#I also really love that style you used on the geek with that retro looking shading aesthetic

[squidtechgaming]

!!! I saw a Xenia avatar reblog my Geek drawing and I need you to know that while I was planning the geek's design with the author, Xenia was a huge basis! Love to see her out in the wild

Ayyy! That totally makes sense, I can see her inspiration in the design, that's rad! I did think when I saw it that she reminded me a lot of her, but I didn't guess the inspiration was so direct. I've only had a few people recognize my pfp(or at least say anything abt it) so that's super cool to see another Xenia enjoyer in the wild too! I made a 3d model of her at one point, but I never refined it to a point of being super usable.

Also I scrolled your page a bit, I love your art :D

[aion-rsa]

Masters of the Universe: Revelation Shows Kevin Smith’s Classic Inspiration

https://ift.tt/3bqzyLr

Masters of the Universe will once again have the power, this time on the platform of Netflix, which has unveiled a new animated series shaped under the creative auspices of geek royalty in showrunner/executive producer Kevin Smith. Consequently, the latest iteration of the Mattel Toy property, which dominated pop culture during the 1980s, is carrying classic-inspired sensibilities, as the new show’s first images clearly prove. It’s a retro direction—in stark contrast to other revivals of the property—that Smith confirms was no accident.

Two years after it was announced, Netflix animated revival Masters of the Universe: Revelation has officially revealed a first array of preview images (seen just below), with a release date set for July. Said images (mostly) check off a “who’s who” lineup culled from the franchise’s famously deep well of characters. However, the aesthetics appear to be an artful amalgamation of the 1982-launched property’s early era—notably Filmation’s 1983-1985 He-Man and the Masters of the Universe series, which remains its most famous version—and Mike Young Productions’ 2002-2004 contemporary reinvention of the same name, the latter of which stylistically leaned into the technology aspect of the property’s traditional medieval-meets-sci-fi motif.

“Narratively, our show is set up as the next episode in the legacy ‘80s animated series,” explains Smith in a statement. “This is a continuation of that story. We’re playing with the original mythology and characters, and revisiting and digging deeper into some of the unresolved storylines. Visually, we also made the conscious decision to lean into the Masters of the Universe line of toys for inspiration as well.”

Netflix

Netflix

Netflix

Netflix

Netflix

Netflix

Netflix

Smith certainly chose the right property from which to draw inspiration from toys, and, naturally, Mattel already has an impressive-looking 7” scale Masters of the Universe: Revelation action figure line ready to hit toy shelves (complementing its current retro-styled “Origins” line,) upon the show’s release. The classic-minded, toy-friendly visuals create a formula that could make the series into a worthy revival; a notion compounded by the star-studded voice cast the series has put together. Indeed, the presence of characters such as “the most powerful man in the universe” himself, He-Man (voiced by Chris Wood), and his blue-skinned, bone-faced, fists-shaking rival, Skeletor (Mark Hamill) are a given, but the show’s list of iconic-in-their-own-right supporting players makes it worthy of attention even from those uninitiated with the franchise or who still choose to see it through the satirically flamboyant lens of the Prince Adam “What’s Going On?” meme.  

Mattel

Revelation’s list of toy-destined characters consist of Evil-Lyn (Lena Headey), Teela (Sarah Michelle Gellar), Man-At-Arms (Liam Cunningham), Roboto (Justin Long), Trap Jaw and King Randor (both voiced by Diedrich Bader), Queen Marlena (Alicia Silverstone), Moss Man (Allen Oppenheimer, the original voice of Skeletor), Sorceress (Susan Eisenberg), Orko (Griffin Newman), Cringer (Stephen Root), Mer-Man (Kevin Conroy), Tri-Klops (Henry Rollins), Beast Man (Kevin Michael Richardson), Scare Glow (Tony Todd) and Stinkor (Jason Mewes, you know, since it’s a Kevin Smith joint). Additionally, the series will introduce some newcomers like Priestess (Cree Summer) and Andra (Tiffany Smith), the latter of whom seems to be inspired by an obscure character from the 1980s-era Masters of the Universe comic book series published by Marvel under its kid-friendly Star Comics label (which simultaneously published a title for its currently movie-bound rival franchise, ThunderCats).

“I watched all of the TV series growing up, it was everywhere in the ‘80s,” continues Smith. “These characters started off as toys and ended up becoming part of the global pop culture fabric. So much of this show has been possible because of the love and affection for this world at every level of production and the fandom surrounding this franchise. A big reason we got such top tier voice talent is because people genuinely want to be a part of this world. So many of us were touched by these stories and these characters early in our lives and were so happy to come back to Eternia.”

Read more

TV

Masters of the Universe: Revelation Cast Revealed

By Mike Cecchini

Movies

The Masters of The Universe Movie and Its Wonderful Worldbuilding

By Mike Cecchini

Indeed, Masters of the Universe may have initially been conceived as a hybrid boy’s toys franchise that drew upon ideas from Star Wars, Conan the Barbarian and Jack Kirby’s Fourth World comic titles, but its amenability to world-building remains its bread and butter. Even in the initial, eventually-apocryphal versions of the mythology showcased in the earliest mini-comics included with the figures, the setting of Eternia was simultaneously savage, mystical and technologically wondrous; an idea that would be maintained across every iteration (even the cult classic 1987 live-action film flop,) throughout the ensuing decades. “Even if you’ve never watched a single episode of the show or don’t know this universe at all, you can jump right into the story,” lauds Smith. “It’s a really classic, universal action-adventure epic about growth, discovery, magic, and power. This series explores destiny in a fresh way. There’s a lot of reconciling with secrets, betrayal, trust, acceptance, love, and ultimately, loss.”

Of course, Masters of the Universe: Revelation won’t be the only recent representation of the Mattel IP in the pop culture panorama, seeing as Netflix ran five seasons of an animated revival for He-Man’s estranged spun-off sister, She-Ra and the Princess of Power, from 2018-2020. However, the continuity of that hyper-stylized series, which garnered a new generation of fans, is unlikely to be carried over here (although Revelation might eventually introduce a new She-Ra). Additionally, in 2019, Sony Pictures was deep into long-gestating plans for a new live-action Masters of the Universe movie from directors Aaron Nee and Adam Nee, based on a screenplay started by David S. Goyer, with Noah Centineo cast as He-Man. However, like many projects during the eventual pandemic, its lofty plans are currently derailed, and Centineo reportedly exited the picture this past April. Thusly, at least for now, Revelation will be the primary flier of the franchise flag.

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

Masters of the Universe: Revelation is scheduled to premiere the five-episode first part of its inaugural season on Friday, July 23.

The post Masters of the Universe: Revelation Shows Kevin Smith’s Classic Inspiration appeared first on Den of Geek.

from Den of Geek https://ift.tt/2R9ewu8

[gamingso965]

Where can i get a gaming pc without the accessories

50 Ideal Gaming Web sites To Take a look at In 2017

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[tfw-no-tennis]

mtmte liveblog - 2012 annual

iirc the annual takes place between 7 and 8, or something. whatever, im gonna go for it

shifts in art style always throw me off phewwww

i cant remember what theyre doing but i find it really funny that first aid is there squaring the fuck up to punch shit

ah yes of course how could i forget the time they shrunk down to fight tiny robots in ultra magnus’s head. a comic classic 

poor magnus lmao

HBJSDKFBSHJFDHJSD HIS TERRIFYING SMILE HAUNTS MY NIGHTMARES. LOVE IT

love the continuation of magnus’s law-vision

the fact that everyone is dunking on magnus for smiling ONCE hvbhjdksbfjks

rewind and chromedome ough

i feel like cyclonus spends 90% of his early mtmte screentime staring broodingly out of windows lmao 

tg so precious

lmaooo i love the flashes of rodimus saying ‘til all are one’ All The Time

rodimus just wants to be like his dad ok

rodimus telling drift to go meditate or something vbhjfdbhdsjkf

i love rodimus calling magnus out on referring to himself in the third person lmaoooo but also I'm like Oh I See That [eyes emoji]

wish i had emojis on the computer sigh

lmao so the circle of light is a bunch of pacifists With Big Ass Swords

them betting on how long it'll take rodimus to say ‘til all are one’ vbkjsdhbfjhkhsdf

damn so ambulon rlly did switch sides late in the game 

cyclonus is here!! being an emotionally closed-off fool as usual 

nooo rodimus let tailgate speak

cant believe rodimus graffiti’d tailgate

drift, immediately: rodimus is FUCKING POSSSESSED 

ratchet: ok, no, 

godddd everything abt the galactic counsel here is so funny. ‘its big - its grey - its taxpayer funded’ hvbkjshdbfjkdf and the fact that their ship is called ‘the benign intervention’ lmaooo

also DAMN that is a BIG ASS SHIP 

‘a fleshling in a stupid hat’ i love rodimus and his irrational hatred of hats

magnus comin in CLUTCH with the dry-ass clauses shit 

rewind vhjbdskfbaksdfn ‘the sub-section 7 defense - sneaky’ ily

tailgate hvbhjadkfbjskdf its ok that you don't know what's going on

also tailgate serves a vital role in the story as the audience insert character (or w/e its called), bc he’s often confused which allows for handy exposition that we the audience also need lmao 

i find it so interesting to see how the cybertronians are viewed by the rest of the galaxy - we don't see a lot of aliens but its always fascinating when we do, because of COURSE they’re mostly gonna think of the cybertronians as destructive and war-like when that’s what they’ve been up to for 4 million years 

ooof swerve :( swerve is one of those characters who you’re like ‘haha he’s funny’ most of the time but pretty often he’ll have startling moments of like, deep pain about life or w/e, and you’re like Oh Shit and then you kinda move on, until finally the swearth arc hits and it all comes together. what I'm saying is that this is some nice building towards that 

