#I always try to include an image of the original 'meme' when I do a redraw. in case someone wants to see it

[arttsuka]

I wanted to draw that with them

From this meme:

[liulith]

We as a fandom need to open our hearts to the insane comedic potential of Sir Pentious being included as a background character in stories taking place in the "old days" before Vox and Alastor's falling out. AND the comedic potential of one-sided Sir Pentious -> Vox.

Why?

Canon!Sir Pentious is attached to his era's aesthetics but he also wants to be "hip and cool" (see pilot episode; Sir Pentious as the how do you do fellow kids meme) and join the "Almighty Vees". When did he start wanting that? He's not a media demon trying to keep up with his audience and be a likeable public figure. He's a mechanic trying to conquer Hell by force thanks to his machines and obviously relishes in acting like a villain (fear me! I'm so evil! I'm the architect of destruction! etc. etc).

This is very different from the Vees' approach - maintaining a perfect public image, insidious manipulation tactics... Vox threatens Alastor in the show, but the Vees clearly haven't built their power through turf wars, which is and has always been Pentious' one and only strategy. All the machines we've seen him make are war weapons (+ the Egg Boyz who do his bidding, and help him operate those very weapons). Voxtek probably sells weaponry too but that is more Camilla's domain, so it would be more logical for Pentious to try and join her.

Pentious' and the Vees agenda and interests aren't aligned, so why is Pentious so desperate to join the Vees?

there are many reasons why Pentious could want to be part of the Vees besides the one I'm gonna talk about but you know what MY agenda is:

Vox is Pentious' idol. Pentious is an inventor, an innovator. He would have loved waking up in Hell with a mechanical body he can upgrade however he wants and finds the whole concept fascinating.

He's not against new technology, as his creations clearly go beyond what people could have had invented in his time despite their "steampunk" aesthetic (see: the effing death ray). So I think his current "limitations" are more a matter of him having to stick with what he knows best because it's hard to keep up with the constant stream of new tech. This is why he's more than impressed with Vox's extraordinary ability to adapt to change and master new technologies again and again. He's a fellow innovator! That's one reason for Pentious to be obsessed with the guy.

And if you think obsessed isn't the right word, think about this: Sir Pentious repeatedly challenges Alastor to fights even though he's clearly outmatched and it's an incredible risk to take considering what Alastor does. Pentious is OLDER than Alastor, he was there when he broadcast the most powerful Overlords' scream all over Hell. Plus, losing always leaves him in a very vulnerable position (without his best weapons). Is it madness? Hubris? An obsession for Alastor? No!

Sir Pentious to Alastor: Silence! Now Cower! For when I've slain you, the Almighty Vees will finally acknowledge me!

Sir Pentious thinks defeating Alastor is the only way the Vees will finally acknowledge him. No matter how dangerous it is, he has to try, for the Vees (Vox). Just like he took the risk of angering the Princess of Hell to get in Vox's good graces. This says a lot, for someone as paranoid as him, who doesn't trust anyone who is "too nice" to him.

If Hazbin had more episodes there should have been one about Pentious struggling with the fact he disappointed his idol and told to KHS 👀

(btw this is old news but we know that one of the Hazbin episodes that Viv originally pitched was about a science contest organized by Voxtek in which Pentious and Baxter competed against each other! Pentious could have done that after ep2!)

Anyway, back to the comedic potential of it all & Vox's arrival in Hell. Can you imagine his reaction as a newly fallen Sinner, when he's hanging out with Alastor (aka following him like a lost puppy?) and he meets Sir Pentious for the first time? Like sure, Hell is full of insane people but Alastor obviously has a Reputation and no one ever challenges him. And suddenly... Hm... Alastor?? There's an airship with a giant cannon pointed right as us?? Firing a DEATH RAY?!

It's also so funny to imagine Sir Pentious being obsessed with Alastor and considering him his archnemesis back in the day, only to slowly become obsessed with Vox instead and only caring about defeating Alastor because he thinks Vox will like it. It starts with Sir Pentious trying to "gather intel" on Alastor's new "ally", spying on them or sending his Egg Boyz to do so (and we already know great he is at spying so you can guess how that goes lol), and the rest is history.

Alastor loves attention so he probably let Pentious spy on him behind bushes from time to time if only because it's very entertaining to watch him try to be discrete and make his shadow tap on his shoulder. How hilarious would it be if Alastor noticed Sir Pentious' growing crush on Vox but not Vox's crush on him? Also, Vox misunderstanding Pentious and Alastor's relationship and thinking Pentious is a weird obsessive ex... The world is a stage and the stage is a world of entertainment!

[miyamiwu]

Reblogging is a form of self-expression

I’ve seen a lot of posts about how people aren’t reblogging much art anymore, with the authors encouraging people to reblog coz it helps support artists. But the thing about most of these posts is that they don’t really talk about how the likes-reblog gap isn’t just widening for art posts. It applies to other types of posts as well—be it short or long text posts, some edit you made, photos, etc.

I don’t have that much followers, but some of my posts have reached over 1k notes. (And some rare popular ones have reached 5-6 digits). I write a lot of metas both here and on one of my side blogs. I also make gifs occasionally, and I have lots of original posts in general too.

But in all of my posts, there are always more likes than reblogs, and the gap is often wide.

When I look through some of the blogs in the notes, several of them are empty but with their Likes visible. And if they’re not empty, then all their posts are just their own. No reblogs at all...

Many of those Likes vs Reblogs posts talk about how reblogging helps the original poster but make little to no explanation on how reblogging serves the reblogger. And I guess that’s why the likes-reblogs gap continues to widen. People are framing reblogs as free advertising for the OP when we should be framing reblogs for what it primarily is—a form of self-expression.

When you reblog something, it’s like saying...

You’re so excited about the post that you want others to see it

You agree with the idea/opinion being expressed in the post (opinions, discourse, analysis, etc.)

You care about the things said in the post (like sharing pro-Palestine posts)

You identify with the community being represented in the post (like being part of a certain fandom)

You find the post funny and want to save it (like how you’d save memes to your phone)

You think the post is cute and want to squish it (cat photos, animal videos, kawaii stuff, etc.)

Or you just think the post is going to be a popular one so you’re “investing” early

etc.

You can even expand these ways of expression by adding your own commentary through tags or reblogs. You can’t do that with just liking.

Actually, you don’t even need to have a clear reason for reblogging something. Posts can simply be like stickers or stamps, which you collect to put on your scrapbook (your blog). Years later, you can then go through your archive and look back on how you were before at certain times in your life.

[To those who don’t know: Yes, we have an archive. It’s at username.tumblr.com/archive. You can filter posts by post type and by month/year of posting. Only posts/reblogs show up in the archive. Likes are not included.]

Moreover, reblogging is how you gain friends. Mutuals, after all, are two people who follow each other, and well, for someone to follow you, you must have something on your blog that they’d want to see more of. If you only like posts, then what’s there to see?

Original posts are nice, of course, but when I see a blog where all posts are just their own, I’m immediately given the impression that it’s being run by a brand. And it may be that the blog really is trying to maintain its Brand image—such is the case for side blogs dedicated to a certain topic (like poll tournaments or art-only blogs). But even then, people will expect you to have a Main blog or another side blog where you do reblog stuff.

It’s kind of how we know you’re human. And it’s also how we know that you’re open to actually engaging with others on this site.

A blog that’s empty or contains nothing but their own posts sends out the message that you’re not interested in or just don’t care about what other people are saying.

[tayior5]

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Reminder that this is still just a silly little portfolio.

Do not take anything too seriously, this is only meant for fun.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Since people have apparently taken an interest, I think a quick introduction is due. Here are a few things to be wary of when approaching my art, as it may not be what it seems. (emo ahh line)

Anything that I deem inappropriate to be shown will need you to voluntarily open the post, regular art will be posted as normal.

ABOUT MY ART:

(edit) Ok i'm not a minor, and i'm going to stop saying that before someone assumes i'm up to sh1t, but I am not some extremely mature adult, so do not treat me like one, thanks.

Do not be fooled, Sonic characters + ''chibi'' artstyle does not = safe and wholesome. You can learn more about that down below.

If at any point you are disturbed or disgusted, leave. I do not care, so don’t waste your time complaining.

If you have anything else to ask or add, dm me about anything anytime. Do not expect an immediate reply. If you, for any reason, wish to request a drawing of a character, do not expect a 100% yes.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~DISCLAIMERS/ TW: 

JUST BECAUSE I CAN DRAW THESE THINGS DOESN’T MEAN I ALWAYS WILL. MY ART, FOR THE MOST PART, WILL JUST BE WHAT YOU HAVE SEEN PREVIOUSLY.

(anything censored is bc idk the moderation system for tumblr and i'm not risking it)

-Gore, i’m by no means good at drawing it, but I do find it fun sometimes

-Dr*gs, (insert let's take ibuprofen together meme) 

-Violence, often comes hand in hand with gore

-Will probably be at least one instance of angst, probably including one if not all of the above

-I will not intentionally stray from darker topics, though I cannot see a scenario where I go over them (e.g. s**cide, nothing sexual)

-Even if the art originated as a vent drawing, I am not posting it for the sake of a vent. Please, don't try to be some white knight.

-No romance. If there is ever anything of the sort posted, I have been breached /hj

-If anything is tagged as ‘’nsfw’’, it does not contain sexual content, I will never post anything like that, it only means any/all of the above.

-Not necessarily bad, but I do like to recolour Cream the Rabbit, as seen in the image literally right above. If you don't like recoloured ''ocs'' or whatever, then i'd suggest leaving lol.

Has any of this put you off? Then please leave. Your comfortability is not my responsibility. Do not take this and be offended, I am simply warning you and letting you know in advance.

[everythingblreview]

why you hate jast blue so much?

I already gave many reason but if you want to know I can summarize it again.

First of all, I would like to say that I fully support localisations and always buy the English release even though I have the Japanese release too. But Jast blue really messed it up.

Before this I also was fully supportive of them and even recommended my friend to buy their dmmd release, because they promised they will do the game justice (something that was not always the case with the fan translation) but I didn’t know how the quality of it was at the time, and let me tell you how shocked I was when my friend shared her experience with the translation (keep in mind we are both major in Japanese language) she hated the game so much and said the translation made her experience worse.

It didn’t help that jast didn’t care about the complains of people about the translations and after all this I was already not that happy with them, but all their dirty lies unravelled in the following months. The quality of their game releases is bad, not only the translation, but the fact also that they “worked so hard” on something just to release a game full of typos and bugs, with a bunch of swearing added. They refuse to take any critics and block everyone who criticize them, that’s not how you treat your customers.

And my biggest problem with them is their translation and how they deal with games of a different culture. They have 0 respect for Japanese language and culture they just take the games and make an American version of it, and act like It’s the only correct way to do this. “Localisation” means making it understandable for people who you are releasing the game for, not to rewrite it in the way you like it. They are still stuck in the mentality of 2013 dmmd tumblr days and see BL games as nothing but porn made so people can make fun of it, and that’s how they advertise them.

The slow damage localisation was the last straw for me, their translation sounds nothing like the original game. The characters and especially the MC’s personality was made up by them, everything I see people “like” about him, was never in the original. How dare they to slut shame a character who suffered such a trauma (yes surprise there is no such thing in the original), they way they changed everything so they could keep up their “edgy and meme-y” image of the game is extremely disrespectful to the writer. The Japanese version and the English version could be not more different. Even the translator of the Korean patch said they pity us because of the bad translation. You are not supposed to put your own interpretation of a game as a translator, and this is what they do. The translator doesn’t like BL and you can see it in the way she translates the game.

Also, when I called out their editor on twitter for lying about not including certain words in the game, even though they did in the end, she instantly went to her follower to complain about how someone is mean to her instead of providing an answer to her lies. I can’t believe people actually try to defend them. Jast blue has the most entitled American attitude I’ve ever seen. They act like they are so much better then everyone else and can’t make any mistakes. You know why no other English released bl games get critics for their localisation? Because they don’t do all this and respects the material they are working with.

I’m not going to sit here and look at them doing this to every BL game, I want people to take these games seriously because BL games still have a very dirty image in the western community. I don’t want them to do more BL games. I’m sick of this clown show so that’s why I’m always asking people to not support them. They are not the only one releasing bl games, so I’m not worried of not getting English releases, and even if I rather have no English releases than a game, that disrespects the writer, the culture that is fully of bug memes and swearing.

[cipher-fresh]

hi! i hope it’s okay to ask this, but i’m trying to write alt text for pictures i include in my own posts and i’m not super sure how to. i’m just kinda worried i’ll fuck it up lol. i see u write image IDs often, so do u have any advice? thank u!!

Hi! I’m delighted you’re asking, I’m always glad to see more people regularly describe images on tumblr.

You don’t need to know every single detail about a post to give a good image ID, just the gist so people understand is fine. I describe a lot of images from TV shows where I don’t know the locations or characters, but usually the dialogue is the most important thing so I focus on what the point of the image is when transcribing.

Phrasing posts can usually feel awkward, I’ve started a lot of IDs like “A screenshot of people standing by a table talking, dialogue reading [something]” but it gets easier to phrase it over time.

One image ID is better than none, even if you’re not describing posts super often, looking through a post’s comments for an ID and reblogging that is really nice. If you want to reblog from a mutual who is reblogging a thread of a post without an ID or want to preserve another comment, you’re welcome to copy and paste other people’s ID’s.

