#I also think the ‘accurate��� translation feels kinda out of character

[puppppppppy]

who up seeing their disorder in a fictional character but feel like its not their place to put a name on it

[what-is-love-babey-dont-hurt-me]

Watching people discuss Susie is weird to me because she’s either fucking hated for what she did or she’s defended/forgiven but like,,, where are the people who love her character because she’s a terrible person. I need to see more people who support Women’s Wrongs to discuss her.

[taki118]

Yakuza Fiance Manga Comparison ep 4

Ok I'll be honest this ep, I got a LOT of issues with this ep, I don't know what they were thinking with what was cut. So here it is everything the anime missed. Warning these are fan translations cause I'm lazy.

Ok so here at the opening we have something that isn't so much something missed as something changed

after Kirishima introduces himself in the manga he makes a comment that's probably the first hint of jealousy, with Shouma appearing rather annoyed or uninterested in him. In the anime they have Kirishima call back to the stupid scene they added into ep 2 (which is a whole ass rant by itself)

The conversation goes fairly the same except this bit of the conversation is cut

First of all we loose out on another good Shouma face which the anime has been denying you. But we also just get more back and forth that more smoothly leads into Shouma questioning who Kirishima is following and makes the audience really wonder if Kirishima is being truthful in what he says to Yoshino.

The rest of the conversation goes about the same in the manga. The anime however does skip this

Explaining why Yoshino was running down. Like I kinda get it but also I kinda don't.

The rest of the scene again goes pretty accurately to the manga but the expressions do not really work in the anime particularly when Yoshino tells Kirishima off

He just looks so much more surprised here than in the anime, like you can't tell its his buffering face.

So the scene with Yoshino seeing Shouma off its almost the same and in some ways it is but the issue being the way they shot it, its mmmmm less dynamic I think thats the best word. Especially this bit

I dunno I think the anime just can't get Shouma's expressions right at all.

Anyway the anime cuts out a pretty important scene. I won't put it all here cause it's a legit full scene but Yoshino is talking to Shouma about summer vacation and his plans, and planning her own trip to Osaka adding in that she'll bring Kirishima.

This scene is where she realizes she and Kirishima haven't really spoken in a while leads into where the anime starts back up. First of all you loose out on some fun character work with these two showing more of their dynamic that the anime just barely touches on. But more importantly second of all this teases an important arc in the story thats to come laying the ground work for later.

Also the train scene is a lot longer in the manga

Obviously I can't show it all but it really shows how crowded the train is but also brings up the convo with Shouma earlier in the chapter. Also for some reason the anime has Yoshino note that Kirishima smells nice but doesn't have her thinking its his detergent or something which is just a bad character beat to miss.

So the idea of the class scene is the same but once again we loose out on context and Yoshino thoughts in the anime. Like they really condense her thoughts but they leave this out

The anime just says the search is unhelpful (without really anytime to read what she looked at) But the manga gives context as to why. Another thing the anime does that I think is a bad move his have Kirishima slow down rights before looking at Yoshino when she turns. In the manga he's already standing there looking her way it just gives him a more ominous feeling that the scene is missing.

So the confrontation scene with Kirishima in her room is pretty spot on, though I don't know if its the translators or not but the wording for Kirishima when explaining having the girls he meets up with getting guys to "cheat" on him is not as kind to him. In the manga its more clearly NTR play but the anime or at least the subtitles it makes it sound like prostitution which isn't what he does with them.

The rest of the scene though is fine. Again not as dynamically shot but the dialogue is pretty one to one. Though again the expressions are just a little off.

He looks far more lovestruck in the manga than the anime.

Also this was cut cause of course it was it's a call back to the start of things and sets up the trip.

So this is the part that really hurts. I fucking love the Yoshino is sick chapters, it's one of my favorite tropes and this is really a turning point for the pair.

Anyway it starts out ok the dialogue in the morning is cut down but gets the right information across so really no complaints the issues begin after.

First off they cut this scene

Where Yoshino feels herself getting worse and showing Kirishima doting. Also shows how much she has to rely on him.

So Kirishima at school is fine, and I actually really like the way the anime does the scene at the brothel. In the manga you can kinda tell he's trying to rush things and is being impatient but the speed talking and him moving around in the anime really gets across he's trying to get this over with.

The bigger issue comes after at Yoshino room. In the anime he rings the bell once then just goes straight to lock picking.

In the manga he rings a few times, waits then sends her text explaining himself THEN goes to pick the lock. Its not a lot but it's enough to show that he's respecting her rules and only breaking it because its an emergency.

Again the scene of him finding her is a lot shorter in the anime compared to the manga. We see him go through the house and shut off a faucet that was dripping and he looks just more concerned in the manga.

He also talks to her more which I think is a nice touch. The rest of the scene and into the car is fine, nothing really lost but this is where I get really pissed.

Now there is a chance (a very very small one but still a chance) that this scene I'm going to talk about wasn't cut just reordered (in the dumbest way possible) and will be used in the next ep. I mean I doubt it but it is possible. Anyway Yoshino wakes up the next day without a fever and to Kirishima beside her.

Like a LOT happens in these pages they just decided to not use (maybe) from Yoshino apologizing for all the trouble she caused to Kirishima explaining he moved them to the corner of the room because it was the best area to keep watch over her. This bit really gives a lot. But this is really a sad loss (maybe again they coulda done something dumb and we will get it just not in the right order)

Anyway Kirishima explains he can't sleep if theres another person in the room which is important for later. This leads into a great scene where Yoshino offers to watch over him while he sleeps as a thank you which leads to this

Kirishima brushes it off saying he'll work hard to get her to kill him and she offers him a meal and a bath that he accepts. All this THEN leads into the conversation with Renji over the phone

So the thing about the animes version of this scene is it leaves a VERY important part out, again in a way that makes the conversation feel disjointed so after Kirishima says she sees him as a stalker and before Renji says she resembles him in the strangest ways we get this in the manga.

This informs the reader about a VERY important part of Yoshino's personality, that shes highly adaptable in both a positive and negative way. This information helps to make sense of her actions both prior and going forward and is just super upsetting to loose. Its a very important part of her character and would be incredibly hard to pick up on in the manga if this scene was gone but near impossible to get if one only viewed the anime.

Anyway the manga chapter ends not with Shouma doing ANOTHER out of character ominous stare that doesn't serve to add anything to the scene or story. (Renji and Kirishima are acting sketchy with or without him there to look) but with this cute bit

Overall ep 4 is by the most disappointing in terms of adaptation so far. Meaning I am in this for the long haul for sure.

[flyflutterby]

The leaks leave me so confused tbh

Ochako isn’t raising her pinkie to avoid floating Deku during that leaked reconnection moment and she wasn’t wearing the gloves that would make that unnecessary. (Also, people are saying it’s the last panel of the epilouge, yet it doesn’t have the usual ending box.)

Jirou has both her ear-jacks in some of the leaks and some characters are missing scarring. There’s one panel where Bakugou’s hand is drawn from an odd angle that lowkey does not look good posing wise (Horikoshi is usually a GOD of drawing and posing hands, so I legit thought that was a fan drawing, until someone said it was apparently a leak?) Also, Todoroki’s face looks like it changes in structure between some of the leaks, but maybe I’m just imagining that?