HGDSBJFKJSJBDF THERE IT IS THERE IT ISSSSSSSSSS

THE PANEL WHERE REWIND IN ALT MODE CAN FLY FOR SOME REASONNNNNN

i fucking love that shot so much. does everyone see this. rewind is a GIANT FUCKIN FLASHDRIVE and he’s hovering ominously thru the air. like, what happened to all the biz from issue 1 or w/e where his husband was roasting him for having a non-mobile altmode? if he can fucking HOVER than Actually rewind is the fucking coolest, no contest 

or like, is the implication that they all teleported there (having switched to alt mode along the way i guess?) and rewind is just like, suspended in midair? bc that's what the speed bubble text implies, but it also totally looks like they're just travelling across the area and rewind can levitate

anyways. that panel has always cracked me up lmaoooo

rodimus calling the council ‘fascists’ hvbhduifbjsdjfajskf sir i love you 

GODDD and there's the joke payoff from a few issues ago - rewind, facing front, hearing drift transform behind him and not only being able to tell its drift without looking, but also being able to tell that drift is upset, JUST like chromedome said he could....fucking PEAK i love that type of payoff humor

ooof and more swerve introspection. i mentioned earlier but i fucking LOVE how this series showcases the extremely wide range of reactions/coping mechanisms that everyone has towards the endless war finally being over - and swerve really nails it here: confusing peace with happiness, and assuming that everything would automatically be better after the war is over, when in reality you still have to work just as hard to build shit rather than break it

also i adore the horror of a guy who is half-embedded in the wall, his face stuck in a rictus of terror & death, waxing philosophical about how peace is about the freedom of choice, and how they should all just feel lucky to have survived...oof, that's very specifically ironic coming from you, dude 

but i do love the little characterization we get here for ore, a character who is literally already dead and has so far been used as a plot device pretty exclusively, but we still get to know little things about him here, and how HE feels about the war and the current peace, etcetc. it really makes the story and characters seem believable, like every character has a story even if we don't take the time to see it 

love cyclonus posing coolly 

kinda love how clear it is that drifts whole hippy schtick is just a front to cover his anger, and a tool to make him seem like an approachable, upstanding autobot

drift dramatically monologuing while pointing his sword at the sky is extra funny with everyone else just staring at him doing this

cyclonus why are you grabbing at the edge of the hole you're falling into, you can LITERALLY FLY, 

magnus finally getting some appreciation for being The most law abiding guy like, ever 

genuinely forgot abt the whole metrotitan plot that happens here 

GOD when rodimus is like BRAIN QUEST TIME and then we smash cut to them at the brain ‘six minutes later’ vhbhkudfjbjksf i live for that shit 

also that would be even funnier animated which further proves that we need an mtmte/ll animated series, please, somebody, 

HBDSJKFSHDJF REWIND IS SO FUCKING FUNNYYYYYY you cant even tell if he GENUINELY didn't think cyclonus could talk or if hes just being a dick but either way? comedy gold 

oh i adore the flashbacks being in a different artstyle, especially one that's so retro 

i love rewind being a history geek, and cyclonus passionately explaining cybertronian creation theory

HHHH i fucking LOVE the myth/lore stuff like....a lot of franchises tend not to dwell in this type of mythology, you tend to get The True Version Of Events, but this kind of explanation rocks bc it totally sounds like the kind of religious mythology that naturally develops based on a species’ progression

and drift and ratchet’s very opposing and polarizing views certainty do make for interesting perspectives, tho i feel like the story sometimes leans too much towards ratchet being ‘more correct’ bc, logic! or something idk i feel like i used to have a couple mild opinions on this but i don't remember

and its funny bc i am, irl, an atheistic medical professional who believes in science above all else - essentially just like ratchet. but i feel like the narrative portrayal skews a little more in his favor than i’d like, despite that 

skids just out here being a bummer, completely unprompted. cant even blame you tho dude 

hhhhhh chromedome talking abt rewind ;_; 

and when he says ‘maybe there’s someone out there who can save your life, too’ and cyclonus is there....hhhh

god i fucking LOVE drift and rodimus’s entire relationship. the layers...the LAYERS!!!

OH HEY ITS THOSE ROBOTS SKIDS FOUGHT 

ah, inconvenient laser time!

ok i fuckgin love how cybertronian’s brains look just like the planet cybertron. that's so fucking great 

of COURSE brainstorm brought his shrink ray 

truly i love the convo between ore and swerve, especially overlaid onto everyone fighting 

oof, the themes and plot threads of this annual are all so nicely tied up (which is something i love abt mtmte, especially early on when the story is smaller), with swerve now choosing to disobey an order from rodimus

oh yeah, the circle of light! that's who you've been looking for this whole time basically! 

and then the ending, hearing that magnus smiled (willingly!) :) i love it

rodimus’s profile says ‘finds it difficult to sit still’ bc rodimus is an adhd icon

lmao i feel like over half of my sentences in this recap - and in most of my recaps - contain ‘i love it’ or ‘i love how-’ or some variation upon that theme. I'm predictable 

anyways - the annual! i love this issue. its really long which is cool and i feel like it does a lot to flesh out the setting and lore, and even the characters as well. also, as i said above, it does an excellent job telling an exciting and well-contained story, with solid story beats throughout and plot threads that emerge and get resolved all within this issue, even while leaving plenty of stuff up for future resolution. that's the Early MTMTE Special, and i adore it. tho i will say I'm glad we’ll be getting back to the regularly scheduled art style, bc this one didn't really do it for me 

[atomicwedgienerd]

A Flat Top For A Square Guy

Incredible art by the extremely talented @buzztoons. Follow him, give him some love, and commission something you nerds!

For those of you who know me, you know over the past few months I’ve gone from WANTING to live like a nerd to ACTUALLY doing it. I wanted to talk about that here.

For as long as I can remember, I wanted to be a nerd. Maybe it was being raised during Urkelmania, or watching Saved by the Bell, or catching Revenge of the Nerds one too many times. But the one constant in my life is that I’ve always wanted to be a complete nerd stereotype. 

As a kid, I would dress up as a nerd, make my own suspenders, even steal my dad’s glasses to dress up and pretend like that’s who I was. But I could never make it happen. I could never get the balls up to actually leave the house dressed like a geek. 

Maybe as a reaction to the thrill I found from wearing ties and pocket protectors and suspenders, I got really into dressing “hip.” Skinny jeans, leather jackets, V-necks. I was already agonizing over my image so I leaned into looking as cool and tough as possible, so nobody would know that I went home to put on nerdy clothes and rub myself through a pair of tighty whiteys. 

But the yearning was so strong it was starting to drive me insane. How could I spend my life denying what I wanted to be, what I actually was? I made such amazing progress in my kink life: I got beaten, spit on, tied up, dominated, and abused. But this one thing that was so central to my desire had to stay partitioned off. 

At some point in the height of the Obama Administration, I discovered that I wasn’t alone. The internet showed me stories of handsome jocks becoming sniveling little nerds living lives of abject humiliation. As their appearance became dominated by thick glasses, overstuffed pocket protectors, and extremely high-waisted plaid pants, their lives became a never-ending nightmare of wedgies, swirlies, and noogies. In other words, my dream life.

And there was one motif that cropped up repeatedly: the bad boy being forced to get an extremely rigid, extremely retro FLAT TOP HAIRCUT. Like Samson before them, as soon as these rebels had their hair shorn into this retro conservative haircut, they changed. They became well behaved, they started wearing white button downs and ties and glasses, they lost everything that made them cool. That was it! That was my answer. THE FLAT TOP.

I didn’t get one. I had luscious curly hair, thick and cascading in beautiful waves. The kind of hair that barbers dream of cutting. Hair that was perfect for a high fade with tons of length on top. It looked gorgeous. It looked... cool. 

The Doms I played with told me to get a flat top. “It will change you,” they said. I refused to listen. I could just come home after work and put on my suspenders and pocket protector, load my hair up with gel, and comb it into a nerdy side part. That was enough. Except, it wasn’t. I would jerk off in my gear and once the thrill had passed, I would wash the gel out of my hair and go back to being “me.” I had a closet full of nerdy gear I wanted to wear, and it just sat there, waiting.

