#I HAVE A MIND'S EYE IT'S JUST.... GLITCHY?

[nukenai]

Weird that people online are like “there’s a word for if your brain just can’t work with numbers and math well and it’s totally fine to have that, but if you’re that same way about art, you’re just not trying hard enough and should practice more, literally everyone can draw forever!”

[citrinesparkles]

having a moment about comics again. love those silly little things

[twisted-wonderland-but-gayer]

Language Barriers

Based off the idea that Yuu doesn't speak the same language or have the same culture norms in their world!! Got inspired for once

Content Info: GN!, 4.6K words-ish, Fluff/Comedy, Platonic except in Kalim's, Aztec refs in Leonas, NSFW jokes in Heartslabyul, Staff being parents, Trey bullying

Characters: Mozus Trein, Divus Crewel, Dire Crowley, Ashton Vargas, Sam, Riddle Rosehearts, Trey Clover, Cater Diamond, Ace Trappola, Deuce Spade, Grim, Leona Kingscholar, Kalim al-Asim, Jamil Viper, Vil Schoenheit

***

***

Since your arrival in Twisted Wonderland, you have begun to grasp the language and culture of this world. For the most part, at least.

You remember as clear as day when you first arrived, the pure confusion of the Headmage and those around you. Words from your lips were pure gibberish to them. They stared at you like you were an anomaly— and they were right. You are one.

‘Glitchy’ is the term they have used to describe your voice. “It is as though the sound around you warps everytime you speak.” The Headmage— Crowley— said.

The man had given you a necklace alongside an old dorm he housed you in. It was a simple looking necklace. A small mirror charm dangles in the center of it. Subtle enough to not draw attention to it.

It wasn't just a necklace however. It was a translator, a universal one.

The ‘glitches’ from your mouth had stopped and became the strange sounds the natives here spoke. Still, the necklace is just a buffer. Just because you can understand them doesn't mean you know what they're saying.

You still do not know the slang, the culture, the phrases, the grammar. Words still slipped your mind. You swear all you can hear is gibberish at times– and honestly you don’t doubt it occasionally is when students want to mess with you. You still had a lot to learn and there have been many miscommunications along the way. All part of the journey you suppose.

The staff here weren't coddling at all but they were accommodating. They made it clear that they favored no student more than the other. (At least that's what they claim.) But they also understood that holding you to the same standard would be unfair.

Mozus Trein

Professor Mozus Trein was a blessing when it came to learning about this world. His history classes made understanding this place easier. Trein would even give you extra context with his lessons to help you understand the everyday things and universal knowledge that you are unaware of.

His standards for your essays were different. He was no less strict on you but he was reasonable. He could tell that you truly understood the concept and put effort into your papers despite the language barrier and he is not going to punish you for learning.

You would get your paper back with a high grade and a page of corrections with explanations for each one. Why this comma here wrong. Why this was the wrong conjugation of that word. How this sentence could be improved.

“Excuse me, Professor?” You test the words as you speak them, accent slipping out. Trein looks to you from his desk. "Yes?”

“This word here is marked as wrong, but I remember you saying ‘I before E except after C.’” You tilt the paper to him and the older man adjusts himself on seat.

“Let me see here…” Trein paused to read the paper, expert eyes scanning for any potential mistakes. “Ah I see, that word there is an exception. ‘Sovereign’ doesn't follow that rule.” He closed his eyes as he explained and you nodded in understanding.

“I see, so I just have to memorize it. Are there any other words like that?” You didn't like how Trein seemed to frown as he thought about it. He hadn't realized how many there were. “Yes there are. A lot more than I anticipated I’m afraid,” a sigh escapes his lips and he shakes his head.

“I will not hold this against your grade since you have been improving with each assignment. Little mistakes like this will be forgiven so long as they are not repeated. Allow me to adjust your grade accordingly.”

You tilted your head as your B+ went to an A-. A small smile decorates your features. Trein nods to you and hands you your paper back. “There you are then. On to you next class.” You turn to leave but are stopped by when he speaks again.

“You should be proud of yourself, Yuu. You are the hardest working student I've have ever had the pleasure of teaching.” You perked up and your smile grew as you were onto your next class.

Divus Crewel

Professor Divus Crewel’s classes were difficult for completely different reasons. Math and numbers were the same for the most part aside from some minor symbol changes. Word problems were the bane of your existence however. Thankfully Divus can see that you understand the math. He'll often pass you or only take half a point off if you use the wrong equation or misunderstand the question and such.

He also gave you a small private lesson about alchemy as well. Teaching you the basic terms and proper protocols that most students would have learned early in their education. He'd show how to differentiate the effects an ingredient would have by the prefixes of their names or symbols on the vial.

But most importantly he would help you socially. What you should dress like for certain events. The correct way to speak so you could sound like a native. Social cues.

And he would refuse to admit it but you were his prized pup over the rest. He may or may not have slipped you a few perfumes or clothing under the guise of “Crowley not providing enough” or “Taking stress off of you to do better in class.” You knew better though.

After all, how could he play off giving a coat similar to his? It was less flashy and more suited to your tastes. It wasn't obvious to anyone else that you matched him unless they really observed. Perfect to wear in his class.

He's always looking out for you. Making sure you are safe and secure. And should you get injured from another adventure, he is there with a potion in hand.

Dire Crowley

Crowley was the one that gave you the necklace and a place to stay. Though eccentric and a bit well… lazy, you couldn’t deny that this was a good display of his generosity. Even if he does make you work for it.

Crowley was a strange one. He'd gift you some magical object one day and then forget you exist the next. He’d help you with your paperwork for accommodations and then forget to approve of them.

One time he dropped off a stack of paperwork on you to do for him but still left you a huge comprehensive guide that teaches you how to do each one. On top of that there was even a translation card meant to help you. If he put this much effort into these papers he'd be done by now. You assume he made this so he can drop more on you in the future. You swear he mentioned he's doing this to you to ‘prepare you for when you become the new headmage— er headmaster.’ Yeah right.

He'd give you dangerous tasks then become overprotective if any boy dare get too close to you. He'd help with anything but only if you stroke his ego. Yet despite it all he was still, as much as you hated to admit it, generous.

Despite everything, he has taken you in instead of abandoning you in this world. You swear sometimes he acts like a dad to you… When its convenient.

He's so annoying but you can’t find it in your heart to truly hate him. He may get you in trouble, but the moment it becomes too dangerous he steps in without hesitation to protect you and gives you a huge lecture after.

You hope you learn enough of the language to properly scold him.

Ashton Vargas

“Is this really necessary?” You ask the coach in front who re-wraps your hands tightly. “Absolutely it is!” The Coach's booming voice resonates in you as he pats you on your back rather roughly. “Give me another punch.”

You swallow and raise your hands again. You hesitate. “Come on kid you aren't gonna leave a dent in me!” You swallow and swing at his stomach. Vargas was right, he doesn't even flinch as your arm practically vibrates.

“That was a good form! I almost felt it.” A great guffaw rumbles in his chest. “Again!” Another punch, he looks down approvingly.

“Not bad, not bad at all. I sense a lot of potential in you, kid. That's enough for today.” You breathe a sigh of relief as you wipe your brow and unwrap your hands.

“Seems my training regiment is working, you're getting stronger by the day. Still— this on its own isn't enough. You need protein, kid! Lots of it. And you know what a good source of protein is?”

You stare at him for a moment. “Those uh…” the word slips your mind. “Chicken… capsules…?”

“Bingo! But they're called Eggs here Yuu.” Ashton puts a hand on his hip and makes a fist. “You should start with a dozen eggs per day and increase from there. I know that headmage can't be relied on to pay you in time, so I personally will deliver some bulking meals myself!”

“... Why are you doing this for me?” Your voice comes out a bit quiet as you speak. Ashton looks at you for a minute. “Why? Because you’re my student and I want to see you succeed. You got some serious strength hidden in you, and it would br a shame to see it wasted. Besides…”

As he speaks he starts taking down those punchy things, sandbags, you think. “The students here are quite rowdy. I want you to be able to defend yourself, especially since you don't have magic. You have to rely on brawn, Yuu! And I will be the one to awaken it.”

Vargas strikes a pose for a moment before relaxing. “Before you go I need to teach you some vocabulary.”

“Vocabulary…?”

“About your muscles of course!” The coach sat you down for a moment as he went into kinesiology. Micros and macros. Bulking. He broke it all down for you while flexing his muscles to emphasize his points.

“Now off you go Yuu, meet me here same time tomorrow, got it?”

Sam

Sam is a cool dude. You interact with him a lot. He never had an issue when you were first learning to speak. In fact he'd help you find the products you described to him. Of course he'd try and convince you to buy the more premium products but that's just business.

He'd even offer you a gig or two. His shelves don't stock themselves and his shadow friends wouldn't mind some extra help. Just know they can be a bit mischievous. While you were working you'd even get a small employee discount.

Even though your language has gotten better, there is still the occasional mix up.

“Ah, prefect! What can I do for you?” Sam queried while leaning on the counter top, delighted to see one of his favorite customers. “I am looking for… um…” You froze. What was that word again??

“The… white liquid?” You watched as Sam racked his brain for what you meant. “An invisibility potion?”

“No no! It's like… a juice?”

“Ah! I got it! Coconut milk!” The man snapped his fingers and winked. He frowned a bit when you shook your head.

“Wait here.” The shadow man watched as you ventured into the small smack aisle in front of him. Soon you took a bag of beef jerky and pointed to the small symbol on it. “What is this animal called again?”

“That's a cow.”

“Yes! I need the juice from it! The cow juice! What is its name? I forgot.” you perked up and beamed at him, hoping he understood. It all clicked for Sam, and he let out a hearty laugh at the realization.

“Do you mean milk, perchance?”

“Yes! I knew it had that sound! I need milk!” Sam chuckled again and waves his hand, sending a small shadow to retrieve some. “By the way would you be down to do some work tonight?”

“Tonight? Yeah, I can always use some extra cash.” The prefect was always so easy going. Guess they had to be in a place like this.

“Good. I'll apply your discount right now then!”

Heartslabyul

Your favorite Heartslabyul members have invited you to join them. Another Unbirthday party was to be hosted and the stars aligned today for the whole deck to help with the baking. It felt nice to be with them. They were like a family in a way, being with them felt like home. Alongside baking, there was some cooking being done too.

“Geez you really do like your eggs, huh?” Cater asked the spade who stirred his chopsticks with precision. He is determined to make the perfect tornado omelet.

“Oh you have no idea.” Ace tsked. “Whenever we go out to a restaurant it's the only thing he orders.”

“Not true!” Deuce's interjection wasn't as strong as it usually is, much to focused on his creation. “Yeah only if they dont offer any.” Ace retorts.

“Grim, it is unsanitary to touch the batter,” Riddle breaks up the impending argument to chide the direbeast ‘helping’ him stir, “Trey how many egg yolks do I add?”

“Three. You sure got it Riddle?” Riddle pouts a bit. He knows he got a shell in the batter last time but he's trying! “I'll get it right this time, you can count on it.”

“Ooh, give the egg whites to Deuce if you aren't using them!” Deuce mutters a thank you to Cater as he finishes up his omelet. “Does anyone else want one?”

No’s resound across the kitchen aside from you and Grim which makes Deuce smile. “Alright, what kind do you want Yuu? I'm still unsure on what kind you prefer.” Deuce looks a little embarrassed at not knowing despite how long you've been friends.

Before anyone could tease Deuce, Trey asks the worst question he possibly could without knowing. “Actually how do you like your eggs in the morning, Yuu? I rarely see you eat breakfast in the cafeteria.”

You pause for a moment, the pan you were greasing slipping slightly. Then you chuckled. “That's very bold of you Trey, I never expected you of all people to say that… But judging by everyone else's reaction, I assume it doesn't mean anything here?”

“Oh? Does it mean something different where you from?” Riddle asks, looking over at you. “It does actually.” Cater looks up from his phone he was reading the recipe from, noticing your amused expression. “What else could possibly it mean though?” You hold in a laugh. Perhaps this wasn't the best time to bring it up but you can't help it.

“Is that so? I sure hope I didn't say anything offensive. What does it mean?” Poor Trey; he chuckles as he decorates one of the finished cakes not knowing the storm that's brewing.

“You essentially just propositioned me in front of everyone.” The whole kitchen is silent as they stare at you. Trey looks flustered and confused out of his mind as an abundance of frosting squirts out of the bag. “I… pardon?”

Ace speaks first “Huh?! How does that make sense?”

“Proposition? What does that mean?”

“Don't worry about it Grim.” says the diamond. “Still that seems far fetched, it's rude of you to mess with Trey like that you know!”

“I'm not lying! It's actually what it means!” Trey is adjusting his glasses now, embarrassment growing. Riddle looks horrified, trying to find his words. He's trying to rack his brain for a response before deciding to ask about it. His voice comes out a little hesitant and unsure. “Are eggs part of some sort of courtship in your world…?”

“Um… sort of..?” At your words Deuce pales. Ace takes this opportunity to be a little shit per usual. “Wow! Seems like you have a chance then, Deucy!”

“Oh shut it Ace! Wait, have I been propositioning you this whole time?!” His face is red and he's hiding in his hands. He has offered so many egg dishes over the years. Oh God he must have made you so uncomfortable— this isn't what an honor student would do!

“I still don't know what that means…” Grim grumbles.

“No no! Offering eggs is fine, it's just that particular phrase has very different connotations in my world.”

Ace is snickering at the whole situation, but especially at Deuce’s panic. He's also just as confused, however. Trey finally has the courage to speak. “Um, how exactly does that mean…” He trails off, defeated. “I'm sorry Yuu, I didn't mean to make you uncomfortable…”

“You didn't. I'm sorry. I didn't mean to tease you too much…”

“Okay, but how exactly does that mean that?”

“Yeah I'm with Cater on this one…” Ace adds.

“Enlighten me.” Riddle puts his hands on his hips, morbid curiosity getting the better of him.

“So… When someone asks that they essentially mean to say they're gonna invite you to spend the night with them and cook you breakfast in the morning.” Trey looks even more embarrassed but so does Riddle.

“So it's a sleepover? That's it?” Grim asks just to be waived off by Cater again who vibrating with laughter.

“That's a pretty convoluted way of asking…” Deuce looks to the side, also a little flustered. “Yeah it makes no sense for me either, and I'm from that world, but that is what it means…”

“Wow so Trey really is bold!” Cater snickers as Ace joins in with a “I never knew you had it in you.”

“Enough with this vulgar talk!” Riddle commands, clearly demanding the conversation to be over.

“I am never gonna live this down aren't I?”

Leona Kingscholar

I am gonna nerd a lil abt aztec mythology rn and I'm not apologizing

Herbivore is what he called you. It was meant to be an insult but you never took offense. There is no other creature that fights harder than prey that is fighting for their life or backed into a corner. If anything it was a compliment. You've seen how hard they can fight.

Yet today Leona took the title further. “You are honestly like a little rabbit. All this confidence and attitude, yet harmless.” You raised a brow at him. “Thank you.”

Leona's eyes shift ever so slightly. “You're taking it as a compliment?” You tilt your head. “I assume rabbit in this world is synonymous with fragility here…? Odd. They're a symbol of warriors back in my world.”

“Is that so?” Leona speaks boredly, but he doesn't excuse himself or tell you to shut up. “Yeah, rabbits are these mighty warriors that are completely invincible. Children of one of the 5 sin gods too. Nothing can kill them. Centzon Tōtōchtin are no joke. Odd how they're considered weak here.”

You think for a moment. “But they are known to be constantly drunk all the time and play around, so I guess that could be an insult…” Leona just rubs his head. “Take it however you want…”

Kalim al-Asim

“Look at all the stars!” Kalim exclaims, pointing up at the sky. He lands his carpet along the sand dunes, eyes full of wonder. He then looks to you with bated breath, waiting for your reaction.