Then there’s Deku rejecting Bakugou’s offer to join his hero agency so he can keep teaching. It feels like yet again he’s copying All Might to his own detriment, because even if he likes teaching, his arc, focus and drive has always been heroism. All Might becoming a teacher was because his whole thematic purpose was to pass the torch on that would lead everyone into a brighter future. Deku’s motivation has always been to save people as a hero. Furthermore, even if you don’t ship BakuDeku, they have always been thematically tied as heroes.

“Win to save and save to win.”

Wasn’t the whole point of Deku’s narrative was that he was going to destroy himself if he kept going it alone? Yet, he’s pushing Bakugou away after everything is done (Kirishima apparently even jokes that Bakugou got rejected/dumped? Probably not an accurate translation but STILL-!) Izuku feels flanderised, borderline OOC. Bakugou looks so fucking sad and resigned too. I want better for him as a character I watched grow over the years as I read the manga.

To clear things up, I ship BakuDeku, but I wasn’t expecting canonicity.

My problem is that I love platonic IzuOcha. Maybe a part of my reason for liking them was projection, but that’s what media is about. Enjoyment, interpretation and discourse. I can only speak to personal experience.

I lost a friendship with a guy as a young gay girl because people kept joking/insisting I liked him romantically. I pulled away like Ochako did, doubted my sexuality and tried to convince myself the awkwardness was butterflies, before finally coming back to sense. I did not get my friend back after things broke down. I yearned so bad for subversion, for a platonic IzuOcha that overcame the silliness (implanted by a girl who shipped All Might and Midnight because they stood next to each other during the Sports Festival and All for One’s literal spy at the time) to become best goddamned friends and great heroes. It just felt like Ochako didn’t think of Deku like that until someone else said it to her (very much teenaged behaviour).

I initially loved the reconnection scene as their friendship being cemented, as them drunkenly coming together to realise they missed each other. I thought it was so sweet and I was so HAPPY. I read it as drunk but platonic.

Then people kept saying this confirmed IzuOcha canon romantically. I fell down a rabbit hole. I ran through a gambit of all sorts to shitty emotions before I regulated myself to write this.

I’m tired and confused, my dudes. I’m going to stick to my little corner once I got this out. I got exams to prepare for, life to live and a loving girlfriend to hug. Still kinda upset, but my weird, autistic, gay ass can heal.

Stay hydrated and healthy x

[oneslimybastard]

Another underutilized aspect of N, Natural Harmonia Gropius himself, is that he's conceptualized as not just a Math Guy, but a Math Genius if we go by some interview trivia notated on Bulbapedia.

It clearly shows in the way he speaks since his (translated) dialogue (idk about the original japanese one) is full of hamfisted references to formulas and frustration expressed when the chaos of the world does not align with them — which to me is like, the core of his character, something that makes him both An Asshole to deal with but also a very intellectually curios and creative individual. It's just a brand of creativity not a lot of people can keep up with nor understand.

N likes math because a lot of math is about clearly defined variables and their relationship to one another. If you come across an inconsistency that doesn't fit any prior definitions, you iron out a new definition and suddenly the field has expanded upon itself tenfold. It aligns with how his Very Autistic Brain functions, x + y = z, if I do x to y then z will happen. If z doesn't happen, then that just means I have to identify the hidden variables within the exchange and rewrite the formula to be more accurate.

Black and White's quality of writing is. Like pokémon often is. Questionable at best. The foundations are there but the execution is dumbed down and corny because it's still aimed at kids, BW in specific really cutting the theme of pokémon trainer ethics short in favor of just "dang u beat me in the pogiebattle guess ur right!". How-ev-er. In my head, and the reason why I still find the plot of those games compelling (aside for my unhinged thirst for goth man-milf Ghetsis) is that to me they're about local cult-raised autist Normal Henry Gropus bashing his head against the world over and over to desperately try and make the formulas make sense, to distill it into variables he can understand and predict on a consistent basis, and failing miserably at it. Because even if the world is Technically made up of a bunch of chemistry that you could, in theory, predict, there's just a lot of random noise in there from microscopic complexities that fuck everything up.

Pokémon are simpler creatures (discounting the eerily intelligent ones) who will be nice enough to behave like math problems most of the time. Humans rarely extend that grace, the more N studies them like a science project the more contradictory variables pop up. They have a million thoughts in their head he doesn't have access to, that brew into feelings he doesn't understand, which leads to actions he can't do a proper traceback through. Which is frustrating, devastatingly frustrating. At least at first.

Due to how BW2 pans out and my own yearning for thematic mirroring, whereas Ghetsis gives in to the Autistic Bitterness over all these NTs he doesn't fuckign understand, I like to think N develops a sort of joy in studying people like the impossibly complex math problems we are. Because he likes math, he likes figuring shit out, he likes buying a nightmare rubik's cube and charting the squares out on a nightmare variable graph (listen i am not a math guy. i respect the hustle but my skill level is too low to accurately attempt to simulate the process in writing. im sorry math guys) so he has a home-made flexible cheat code on how to solve any possible mix-up of it. It's fun for him, it stimulates his brain and he is so stupid good at it that he can only share that joy with like a stray alakazam or metagross because he's a bit of a tarzan just hanging out in the wilderness, he doesn't know any high end mathematicians he can casually geek out about combinatorial game theory with, and the normies just do not get it .

I think this math enjoying is kind of a big part of his ~Innocence~ as well, since there's a lot of childlike glee to being a Math Guy. It's the love of problem solving as a process rather than a means to an end, it's playful, but severely misunderstood to the point where people kinda might assume things about you if you are a math guy.

N's love of math helps him love the world but it also isolates him. He's a genius, but since he can't communicate it in a palatable way it'll get overlooked in favor of him just being a loomy weirdo on the street chatting up the local patrats.

If introduced to DnD though he'd spend so much time on forging ridiculously optimized multiclass builds, then migrate to digging through old obscure sci-fi ttrpgs from the 80s with hellishly complex systems just for the funsies of learning how the presented variables behave within a variety of frameworks, but then if you actually invited him to play with your group he'd look at you like you'd just called his mom a llama.

He's a neat guy to me, STEM guy who's also one of those animal rights activists who's a little too PETA-coded, I like him :)

[tyrantisterror]

Say TT, what would be your top 10 T-rexes from media?

Ooo, tough one. I don't know if I can even rank them - I think I'll just share ten I love.

We'll start with the queen, the goddess, my inspiration, the T.rex(es) from Jurassic Park (and its sequels). An elegant design with so many iconic features, from the angry eyebrows to the overbite and of course the iconic roar. The franchise itself stops treating the T.rex with respect from the third movie on, but that doesn't stop it from being its flagship creature.

As villainous rexes go, I don't think any have surpassed that bastard Sharp Tooth, who channels the raw horror of the most fearsome fighting animal in the fossil record.

Every single moment of the T.rexes in Prehistoric Planet filled me with delight and childlike wonder - yes, even when one got chased away my quetzalcoatluses. It was just nice to see a dino documentary where T.rex doesn't die for once, and seeing rexes be tender and social was also something I deeply crave but rarely get to see in dinosaur media.

For dino documentaries that break my heart, the Walking With Dinosaurs rex reigns supreme. I know it's not a particularly accurate reconstruction (and in fact kind of mind bogglingly weird if you look at the details closely - what is going on with the area where her skull meets her neck?), but the story they tell with the rexes here is so tragic that it's burned into my mind. There's the one scene of a rex howling alone in the forest in search of a mate, where the narration notes that it's unlikely anyone will answer the call, that's just lodged into my memory as the ultimate illustration of romance-based loneliness. I feel that rex, man. I feel that howl into the empty woods.