If you’re putting a description in alt text, it doesn’t need an ID introduction, but if you’re putting it in the body of the post (generally preferred), having an ID introduction like ‘image description:’ is suggested, or the ID may look like a comment on the post instead of what the original image says.

I’ve made occasional mistakes when doing IDs, but my other image describing friends usually help me out and tell me when I make typos.

Since I’ve started writing image IDs I’ve tried to be on top of making sure I don’t post undescribed images on my original posts. I usually hold off on posting images to my own posts if I haven’t described them. I didn’t start describing posts until a year and a half ago so I have a lot of old original posts with undescribed images that I’ll find and add descriptions to if I feel they’re worth a reblog.

Asking the OP of a post for details about how to describe an image is also advised if you’re not sure. And it’s alright if you’re not able to get to every post, I know I haven’t.

There is a Google doc of image descriptions for popular meme templates floating somewhere around here, if I find it I’ll link it in a reblog.

Thank you for asking!

[doom-nerdo-666]

How "Eternal" is Doom?

(The image of now is from a lost official UAC website)

Doom is "eternal" because of its longevity; Not just fans simply talking about it or playing it, but also because of the modding and creative cultures around it. The source code of the first 2 games was released some time in 1997, which extended the potential of the creative scene that the classics already had before. But what about other Doom games? Specially in an age of topics such as video game presevation, documentation, accessibility, lost media, streaming services, games seen as art and so on. Think about mods, fanmade maps, fan ports, assets ripped from games, wikis and anything that involves exploring a game from inside out.

Doom 64 and old console ports

Doom 64 took over 20 years for an official re-release. This game never had its source code released, so fans took time to reverse engineer the game and rip files to make fan ports; Doom 64 EX was the best at the time and its lead developer (Kaiser) was involved in the official new port even.

Other console ports such as PS1 had their history with reverse engineering projects.

Doom 3

Doom 3 had later ports changing and removing content to the point that fans declare BFG edition and some others as inferior versions, even if they had some parts others liked. When Bethesda and id updated the Steam listings of some id titles, users get to own both versions of some games, including the original and BFG versions of Doom 3. And while D3 has modding still, its multiplayer may still require online connections even with bots unless you use modding tools (From what i remember, at least). D3's multiplayer even had unique power ups not seen in any campaign.

Mobile games

The mobile phone games are more obscure and the RPG games do have reverse engineering projects and some documentation, even if it took years. The BREW version of D1RPG was almost lost, but the D3 on-rails shooter "Doom Resurrection" might as well be gone entirely due to modern updates of modern phones making it unplayable. (Also, cannot forget the comic made for D2RPG, which is the intro to the game but was a seperate thing for some reason).

Doom 2016

Doom 2016 eventually gave away its DLC content for free, but who knows about its multiplayer, SnapMap, scores in Arcade Mode, player deaths in Ultra Nightmare etc. I recall that even when using bots, the multiplayer still requires internet. When an online portion of a game dies, you rarely get a situation where developers let the players still use these features in some manner, like for personal matches between friends and such. Or anything that allowed players to gain control of that, for a game they've bought with 60 bucks. Let's also not forget that 2016's engine uses content that means the game will never have proper modding tools (Hence SnapMap in the first place). Modern games also receive updates, so there's always a reliance on internet connections and changes affecting historical content. Both multiplayer and SnapMap have unique assets with some appeal, be it for lore, mods or other reasons and even if some fans didn't like one mode or the other, others fans liked them.

At least SnapHak is a thing, so some fans are trying to save SnapMap from some of its limitations.

Doom Eternal

Eternal is more obvious over this because of stuff like BethesdaNet (Now gone), Slayers Club, Twitch Prime, skins, podiums, emotes, banners, icons, events in general and all those challenges etc. Even something as simple as that Doog/Korone easter egg is a piece of history that lasted for a short while (Yes, it's a meme easter egg referencing a VTuber but i also try to see things in a "less bad, more good" logic; Because even if people don't care, they still don't advocate for it to be gone). Gameplay challenges and rebalances also affect strategy videos and content around it like speedruns and analysis. At some point, Mick Gordon's main menu theme was replaced by Andrew Hulshult's before id offered an option to switch between one or the other. At least it has better modding tools (Even if still limited). Let's also not forget how the mode Invasion was cancelled and so was almost anything to do with Stadia. Or content that may have been cancelled like skins and Master Levels. There was even a Bob Ross/artist theme that never made it but people still saw it through datamining. A lot of skins ran a second time before being sold for actual money, though i think some skins are still unavailable. In general, there could be some irony with the name using the word "Eternal" when there's aspects of it that feel "FOMO/mobile game-ish". There's also that one Denuvo anticheat controversy, even if it's a thing of the past now.

Another mobile game

Mighty Doom is a modern phone game in the sense that it even has some same problems as other phone games. But regardless, it's still prone to being forgotten by history due to how it's built. In a way, it's expected for this game, even if there could be some things people will like, even if this game has more bad things in it. As of writing this, the Mars Core level in Mighty Doom is still removed.

An old UAC website

Outside the games, id Software once put up an official UAC website, which even had lore that was related to the Doom 3 novels and RPG games. It ran on Flash, so you can tell that this site is gone and available through the Internet Archive/Wayback Machine. Even Martian Buddy from Doom 3 had a site that's also gone.

Art, music, assets and so on

Then you have stuff like concept art and music, which is why i thought that in-game galleries showing art and jukebox/music playlists could work. There's always cut/unused tracks that could still be played in the game even if not from a cutscene or level. And most Doom art books still lack plenty of concept art and sketches that you can see online through Twitter or ArtStation accounts of artists that worked in the games and other places (Like art for Doom 3, cancelled Doom 4, 2016, Eternal, even stuff for Doom 64 and the classic games). Basically a way to preserve even cut/unused content. Or even details and things that EXIST in the game but are rare or unseen. In a way, id could learn something from sites like Spriters Resource or The Cutting Room Floor Wiki. Hell, a museum like in some Ratchet and Clank games could be cool. Again, even if you don't care for basic skins or lame features, it doesn't mean you want them gone and erased from history.

Merchandise

Also, since Doom Eternal's collectible toys exist to be turned into real merchandise, imagine the opposite: Real life Doom merch recreated in a game, so the merch is "preserved" digitally since there's obscure Doom merch too.

More comments

This also puts into prespective how videogames changed in a way that a single game will never feel "complete" in the next 20 years, if there's parts of it that could be gone or just hard to get back. It's also worth noting that John Carmack's release of the Doom source code came from a mindset inspired by "hacker culture", which is a mindset that may be different to what's going on at modern id or at least the higher ups at ZeniMax. After all, John Romero was once sharing unused assets related to Doom until ZeniMax told him to stop.

In a way, replayability is not just about a game's quality, it's about the state of its existence. Games are interactive so if there is no way you can ever play a game again, then it might not exist. Some games don't need mods, multiplayer or additional content to be replayed but can you still play or even emulate them? You might have some 6th gen/2000's game that did great on Windows XP but not W10.

id Software has proven to have higher standards than some other game companies, even if they're not perfect and still chased a few trends. But it'd be great if id does the impossible by making sure than Doom and more of it has a true longevity and its legacy gets stronger. This can also be said about Doom fans because the fans are why Doom lived for so long, so it's important that older fans make sure newer fans carry the torches and follow some traditions. Because old and new Doom fans reflect different generations, so some may have to learn things from others to ensure the series' staying power. Specially with how vocal and loyal new fans are for being into Doom, even if they're not as deep into Doom as some boomer that knows a lot about wads and weird nerd stuff.

Wiki and documentation stuff

Also, speaking of wikis and documentation: You know how the Team Fortress 2 Wiki has a Youtube channel that displays stuff like weapon stats and how taunts work? Always thought Doomwiki could benefit from having official videos where content is analyzed, specially because of that one classic Doom Youtube channel that posts videos showing off specific gameplay stuff but also secrets in some maps. Plus channels like Decino and Elysium Gaming have analysis of stuff from different Doom games. Then you have videos of stuff like old interviews or behind-the-scenes stuff like how Gregor Punchatz has an old video of a recording showing the models used for the demon sprites (Spider Mastermind and Mancubus were the focus on those videos).

Either way, i think this topic is relevant enough that i wish someone said this better than me (In case i got something wrong, am forgetting something or just my grammar and vocabolary).

EDIT: I just thought of 2 things:

If they ever make a "Art of classic Doom" book with concept art and unused/cut sprites related to D1/2/64/etc and they look into the press release stuff of Doom alphas/betas, even cut levels, the leaked D64 stuff and what Romero still wanted to share etc. I'd still see this as stuff that could show up in a game.

Because of the focus on LORE: Digital versions of manuals and booklets or strategy guides, so people get to know more of classic Doom's "little story" (Unless id really wants people to forget that D2 already covered the background of cybernetic demons lol).

[aristoteliancomplacency]

This image has been circulating online for at least 8 years, (not always with the text at the top). Its original context is very probably antisemitic. It was being shared in conspiracy groups by the kind of people who think Jews secretly run the world. It was not made for the specific story referred to in the text at the top, and no one has any idea what that photo is actually of (but based on those monitors it’s probably much older). It’s just being used because of the presence of the flag in the corner. The claim that 90% of online trolls are paid professionals is, in that context, an antisemitic claim that Jews are trying to control the media. It is a bad thing to share. It is also, even without the antisemitic dressing, a very silly claim to make. Sure there are paid trolls, but most trolls are still just dickheads who need better hobbies, and when it comes to paid trolls the suggestion here is that paying trolls is something unique to Israel. That is a problem.

The text at the top is probably referring to this story from 2016:

‘Some 13,000 Jewish youth are expected to come to Israel this coming year to participate in Masa, the organization announced on Thursday.

The program provides Jewish youth the opportunity to participate in over 250 immersive Israel programs ranging in length from six months to a year, which include internships, study abroad programs, and volunteer opportunities. These experiences aim to give participants practical academic or work experience while strengthening their connection to Israel.

“The youth arrive to Israel to participate in a wide range of Masa programs, from government, to economy and culture, hi-tech, teaching English, medicine and more,” Liran Avisar-Ben Horin, CEO of Masa said.

She noted that in addition Masa provides participants with tools to engage in hasbara (public diplomacy) for Israel, turning those who take part into informal ambassadors for Israel to the world.’

…

According to a recent survey conducted by Midgam Institute and released by Masa, some 87% of Masa participants said they intend to actively work towards strengthening Israel’s image in the world, while 81% of participants said their vision of Israel “changed for the positive” because of participating in the project.

Slightly more than half, 58% of respondents, said they would “certainly” act against the Boycott, Divestment, Sanctions (BDS) movement.’

-

I think it’s kind of telling that ‘how do you feel about BDS now?’ Is one of the questions that was asked (and that Jerusalem Post’s coverage is focused on ‘have we managed to make young impressionable Jews more friendly towards the state?’) like, at least for J post, that’s what’s important. All the rest of it is redundant: all that matters is whether they will defend Israel in the public eye.

I also think it’s telling that the meme above misses out everything else to pretend that actually Israel is just going to hire 13,000 young people and train them and pay them full time to post positive stuff about Israel online. That is actually just a lie. Using it 8 years later to present this as something Israel is doing right now is also a problem.

This is an instance in which an 8 year old conspiracy-level antisemitism meme is being repackaged to make up a current story. The MASA program is still running, as true as it is that part of its contents/goal is to get kids to represent Israel positively online, it is still not what this meme is making it out to be.

How to improve your public image

Don't commit genocide.

That's it. That's the entire list.

[thesmuttygazette]

WARNING.

01.  this blog is for ENTERTAINMENT PURPOSES only. but under any given circumstance do not, and i repeat, do not steal any ideas from my characters. these are original creations by me, written by me, and most certainly belong to me. 

02.  i understand exclusivity is not everyone’s cup of tea, so this rule isn’t heavily enforced.

02 A. when i’m exclusive with someone, it means that i’ll only write with their version of a character and i expect the same in return. if we’ve talked out of character and / or written together sufficiently, don’t be afraid to approach me about being exclusive.

03.  plagiarism, forced ships, god-modding, metagaming, hate, ooc drama, et cetera, will not be tolerated. you’ve been warned.

04.  i do not tolerate PLAGIARISM  of any kind. that includes stealing headcanons, tags, aesthetic, and mimicking or directly copying my writing. i will find out, i will call you out, it will not be pretty. just please refrain from starting shit. 

05.  i rp iconless, but will occasionally use medium / icon gifs. i use small text.

06.  mutuals and non-mutuals are free to send prompts but i reserve the right to be selective. mutuals can turn them into threads if a new post is made—don’t reblog the ask.

07.  still paying attention? good, ‘cause this one’s important. I WON’T CONTINUE A THREAD IF YOU SEVERELY UNDERMINE MY MUSE IN YOUR PROSE. it’s almost worse than meta-gaming to me because i feel that it’s taking away from my character’s strengths and has a lot of condescending undertones.

08.  i do post starter calls, and though they’re not exclusive to mutuals, I RESERVE THE RIGHT TO PICK AND CHOOSE.  nine times out of ten, i’ll only post for those i’m following, but there’s no harm in getting my attention. 

09. mature themes will be present on this blog, including but not limited to: torture, mutilation, guns, knives, extreme blood, gore, drugs, cursing, derogatory / ableist language, et cetera. if you feel the least bit uncomfortable with the following then i don’t suggest following this blog at all—especially since i don’t tag my triggers with the usual  TW: TRIGGER NAME HERE. if something absolutely needs to be tagged then i use  NSFW, or trigger name with two slashes, like so ( trigger // ) without the parentheses. while i do my part in tagging, if you don’t do your part in blacklisting then i will not be held responsible. 