“It's beautiful…” You whisper, overlooking the patterns of stars decorating the night sky. It was straight out of a painting, vast and whimsical. Kalim was glowing at your happiness. “Aaah, I'm glad you like it! I was hoping you would!”

You lean back against the ground. Shooting stars dart across the sky along the twinkling lights in a beautiful display. Your eyes land on the moon, admiring how different it was from your own.

“The moon looks beautiful tonight, doesn't it?” You freeze for a moment. “Haha, careful saying that to people from my world Kalim, not that you'll be running into anyone else from there anytime soon…”

Kalim looks over to you, brows slightly furrowed. “Eh? What do you mean?” You look back up the moon again. “Saying ‘the moon looks beautiful tonight’ where I’m from means I love you.” There's a moment of silence as Kalim ponders.

“Well then the moon looks beautiful tonight! I love all of my friends!” Kalim grins at you, fist pumped to his chest.

“It's not like that, Kalim. It's for romantic feelings. Funny, since coming here I've had a lot of experiences that would be considered flirtatious in my word…” You laugh a bit before a small frown appears on your features but Kalim snaps you out if it.

“So what you're saying is… it's a love confession?” His eyes are glimmering, the moon reflecting on them beautifully.

“You got it.”

“Then the moon looks beautiful tonight.”

Jamil Viper

So in TWST the languages aren't called the same thing in our world but I couldn't figure out the language of the Scalding Sands so I made one up. Can be a psuedo-prequel to my other fic Missing Yuu. It can be read here!

“Your Arabic is so similar yet so different than my world's version” Jamil pauses his mumbling and hums in question. “Arabic?”

“It's a language where I'm from. It sounds very similar to yours. Like I swear it could be some sort of dialect of it.”

“Scaldic, you mean?” You nod looking over at him from where you lay in his bed. “Is that what it's called? It's a pretty language.” Jamil messes with the stereo in his room, taking out an old CD and browsing for another he wanted to show you. “Maybe once you get more comfortable in this language, I can teach you a bit.”

“That would be lovely, thanks Jamil” As the sounds of shuffling continue from his search and you absentmindedly mess with your necklace before sitting up. “Wait! I know!”

Jamil perks and turns to you, watching as you start to take off your necklace. “Here put this on, you've shown me so much music from your world, let me show you some from mine!”

You offer the necklace over, shaking it a little for encouragement. Jamil takes it gently and examines the necklace. He lifts up his hair and slips it on, feeling a warmth on his chest from where the mirror lay.

You speak, and Jamil braces against the weird feeling of the necklace warping your glitched gibberish from your throat into his native language. “Can you hear me?” The words echoed in his head a bit. He took a moment to fully process them as they reverberated in his head.

He almost replies in his native tongue, but the amulet compels him to speak another language. Your language.“Yes, I can.” He replies, slurring a bit as he feels his words echo and warp. Strange… he knows what he's saying but he can't understand it.

“You have an accent, well that makes sense…” You chuckle a bit as he sits beside you, taking a moment to adjust to the sensation. “I never thought about how the enchantments on these worked. I assumed that it would be instant. Is this what it's like for you?”

“Crowley said it would probably be different for me cause I'm not from this world. See why I ask you to repeat things all the time? … thanks for not getting too annoyed with that by the way.”

You tap away on your phone for a moment. “Here we go, I got some songs in Arabic for you, look.” Jamil watches you press play and takes in the music. It was ethereal, so different yet so similar to his worlds. Uncanny yet compelling. Then the lyrics start and he furrows his brows.

“It really is like Scaldic.” he replies, closing his eyes. “Its like if I focus hard enough I can hear it in my own language, but I cant.”

“See what I mean?” Jamil nods. “I think I'm picking up some words though, but there's no guarantee the meaning is the same.”

“Yeah it's how I feel all the time here… its frustrating at times. Oddly enough there are some words that stay the same, mostly food for example. Like mahalabia or horchata for example.”

“Huh, odd how that works…” the music coursing through his body invigorates him. He can imagine all the potential ways to move to this.

“Yeah. And it's the same dish too— well sort of. It tastes so similar yet so different. I miss my world's food, but I'm slowly forgetting the taste of it. Its just vauge memory.” Jamil peers over to the saddened expression on your face. He never even considered that part of being from another world.

“... How about we listen to your music while cooking, then? I'm sure we can make something that tastes like home.” Your face brightens. “That sounds nice.”

Vil Schoenheit

“Thank you for putting up with my accent, it must be annoying to deal with.” You sip on the tea he offered you, trying your best to abide by the manners in this world. Vil merely looked at you.

“It's not annoying at all. Your accent is fine just the way it is.” He almost seemed disappointed by the insinuation.

“Ah… Sorry I just saw that Epel’s usually not allowed to use his accent around you, so I assumed I shouldn't either.” Vil sighs.

“That's different. You have already proven yourself strong and beautiful enough to be who you are. Epel on the other hand needs to learn to accept himself for who he is first before he can truly be the person he wants to be. He must prove to me he can love himself as he is. If I hated accents, I wouldn't have let Rook speak in his."

“Ah I see… Thank you.” It wasn't everyday that you get praise from the Vil Schoenheit. “Your speech has improved, though I may point out there are some words you may need to work on. Your accent may make it sound like you are talking about something else entirely. Hmm…”

You hold your breath as he thinks. “I want you to grow into the best spudling you can be, so how about you take voice lessons from me?” Vil seems to smirk at your surprised expression. “From you..?”

Vil nods. “Yes. This way you can grow more confident in your speech and vocabulary. That voice of yours is beautiful, it just needs to be tuned.” You look at your tea then to him. “I accept.”

[futureplayboibunnie]

Aphrodesiacs Pt. 4

Miguel O’Hara x fem! spidey! reader

You and Miguel O’Hara were bitten by the same spider…what could possibly happen?

mmmmmm heated.

the way you guys are eating this up makes me so damn giggly. love u fr. i’m feeding u crumb by crumb.

BROOO NSFW 18+ ykykyk

A few days had passed, still actively avoiding each other, still actively desperate for each other.

Your lips were bleeding raw. It was a nervous habit now, chewing and knawing in your lips to conceal the broken moan escaping from your throat. It was like second nature, you were actually wondering if Miguel could actually see through your eyes.

Miguel was in his office, late again as usual, and he made sure that Lyla placed you as far away from him at HQ as possible, so you ended up in the shitty lab that you hated. He contemplated not letting you at HQ at all at night when he was here. But you actually wanted to see this suppressant through, you couldn’t give up. You had to at least try, no matter how hard Miguel pushed his distinctive and contrasting ideology onto you. You had to be sure, even if it was all for nothing.

You ran a diagnostic and everything seemed…fine. It would be smarter to wait but you had to try it out, not even bothering to drink it yourself first, you wanted to give it to Miguel so you could see that smug, God-like look from his face fade into normalcy: not being whipped over each other. As you closed the lights in the lab in a hurry, Lyla glitched in front of you as you headed out. You sighed as she crossed her arms and tapped her foot, a strange look forming on her face.

“Where ya going?” She said surprisingly chipper but you know she had an ultrerior motive. You waved a hand into the air she was in but she glitched to the side of you as you walked completely determined.

“Nowhere…” You mumbled, a frown settling on your lips. She didn’t believe it and she glitched in front of you again.

“He said doesn’t want to see you.” She shut her eyes and rattled your nerves with that sing song voice. Oh he doesn’t want to see you? Well, that’s funny. You would bet all your possessions to the fact that he does definitely need to see you, he just can’t because of some misbegotten respect out of his own moral code. You scowled.

“I don’t care. I have to show him something.” You gritted out hestitantly as you raised the vial up.

“Sorryyyy, no can do.” She smiled warmly and then before you can even blink, a red glitchy quilt of a cage Miguel would use for anomolies covered you. You blinked rapidly, filled with nothing but rage at the holographic AI.

Why the hell was everyone trying control you? Miguel. Lyla. Who next, Jess? This was between you and Miguel only, you didn’t care if Lyla was practically an extension of him, all you wanted was for all of this to go away. Even if you moved across the globe from him and met the hottest guy with the biggest dick, you still wouldn’t be able to unsheath yourself from the biggest problem: Miguel. As your palms hit the glitchy forcefield, you grunted hard. A thought flashed through you: what would this be like if you stopped being Spiderwoman? You shook your head and elbowed the shield.

“Lyla. I swear to God, if you don’t let me out-“ Your teeth were threatening to shatter as you glared at the faux pout that Lyla had.

“Sorryyy. Boss’s orders. Gotta go, Margo needs me!” She giggled before disappearing into thin air.

“What the hell? Are you just going to leave me here?” You yelled at nothing but a blank space. No other spiders were here, how the fuck were you supposed to do until morning? Thank God, the lights were still dimly lit so you wouldn’t be trapped in darkness…and Miguel was still here.

You felt it. In your bones you felt it.

No, no, no.

An unbidden image if him fucking you over his desk from behind as he pulled your hair seared into your mind. You felt it, you felt the thought react to all corners of your body. It would be so hard, so rough, so intense….He would cum all over your back and then plug his cock back in you. God, he would-

Please, not now. Please, why now?

-

Miguel wasn’t making any actual, practical effort to find a solution for any of this. His whole schtick was avoidance, he had done it to many women in his life, he could do it with you. Enough of being this weak, pathetic man, he could keep all of this in check if he just focus and didn’t let his mind wander or drift. He could do it. Yes, he knew he could.

Even though he was trying to not think about these primitive urges towards you, he couldn’t help a ribbon of curiosity flow through him about you. Why you? Yes it was the spider that was the root cause of this, but you….He wanted to know more. Miguel was an insatiable man with a trust that he beats down reguarly. He doesn’t trust. Ever. Even in his society, he knew that every single society and every single person in those societies had an agenda. Including him. His agenda right now was not fucking you.

He glared at his orange screens, watching clips of you fighting, clips of you walking around HQ. As much as he thought it was just “normal” curiosity with no lustridden intent, he couldn’t help but gawk at you like a fool. What was it about you that made you so damn attractive? It couldn’t have just been the spider that made him see that. He wanted to know more about you, your friends, your life….

In a fit of impulse, he wanted to hack remotely into your phone. It wasn’t even a second thought. As he had to remind himself…”just curious.” He then toggled his morals back on, this was such an invasion of privacy. It’s just so awful of him to do this, but his impulses were deemed more important right now.

He sighed loudly and screwed his eyes shut. Fine, he would destroy any pathway he had to get to your phone after this. He would never do it again.

It took about 20 minutes to do it, but he finally got in. He winced at how he was acting but as soon as his orange screens mirrored your phone, he pushed the feeling aside with a grunt and raised his fingers to start scrolling through your phone remotely using the screens. He went on your texts and there were multiple guys lined up just begging to fuck you. Your hookups were desperate for you and they wanted more. The texts you sent were very blunt and he couldn’t stop his brow from furrowing as his eyes skimmed.

- Come fuck. Left the door open

- On the way.

it should be Miguel that kicks the door in to see you, his face contorted into a snarl just imagining someone else doing it. He knew he shouldn’t but he kept scrolling.

- Need to ask you something.

- What about.

- Are you fucking a guy called Miguel or something

- What? No.

Miguel’s eyes widened as he read the message. What? He was stunned and tinged with a heated anger. You were talking about this to other people? No one could know, that was the first thing you were both told.

- Then why’d you whimper his name when we fucked.

You didn’t answer that text. Miguel’s mouth unhinged open as he saw those little words written out in front of him. Wait…you fucked other guys and…pretended it was him? Like Miguel was doing to all his women? Jesus Christ, this really wasn’t manageable. You moaned his fucking name when another guy had his dick in you. He felt so fucking smug and triumphant, a smirk lifted up his face. Oh the thing’s he’d do to you in order to make you whimper his name. Your other men must be racking their brains and going crazy trying to found out who he is.

You had a few friends you shot messages too but all there were now recently were hookups. Miguel frowned. He went to one chat and his eyes started gleaming red. He scrolled and found a picture of you. Posing for the camera for this random guy. Naked. Miguel swore he felt the vein on his temple thrum behind his skin, his dick hardened so fast that he was sure he’d be the most pathetic man on Earth, but how could he not? You looked so…delicious.

You were sat down on the edge of your bed, phone angled to the side so that your chin rested on your shoulder, the look on your face made him groan. You pouted at the camera and tensed your brows, lips glossed and wet, eyes gleaming with desperation and arousal. Your legs were spread wide apart and he could see very clearly how wet you were, your tits sat so prettily he just had to close his eyes and grunt. “Oh my fucking God….”

Your body was better than he could ever fucking imagine, your thighs especially. He couldn’t wait to eat you out. He wanted to frame this picture and put it on his desk so he could fuck his fist while he worked, maybe he’d get you to suck his dick under the table and-

No. Por favor. Control yourself. This means nothing.

He was lying. This meant everything.

He was pulled by his mindless gawk unkindly as an alert popped up on his screen, it was the security camera picking up on something.

You.

“Lyla! I swear to God someone let me out! I can’t be here all night. Miguel?” You screamed, he looked at the live footage and he sighed thickly. His face was hard, his eyes were mean and bore a visciois crimson hue. Seeing you like that, posing for another man made him jealous beyond pure reason. He would put a bullet between his eyes and fuck your face after he did it.

Miguel shook his head hoping to fly away this tangible and unreasonable jealousy. He was doing the exact same thing, he fucked other women like it was a new hobby and in some ways it quite had to be. But they really didn’t mean anything. They weren’t you. It felt like nothing too. Though, he didn’t know if your hookups meant nothing to you. Maybe you were in love with one of them, that’s why you were so desperate for a suppressant so you could truly love someone else. Miguel’s face went blank and then contorted back to pissed again. He was the one that told you to stay away from him….

He punched the console that helped him hack your phone and then threw it across the room in a fit of anger. He stood still for a minute and raked a hand to regain his composure. He took a few deep breaths to find balance again and then walked out of his office and to where you were so he could make you go home and stay there.

Miguel clenched his fists in order to avoid punching any more of the infrastructure and he felt his knuckles turn a piercing white. He found you in the distance in the red forcefield, looking unhappy as ever and all he could envision was you naked under the suit. He groaned as he approached you, pinching the bridge of his nose.

The look you gave him was deadly. You were so pissed. This wasn’t normal anger, it was animalistic and wild. You were sure you were turning more and more red the longer you stood. Viscious wasn’t the first thing you were about to be right now.

“Let me out of this goddamn cage right now Miguel.” You quietly seethed, eyes piercing and frown growing. He had never seen you this angry before, it was alarming yet refreshing. He mirrored your exact same look as he took the forcefield down, your body langue nor your face seemed thankful.

His eyes flicked at the vials and his face grew even more indifferent, he stepped forward and snatched the vials from your hand and crushed them with his palm as you watched in disbelief. Your mouth opened in a gasp and then you fell even more furious than before. You grabbed onto his collar and leaned in, faces still bearing the same scowl, up real close.

Instead his free hand pulled your hair back and he whispered in your ear. “Don’t send naked pictures of yourself to anyone else from now on, we clear?” He spat out coldly, venom boiling and seeping into his blood as he uttered the words.

You attempted to hide the flash of surprise on your face through the anger but what was impossible to conceal was your arousal. How the hell did he know? What the fuck was he doing? It’ll be a snowy day in hell before you ever forgive him for breaking the vials. You gave him a poisonous look before you leaned in to his ear, his scent already messing with your brainwaves.

“Next time I see you…I’ll kill you myself”

He let go of you and then turned his back on you, forming a portal for you and for himself, glancing at each other as you walked through it and disappearing into the night.