I know it's not a "good" movie, but fuck it, I love The Last Dinosaur. I love the suitamation, I love how the T.rex is presented as this borderline supernatural threat in the vein of Moby Dick, I love that it actually gives us a T.rex vs. Triceratops fight (an odd rarity in dinosaur media despite it being a matchup that 1. happened a LOT in reality and 2. pits two of the most popular and fearsome dinosaurs against each other - "T.rex vs. Triceratops" is, like, someone who's so hot that no one ever asks them out because they think they have no chance).

There's a Japanese kid's movie about a girl who's trying to reconnect with her estranged paleontologist mother and ends up adopting a baby T.rex, and it's very cute and deeply emotional and has scenes of a baby T.rex in a Christmas cape and Santa hat evading the Feds because that's just what you have to do when you're a weird animal companion to a child. It love it. It's called Rex: A Dinosaur Story and I watch it illegally every year because there's no US release of it.

You Are Umasou is another Japanese piece of paleomedia aimed at children with a deeply emotional story about strained parent-child relationships that involves a T.rex - several T.rexes, actual, one of which invents the art of kickboxing to style over his opponents - and l also used to watch it illegally, but luckily Discotek Media released a blu-ray collection of it and its sequels (called "The Heart and Yummie Collection" in an atttempt to translate the pun of the original title that only kinda works), so now I can just watch it whenever, to my delight.

Fang from Primal is one of the most well-rounded T.rex characters in media and I love her so much, even if I can't watch the first episode of that show ever again. It's a shame that show never got a second season, I would have loved to see more of Fang's adventures in a prehistoric world full of dinosaurs and monsters. A damn shame that they didn't continue it - they certainly wouldn't have made the show be about ancient human civilizations with almost no monsters and a weird scene where a woman sleeps with a caveman covered in third degree burns.

Speaking of tyrannosaurs who get a great deal of characterization and team up with cavemen to fight dinosaurs and monsters in a fantastical prehistoric world, none have ever done it better than the original Devil Dinosaur. He lost all of that characterization and, like, any agency at all really when Jack Kirby stopped writing him, sadly, but at least he had a fun team up with Godzilla before he was reduced to a mindless brute and/or glorified pet in subsequent Marvel stories.

Finally we end with Gon, the star of the manga of the same name, a tiny little T.rex (well, arguments could be made he's more of a generic theropod, but he's been called a T.rex enough for me to count him here) whose anthology series tells some of the most dramatic, emotional stories about animals surviving in the harshness of nature without a single line of dialogue. Gon's stories range from the humorous to the downright tragic, and you can always tell what this little dinosaurs is thinking and feeling without him saying a goddamn word. Also he personally beat the shit out of every single fighter in Tekken, which basically makes him as powerful as twenty Gokus.

[yuurei20]

hi hi! i wanna start off this ask with thanking you for all your translations and comparisons! they're all so interesting to read and really help with putting the characters' personalities into perspective. i was rereading the heartslabyul manga and noticed that ace seemed to think the title of magic-less prefect was cool while in the game he was more neutral and simply stated they must be the first at nrc? is the direct translation perhaps more positive? thank you in advance!

Hello hello!! You are too kind, thank you very much m(_ _)m

And thank you so much for this question, it was fascinating to look into!

I went through the game, manga and novel for the scene you refer to, and compared what we see:

Ace's original dialogue and the EN translation are almost identical here (just with the removal of a プッ sound at the beginning, insinuating that he is holding back laughter), where he comments on the player character being maybe NRC's first-ever magicless prefect.

His follow-up line is where things begin to deviate:

Original Game: Nice, that's cool. A prefect who can't use magic! Original Manga: Nice, a prefect who can't use magic! That's cool! English Manga: A prefect who can't use magic. I like it! It's so cool.

English Game: But sure, why not? Whatever works!

While Ace's positive approval from original game and manga was kept in the English-manga adaptation, for some reason it was toned down to "whatever works" in the English game (this line does not exist in the novel). Nice catch!

I also compared Ace's earlier interaction with the prefect across the two translations (plus the manga and novel) to see what deviations there might be, and in that case the English-language adaptation of the game is perfectly accurate to the original:

The original- and English-language manga have slightly different phrasing in this scene (and Deuce is there, whereas he isn't in the game or novel), but the overall feeling is the same:

- "Only the chosen ones are allowed to enroll in this academy. You didn’t have what it takes." - "Are you lecturing me? I kinda think that’s super annoying." - "I’m out of here. I have class."

The biggest change in this scene is in the original novel, where Ace is even meaner:

- "Getting the attention of everyone in school, and then the perfect punchline: you’re a magicless, disappointing, nobody." - "What is with you? Don’t you have any pride?" - "Tried talking to you just to tease you a bit, but this is boring. Do your best with that monster, for the rest of us—and with your cleaning."

And this is possibly because we get a more detailed look into Ace's underlying issue with the prefect in the novel:

"‘I’m saying, I was wrong. I might have said some horrible things to you because I didn’t know your situation. All I heard was there was someone in the school who doesn’t even have any magic, so I thought you’d forced your way in or something, while the rest of us all had to get in on our own merit. I thought it wasn’t fair, so I got a little pissed off.’

The words leave Ace in a rush, fast and awkward, and then he hangs his head. ‘I’m sorry.’

Then Ace lifts his head again just slightly, giving Yuuya a glance.

‘…if you apologize then you get forgiven, right?’"

(The "Meeting Ace" scene has now been added to the overall compilation of translations from the first novel!)

[marxist-amy-rose]

I feel like to some people, SatAM is just to Sonic what the Super Mario Bros. Super Show! was to Mario, when it's not the case at all! SMBSS is just one of many branches of Mario Content, whereas SatAM was a franchise defining event, a turning point in history, it sealed Sonic's fate. Forces would not have happened without SatAM, or Archie, and no Forces or Archie, no IDW! You get what I mean? SatAM had more of an impact than X did, fight me on this, I will kill us both on this hill. Not to say that SatAM is better than X, just that, X's mark on the franchise was soft and shallow compared to SatAM's, SatAM's mark is downright problematic even.

What's gettin' me all uppity about it now? Well, again, I feel like people treat SatAM like the Sonic Bros. Super Show (when far more accurately, AoStH would be the Sonic Bros. Super Show), like it's a footnote, a side dish, and not as important as it really is to the public perception of the franchise and how Sega tries to play catch up with that perception, it's one of the earliest parts of Sonic's seemingly forever identity crisis. You know whenever someone says Sonic is a franchise about freedom and fighting oppression? You can thank SatAM for that. When you break it down, that kind of thing comes from SatAM. Sure, SatAM also started a trend of Sonic associating with monarch's, but no one really cares about that except me, so whatever. SatAM was the first thing people got pissed at for "All of Sonic's friends" and complaining about a "bloated cast", Sonally and Sonamy was the first shipping war, SatAM was the first Sonic Cartoon, the first split in Canon's, it was the first! It was responsible for Archie and all Archie became, and what eventually became IDW, and was so shamelessly copied but also ignored and disrespected by Forces. There isn't an equivalent, such an oddity of the franchise yet so impactful at the same time, even because of its status as an oddity, it is something special to Sonic!