But then I moved to Chicago. I thought starting fresh would give me the balls to really start living full time as a nerd. It didn’t. I started this blog, wrote stories about extreme transformations I wanted to go through, and then went back to my life as an unfulfilled hipster. It was tearing me apart.

Maybe it’s the political climate, the not knowing what the future holds. Maybe it’s the fact that I had finally started chastity and was getting in touch with my true desires. But I started thinking about flat tops again. You can’t just wash a flat top out. If you get a flat top, that’s it. That’s your hair style. Just a geeky jarheaded look you can’t undo. 

I couldn’t stop looking at images of FLAT TOPS on Instagram, imagining “what if.” Imagine my surprise when I realized that all of the flat tops I loved were tagged in Chicago, from the same barber, one that I passed every day on my way to work. This was fate. I made my appointment and waited.

Finally the day came and I was ready to back out. I had dressed in highwater pants and a button down with a pocket protector. I had already shaved my beard a month before to prepare myself for this drastic, clean cut, goody goody change. I was ready to accept my fate but the anxiety was killing me. Soon my shorn nerdy head would be on full display and I didn’t think I was ready. But I went to a bar near the barbershop, drank two whiskeys, and headed on in. I asked for the flat top and the barber grinned. He loved cutting them. 

He didn’t let me see what he was doing and, for my part, I did a good job of maintaining casual conversation. I gulped and stammered as I saw long curls fall onto the cape and drop to the floor. But when he whipped me around to look at the final product, I just about fainted. My head was flatter than a table. It made my ears stick out in a super dorky way. And when I put my black rimmed glasses on, I looked like the person I had always dreamed of being. 

I ran home, sucked my boyfriend’s dick, and went to bed, humping the mattress. 

The next day, I put on my old clothes and went to work. But it didn’t feel right. I had the hair I had always wanted but everything felt wrong. My flat top hadn’t fixed my problems. I went home, dejected.

The next morning, however, as I applied wax to my new, extremely short hair, something came over me. It felt so good to prep this dorky retro haircut. I just had to wear a dorky retro outfit to match. I put on some highwater pants that went above my waist, a white button down, some white socks, black boots and said, “Fuck it.” I slid a pocket protector into pocket with just one pen, took a deep breath, and headed out to the train.

The commute was terrifying, every moment inching closer to having all my coworkers see me like I had just stepped out of a time machine from Mission Control 1963. But I did it. I got to work, took off my coat, and got ready. There were some smirks from a few people. One coworker even came over, looked at my haircut, and flicked me in my pocket protector, saying, “Well this really completes the look.” I was humiliated. I didn’t want to do it again.

But the next morning, as I waxed the flat top, the same power took over. How could I have such a perfect nerd haircut and not go out in a perfect nerd outfit? I put on another pair of highwaisted pants, my thick glasses, and a pocket protector, now with TWO pens. And went off to work. 

Every day was a thrill. People would stare and I would just beam back at them, happy as a clam. My mood improved. After all, I looked like I was from Leave It to Beaver, so I might as well be as chipper as a cast member. Every day I would put another pen in my pocket protector until it filled up. I started applying more and more product to my hair to make it as rigid as possible. I found myself proudly marching down the street, my jarhead reflecting light off the horseshoe, the white socks gleaming brightly between the hem of my pants and my black leather shoes, my pocket protector stuffed full of pens. I was finally myself and it was amazing.

My relationship had been tested as all I wanted to do before my transformation was jerk off to stories I had written or roleplays I had done. My boyfriend couldn’t compete with that ideal fantasy. But the fantasy became a reality. I found myself becoming more submissive, more able to articulate my desires, and I stopped blaming him for not reading my mind and libido. I was a nerd now. I could be used the way nerds would be used. My boyfriend figured it out. He would pull me into a headlock, noogie me while I sucked his dick, and then come in my flat top. On good days, he would even knock me down afterwards and take money out of my wallet, before winking and kissing me.

Was I getting wedgied non stop? Had I suddenly broken out in zits and been forced to do tons of homework? Did I shrink to 5′2″ and lose all my muscle mass and pee myself whenever a jock looked at me funny? No, not at all. Those were the things I wrote about. The things I fantasized about. The things I wanted. But they were fantasy. THIS was reality. I was dressed out in public as the nerdiest person I had ever seen. Who cared if it didn’t match up with some extreme over the top fantasy. That was porn. This was real. 

As opposed to the characters in my stories who usually lose their confidence and end up meek and shy, I became the opposite. I became friendlier, more outgoing, eager to go out in the world! The more I lived my life as a nerd, the more people would see me. If they didn’t care, great. If they laughed at me, well they’re terrible people but also I like getting laughed at so thanks for the spank bank material, ya jerks. And maybe, just maybe, they see me waddling around with my pants above my belly button and my flat, flat flat-top and think, “Wow, I’ve always wanted to be brave enough to do that. If that jerk can, I can too.” 

Now I get to live my truth. I get to see my barber every two weeks and ask him to take the flat top shorter, more severe, even got a horseshoe. They say the thing about flattops is they never grow back. So far, that seems to be the case. I look straight out of the 1950s and I couldn’t be happier. 

I’m not a nerd from my stories. I still have tattoos and a septum piercing and a lot of attitude. But I am nerdier than I ever thought I would be. I dress like this around friends, family, and coworkers. I used to go out partying, drinking, smoking and cursing. Now, I curse less, I go to bed earlier and wake up with the crack of dawn, I’m even finding myself more studious and polite. I spend my free time reading about D&D and playing video games. I’m not going to hide it anymore. I get to look like a dweeb for the rest of my life and it’s amazing. And it all started--the thing that made it all possible--is one perfect flat top. 

If you’re curious about nerdification, please join us at the nerdified discord. Sorry this isn’t an over the top fantasy like the rest of my stories but I wanted to share my personal journey. I hope this helps you decide to take the reins of your own transformations and I’m happy to respond to any questions you may have! 

[queenscoolcat]

Hi there! Can you do the bohrap/queen ship thing for me? :) I’m 5’10’’, have light green eyes, medium brown hair (that used to be dyed purple for a hot minute), and love style and fashion. Some of my hobbies are drawing/sketching, photography, longboarding, and listening to retro music! I’m a zoology major at my college and absolutely adore all animals. I really hope to work in a zoo once I’m out of college. I also love space and have a tattoo of my astrology sign constellation (Aquarius).

Request are open.

Hope you like your ship, dear.

I ship you with Brian

It is common knowledge that Brian May adores animals as well.

You meet at the zoo.

Brian went so he could be more involved with rescuing animals.

Your boss told you to show around the place to him.

The moment he saw how much you cared for all the animals he felt like he was already in love.

At the end of the tour you gave him, he asked for your number.

The first time you cuddle and he saw your tattoo he had the biggest grin ever.

“I recognise this,” Brian mumble as his fingertips traced your tattoo.You smile at him knowing he was a space geek just like you, he mirrored your smile and started kissing the “stars” on your skin.“So you are an Aquarius,” he stated with his eyes still glued to your tattoo.“Indeed,” you mutter looking at him with adoration “you aren’t the only one that loves space.”Brian looks at you, but his tracing patterns on your skin didn’t stop, he kissed your cheeks and then your lips in a lazy but cute way.“I can’t believe I love you more than before” he murmurs so close to your lips you could feel his breath hitting your skin.

Before he went on tour you gave him a Polaroid of the two of you cuddling and in the back was a doddle you draw of your sign’s constellation and his.

Whenever he missed you, he would stare at the photo and trace the constellation just as he traced it on your skin.

I ship you with Rami

You have been friends for a long time.

Both of you had a crush on the other, but neither on you wanted to say something in case it ruins the friendship.

It all changed when one day you were talking to him about your passions and how much you wanted to work at the zoo.

You were talking so invest in your dreams that you didn’t notice when Rami stopped talking just to look at you.He didn’t know what took him over, but out of the sudden he was cupping your cheeks and kissing you in the lips, the kiss was so soft but it carried all the emotions both of you felt.“Your eyes spark when you talk about something you love,” Rami said the moment the kiss ended.Neither of you couldn’t break the eye contact, all those feelings both of you hide for the longest of the times finally were acknowledged.“It has been so long since I wanted to kiss you when your eyes light up like that.”

You always tried to invite him to longboard with you.

He always declines in fear he would make a fool of himself in front of you.

“I like to watch from afar,” Rami would always mumble before giving you a peck and then let you do your thing.

[aion-rsa]

Garbage Pail Kids At 35: The Kids Are Alright

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Presented by:

This story appears in the Den of Geek x eBay special edition trading card magazine.

Garbage Pail Kids gave birth to my anti-authority streak. I was in fifth grade waiting for art class to start and showing off my prized Ashcan Andy to enraptured classmates when my teacher walked in the classroom, sighed, confiscated the card and proceeded to rip it up. “This junk has no place in an art room,” she stoically declared as Andy was transformed into sad confetti before my eyes. Years later, I came to realize that this demonstration was all about jealousy – these cards had instantly engaged students in art in a way that her years of teaching never could.