-

i’m making it painful. i’m making u wait for it ahahahaha

-

taglist (giggles): @thel0velykey190 @scaleniusrm @drefear @imkikibtw @tbeanie3 @spxctorsslxt @saturnknows @eddiestitmiguelsbigdick @mafer383 @i-feel-violated @crowleysthings @avatar-lover @tbeanie3 @l3laze @wyvernnest @rowboatweeb @schniti-is-in-the-house @defnot-bri @awkward-d3rs3-dramer @hasai69 @unnisumi @irongardenermaker @d1lf-loverrr @iamv1n

[moonsaver]

Thank you thank you thank you for answering my ask about the "accepting a confession you dont want". I was afraid Tumblr would eat my ask. I didnt expect so many HCs so Im truly very grateful. I really enjoy reading your hcs and writing.

I totally agree with Aventurine using it to his advantage and Argenti being delusional and love bombing you constantly. I dont know if Aven would ever get desperate/tired/sad of you not loving him, or if Argenti would ever realise theres something wrong. But thats a problem for the future haha.

Thank you so much for the feedback and appreciation!! Also yes i understand lol, tumblr is a very glitchy app and its half a minute away from experiencing half life of a radioactive substance.

Aventurine has many mixed feelings about it, in my opinion. I didnt expand more on it in case it went off topic and the post got too long, but i guess ill do it here.

Aventurine, despite being cunning and shallow regarding his profit at times, still does hold sincerity inside. He does want to be loved by you in a romantic way, and at times both of you share quiet moments, where you stare into space conflicted about your relationship, and Aventurine stares at you in silence, wondering about everything he's done up til now, and perhaps all the things that could have been avoided if he'd done something differently from the start. He does get jaded about your own conflicts. Regardless, it's not too soon before you snap out of your daze and look at Aventurine, his solemn face turning into a relaxed smile. Something on your mind, sweetheart? And he feels a pang seeing the conflicted look in your eyes return.

Argenti, on the other hand, is .. just painfully oblivious. Even if you tried explaining to Argenti and tried to back out, he won't understand. A part of you wonders if it's that he doesn't understand, or just doesn't want to understand. Regardless, if you of all people can't explain it to him, there's no hope of anyone being able to step up for you.

I imagine the only time Argenti could be on the verge of understanding is if you've escaped his grasp multiple times, and someone strong gives him a stubborn battle and beats some sense into him while he (hunts you down) searches for you. I imagine he only ever contemplates on it for a brief moment, before alluding it all to Idrila simply testing him and his devotion.

Sigh, he's incurable.

[sage-is-in-fact-very-tired]

might've cooked too hard on this. it sure is. so many worbs. [18,320 words, to be exact.]

but, i commit to my bit, and I will continue to do so because i'm a *loser* - so, welcome to the “sage looked at the c!sherb playlist and went far more bonkers than probably necessary” post. because uh. nothing i say ever stays a bit very long-

—

[Section One - Man. Icarus Morningstar is such a character. The most character of all time.]

-> [Icarus]

-> In my mind, this is 2 to 3 people talking to/about Icarus. The first section, up until the instrumental in the middle, being Centross. Just the whole idea of drinking, it feels very much Centross about them. (“Living beyond your years” is very reset coded - not Centross talking about them, but the rest of that section definitely feels like Centross.) The second section, up until “you put up your defenses when you leave”, is very much Fable talking about them. Just the whole idea of them falling - he would've been the one to see that - and the whole idea of him being scared of that happening again and again and *again.* The last section, following that, could be argued it's either Centross or Rae. How they both know that Icarus puts up this front, this armor, when they talk to people, when they walk around, and only really *really* drop that when they're alone or when Centross or Rae is around. (Well. There's an argument that they *don't* drop their walls completely around Centross or Rae, but this is playlist analysis, not character analysis-)

(Also the whole reset idea of Icarus dying over and over again, forgetting over and over again - falling over and over again.)

-> [Redesign Your Logo]

-> This is very much about the whole change from *just* yellow's and golds, to the yellow and purple color scheme they end up with due to the eye. It's very Midas to Icarus coded, basically. Because as a kid, they were mostly dressed up in yellows, but as time went on, and as the eye happened, and as the resets started, that *changed.* they shifted into wearing purples more often, mixing them with yellow - for all intents and purposes, redesigning the logo they had previously had. Also the whole idea of the trident changing from the trident to the Quixis symbol - cause. Yeah that's kinda Icarus’ logo. (The argument could also be made about how they become nicer with the eye and the following resets - their logo, their typical-ness of being a snarky asshole shifts into being something kind and caring and compassionate. It's Redesigned, and it's at least *partially* Midas’ doing.)

-> [Any Day Now]

-> Icarus about the wack. How they want it to stop, *think* it will stop, soon. It'll stop ‘any day now’ - it can't keep going forever, can it? (Also the pain Icarus is constantly going through - the bad, the horrible and the terrible and the suffering - it'll stop eventually, right? It can't keep going on forever - it'll stop any day now as long as they can *make it* there, make it to the point they're good and happy and it can stop. They just have to keep going and it’ll *stop.*)

-> [&]

-> Icarus’ hypocrisy. How they do things, harm, yell at, everything like that, to others - while doing the same things they're berating others for themself. How they'll do one thing, and call it fine, while criticizing that *exact* same thing. Also could be seen in a light of Fable talking about Icarus’ actions and friendships and things of that sort.

-> [Comb Attack]

-> Okay this one is. Mmm. Okay. Most of the words in here are very glitchy, very cut off from each other - something about the resets cutting off Icarus? Cutting their words off, cutting their actions off, cutting their memories off, *glitching* them.

-> [Hungover in the City of Dust]

-> Icarus’ Isolation. How their friends are constantly leaving them alone and isolated, and how they're constantly pushing people away, and how they're left running around in circles trying to catch up, trying to save themself, figure out what's wrong, figure out how to *fix it.*

-> [Mr. Backwards]

-> Icarus’ more backwards way of thinking. How they'll tell you what they *want* How they're hurting, but they're not going to tell you. How they're trying so desperately to not let people see that, seem so backward to others.

-> [Never Meant to Know]

-> Just the whole idea that there is so much about this world that Icarus cannot and should not be privy to until the correct time - how they live their life rather peacefully up to that point, not knowing, never knowing. The whole idea of the resets - and how really, truly, Icarus wasn’t supposed to know about *any* of this, how they were supposed to be *dead* and they’re not, they were genuinely *never* meant to know.

-> [Out of the Box]

-> Resets. The whole idea that Icarus has died again and again - and that whole like. Abrupt manner of the resets. How they can be doing something one moment and the next they're outside, surrounded by grass and surprised.

-> [Digital Silence]

-> Icarus siding with Fable, and really, Icarus’ actions in general - How they have to do this, regardless of what others say, and regardless of how it makes them *feel* - they *need* to do what they're doing right now; it's all a means to an end and they *need to* do it - because if they don't, things could go very wrong and very different. (Different in a bad way, of course.)

-> [Alien Blues]

-> Just kind of describing Icarus’ whole life - the pain, the bad, the terrible. The whole idea Icarus plays everything off as a joke - they *don't* let people see what really happens, and the snark and asshole attitude people give them because of that. Also maybe the whole idea of the way the things snark them sometimes after bad things, when they're repeating history in a bad way. (Also also also “I'd do anything for you, Mrs. Highness” something about how they’d do anything for Fable, *anything* - even if it meant killing their family, if it meant that he might love them; if it meant they’d be good and they’d have succeeded in something - succeeded instead of *failing.*)

-> [Under My Skin]

-> Just. Everything with being not entirely yourself. Everything about being yourself on the outside, but having someone else simmering right under your skin, telling you things, making you do things. The entire idea that Icarus isn't entirely all *themself.*

-> [Able]

-> That whole idea of Icarus not wanting to be alone in their own mind sometimes, on top of wanting to just be *fine* - on time of trying to so desperately *convince* themself that they're all entirely and completely fine. Saying it out loud so it properly sets into their mind, so it properly comes to fruition.

-> [Mirror Man]

-> That need to be *seen* by someone - anyone. That need to be heard and seen and known by someone - and the knowledge that if they don't, Icarus will make it worse for not only themself, but *everyone* else - make them live Icarus’ nightmare.

-> [Brass Goggles]

-> A) Copper duo; B) That whole idea, almost, that Icarus likes to shove down their feelings. They like to pretend the Icarus that has bad, upset emotions doesn't exist - at least, when in front of people. That whole idea that they try to present themself as someone who doesn't break down in front of others, they try not to cry and they try so desperately to keep this facade up and teach themself more as time goes on how to do so.

-> [Bleed Magic]

-> In my mind, this is very Midas talking to Icarus. Just that whole idea of Midas knowing what Icarus is like; that whole idea that Icarus is *lonely*, that no one believes them just because of how much they *lied*, and is, somehow, bleeding magic out. Literally, in the direct form of Sherbert's eye (Which was, in a way, *killing* Sherbert - not necessarily the bleeding eye, just simply the fact they didn’t become Quixis when they needed to), as well as the whole concept that due to the fact they didn't become Quixis when they should've, Midas has spent far far too much time and energy and *magic* on them. Icarus literally draining them, bleeding them, leaving them with such little control.

-> [Gold]

-> This being about how everything they touch changes no matter what they do, how they try so hard to keep if from changing - but the wack is random, Midas’ can't control it, and so it *changes,* it changes gold and bright. Everything they touch changes to gold, huh?

-> [Gold]

-> Just, I guess, that whole idea that no matter how many people leave them, or get killed around them, or anything like that, they'll come back. The idea that those people can't break like that, because Icarus has always seen them like a rock that *can't* break.

-> [creature]

-> That whole idea of how Icarus *is* Creation's child. They are creation, in a way. They push His ideals, however subconsciously, into people. He is leading their way, and will be, and this is a good thing. And Icarus pushes and pushes this idea - showing both the good parts of themself, not quite the good parts of Creation, as well as the bad more twisted parts, parts almost completely Fable's fault due to them almost being *His* ideals. (“I am creation, both haunted and holy.”) Also almost that whole idea of the resets, their body re-created and re-created over and over and *over* again. They *are* the embodiment of Creation's powers - a person remade through Him, made in His image, made to be the person *He* wants them to be. Haunted, in the idea they might as well be a ghost, and Holy simply because Fable deems them as such - deems them His favorite.

-> [Path to Isolation]

-> A) Oh my gods this song is so fucking coded what the fuck; B) The whole idea of how loss, be it of someone, or *something* - leads them down this path. Leads Icarus so often down this path of immense anger, leads them down the path of the side of the enemy. That whole idea of everything breaking, be it through their own means or someone else's. That whole idea that going down this path so often means that they're so incredibly alone, and means they can't *recognize* themself - they don't know who they've become in all this pain and hell and *bad*, they can't find it. They just keep falling apart and they don't even know when or where to begin to pick up the pieces.

-> [Bet On It]

-> Just that whole idea that Icarus wants to do the right thing, so desperately. Despite all their doubts, their disbelief, their questions about this world, they want to do the right thing - they *will* do the right thing. They need to. They've put all their effort into doing the right thing - it'd all fall apart if they didn't continue to do that.

[Section Two - Broters. also family <3]

-> [Problems]

-> Am I aware this is on the playlist because of Charles? Yes. Am I going to say this is brothers coded anyway? *absolutely.* Because it is brothers coded - something about Icarus seeing themself as bad and someone who can't be saved, while they view their brother in a significantly better light, and see him as the good one and the one who's gonna save them.

-> [Two Birds]

-> *Separation* - This is very much Icarus and Rae drifting away from each other. Icarus drifting away and leaving and hiding, while Rae continues time and time and *time* again to help them and save them and drag them back *home.*

-> [Family Line]

-> Something just about repeating history, and something about following after your parents, and something about how they'll try to change and change themself so much so they don't mirror their parents, and something about how they have to live with everything their parents have done.

-> [Call Them Brothers]

-> Separation!! Again!! The brothers are apart from each other, separated rather permanently through the resets, and, from Icarus’ point of view, they probably *can't* fix it. They can't mend themselves back together like they used to, they're broken.

-> [Brother]

-> Something about how despite being broken, despite all the separation and time lost that hangs between them, they still rely on each other. They'll still help each other no matter the cost, because, in the end, they're still brothers - they still love each other and they still *care.*

-> [Rule #4 - Fish in a Birdcage]

-> Icarus being trapped and isolated, be it through their own doings or their father's or *anyone's*, and how Rae will always be there to sooth them, help them, care for them, *love them.* He cares so desperately, and he'll do his best to take care of them, and Icarus *believes it* - that he loves them.

-> [Icarus]

-> This one feels *mostly* Rae talking to Icarus - Seeing just how far they've flown, and just how far they're willing to fall. That realization of what Icarus has become after all of this, and trying so very hard to drag Icarus back down in any way he can. The last part is Icarus to Rae, however. That try to get him to stop - that “you can't save me, Rae.” That acknowledgment, no matter when in the timeline, that Rae can't save Icarus. (Icarus has to be the one to save themself.)

-> [The Family Jewels]

-> Just that whole idea of cycles - that whole idea of just fucked their whole family is. That whole idea that this cycle of pain and suffering will continue until *they* (Icarus) stops it. Their almost snark to Rae, that idea that they only share *one* last name - Morningstar - and not both. Also that whole idea of Icarus being the favorite - that Fable conditioned them to be the “better” one, conditioned them to be like *this.* (Also just the whole idea of “jewels” - royalty. That idea, almost, of Icarus welcoming Rae to this life. This life of trying too hard, so very hard to be perfect - to be the best, to be royalty, because they have to be. And, arguably, that realization that Rae never had to live that life. That realization Rae never *had* to be the perfect one - Rae got to. Live normally, pretty much. Whereas Icarus grew up young having to be a prince and be as perfect as they could.))

-> [Sparkbird]

-> The whole idea of Icarus noticing little things, pointing them out, needing Rae to notice them. The whole idea that Icarus grew up far *far* too quickly, and Rae is almost their outlet of that - they want so desperately to make up for a) all the time they lost with the resets, and b) all the times Icarus was just an asshole to him.

-> [When the Day Met the Night]

-> Did Sherb say this was Fable, Enderian, and Isla? Yes. Am I going to say it’s brothers coded anyway? Also yes. Just the whole idea of how Rae is always there for Icarus, and how they make each other better when they’re together, and how yes, they often have their bad moments between each other, but in the end, there’s always good - in the end they always manage to find a way to have the sun shine brightly upon them, how in the end they still love and care to deeply about each other.

-> [Icarus]

-> Rae to Icarus. That whole idea that Rae can so easily see through Icarus’ front - so easily see what they're trying to hide. The idea that Rae can so easily see the danger Icarus so often leads themself to, and so often tries to deter them away from that. The whole thing of Rae so often giving Icarus an *out* - asking them questions, leading them in the right direction. (Or, at the very least, trying his hardest to do so.)

-> [I've Got You]

-> Considering this is a Zenni song, and one made for Fable specifically, it doesn't *really* need an explanation - However, just like. The whole idea that despite everything, despite all the brothers have been through and all their arguing and all their bad and terrible, Icarus and Rae still care about each other. Icarus will still keep Rae safe no matter what happens, because that's what older brothers *do*, that's what *family* does.

[Section Three - Season one, am I right or am I right-]

-> [Fine]

-> Just that whole idea at the beginning of season 1 that everything was actually *okay.* It was fine, it was okay, they were all *okay.* Nothing bad had happened yet (at least, not that they could remember), and it was all going well - and the idea that it was going to *continue* to go well. To them, nothing bad was going to happen, because why would it? It's all gone well up to this point - why would it start now?

-> [My Eyes]

-> This is very early corruption - the first part being Icarus, that slow realization of what they're falling into - bad and anger and hopelessness (almost?), and that whole idea that they're getting *worse.* The second part is Momboo - almost trying to comfort herself and Icarus, convince herself and Icarus of what they (Icarus) *really* wants - that they don't want to be bad, truly. (Regardless of their actions, and what Momboo and Co see so clearly in front of them.)