(extended extra analysis under cut)

I kinda find Japanese purists in the Sonic Fandom, especially the young ones, obnoxious. Like, they're this odd brand of Sonic purists, not on a gameplay level or visual design level but on a conceptual level, Sonic is a flawless concept that represents freedom and not really a character with problems, the real Sonic plots in games are the original Japanese ones, those types. It's not a moral judgement, I don't even think they're wrong, I just think that it's ignorant. Sega was founded by an American, Sonic was made to appeal to juvenile Americans, he's Santa Clause Bill Clinton Michael Jackson Mickey Mouse. I'm just a Doylist about these things. What Sonic is to me is a moving conversation between America and Japan, and when you cut out one side of it you miss the whole thing. You can't cherry pick what is and isn't "really Sonic", it's ALL Sonic, that's the conundrum, that's the metanarrative. Sonic isn't "about" anything, especially not when you remove it from its creators and inspirations, and from the very earliest days, those creators were also USAmericans. Sonic 2 and Sonic CD, Sonic CD US Soundtrack and Sonic CD JP Soundtrack, Sonic Story (English Translation) and Sonic Story (Original Japanese), Sonic Comics and Sonic Manga, SatAM and OVA, etc. Sonic was never written to be about Japanese-American, dialectics lets say, but when you look at its fanbase and look at its creators and look at its history, that is what makes Sonic, that's the historical push and pull that has created Sonic, not as a singular forever idea like Mario, but as a moving living historical entity, even with its own goddamn looping lifecycle!

Hell, now with Classic Sonic and Modern Sonic, you can say Sonic is just dialectical at its heart as well as in its history. Then with Knuckles, Shadow, Metal Sonic, hell even Tails you could say. Sonic was made as, literally an antithesis to Mario, or an equivalent, a rival, whatever, Blue Oni Red Oni. The dichotomy, the dialectics are just in the blood and soul of what this franchise is on a larger level.

[ask-widesmile-theredcaboose]

Okay I copy I read you.

I have you spend three!

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This is an ask and replay blog for the red caboose or better know as CB.

CB the Red Caboose is from ALW's musical Starlight Express.

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Things to know about here:

The railway CB is from is Apollo Victoria railyard/railway. [It's just what I like to thing is the in universe place StEx takes place in. I picked up the idea from the fandom. Ty y'all. 🥰🥰]

CB is pretty chill for the most part unless you get him upset or when he feels like making trouble, and he likes his radio esque tech and such. [I can't help but think CB is just into that kinda stuff cuz he got radio stuff in him anyways. Lol. And I'm sure I'm not the only person who thinks the same. 🥰]

CB uses radio/trucker slang, mostly when he's talking over the radio but will sometimes use it as well face to face too. [I just love the idea of the freak Caboose using it. 🥰💖]

wall to wall and treetops tall = I hear you loud and clear, and that's what I use for answering asks.

breaker breaker = can anyone here me or or hello, it's a way to start a transmission/chat, and that's what I use for reblogging other people's things.

Translation for any radio slang is always in the tags of post. So don't worry to much about having to figure it out on your own. [I wasn't going to do it originally but I thought it would be better to have them. (⁠^▽^⁠;⁠)⁠ゞ]

... [I will add more points when I think of them. (⁠^▽^⁠;⁠)⁠ゞ]

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Mod Talk: Do be warnd I am still knew to StEx.

It should also be known:

I will do my best to be as accurate as I can to the characters, but I will most likely lean a lot towards my own interpretation of the character and this blog may also lean towards my own headcannon of things. So understand this will most likely not be very canon so to speak. Sorry not sorry. :P

I can and will probably throw caution to the wind sometimes for I am an adult, and I'll use swears. So warning on swearing and most likely mean, rude and or crude language.

I will also warn you I am not the best at roleplaying but I will try my best, and if you are looking for multiple paragraph are RPs I am not the person for that kind of thing. But if you are willing to help someone new and or are okay with RPing with someone who is new then thank you for your time.

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CB hanging loose

CB the Red Caboose!

[connoisseursdecomfort]

A mini character analysis on Twilight/Loid/[redacted]

As much as I am a tiny bit sad that Loid is still not having that reflection I want him to have after the last arc, I think I will have to remind myself something I posted somewhere else:

“The problem is, Twilight is inching towards his hidden self, [redacted], instead of running towards being ‘Loid’. As much as we want to believe that [redacted] is closer to ‘Loid’ in nature, and that he could have become ‘Loid’ if war didn’t happen, ‘Loid’ is still a work persona created by Twilight to complete Operation Strix. This persona allowed Twilight to ‘love’, but it is also a constant reminder that it is a facade. ‘Loid’ was a middle ground for Twilight to get back in touch with [redacted]. But now it has become a battleground where Twilight and [redacted] are having a standoff.”

I’ll be as patient as I can be.

(Manga spoilers ahead: and an analysis of ch.77)

I see people on twitter saying that everything we love about Loid has gone downhill since ch.62. I don’t necessarily think so because we have ch.68, but it is kinda true he doesn’t seem to get much development on the dad/husband department since the end of the cruise arc. To a point that people started to be angry at him and Endo since ch.75.

Loid has been in this utter confusion since the cruise arc. Before that, he doesn’t realise he has this confusion - he has been able to use the excuse, you know, Loid “for the mission” Forger, to justify everything. The cruise arc is really the first time he’s not on the mission. Basically it takes 50 chapters for Endo to finally ask Loid this important question, “What if it’s not for the mission?”

This poor man has been confused ever since, like in ch.76:

This is, of course, just this stupid man’s way of asking if he’s a good enough father for Anya for the mission. But it doesn’t go away easily. He has been a spy for more than a decade. And before that he was alone for years. Being a Forger for only three months is not going to reverse that many years of trauma.

But his true self is winning. Has been winning since ch.62. He still tries to rationalise everything using his spy radar, and somehow he ends up being absolutely genuine.

In ch. 62, right after this scene where he deliberately reminded himself that this is “Loid’s” house:

He somehow chose to be a real dad instead of being a good spy:

And the same thing happened again in ch.66:

Sandwiched between all the spy-talks he had in his head, there is this transparent bubble. This is also the bubble that convinces me that he knows she is keeping secrets, but somehow he doesn’t care. But this is for another day.

His head says spy, but his actions always speak otherwise.

Endo loves to play with the idea of misinformation. He blatantly said in the fanbook that the info Franky has on the Garden is an exaggerated version of it, and is not accurate. The more obvious example would be the Handler’s arc in Ch.63. This is a story about secrets and lies, but there is a grain of truth in all the lies these characters tell us. Especially Loid “for the mission” Forger. From day 1 we knew Twilight’s a liar and a very cool one. But somehow Endo also makes him to be this genuine and sincere man. And he also needs therapy.

So Endo shows us how much he really needs therapy, just look at all these similarities, like this:

Ch.77

Ch.62.3

Or this: Ch.77

Ch.22

Ch.67.1

But the real fear is always this: am I worthy for the family? Does she feel that I am worthy enough?

Ch. 77

For Loid “for the mission” Forger, this basically translates to, my wife and daughter are upset my mission is failing because I’m not good enough I’m a bad spy. He has hit himself with this “bad spy! bad spy!” mentality so many times, it’s basically a running gag now.

Ch.10

Ch.17.5

Ch.29

Okay I give up finding every single panel of him panicking because it’s too much. But I think you get it.

Mr. Austin is so obviously a foil for Loid. As the therapy unfolds, we were trying to figure Loid out just as Loid tried hard to figure Mr. Austin out.