09 A. smut, when writing it, it won’t be under a cut and will not be tagged. images of the same nature will also not be tagged. i’m cool with writing violent / dark themes, et cetera, with those who are 18 and older—but i’m not comfortable engaging in any kind of sexual interaction with anyone under 21. don’t be that asshole who lies about their age. 

010.  chemistry. please, don’t ever shove a ship down my throat. i like to get to know my writing partners ooc before i consider shipping. keep in mind, too, that my characters will probably be tough to ship with in any sense.

011.  i don’t always follow back, and may unfollow at any point if you put too much of something / someone on my dash that makes me uncomfortable, use your blog like a twitter feed, stir up ooc drama, or if you’ve been inactive for more than two weeks without some kind of hiatus notice. i try to look at every new follower’s blog, but sometimes it takes me a while to get around to it. if i’m following you, i want to write with you. 

012.  if you want to interact with me, send me a message—i still maintain the right to pick and choose, but it never hurts to try; sometimes i don’t follow back until i’ve written with someone. but please, please keep in mind that liking / reblogging my posts, sending me a shit ton of memes, tagging me in starters that i didn’t ask for or that we haven’t discussed, are the worst ways of getting my attention.

012 A. memes. please, for the love of hell, if i reblog a meme post don’t reblog it from me and not send me something. it’s rude and discouraging. just like you, i’m also trying to write and interact with people. don’t be a dick.

013.  i am latinx, so this blog will be bilingual.

013 A. if you don’t understand spanish that’s fine, i always put a translation with my text.

014.  when it comes to threads that include prose / narrative, i respond at the speed of molasses. i work a full-time job. that said; i get burnt out quickly. patience is key.

014 A. slime, leo, 31, she / they, lesbian. discord is always available to mutuals upon request. you can also hmu on the tumblr im system—it’s quicker, easier and more reliable than asks.

[antimonarchy]

How to Create Image Descriptions

So I’ve been creating image descriptions on tumblr for about a month, and I wanted to share some helpful guides I’ve found on how to create them as well as my own tips that I’ve picked up. Video descriptions and transcripts are also necessary, but since I mostly focus on image descriptions that’s what this guide is about. This might get a bit long, so fair warning. 

What are image descriptions?

Image descriptions are a textual depiction of what is going on in an image, as shown with the image below. 

[Image ID: A picture of a person with short black hair working on a computer. They are sitting at a wooden table with a large blue pot of pink flowers in front of a grey brick wall. A guitar is propped up against the wall in the background, and there is a string of lights near the ceiling. /.End ID]

Why create image descriptions?

The primary reason for creating image descriptions is to allow people who are blind/have limited vision to experience visual content. Many people who are blind/have low vision use screenreaders, which read text out loud when it is clicked or hovered over with a mouse. A large amount of online content, such as pictures, graphics, or drawings, is visual and so possibly cannot be experienced by someone with vision problems. As a general rule of thumb, anything that can be dragged or dropped most probably requires a description. In addition, if someone has partial vision and attempts to zoom in on an image, sometimes it can become pixelated and impossible to understand. 

Some neurodivergent people might need a description to understand the tone of an image, such as the meaning of facial expressions of a person to understand what emotion the artist is trying to depict

Some people might not have high speed internet or have low computer memory, meaning that they turn off images in order to save space. This means that they as well might require descriptions of visual content

Are image descriptions the same as alt text?

no, alt text and image descriptions serve the same purpose, but they are different in how they are presented. Alt text, short for alternative text, is included in the html of an image and can be read by a screen reader. However, there are many reasons why many prefer image descriptions over alt text. 

There is a limit of 200 words in alt text on tumblr specifically (and not in other contexts, which makes this information only applicable here), which means that detailed images or graphics are unable to be described fully without possibly cutting out important information. 

People who require descriptions, but who do not use a screenreader, must right-click and search through the html of an image in order to find alt text, but with an image description they are saved that work. 

Who should create image descriptions?

Everyone who is able to should create image descriptions. A content creator is best able to communicate the message of their work through text, as they are the one who created it and thus understand its message the best. While of course it takes practice when starting out, over time image descriptions become second nature when posting visual content. Always check the notes of a tumblr post for an ID rather than reblogging without one. 

What should be included in image descriptions?

There is no simple answer to this question, there are a variety of resources and guides on how to create one, and you should not accept my advice as the ultimate authority, as I am by no means a professional, and only create descriptions in my spare time as part of the effort to make Tumblr more accessible. However, here is my information for those starting out. 

First, consider what type of visual content it is. Is it fanart of a tv show, a screenshot of a tweet, or an informational graphic meant to educate people on a particular issue? 

Then, consider what information is most important in the image. If the visual content is an image of a famous building, then in writing the description the focus should be on the building, rather than describing for instance the color of the sky, surrounding buildings, or the clothing of the people walking by, as they are not the information that is being presented. 

Perkins ELearning has an excellent list of things that should generally be included, which I will include here. In my experience, these are the most important elements to describe

The people and animals in an image

The background or setting of an image

Elements that relate to the context specifically, so if it was an image of a congested highway on a news website, the description would mention the packed cars

The colors of an image (don’t overdo it however, a simple ‘light blue’ will suffice, no need to say something like ‘a color blue that is similar to the color of a robin’s egg’ unless it is crucial to the viewer’s comprehension of an image)

Context for an image. For instance, imagine if someone had drawn a version of the Bernie Sanders ‘I am once again asking’ meme, with Eleanor Shellstrop from the Good Place saying “I am once again asking for there to be a Medium Place.” Rather than provide a description to the example such as:                                          [Image ID: A drawing of Eleanor Shellstrop saying “I am once again asking for there to be a Medium Place.” /.End ID] you would instead say                                                                                                [Image ID: A redraw of the Bernie Sanders ‘I am once again asking’ meme with Eleanor Shellstrop from The Good Place saying “I am once again asking for there to be a Medium Place. /.End ID]

If the image is of a social media post, include the username/handle of the creator as well as the reactions (likes/reblogs) if they are visible in the image, as they may be cut off by the original screenshotter. 

If it is a drawing or piece of art, always look for the artist’s signature when writing a description

How do I write an image description?

To start off, here is an example description written for a piece of art I made myself. 

[Image ID: A digital drawing of Suki from Avatar: The Last Airbender over a gold background.  She is shown from the shoulders up facing the viewer, and has a neutral expression. She is wearing metal armor over a light green tunic, and is wearing her Kyoshi Warriors facepaint and headdress. The artist’s signature ‘Astra’ is written in the lower right of the image. /.End ID]

In this description:

I made clear where the description begins and ends, so that someone with a screenreader is not confused. I usually use brackets ([ ]), write the words ‘Image ID’ (or video/gif/other) and finish with a slash, period, and the words End ID. (/.End ID)

I emphasized the type of image, in this case a digital drawing

I said the character’s name (obviously this may not be known if describing a photo or something you are not familiar with)

I described the background and the character’s clothing

I described her expression

I included the description of my signature.

This is my basic process for writing a description

I first say what the content is, such as a drawing, photo, or screenshot of a tweet.

I then use what is called Object-Action-Context for the most part, which UXDesign has a long article on https://uxdesign.cc/how-to-write-an-image-description-2f30d3bf5546. For example, [Image ID: A photo of a person standing in a crowd waving to someone out of view in front of a river. /.End ID] While obviously I would usually provide more information than that, Person = object, standing + waving to someone out of view = action, and ‘in a crowd’ = context. 

I describe the clothing that might be worn

I talk about the position that people in an image might be in, such as leaning against one another on a couch, or standing with their fingers intertwined

I talk about the expressions on their faces, if shown

I talk about their general appearance (if important to the description) such as hair color/length

As said before, I talk about the context of an image if necessary

If the background is a simple color, I usually include it in the first sentence of the description. However if it is more complicated, such as a river winding through a dense forest, I include that at the end of the description after describing the important elements. 

Typically if I am reblogging an image, I do not add on any commentary after creating an image description, as this allows others to reblog my description without my personal reaction. If I want to add on to an image, I usually reblog my description post. 

In general, it is best to remain objective when writing a description, meaning not including your opinion of the content. However especially in an informal setting, say for instance you were describing an adorable cow, I would see it as fine to say [Image ID: A small drawing of an adorable cow. /.End ID] because the emphasis is on the appearance. There isn’t a clearcut answer, and it really depends on the context. 

What are some tips for writing descriptions/common pitfalls?

If there is an element of an image like a line that represents an emotion, or a sound effect like ‘clang’ if something falls, include that in the description. For instance, [Image ID: ...beside the mug that has fallen on the floor, there are the words ‘sploosh’ indicating the sound of the water that has spilled out. /.End ID]

Put image descriptions first. Don’t hide them under readmores or any other text. If you have something with multiple images and you are the creator, place the description under each image in succession rather than all at the end. Readmores are ableist, as they require someone who has vision problems/one of the conditions described above to do more work to access the message of visual content. 

If you are mentioning the skin color and/or race of someone in an image, make sure you describe it for anyone else who might be in an image. Don’t just describe the race of someone who appears to not be white. This doesn’t mean that you have to describe race, such as if the character is one whose race is commonly known, just that if you do, make sure you do it for all characters/people in an image. 

In order to write IDs effectively, I’ve found it useful to download a screen reader. I use NVDA, which is entirely free and easy to use and can be downloaded here: https://www.nvaccess.org/download/. 

Insert + Q turns it off

While my guide has focused mostly on image descriptions, video descriptions are also necessary. However they are not my area of expertise, and differ slightly, so I would recommend anyone interested in them to check out this website https://www.washington.edu/accessibility/videos/

Transcripts, for those who are d/Deaf/Hard of Hearing, are also necessary for making content accessible, and might be required for content that also has a visual format, such as a Tiktok. I would recommend this website https://www.w3.org/WAI/media/av/transcripts/ for anyone interested in writing transcripts

What are some more resources I can check out?

Here are a series of websites that I have found while researching how to write descriptions

UX Design -  I mentioned UX Design earlier when talking about Object - Action - Context, this article is very useful and examines how to structure a description and provides very useful examples for beginners

Perkins E-Learning - This article is very useful in helping someone what to include in a description, such as clothing or background information, as well as providing some additional information on alt text if you are interested

Meloukhianet - This blog post by s. e. smith goes into detail on the elements of an image to emphasize depending on its context, using the example of a picture of their cat sunning himself. 

SOAP - This article by the Stanford Online Accessibility Program (SOAP) provides a large amount of information on the purpose of image descriptions and what content requires them

HubPages - This article by SOTD and Zera discusses the difference between sparse, lush, and overdone descriptions, which is the amount of information included, and if/when each should be used. 

I hope you found this information helpful, I encourage everyone to check out these websites, and my inbox is always open for questions!

[notsoheadless]

Remember Longcat, Jane? I remember Longcat. Fuck the picture on this page, I want to talk about Longcat. Memes were simpler back then, in 2006. They stood for something. And that something was nothing. Memes just were. “Longcat is long.” An undeniably true, self-reflexive statement. Water is wet, fire is hot, Longcat is long. Memes were floating signifiers without signifieds, meaningful in their meaninglessness. Nobody made memes, they just arose through spontaneous generation; Athena being birthed, fully formed, from her own skull.     You could talk about them around the proverbial water cooler, taking comfort in their absurdity. “Hey, Johnston, have you seen the picture of that cat? They call it Longcat because it’s long!” “Ha ha, sounds like good fun, Stevenson! That reminds me, I need to show you this webpage I found the other day; it contains numerous animated dancing hamsters. It’s called — you’ll never believe this — hamsterdance!” And then Johnston and Stevenson went on to have a wonderful friendship based on the comfortable banality of self-evident digitized animals.     But then 2007 came, and along with it came I Can Has, and everything was forever ruined. It was hubris, Jane. We did it to ourselves. The minute we added written language beyond the reflexive, it all went to shit. Suddenly memes had an excess of information to be parsed. It wasn’t just a picture of a cat, perhaps with a simple description appended to it; now the cat spoke to us via a written caption on the picture itself. It referred to an item of food that existed in our world but not in the world of the meme, rupturing the boundary between the two. The cat wanted something. Which forced us to recognize that what it wanted was us, was our attention. WE are the cheezburger, Jane, and we always were. But by the time we realized this, it was too late. We were slaves to the very memes that we had created. We toiled to earn the privilege of being distracted by them. They fiddled while Rome burned, and we threw ourselves into the fire so that we might listen to the music. The memes had us. Or, rather, they could has us.     And it just got worse from there. Soon the cats had invisible bicycles and played keyboards. They gained complex identities, and so we hollowed out our own identities to accommodate them. We prayed to return to the simple days when we would admire a cat for its exceptional length alone, the days when the cat itself was the meme and not merely a vehicle for the complex memetic text. And the fact that this text was so sparse, informal, and broken ironically made it even more demanding. The intentional grammatical and syntactical flaws drew attention to themselves, making the meme even more about the captioning words and less about the pictures. Words, words, words. Wurds werds wordz. Stumbling through a crooked, dead-end hallway of a mangled clause describing a simple feline sentiment was a torture that we inflicted on ourselves daily. Let’s not forget where the word “caption” itself comes from: capio, Latin for both “I understand” and “I capture.” We thought that by captioning the memes, we were understanding them. Instead, our captions allowed them to capture us. The memes that had once been a cure for our cultural ills were now the illness itself.     It goes right back to the Phaedrus, really. Think about it. Back in the innocent days of 2006, we naïvely thought that the grapheme had subjugated the phoneme, that the belief in the primacy of the spoken word was an ancient and backwards folly on par with burning witches or practicing phrenology or thinking that Smash Mouth was good. Fucking Smash Mouth. But we were wrong. About the phoneme, I mean. Theuth came to us again, this time in the guise of a grinning grey cat. The cat hungered, and so did Theuth. He offered us an updated choice, and we greedily took it, oblivious to the consequences. To borrow the parlance of a contemporary meme, he baked us a pharmakon, and we eated it.     Pharmakon, φάρμακον, the Greek word that means both “poison” and “cure,” but, because of the