And let me be clear here: Garbage Pail Kids are most definitely art. Often grotesque and always eye-catching, the unfortunate children showcased on these cards fostered an interest in painting, illustration, and design for generations of kids since Topps first introduced them back in 1985 (their pun-heavy names also were a gateway for subversive humor). After 35 years, Garbage Pail Kids have become a cultural institution—not to mention schoolyard contraband for nearly four decades, an unexpected bonus that would make the creators of these cards—veterans of the counterculture themselves—beam with pride.

To trace the origins of Garbage Pail Kids, a brief history lesson is in order. Although they were best known for their baseball cards, the Topps Company also had huge success with bubblegum cards based on popular films and TV shows. Further expanding their creative pallet, Topps released numerous humor card lines, the most popular of which was Wacky Packages. Like Mad Magazine before them, these stickers showcased parodies of contemporary products with bitingly accurate focus. 

In the early 1980s there was no bigger consumer frenzy than the Cabbage Patch Kids. These dolls from Xavier Roberts and Coleco featured an elaborate backstory and cloyingly adorable looks that became the stuff of toy legend (news reports featuring near riots as parents tried to get their hands on the damn things were commonplace in the early 1980s). 

Naturally, then, Cabbage Patch Kids were an ideal target to get the Wacky Packages treatment. But the decision was wisely made by Topps execs that Garbage Pail Kids could be a card line of their own. Spearheading the project was underground comics legend Art Spiegelman (who would go on to win a Pulitzer Prize in 1992 for his groundbreaking holocaust graphic novel Maus), Raw comics anthology contributor Mark Newgarden, and artist John Pound. 

Pound, a veteran of painting fantasy and science fiction book covers, was brought by Spiegelman to illustrate the original Wacky Packages “Garbage Pail Kid” card (featuring one of the dolls pushed into a trash can and touting orders to send the unfortunate soul to the Department of Sanitation). Though this Wacky Pack was shelved, Pound single-handedly painted all the characters featured in the first Garbage Pail Kids set. “They liked the idea sketches I sent in,” he says, “and asked me to do all 40 paintings in two months, which was faster than I was used to, but I got organized and made the deadline.” 

Working with Spiegelman, Newgarden, and Topps creative favorite Jay Lynch to craft ideas, Pound’s early characters included the now iconic Adam Bomb, and remain some of the most beloved in the line (for the record, Pound names Adam Bomb, Up Chuck, Jolly Roger, and Mona Loser as some of his favorite creations). 

Looking back over three decades later, Pound sees several reasons why Garbage Pail Kids have endured:

“The original concept had strengths: doing a parody of the famous Cabbage Patch Kids, and a name that was both clear and familiar sounding,” he says. “The concept’s rebellious attitude and shock value gave it initial attention. Also, in the ‘80s, Topps products were widely distributed, like in drug stores, variety stores, convenience stores.”

Although he freely admits that “I wasn’t expecting it, but Garbage Pail Kids became a huge hit,” Pound says aesthetic concerns were foremost on his mind when painting these garish figures. “On my end, despite the abundant gross humor and shock value, I simply wanted the art to feel good to look at. And I tried to put love into the paintings.” 

The care with which these outlandish cards were created was appreciated by consumers. Fifteen different series of Garbage Pail Kids were produced between 1985 and 1988. There was spinoff GPK merchandise too, ranging from folders emblazoned with images of popular characters to the on-brand/subversively named Cheap Toys. The Garbage Pail Kids Movie was released in 1987 with The Facts of Life co-star Mackenzie Astin in the lead. On that topic, The Toys That Made Us and A Toy Store Near You creator Brian Volk-Weiss sums up the flick perfectly: “That movie is so bonkers even seeing it is not believing it. It reminds me in a weird way of a low budget Batman and Robin in that it was like a ton of people were involved with the green light and execution and seemingly had no oversight on any matter.” 

But as far as Volk-Weiss is concerned, a new motion picture has plenty of potential. “I would love to see them do a ‘serious’ reboot that would be similar to the first Guardians of the Galaxy film in that they take the characters and the world seriously,” he states, “but the fun and humor and oddness stays intact too.” While there may be a future on screen for New Wave Dave and company, whatever it turns out to be must avoid the mistakes of the infamous 1987 cartoon series – which was produced for CBS but never aired due to the then-ongoing controversy surrounding the franchise (it eventually landed on DVD, and the less said about it the better.)

Despite a lull in any new products that lasted from the late 1980s until 2003, Garbage Pail Kids never really left the public consciousness. If anything, they were inspiring new talent. Enter Buff Monster. The Hawaii native and prolific street artist known for his upbeat, ice cream-inspired work was so inspired by Garbage Pail Kids that he created his own line of sticker art cards, The Melty Misfits. With names like Mind-Blowin’ Owen (featuring a cameo by a very Adam Bomb-esque character) and Bam Bam Sam, these intricately designed stickers—created on the type of antiquated machinery that Garbage Pail Kids were made on—come complete with a retro-styled wax pack and showcase Buff Monster’s own unique aesthetic as they pay homage to the Topps line.

Talking about why he personally connected with Garbage Pail Kids, Buff Monster makes a salient point on why these things were so memorable in the first place. 

“If you look at most trading cards, they are less than what they’re about. Having a baseball card is a ‘less than’ experience than watching the game. If you’re watching a baseball game in person, that���s great, but watching a baseball game on TV is actually better because you’ve got commentary, and you’ve got playback, and all this sort of stuff,” he tells us.

“But Garbage Pail Kids stand out because the art was made for the cards, so the card was the thing. The card wasn’t some sub-version of something else. It was the point of making the art in the first place. And so that has always stuck with me. And that is really kind of what it comes down to for me.”

Buff Monster’s The Melty Misfits stickers are a burgeoning phenomenon for the 2020s, just as Garbage Pail Kids were for the 1980s. It’s understandable that he is partnering with eBay for a special pack of The Melty Misfits, some of which will come packaged with a random “Golden Ticket” card that will entitle the recipient to have Buff Monster create a character of their choice. 

“This pack that we’re going to do is a nice little introduction to me and eBay working together,” he says. “This is a very easy thing for the completist to get. And that’s good.” 

It’s clear when talking to Buff Monster that Garbage Pail Kids continue to inspire. And the cards themselves feel more vibrant than ever, way more relevant today than the doll that inspired them in the first place. Case in point? Recent political and horror-themed Garbage Pail Kids sets (which are really one and the same when you think about it) have brought old fans back into the fold. 

Another example of booming Garbage Pail Kids interest is the 2017 documentary 30 Years of Garbage: The Garbage Pail Kids Story. The film’s writer and (with Jeff Zapata) co-director is Joe Simko, himself an accomplished artist and graphic designer who has worked on the card line and IDW’s spinoff Garbage Pail Kids comic, as well as his own series of The Sweet Rot graphic novels and his Cereal Killer trading cards. Simko vividly remembers when Garbage Pail Kids entered his life.

“I first discovered Garbage Pail Kids when I was 10 years old while riding the school bus. A couple of kids were sharing them,” Simko says. “It was the second series, and I just remember that artwork jumping out at me. Never had I seen such appetizing visuals on a trading card before. I knew instantly they were an attack on the highly successful Cabbage Patch Kids dolls, which dominated the kid’s market landscape at the time. Garbage Pail Kids were such a great middle-school kids protest to that cutesy Cabbage Patch world.”

Simko has been a part of Garbage Pail Kids lore since 2009, and during that time has given the Garbage Pail Kids treatment to everything from Stranger Things to Universal Monsters. “I think my favorite Garbage Pail Kids projects are the licensed product paintings I get to do,” he says. “For instance, the Garbage Pail Kids cereal for FYE was just so great to work on. Doing cereal box signings at the FYE pop-up shop during San Diego Comic-Con was an overwhelming experience. Greeting Garbage Pail Kids fans, when I too am a fan, is amazing.”

When I mention the brand’s longevity to Simko, he is quick to sum up their continued popularity. “Garbage Pail Kids have lasted this long due in part to the dedicated group of collectors who grew up on the series in the ’80s. Yes, there are younger kids buying them today, but the nostalgia it brings to those grown-up kids keeps the spirit and revenue of the Garbage Pail alive.”

Bringing things full circle, he also vindicated myself and everyone else who was ever frowned upon for appreciating the cards’ artistic merits.

“They are a true form of art. To pass judgement on them and reject these cards as ‘art’ because of the subject matter, is to have a narrow perspective of what art is,” Simko says. “Credit goes to the original creators of the Garbage Pail Kids cards during the 1980s, Art Spiegelman and Mark Newgarden. Art and Mark knew the ingredients to make GPK work. And of course the artists, John Pound, Tom Bunk, James Warhola, and Jay Lynch, were the ‘cooks.’ They made it taste and look perfectly gross. Without any of these creative minds, I believe Garbage Pail Kids would not be the success it became at the time.”