Loid even asked the same question we want to ask him:

Isn’t that exactly why people are mad at him now? Is he lying to himself when he says for the mission, or is he just lying to us the whole damn time? 

I think the problem is that we are all expecting Loid to be his actual persona. And it could be. But Ch.62 is also reminding all of us that “Loid” is something invented by Twilight. Even Twilight is something invented. By [redacted]. We love Loid. We kinda like Twilight, mostly because he’s hot af. But do we like [redacted], the man with all the flaws and merits Loid and Twilight have?

You see, like father, like daughter. Anya and [redacted] really don’t know what normality is. In Ch. 76:

And in Ch. 77:

They really don’t know what it is like to be a normal family, although they are already in one, and they sure feel very loved.

Remember back in Ch.10/Ep.7, when he said this: “I wonder what it’d feel like to have a real family.” This really is Endo asking [redacted] the same question, “What if this is not for the mission? What if you are in a real family?”

And [redacted] still doesn’t know the answer, although the answer is really there right from the start. He is this stupid, stupid man, who’s also absolutely traumatised and utterly confused. But you know what? If this is a story about recovery and rediscovery, then:

[the-marron]

Fic authors self rec! When you get this, reply with your favorite five fics that you've written, then pass on to at least five other writers (except me because obvs I have done it). Spread the self-love ❤

Hi!!! Thank you for thinking of me 🥰

Ah, well, that's a hard one, because choosing favourite kids is never an easy task and my faves change often, but I will do my best! I really like writing in general, so all the works are made with love, even if I don't revisit them anymore.

It's Not a Safe World For Kids - Batman/Catwoman, 12k

It's mostly Selina interacting with different Robins and figuring out her place in the family and in Bruce's life. I like it not only because of my love for the ship and the Robins that appear there, but also because it gave me an opportunity to play with the abundance of contradicting canons and timelines, wrangling it all into a more or less cohesive story of the Bat family.

I can see that you are lonesome just like me - Weilan Derivatives, Hong Yizhou/Ma Fei, 21k

This one is special not only because I really like the characters and I think they work together well given their respective canons, but I also liked working on it - it's a second attempt at this story, that I made after my friend pointed out that there is one bit that absolutely doesn't work in the first one. The resulting 'Director's Cut' of the fic is not only a story I like due to its slice of life feel of two tired, heroic people trying to find their way to one another, but also a memento of our talks and collaboration on making the second version.

Deceive me kindly (while I'm still here) - Weilan, steampunk au, 13k

My love for steampunk, self-made tragedies and Weilan all rolled into one. I know that bad endings/open endings are not everyone's thing so I can't recommend it with clear conscience, but I had lots of fun 'translating' Guardian's setting into a steampunk one, especially since I could delve into the darker undertones here.

we devour, like a falcon in the dive | - Weilan derivatives, Luolin, 13k

Okay, so choosing a favourite Luolin proved to be very hard ;-; In each one I centred on a different thing that I like about the ship (or maybe the possibility of the ship since, you know, derivs) so picking just one is... *hard*, but this one is my first attempt to give them a clean cut, kinda-historically accurate happy ending, plus again, I have a friend co-conspirator who inspired large parts of it. Also: it's very dramatic, I do like me some drama

End Racism in the OTW | The Story's Unwinding - Weilan, The Mummy! au, 61k

I usually divide between my own works and collaborations, but I just can't pick from my own, it would be a whole list, and this one is the fic of my dreams that I wrote with my friend and that love re-reading whenever I feel down - it's that feeling when you notice bits and pieces and you are not sure who wrote what, but it gives you lots of joy. Plus it marries Guardian and the Mummy, which are my two favourite works of 'Unhinged About the Love of My Life, Thanks'. And the process of writing this fic was one of the funniest rides ever.

Bonus: The Way of the Househusband, Weilan, 4k

Okay, so this is funny because I wasn't convinced that this fic was that good when I first published it, but it was inspired by my friend's art and I wanted to share it, but I kind of... didn't expect it to be noticed by anyone? But not only my friend liked the illustration for her art, but also this fic lured in another person who I can now call a friend, so this has lots of sentimental value 😁

Again, thank you for the ask, I will happily poke others ❤

[nyacoart]

Chinese fic summary (Card Collection- Part 01)

Well the post I made is a lil more popular than expected, guess I will start giving a rough summary here.

The fic title is called 'Card Collection'.

Starting from Chapter 1 let's goooo

It starts with a strange voice waking up the group and welcoming them as guests. Emilia woke up to see she is there with the rest of her camp members.

Just gonna casually list the character list. It might not be accurate because the author didn't list who is present. Some characters also casually got erased somewhere in the fic somehow LOL. Priscilla camp is unfortunately not present (NOOO PRISCILLA CAMP ERASURE)

Emilia camp: Emilia, Puck, Beatrice, Rem, Ram, Frederica, Garfiel, Otto, Roswaal

Assassin sisters: Elsa (revived temporarily for screening), Meili (main route)

Felt camp: Reinhard, Felt

Anastasia camp: Anastasia, Julius

Crusch camp: Crusch, Ferris, Wilhelm (he kinda got forgotten by the author so he vanished somewhere in the fic)

Vollachia (who knew they are here): Cecilus, Halibel (both from main route but pre Vollachia arcs)

The strange voice continues talking, saying that they invited everyone because they feel sad for Subaru. They only one-sidedly knows Subaru compared to everyone in the room who personally knows Subaru. They invited the cast into a room with a large round table with a card slot in front of each person. The strange voice threatens them to not try anything funny as they are able to transport to their abode without even them noticing.

The voice continues explaining that the slot in front of them is for them to put in a card. So Emilia asked what cards are they looking for. The voice decided to give them a card as example. The card is titled [Envy - 1]. Inserting the card, a screen pops up in front of them.

The first screening starts with Subaru in japan then ending up in Lugunica. Reinhard decided to question the voice what the card is trying to show and the voice answered it is the past that is long forgotten. Roswaal doesn't seem to be surprised the Emilia doesn't remember what is happening on the screen with her meeting Subaru and introducing herself as Satella.

Everyone turns to Emilia which she decided to explain that the her on the screen must have chose that name in order to push Subaru away from her. But it seems to have backfired. Puck wonders if that just means Subaru came from a place that does not have 'Witch of Envy' which Emilia questions if there is really such a place. Garfiel got impatient and said maybe they should just keep watching.

Screening reached to the point Subaru got gutted by Elsa, followed by Emilia who eventually fell next to him. Everyone is surprised, can't believe Subaru had just died in front of them, before they could grief, the screening continues to Subaru standing in front Appa guy (Mr Save Point).

Roswaal laughed, finally understanding Subaru's authority. Beatrice questioned him, but before Roswaal could answer, the voice answered it is 'Return by Death'. Elsa finally understood that is the reason why he was able to defeat her at the mansion. Ferris adding in, asking if this the same ability that allowed Subaru to be able to defeat white whale and sloth. Crusch added that maybe Subaru had really used his phone (meteor) to figure it out thinking it too soon to jump onto conclusion.

The voice told the group that this is the amount of data in the first card, the rest of the card they will have to look for it on their own. There are 5 rooms, representing [Envy], [Gluttony], [Pride], [Wrath] and [Greed].

Crusch question why are the cards named using witch cult sins to which the voice answered 'It is because it is the path he chose'.

Ngl as I am typing I am like "Maybe it easier to translate bruuh' but I am too lazy to translate all the dialogues in character so summary it is!! It coming out way more detailed than I want it to be. I will prob try like hell to somehow streamline all the chapters.