limitations of the English language, can only be translated one way or the other depending on the context and the translator’s whims. No possible translation can capture the full implications of a Greek text including this word. In the Phaedrus, writing is the pharmakon that the trickster god Theuth offers, the toxin and remedy in one. With writing, man will no longer forget; but he will also no longer think. A double-edged (s)word, if you will. But the new iteration of the pharmakon is the meme. Specifically, the post-I-Can-Has memescape of 2007 onward. And it was the language that did it, Jane. The addition of written language twisted the remedy into a poison, flipped the pharmakon on its invisible axis.     In retrospect, it was in front of our eyes all along. Meme. The noxious word was given to us by who else but those wily ancient Greeks themselves. μίμημα, or mīmēma. Defined as an imitation, a copy. The exact thing Plato warned us against in the Republic. Remember? The simulacrum that is two steps removed from the perfection of the original by the process of — note the root of the word — mimesis. The Platonic ideal of an object is the source: the father, the sun, the ghostly whole. The corporeal manifestation of the object is one step removed from perfection. The image of the object (be it in letters or in pigments) is two steps removed. The author is inferior to the craftsman is inferior to God.     Fuck, out of space. Okay, the illustration on page 46 is fucking useless; I’ll see you there. (21) But we’ll go farther than Plato. Longcat, a photograph, is a textbook example of a second-degree mimesis. (We might promote it to the third degree since the image on the internet is a digital copy of the original photograph of the physical cat which is itself a copy of Platonic ideal of a cat (the Godcat, if you will); but this line of thought doesn’t change anything in the argument.) The text-supplemented meme, on the other hand, the captioned cat, is at an infinite remove from the Godcat, the ultimate mimesis, copying the copy of itself eternally, the written language and the image echoing off each other, until it finally loops back around to the truth by virtue of being so far from it. It becomes its own truth, the fidelity of the eternal copy. It becomes a God.     Writing itself is the archetypical pharmakon and the archetypical copy, if you’ll come back with me to the Phaedrus (if we ever really left it). Speech is the real deal, Socrates says, with a smug little wink to his (written) dialogic buddy. Speech is alive, it can defend itself, it can adapt and change. Writing is its bastard son, the mimic, the dead, rigid simulacrum. Writing is a copy, a mīmēma, of truth in speech. To return to our analogous issue: the image of the cheezburger cat, the copy of the picture-copy-copy, is so much closer to the original Platonic ideal than the written language that accompanies it. (“Pharmakon” can also mean “paint.” Think about it, Jane. Just think about it.) The image is still fake, but it’s the caption on the cat that is the downfall of the republic, the real fakeness, which is both realer and faker than whatever original it is that it represents.    Men and gods abhor the lie, Plato says in sections 382 a and b of the Republic. οὐκ οἶσθα, ἦν δ᾽ ἐγώ, ὅτι τό γε ὡς ἀληθῶς ψεῦδος, εἰ οἷόν τε τοῦτο εἰπεῖν, πάντες θεοί τε καὶ ἄνθρωποι μισοῦσιν; πῶς, ἔφη, λέγεις; οὕτως, ἦν δ᾽ ἐγώ, ὅτι τῷ κυριωτάτῳ που ἑαυτῶν ψεύδεσθαι καὶ περὶ τὰ κυριώτατα οὐδεὶς ἑκὼν ἐθέλει, ἀλλὰ πάντων μάλιστα φοβεῖται ἐκεῖ αὐτὸ κεκτῆσθαι. “Don’t you know,” said I, “that the veritable lie, if the expression is permissible, is a thing that all gods and men abhor?” “What do you     mean?” he said. “This,” said I, “that falsehood in the most vital part of themselves, and about their most vital concerns, is something that no one willingly accepts, but it is there above all that everyone fears it.” Man’s worst fear is that he will hold existential falsehood within himself. And the verbal lies that he tells are a copy of this feared dishonesty in the soul.

Plato goes on to elaborate: “the falsehood in words is a copy of the affection in the soul, an after-rising image of it and not an altogether unmixed falsehood.” A copy of man’s false internal copy of truth. And what word does Plato use for “copy” in this sentence? That’s fucking right, μίμημα. Mīmēma. Mimesis. Meme. The new meme is a lie, manifested in (written) words, that reflects the lack of truth, the emptiness, within the very soul of a human. The meme is now not only an inferior copy, it is a deceptive copy.     But just wait, it gets better. Plato continues in the very next section of the Republic, 382 c. Sometimes, he says, the lie, the meme, is appropriate, even moral. It is not abhorrent to lie to your enemy, or to your friend in order to keep him from harm. “Does it [the lie] not then become useful to avert the evil—as a medicine?” You get one fucking guess for what Greek word is being translated as “medicine” in this passage. Ding ding motherfucking ding, you got it, φάρμακον, pharmakon. The μίμημα is a φάρμακον, the lie is a medicine/poison, the meme is a pharmakon.     But I’m sure that by now you’ve realized the (intentional) mistake in my argument that brought us to this point. I said earlier that the addition of written language to the meme flipped the pharmakon on its axis. But the pharmakon didn’t flip, it doesn’t have an axis. It was always both remedy and poison. The fact that this isn’t obvious to us from the very beginning of the discussion is the fault of, you guessed it, language. The initial lie (writing) clouds our vision and keeps us from realizing how false the second-order lie (the meme) is.     The very structure of the lying meme mirrors the structure of the written word that defines and corrupts it. Once you try to identify an “outside” in order to reveal the lie, the whole framework turns itself inside-out so that you can never escape it. The cat wants the cheezburger that exists outside the meme, but only through the meme do we become aware of the presumed existence of the cheezburger — we can’t point out the absurdity of the world of the meme without also indicting our own world. We can’t talk about language without language, we can’t meme without mimesis. Memes didn’t change between ‘06 and ‘07, it was us who changed. Or rather, our understanding of what we had always been changed. The lie became truth, the remedy became the poison, the outside became the inside. Which is to say that the truth became lie, the pharmakon was always the remedy and the poison, and the inside retreated further inside. It all came full circle. Because here’s the secret, Jane. Language ruined the meme, yes. But language itself had already been ruined. By that initial poisonous, lying copy. Writing.     The First Meme.     Language didn’t attack the meme in 2007 out of spite. It attacked it to get revenge.     Longcat is long. Language is language. Pharmakon is pharmakon. The phoneme topples the grapheme, witches ride through the night, our skulls hide secret messages on their surfaces, Smash Mouth is good after all. Hey now, you’re an all-star. Get your game on.     Go play.

[blindbeta]

Your Content and Accessibility For the Blind

Hello everyone! I was thinking about accessibility and wanted to make a post to help creators. This is going to cover general accessibility for blind people interacting with your content. Some of it may be obvious to some and this is by no means comprehensive, so feel free to add anything you think of that is helpful. Also, I wanted to include some ideas for DeafBlind people, but I am not DeafBlind or D/deaf, so I simply listed some general accessibility ideas. If anyone has any other tips or things to consider, please add them in a comment or message and I’ll include it here.

Remember, blindness exists on a spectrum. This post will focus on making things accessible for totally blind people, although these tips can also be beneficial for people with residual vision who use screen readers to reduce eye strain, for small text, for clarity, etc. D/deafness and DeafBlindness are also on spectrums. Some DeafBlind people have some hearing, some vision, a little of both, or none of either. If someone asks you for better or different accessibility services for your content, listen and try to accommodate them as best you can. I have provided some links and resources here to attempt to explain accessibility for blind people, which will include blind people who are DeafBlind. The point is accessibility issues can come from both sides whether it be the audio or visual sides.

Some general helpful links:

AFB’s Advice for image descriptions here

Screen-readers here

Improving Accessibility for the DeafBlind community here

How DeafBlind People Use Technology and The Importance of Braille and Transcripts: Understanding Assistive Technology

Online Content:

GIFs, Pictures, Fan-art, PSA and info posts, Memes, Screenshots of Text Posts or Screenshots of Twitter Threads- Provide an image description on your original post! This is the best option, as you probably know your content best and what you wish to draw attention to. More importantly, every reblog will include an image description, which means the blind person doesn’t need to hunt for an image description in the reblogs! If you know more than one language, include image descriptions in those languages.

Note: Always include descriptions when you post images with or about blind people or characters. Particularly fan-art you made of blind characters. If you don’t, consider why and think about how it would feel to be shut out of something about yourself.

What should you include?

Write Image Description in brackets and include End of Image Description at the end for clarification. As for what you should describe, it depends on what the picture is. Include where it is from. For example, “a screenshot of a Twitter thread by BlindBetaIsAwesome”. Include the text and describe any GIFs or images it includes. Write everything out as they appear. Describe emojis as well. When writing out screen names or hashtags, capitalize the first letter of each word. Otherwise screen-readers read it oddly. For example instead of #accessibilityfortheblind try #AccessibilityForTheBlind. If you think someone will want to search a name, include a link.

You should describe what is important in the image, especially for conveying information or humor. General ideas include: image origin, who is in the image, what they’re doing, any relevant colors or clothing, objects they’re holding, their facial expression, any emojis, and any text in the image. Blind people do like to know about color. For NSFW stuff, include ‘NSFW’ at the start, but other than that, yes, blind people also generally like NSFW things described.

Fanfiction:

Generally, fanfic is very accessible to screen-readers and Braille Displays. However, there are a few ways you can make it more accessible.

Pictures: Include alt-text for any images you post such as artwork or character social media posts. Describe it like you would any other image. Alt-text is different from an image description because instead of a screen-reader saying “image” when it finds an image, it will describe the image. An image description is the text included beneath the picture that everyone can see. Including some kind of description, especially for plot-relevant images, can allow all blind readers to experience the fic.

Chat conversations: Again, for hashtags and screen names, capitalize the first letter of each word for the ease of screen-readers. For characters who don’t use capitalization much, you can add a hyphen between each word to make it easier to read like this: blind-beta-likes-fanfic-too.

Emojis: Screen readers can’t fully read emojis like this one that uses keyboard slashes and symbols to create an image ¯\_(ツ)_/¯ (image description: emoji of a person shrugging with both palms lifted upwards. End description.) However, they can read emojis that come on a phone such as 🧁which screen readers read as “cupcake”.

Podfics are also good for hearing people with no vision or reduced vision. Having a podfic with good quality (maybe one that can describe images found in the story) will reduce some of the issues listed here and give blind people another, fun way to interact with content. However, I would try to keep in mind the things I mentioned above for the sake of screen-readers and Braille Displays, which are particularly important for some DeafBlind people who may want to read your fanfic and may not be able to hear well enough to use a screen-reader.

Lastly, keep in mind that any kind of comic may be inaccessible to some blind people. Write with them in mind. Include a message at the start of the story, maybe that it contains material from the comic, graphic novel, or print cartoon. If you know of a comic dub, link to it. If there is none, include details in the story so that a non-manga or non-comic reader would be able to understand.

Web-Comics/Web-Graphic-Novels:

First, I did research and found a comic book store for the blind called Comics Empower. Unfortunately, when I click the link provided on Twitter and the articles I read, the site seems to be down.

However, this is about you all and sharing your comics with blind readers. You have a few options:

Alt-text. This is descriptions directly ‘inside’ the image, which is not visible to everyone. You can read about alt-text for comics specially here and you can read general info for alt-text for screen-readers and Braille Displays here.

Image descriptions. These are descriptions of each comic page (hopefully with a paragraph for each panel) that can be visible to anyone. You can describe your comic, who is in it, what they’re doing, and what they’re saying, probably beneath the image.

Comic Audio Performances. These are accessible to both blind and sighted audiences. These are videos using actors for the dialogue, sound effects, and moving comic panels. Pros for this style include increased viewership, increased accessibility for the blind, and perhaps more revenue if you have a way to monetize the content. Cons include that it is more work, could potentially cost money when hiring actors initially, may not be accessible to anyone with hearing loss, and may still require a bit of audio description for some panels that are hard to follow with only sound effects.

What can you do?

A few ideas I had were to use a combination of image descriptions and audio performances to make the comics accessible to a number of people who may be blind, or DeafBlind. Having options is helpful. For ther issue of some panels needing extra description in order to make sense, I thought of including time-stamps and descriptions in the description section, labeling it as image descriptions for the blind. Include dialogue for reference. Or an audio description could be added such as:

Audio narration: “Bee sits on a couch writing.”

Sound Effect of a purring cat.

Audio narration: “Blind Beta picks up an orange cat and puts him on the couch next to them.”

Dialogue: “I’m so glad I have a cat to cuddle with!”