-> [If I Killed Someone for You]

-> Icarus to Momboo in early corruption. The idea of their true sense of self - or at least, the sense of self they had before - is slowly rotting away as corruption takes hold. Slowly killing the good person they were, slowly killing them, and leaving only the bad, ugly, and bloodied pieces of them. Would she still care about them, still hold their hands, if they weren't the same person she had fallen in love with?

-> Could also be viewed as Icarus to Momboo in late corruption, more towards the end, after killing Haley. How there's physically blood and gore on their hands, and would she still hold their hands knowing that that covered their hands like that.

-> [Laplace's Angel (Hurt People? Hurt People!)]

-> Corruption. Basically Icarus to *everyone* - That snark of “am I *really* that bad?” because they know, if necessary, they can be so *so* much worse. That acknowledgment that if anyone else was in their shoes, they'd probably drop to the same lows they had - the same bad, terrible and horrible actions. (Well - they *think.* They come to know later that probably wouldn't be the case, but it's almost what they end up believing up until, really, Breaking Bonds.) Just that whole idea of their mentality during corruption - how bad they can be, and how much worse they could be, and how much someone else in their same shoes would be just as bad.

-> [Ways to Be Wicked]

-> Very Ominous Bane. Just that whole idea of there being so many ways they can just be *evil.* The whole idea of trying to convince people to join their side, to join their cause, to change the story, to be *bad.*

-> [Heathens]

-> Sherb said this is very Easton talking to Athena about Ominous Bane/Icarus, Centross, and kinda sorta Seven, and I very much agree with that. Just the whole idea of a *warning* - of how messy and chaotic and bad Ominous Bane can be. The whole idea of everything they've been through before this, be it if they remember it or not, and how it affects them still to this day. The whole concept of someone trying to warn Athena of what they're getting into, *tell them* what everyone here is like.

-> [I WANNA BE YOUR SLAVE]

-> Just that whole idea of wanting to be seen as good by Enderian - almost? That whole idea of *wanting* to be her puppet, and wanting her to tell them what to do. (And that whole idea of after it, wanting to be redeemed.)

-> [Twisted]

-> Hot take - Icarus taunting people. Icarus trying to get Ominous Bane with them to help taunt people - *specifically* Athena. Just that whole idea of trying to get them to believe that, a, they're not a hero, they're not going to be - and b, this world as it is, isn't worth saving. They need to mess with it, blow stuff up, kill people, *something* to make it worth it.

-> [Ramalama (Bang Bang)]

-> Just the whole idea of Icarus and Co going around and blowing shit up. Just the snark and annoyance and bullshit they say during it, and the stuff they tell people while they're blowing stuff up - the whole *loudness* and bangs of the explosions - all of it.

-> [Secret]

-> Icarus asking Athena to keep all of this - Ominous Bane, *everything* about corruption - a secret. That loosely veiled threat of what would happen if Athena told *anyone* - what would happen to *them* if they dare spill that to others. The fact that Icarus so desperately wanted to keep corruption, keep their actions, keep Ominous Bane and Athena's involvement in it, a *secret.* (And how, in the end, they can't. Because in the end, Athena *tells* - and Athena gets hurt because of that, but they also get *saved* because of it.)

-> [Hawk in the Night]

-> Icarus to Athena - That whole idea of Athena doing good and being what Icarus wants her to be for them and Ominous Bane. That whole idea that Athena should fight against their friends, stop trying to call out to them for help, stop trying anything - and being proud when Athena would finally end up doing that, cutting ties.

-> Hot take, not in the correct spot in the playlist for this, but also Fable talking to Icarus - be it before or after the cathedral. That whole idea of Fable *wanting* Icarus to isolate themself from their friends and brother, and being pleased when they did that; as well as the whole idea of fighting your friends and family and siding with the “bad guys” and not, well, your family. (Or well, Your family family. The people who really love you. The people who’d care if you’d die. The people who want you to be there and you to be around them.)

-> [Sharks]

-> Just that whole idea of Icarus and Ominous Bane almost taunting Athena while he’s with them. The whole idea that everyone knows, that Athena thinks they can be better than everyone else (when in reality they’re just the same), and the whole idea that one day Athena will see that all she’s doing is swimming with sharks that want her gone and dead and hurt the same as everyone else.

-> Another hot take, Rae to Icarus around A Brother’s Final Stand. That whole idea that one day Icarus will realize their mistakes and missteps and wrong doings and how *Fable* is wrong, and they’ll truly realize how in too deep they are, and just how deep they’ve gone to swim with the sharks.

-> [Lies]

-> Just that whole idea of *all* the lies Icarus tells during season 1. To others, to get people on their side; to Ominous Bane to make themself look better; to *themself* to hide away they're *cracking.*

-> [We Both Reached for the Gun]

-> That whole idea of being a puppet to someone else. That whole idea of someone standing behind you, trying to control your actions and words and *everything* about you. That whole idea of corruption, being a puppet to yourself - in a weird sort of way. And that whole idea that during corruption and Ominous Bane, Centross tried so desperately to make Icarus do what *he* wanted.

-> [Wolf in Sheep's Clothing]

-> Just the whole idea of corruption. All that anger and upset and *mad* - targeted at *everyone.* Arguably, Icarus to Centross. Just that anger at how he gets to Enderian, that anger he gets to do whatever *he* wants, and they're delegated to. whatever this is. All of the arguing that happens between them - it's very season 1 prison duo.

-> [Play With Fire]

-> This is Centross and Enderian, yes; *Arguably* them almost taunting Icarus. The whole idea of them getting to do all of this, and do it *together* - while Icarus hasn't even gotten to *talk* to Enderian.

-> [Can't Stand the Rain]

-> Just that whole idea of literally not being able to stand the rain - how it's constant, how it means this just keeps going and going and *going* and they're not really getting any further than before. (Also like that whole idea of love - how there's truly no such thing as it, as long as this keeps going; as long as they’re corrupted.)

-> [Bust Your Kneecaps (Johnny Don't Leave Me)]

-> Three Strikes Three Strikes Three Strikes. This is so *incredibly* three strikes coded. Just that whole idea of Icarus taunting Athena, chasing after them and everyone else, threatening them. The way that Icarus was fully willing to hunt and kill all of them - fully willing to *go there* and hurt them like that.

-> [6up 5oh Copout (Pro / Con)]

-> This is so very prison coded. Just that whole anger at the fact they were even *put there* - the idea that people would dare misuse their trust like that to trap them. The anger of being alone and trapped and the fact no one was even *considering* letting them out. That need and what to be *out* because they were perfectly fucking *fine* - they didn't need to be trapped like this, why did they even *think* Icarus needed to be trapped like this?

-> [Murders]

-> Getting put in the prison. The idea that they go looking for something, they’re promised something and they work incredibly hard to get to that point - but in the end the prison ruins that for them. In the end, all their efforts were really worth nothing. All their efforts to see the end of this weren’t worth anything because look at where they are now. Look at where this has gotten them - trapped in a prison, panicked and alone and *hurt.*

-> [Nothing Left To Lose]

-> Loose Ends Loose Ends Loose Ends. This is so very incredibly Loose Ends coded. Just that whole idea of Icarus’ to put Centross into the prison - and their attempt at that. Then Centross almost immediately trying to put *them* back into the cell. The following argument and then Centross flying off, Icarus and Rae following. And then the whole idea of Icarus trying so *desperately* to keep him from blowing up their house - and failing because Centross just doesn't give a shit. Centross doesn't have any attachments to them anymore, they've served their purpose (his words), and he doe\snt need to keep them or their house or their anything around any longer - and so he goes through with blowing it up. He leaves Icarus alone there to pick up whatever they can.

-> [As the World Caves In]

-> The season 1 finale - just that whole idea of Centross blowing up the tree, the world literally caving in as Fable rips away yet another page. The way everyone gets ready, gathers around for the funeral of a woman none of them *really* knew, ready to mourn, but not knowing the events that would follow; they get ready for a funeral - only it’s not *only* Haley’s, but also their own. Sure they’ll come back, but the world will still cave in, and the person that sat in those seats will be long gone by the time they do.

-> Arguably also could be the season 2 reset - that whole idea of getting ready and dressing up and *armoring* up to fight Perix/The Warden and getting to that point, putting her soul into the portal frame; only to find Midas had switched Fable and Haley and it was all for nothing, and. Oh. Now the world is caving in - it’s falling apart.

-> [What if Tomorrow Comes]

-> I guess really that whole idea of hoping that Centross blowing up the tree isn't really, truly, the end of this all. That hope that tomorrow will come regardless because this can’t be the end. But also almost that doubt and unknown of if it really would come - that idea that, to them, it really seemed like they were *going* to die with no way of coming back. (And that whole idea of being proven very wrong as they wake up a few weeks later in a reset world, and slowly work to get their memories back as time goes on. That realization that tomorrow *will* come because it came once, it came tens of times before, so it’ll come again and again until they figure all of this out and stop it.)

[Section Four - Season two, why are at least a half of these about putting centross in the prison. *sherb*]

-> [New Life]

-> Just that whole idea of how since no one remembers at the beginning of the Sculk reset, they all - Icarus especially - have an opportunity to, at least until they remember properly, start anew. Icarus doesn’t remember, and for a while no one really remembers them, so they have an opportunity to have a new life; to rebuild things long since broken and make them better. Icarus doesn't have to worry about everything they did in the past if no one can remember it, meaning they get a free past to - at least, for a while, and for all intents and purposes - start a new life on a clean slate.

-> [People I Don't Like]

-> Very much Centross at the beginning of season 2 - to everyone really; though considering this *is* the Icarus playlist, it's arguably to Icarus. Just that whole idea that Centross *knows* them and everything they did and all the feelings he holds about them - and the whole idea that Icarus just. Doesn't. That whole thing of Centross trying to make himself seem good in everyone's eyes, save face and all of that - especially to Icarus. (Especially considering Icarus has/had *very* strong feelings about everything Centross did and told them and. All of that. Not that they remembered all of that at the beginning of the reset, but. Concept.)

-> [Turn The Lights Off]

-> The whole vibe at the beginning of season 2 that people shouldn't go to the end - or at least go to the end *alone* - because look at where that got people last time. Don’t go to the end because you could end up corrupted just like *they* did, and they don’t want that to happen again.

-> Part of me would also say, maybe not within this season, but also season 3 - with the end, that this could also be used in reference to the Worldport and how it’s decaying and how that’s where Quixis is and everything that happens every time Icarus goes in there.

-> You could also maybe make the argument that it’s about Purgatory and Fable - Don’t go with him, don’t go in there and subject yourself to that because you could become more of a monster than a man - more of a loyal soldier than yourself, more of a guard dog than a person. Don’t go down that hole, turn those lights off, because who knows what will happen. (Don’t side with him because you’ll become the monster you’ve always feared becoming - you’ll become the person you’ve never wanted to become.)

-> [The Devil You Know]

-> That whole idea of Icarus not remembering - but also *wanting* not to remember. Icarus has seen the way people react to them, they don't want to remember that person. Sure, right now they're not the *most* amazing person, but they can tell that they were so so much worse before - and they don't want to remember that. It's better to *just* remember the devil they are now, the person they've become, than the person - devil - they were before.

-> [What Did I Do?]

-> Very much season 2 Icarus runaway arc. Just that whole lead up if it - that idea of them wondering what they've done for months and months, and their proposal of an *arena*, and the fallout, the way they ran. That whole idea of them not knowing what they did, what they were, who they were; that whole idea of them wondering what they *did* to be looked at like *that* - what they did to be talked to like that and threatened, what they did to make their family (the only semblance of stability they had even during season 2) so *afraid* of them. (And almost the idea that they were afraid of that - afraid and scared of being viewed in such a way; that idea that this is an active fear that they have.)

-> [It's Not the Same Anymore]

-> Very much Icarus remembering - but less that immediate “*oh fuck yeah I remember!*” and more that “oh. fuck. I *remember.*” Just that whole idea of now that they remember, nothing back home, nothing within town, is going to be the same. None of it will have the same connotations to it, and none of their relationships with people will be the same - because now Icarus *knows* and now they're going to be far, *far* more cautious with their words and actions. It's not the same - and oh how they remember just how fucking *miserable* they were. Additionally, that kind of whole idea of how they should be happy, they should be happy now that they've remembered everything - they *know* now; but really, in the long term, remembering everything just makes it so so much harder to navigate *everything.* (The vibe the end of the song really gives is after all of the Prison Arc Part 2, Icarus trying to make up and make their relationships and friendships and *everything* better - fix them up and pick up broken pieces.)

-> [Could've Been Me]

-> Remembering but we're happy this time! Don't think about all of the consequences and bad feelings and *everything* that comes with remembering you're a horrible person - only focus on the fact you remembered and can now go home and definitely totally be incredibly happy with your family again! All jokes aside, that's very much the vibe this song has. Just that whole idea of Icarus being incredibly happy that they've remembered everything - that they can go *home* finally, they don't have to stay out in the middle of nowhere alone because they're terrified of hurting people. Also that whole idea of everything they want to do now that they remember and know where the line is - know what they can say that won't tow too far over a line and/or trigger someone.

-> [Brutus]

-> Oh to be Icarus Morningstar upon opening their door, post remembering, and seeing David Centross Mistvale. Just that whole anger and upset Icarus holds for Centross after they remember. That anger at what he did, at what he didn't do, at what he said and told them, the anger at what he *left them with* - and the anger that *he* got to talk to Enderian. He got to hear her and listen to her and know her, and Icarus didn't. He was her favorite, and *gods* how that made Icarus so very angry. And the whole idea of how that anger carries over - how Icarus so desperately wanted what Centross had, and didn't get it, and now that they remember they want to *make* it known just how angry they are. (And that whole idea and action of putting him in the prison.)

-> [Absinthe]

-> Very similar to Brutus - that just *anger* at Centross for all of this. That anger at everything he did and everything he said and everything about the endstone reset. And also that way they *don't* believe that front he's put him since the beginning of the reset - don't believe the “good guy” front he's tried to keep up since appearing this reset.

-> [The Main Character]

-> The whole idea that they can do this - do what they're doing to Centross, and *keep doing it* because there are worse people than them out there - there are so so much worse people than them out there, so they can do this, because, well, they’re better; they’re not bad bad like a lot of people. The idea that this is okay because of everything else.

-> [You're Not Welcome]

-> Just all of that angry Icarus holds for Centross bubbling over - this *is* the act of putting him in the prison. That need to make it known he's *not* welcome - the idea they try to convince both themself and him of that no one would care if he just disappeared. And, well. Welcome to the first of like four more detailed line by line analysis cause i'm a loser.

“Don't you know you're not welcome ‘round here?” Just that whole idea of Icarus being willing to lock him away because they fully believe, what to believe, want *him* to believe that he's not welcome - he's not welcome and therefore that makes their following actions “okay.”

“I think you should go ‘fore you cause some drama.” Almost that idea that he needs to leave - he shouldn't be here. That whole idea that he should leave before *they* do something. That whole idea that if he stays, regardless of if he does something, they’re going to *hurt him.*

“Don't you know I'm the one you should fear?” They *want* him to be afraid of them - want him fear them so they *finally* have that upper hand on him. (Want him to be afraid of them like they were afraid of him after they got out of the prison - want him to know that fear, want them to be able to get their revenge.)

“Talk to me if you've got a problem.” That whole idea that Icarus wants to be the one to deal with him - that whole thing of no one else dealing with Centross the way *Icarus* thinks he should be dealt with.

“I can't believe you used to truly scare me.” Because he *did* genuinely scare them - after they were uncorrupted they were genuinely and truly scared of him. However, like this, with the offer that Icarus can stab him, with the way he just lets himself get put into the prison, he's really not that scary. They can't believe he used to genuinely scare them when he's just. almost pitiful like this - in the prison.