[misarem]

yapping about Kill the Past under the cut cuz im now free from the 25th ward finally

THE SILVER CASE

-it feels cliche to say the first game was my favorite but uhhh haha. knowing suda, The Silver Case probably didn't fully accomplish what it set out to do but to me, it's so self-contained and demonstrates such ownership of a style that mostly came out of necessity that i can't not admire it, and i'm also so fond of my playthrough of it which was so fresh and curious, compared to the other two games which were fun but I was thinking too much abt how it connects to TSC

--also just the way i played this game is so special, i was very committed to the darker aesthetic to the point where I only played past like 10pm for a while, which is funny cuz the opening of the game is straight up paranormal but by the 2nd chapter transmitter loses that edge until debatably lifecut. tokio is also haunted and paranormally but by that point i just started playing normally. it sorta reminds me of paranormasight which starts out so spooky and the curses are very present but a few hours in it sorta reverts to being a pretty normal feeling but still very good detective mystery. at one point a character does an escape room ala zero escape and its funny. but TSC doesn't stray from its initial vibe as much as paranormasight at all.

-i also played the parallel stories of TSC separate from each other rather than alternating, which made placebo such a slog but i almost feel like I appreciated both stories more that way, even though i would have loved to experience how placebo compliments transmitter

--despite not clicking with placebo at first, tokio is like one of my favorite characters this year hes such a fucking Guy. and you experience him so intimately in placebo in a way i can't even describe but is effective by the end.

---theres a bizarre and esoteric mental link in my brain between tokio, ange from umineko and fucking flynn moore from the furry visual novel Echo because of them being like surprise deurotagonists (sp?) that get fucked up from having to search for the truth about the past and how theyre all chained by it. do you think they would put happy colors in my padded cell or would it just be all white.

-I also feel like I came out of TSC a lot clearer than I did FSR or 25W, I'm sure I missed several details at first but the shelter kids stuff and kamui as more of a role and a criminal influence than as a person wasn't that hard to wrap my head around even though I thought the silver eye stuff was so whatever. i kind of wonder if part of the reason i clicked with it faster was because I'm such an mgs2head, and the whole kamui thing is sorta like what the solid snake simulation appears to be at first

-also the mackerel phones video about Kusabi is so good and feels like a must watch for how well researched it is and how accurately it nails the feeling and message of transmitter.

-TSC also uses film window a lot better than 25W and it might be worth researching how the latter being a phone game affects things but i just got off that game

-also would kinda love a translated version of the PSX version someday just to feel how different it is. idk if certain ppl hate the official translation so much maybe they should do it themselves ooooh

-i havent read 4.5 and i meant to do so before 25W to have that context about sumio and sakura and i kindaaa didnt so lol i have to do that eventually.

FLOWER, SUN AND RAIN

-"flower, sun and rain" is like a speech tick to me in the way of like, rupaul on the weakest link immediately defaulting to chaka khan when he doesnt know the answer to a question

-i wish i felt flower, sun and rain the way I felt TSC. i had a decent time with it and even had a good sense of humor about the more obviously tedious parts and the OST, and I get how mundane it's supposed to be, what it's saying about living in peace and the lie of paradise, but it didn't click with me as much. maybe a pitfall was being so attached to TSC when i played, i was probably looking for something i shouldn't have instead of just enjoying the game for what it was altho i didn't hate it or anything.

--ideally this also gets a translation on its original console cuz I like some parts of the PS2 soundtrack and id love to experience all the art assets and music in PS2 quality.

---sorta tangent. i love the opening tracks for all of these games but Anata no Tameni might be my favorite, beyond just being amazing its so dramatic and unlike the rest of the series and it really stands out. the ds opening in comparison might actually be my least favorite because of that lol

-i think that the mondo/kodai revelation is so funny just because it's an idea you'd either keep in the back of your mind or just wave off because of how dumb it seemed but regardless it's constantly staring you in the face. assuming you even played TSC before this

--sumio was never super proper or anything, i don't think, but his personality here compared to TSC is so funny, he can spend 20 years with bottled up rage and fake his way into an incompetent police force without slipping thaaat much but here he has enough small inconveniences to hit a kid over it. kind of an interesting play on like the salient thing about personality and the self being buried and it feels like an early version of like a shiroyabu situation. not the last time i will compare sumio and shiro.

--i also think its funny that the model of sumio mondo looks pretty similar to kodai compared to the key art of mondo and we should explore that one day

-i wanted more out of toriko kusabi, she was a fun diversion and i didn't expect her to be a tokioesque second protag or anything but idk. she was fun when she went against sundance and at the end and her being like a subliminal kinda suggestion to sumio's buried memories of her father i think is cool. in a less meta sense it's also cute that shes working for her dad i wonder if tetsu has to like try not to step on christine everytime he comes home from the bathhouse at like 2am. actually i dont remember what their family situation even is

-speaking of kusabi i think him like being the guardian/ferryman for sumio's journey is so so beautiful and true and i like that he gets to pull him back from the depths the way sumio sorta inadvertently did in parade/kamuidrome.

--its also really funny to me kusabi just disguises as a chubby white guy. it was probably a fatsuit but i feel like kusabi could be like 50lb away from being a bear anyways. its like the grocery store deli scene in bobs burgers.

---i also appreciated parade from transmitter way more playing this and thinking about sumio. when i played parade the first time i loved connecting the dots on everything but then it kinda got buried by kamuidrome and lifecut. and now im such a shooter for sumio kodai. look at me talking about the previous game wooo.

-i think the character designs in this are funny for how little of them you can actually see. everyone loves yayoi and yayoi is such a serve but my other fav is ken. all the punk details are completely lost in the actual game. the models also super undersell stephen carbione's look, cuz in-game he sorta looks like tokio but then you see his key art and its like yea he would look like that.

-tokio was in this game

-i think edo macallister should be a bellhop in every video game with a hotel ever. im going to the other side of the country soon and if the guy behind the desk at the hotel isn't edo i will be severely disappointed.

-i love that its hyenas. i think there should be like tokio morishima as an anthro hyena and he still has his domesticated turtle or at least like hyena sundance or yotaro or something. i think ppl would be quick to anthropomorphize tokio as a literal turtle guy.

-the eleven children stuff is whatever, i do like that theres a bunch of sumios running around but idc for all the other implications and like step and remy and koshimizu and whoever else. is sumio mondo still deaf and mostly relying on lip reading? cuz i dont think that gets brought up again. i mean he wakes up to a phone ringing every morning but i guess those are the clones. if the hearing is referenced early in fsr and i just missed it then that would be very cool. maybe thats why the voices for the characters are abstract and illegible. maybe flower sun and rain is the best game ever.

THE 25TH WARD

-what if we were all protagonists.

-i dont think this game uses film window as well as TSC but i do like the art and how much of it there is in correctness and matchmaker, also the different styles.

-i love yotaro osato sadly hes so funny and fluffy. hes osato in my notes and in normal convo but i want to call him yotaro affectionately. i do love tsuki too hes such a sufferer.

--i think theyre a teeeeny bit like like p4 adachi and dojima if they were both murderous.