Despite being anchored to a fad from the 1980s, Garbage Pail Kids are ultimately timeless. Children of all ages will always take to the goofy grossness that is embedded in the line’s DNA. Nostalgia is a potent thing too, but as recent years have illustrated, Topps is always looking to evolve the IP, be it through virtual Garbage Pail Kids, high-end collectible figures, or just by continuing to bring in great artists to keep the bread and butter of the franchise—the card line—going strong. These Kids may be pushing 40, but in the heart of fans, they’ll never age.

Garbage Pail Kids eBay x Topps Exclusive 

The 10-card set created by Joe Simko is the first exclusive from eBay and Topps. Each card is representative of buying and selling on eBay. The set will be available for $19.99 on eBay for one week starting on August 10. 

The post Garbage Pail Kids At 35: The Kids Are Alright appeared first on Den of Geek.

from Den of Geek https://ift.tt/30gkomP

[lgcsoyoun]

(From @lgcxking )

“our soyoun really likes fashion, right? could you tell us about the kind of styling you would most like to have when you debut in korea?”

Soyoun hums to herself as soon as she reads the question. She has so many ideas on what to say that she honestly has no clue where to begin. However, she has to gather her thoughts and answer this on the spot. 

“You’re right, I love fashion!” Soyoun says with a soft chuckle. It was evident in how she carried herself and how much she talked about trends earlier. Besides, she’s a fashion design graduate. it was obvious at this point. Anyway, she goes back to the question at hand. 

“We’ve already gone with the dark, edgy style for ‘Dun Dun’, didn’t we?” she says to the cameras. “So if I ever get to debut in a permanent group, I’d love to debut with something more colorful. Black is nice and all, but to show a different side of us, I’d love to incorporate more color in our outfits.” 

Soyoun pauses before she decides on her next point. “Other than color, I think I’d love to go with a vintage, throwback style. Since most concepts are geared toward a futuristic vibe, I feel like going retro is an interesting direction to take in terms of styling. It depends on what direction our music will take, of course.” 

“Have you guys seen the modernized hanboks going around?” she continues. “I would also love to be able to wear something like that, especially if our music will have elements of traditional folk music in them. Or for our foreign members, modernized versions of their national outfits. Although they would look stunning in hanboks, I’m sure it would be more meaningful to them to wear their national outfits, right?”  

Another idea occurs to Soyoun. “Although going full-on high fashion like what we see in magazines would also be so cool,” she continues. “A lot of the girls here have such lovely faces that can pull off different styles. It would be amazing to see us debut in something like that. Besides, I would also love an excuse to geek out over how high fashion we’d all look.”  

[tshirttrend]

Champion 20 Grand Slam Rafael Nadal Signature T-Shirt

One thing I really like to Champion 20 Grand Slam Rafael Nadal Signature T-Shirt . geek out about on Christmas as far as clothes is concerned are ugly sweaters. How did grandma’s bad knitting come about to become so popular especially among the younger generation is beyond me. These patterns are printed in December in the coldest of cities around the world on T-shirts, that’s how common it is. It’s a good kind of ugly, one that turns out so well in the family holiday photos and one that you can’t look away from.Given the people’s fascination with knitted patterns and video games, the good people at DesignbyHumans have created a special collection of such retro sweaters for the nerd in the family that will also make grandma jealous. Champion 20 Grand Slam Rafael Nadal Signature T-Shirt, hoodie, sweater, longsleeve and ladies t-shirt

Classic Men's Matthew Heald a Champion 20 Grand Slam Rafael Nadal Signature T-Shirt .k.a. RetroReview is a British artist, a member on the site since 2014, with a penchant for old school video games and other pop culture references. His store holds over 20 ugly sweater prints, that you can get on t-shirts but also on crewnecks and hoodies for colder holidays.If that won’t get you going, then here’s another gift idea TODAY ONLY from the same DesignbyHumans, for Star Wars enthusiasts: use the code PEWPEW on all officially licensed Star Wars apparel to get the t-shirts for $20 +FREE SHIPPING. The code will apply to t-shirts only and you can only get 3 t-shirts maximum. And still, Star Wars fandom knows no boundaries so this I understand is a very good deal, for high quality t-shirts.This mega offer includes 255 t-shirt templates, featuring a variety of styles: typography, skull and biker illustration, lovely pinups, distress effects aplenty and a whole lot of inspirational quotes, more or less SFW, many of them based on popular phrases that turned into meme parodies. There’s well over 200 such design, so you should have a look yourself and see what I’m talking about.Because you purchase all of them together, you get to pay only $74 instead of $1 245. That’s 94% off, which is a very good deal in my opinion. You Can See More Product: https://luxuryt-shirt.com/product-category/trending/ Read the full article

[lovediva0303]

I Play The Bass Because I Like It Not Because Im Good At It Vintage shirt

One thing I really like to I Play The Bass Because I Like It Not Because Im Good At It Vintage shirt . geek out about on Christmas as far as clothes is concerned are ugly sweaters. How did grandma’s bad knitting come about to become so popular especially among the younger generation is beyond me. These patterns are printed in December in the coldest of cities around the world on T-shirts, that’s how common it is. It’s a good kind of ugly, one that turns out so well in the family holiday photos and one that you can’t look away from.Given the people’s fascination with knitted patterns and video games, the good people at DesignbyHumans have created a special collection of such retro sweaters for the nerd in the family that will also make grandma jealous.I Play The Bass Because I Like It Not Because Im Good At It Vintage shirt, hoodie, sweater, longsleeve and ladies t-shirt

Classic Ladies

Hoodie

Long Sleeve

Sweatshirt

Unisex Matthew Heald a I Play The Bass Because I Like It Not Because Im Good At It Vintage shirt .k.a. RetroReview is a British artist, a member on the site since 2014, with a penchant for old school video games and other pop culture references. His store holds over 20 ugly sweater prints, that you can get on t-shirts but also on crewnecks and hoodies for colder holidays.If that won’t get you going, then here’s another gift idea TODAY ONLY from the same DesignbyHumans, for Star Wars enthusiasts: use the code PEWPEW on all officially licensed Star Wars apparel to get the t-shirts for $20 +FREE SHIPPING. The code will apply to t-shirts only and you can only get 3 t-shirts maximum. And still, Star Wars fandom knows no boundaries so this I understand is a very good deal, for high quality t-shirts.This mega offer includes 255 t-shirt templates, featuring a variety of styles: typography, skull and biker illustration, lovely pinups, distress effects aplenty and a whole lot of inspirational quotes, more or less SFW, many of them based on popular phrases that turned into meme parodies. There’s well over 200 such design, so you should have a look yourself and see what I’m talking about.Because you purchase all of them together, you get to pay only $74 instead of $1 245. That’s 94% off, which is a very good deal in my opinion. You Can See More Product: https://hottrendtees.com/product-category/trending/ Read the full article

[aion-rsa]

Wonder Woman 1984: DC Comics Easter Eggs and Reference Guide

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This article contains Wonder Woman 1984 spoilers. Our spoiler free review can be found here.

Wonder Woman 1984 has brought its message on the importance of truth onto screens worldwide. With retro stylings and a Hans Zimmer score, the second installment in Diana Prince’s story shows a more mature Amazonian who has adapted to man’s world and her solitary life, developing her skills as a superhero and her ability to keep out of the limelight.

Wonder Woman 1984 takes place well before the introduction of the other heroes of the DCEU and largely exists as a standalone film. However, there are still plenty of references to Diana Prince’s own history across the comics, small screen, and previous films.

We’ve used all the wisdom of Athena to chronicle as many Easter eggs as we can spot, but as always, if we’ve missed anything, do let us know in the comments. Let’s get into it. 

Themiscyra

This expansive opening brings us back to Themyscira, Wonder Woman’s home, which is sometimes referred to as Paradise Island. As always, we love any and all time on Themyscira, a world made up of exclusively strong women, ruled by Diana’s mother Hippolyta. 

Since this sequence takes place in the past, Robin Wright’s fantastic character Antiope is back! Audiences will unfortunately recall that Antiope was killed in the battle on the beach in Wonder Woman. 

The triathlon-like trials here, which the production team have called the “Amazon Olympics” are reminiscent of the trials all Amazons competed in during the comics to see who would make the sacrifice of leaving Themyscira to go with Steve to save the world of man. In that iteration, Hippolyta was all in on saving the world of man, as were the other Amazons, so there was no need to leave under cover of darkness.

This offers our first look at Diana’s skills as a kid, especially archery and horseback riding, two of her signature abilities. The girl playing 10-year-old Diana here is the same actress as last time, Lilly Aspell. She’s excellent, and really did all of this great action work – only the log that comes swinging above her head is CGI. 

Kid Diana is dressed similar to adult Diana back before she knew about her history – strappy sandals, arm gauntlets, and tan clothing she can easily move around in. Here, instead of just the partial tiara from Antiope that she’ll one day wear, she has a child-size version that matches Antiope’s exactly. It looks like everyone competing is more or less in a uniform, which includes that tiara with chin straps, which is also a reference to the helmet on the Asteria/golden eagle armor Diana will wear toward the end of the film. 