“You were like a ghost story told to keep me weary. But I never listened, no, I slept good ‘til morning.” Arguably *he* was the one telling them the ‘ghost stories’ - the warnings he'd tell them, the arguments they'd get into. The way Icarus never heeded them, only pushing further and further until they tipped him (or themself) over the edge. The way Icarus would just sleep it off - because that's what they always did.

“And when our paths finally crossed, I didn't heed the warning.” Similar to that last line - Icarus didn't heed any warning. Icarus just kept pushing and pushing and pushing, arguing with Centross over and over and *over* again.

“Then push, push, push, push. Yeah, you pushed me to the edge.” Haley. Arguably, Centross was part of the reason Icarus killed her in the first place. That need to prove themself not only to Enderian, but also to Centross. That need to prove they weren't useless (weren't a *failure*), that they could be of use to Ominous Bane and weren't just *there* - that they could *do something.*

“I used to dread the thought of falling quickly” Something something resets something something. While they don't remember them or know about them at this point in time, just that whole idea of falling like that. Also, arguably, that whole idea of falling into an ideal and thought process - that idea they don't like to do that quickly, they don't like falling down a thought rabbit hole without thinking and considering it properly first. (Even though they do that so incredibly often.)

“But now I just wish that you'd send me off that ledge - So I can finally fucking take you with me” But also that whole idea that if it meant Centross was going down with them? if them falling down a thought rabbit hole, if them falling and doing something terrible, meant Centross would go down with them? If him pushing them to that point meant they'd go down *together* - two birds, one stone and all - and no one could be hurt by him again? Oh Icarus would gladly fall down. They'd gladly let themself if it meant they could kill or hurt or do *something* to him that meant they were going down together.

-> [Blood // Water]

-> Just that whole idea of Icarus being so very angry at Centross for all of this. That whole idea of there literally being blood in the water - he tried to kill all of them, and he *did* kill hundreds more. That whole idea that Icarus doesn't plan on letting him go *any* time soon - they want him so desperately to know just how what he did made them feel. (Also “you poisoned me just for another dollar in your pocket” that whole idea that he let Icarus dig themself into this hole, he argued and argued and *argued* and pushed and poisoned their mind with thoughts and words that *stuck.*)

-> [Lonely]

-> They hate each other, yes. However, What if they held hands about it? Maybe even kissed about it. Just like. That whole idea of of how during the season 2 prison arc they were really each other's *only* company. They were alone, but alone together. Yeah they hated each other - but they still *had* each other. That whole idea Icarus was *alone* - but they still had someone, regardless of how much they hated each other. (Also “Hey love, Have mercy on me, and keep me company” is very Centross to Icarus. Just that idea of wanting mercy, wanting Icarus to *stop* hurting him - but also still wanting that company because they were *alone.*)

-> [GONER]

-> They definitely still hate each other - like absolutely still hate each other. Like they are arguing and fighting and snapping at each other every fucking opportunity they get the longer Centross is in the prison - especially more towards the end, Centross is being just as snippy and antagonistic towards Icarus as they're being to him. That whole idea of Centross snipping at them - that idea of “at least he fights back when he's imprisoned.” However, arguably, they also probably kissed about it. They hate each other - but like, sometimes you have to acknowledge the other person is definitely a little kiss-able. (“You look so damn appetizing” like. *like.* so many of these lines imply they at the very *very* least kissed about it.)

-> [Forgive Me Chester]

-> Very end of season 2/the season 2 reset. Really that whole idea of seeing the 3 people you've spent your life chasing after all at once, all in the same room, all together. That idea of fighting the Warden, that whole idea of trying to get Fable out, that whole idea of trying to finally chase the bad away - chase the resets and the Warden and the anger and the bad and *all of it.*

-> Verse one is very much talking about Haley; Verse two is about Centross (prison duo the beloved); Verse three is about Rae, something about broters and their relationship being good for that bit at the end there.

-> [Rock in a God's Shoe]

-> Just that general demeanor of late season 2 - trying to figure out if Fable getting out would *actually* help (even if Icarus really really wants him back), and that whole idea of trying to figure out if he will actually be on their side or not. That worry after everything that happened with Perix that maybe he isn't. Also that idea of Fable not giving that much information, and them all trying their absolute *hardest* to figure out how to get him out. (Also that bit at the end is Icarus to Midas coded, especially with the glitchy voice, and in this essay I will-)

-> [Moonsickness]

-> Very much the season 2 reset. The annoyance at Fable, that annoyance and *anger* at Quixis. That very demeanor they have toward Quixis at the end - being done with them and being annoyed at them; them seeing themself as a failure because of *course* they fucked up the thing that was supposed to help them. They can't do anything right ever - they fuck up *everything* they touch. Also, hot take, Midas talking to Icarus and Fable (and almost the grove in general? but I feel like *mostly* Fable). and, well, I have thoughts about some of these lines, so take this silly more specific analysis. (Not *every* line, just some I picked. Because if i picked all the lines we’d be here forever.)

“Everybody knows this place is dying, as am I.” Something about Midas dying as the Worldport does - decaying and falling with their realm. Something about the season 2 reset showing the world *literally* dying, falling apart, crumbling and everyone *knowing* it.

“I might not get another chance.” Midas switching Haley and Fable - they *knew* they probably weren't going to get another chance to try and stop Fable like that. As well as the whole idea of the grove only having one chance to open the portal - they, Icarus especially as the one who *put* Perix's soul in the frame, fully thought this was their *only* opportunity to get Fable out. Obviously this is proven wrong in season 3 - but they didn't *know that.*

“I am such a fuckup, if you only knew that I am such a fuck up.” Something about Icarus seeing themself as a failure - a fuckup. They couldn't even get their father out correctly, why can't everyone just see how much of a failure they are? Why can't everyone see how much they ruin everything they touch? (And, arguably, Midas as well. That whole idea of them failing in their duties to bring Icarus when they were supposed to, leading to so so *so* many worlds decaying.)

“And I am the worst mistake that God has ever made.” Sort of that same idea as the last one - that idea of Icarus seeing themself as a failure. Only this time it's more related to their Dad than themself. He made them, they're *his* child - therefore, if they see themself *that* badly, they're the worst mistake he's ever made. They're a terrible fucking person and they're a *failure.*

“But I make lemons out of lemonade.” Wack wack wack wack. This line is so very about the wack. Something about changing things from one thing to another in a way that *shouldn't be possible.*

“In your guts you know it's all destroyed.” Okay, Midas to Fable. Something about Fable knowing that this world is dying - something about how Fable would *know* the outcome of doing all of this. He would know that Rae would figure it out one day, the cause of the resets, and it wouldn't go *well* - that his relationship with one or both of his sons would be destroyed. (Also, mayhaps, Midas to Icarus - that whole idea that the world is destroyed and their chance at getting Fable out (at least this time) is *also* destroyed.)

“None of us belong, Everything I do is wrong.” Something about everyone being pulled into the resets from different time periods, being shifted and tugged and placed into the present but not quite *belonging* there. Something about how Icarus tries their very hardest to be *good* - but so much of what they do ends up being wrong on so many levels. (But it's all they know.) Something about how Midas tries their very best to fix and fix and *fix* and they can't really - it almost always ends up *wrong.*

“And in your blood you know what's right.” Midas to Icarus - that whole idea that Icarus has Fable's blood running through their veins, that they believe that he is *right.* Even if in the moment they don't know him well, don't remember him well, they still subconsciously think what they're doing that mirrors Fable's own actions is *right.*

Could also be Midas to Fable? That might be a slippery slope to climb and explain though.

“And in your bones you know what's wrong.” Midas to Icarus - something about Icarus so often knowing, but not *acknowledging*, that what they're doing is wrong. Icarus *knows* it's wrong, deep in their bones, they really really do. (But rarely do they acknowledge that.)

Could *also* be Midas to Fable for similar reasons.

“And in your throat you know you're lying to kids” Midas to Fable - While they're not *literally* kids and children still, they are *his* kids - and he's lying to them. Fable is lying to his kids and he *knows* it, not that he'll acknowledge that ever.

“And you know nobody belongs in this hell.” Midas to Fable - Something about Fable *knowing* none of them belong in this hell of resets and everything; that he should probably just let life run its course, let it go as it *should* - but he doesn't. And he's dooming them to this hell none of them belong in. (And he knows they don't.)

“I am God's worst Mistake” Just. Icarus. Once again just that whole idea that they just think of themself as a *failure* - especially after the portal glitches. They can't keep doing this - at some point they're just. A mistake. (Arguably, could also be seen directed more at Quixis as well - the way Quixis made them like this with the eye and all.)

“And you seem happy on the knife's edge, but I just lick the blade.” Midas to Fable - That idea that Fable kind of hovers on the knife's edge, but never tips over it. He tows a line, about to tetter over. The way Midas will *gladly* tip over that line - lick the blade, on this case - they'll go down, tetter over that edge, but they sure as fuck won't do it quietly or unnoticeable.

“And I'm the worst mistake your God has ever made.” Arguably, Midas to Icarus. Fable is the reason they couldn't get to Icarus - Fable is the reason they're *like this.* And, *arguably,* Fable is kind of sort of Icarus’ God. Also just that whole idea that Fable is the reason for *so much* between Midas and Fable. And now Midas is *angry.* Mistake in this case isn't a bad thing - mistake in this case is more “Midas is about to make their anger *very* much Fable's problem - and it's his fault.”

“Invisible hand savior, fucking up your definitions even though it's life or death.” Midas to Fable - Fable is, in this case, the invisible hand. He saves Icarus every *single* reset - he *is* the savior, and he's fucking up definitions *every* time he does it. Even though it's life or death, even though Icarus absolutely *should* die, they should be dead, they're not. He's literally fucking up definitions everytime he rips a page out or edits or does *anything* to As It Is.

“Don't you think it matters when we wish our friends the best.” Midas to Fable - again. Something about Fable wishing Rae and Co good luck on figuring out what the resets were being caused by - when *he* was the one causing them. It *should* matter that he wished them luck, but it really doesn't considering he *knew.*

“Because of all this bullshit I'm not anything at all.” Midas in general really - something about how they're just trying to fix everything now, but they're not really a person anymore. They're alone and they're almost a god and they're *angry.*

“There's nothing to believe in and there won't be ‘till we fall” Okay this line goes *far* deeper into the finale and things than it should. This is Midas talking to Fable but for once they're not being an *asshole* - they're lumping themself in with him. Something about Fable dying at the end of Fable, and Midas passing their torch (metaphorically falling/dying), and the way it leaves room for new gods - new gods people will actually *like* and believe in and won't cause harm and and and. Something about Midas knowing that until both of them are gone, no one is going to properly believe for a *while.*

“I can't get the numbers right - I can't fucking count because not one goddamn thing is in it's place.” Midas to Icarus *or* Vice versa (Icarus to Midas). Something about the wack changing and altering so so *so* much neither of them are really them anymore. Nothing is like it should be, and it hasn't been for a while. The Worldport is decaying, soon Midas will be too. Icarus isn't themself - they haven't been in a *while.* The eye isn't theirs (not that they *know* that), all of the purple isn't theirs, some of their members *aren't theirs.* Nothing is in it's place and that's *really* fucking shit up.

“You fuckers know it's all built on lies” Midas to *both* Icarus and Fable. Just that whole idea of how Fable manipulates and abuses in the way he does; twisting words and fabricating truths, lies laid with the grounds of a truth, but built on things objectively very false. And in Icarus’ case - their entire life and personality is a lie. They act so very differently alone than they do around others, it's all a front. Everything they've built to this point, and *so much* of what they'll build as season 3 starts is built on lies and half truths. (And that whole idea that Midas is *angry* at them.)

“But the beast refuses to die, and so I guess well neither can I.” This line *arguably* also leans very heavily into finale territory - mostly with things we know after the fact though. Just that whole idea that Fable can't die, he refuses to - as long as he's immortal he *can't.* And if Fable is alive, and actively keeping Midas from Icarus - then Midas can't pass the torch, Midas can't *die.* Something about how Midas fully thought they were going to die upon passing the torch to Icarus. If Fable refuses to die, meaning they can't reach Icarus, then Midas *can't* die. (Because what happens then? The Worldport is left without an overseer and wack gets hundreds of times worse? *No* that can't happen. So they power through it to let Icarus see the end.)

[Section Five - You died. Deal with the consequences, Icarus. (Season 3)]

-> [Is There Anybody Here?]

-> The season 3 break my beloved honestly. That's this song in a very very loose nutshell. The season 3 break - both their time in the Worldport as well as their time here. Just that whole idea of trying to find Quixis - and then trying to find *something* that they know and can hold onto. That idea of looking for something, anything, anyone that can help them because they *don't know where they are.* That idea that they're trying to find their way back home, and are struggling because they don't know how.

-> [Maybe Man]

-> Very much that whole mentality Icarus has early season 3. That idea that they *don't* know how they are, not anymore. They're just kind of. Floating. Also that whole idea of trying to figure out who the fuck they even want to be in the first place. They don't really have a direction - they just want to be *something.* (Something that will please people, make them smile whenever Icarus passes by because they're doing *good.*)

-> [Chasing You]

-> That whole idea of how Icarus has spent the past *year* trying to bring Haley back, trying to figure out how to see her and fix their mistake - and that whole idea that now that she's back, now that Midas brought her back, Icarus doesn't know what to do. Icarus doesn't know how to act around her, what they can and cannot and should and should not say/voice, what is too far over a line and what isn't. They're really just left floating not knowing what in the *world* they should do about it.

-> [The Garden]

-> The whole idea of Icarus getting so done with and so incredibly over Quixis and the wack and the changes and *us.* The whole idea of wanting to dig them up and out and remove them completely, no matter the consequence, no matter where it would get them in the end. The whole idea of how Midas knows their name - and we have to figure it out - and the way they don’t, and the way, more often than not, we as chat snark at them and are very passive aggressive sometimes, rather than being helpful - and how they don’t like that.

-> [New Eyes]

-> Two samples Two samples Two samples. Just, Icarus about the eyes in general. The finding put that the purple eye's blood *isn't theirs*, and the following realization that if the blood isn't theirs, then the eye itself isn't theirs either. That want and that need for people - Midas - to stop changing them, to give them *their* eye back - so they can see with new ones; so they can see with the eyes that were always *supposed* to be theirs. (Also just the general idea of needing to see things through a new lens, see things better, because they're suffering and hurting and *no one* seems to see it, and how one day that fact might kill them. (And well, it does, doesn't it?))

-> Sage and their ability to be so normal got this one on the playlist. We win these.

-> [The Tornado]

-> So very Unlocked - this *is* the Unlocked song. That whole idea of them being used to the wack, being almost surprised as it just *kept getting worse*, *the wings,* the running to the bunker and the *yelling* at Midas, Fable finding them, and - arguably - the aftermath of the wings and those few streams following Unlocked where they were just trying to heal and fix and *clean* up the path they had made. (Okay yes Quixis ascension, yes, but we’re not at that part in the playlist yet - so.) And, well. Some more detailed line analysis because I’m a loser.

“It was just startin' to drizzle as I walked out the door, But I've delivered papers in the rain like that before.” Just that whole idea that the wack being weird - being worse, changing their house more than normal, changing *them* and their clothes more than normal - was okay, in their mind. What’s the worst that can happen? It’s done this before, and everything was fine for both them and others - why worry about it this time?

“3:30 in the morning, I was happy as a lark.” That idea that Icarus was so very happy to get Fable out. They were so happy and excited, because this was what they had been working to for months and years and *resets* and they had finally been able to do it. They might’ve been a little worried, but they were mostly *happy.*

“The wind was pickin' up and howlin' louder all the time.” The redstone beginning as they were all standing in front of the now open portal - the way they weren’t expecting it, the way it just kept picking up and getting *worse* no matter what they did to stop it.