I will touch on this in the video section, but while it is sadly not possible to add audio descriptions onto YouTube as of 2021, you can add them manually through websites you like YouDescribe. For your comics, I suggest, reading about YouDescribe, downloading the app, creating a narration transcript for your web comic performance, and posting the described audio performance onto YouDescribe. Post both versions as close to the same time as you can, and include a link to the described version in the YouTube description. A glance at YouDescribe will tell you not all videos are available with descriptions and not all blind people are aware of this service. Not all videos are searchable in their library either. However, it is an option I wanted to include.

You could also simply include the audio narration in your main YouTube video if you would like. Or any combination of my suggestions you feel comfortable with.

YouTube Videos/Video Clips:

I wanted to cover YouTube videos and video clips shared on websites like tumblr. For small clips, image descriptions and transcripts could probably be listed together. I have seen this done and it seems to help people.

Again, the original poster should post the description with the video. This is because they know the most important parts and because all reblogs of the post will include the description, so no one will have to hunt down a description that may not exist.

For the clip or clip compilation, mention where the clips come from, who is in them, and what they are doing. You could probably have a separate paragraph for each clip and include times-stamps if possible.

For videos you post on YouTube, descriptions can be very helpful! Unfortunately, YouTube does not support adding an audio description track at this time. Ideally, YouTube would have a description track one could turn on and off such as with subtitles. Until then, if you want to add a description, you should add one yourself when you post the video onto YouTube or any other website.

Before I get into how, let’s go over something else.

What videos need descriptions?

-Recipe videos - especially ones with only text. Ingredients, steps, measures, methods, any flourishes or special scenery (such as when shopping for ingredients) should be described. Blind people don’t just want you to read the recipe to them. They want to know what is happening in the video and how it is being done.

-Tutorials - These often contain a voice-over and accompanying images to demonstrate. A creator can opt to simply include more visual description along with the other information in the voice-over or add extra narration later (see the “How?” section below). For these videos, make sure to avoid or expand on any visually dependent parts such as “click here” or “fold here” or “when you finish, it should look like this”. Videos that contain only text and demonstration, however, will need a more traditional audio description the same as any other video.

-Silent aesthetic videos - Sometimes containing music or focusing on natural noise, these videos are usually vlogs with soothing activities or daily routines. They often show scenery, pretty things, or tours. Because these videos are silent, sometimes containing only text, they are not accessible. However, they can be easy to describe, perhaps in a soothing or educational fashion.

-Music videos - Because these videos are by nature visual, they may not be accessible. They may also have inconsistent, poor, or changing lighting for aesthetic purposes or set changes. This means audio descriptions would be helpful.

-Text-based videos - Obviously these are not accessible or may be difficult to read depending on font size, style, or background. For these, putting the text in the description may suffice. Label it so that blind people are aware they are getting the same material. If the text includes pictures or short clips, you could also simply include your own narration on the video itself or see the “How?” section below for another alternative.

-Game Play-Throughs - Games can sometimes be completely inaccessible pe very difficult depending on the person’s level of site. A lot of video games a not accessible or difficult to play, with quick-moving graphics, perhaps small text, or other difficulties. Because of this, blind people may enjoy game plays on YouTube for video games and mobile games.

-Skits or other performances - Think of these as Netflix shows with audio description tracks. Blind people may miss out on some visual humor, plot elements, or other fun visual aspects like costumes.

-Original Films, Animation, Clips From Shows - Again, think of it as any TV show that needs to description to cover visual aspects of what is happening. Scenery, characters, what they’re doing, any text, facial expressions, etc.

Pet videos- Because pets are cute and they should be described! Especially because these videos are sometimes hard to follow, such as a pet doing a trick.

How? How Do We Provide This?

There is always the option to add your own audio descriptions. However, that way confuse already-existing narration or may not be possible for already-published videos. You may also have trouble speaking and wish for someone else to provide audio descriptions. The video may be a music video or one you want to remain silent for the aesthetic. You may want to add a description to a video you enjoy that is not one you uploaded personally.

A free website and mobile app called YouDescribe can help with that. It allows people to add audio descriptions to videos on YouTube. You can even describe videos on a wishlist. Find out more here.

If you describe your video or have it described, be sure to link to the YouDescribe video in the description of your YouTube version so that people can find it easily, or note that it is available on YouDescribe.

Here is a link to the website

And a link to the app.

This site may be a bit too niche, but I figure if it helps one person, I’ll be happy. My entire blog is niche, when you think about it- targeting writers who specifically want to write and read about blind characters. It’ll be fine.

Keep in mind that audio descriptions may not be accessible to all DeafBlind people. An inclusive option could be to include a description under your video so people with Braille Displays can read it.

Print Books, Audiobooks, Large Print Books, or Braille Books?

Let’s get into something you writers might be interested in. Books! Let’s say you wrote a book with a blind character. How do you make sure it can be accessed by blind readers? You want to have a few options.

Print books - These are accessible to people with reduced vision. It is also possible to scan print books to read with voiceover, but I can’t imagine many people buying books simply to scan unless they borrowed/found it. So it could be an option, I suppose. Scanning books also takes time because you need to do each individual page.

Audiobooks - Audiobooks are great. They are accessible to blind people who can hear. They are cheaper to produce than Braille books, take up less space, and are better for the environment. They can be expensive when you buy them. Libraries have extensive collections now, however, because libraries don’t usually have any Braille books and very few large print books, not all blind people use them, even for digital access. However,many blind people love audiobooks so it a good way to make sure your content is accessible.

As of now, my library app is accessible with a screenreader, so reading audiobooks is possible. E-books are not currently accessible with a screen-reader on this particular app.

Make sure to release your print books and audiobooks at the same time or as soon as possible. It isn’t fair for blind people to have to wait, although there are cases where not having an audiobook is understandable. Keep in mind that the less options you have, the less accessible your content will be.

Large Print Books - I used to get large print books myself. I would say it is less likely publishers will want to publish large print books because they are, of course, larger and take up more space. (Not as much as Braille books, but we’ll get into that.) As you may assume, they are also less popular with readers. Publishers make exceptions for textbooks, so if you are making a textbook or an educational book, particularly one with drawings, publishers might allow it. They also might consider making large print editions of children’s books. Large print books can sometimes be found at libraries, although they are usually crammed into their own limited section. That shows how rare it is for large print books to be printed compared to regular-sized books. I have an extra note about this in the children’s book section, but for the most part, I think you can get away with not having a large print edition of your book.

Braille Books - I should you one doesn’t just make a Braille book. Feelings toward them are generally complicated. They can wear down over time, cost a lot, and take up a lot of space. One volume of a book is several volumes of Braille books. Libraries don’t generally have them- you have to request them from various places like The National Library Service for the Blind (NLS). For more information about obtaining or borrowing Braille books, look here.

Braille Books have largely been replaced by refreshable Braille displays and audiobooks. However, they are still important. They can also help DeafBlind people, if a book cannot be read on a Braille display (see the section on e-books below). My suggestion would be to skip Braille books unless you are writing for children (see the Children’s Books section) or your book contains many diagrams that need to be embossed.

Children’s Books -

I wanted to briefly discuss children’s books. With children’s books, you will, of course, want to have a print book and an audiobook available, perhaps even someone reading the book on YouTube. If the book has pictures, descriptions of the pictures would be nice. This is also where I think large print and Braille books may be not only possible or more likely, but important. Children are just learning to read and will continue to explore a love for reading. Therefore, a lack of reading material can be challenging.

If possible, you may want to consider asking your publisher if large print or Braille versions are possible. While websites are available so that children can get books, you may want to ask for your book to be published in these formats if your story has a blind MC.

Braille literacy is declining in the blind community, with children (and frankly many others) choosing to use VoiceOver and audiobooks to read rather than Braille. Being able to read helps reinforce spelling, grammar, meaning in ways that are not possible with having things read to you. That said, children should also be encouraged to learn technology and use audiobooks when they feel comfortable.

If you are publishing a children’s book, particularly with a blind MC, consider what your options are for increasing accessibility.

E-Books:

This is one of the more accessible options, as it can be read with a screen-reader or Braille display. E-books are also common enough that they are released at the same time as print books. The text can usually be adjusted and readers usually have a Search feature. However, accessibility is still a problem with e-books. While authors cannot fix this, they should be aware of it. You can read about accessibility issues here.

-

I hope all this helped somewhat. I provide sensitivity reading for blind characters for anyone who is interested.

[qianinterprises]

WayV Reactions: you get mad at them over something trivial

Pairing(s): WayV x mostly gn!reader (I think Kun's is the only one with a written female reader. The others should be gender neutral).

Genre: angst, fluff (happy ending)

Warnings: couples arguments, yelling, angry reader

Word Count: 3k

Author's Note: Thank you so much for the request!!! I had so much fun writing this, although I will admit I had to look up "trivial things to fight about" so nothing would be repeated lol! I have no idea why most of these take place in the kitchen lol, it just seems like a place of arguments. I hope this is what you wanted!! I hope you enjoy!! 💕💕

Tagging: @treasuretaeil

Kun:

Originally posted here

"How about Dandelion?" Kun asked from his spot on the couch, absentmindedly flicking through the large book of names clasped in his fingers.

An audible gasp left your lips. You turned, wide eyes to stare at him, completely flabbergasted.

"You want to name our daughter WHAT?" you snapped.

Dandelion? Of all the names in the big book, he had to choose the name of a damned weed!

Kun shut the book and turned to stare at you with an eyebrow raised, not expecting your tone to be as harsh as it was.

With you expecting a baby girl in a few months, you and your husband had set to attempting to pick out a name, which proved to be a little more difficult than you had anticipated. You just couldn't seem to agree on a name, which, until now, had been fine. You were both generally easy going people who hardly ever fought, so as your face flushed with anger, Kun was at a loss.

"I just thought it'd be cute," Kun defended, voice gentle.

You could tell he was trying not to anger you further, but you balled your hands into angry fists.

"Well why don't we just call her a useless weed and be done with it! See how that affects her mental health!" you yelled.

You didn't know why you were so angry, or why you were taking that anger out on your sweet husband who had done nothing but take care of you throughout your pregnancy.

You blamed your hormones.

"Babe, please calm down."

Kun's voice was gentle and soft as he reached out for you, and although you were still seething with anger, the second his arms wrapped around your middle, you could feel it dissipating, leaving you to apologize.

"Kun, I'm sorry for-"

"Shh, there's no need my love," he whispered.

How did you ever get so lucky.

Ten:

Originally posted here

Ten hardly ever got a day off. With WayV and the occasional comeback with NCTU, plus all the variety shows and vlives the boys did, you hardly got to spend time with him, but you knew what you'd gotten yourself into when you'd started dating. You knew nights together were going to be few and far between, so when he'd asked you over to the dorm one afternoon, you'd jumped at the chance, eager to see your boyfriend after so long. However, if you'd known what it would be like, you would have stayed home.

Ten's phone chimed again, not long after he'd placed it down in favor of wrapping his arm around you while the movie played on the tv. His phone had been going off every few minutes, and despite your sliding closer or attempting to distract him, he couldn't seem to stop from responding, spurring on the messages further.

You didn't question whether he was texting some tramp. You knew he'd never do that to you, plus, he was constantly showing you some funny photo or meme that Johnny had sent, making you chuckle, although you couldn't help but to resent Ten's tall friend for distracting your boyfriend.

Finally, as he removed his arm to grab his phone and text Johnny back, you snapped.

"Can you put the damn phone away! If I would have known you'd do nothing but text, I wouldn't have come!"

Ten paused mid text before dropping his phone on the couch.

"He's my best friend, (y/n)! I'm not just going to ghost him!"

You huffed.

"I'm not asking you to ghost him! I'm asking you to spend time with me without the phone!" you hissed.

Ten sighed and picked his phone back up. With a grumble, you got off the couch, preparing to go home, not wanting to watch a movie with your boyfriend if your boyfriend didn't want to be there with you. However, as you moved to grab your coat, he tackled you onto the couch, caging you in his arms.

"I'm sorry," he whispered. "I promise, for the rest of the day, it's just you and me. No more texting."

You looked at him skeptically, but as he held off his phone, switched off, you sighed and wrapped your arms around him.

"I missed you," you mumbled.

"I missed you too," he replied, kissing the top of your head.

WinWin:

Originally posted here

You had never been the kind of person to rely on anyone. You liked doing things on your own, relying on no one, and thus, many of your friends labeled you "stuck in your ways" because, despite having a boyfriend who'd bend over backwards for you, you couldn't bare to let him do anything for you.

This had spurred on quite a few minor arguments, especially when said boyfriend was the worlds sweetest guy who just wanted you to rely on him for more than a warm chest to snuggle against.

"Why won't you let me help you?" he'd asked several times.

Your answer was always the same.

"Because I can do it on my own."

You never meant to make him feel dejected, but as you opened the kitchen cabinet to grab out your favorite coffee mug, you found that maybe, your boyfriend had a little more of a mean streak than you gave him credit for, and this morning, without your daily caffeine, it really pissed you off.

"Dong Sicheng!" you yelled, anger filling your veins.

Apparently, at some time during the night, your boyfriend had snuck out of bed and rearranged your cabinets, moving everything up one shelf higher, so now, instead of the highest self being the only vacant place, now the bottom shelf was vacant. You were decently tall, but you couldn't reach the highest shelf. You doubted anyone who wasn't 6 foot tall could reach, and of course, on the highest shelf, was all of your coffee mugs.