Lindy Hemming, the film’s costume designer, told a group of reporters including Den of Geek that, “They’re in their triathletes suits, 2000 or however many years ago version of their Speedos really. We’re saying, design-wise, that they’re made of leather and that, in honor of the golden-ness of the games, and this golden theme really in this film.”

Hemming wanted some continuity with this setup flashback and Diana’s gold armor later on in the movie: “There’s a link between the end of the film and the beginning of the film, in a way. The gold and the gold, the beginning and the end of the film.” – more on that below!

If you’re wondering why all the action looks so damn good here, a few big reasons: practical effects, the use of real-life women athletes like last time, and Cirque du Soleil. We even see an Amazon do their signature move from the first film, cantilevering herself off the side of a horse to grab a helmet off the ground.

When can we go back to Themyscira in the present? At the end, when Diana is flying and the air clears, I briefly thought Diana was headed back and yes please!

Wonder Woman’s apartment/life in DC

This isn’t the first time a version of Diana Prince has lived in the Washington, DC area. Back in the 1940s, she even ran for president in an issue set 1,000 years in the future! We’ll be referencing Greg Rucka’s Rebirth run frequently since Patty Jenkins likely drew quite a bit of inspiration from it. During that run, Diana lived in Arlington, Virginia while working for Director Etta Candy at ARGUS, squaring off with Cheetah and reuniting with Steve Trevor. Diana also operated out of DC at various other points throughout her 80 year comics history.

We see lots of little incognito rescues by Diana here, alluding to how she’s escaped notice for so long. Her big public return in the present day was depicted in Batman v Superman: Dawn of Justice and then Justice League, so it’s assumed that she operated in secret during all the ensuing years, as well.

The opening sequence, at least until Diana gets to the real action at the mall, feels a little bit like the opening credits of Richard Lester’s otherwise maligned Superman III, where the credits unfold over a series of mishaps on a Metropolis street forcing the Man of Steel to get involved.

Diana works in cultural anthropology and archeology at the Museum of Natural History in the Smithsonian – a far cry from her long-running job as a secretary in the comics. As the last movie joked, “where [Diana’s] from, that’s called slavery.”

Diana can read Latin, which surprised Barbara. She can read hundreds of languages, as she told Steve in the previous movie, but messing up and letting it show in front of someone who doesn’t know her secret is a hat tip to her being a demi-goddess, a classic move from the comics.

There’s a newspaper article that says “The Great War Ends” next to a photo of “the gang” from the first movie (sans Steve) all dressed up with flowers – maybe they were at a wedding or celebrating the end of the war? It is not the same photo Bruce Wayne will send her in the 21st century, as depicted in the first Wonder Woman movie.

Elsewhere in Diana’s apartment we see a newspaper clipping referring to Steve as a “local hero,” a shot of Steve with his plane, Steve’s watch, and a photo of Diana in front of a sign that says “Trevor Ranch,” which we’re guessing is some kind of charity ranch in honor of Steve (possibly founded/funded by Diana?). Steve’s watch will come up again later, but at the end of the previous movie he gave it to her before he sacrificed himself.

Where’s Etta Candy?

There’s a photo in Diana’s apartment that shows her liberating a concentration camp during World War II with Etta Candy, so while Diana seems to be staying out of the limelight, she’s not sitting on the sidelines. 

In addition to their great relationship in the previous movie, in the comics, Etta and Diana worked together frequently, including at ARGUS, so this kind of team-up is a natural fit. Another photo shows Diana with an older version of Etta in New York. Etta would likely be in her late 80s or early 90s in 1984, so it’s likely that she’s no longer with us. Pour one out for a real one.

Barbara Minerva and Cheetah

While there have been no fewer than four Cheetahs in the comics, Barbara Minerva is the main one and one of only two who has actual powers. Cheetah is one of Wondy’s great foes in the comics, a frenemy and a vicious eater of human flesh! For a while she’s worshipped like a goddess in the jungle in the fictional African nation of Bwunda. She’s, uh, a little different here. There’s usually at least some element of Barbara asking for powers or a better life as well as the “be careful what you wish for” element where key information is withheld about what being the Cheetah will really mean. 

There’s a fun little moment of foreshadowing when Barbara compliments Diana’s animal print heels. Costume designer Lindy Hemming shared during a set visit that at one point they debated having Barbara wear a bit of cheetah flair earlier on, but ended up saving it all for her transformation. This little shout-out feels more fun, and brings in the added layer that later on, Barbara walks well in heels. 

In a sign of Diana’s very specific brand of feminism, Barbara makes a comment about scientists not wearing heels and Diana responds that in fact, they do, since she’s a scientist and she’s in heels. In the 1980s as women entered and stayed in the workplace at unprecedented levels and reached new heights in their careers, most workwear trends like big padded shoulder blazers were focused on blending into what was presumed to be men’s spaces, rather than standing out or taking over the space. Since she grew up on Themyscira, Diana has less of that cultural baggage.

Barbara ends the movie in human form now – probably. She isn’t necessarily all gone and vanquished. We never saw her renounce her wish and, unlike most of the wish-makers in the film, she was modified with layers of wishes. We wrote more about what this ending means here.

Let’s go to the mall!

Diana uses her tiara to take out security cameras, with surprising precision. This was one of Diana’s original skills in the 1940s comics, and at some points the tiara had telepathic capabilities. Whatever the reason, Diana does it because she’s still trying to fly (ahem) under the radar, likely to accommodate the fact that her “big entrance” comes in Batman v. Superman. The tiara is, of course, Antiope’s. After her beloved mentor was killed on the beach of Themyscira, Diana now proudly wears it. Oddly enough, the film’s ONLY real nod to wider DCEU continuity is the fact that Diana is staying the heck out of it.

Director Patty Jenkins has referenced this mall scene as wanting Diana to have a Spider-Man-style scene swinging through the mall:

“The way we’re telling these Wonder Woman films, she’s got emotional stakes pretty quickly so the thing I kept saying to the studio and everybody was, after ending the first movie, I’m craving that Spider-Man-like moment where you’re just delighting in your superhero at their best. A lot of superhero movies have those moments at the three-quarter point because they don’t have big emotional stakes, so how they beat the villain is how you get that.”

She continued “I needed there to be that badass, flying around [sequence] – I always loved that part of the Spider-Man movies.”

The jewelry store is called “Koslov Jewels.” This may be a coincidence, but it shares a name with a couple of very minor DC Comics characters, both of whom appeared in 1970. 

The first (and perhaps most likely of these two unlikely connections) is a Colonel Koslov, who took on Superman and Batman in the pages of World’s Finest in 1970. This Koslov was the military leader of a fictional Eastern European country called Lubania.

The other is a former boxing opponent of Ted “Wildcat” Grant who appeared in a single issue of The Brave and the Bold when Wildcat teamed up with Batman. 

Is it just us, or would that vault in the back of Koslov Jewels have made a great opportunity to tease obscure stuff from other ancient or mystical corners of the DCEU like the Rock of Eternity in Shazam, Atlantis from Aquaman, or magical things that will appear in the upcoming Black Adam movie (such as Dr. Fate’s helmet).

The mall scene is reminiscent of a similar one in Greg Rucka’s Rebirth run when Diana takes Barbara to go shopping (after Cheetah has reformed) and Diana is mobbed by the press.

Steve Trevor returns!

Steve’s watch starts working again when he’s brought back to life by the moonstone — ahem sorry, Dreamstone. In a nice nod to the first movie, he puts a very ’80s Casio watch in Diana’s hand to let her know it’s really him, since he basically unwittingly body-snatched some poor guy.

Ironically, in the comics Steve was once meant to be used as a vessel to bring back someone else’s spirit, the malevolent plant god Urzkartaga who bestowed Cheetah’s powers upon her. Luckily, Wonder Woman helped Cheetah see the light and they stopped Urzkartaga from sacrificing Steve and taking over his body.

Steve has been killed and brought back to life on several occasions throughout his comic history. He has been resurrected by Aphrodite and even brought back as a double and then merged with his original self, which feels spiritually similar to what happened here. 

Steve mentions not knowing where he was, but he knew it was somewhere nice, so that implies he could be brought back again, right? Here’s hoping.

In this movie, Steve gets to be the fish out of water instead of Diana. While she was delighted by ice cream, Steve lights up at the Smithsonian air and space museum (of course – he’s a pilot!) and he mistakes a trash can for art when Diana shows him some modern outdoor pieces, a nod to her future work at the Louvre.

I love the ’80s!

Aerobics! Pay phones! Stationary bike! Watching the wall of TVs in a store window! There are plenty of nods to 1980s culture throughout this film.

Steve continues to be the damsel, doing a period-appropriate montage usually reserved for the leading lady. We can’t get enough of these fanny packs! And of course: “Does everyone parachute now?”