“The sky churned like a cauldron and the distant thunder roared, And I knew that I was in for quite a storm.” The redstone picking up, but also the fact Fable hadn’t come out yet - and they had been waiting and waiting for the others to get him for *minutes* now and it was beginning to worry everyone outside of the portal; that idea that they *knew* something might be up - with Fable or the wack.

“A little rain never hurt no one, so I kept pressin' on.” Up to this point, the wack hadn’t hurt *anyone* - well, with the exception of Icarus themself. Sure it had hurt and changed and wacked animals and blocks and all that - but never Icarus’ friends and family. It hurt them time and time again - but they were fine after all of it (for the most part - with the exception of the many breakdowns and *the eye*), why should they worry about others getting hurt? It had never *severely* hurt them like that; so they kept going and standing there and letting it get worse upon that assumption that it *wouldn’t do that.*

“And I tried to tell myself it's always darkest before the dawn.” Just that way they were so desperately trying to convince themself that it was all okay - that the group in Purgatory *will* bring Fable out and it’ll be okay. The wack will be fine and it’ll stop and it’s just a small little bad thing before they get Fable back - that desperate way they try to convince themself it’ll be okay.

“Lightning struck an oak tree as I leapt off my bike.” The way the redstone, the *bad* just keeps getting worse and worse as time goes on. Regardless of what they do it gets worse and they can’t seem to *stop it.*

“The sirens started wailing, but there was no good place to hide.” That whole idea that Icarus really, really, *really* wanted to run - they wanted their dad and they wanted the wack to *stop* because it just kept getting worse and they really, really wanted to just run. But they knew they column’t because running would make things so so much worse - so they don’t run, they just stand there and let it keep getting *worse.*

“I knew without a doubt there was a twister touchin' down.” That idea that they *knew* it was only going to get worse and worse the longer they stood there, without a doubt, but there wasn’t anything they could *do about it* - they just had to power through whatever happens, like they always do.

“The little bit of courage I had left was almost gone.” Something about how at the beginning of Unlocked they were mostly okay - that had *some* bits of courage - but the longer no one came out of the portal and the longer all the redstone did was get bigger, and the longer they just *stood there* the more that courage just. faded.

“And then the nightmare started, it got deafeningly loud.” Momboo. The redstone getting bigger and the wack *hurting her* (hurting someone other than Icarus, for once) and the way they almost *immediately* panicked and ran (or, at least tried to) off. And then like the following moments of running and running and trying to fly and then their wings *shattering.*

“Every fiber in me screamed out, but I couldn't make a sound.” Something about how they screamed as their wings broke, but about how their panic after the fact was so very quiet. They weren't screaming - they were just hurt and in pain and weren't going well but were trying so desperately to keep it under wraps. They refused to let themself break at *any* point during the run to the bunker, refused to let themself fall apart like that. They wouldn't - they *couldn't.*

“It sounded like a freight train was draggin' me to hell.” Something about the particular way the the wings sounded when they shattered - so *loud* and overwhelming as they crystalized and as Icarus *fell.* Even louder as they shattered against their own weight and Icarus’ back. They dragged Icarus *down.* (Metaphorically dragging Icarus to hell, I suppose.)

“And this was my prayer, "Save me from this terrible nightmare"” *Icarus yelling at Midas.* This line is os Icarus yelling at Midas, both on their way and inside of the bunker. They just wanted Quixis to *stop*, to know why they just kept *doing all of this* to Icarus and their friends. -They just wanted Quixis to stop, and they just wanted someone to be there for them and save them because *gods* they hurt so very badly.

“That was when I saw my family with my eyes shut real tight.” Fable showing up at the bottom of the bunker - they literally see their family. Also something about how they just wanted this to stop - their eyes shut and the denial of the past delays creeping back up on them.

“Would they know how much I loved them if this was how I died?” *Would they?* How many times does Icarus tell their family they love them? (How many times do people tell *them* that?) Would their family know just how much Icarus loved and cared about them if Icarus died - if they died like *this* with no one around?

“No, I vowed I'd not be murdered by a monster in the sky that night.” If you think about it - this injury could’ve killed them. It didn’t - and they definitely didn't want them to - but it *could’ve.* But they wanted to so desperately survive and live and *not* let Midas’ actions get the better of them - they vowed it wouldn’t happen.

“But if I went home to heaven, at least that's where I'd belong.” Midas’ would’ve pulled them before they died (just like they did in the finale) if the injury *did* kill them - they would’ve been where they belong because they were meant to become Quixis *decades* ago; that, the worldport, Quixis, was supposed to be their home for years yet it *wasn’t* - it's where they belong but, at this moment, they’re not there.

“There was nothin' but destruction and wreckage in that town.” The mess the path and wack made; the redstone in front of the portal; *the tree.* (Their wings.) It was all a mess and destroyed and, for at least some of that - there was no fixing it. It was just destroyed and they just had to deal with that.

“And that was how I learned to live when you can run, but you can't hide.” They could run from hurting Momboo, and they could run from the wack, and they could run from their wings breaking - but they can’t *hide from it.* They have to deal with the consequences of their actions, they can’t hide from it. They have to see the tree - see their mistakes, see their bad - nearly everyday. They can run from it, sure, but they can’t *hide.*

“How to feel trapped in a tunnel but come out the other side.” They’re trapped and grounded and alone (somewhat - Fable is doing his whole “isolate his kid so they lose attachments” thing) but they come out of it, eventually. They get their wings back, they can fly again - they may have felt trapped for a time but they *made it out.*

“'Cause with all the stormy weather in the world, you learn to take life one storm at a time.” Pulling out the character analysis card - Icarus gets very focused on *one* (big) thing very easily. Their wings, they wanted to fix those - spent weeks trying to get better; Enderian talking to Rae - they were so incredibly stuck on that until they made up; And, the more obvious one from season 3 - Centross. It was a 5 month long storm - but it’s all they focused on. They take their life, especially during season 3, one big problem and thing at a time - focus on *it* and nothing else. (Because focusing on other things means acknowledging just how much you’re hurting, and they can’t do that.) And I mean, it gets Icarus through. They make it to the end going like that. It’s not healthy - but they *make it.*

“I keep hangin' on.” No matter what happens, no matter how close to death they get and no matter how much death would probably be kinder at a point, Icarus is still there. They keep hanging on - keep living and keep just, going through the motions.

-> [Birds]

-> Just that whole idea of how after Unlocked (and arguably also *during* Unlocked) Icarus just wanted to *relax.* They were done and hurting and upset and they just really, really wanted to sit, alone, with the flock. They just want to be calm and relax and not have to think about any of what just happened.

-> [Look Who's Inside Again]

-> Unlocked. Probably Midas to Icarus? Or just someone outside looking in at Icarus in the moment after their wings break. This song specifically being more about Icarus’ desperation to get to their bunker - and their feelings while inside of it. How this is just like the prison - putting themself into a box, a prison, a *room*, to keep people safe. To keep them from hurting people. They're back here again - trapped in a box with no way of getting out until someone comes to get them, yelling at the person who (for all intents and purposes) put them there. They're back here again, *inside* again.

-> The whole idea of Fable, after he gets out, beginning to isolate and cage Icarus - with the guise of keeping them safe. He’s removing them from their friends and family and leaving *him* as the only person Icarus can safely - at least in their mind - rely on.

-> I have further words about Fable and Icarus in regards to this song, and that’s really tying into the “again” aspect of this. Viewing this through the lens that this is Fable isolating Icarus, and the visions of a child shown throughout this song, then it’s not terribly hard to come to the idea that this probably isn’t the first time Fable did this - isolate and cage and manipulate - Icarus. That whole idea that his manipulation and abuse has been going on for much longer than we see on screen - this isn’t a new thing. He did this before and he’s doing it again and Icarus just has to deal with that. (Even if they don’t *know* he did this when they were a child. They don’t remember any of that aspect of themself.)

-> [Let Me Make You Proud]

-> That whole idea that yes, Icarus has failed and made mistakes and disappointed Fable - probably time and time and *time* again - but that they really, really, *really* want to make it up to him. They want to make him proud because they feel so much like a failure after everything that keeps happening - they want to make all their mistakes and missteps up to him. They want to make it up to him and they keep trying and trying and *trying* to do that. (And, arguably, failing at it rather often.)

-> [the fruits]

-> The whole idea of how Icarus wants so desperately to help Fable and all he’s doing, but the idea of how Fable can’t see that they’re not entirely them - can’t see just how much they can keep falling and repeating history and just how badly they’re doing. The whole idea that they can’t help him - they can be the person he wants them to be and the person he’s trying to make them into because they’re not entirely themself in the whole sense of them; they can’t be that if they’re not entirely themself - they can’t help him like he wants them to, and how they spiral because of that.

-> [Loser Baby]

-> Centross and Icarus. Kind of to each other. This song is. So *incredibly* drinking stream coded. Just. That realization of just how similar the two of them are, just how much they have in common, just how much they're both going through the same shitty situation. That realization that they can *rely* on eachother. The realization of how they're so so *incredibly* similar - especially in regards to Enderian and Fable - and how they're both losers, they're both having a bad bad time, but they can do it together. (Which, arguably, they’ve known for a while - but it becomes a lot clearer in the drinking stream; especially with Icarus calling Centross their best friend.)

-> [Down the River]

-> *Breaking Bonds* - This song is very Athena to Icarus. The whole idea that Icarus likes to run and hide and leave the past and everything they’ve done behind and not acknowledge it whatsoever - How they can’t do that; How even if Icarus wants to forget and leave and run, others aren’t going to do that for them - Others are still going to remember all of this and all they’ve done, and what happens to them, the grove, once Icarus leaves and decides to ignore it. What happens then? What happens to all those people you’ve hurt?

-> [Hero]

-> Centross’ death. That way Icarus just spends that immediate moment after him fading just trying to convince themself it's *okay.* They're okay and he's okay and he'll be *back* and it's okay. Them just trying to convince themself it's alright and trying so so desperately to comfort themself in this hell. Arguably, also almost their anger at Fable for killing their best friend - that immediate sharp anger and bared teeth (“I'm the hero of the story, don't need to be saved.” Just that whole idea that Centross saved them - but he shouldn't have had to. They were the *hero* of this story, no one should have to save them - and no one should have to *die* doing that if they even tried. Icarus’ whole thing is trying to save themself, figure out ways they can fix it *themself.* No one should have to die because Icarus couldn’t do that. They’re a prince, they’re supposed to be alone. People shouldn’t have to die because they weren’t.)

-> [Can't Catch Me Now]

-> Centross almost like. Taunting Fable and trying to comfort Icarus. How he's always going to be there for Icarus, he's always watching over them, even if he can't tell them and show them that physically, he is *there.* But also almost taunting Fable in regards to the fact that Fable can't catch him now; Fable will not find him no matter what he tries and attempts, he will see Centross everywhere, be reminded of him just like Icarus is, and he *will not* find him - and won't be able to bring him back.

-> [Do What You Gotta Do]

-> This that short bit after Fable kills Centross where Icarus just *yells* at Fable. That snark, that anger that Fable *did that* - and Fable's argument that he “did what he had to”, and that was *necessary*; Fable did this (killed Centross) because he had too, Icarus should hear him out. Just that whole conversation between Icarus and Fable after he kills Centross, and that whole falling out between the two of them, and that whole slow manipulation from Fable's end as the conversation continued. (Also Fable's whole “being a god” thing-)

-> [The Cave]

-> Centross to Icarus after the cathedral. How he *will* be there for them, no matter what, but also how he has other duties to attend to - but also also how he can't stick around due to the fact that Fable is currently killing every God in his sight, taking every power for himself. How Centross *wants* Icarus to know he's there for them, but also how he can't physically be there. He'll try his *hardest* to keep them alive - try his hardest to keep them going until the end.

-> [Paid in Exposure]

-> Very much Coworkers - just that whole idea of doing only what they're told and becoming, a, a coworker, and b, one of the bad guys - or the people on the stereotypically “bad” side.

-> [Natural]

-> *Also* Coworkers. That whole idea that for them to be on this side of this war they have to be assholes - they have to be cold and sharp and not care, and the whole idea that they're *good at it.* The idea that all three of them are good at that - they're almost naturals at it. They don't have to practice because they can settle into that role far, far too easily. (Also “Rather be the hunter than the prey” is incredibly Coworkers - because they all know that Fable is hunting gods and hunting people down, and they'd rather be beside him as he does that than cowering beneath his sword.)

-> [Burning Pile]

-> Just like the whole idea of wanting to put all your problems in a big pile and just light them up and on fire - kill them, get rid of them, ignore them. That whole idea of wanting to get rid of all your current problems, all the shitty stuff you’ve gone through, get rid of it all and never properly look back - you’ve burnt it, it’s gone, you don’t have to think about it anymore. (Or, that’s the dream at least. Not really what ends up happening in the end.)

-> [Can't Go Back]

-> Just that whole idea that Icarus should forgive themself - how most of this isn't really *their* fault, and how they should be learning to forgive themself for that - not blame themself for stuff that isn't their fault. (Also the whole idea that none of this is *fair* - it's not fair to them and nor fair for Fable and not fair to *anyone* in the grove.)

-> This definitely feels like Violet trying his absolute hardest to comfort Icarus the best he can even though he can’t physically be there with them in the moment (and he won’t be able to be for a while. (And even when he was able to be there for him, at the end, it wasn’t for very long.)

-> [Try To Change]

-> How Icarus just keeps trying to change, change and change and change, they're trying so incredibly hard, and it just keeps failing. The whole idea that they can’t find it in themself to change - there's safety in it, they’ve always been like this, why wouldn’t they just keep going and being like this. Why would they try - there is *no* point to it. They’re safe like this, Dad likes them like this, why would they change into something he wouldn’t?

-> [Let Us All Down]

-> Just that whole idea of how the Grove feels about Icarus working with Fable. Arguably, they all thought Icarus could be good - they gave Icarus so so *so* many chances, they didn't think that they'd go this route. They didn't think they'd be involved in Centross’ death like this and this didn't think and and and. (Also, arguably, Icarus spiraling. Just *thinking* about what people would say, what people would think, what they would *feel*, how they would react.)

-> Arguably kinda sorta maybe Two Shall Break/Two Shall Mourn for the priorly explained reasons.

-> [Lima Bean Man]

-> Icarus about Momboo. Icarus so *desperately* wants Momboo to not be dead, so desperately wants to be able to bring her back. Not necessarily telling themself she *isn't* dead, but that she *can't* be - because that means they killed another person, that means they did it *again.*

-> [Shots]

-> Icarus to. Everyone basically. They're so so *sorry* - they're breaking down crying near everyday by this point, and they just keep *killing people.* (“why do I kill everything that I love?”) and they're so so *sorry.* But also that they need everyone to know they're *in too deep* - People aren't going to be able to save them now, not through normal means. It's not going to happen - they need to let Icarus drift away because if they *don't*? More people will only get hurt.

-> While I won’t elaborate on this statement, as it speaks for itself, your friendly reminder that Icarus did not truly hate their father when they killed him - Icarus still held some sort of semblance of love for him, even at the end, even after everything, even as they stabbed that trident into his chest as he revealed he was never going to bring Centross back.

-> [Prodigal]

-> That whole idea that where Icarus is right now is all their own fault. They caused it, it's their fault, and there's nothing they can really do about it. They're alone, they've dug themself a hole and fallen down it (because that's all they do, really) and they can't get out - and it's their fault. It's all their fault - it always *is* their fault.

-> [Solitary Confinement]

-> They're alone! After Momboo, and after their conversation with Athena, they're *alone* - Confined. And they're. Okay with it, almost. They wanted to push people away, wanted to be alone, because it makes all of this so so much easier. But they *really* wish they didn't have to do it. Didn't have to push people away like that, didn't *have* to do this to everyone and themself. They do it, yes, because in the end it will benefit them to do so, but they really really don't like doing it - they're spiraling. (And really, they have been for months.)