"Yes?" Sicheng asked from behind you.

You spun around in a whirl, his shirt, that fit you more like a dress, flowing out at the sudden movement.

"What the fuck did you do! Everything was perfect! I could reach everything! Why the hell did you move it!" you snapped.

You glared at him as he tried to hide a small smirk, leaning closer to the counter as he reached up, grabbing your favorite coffee mug, and placing it on the counter for you.

This only pissed you off more.

"What the fuck Sicheng!"

"You never let me do anything for you! The power goes out, you fix the fuse box. Your car breaks down, you take it to the shop. You want coffee, you grab the mug out of the cabinet. You don't let me do anything for you!"

You could see his point, you honestly could, and maybe that's why your fury died down a little.

"Sicheng, I'm independent. I don't need you to do anything for me. I can do it on my own."

"That's what you always say! But I'm your boyfriend! I want to do stuff for you!"

With a sigh, you shook your head. Maybe he was right. Relationships were about give and take, push and pull. He let you help him with things and you hadn't returned the favor. Maybe it was time to bend.

"Fine. Keep the mugs up there, but damnit Sicheng, when I call for you to get me a mug, you better come running."

With a smile, he leaned close to press a kiss to your lips.

"Promise. "

Lucas:

Originally posted here

Having a live in boyfriend was fun, nothing you'd ever experienced before. Suddenly, you had someone to share your bed with, someone to cook for, someone to open pickle jars when you couldn't.

However, it also meant extra time cleaning. Especially when your boyfriend apparently didn't know the use of a welcome mat. Plus, he wasn't the cleanest person in the world, and that fact became evident as you walked into the kitchen to grab a drink and found two bottle caps and a candy wrapper sitting on the counter, forgotten.

"Seriously Yukhei," you muttered under your breath.

You threw the trash in the bin and opened the refrigerator, hoping for a nice glass of milk before bed. Your eyes landed on the milk carton. Happily, you lifted the carton out of the fridge only to realize that it was empty. You certainly hadn't been the one to place an empty milk carton back in the fride.

"Yuhkei!" You yelled to your boyfriend who was already cuddled up in bed.

You waited for him to make his way into the kitchen, but the longer you waited, the angrier you got.

When he did finally walk inside, he was met with your fixed glare.

"What'd I do?"

"First, you leave your trash on the counter, then you put an empty carton back in the fridge! Do you NOT know where the damn trash can is?!"

Yukhei raised his hands in defense.

"I forgot!" he whined.

You groaned. You'd definitely heard that one before.

"You always forget Yukhei! How hard is it to put your trash where it belongs!" you whine, glare still fixed on him.

"And... just so we're clear... an empty milk carton doesn't go back in the fridge?" he asked.

You threw the milk carton at his head, although you weren't planning on hitting him. As he ducked, the carton hit the floor. He was trying to be funny, and you hated to admit that it was working as a smile cracked across your lips.

"There it is! There's that beautiful smile I love!" he cooed, moving closer and wrapping his arms around your waist.

"Shut up Yukhei!" you grumbled, pushing against his chest lightly.

He wasn't having it. He pulled you closer and pressed a soft kiss to your lips.

"I promise I'll start putting my trash in the bin," he whispered.

You knew it was an empty promise. Tomorrow morning, you'd wake up to more bottle caps and candy wrappers on the counters. Yukhei could be infuriating. But you loved him despite his lack of cleanliness.

Xiaojun:

Originally posted here

(This image has nothing to do with the reaction, I just had to include it lol)

*BEEP* *BEEP* *BEEP* *BEEP* *BE-*

That was the sound you'd been hearing every ten minutes for the past hour as your husbands hand slammed into the alarm clock for the sixth time. You grumbled and rolled over, once again awoken by his horrible habits.

This wasn't unusual. Dejun tended to set 15 alarms before he'd finally get out of bed and start his day, which, by that point, was usually when your own alarm clock would start going off and you'd wake up groggy and cranky, having just lost an hour and a half of peaceful sleep because your husband coudn't seem to get his ass out of bed in the morning.

"Why do you need so many fucking alarms! It's fucking stupid! Just set it for the time you actually need to be up!" you growled, not opening your eyes as you buried your face in the pillow, hoping to get back to sleep.

"I can't wake up that fast," came his mumbled response.

You huffed. It was always the same answer, but it never made much sense to you. Why couldn't he just get out of bed like a normal fucking person.

Alas, you didn't respond as sleep once again tugged at your consciousness, lulling you back to sleep beneath the warm blankets before-

*BEEP* *BEEP* *BEEP*

"GET THE FUCK UP!!"

"Five more minutes," he grumbled.

Five more minutes and you'd have to hear the infuriating sound of that damned alarm clock?! Fuck that.

You had had enough. Your sleep was important to you and being woken up two thousand times with a damn alarm clock before your husband finally dragged his tired ass out of bed was not helping your sleep in any way.

In a fit of anger and irritation, you pressed a sock covered foot against the middle of Dejun's back and pushed, affectively kicking his body out of bed, his body hitting the cold ground with a thump before he knew what happened.

"Hey! What was that for!" he snapped.

"Your up now," you grumbled, rolling back over and pulling the blankets over your head.

You could hear him grumbling something along the lines of "why do I love your psychotic ass" before the shower turned on.

Hendery:

Originally posted here

You let out a groan as the title of another horror movie appeared on the television screen as you cuddled next to your boyfriend. You hated horror movies, a fact he knew well. The ones that didn't make you have nightmares were generally so silly and irritating you'd spend the entire moving staring at the time. Your boyfriend, on the other hand, absolutely loved horror films, so it shouldn't have come as a surprise when you sat down for your weekly movie night at his place and found a horror movie coming on, which wouldn't have been an issue if you hadn't watched horror movies the last five weeks in a row.

"Can't we watch something else," you complained.

"It's just one move (y/n), you'll be ok."

You groaned. He never listened, too enthralled in his own excitement for the movie.

You didn't have a problem with the fact that he liked this genre, but he could just as easily watch it with Ten or YangYang, or, if he really wanted to torture his leader, Kun. You, on the other hand, somehow always seemed to get stuck watching them.

"We've watched these five weeks in a row," you whined.

"Shh."

That was the last straw. He wasn't even willing to listen to you!

With a huff, you got off the couch and grabbed the remote from the coffee table, switching off the movie and turning to glare at him.

"You know I don't like horror! Yet for the past several weeks we've done nothing but watch it! When are we going to watch something I want to watch?!" you snapped, hands balling into fists.

You could tell Kunhang was taken aback back your outburst as he floundered to find a response. You expected him to bite back, adding fuel to your fire by saying something along the lines of 'I work so much! Why can't we watch what I want!' But to your great surprise, his face just dropped.

"I like the way you hold onto me," he said softly.

You squinted.

"Huh?"

He sighed and sat up straighter, putting the bowl of popcorn on the table.

"You always cling to me when a part scares you. Sometimes you even jump into my lap and I like that. I like protecting you..."

As his voice trailed off, you sighed, anger evaporating. You sat down on the couch next to him and took his hand.

"I don't mind that sometimes, but not all the time," you said. "Besides, wouldn't you rather make out while watching a romance movie?" you smirked.

He paused at the suggestion, seeming to weigh his options in his mind before flicking the television back on and searching up the sappiest romance movie he could find.

With a grin, you sat back on the couch and discreetly coated your lips in cherry chapstick while he found a movie.

YangYang:

Originally posted here

Your feet and back ached as you walked through the door to your apartment after an exceptionally long shift at the diner you worked at part time. All you wanted to do was crawl into bed with your loving boyfriend and go to sleep in his arms. However, as you laid eyes on Jeno and Jaemin sitting beside YangYang with some game loudly playing from the tv, you couldn't help but groan.

"I'm home," you called tiredly, biting back the urge to grumble about games as you made your way into the kitchen to grab a glass of water and maybe a sugary snack.

As soon as you flicked on the light, you couldn't fight the irritation as your eyes met three empty pizza boxes stacked carelessly on the stove and a mountain of plates, cups, and bowls you'd begged YangYang to take care of that morning.

"YangYang!" you snapped, teeth gritting as you found the trashcan, also filled to the brim, waiting to be taken out.

You heard mumbling from the living room followed by an absence of firing guns, meaning they'd paused the game. YangYang walked into the kitchen, eyebrows raised as if he had no idea why you'd called for him.

"What the fuck Yang! I ask you to do the dishes, they're not done! Taking the trash out is your job anyway and it's piled sky high! And those fucking pizza boxes don't belong on the damn stove! What did you do today?! Sit on your ass while I was slaving away!" you yelled.

In hindsight, you probably shouldn't have picked a fight with YangYang's buddies in the next room, but your tired brain could take no more.

"I had to practice and they just got here an hour ago! Don't go snapping at me when you just as easily could do the dishes now!" he snapped back.

"Why should I have to! I've been working all day! You could have done the dishes before they got here! Hell, I wish you would have!"

"Excuse me for not being a clean freak!"

You blew out a huff of air and squeezed your eyes shut.

"Whatever, just go play your damn game."

You turned away from him and moved to the sink, starting the water and pouring in a good squirt of dish soap before grabbing a sponge and getting ready to wash the dishes before a pair of arms wrapped around your waist, a face nuzzling into your neck.

"I'm sorry I didn't do the dishes baby," YangYang whispered softly.

You didn't respond as he pulled the sponge out of your hand.

"Go to bed. I'll do the dishes and then come join you," he whispered.

It was a fast change of heart, but one you were thankful for. You pressed a kiss to his cheek before making your way toward your shared room, not missing the way Jeno and Jaemin bolted from the apartment before YangYang roped them into helping.

[earthstellar]

Rewatching Transformers G1 S2: Episode 1: Autobot Spike

Yes, this is where the Surprised Ratchet meme image comes from:

This episode has a lot going on including near-death of a human character on screen, body horror/a Frankenstein plot, and some genuinely unsettling scenes mostly made creepy due to the combination of some interesting dialogue/voice acting and typical G1 Quality. 

And Spike shoots Starscream in the ass mid-flight, which is fantastic. 

He also shoots his dad, which is less fantastic. 

Being a horror nerd, I love this episode, so here we go! 

Gonna put this below a cut because I’m taking a lot of screenshots here:

You can watch the whole episode on YouTube here in 4 parts, if you want to watch along! 

Alright, so it opens with Sparkplug trying to create “Autobot X”, which is straight up just a Frankenstein’s Monster of autobot parts. It’s weirdly creepy, and vaguely reminiscent of the infamous Ratchet-Megatron fusion in the Marvel comics.

I want to point out that Sparkplug says “I wanna see what I can do with a lotta spare Autobot parts and some human ingenuity” before the reveal shot above, and that’s horrific if you think about it for more than like, three seconds. 

It also may have been the origins of the MECH plot line in TFP, actually! Very similar body horror type thing going on. Anyway.

It works briefly, but it flips out and has to get shut down. 

Ironhide fires a laser, problem solved, nobody’s worried. They put Autobot X in storage, because surely a rampantly aggressive seemingly sentient pastiche of random Autobot parts is nothing to worry about. It’s fine. 

Wheeljack is like, hell yeah, I’ll help you work on it later. Which is when we get the Surprised Ratchet image, because yeah, I bet Ratchet’s freaked out a little since this thing is made of SPARE AUTOBOT PARTS. 

Then we’re swept immediately into a fight with Megatron, as many Seekers as you can fit in frame at one time, and Soundwave. 

For whatever reason, Bumblebee shows up driving through a bunch of partially blown up missile/rocket components, with Spike in the driver’s seat. Even Spike is like, dude, why are we here? And Bumblebee is just like, I mean, we couldn’t NOT show up. lmao

Unsurprisingly, Bumblebee gets shot-- In alt-mode, with Spike inside. Uh oh. 

Megatron leaves, because Frank Welker can only voice so many characters at once, and our attention is turned to the carnage. 

Ratchet is like, sure, I can fix Bumblebee right up! Meanwhile, Ironhide is like oh god, oh my god, is this how you hold a human??? Is it dead??? Optimus is gonna be pissed. 

So Optimus rolls up like, listen, take him to the hospital, come on. Ratchet lets him in the back of his ambulance mode, and Prowl goes with him so that he can throw his emergency lights on to give the illusion of a police escort, ensuring the drive is even quicker. 

(I miss the days when Prowl wasn’t a total asshole.) 

It cuts pretty quickly to Spike in an operating theatre; Apparently getting shot by alien space lasers isn’t conducive to human health: 

It cuts again to the attending physician standing at Spike’s beside, presumably in ICU although they appear to be in a private room, with Sparkplug on the other side of the bed. 

The doctor says “Hmm, if only there were a way of separating Spike’s mind from his body while we work...” Which, uh, what? What surgeon says that? You can sort of already do that in actual human medicine, it’s called an induced coma. 

But sure, we need exposition here, I get it. The screenplay here is tight. Sparkplug says he has an idea...

Back at the Autobot hangout, things seem fairly chill, considering. 

Ratchet is welding Bumblebee’s ass in alt-mode, while Bumblebee complains about how long it’s taking. lol 

Meanwhile, Wheeljack and Sparkplug somehow have Spike hooked up to a Ghostbusters colander helmet, which will hopefully transfer his mind into the malfunctioning/in stasis Autobot X frame. Yikes. 

It works! Spike is now also Autobot X. We will call him Spike X for short. 