-i feel bad for the lady that gets murked immediately in correctness i had a funny voice for her in my head

-shiro and kuro god bless them are funny and parallel sumio and tetsu to me. both sumio and shiro grapple with their criminal power, although sumio goes against the hc unit while shiro attempts to but finds himself back with them at the end, and while kusabi over time softens quite a bit and learns from sumio in a more overt way than kuro being literally the "japanese dirty harry" and not having as much of an arc, they both are compelled enough by their partner to rein them back in. just the surface level so i dont have to write a whole essay in a stream of consciousness type of post

--what even happens to them bc as far as i can tell, shiro just continues to be a tool of the state and kuro maybe? shoots her superior and then the 25th ward blows up.. with them on it? like okay at least tsuki got outta there.

--on the shiroverse timeline. theres conflicting sources on if his immortality is a kamui thing or a sumio mondo thing or something else and thats funny. the sources all being fan wikis and tvtropes because fuck this game that zero people played and negative people have documented.

-i need to like hold myself back from analysing meru as trans because its so clearly done for shock value but it somehow aged really hilariously now with how prevalent trans egirls are. liek theres a strange almost unearned truth to how meru exists online versus irl.

--kind of all of the gay/trans mentions in these games are like this although kusabi you can at least take in sorta good faith?

-i need to think abt what i thought abt tokio here. its increasingly funny how online he is for being a normal dude in the late 90's early 2000s.

--his portrait in yumi is kind of a hear me out but all the cgs of older tokio look crazy. tokio in general looks a mess in this game and its funny. look at him try to be masc

-i mentioned mgs2 above and the 05 chapters of these games are so reminiscent of the s3 plan and the patriots with the frontier etc using the city to collect data and the protags having to figure out where they fit into it. during TSC, i was paying a lot of attention to the story as it related to the advent of technology. it felt really relevant to kamuidrome and all of placebo but mostly ended up as background/context to the story. it was used a lot more here and i really liked it. chat logs are a great framing device in all the routes since they add so much flavor and emphasize the loneliness of life in the 25th ward (semi-related: in both TSC and 25W, the environments are devoid of people in film window, and i think this works way better for 25W than it did for TSC). placebo is yet again a good example of this with tokio only really interfacing with the world through his computer most of the time

--in terms of twists, i might actually like "the city is just a means of data collection ready to be wiped at any moment/it resembles a computer more than an actual city and life there is so impermanent that its hard to tell how real it all is" better than the end point of tsc which was "they were trying to mass process children to find a means of immortality" which i was so whatever on even though the game is trying to be crazy and also say something about like life and aging in society, but in tsc i like "they were mass grooming perfect civilians and inadvertently making them susceptible to crime" as a conclusion a bit more. but i mean 25W also poses so many more questions than it does give answers so.

---despite everything i think it was an interesting idea for suda and masahiro yuki and masahi ooka to create the 25th ward almost as a sandbox to explore more of the ideas of the first game like how the internet affects human connection, communication, sharing of information, and how people are affected by criminal power/kamui. it was a cool idea in the original but i love actually getting to see shiroyabu steadily become more unhinged (death filing), kurumizawas pervasiveness, tsuki and osato coming to grips with their own (esp osato's immense) criminal power, etc. in spite of all of the loose ends and craziness, sometimes you really need a space to work out your ideas and express yourself and i commend grasshopper for doing that so i could have played this on a nokia in 2005. in japan

overall these were video games. very excited to forget everything about them when i fixate on something else. tsc might actually be one of my fav things i played this year. would love more analysis of the 25th ward, theres some essays/interpretations floating around and ghenryperez will get to his video on it eventually. maybe i need to be the change i wish to see but also boo putting effort into writing and analysis sux.

i started sudas works with nmh, then 2 before stopping until i played killer7 a year ago and really liked its style and sense of humor. i think this happens to a lot of people, and then a year after that i started tsc. i wasnt originally that interested in nmh tsa but now that i know theres hello 25th ward characters in it i might have to try. and then nmh3 after that. and then i also wanna play twilight syndrome/moonlight syndrome when that gets a translation because of lunatics. and i also got killer is dead when it was on sale for like 2 bucks. we can enter the greater sudaverse.. together

[coochellati]

Team Bruno fr, I think I was sold pretty quickly and he only got better and better for me haha-

It’s pretty funny because if I’m watching anything with someone and they see me taking notes they’re usually a bit confused but curious about what I might be writing down haha. Usually it’s never anything that important to the story (unless it’s some major detail I don’t wanna forget) and it’s just me just taking notes about traits about the characters I like.

Here, I’m happy to share a couple of my silly notes! I think this shows a pretty accurate variety of the stuff I was noting:

How it started😭😭: “Ok wow Bruno’s little partners are completely insane.

This guy in blue is super superstitious

Fugo acts all calm but he has QUITE a temper

Little guy is just learning. And also incredibly angry.

Abbacchio.”

“Bruno has a good heart🥺🥺”

I wrote out the bit of backstory they revealed about his childhood, which is one thing, but as I was scrolling through my notes looking for interesting examples I noticed I even wrote down a note about how Bruno weighed a little bit more than Prosciutto, I guess I just found that interesting lol.

And I found a special fondness for his place in the other team member’s backstories, but specifically Narancia’s. Bruno’s a specific character type I’ve always admired. I know I won’t be the best at explaining it but I loved that part about how he yelled at Narancia about joining the mafia, but he wasn’t really angry and was just trying to protect him from a life he might regret. One of my favorite scenes for sure. I love that kinda thing.

AND the way his face softened when Narancia swam after them, he was so. Happy. Please. Let Bruno be happy more often-

And I lost it at the “Arrivederci,” scene during the Grateful Dead arc, it was actually so cool and I feel like just watching that scene raised my own coolness by 5%.

Ok trying not to ramble too much but I especially appreciated his reaction to Abbacchio’s death. Watching the leader character having to be strong for the team, but inwardly it’s hurting them so badly-

And to end it on a lighter note, even before I had started jjba I always had a fondness for Bruno’s design since I considered it super iconic and cool. It was neat to finally get to actually see him since he was one of the few Jojo characters I actually knew by name before watching.

And of course the occasional: wow Bruno is so hot when he *insert various hot Bruno moments here*

Fell so hard for him, wow. I do enjoy a few Jojo characters, my other really big one being Rohan, but like. If I had to pick one to actually be with how could I Not pick Bruno-

Anyways thanks for listening to this little ramble about things I ended up writing down about Bruno❤️ and I’m so glad you liked the sketch! He’s fun to draw~

Ack !!! I’m sorry this took me so long to answer 😭

I love how you’re annotating Golden Wind. I wish that I took more notes on Bruno while watching.,,.,,.. Next rewatch i think i will do that,.,.,..

“Little guy is just learning. And also incredibly angry” 😭💀 IM DEAD

Okay, I’m glad you wrote down that Bruno weighs more than Prosciutto, because I totally forgot about that. Cool fact to know.

On the topic of Bruno’s role in Narancia’s backstory—I’m going to recommend you read Purple Haze Feedback. (Here’s a link to the translated story!) It’s a novel that takes place after the events of Golden Wind. The story follows Fugo as he attempts to redeem himself in Giorno’s eyes. The best part is that PHF expands on everyone’s backstory—especially for Narancia, Bruno, and of most of all, Fugo.

PHF is not written by Araki, but there’s original illustrations from him within the novel. So is it canon? Eh—it’s semi-canon. Because this was written well before the anime came out, there are some minor contradictions to the anime’s version of the story. PHF lines up fine with the manga. …So I guess you can choose if it’s canon or not. (I like to pretend it is.)

PHF isn’t very long. I read it straight through in about 4 hours. (I could NOT put it down.)