Sadly Steve’s navy outfit is not a jumpsuit but possibly a Members Only jacket and swishy pants, which is very 80s and we stan.

Steve Trevor eating pop tarts and “cheese on demand” is living his best 1980s life. 

Maxwell Lord has “a great relationship with Sears,” offering to hook Diana up with a, gasp, 19-inch TV.

The unnamed President in this film bears a passing resemblance to Ronald Reagan, who was, of course, President of the United States in 1984. If you squint, he might look a little like E.G. Marshall, who portrayed a similarly Reagan-esque President in 1980’s Superman II.

At one point we can spot a poster for a Minor Threat gig on a brick wall, and it’s great to see the legendary hardcore band get a shout here. The only problem? They broke up in September of 1983. This movie takes place in July of 1984. Ah, well. Go listen to some Minor Threat anyway.

Rock the Casbah, I guess

Egypt actually made a go of pan-Arabism from 1958-1961, bringing together Syria and Iraq under the name the United Arab Republic. There have been other attempts at pan-Arabism, but this is the most relevant to this context. Really, shouldn’t the attempt to reclaim ancestral lands be about Israel, like it is in real life?

As always, it is DEEPLY uncomfortable to watch Gal Gadot in any Arab and/or Middle Eastern context – put down those kids Gal! 

While this movie invokes the fictitious Middle Eastern country of Bialya, they still do some from within the very real location of Egypt. It’s unclear what exactly is going on here in the increasingly manic and global final act of this movie, but our best guess is that the fictional Emir Said Bin Abydos, an existing DC character, lives in Cairo in exile from Bialya. He wishes for his ancestral lands to be returned. 

This is where things get even more hairy. In the comics, it’s an arid desert and the geography we’re given is “north of Iran and Saudi Arabia” which doesn’t really make sense. It would need to be carved out somewhere around Iraq or Syria (which would be North of Saudi Arabia and west of Iran) or perhaps eastern Turkey. Instead, we see the border spring up disruptively in Egypt, seemingly in the heart of Cairo. That puts at least part of Bialya on the Africa continent in an arid desert. That fits since Libya under Qaddafi seems to be an inspiration, but in this world does Bialya have the Suez? Does it go up into the Levant or stay in Africa? Basically I have a lot of questions. 

Diana dragging herself under the truck feels like an homage to a stunt Indiana Jones pulled off in Raiders of the Lost Ark, itself an homage to stuntman Yakima Canutt, who did the same thing in 1939’s Stagecoach. Funny enough, at least one of the punches Steve lands seems to use the same sound effect that we often hear when Indy throws one.

Asteria and the Golden Eagle Armor

This film provides a really lovely new backstory for the golden eagle armor of the comics (we dug in deep on the comics history of the golden eagle armor here). In the film, the armor is first worn by Asteria, who had to hold back the men while the rest of her Amazon sisters escaped to Paradise Island. It’s made up of pieces of the other Olympians armor, all given to her to help her in her sacrifice. 

Diana tried to find Asteria but could only find her armor.  

We never see Diana’s standard sword (the Sword of Athena, not the destroyed God Killer sword from the first movie) and shield here, nor the axe that goes with the golden eagle armor in the comics – perhaps part of her stance on nonviolence and deescalation? Costume designer Lindy Hemming viewed the wings on the suit as shields, so perhaps that’s why the standard shield was considered unnecessary.

During a set visit, Hemming said of the wings, “They become like Roman shields. So she’s protected. I won’t give away the story of why that’s the kind of protection she needs. But basically her fighting style is with the shields. So I’m really pleased now because I think that there was no logic to being a pair of wings, really. But there is a logic to being something she can glide in on.”

Agree to disagree on the logic of nonfunctional magnificent gold wings, Lindy, but fair point. Diana used to wear this armor when she was vulnerable, or facing a particularly strong enemy – ironic that she uses it once she regains her full strength. Although, Barbara is meant to be equally powerful, at least after the first wish, and then gets more, so maybe she still needed it. She was definitely on the defensive for a while there.

Invisible Jet

The invisible plane is nearly synonymous with Wonder Woman. Whether you watched the old Lynda Carter show or grew up reading the comics, the invisible plane has been around since 1942 and had the same creator, good old William Moulton Marston. The invisible aircraft was a necessity because like the Diana of the big screen, comic book Wondy couldn’t fly until the mid-80s (Crisis on Infinite Earths).

While Diana’s plane in WW84 seems to be normal in every way except invisibility, in the comics it could fly 2,000 miles an hour when it was first created. The jet only got faster as the decades went on, up to 40 miles per second, which is 144,000 mph. In the old William Moulton Marston days it was equipped with a “mental radio” so Wondy could receive telepathic distress calls (or send them) from Paradise Island.

Around the 1950s there was an upgrade and it became an invisible jet, specifically. It can go to space, go completely undetected by RADAR, and a more recent version of it is actually sentient and shape-shifting and went by the name WonderDome. 

Here we see Diana use her own will to make the plane invisible, which is quite similar to the original origin story of the plane in the comics, rather than the more recent one. The comics version of the plane could send out rainbow rays to penetrate the mist around Themyscira and allow Wondy to fly back home. The fireworks may have been a nod to that in addition to a great visual device for the invisible jet (rather than the adorably hoaky image of Lynda Carter sitting in a plane outline while clouds scroll by). It  could certainly be a possible route home for her in the future.

Wonder Woman can fly!

Yes, Wonder Woman can fly! In one of the more emotional arcs, we see Diana develop her ability to fly in this movie, picking up where her hovering in the last film left off. She starts with extended leaps and riding air currents and lightning bolts to stay in the air far longer than anyone else could, and after she and Steve talked about flying while in (where else?) the invisible jet, she learned to fly freely on her own. 

This is another one where the image of Lynda Carter’s Wonder Woman has imprinted itself so thoroughly on the collective consciousness that people who have never seen the show have still seen her fly through the air. 

Meanwhile, on the comics side of things, Diana Prince first learned to “manipulate air currents” (AKA Buzz Lightyear “falling with style”) in the late 1950s. It wasn’t until the 1985 Crisis on Infinite Earths reboot, which changed up a lot of her powers, that she was able to fly for real. Since then the origins of her flight have differed a bit, but Hermes is usually mentioned. Sometimes it’s like recipe given in the Wonder Woman movie – “…beautiful as Aphrodite, wise as Athena, stronger than Hercules…” with Hermes contributing flight. Other times, his feather touches her thigh and suddenly she’s got the gift. 

Wonder Woman harnesses lightning

Before we see Diana fly, we see her use her lasso to harness lightning and ride it through the sky, swinging from bolt to bolt. This feels like a natural progression since in the first film we saw her redirect Ares’s lightning and later on in WW84 she flies completely of her own power. 

This visually arresting new power is likely derived from the fact that Zeus, god of lightning, is her father in some tellings of her origin. In the New 52 era of the comics, Diana gained the ability to manipulate lightning, expel it, and use it as a weapon, with help from her bracelets. Since they were made from the Aegis, an Olympian artifact will get into below, they were both indestructible and helped her harness something of the divine. 

The shockwave and the Bracelets of Submission

We love how they keep Wondy’s suspiciously strong shockwave from crossing her gauntlets from the first movie, which is how she first suspected she was different from the Amazons. Here it’s still a powerful move, although it might even be stronger than the last time we saw it. Diana has definitely been leveling up in the last few decades. 

We haven’t spent much time discussing the provenance of the various items Diana took from the armory on Themyscira, but in the comics the bracelets are indestructible, which was reflected in the previous movie when they repeatedly stopped bullets. Sometimes they dampen her strength, but others they direct or even amplify it. They were forged from the remains of the goddess Athena’s shield, which itself was made from the Aegis, the indestructible hide of a goat named Amalthea who nursed Zeus when he was just a baby god. Uh, wow, gods are weird. Anyway.

This ability has only been around for the few decades of Diana’s history, but it quickly became iconic and definitely beats what it replaced. Earlier in Wondy’s comics history, the bracelets would render the wearer powerless if chained together by a man. All Amazons wore them as a reminder of the time when they were enslaved by men or, alternately (depending on when you are in the continuity) as a reminder that they had failed to save humanity. So, uh, yeah, we’ll take the divine shockwave thing instead.

And in case you were wondering, her gauntlets are officially called “the bracelets of submission”  and wow, creator William Moulton Marston wasn’t really hiding that kink, huh? (If you have no clue what I’m talking about, check out Jill Lepore’s book The Secret History of Wonder Woman or the movie Professor Marston and The Wonder Women, to learn about the kinky poly Tufts professor who invented the lie detector and created Wonder Woman, with significant help from his partners.)

Losing her powers

Wonder Woman’s powers waning throughout the movie seems like a nod to an oft-used superhero movie sequel trope. Both Superman II and Spider-Man 2 featured their title characters losing their powers, but the story logic in Wonder Woman 1984 has far more to do with the former.