And for some reason, Spike saying “D-Da-ad?” with this faceplate expression is incredibly funny to me, while also being really weird and creepy: 

However, this is only cool for like two seconds, at which point Spike X truly starts to lose his shit. 

It gets real creepy here, with Spike X saying in a very oddly flat inflection “Why? Why did you do this to me? Why?” and it’s pretty wild. There’s even a mild strobe effect for a few frames. 

Sideswipe and Sunstreaker try to help calm him down, but Spike X throws them both across the room. 

Optimus is like, oh shit, we made a giant metal teenager. Stop him, but use low power, because if the Autobot X frame is damaged too much, then Spike’s consciousness may not be able to be returned to his actual human body. 

Note that Optimus says this in a pretty relaxed way, then levels a shoulder mounted cannon straight at Spike X, which is incredibly funny. 

It quickly gets deeply weird and creepy again when Spike X is temporarily able to talk with his dad, and states that “it’s hard to think, like something is telling me to do... bad.... things!” Yiiiiiikes. 

He gets it under control again, apologises to his dad for the outburst (I think it’s OK, Spike), and Optimus says that he’s cool to stay at the base and he’ll be taken care of while his human body heals up. 

However, oh shit, the Decepticons have found out that Spike now has an Autobot frame-- And they know he’s unstable. 

Starscream tries to roast him, but Megatron’s like, shut up nerd, we’re gonna make Spike X turn against the Autobots! It’s a good plan, I’m serious! 

Back at the Autobot base, Ratchet is still welding Bumblebee’s ass, and Bumblebee is still complaining. Wheeljack hooks up Spike X with some network television, and he’s watching... Frankenstein. Because the six year old kids who are the intended audience of G1 may not be familiar with the source material for this episode’s plot, I guess, which is fair. (Frank Welker nails it here as Dr. Frankenstein, but that’s unsurprising, because he always nails it. I think he’s also voicing Frankenstein’s Monster, but I haven’t checked the credits.)

Obviously, this isn’t a great thing for Spike X to be watching at this particular moment, so he freaks out again. 

Wheeljack and Sparkplug come running, and somehow Sparkplug is covering ground faster than Wheeljack. It’s fine, don’t worry about it. 

Ratchet’s progress on welding Bumblebee’s ass is interrupted by Spike X breaking through the wall and seemingly flying away. lmao 

They just sort of stand there, like, well, we lost him, I guess. 

Bumblebee is like, alright, gonna go get my boy. 

So he drives out of this massive crater, and Ratchet is like, wait! Your radio transmitter still doesn’t work. (Apparently their radio transmitters are located in their asses. Fascinating.) 

Spike X sits on a cliff and says “what a drag”, which, yeah. Being a Frankenstein space robot would be cool if not for the immense psychological damage this is absolutely causing. 

However, he also calls himself a “walking garbage can” in a completely genuine put-out tone of voice, which absolutely sells that this is a teenager in a giant robot body and I laughed, I won’t lie. 

Some of Megatron’s cronies locate him and hold his position. 

At the same time, Bumblebee shows up and tries to talk Spike X down from a random destructive rampage. 

He throws Bumblebee off the cliff! And Megatron’s squad is rolling up. (Well, flying up, anyway.) Uh oh! 

Spike X is like, hell yeah, bring it. More ass to kick. And it turns out his arm mounted cannon works, because he shoots Starscream directly in the undercarriage and says “YEAH, MAN!” and it’s so genuine. 

This is the perfect reaction to being a teenager in a giant robot body and just suddenly being able to shoot lasers and kick ass. Look at how happy he is, that he just shot Starscream in the butt mid-air. It’s awesome.

Unfortunately, the Seekers do actually beat him up, although Spike X puts up a good fight. 

Megatron then takes advantage of his further weakened state, and swoops in to pitch a classic “Join Us” speech. Spike X calls him “Megacrumb”, which is probably acceptable because he’s absolutely concussed by this point. 

Megatron is willing to overlook this for the sake of teaming up. 

Bumblebee eavesdrops, and drives away-- But Spike X gives Megatron a handshake, and agrees to “make them pay”. Oh shit! 

For some reason, Optimus and Ironhide are back at the rocket facility to watch a launch. Because I guess whatever, this whole situation is chill, let’s go watch rockets? IDK 

But either way, Optimus roasts the inferior quality of human technology, while Bumblebee just drives up on site despite Military Police levelling sniper rifles at him in order to report that Megatron is taking advantage of Spike X’s inability to think clearly. 

Optimus says “I feared something like this might happen”, which, if that were the case, why not take actions to prevent it, maybe? Not the strongest Optimus episode. 

To be fair though, Ironhide transforms and is already driving off before Optimus even gives the order to roll out, so I guess Ironhide either really wants to kick some ass or cares slightly more about Spike X’s wellbeing. He has no dialogue here, so we can only guess. 

They get there, with even more Autobots who showed up at some point in the rapid scene cuts here, and Spike X is super unhinged-- Charging his weapons, he starts speaking in a more strained and angry way, and engages the Autobots! 

He hits Optimus with what appears to be a chest laser? It’s hard to see. But it’s super effective: 

Optimus pleads with Spike X to calm down, but Spike X straight up pulls MEGATRON IN GUN MODE out of his sub-space and shoots Optimus directly in the faceplate. Damn! 

The Seekers and Soundwave drop in, and start rapid firing on all the Autobots present. 

We get some great shots of Megatron in his gun alt-mode as he tries to convince Spike X to keep attacking. Optimus and Bumblebee hide behind cover, attempting to bring Spike X to his senses long enough to disarm him. 

Suddenly, Wheeljack and Sparkplug roll up; Sparkplug attempts to talk some sense into Spike, too. 

Optimus and Bumblebee are at a loss; If they take out Spike X, the damage might take him out for good. 

However, Sparkplug fails in his efforts to talk to Spike X; He SHOOTS HIS DAD AND KNOCKS HIM OFF THE CLIFF. 

Can you imagine if they put an ad break here? lmao 

Luckily, he has like, a claw machine arm, and he catches his dad before he becomes a human smoothie. 

This shocks Spike X badly enough that while he still has Megatron in gun mode, he takes a few pot shots at the Seekers and the Decepticons decide it’s time to bounce, so Megatron bails too. 

He apologises for almost killing his dad, his dad is like hey no beef man, and it cuts to them in the hospital: 

Sparkplug takes his son’s body back to the Autobot base (that sounds worse than it is), and they prepare to transfer him back into his body. 

What’s extra funny here is that he nervously laughs and says “Hope you fixed this thing up good, Ratchet!” And Ratchet says absolutely nothing. Not a word. 

It’s a success! Dad and son hug, totally not even addressing anything that happened this whole episode, because that’s a job for a therapist. 

Ratchet, who continues to not really care about any of this, tells Wheeljack “You know, I could probably repair that mess, but I think it’s best that I don’t.” (This is a play on what Wheeljack said earlier in the episode when he offered to help Sparkplug fix up Autobot X to begin with.) 

I love how tired Wheeljack looks. LOL

Spike, now recovered, leaves us with a great question to close out the episode: “I wonder what it’d be like for a robot mind to be transferred... to a human!” 

Depending on what kind of kid you were, his question was either imagination fuel for fun humanformer ideas, or was a blatantly bad question indicating he learned nothing and providing nightmare fuel trying to imagine one of the Autobots losing their shit in a human body the same way Spike lost his shit while inhabiting Autobot X. 

Anyway, great episode! 10/10 Scary, funny, creepy, Starscream got shot in the ass by a teenager. 

[veliseraptor]

got tagged for two fic writer memes yesterday! the one from @ameliarating first:

How many works do you have on AO3?

509.

What’s your total AO3 word count?

3,432,24. dang! that’s a lot of words

How many fandoms have you written for and what are they?

I have written for...counting the MCU as one fandom, on AO3 I have written for 32 fandoms, including at least one work in:

MCU, The Sillmarillion, Caliban Leandros, both DC and Marvel Comics, the book Barebacked by Kit Whitfield, Doctrine of Labyrinths, Doctor Who, Buffy the Vampire Slayer, Star Wars, Black Jewels, Dragon Age, Lucifer, Dexter, Temeraire, Gentleman Bastard Sequence, Supernatural, A Song of Ice and Fire, Greek Mythology, Lymond Chronicles, Merlin BBC, Code Geass, Good Omens,  Death Note, and White Collar.

this is not a comprehensive list of every fandom I’ve ever written for, because it is not including ones that live only on FFN or Livejournal.

What are your top 5 fics by kudos?

Life In Reverse tops the list (11066), aka my 200k Loki-centric post-Thor AU fic that I wrote between 2012 and 2018 and with which I have a decidedly complex relationship at this point. I love it but also I no longer think it’s my best work but also I credit it with teaching me a fuck of a lot about writing and writing longer projects in general.

With Absolute Splendor is rapidly catching up, to my astonishment (6559), despite having been posted for less than half as long. Aka the wedding planning fic that’s really just me mucking about in my Jiang Cheng and my Jiang Cheng and Wei Wuxian feelings, at length.

some good mistakes (4618) was my first foray into the Untamed version of “characters who hate each other going on resentful roadtrips together, feat. Lan Wangji and Jiang Cheng.” I have gone on to write others and will continue to write more.

Unraveling (3069) is a little bit of a surprise but also not - it was originally just sort of WWP stuff for my ‘what if people remembered that blunt force trauma is a really bad thing actually’ problem that pops up sometimes, re: Loki at the end of The Avengers, and then it kind of turned into a whole thing. I personally think it’s the weakest of the installments of the series it belongs to, but it is the first one and also the one that gets least into the broader family dysfunction and depression stuff that probably is less everyone’s thing (but is what came out this fic that mattered more to me, personally).

I am a little surprised to see Steve Rogers’ Halfway House for Notorious Supervillains (3068) here too! I was expecting one of the more...idk, mainstream concepts from the MCU to win out? But I also wasn’t expecting two Untamed fics to make it here, either. But I am stupid proud of this fic even if it is very extraordinarily unfinished. This is one of those unfinished fics that will nag at me unless and until I finish it, at least a little, because the concept - if I do say so myself - is so goddamn good and I think I was executing it pretty well, too.

Do you respond to comments, why or why not?

Pretty much never. I was never very good at it and now I’d feel like I had to go back and reply to all of them and I just. I can’t do that. and when I do try to just start at the beginning I get overwhelmed very fast and start avoiding it.

Basically I decided that if it’s a decision between wrestling with myself to reply to comments versus actually doing more writing I’m going to end up landing on the latter as feeling both more doable and more productive.

What’s the fic you’ve written with the angstiest ending?

probably it’s The Worlds Forgotten, the Words Forbidden for sheer level of “so then what was the point” of it all. but like. I’ve definitely written a few extraordinarily miserable fics, and by “a few” I kind of mean “a lot.” Other nominees I’d put down might be nor autumn falter (for currently personally making me suffer most), once there was a way to get back home (for I think having the ouchiest summary), and Waiting for the Summer Rain (which remains one of my personal favorite Supernatural fics I wrote).

but like. there are 43 fics I have marked with Major Character Death warnings and every single one of those, pretty much, has a downer ending.

Do you write crossovers? If so, what is the craziest one you’ve written?

I have written several though not in a long time! My craziest probably remains the Morgoth/Cthulhu short I wrote that actually got sporked because someone took it seriously (???) enough to do that. But the craziest that actually has any merit, (I’d argue) is probably the Maeglin/Viserys one.

not linking to either, if you want to go find them I don’t think it’ll be that hard.

Have you ever received hate on a fic?

Yeah, a few times on a few different things. More if you count “people who seem to like the fic but love telling you how much they hate the female characters you’re writing about in it” as ‘hate’ which I would but isn’t, you know, quite as straightforward. If I had a nickel for every time someone bitched about Jane in Life in Reverse, though...lots of nickels.

Do you write smut? if so what kind?

Sure do! But what does ‘what kind’ mean, I don’t know how to answer that question. I feel tempted to just put in my “Mike’s Hard Kinks” image edit in this space.

I guess usually I tend to write smut that at least involves a little bit of a kink? I don’t think I’d feel comfortable writing entirely kinkless smut. I think I’d feel weird about it, the same way I do when I write really nice fic, generally.

Have you ever had a fic stolen?

I think I did back when but I don’t remember anything about it. I feel like it was one of those mass data scraping things where my fic happened to be among those caught up in it.

Have you ever had a fic translated?

I have! several actually, mostly into Russian and Chinese. every time it happens I’m immensely flattered that someone wants to put in that kind of work on something I wrote.

Have you ever co-written a fic before?

I think I’d be very, very bad at it.

What’s your all time favorite ship?

Depends on when you ask me! I could probably give you a top five but then I’d remember six that I forgot to mention five minutes later. I guess if I were to think about ships that feel like they hold very special particular places in my heart... Xue Yang/Xiao Xingchen, Steve Rogers/Loki, and Min/Rand come to mind.

What’s a WIP that you want to finish but don’t think you ever will?

oh god do you want the whole list cause honestly I could just like. screencap the entirety of my “in progress” folder with a crying emoji watermarked over it. and that’s not getting into the fics that are like...half formed babies in my consciousness but not anywhere on paper.

and also I just hate to admit that I might not finish something.

you know what? the Lucifer/Good Omens crossover I started would’ve been a lot of fun. I’m probably never going to finish it, but it would’ve been great if I had. I know other people did it too but my contribution could’ve been amazing.