Anyway!

You know what’s funny? I also adored Bruno’s design before actually watching part 5. And then I watched it and the same shit happened to me. We’re absolutely twinning in this scenario. 😩

…And full confession, I’m also a Rohan stan. I need that narcissistic asshole to put me in my place.

I’m always happy to listen to anyone’s jojo info dumps! You are always welcome to ramble here :)

thanks for the ask! <3

[sevenmerrymagpies]

20 questions for fic writers

Thank you @mustlovesteve for the tag!

How many works do you have on AO3? 106

What's your total AO3 word count? 603,511

What fandoms do you write for? I’m a one-fandom-at-a-time writer. Currently, I write for Stranger Things. Previously, some in the Captain America and Thor MCU fandoms, Merlin, due South, BtVS, and Angel. I have a smattering of other fandoms in there as well.

What are your top 5 fics by kudos? Steve’s No Good, Terrible, Kinda Perfect Senior Year (ST) He Sets the Tone (ST) A Paladin’s Work is Never Done (ST) She Sets The Agenda (ST) As I Hesitated, Time Rushed Onwards Without Me (Merlin)

Do you respond to comments? I try to. I figure I’ve let a few drop over the years by accident and I’ve never had a story get crazy popular with too many comments to respond to either.

What is the fic you wrote with the angstiest ending? Generally I write happy endings but Chosen, Rare Minds is a short, one shot downer. (It’s a canon compliant missing scene fic for the Captain America fandom is angsty in that it’s about Peggy and Howard deciding to move forward with bring Armin Zola into SHIELD using operation paperclip)

What's the fic you wrote with the happiest ending? I feel like so many of my stories have happy endings, but many of them are series that aren’t done, so the real ending (which will be happy) isn’t published yet. Of the published ones, I think maybe Translucent Hearts. Steve basically dies in the beginning of the story but by the end Steve, Eddie, Robin, and everyone Steve cares about is in a better place and happy with their lives. Lust, Love, and Other Side Effects also has a really happy ending for Steddie specifically.

Do you get hate on fics? I have a dirty, sweet short Darcy/Steve fic that has a shit ton of hits, but no love/kudos and two shitty comments (basically saying that it wasn’t what they expected, but I don’t know what to say, it was tagged and described accurately). Still, it’s tentacle dildo pegging and people don’t seem to want to own up to liking it. Only weird/mean comments I’ve gotten.

Do you write smut? Yes, but the least amount for Stranger Things. For some fandoms all I ever wrote for them was for kink bingo on LJ. I had to learn how to plot before I could do anything but write porn.

Do you write crossovers? Yup! Love a good crossover or fusion. I still love that I am the only Stranger Things/Highlander crossover fic in the fandom.

Have you ever had a fic stolen? I don’t think so.

Have you ever had a fic translated? Again, I don’t think so. No one has told me if they did.

Have you ever co-written a fic before? Nope

What's your all time favorite ship? I am a true mulitshipper and trying to figure out a favorite ship in a single fandom is nearly impossible. I don’t think I could ever do it for all my fandoms ever.

What's a WIP you want to finish but doubt you ever will? To: Birdbrian c/o the Wakandan Royal Residence - I’ve marked it complete, but it was supposed to be a series of short postcards between Natasha and Clint after Civil War. It was an experiment with writing a WIP that obviously didn’t work.

What are your writing strengths? For someone who writes fluffy stuff: angst, miscommunication (done right, meaning from actual character flaws not contrivance), and horror. Also, dialogue, character arcs, tight plotting, world building (fannish expansion style), and characterization.

What are your writing weaknesses? For all that I write sex, I still feel like it’s more mechanical than I want it to be. Action scenes, rising action and real stakes (I don’t want my babies hurt), emotions, subtle interactions between people - I always have to spell things out.

Thoughts on writing dialogue in another language in fic? Super short phrases maybe. But for most MCU stuff I either avoided it or used italics to get across the fact that the dialog was not in English.

First fandom you wrote for? Buffy!

Favorite fics you've written? Steve’s No Good, Terrible, Kinda Perfect Senior Year series, Translucent Hearts, and my Eddie-centric story about Eddie being from the Lab: Future Hazy Try Again (and the rest of the series but I’m really proud of the first story). My older stuff is not my proudest stuff at this point. Some of it is over 20 years old and it shows.

(OMG I'm gonna try and get over my tagging fear, hold my hand and be nice to me)

Tagged: @devondespresso, @formosusiniquis, @ladykailitha, @libraryofgage, @dodger-chan, @1lostsoul0fishbowl

[time-to-write-and-suffer]

So. Hmm. Idk how to put this.

I never thought of Critical Role as particularly high-brow entertainment, ya know? But something about The Legend of Vox Machina feels like the story has gone from high-quality fast food (original campaign) to pure junk food (animated series). And that's not necesserily a bad thing? I guess? If you're into that? But the way the story has been flattened while upping the spectacle and the presentation feels very ... schlocky. Ya know?

Like. There's something very incongruous with how much gore and sex and inexplicable fart, vomit, and poop jokes there are, with how "mature" the show is attempting to be, while also having just the flattest most boring version of each character and their arcs, while also also offering some of the most trite baby's first found family/friendship is magic/believe in yourself themes possible. These adults who shit and fuck and curse and kill and maim and torture are also, still, somehow, on an shonen anime protag journey, each and every one of them, learning to believe in themselves and to rely on their friends over and over again.

Those aspects were present in the streams, yes, but they were often implied or strengthened by action and characterization, and often came about mechanically through it being a DnD campaign where becoming friends and comrades-in-arms is the whole main draw of the genre. But instead of focusing on how much depth the cast managed to create with improv storytelling, the thing that's mostly kept in the show is the childish humor and the ... gore? But what made the dirty humor in the show work was the improvisational, clever nature of them, it was appropriate for the moment (or inappropriate, but you know what I mean) and it was usually strengthened by the reactions of the other cast members. The gore was fun not because it was gratuitous or "adult", but because it showcased Matt's ability and creativity and heightened the characters' impact on the world, making both them and the viewer feel like players' actions had true consequences and making them feel badass.

The fact that they kept the gore and the shit jokes (and tbh exaggerated them) but flattened and Flanderized the characters is very baffling to me. I can't figure out who this show is for? Cuz as an adult I do not find it very compelling storywise, even if it's a visual spectacle.

And before anyone says "they're writing their own characters so this is good and accurate actually!!" I mean ... it's entirely possible that they're better actors than they are writers. Ya know? And once the excuse that it's improv is removed, I feel like it's totally fine to put the characterization under greater scrutiny than they were when they were just being improv'd by the cast. Ya know?

People say "of course something is lost in translation, it's a different medium!" like it's a given, and, like, it is. But people use it to excuse the shortcomings of the translation, when in reality, some translations are better than others. And sometimes you lose nuances that made the original great to begin with. Some things are hard to translate, and losing them can and does make the translation lacking when compared to the original. That's why some people learn entirely new languages to read their favorite media in the original language.

Once you take the improv and the dice rolls and the long-running nature of the streams, and try to shorten and structure them and lay them out in a logical progression the same way traditional media tells stories, you realize that none of these characters are very unique, their stories aren't unique, and the way the whole thing is constructed is very bland. But the visuals are nice so it tricks you into thinking it's better than it is.

Which is kinda. Sad? But also fascinating.

So yeah. Kind of a big dookie disappointment. At least I still have the original show.