In Superman II, the Man of Steel gave up his powers entirely in order to be with Lois Lane…making this decision just as three villains from Krypton made their presence known on Earth. Oops. But Diana losing her powers for her love of Steve here echoes Clark’s choice, and like Clark, she ultimately renounces her love in order to save the day.

It could also be a reference to the de-powered era of her comics history. In 1968, a character who was created as a feminist symbol of women’s power independent of men was written to surrender her power in order to care for a man, Steve Trevor, rather than join her sisters the Amazons. Steve was killed off and Diana went on to learn martial arts and wear some truly fabulous clothes, but it’s a disheartening turn of events nonetheless. 

Enter Gloria Steinem. When she couldn’t put presidential candidate Shirley Chisholm on the July 1972 cover of her new feminist magazine Ms., the full magazine’s first, Steinem got permission to put her childhood hero Wonder Woman on it instead, towering over a town as she fights off a tank and stops a fighter jet from harming civilians. Steinem apparently asked DC for an update on her favorite hero and was horrified to learn that Diana Prince had no powers. 

Meanwhile, Ms. flew off shelves and a new generation was excited about Wonder Woman. DC gave Diana back her powers. According to DC Comics archivist and librarian Benjamin LeClear, we have Gloria Steinem to thank.

New uses for the Lasso of Truth

Diana uses her lasso of truth, sometimes called the Lasso of Hestia, to show Steve Trevor the truth. Ares sort of did this in the last movie except the vision he showed Diana wasn’t so much the truth as it was his version of it. The lasso has been used for this purpose in the comics, and Diana has even used it on herself when she doubted her own memories. 

In the White House, we also see Wondy whirl the lasso like the a giant propeller on an airboat, one of the coolest and most visually appealing of her abilities yet. We haven’t found any prior references to this, so hit us up if you know of any! And if not, props to Patty Jenkins and her team for inventing a new move for a character that’s almost 80 years old. 

Max Lord

Max Lord also appeared on Supergirl for a hot minute! Remember when Alex was straight? Remember when Alex “was” “straight”? But the Supergirl version of Max was far more a traditional “corporate villain” than how he originally began life in the comics.

Max’s bravado and eagerness is very reminiscent of how the character was first introduced in the Justice League International comics in 1987, when he was the man who re-formed the Justice League, albeit with lesser known characters than Superman and Wonder Woman. Could we possibly see Pascal return as Max in a future DCEU movie, where in his ongoing quest to redeem himself from his actions in this film, he puts together a team of second-string heroes to try and save the world? Probably not, but we can dream.

Max did have some low level metahuman abilities in the comics, where he could implant mental suggestions in others to “push” them to do something. Usually when he would do this, he would end up with a small nosebleed. While Max’s health problems here are far worse than a nosebleed, the eyes, nose, and ear bleeding is certainly a nod to his comics power set.

In the comics, Max’s biggest run-in with Wonder Woman didn’t um…it didn’t end well for him.

Simon Stagg

The investor who Max ends up on the wrong side of (and who then ends up on the wrong side of Max) is Simon Stagg. Stagg has been kicking around DC Comics since 1965. Despite his long history, Stagg has never quite made it to A-list status in DC Comics, and is primarily known as the main antagonist of Metamorpho, the Element Man, although he did appear briefly in the first season of The Flash, played by William Sadler.

The Dreamstone

While this particular version of the Dreamstone doesn’t have a direct DC Comics parallel, there are a few points worth noting about it…

There are certain similarities to the Dreamstone worn by the protagonist of Neil Gaiman’s The Sandman, Morpheus. There, the Dreamstone was also known as the Materioptikon, and while it looked more like a finely cut ruby than the unhewn stone we see here in the film, it could still make dreams into a reality, although it wasn’t quite as literal as the way we see Max wield it here. It’s probably not really intended to be the same thing, but it’s still cool.

Anyway, it can’t be the same as The Sandman Dreamstone because that one was created by Morpheus himself, while this one was crafted by someone Diana refers to alternately as the God of Lies, Dolos Mendacius, and the Duke of Deception. The name Dolos does indeed coincide with a minor figure from Greek mythology, whose name literally translates as “Deception.” But that “Duke of Deception” name has some historical significance for comics fans, as he was one of the first foes Wonder Woman ever faced in the comics, way back in 1942 and who has bedeviled her in various adventures through the years.

Asteria and the Post-Credits Scene

As we see in that mid-credits scene, Asteria is indeed still wandering the world…and she’s played by none other than original TV Wonder Woman Lynda Carter. What a cool tribute.

The Asteria flashback we see in the story is a nod to a Wonder Woman origin story that I don’t think we’ve seen referenced in the movies, that the armies of man (led by Heracles) had at one point enslaved the Amazons.

There’s a very minor existing DC Comics character named Asteria (who, as far we can tell made her first and only and exceedingly brief appearance in Elseworlds’ Finest: Supergirl and Batgirl #1 in the ’90s), however she bears little resemblance to this version of Asteria, who has us extremely excited. This all fits quite nicely with the idea that Asteria was already “in the world of men” if you take that as a riff on the idea that Lynda Carter’s Wonder Woman TV show was a metaphorical early foray into our world.

Other Random Stuff…

Diana in the clouds hearing the wishes of the world feels a little bit like the scene in Superman: The Movie where Supes is cautioned by the spirit/memory of his father not to try and bring Lois Lane back to life. He disobeys, of course.

The idea of a villain strolling into the Oval Office to get the President to do his bidding, and then an all out battle in the White House, feels very much like another nod to Superman II, where Kryptonian villains Zod, Non, and Ursa take the White House by force.

On Diana’s shelf is a book called “The Natural Life of the Gorilla.” Is it possible that in her travels Diana has heard of or even stumbled upon Gorilla City, home of noted Flash villain Grodd and Flash ally King Solovar?

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The white dress Diana wears to her work gala is obviously playing with Grecian themes as a nod to her Amazonian heritage, but it’s also very reminiscent of a white Grecian maxi dress with a high leg slit she wore in the comics during her de-powered era when she wore a lot of mod fits, and white almost exclusively. You can see the dress here and more looks from that era here.

Did you spot anything we missed? Let us know in the comments or on Twitter, and if it checks out, we’ll update this!

The post Wonder Woman 1984: DC Comics Easter Eggs and Reference Guide appeared first on Den of Geek.

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One thing I really like to Star Wars Baby Yoda Hug School Bus Driver shirt . geek out about on Christmas as far as clothes is concerned are ugly sweaters. How did grandma’s bad knitting come about to become so popular especially among the younger generation is beyond me. These patterns are printed in December in the coldest of cities around the world on T-shirts, that’s how common it is. It’s a good kind of ugly, one that turns out so well in the family holiday photos and one that you can’t look away from.Given the people’s fascination with knitted patterns and video games, the good people at DesignbyHumans have created a special collection of such retro sweaters for the nerd in the family that will also make grandma jealous. Star Wars Baby Yoda Hug School Bus Driver shirt, hoodie, sweater, longsleeve and ladies t-shirt

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One thing I really like to Star Wars Baby Yoda Hug School Bus Driver shirt . geek out about on Christmas as far as clothes is concerned are ugly sweaters. How did grandma’s bad knitting come about to become so popular especially among the younger generation is beyond me. These patterns are printed in December in the coldest of cities around the world on T-shirts, that’s how common it is. It’s a good kind of ugly, one that turns out so well in the family holiday photos and one that you can’t look away from.Given the people’s fascination with knitted patterns and video games, the good people at DesignbyHumans have created a special collection of such retro sweaters for the nerd in the family that will also make grandma jealous. Star Wars Baby Yoda Hug School Bus Driver shirt, hoodie, sweater, longsleeve and ladies t-shirt

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LongSleeve

Sweatshirt

Unisex Matthew Heald a Star Wars Baby Yoda Hug School Bus Driver shirt .k.a. RetroReview is a British artist, a member on the site since 2014, with a penchant for old school video games and other pop culture references. His store holds over 20 ugly sweater prints, that you can get on t-shirts but also on crewnecks and hoodies for colder holidays.If that won’t get you going, then here’s another gift idea TODAY ONLY from the same DesignbyHumans, for Star Wars enthusiasts: use the code PEWPEW on all officially licensed Star Wars apparel to get the t-shirts for $20 +FREE SHIPPING. The code will apply to t-shirts only and you can only get 3 t-shirts maximum. And still, Star Wars fandom knows no boundaries so this I understand is a very good deal, for high quality t-shirts.This mega offer includes 255 t-shirt templates, featuring a variety of styles: typography, skull and biker illustration, lovely pinups, distress effects aplenty and a whole lot of inspirational quotes, more or less SFW, many of them based on popular phrases that turned into meme parodies. There’s well over 200 such design, so you should have a look yourself and see what I’m talking about.Because you purchase all of them together, you get to pay only $74 instead of $1 245. That’s 94% off, which is a very good deal in my opinion. You Can See More Product: https://hottrendtees.com/product-category/trending/ Read the full article