I can say this very boldly with the near certainty that I’m not going to finish the fic so no one will be able to disagree.

(...also the Last Herald-Mage fix it. that was going to be a good fic too, and also will probably languish unfinished forever.)

What are your writing strengths?

I’m pretty sure dialogue is my strongest point. Dialogue and emotions, which is why I always end up just wanting to write about characters talking and having feelings at each other.

What are your writing weaknesses?

Writing action sequences throws me into conniptions every time I have to do it and I will take drastic actions sometimes to avoid doing it at all, which probably weakens the work as a whole.

Also, I don’t plan ahead and this means I write myself into corners kind of a lot. If I wasn’t writing long, dense fic it wouldn’t be a problem but here we are.

What are your thoughts on writing dialogue in other languages in a fic?

I tend to avoid it unless it’s in the context of, as in CQL/MDZS fic, leaving certain terminology untranslated. I’m pretty sure I almost never write full exchanges of dialogue in a different language than I’m using for the narration within a fic, and generally speaking my reaction to other people doing it is at least mildly negative.

What was the first fandom you wrote for?

Harry Potter was technically the first fandom I wrote for, but it was a crack fic I wrote to make my friends laugh more than anything; I tend to count Wheel of Time as my first actual fandom for which I wrote my first actual fic.

What’s your favorite fic you’ve written?

some days the answer is “all of them” and some day the answer is “I don’t like anything I’ve written in my entire life” and I never like giving this a definitive answer. yesterday I reread efforts in a common cause (the bound copy!! thanks @spockandawe) and you know what, that was a good fic and I’m proud of it, so I’m going with that one, for this meme, today.

tagging: @mostfacinorous, @jaggedcliffs, @silvysartfulness, @mikkeneko, @kasasagi-eye, @curiosity-killed, how many people am I supposed to tag for this one anyway

[bulletballet-arch]

REALLY LONG  CHARACTER  SURVEY. RULES. repost ,   don’t  reblog !    tag 10 ! good  luck ! TAGGED. I took this from Minnie’s archived Bioshock blog. I’ve been looking for this meme all this month. TAGGING. @hammurabicomplex. @bluuxriising. @ Me - for Sal on @bulletsoverbensonhurst​. @immaterialed (charlie) @soypeor (bella) @svmmercmance​. @mrflayed. and you!

BASICS. FULL  NAME :  Eve Delores Littlejohn NICKNAME : Evie, Little Evie (by her maternal side of the family), Delores, Didi NAME  MEANING / S  Eve is from the ancient Hebrew name  חַוָּה (Chawwah), which was derived from the Hebrew word חָוָה (chawah) meaning "to breathe" or the related word חָיָה (chayah) meaning "to live". Delores is a variant of Dolores, meaning "sorrows", taken from the Spanish title of the Virgin Mary María de los Dolores, meaning "Mary of Sorrows." Littlejohn is a surname that has historically been found in England and Scotland. With potential origins being either ‘to distinguish a beloved child that was not the eldest.’ Or, ‘a contradictory nickname for a large man.’ HISTORICAL  CONNECTION? : She’s named after her grandmother, Evelyn Hollins.

AGE : 42 BIRTHDAY :  June 2 ETHNIC  GROUP : Black-American. Meaning she’s mixed with a lot (Some of her relatives are respectively Creole and Italian) but uses Black as a catch-all term. NATIONALITY :  American LANGUAGE / S : English, Italian, Spanish, Latin, some French SEXUAL  ORIENTATION :   Bisexual ROMANTIC  ORIENTATION :  Biromantic RELATIONSHIP  STATUS : Verse dependent, usually married -or connected- to Salvatore Scozzari in some way. CLASS : Upper-Class HOME  TOWN / AREA :   Brooklyn. Spent time between Bedford-Stuyvesant - with her paternal grandfather and Park Slope - with her maternal grandparents.  CURRENT  HOME : In her childhood home in Bedford-Stuyvesant. PROFESSION : Ballet Instructor. Former Professional Ballerina. ( Other verses see her as a professional thief. )

PHYSICAL. HAIR : Black. In terms of her natural hair, Eve has springy, 3C hair she seldom shows off because she was raised in a family where straightened hair was deemed presentable and professional.  EYES : Thin almond eyes. Dark brown. NOSE : Straight and small. FACE :  She has a prominent, high forehead, that’s accented with high cheekbones and a pointy chin. LIPS :  Full. COMPLEXION : She has a light brown (tawny) complexion.  SCARS : None major. TATTOOS : None. HEIGHT : 5′4″ BUILD : Eve has a slender build. One of those people who have been small and petite since childhood. Despite this, she also stays skinny because she is obsessively conscious of the food she consumes. The older she gets the more she weighs, however. USUAL HAIR STYLE :  Her hair is cut short. Reaching her shoulders in a neat, even bob. She either curls it in a retro fashion or curls the tips. For work she wears it in a traditional, pinned bun. USUAL FACE LOOK : In public, she appears stoic for the most part. Any emotion shown (such as the length of a smile) is carefully calculated. She has to seem perfect.  USUAL  CLOTHING : Form fitting dresses. Incredibly chic and fashionable for the time. Shoes include heels - never open-toed, unless she has on stockings. Extravagant earrings. Jewelry that can include either necklaces, crosses, pearls, or dainty rings. Prone to wearing black sunglasses in public.

PSYCHOLOGY. FEAR / S : Thunderstorms, airplanes, creatures like weasels, snakes and ferrets, break-ins, men she doesn’t know, harm coming to her children ASPIRATION / S :  Formerly wanted to become a major [black] ballerina in the elite world of ballet, now she just wants to expose more [inner city children] to dance through her job. Personally, she wants her children to change the world in some form or fashion, too. Eve also has good ideas on improving the community, but at the moment has no idea how to go about these ideas. POSITIVE  TRAITS :  Generous, compassionate, patient, protective NEGATIVE  TRAITS : Strict, sullen, hard to read, represses her emotions, secretive MBTI :  Advocate - INFJ-T ZODIAC :  Cancer TEMPERAMENT :  Melancholic ANIMALS :  Lioness VICE / S :  Pride & Lust FAITH : Christian. Grew up Baptist, but Catholic influences have been around her since childhood. Attended a Catholic High School in Park Slope, her grandmother Evelyn was also a practicing Catholic.  GHOSTS ? : Yes and no. She feels that objects formerly owned by the deceased posses the essence of their previous owners and that they essentially live on through these pieces of property. AFTERLIFE ? : Yes. REINCARNATION ? :  No, but it’s a romantic concept. ALIENS ? : No. POLITICAL  ALIGNMENT :  Democratic ECONOMIC  PREFERENCE :  She likes being where she’s at now. But honestly, being upper class is all she’s ever known. SOCIOPOLITICAL  POSITION : Bourgeoisie, basically. The Littlejohn’s represent The Historical Black Elite.  EDUCATION  LEVEL : College level. FAMILY.

FATHER :  William ‘Bill’ Littlejohn MOTHER : Linda Littlejohn ( nee Hollins ) SIBLINGS : None EXTENDED  FAMILY : Amos Littlejohn (paternal grandfather) Liza Littlejohn (paternal grandmother) Evelyn Hollins (maternal grandmother) Giuseppe D’Aietti (maternal grandfather) and a wide host of cousins, aunts and uncles.

FAVOURITES. BOOK :  Night Song by Beverly Jenkins. The Color Purple by Alice Walker. Some sort of old, French erotic novel that was published before she was born. MOVIE : Eve watches films along the lines of...Waiting to Exhale, Beaches, The First Wives Club and Fatal Attraction. She loves Made-For-TV movies from the time period. In regards to plays, her favorite one is Sunday In The Park With George. 5  SONGS :  Meet Me On The Moon / Essence of Sapphire / No One In The World / People / The First Time I Saw Your Face  DEITY :  Persephone  HOLIDAY : New Years Eve, Christmas, Thanksgiving. Major holidays during the colder season. MONTH :  October SEASON :  Autumn PLACE :  The dance studio she works at. WEATHER : Sunny, but cool. SOUND : The voices of Anita Baker and Sarah Vaughn. A skilled hand running over piano keys. Soft trumpets. Running water. Cats making chipper little meows. SCENT / S :  Perfume, floral scented lotions, her partner’s cologne TASTE / S :  Caramel, the tang of dark chocolate, strawberries coated with either chocolate, or sprinkles of white sugar. Light Vinegar.  FEEL / S : Performing in front of an audience. Hot water engulfing your skin after a long day. Satin - whether it be the fabric of her clothes or sheets, your fingers tightly intertwined with another’s, feeling your significant other’s chest raise and lower against your skin with each breath they take. ANIMAL / S : Cocker Spaniels, Afghan Hounds, Cats, Birds - she loves all ( well, a majority ) of animals. NUMBER :  Doesn’t have one. COLOR :  White, Pink, Gold.

EXTRA. TALENTS :  Dance, Eve is trained in ballet when it comes to her main verse. She has attended ballet classes since the age of eight and ever since then she placed all of her focus into it. Similarly, Eve has always had the makings of a good artist - as a child she enjoyed drawing and had informal art lessons with a man who lived in the basement of her grandfather’s brownstone, but she never invested into that half of her. BAD AT : Singing, Being interviewed, Public Speaking (as in Speech Giving), Decision Making TURN  ONS :  Charisma, Leadership Skills, Temperature Play, Phone Sex, Heavy Kissing, Light Roleplay TURN  OFFS :  Public Sex, Tearing [ Her ] Clothes, Threesomes, Cruelty, Senseless Violence HOBBIES :  viewing plays & some musicals, reading romance novels, shopping, working out (she was into the whole celebrity VHS tape exercise trend), playing tennis, decorating AESTHETIC :  Vintage Black Glamour, Black Ballerinas, Champagne and Wine Glasses, Paintings by Melinda Byers and Edward 'Clay' Wright QUOTES :  "I'm bad with words, I hope you're good in reading eyes." / "There are truths I haven't even told God. And not even myself. I am a secret under the lock of seven keys."

FC INFO. MAIN  FC / S : Lynn Whitfield ( A Thin Line Between Love & Hate ) ALT  FC / S : Kylie Bunbury ( Twisted ) OLDER  FC / S :  Lynn Whitfield ( Greenleaf ) YOUNGER  FC / S : N/A VOICE  CLAIM / S : Lynn Whitfield

MUN QUESTIONS.

Q1 :   if  you  could  write  your  character  your  way  in  their  own  movie ,   what  would  it  be  called ,  what  style  would  it  be  filmed  in ,  and  what  would  it  be  about ?       A1 : Recently I decided that if/when I try to write anything serious about Eve again, it’ll center on her being a jewel thief because it presents me more fun, and emotionally diverse, opportunities. That and I have a very specific cover image in my mind. Ideally, her adventures would be a series of books. I have no title in mind, no idea about how ‘it would be filmed’ ( although a style replicating 90s films would be excellent, film grain and all. ) but, I do have a bunch of plots in mind that I really don’t feel like typing out here.  

Q2 :   what  would  their  soundtrack / score  sound  like ?         A2 :  Her score would have a vintage sound (or a jazzy Spike Lee sound, if you will) with instrumentals by Dorothy Ashby (a Jazz Harpist) the Ahmad Jamal Trio, Pharaoh Sanders, Yusef Lateef and Tarika Blue. For music with lyrics, the soundtrack would include the likes of Julie London, Sarah Vaughn, Ella Fitzgerald, and Dionne Warwick.

Q3 :   why  did  you  start  writing  this  character ?   + Q4 :   what  first  attracted  you  to  this  character ? A3 :  Whenever I make NPCs for my character’s lives I actually can’t just let them just be NPCs. I start thinking about them too much. Developing them too much. And then I’m like, ‘wow! I really like this character!’ Eve was a different character when I began writing her, and likely wouldn’t be considered the same character as she was previously, if I told someone in real life who knows about my writing (like my grandma) about all the changes she has undergone. Originally Delores was a university professor, because I thought it could lead to interesting interactions with college-age muses. And her previous history with the mafia was also something interesting to tap in. But then I started thinking about what was realistic, what wasn’t realistic, what did I feel comfortable/interested writing? What didn’t I feel comfortable/interested in writing?  So as time went on, things would alter about this character. And the new things I came up with attracted me more. 

Q5 :   describe  the  biggest  thing  you  dislike  about  your  muse.         A5 :  I have a love/hate relationship with Eve’s quiet demeanor. On one hand, I think quieter characters need love and the ability to be fully dimensional but on the other hand, writing louder characters has always been more fun for me. But really, Eve’s guarded behavior makes writing her stressful in some cases with others because sometimes...if I’m going to be honest...people don’t know how to carry a thread and interact with someone of her demeanor effectively. 

Q6 :   what  do  you  have  in  common  with  your  muse ?       A6 : We’re both black, we’re both into art (although our exact interests and aesthetics with art differ)

Q7 :   how  does  your  muse  feel  about  you ?         A7 : Realistically she would think I need to take better care of myself.

Q8 :   what  characters  does  your  muse  have  interesting  interactions with ?   A8 :  We skippin’ this question.

Q9 :   what  gives  you  inspiration  to  write  your  muse ?       A9 : Films such as, “Waiting to Exhale,” “The Kitchen” and “Widows.” Books by Alice Walker, like “The Third Life of Grange Copeland” as well as her short story, “Roselily.” The historical mob figure Stephanie St. Clair.

Q10 :   how  long  did  this  take  you  to  complete ?       A10 : A few hours.