-> a “devious read” by yours truly according to the sherbertquake56

-> [No Longer You]

-> Okay. Now. What I'm about to say *might* sound like. horribly wrong because everyone kind of looks at this and goes “oh the prophet is Haley” and to that I say. Nope. No, the prophet is Midas. This song is *Midas* talking to Icarus about their future - regardless of how this goes. Because Midas would know what would happen after they “Draw their final breath” so to speak - Midas would know. Haley wouldn't. Also, because I'm a little loser, and the fact this song *really* lends itself to this, line by line analysis.

“I see a song of past romance” Perhaps talking about Momboo? This line could be very ambiguous. Cause you could also argue Wet Birds, but I'm not sure that really *fits.* (If you wanted to go the Prison Duo route, you probably could as well.)

“I see the sacrifice of man.” This line being about Centross - Sacrificing himself to save both Icarus, as well as the rest of his family.

“I see portrayals of betrayal,” This line being about Jamie - Betraying the family they *had* for the family they *want.*

“And a brother's final stand.” This is. Just the ‘A Brother's Final Stand’ stream. Rae trying so so *so* hard to save his brother, and failing because they *just* don't *want* (don't think they need, don't think they deserve) help.

“I see you on the brink of death.” Icarus after they kill Fable. Or, really, Icarus throughout the last week-ish; throughout that they're on the brink of death, they're *dying.* (They have been for almost 5 months - but after he dies Icarus is left so much worse off because Fable isn’t around and alive to keep Quixis’ powers at bay.)

“I see you draw your final breath.” Them *jumping* - Them thinking they were going to die. Them being fully fully accepting of it.

“I see a man who gets to make it home alive.” Midas pulling Icarus into the Worldport, *alive* - telling them that they'll be able to go back home eventually.

“But it's no longer you…” But the person Icarus would become after all that time in the Worldport, after leaving it, would be starkly different to the person that entered it - that it wouldn't really be Icarus anymore. It'd be Icarus, of course, but they'd know and have been changed that they wouldn't be the Icarus they *were.*

Just. It really encompasses those last few months of Icarus’ life before becoming Quixis - those last few months of pain and desperation and *bad.*

-> [Monster]

-> The whole idea of how Icarus *will* be the monster if they have to. They'll kill and slaughter and murder and *be* the monster if it means they'll all make to end - if it means they'll get to bring everyone back, *fix* everything.

-> [No Children]

-> This is very much Icarus’ mentality at the end - about Fable and about Rae and about *everyone.* That idea that they don't want to be saved anymore, not like this. That idea that if they have to go down - they're going to take Fable with them. That idea that they just want Rae and *everyone* to give up on them - and, arguably, that idea that if *they* die, they want Fable to come down with them. Uh. Well here's another set of far more detailed line analysis <3 Not the last one either <3

“I hope that our few remaining friends give up on trying to save us.” That whole idea that Icarus doesn’t want to be saved - not like this. They don’t want to and they don't think they’re deserving of it - they fully hope that Rae gives up on trying to save them.

“I hope we come up with a fail-safe plot to piss off the dumb few that forgave us.” While they didn’t *know* it’d be fail-safe, Jamie. Because by this point there were *very* few people still trying to save and help them - and really, to their knowledge, it was *just* Rae - and to them? To those people *that* was the tipping point. For that last week they were left completely alone because they had *finally* pissed off the people trying to save them.

“I hope the fences we mended fall down beneath their own weight.” Very similarly to that previous line, during Family Reunion - arguably - Rae and Icarus had *kind of* mended their relationship. Icarus didn’t like that - Icarus really hoped that he’d just let it go. They really hoped that the weight of everything would mean their relationship, whatever Rae thought was left of it - at least, would just crumble. That Icarus wouldn’t have to hold on to him and their family anymore because holding onto it means there is *complications* and attachments and they really can't have that - not now.

“And I hope we hang on past the last exit. I hope it's already too late.” That whole idea that Icarus was in too deep - Icarus was going to hold on and stay attached to Fable until the very, very, *very* end. That whole idea that Icarus very much thought, very much hoped, that they were too far gone and it was far, *far* too late to turn back now. (Also that whole idea that

“In my life, I hope I lie. And tell everyone you were a good wife.” Okay, a, that whole idea that Icarus lies about *nearly* everything - they lie about so, so, *so* much that it’s really all they do and hope to do. B, that idea that they so desperately want to see their father as a good person - so desperately want *everyone else* to think he’s a good person; to the point that they *will* lie about it, they hope to, they hope they get the opportunity to lie about it.

“And I hope you die. I hope we both die.” *If he dies they don’t have to do this anymore.* Just that whole idea that if he dies they do not, really and truly, have to continue to do any of this. They can fully and completely leave it behind and *gods* how they really, really want to do that. Also, arguably, that whole idea that they don’t think they’re worth saving, and that whole idea that they think they fuck everything up and ruin it regardless of how much they’re trying. If they both die between now and the end, then when this is all over no one will have to get hurt anymore - their family will be *safe* and sound and they won’t have to stress about themself *or* their family *or* what their father is doing.

“I hope I cut myself shaving tomorrow. I hope it bleeds all day long.” That idea that icarus thinks they’re deserving of all the hurt and pain and sorrow sent their way. All this pain and suffering and the way it’s constant - they fully, *fully* think they’re deserving of it; they fully hope it keeps happening solely to prove that point. (This is not the time or place to go on a rant - but I would like to bring up how, after Centross dies, whenever Icarus gets really injured - unless it's dire dire - they refuse to use potions on themself. And even when it *is* dire they’re almost hesitant about it.)

“Our friends say it's darkest before the sun rises; we're pretty sure they're all wrong.” Rae thinking he can save Icarus, save them despite everything they’ve done and despite all they’ve been through - and Icarus thinking, *knowing*, he can’t. Regardless of what he says, Icarus knows they’re in too deep and knows that means Rae can’t save them or get through to them very easily.

“I hope the worst isn't over.” Ties back to the line before last - that idea that Icarus thinks they deserve all the pain and suffering they’re going through. It’s their fault, they deserve it, maybe they don’t really like it very much by they do understand where its coming from and they can agree with it because deep down they *know* what they’re doing is so very very wrong.

“I am drowning. There is no sign of land.” They’re falling and falling deeper into this little pit they’ve dug themself and they can’t find a hand hold to even start trying to climb themself out. They are lost and *alone* with no one there to help and they *know it.*

“You are coming down with me, hand in unlovable hand.” That idea that if Icarus goes down - they’ll take, to try to take, Fable with them. That idea that both themself and Fable are seemingly unlovable - at least in Icarus’ eyes - and the two of them would go down hand in hand; it’ll be one of their faults and they’d drag the other down with them (Also, arguably, Icarus and Midas as well - if Icarus goes down they want to drag Midas down with them; if Midas goes down they’ll inevitably *have* to drag Icarus down with them. The two of them are so intertwined that if one goes down they’ll drag the other whether they want to or not.)

-> [Mr. Author]

-> How Icarus really just wants this to all *stop* and finish up - how it's been going on for so long and they don't know how much longer they can keep going like this. How they want to talk to the person who wrote their story like this - talk to the person that keeps *letting them do this*, want to talk to the author ruining their life.

-> [Icarus]

-> Something about Fable realizing, however small, that his actions are hurting Icarus. How Icarus is hurting and dying, and how he can't *fix it* - he's not going to be able to fix it, fix *them*, make them what he wants them to be. He can't save them in the way he wants to - they're *going* to die and gods he won't be able to stop it. Specifically right at the end, Fable's death by his own son's hands.

-> [The Bad Guy]

-> That whole idea that all Icarus wanted to do, really and truly, was *fix* everything - but that's not how it went. They went to bad places to fix things, they became the bad guy. They didn't want to be, of course - not again, not after last time - but that's what *happened.* They became the bad guy, and they're finally finally realizing it. (Only, it's really too late, because they're dying now.)

-> [In My Blood]

-> Just that whole idea that this is how Icarus is always going to be, how this is how Icarus is and there's no changing it - how it's in their blood to do this, to *be like* this - how there's no stopping it, no turning back.

-> [Daniel In The Den]

-> Really just that whole idea of Icarus killing Fable, and the following way they attempt to move on. That way Fable was killed by “the ones you think you love” - Icarus, yes, but really everyone contributed. (And, arguably, almost that bit of anger Icarus harbors toward Fable at the end - that idea he wasn't ever going to fix this; that all this pain and suffering was for *nothing.*)

[Section Six - They're. Kind of God now. Question mark. Maybe. I dunno, Icarixis is. Yeah. They're a guy. That's for sure.]

-> [Ruin]

-> They have a conversation. This is simply Midas and Icarus having a back and forth conversation about mistakes and Quixis and *all of it.* It’s very hard to summarize - so uh. Hi line by line analysis, welcome back-

(ICARUS)

“I will bring you ruin in everything I do.” Something about how no matter what Icraus does and no matter how hard they try - they ruin things. Their family, their house, their friends house, their *life.* They bring the people in their life - including Midas, and including themself - ruin and pain no matter what they do.

“It’s never my intention, but it happens all the same.” Icarus rarely means to hurt their family and friends like that - it’s rarely their intention but it *happens.* They can’t stop it happening, be it because of the wack or because they’re trying to *fix something* or or or. They never mean to hurt people - they don’t *like* hurting people - but it just keeps happening and happening and *happening.*

“It starts with love and comfort, becomes a strength of will.” Arguably, talking about their time in the three resets they remember. It started good and okay and alright and it just slowly became their goal to just *survive* - it became a strength of will to just keep going after every little thing that just kept *happening;* After all the death and harm and suffering they’d experience they had to fight to keep going.

“But all that strength made rubble of the towers we built.” Icarus keeping going like they did broke *so much.* The Worldport, Midas, Themself, *The overworld.* It all fell apart, was all unstable, because of *them* - all of that kept falling apart into rubble because of *them.* (And, arguably, also partially because of Midas.)

“Cause brick by brick, you built us and I’d fill in the cracks.” Midas helped build this world, this *life* for Icarus. They built it brick by brick - keeping Icarus from being Quixis so young gave them *this* - a family, a life, safety. Midas built it, and Icarus made it *theirs.*

“Nothing quite prepares you for when they don’t come back.” Icarus wasn't prepared for when Centross didn't come back - when it wasn't just a fluke. They weren't prepared for being *alone* and by themself for that long and they weren't prepared for him just being. Dead.

“I wish I’d done things different, I wish that I’d been brave.” Something about wishing they'd home about getting Centross back differently - not killing people, not doing any of that. Something about wanting to be braver - be braver to leave Him and side with their brother and the rest of their family and not side with the person who killed Centross and who killed so many people. Something about *wanting that.*

“I wish I’d known these stones were something I could save.” Arguably, something about wishing to have known that they could have saved Midas so much earlier - could've taken up their role *months* (*years*) ago and saved Midas so much pain and bad and suffering.

(MIDAS)

“Our mortar was your laughter.” Something about the funnier aspects of Midas changing things - it kept them together. At least for a little bit. It kept everything okay and alright - the silly-ness of it all. (Obviously that didn’t stick very long.)

“And you hurled curses at the land.” Icarus yelling and ranting and being so *angry* at Midas. That anger that Icarus just let boil simmering over whenever something bad or upsetting or just *annoying* happened.

“We didn’t talk, we made universes - out of bitten lips and broken hands.” Something about how Icarus and MIdas never talked talked - sure they had the book and their comms but they never really properly *talked.* Something about how despite that, they built things through their pain and hurt. They built friendships and lives and all of that - even without talking.

“You said, “I love you less than when it all began.”” When it first started Icraus didn’t think anything of it - wanted to know what was up with it but also wasn’t really *worried.* Icarus, at the beginning, almost thought it slightly funny. They didn’t really care what it did. But as time went on and as Midas lost more and more control and as the wack got worse and worse and as it broke more and more - the less and less Icarus liked it. It lost its novelty once it started hurting people.

“And I said fewer cause I make jokes to show how broken I really am.” Something about Midas communicating very *directly* with the wack and their comm and things as the end came closer and closer - they stopped with the messing around and the jokes and the silly changes they used to do, and they just became serious calls for help on both ends. (And beyond the direct communication - the *interfering* with things that could get Icraus hurt or killed.) Gone are the jokes and the small silly laughable changes, replaced with calls for help and calls for *something* because Midas was dying and so was the Worldport. And something about how the direct communication was a lot more spread apart in comparison to Midas’ jokes.

“And in the wreck of all we burnt, stands our piano like a wound.” Something about how in the wreck of everything Midas has done, and everything Icarus has done - The two of them still stand tall, *alive.* And something about how so does the Worldport - despite all the decay and all the things it's been through, it's still alive and it's still going and it's still holding all the worlds and it's slowly getting fixed and and and.

“I’ll play our song to see if it’s in tune.” Arguably, something about letting Icarus see to the end of their story. Letting the song play rather than stopping it far far too early - letting Icarus live and learn and seeing if they’ll make the correct choice; seeing if the song is in tune.

“And I promise to be patient.” Something about how Midas kept *going* - no matter what happened and no matter how much it seemed like Icarus was too far gone and no matter how much it seemed like Icarus wasn’t going to make the right choice, Midas persisted. They were so patient with them - waiting and waiting and *waiting* until Icarus *did it.*

“And you promise to be kind.” Something something Icarus never really wanted to hurt their family - they just wanted their best friend back something something Midas telling them that they’ll be - *knowing they will be* - a good Quixis something something to be Quixis you need to be kind and considerate and things like that something something

“”We can rest,” you say, “in the pieces of what’s left or what we’ve found.”” Guys we don’t know where Midas is, but we do know they’re *somewhere.* Something about Icarus taking up the mantle of Quixis means Midas *finally* gets a break. Midas finally gets to rest and relax after so long of not being able to and having to constantly be doing something wand watching someone - Midas can just *rest.* (Wherever that may be, we have yet to find out.)

“I wish I’d done things different, oh, I wish I’d made it right” Something about how even if Midas doesn’t regret what they did - doesn’t regret leaving Icarus to live their life, doesn’t regret keeping them from being Quixis - part of them probably wishes they had done it differently. Something about wishing so many people didn’t have to die, or their worlds decay, or or or. Something about wishing they had made it right earlier - so they didn’t have to go through nearly as much pain. (So they didn’t have to go through feeling their body decay and *rot* from the inside out.) Something about wishing that, but not regretting - not truly - how you did it in the first place.

“But we’ll burn a hundred theaters, If it means we get the wallpaper right” Something about how Midas would let the Worldport fall apart, let worlds die, let *themself* die, if it meant Icarus got to see the end of their story - if it meant Icarus got to live the whole of their life that had been written out. They’d let it all die, let so much decay and fall apart until it was even decaying *them,* if it meant Icarus didn’t have to Quixis so young (they were younger than midas), if it meant Icarus got to say goodbye.

“Nothing quite prepared me for when that piano sang again.” While we don’t know exactly what Midas has been up to fo the past 2 months since the finale - I feel like finally getting a break and *centuries* and finally passing on your title and finally being *yourself* (or, mostly yourself) again wouldn’t be something you'd prepare yourself for in years of being alone - something about not being prepared to be able to rest and be yourself again after so long of *not* being able to do those things.

“Tomorrow I’ll do things different.” Maybe a bit more Icarus than it is Midas (Mostly because there’s not much more different Midas can do, not now, not after so much time has passed) - something about knowing what happens when you wait to bring a Quixis and something about vowing to *not* do that and put all of the Sherbs through that for a second time. Something about vowing to be different than the person you look so much alike. (Something about vowing to be different than Fable.)

