that he’s the stereotypical bully character cause he’s. Incredibly jealous of Diamond. He’s really bad at it tho
Yes he gets better and becomes a friend after befriending DJ but shh
He spends a shit ton of time after school at his dad’s Benson Bear’s locations, in fact he often helps his dad and the employees with stuff like cleaning the animatronics and spraying down the tables. Free labor
His main friend group consists of him, Jasper, Holly and Matthew, he’s had a bunch of other pals in the past but they’ve all lost touch, wether they moved or they just stopped talking. Crusty didn’t deserve what happened to him.
You’ll NEVER guess what Charles is based on /j
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reubscubes · 8 years ago
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Horizon Zero Dawn: ReubsCubes Review
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Mankind has a few standout achievements. The Wheel, Fire, Internet, cheesecake. Sadly however, the list does not include robot dinosaurs. And until such time as the scientists of the world rectify this grievous error, videogames will have to make it up to us. I can only assume that was the opening of the design document for Horizon Zero Dawn, because this the best thing since Cheesecake.
The following contains spoilers for Horizon Zero Dawn. I will attempt to keep overall plot points and character moments vague, but if you’ve not played the game then proceed at your own risk.
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I love dinosaurs. Love is a strong word and it is exactly the one I want to use. I was obsessed with them as a child, dragged my long suffering parents to the Museum of Natural History at every opportunity and Jurassic Park remains one of my favourite movies. As a consequence I am incapable of being objective about anything involving dinosaurs, large aquatic or avian reptiles and almost all megafauna in general.
But my predilections for animatronic extinct reptiles aside, HZD is already a contender for my favourite game of this year. Please note that I haven’t played Neir Automata, Resident Evil 7, Persona 5, Mass Effect Andromeda, Breath of the Wild, Torment: Tides of Numenera or any other fantastic games that came out in 2017.
Horizon (and i’m choosing to  shorten the name because the whole thing is a really awful mouthful) tells the story of Aloy, a young woman born under mysterious circumstances into a primitive world that humans share with gigantic highly advanced machines, in a world that is clearly our own, an unknown time after some kind of apocalypse. As Aloy attempts to understand more about her own origins she is drawn into conflict with a evil cult known as The Eclipse and must battle for the fate of the world. Along the way she discovers more about the long gone old ones and the secrets of her origin.
Nothing particularly out of the ordinary there, naive but intelligent hayseed sets out to find their place in the world and finds evil deathcult. Friends are made, difficulties overcome and we all learn a few precious lessons about friendship, family and how entitled tech sector dickheads will be the downfall of us all.
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The world itself is more interesting than either the bog standard medieval fantasy or nuke blasted post apocalypse might be. Rather than the immediate aftermath of the calamity, where people are trying to rebuild their societies and loves with the shattered remains of the world they’ve lost, the time and distance between the old world and the societies that have followed after are much more pronounced. There’s a lot of sun and nature worship and even the most basic and obvious facts about our world have been lost in time. Case in point, the scholar in the city of Meridian who’s convinced coffee cups were ceremonious vessels used in holy rituals, as opposed to cheap tat mass produced to drink instant coffee from. The issue of instant coffee itself never comes up as presumably nescafe did not survive the downfall of humanity.
Women are at the forefront in Horizon Zero dawn. Aloy’s belongs, ostensibly, to a tribe called the Nora. They have a tribal society where led by a group of venerable women called the Matriarchs and worship a goddess they call the All-Mother. There doesn’t seem to be much in the way of proscribed gender roles for men and women, they all share in hunting and fighting and childrearing. Members of the tribe are of various different ethnic backgrounds, although again in a post apocalypse racial origin become a little vague. It’s a pretty equal society for all genders and races and a society that respects and elevates women is pretty rare, especially in the overly macho world of videogames. Diversity is dealt with pretty well, gay and trans characters are given plot lines and backstories that don’t hide their identities, but also don’t get caught up pointing out how inclusive they’re being. The interaction with the character of Jeneva, the warden of Sunstone Rock prison, is a particular standout. But it’s not all sunshine and rainbow in the valley of the Nora.
The Nora are a fair and equal society true but they’re also intensely superstitious and insular. They see themselves as one of the chosen people and anyone who leaves their blessed homelands is not allowed to return. Aloy was raised s one of the outcast, the members of the tribe exiles for various crimes. The Nora only ever treat her with disdain or fear and as a result she has even less respect for their customs and traditions as you might expect. Aloy cares about people and wants to do what she can to help them but has absolutely no patience for their restrictive belief systems.
The characters are noble but flawed in all too believable ways. This kind of excellent writing defines the world of horizon. The world is a mix of ancient cultures mixed with hyper advanced technology. The world is full of machines, technology so far beyond the imagination of the people in the world around it regard it as the magic of the gods. Which bring me to the most impressive part of Horizon’s incredibly detailed and designed world. The machines.
Holy mechanical t-rex they’re amazing! Most open worlds populate themselves with flora and fauna to hunt and be hunted by. Whether it’s the more grounded animals from the Far Cry series or the creatures of european myth that haunt the fields and forests of the Witcher, worlds are defined in a very significant way by the creatures that roam them. And the machines of of Horizon are spectacular, in design and execution. Based at least partly on real life animals mixed with the stylized technology, they’re the apex predators of Aloy’s world. Many of the designs, like the Behemoths and Watchers, recall prehistoric animals,  but even the more recognisable critters like Grazers and Lancehorns straddle the line between beautiful and practical.
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If the machines themselves are spectacular then the places they’re built are even moreso. The cauldrons are secret caves deep within mountains at the edges of the world where the machines are built. Once it has been located and the outer perimeter breached, either by solving a puzzle or overcoming the powerful machines guarding the gates, then Aloy can descend into a puzzle dungeon that would not seem out of place in Legend of Zelda. These environments are absolutely beautiful and more than a little eerie. And once you realise what they are and how they work you’ll want to run through them all again.
Where Horizon differentiates itself from a lot of other games in the genre is how it expects you to hunt its wildlife. You don’t have the firepower or defense to go in guns blazing so instead you have to use stealth and manipulate the environment to bring down the beasts. Aloy is armed with only a bow and arrow and a few gadgets like trip wires to take down sentient robots capable of crushing her underfoot. You can’t go up against a herd of Tramplers and expect to melee them to death. Much more likely they’ll trample you. Hence the name.
Instead you have to pick your moment, analyse the weaknesses of each type of machine, (a process which becomes easier and more natural as the game progresses) choose the type of ammo then set your traps. Then, when halfway through your perfectly constructed ambush a lone Ravager suddenly dives into the melee and ruins your painstaking set up you have to improvise feverishly to try to salvage the situation or at the very least not die. There are shades of Witcher and Monster Hunter to the combat, even some Shadow of the Colossus. Like the titular Colosi, the machines feel like part of the world, and feeling the more majestic creatures is almost tragic.
Once the beasts have been felled they can be scavenged for parts, although this whole system does feel underdeveloped. There two types of collectables that you can harvest from enemies but most of them only really need to be used once or twice. You can sell them for money but that leads to you having far more than you can possibly spend. After a little while it becomes a little tedious to hunt machines for its own sake. Although the combat is reminiscent of monster hunter it has a very long way to go before it matches that franchise as far as rewarding players goes.
That a slightly unfulfilling crafting system is the worst thing horizon has going for it is indicative of how excellent a game it is. The world manages to be familiar and brand new all at once, and the same applies to the mechanics of its open world. Guerilla games have created something very special in horizon and I hope that we’ve got lots more of it to look forward to.
Thanks for reading!
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