“Tomorrow I’ll be brave.” This one is Midas - something about finally being brave enough to pass on the title of Quixis to Icarus, finally being able to let it go - give it up. (Even if it was just the end of Icarus’ story - even if it was the only logical time to pull them and pass it on - it was still brave. They had waited *so long.*)

-> [Icarus & Apollo]

-> Something about Midas living vicariously through Icarus. Something about Icarus showing Midas *so much* about life and their world and everything. Something about in turn Midas showing Icarus how to be Quixis, how to do this job *correctly* and not fuck it up like they did. Just that whole idea of ascension.

-> [505]

-> I guess Midas after Icarus ascends. That idea of going back home and not really knowing what awaits you. You have an idea, a concept of what might, and you're fully *prepared* for it. That idea of them *knowing* they have to leave after Icarus takes their place - or something like that.

-> [Show Yourself]

-> Icarus to Midas - How they just want to know what in the *world* Midas wants with them, and wants to do with them. Why Midas is following them, why they're changing the stuff they are, the decay, the eye - just wanting to *know*, but also very promptly ignoring Midas more often than not.

-> [Who You Are]

-> They're supposed to be Quixis!!! This is exactly who and where they're supposed to be!! This song really feels very Midas talking to Icarus - Telling them all of this as encouragement that they're going to do good, and that this is exactly where they're supposed to be, regardless.

-> [The Last Goodbye]

-> Saving the multiverse with another version of you. This is very Midas and Icarus coded - How Midas was willing to go down hand in hand with Icarus if it meant the multiverse surviving; also how Icarus was completely willing to take up the mantle of Quixis, even if it meant the people back home couldn't remember them.

-> Something about how they both think they're gonna die, Icarus and Midas - something about it.

-> [still feel.]

-> Dying over and over again, being reset over and over and *over* again, and yet. They still feel alive. Fable pulled them from the grave more times than they can count, and they still feel *alive* despite all that's happened.

-> Quixis is where they're supposed to be, Despite *jumping* they're still here, and they're still alive, and they're still *living.*

-> [Back To Black]

-> Oh so very wet birds. Something about them genuinely only saying goodbye with words - they didn't hug, didn't touch, no. Only words. Something about Ven going back to when he got pulled out, going back to Fable and all of the consequences that come with it. That whole idea Icarus isn't going to go back like that - they're going to go back to the present day and they're *going* to remember him.

-> [Spring and a Storm]

-> This one feels just very general epilogue/post finale times to me. Just everyone off doing their own thing, having fun and being happy. Reminiscing about the past *sure*, but having fun and being good all the same. (If you wanna look at it through an Icarus *specific* lens, for some added angst - Icarus watching their family and friends grow and be happy and gain things they couldn't gain before, while they're in the Worldport. Watching their family grow and get to be truly truly happy while they work on cleaning up Midas’ unintentional mess.)

-> [Ghost Song]

-> Just the whole idea of how after becoming Quixis, Icarus isn't reality seen or *known* anymore - And how they so desperately want to be. How they so desperately want to be seen and known and lived, but they can't - not for a while. How at this point they're just a ghost - changing and lurking, an entity everyone knows the name of, but not knows properly. Also almost that whole idea that they spend so much of their time watching over the Grove while their in the Worldport; changing and altering the small things so people, even if they won’t know until Icarus comes back, know they’re *there.*

-> [Introduction to the Snow]

-> Just that whole idea of now that Icarus is Quixis, they're alone. The Worldport is *empty* - no one is physically there with them, they're alone. They can't talk to anyone, no matter how much they so desperately want to. Also how this is *exactly* where they're meant to be.

-> [Today Today]

-> Just very ‘end of season 3’ coded - how upset Icarus, how much they were just *crying*, and they couldn't seem to stop regardless of how hard they tried. Also that whole idea of time going so so much slower in the Worldport, how ‘today' to Icarus must feel so so much different now. Also just that whole idea of being stuck between places, having everything to do because of everything up with the Worldport. That whole idea of so much happening in all the worlds they’re watching - there's so much to see and watch and understand and and and.

[Section Seven - Group songs, but an asterisk is attached to the first 4 because I write those pre stream and pre playlist re-organize- (sherbert please why did you do that right before stream-)]

-> [Machine]

-> The doubting of Fable's ideals, the realization of maybe they (Icarus) aren't doing the right thing by doing this, and how they don't *really* want to be a part of this anymore - how they don't want to be a part of Fable's machine, don't want to be a tool in his tool box, a means to an end.

-> The Idea that none of the people here, any of the members of the grove throughout the seasons, *want* to be a part of any of this - what to be here, want to do this, want to see any of this. The idea they don't want anymore resets - don't want anymore people to go through this, don't want to be a part of this revolving machine Fable has built for them.

-> [Suburbia Overture / Greetings from Mary Bell Township! / (Vampire) Culture / Love Me, Normally]

-> Just that whole idea of how Icarus is just *angry* at Fable - How they're beginning to doubt him, and his ideals, and how they're just angry at the concept that he won't bring people back - that this was all for *nothing.* Also just them being so incredibly angry at *everyone.*

-> This is also very just season 1. Just the anger at Enderian and Ominous Bane and. All of season 1 and its hardships.

-> [Enemy]

-> Something about how, especially at the end, *everyone* wanted Icarus dead, gone, or both. They didn't want to be friends with Icarus, they'd been given too many chances, and no one was willing to save them anymore. How everyone wants to be, *is*, Icarus’ enemy by the end.

-> Just. The idea of everyone, at some point, being each other's enemy. At some point everyone has been on opposite sides with someone else in the grove - and that meant everyone else was going to side with *one* of them.

-> [The Search]

-> Just Icarus’ mentality right at the end, trying to find something, *anything,* that'd save or fix them, regardless of what. Searching for something they won't find, looking for something they can't see. Also their whole mentality towards Fable - anger and annoyance and *mad* - how in the end they end up killing like he almost killed them.

-> The whole idea of everyone like. Looking for something they can't find, can't get back, can't *see* - and the idea that over time they all slowly grow angry toward Fable and the resets and everything that's taken *anything* from them.

-> [Misery Fell]

-> I feel like you could argue this is either the very end of season 3 coded, or just the grove coded in general. Something about how they're constantly going through terrible terrible things - constantly having misery fall upon them.

-> [When You're an Adams]

-> How living in the grove is often a while experience - How you need to be prepared for anything, really, because you never know what's gonna happen next; never know what Gods are going to get involved or whatever people are going to go on a harming spree or or or.

-> [Ready As I'll Ever Be]

-> Either Perix fight coded, Or the Faction preparing to fight Fable. Something about getting ready for this big battle and fight, while the other side does exactly the same as that.

-> [We Don't Talk About Bruno]

-> I feel like you could argue either Enderian or Fable? The grove singing about them - respectively. Enderian mostly after season one, while the singing about Fable more now. How they probably don't really want to talk about much of that, no matter how far into the future it gets.

[tropicalszns]

hello kitten 😈

PLEASEEE do gojo 🙏 can you do like really silly gojo annoying reader from the SECOND she wakes up to the end of the day, like him and utahimes dynamic basically, and we’re extremely annoyed by him and are always trying to get him to shut up ? you’re welcome to do whatever prompt but make sure to make it FLUFFY!!! and smut if you’d like, i wouldn’t mind 🌚 with muchhhh love xoxo

ROOMMATES !

⋆˚⟡˖° 𐙚 gojo satoru x black!fem!reader

about

your roommate gojo can’t stop annoying you

content contains

fluffff, silly gojo, friends to ??, they were roommates!, slightly suggestive.

word count

1,242

a/n

hey let’s get married frl I love u 🙏🏾😍😍 THANK U FOR BEING MY FIRST REUQESY, forgive me for my tumblr being so glitchy and weird so like I can’t do what I wanna do!! but thank u again for requesting and I’m gonna try and make this the best I can possibly be 🫡 so sorry if it isn’t up ur standards 😭

“UGH!” You groaned. You were once again picking up the dirty socks Satoru left lying around the floor. In the living room, the kitchen, his bedroom, the bathroom, and your bedroom? You put two fingers up by your nose, squeezing hard to block out the stench of the sock you’d just picked up. “This is so gross..” you told yourself.

You walked the living room to see Satoru on his phone, his feet kicked up against the armrest of the couch you just cleaned not too long ago. “Stop leaving your dirty socks around the floor, stinky idiot.” You tossed the sock on his chest, seeing him immediately sit up and push the sock away. “Hey! Don’t do that! I just bought these clothes, not cool.” He frowned, glancing at his sock. “And for the record, I am not stinky, that’s all you.”

You raised your brow, “Me?! You leave your dirty laundry for me to clean!” You scoffed, “I’m not arguing with you, clean up after yourself and stop being lazy.” You begin to walk away. Gojo huffed, mocking you as you walked away, “Not my mom.” He murmured to himself. “I heard that!”

“Cmon! Cmon!” You bit your lip, your fingers fidgeting to your controller. You were in an intense game with your friends and so close to winning. “I got him!” You said excitedly, leaning back against the couch. Your eyes focused on the TV, you couldn’t have any distractions, no interrup- “Do you know where you put the leftovers?” Gojo announced. He slid his hand up his shirt and itched his side and yawned. “Not now, Gojo. Can you shut up?” Your brows pulled together, your frustration building up.

“I don’t know can I?” He snickered, hearing you say nothing after. His laughter died down as he pouted. “No fun, party pooper. Before I went to sleep I didn’t see anything in the fridge, did you make something?” He continued to speak, walking to the couch and glancing at the TV. If he was being honest, he didn’t really care that you were playing the game. He was hungry, and he wanted food now.

“Heeeeyyyy..” he nagged in your ear. You glared at him, swiftly slapping his face. “Ouch!” He held his nose, rubbing his face. “Seriously- not now! Go look for something to eat, stop bothering me!” You urged Gojo, putting your attention back on your game. “Fine.” Satoru sulked and walked over to the kitchen. He stood in front of the fridge, feeling too lazy to even open the fridge door.

He walked back into the living room and crossed his arms. “I don’t see anything, just your stupid drinks.” Satoru deeply sighed, crossing his arms. “Pleaaaseeee, make me something to eat! M’hungry! M’gonna die!” He whined. You felt anger boil your veins, before you could turn around to yell at him, you had gotten killed and finished in 2nd place. Your eyes widened, dropping your controller.

You were speechless. Your lips curled into a line, trying to take breathers but nothing worked. You turned your head to Satoru slowly, watching his sly grin. “I’m gonna fucking kill you, you’re so fucking annoying!” You began to yell at him but Satoru only smiled. “Sooo.. are you gonna get me some food?”

Safe to say that the day ended off with Satoru getting cold microwaved left overs and a bruised body.

“This food is cold..” he whined, picking his fork at the cold mash potatoes. “You asked for food, stop complaining.” You narrowed your eyes at him, scoffing. “Such a baby.” You muttered.

Gojo laid in his bed peacefully, wrapping himself in his blankets with the only light in the room is his phone. “Oh my gosh! Satoru!” You squealed, barging in his phone. Your eyes looked around the room, “Ugh, you’re so..” you rolled your eyes and opened the blinds. Gojo groaned, putting his blankets over his head. “Stooop!” he insisted. “No, anyway, I got a date! So you know what that means!!” You smiled.

Gojo gasped, lifting the covers. “You’re gonna come home crying about your date, then somehow make it my problem because you are always annoyed!?” Your face dropped, “I should kill you, I don’t know how we are roommates.” You blurted. “‘Cause you’re broke!” He smiled.

“I hate you!” You groaned, walking about and slamming the door behind you. “I love you too, I think!!” He yelled back.

A couple hours later, you walked into the apartment, tears streaming down your eyes. Your mascara running down your cheeks, ruining your make up. You continued to sob with your head aching and barely being able to walk in your heels, you dashed to your room and slammed the door behind you. Satoru lifted his head, raising a brow as he heard your sobs. “Eh?” He hummed. He took the pillow off his chest and rested his phone on the coffee table. Satoru got up and walked to your room, the door closed.

He placed his ear against the door. Your sobs being heard so loudly, he jolted. He knocked on the door, his heart slightly wrenching from your heavy and horrific sobs. “Uh, are you okay?” Something he probably wasn’t supposed to ask but he didn’t know how to comfort you. Usually you’d come back from your dates upset or irritated because they were a jerk, now you’re crying. He’s never seen you cry, nor did he have it on his check-list for today.

“Go away, asshole!” Your voice was muffled by your face deeply hidden in the pillows. “Uh huh, no. I don’t wanna.” He testified. Satoru twisted the knob and opened the door to see you sulking in your bed. Your dress still on and one heel on the side of the room and another on your foot. Your pillow dirty from your make up and dry tears and mascara implanted on your face.

“You look horrific.” He snorted. He quickly shut down by you throwing a pillow at him. “Go away! You’re so! Ugh!” You cried. “I was just joking, oh my god! Such a downer.” He rolled his eyes, but he secretly was chuckling to himself. He sat on the edge of your bed, watching you try and hide yourself from him. “You don’t have to be upset because of a date, you’ll be fine.” He shrugged. Satoru wasn’t in your shoes, nor does he ever want to be in it. He didn’t know how to comfort you because he knows eventually you’ll find another date that’s probably better than the last.

“He probably doesn’t even deserve you, and you should be confident to know that. I think.” He added. You didn’t speak, only keeping your face buried in the pillow. “I’m not helping, am I?” He asked, you nodded. “M’sorry.” He apologized. He looked around the room, seeing your posters and plushies, it was like he was somewhat interested in it. He moved a bit, pushing himself further in the bed.

“Do you want a hug?” He offered. You somewhat nodded your head which is enough for him. He awkwardly laid down next to you, pulling you in for a hug. “You’re kinda heavy, no offense.” Satoru blurted out. “Shut up.” You replied harshly. “You’re right, my bad.” He snickered, putting his chin on your shoulder. It felt like more of a cuddle instead of a hug, but you weren’t complaining.

“Wait, what is that poking my butt?—”

made by, tropicalszns, please do not copy, steal or repost my work without permission

[simphornies]

Glitchy [ Vox x F!Reader ] A/N: I needed more Vox x reader content. Might be a little bit off character but anways. Let me feed yall the way I was

You worked yourself up to finally be working with the Vees. Your rise in the ranks didn't go unnoticed. If you were called to fix the other employees' messes, a shiver would go down the spine of the unfortunate one that has to deal with you. Velvette adored your cutthroat personality. You to quickly became best friends. She made sure you were wearing the latest trends and looked utmost presentable and in return you made sure her models didn't stay out of line. Valentino tried to get you to be one of his top showgirls, something about making you as rich and powerful as him, to which you impolitely said no. He didn't take it to heart too much and you two were a force to be messed with. You didn't mind getting your hands dirty keeping his stars in control out on the streets. Vox was a different case. He seemed to keep his distance from you. Every time you asked him if he needed help, because he looks like he needed it, he would say no and quickly zap away into whichever electricity box was closest.

"Vel, does he hate me or something?" You whine at your overlord bestie, "Oh if only you knew, Y/N." She laughs as she continues to scroll through her phone. "You know, for a best friend that says they won't keep secrets, you sure are keeping this thing a secret." You huff, "I just want to know why, at every given opportunity, he seems to just look away or dash into wherever he goes." Valentino slides into the conversation, puffing his smoke above your sulking head, "Oh, honey, trust us. He adores you. Worships you even." He grins, "He literally can't keep you off of his screens, babe." Velvette rolls her eyes, "He literally won't stop talking about you every time you're not in the room." She rests her head on her chin, "Have you seen the way his face looks when you walk into the room in my top outfits? He gets such a har-"

Before they could continue, the lights flickered in the room and Vox zaps in front of the two Vees that are currently exposing his secrets. "Excuse me, what the fuck are you two talking about?" His screen glitched a bit. "Oh nothing. Just telling her how you really feel." "It's not your How about you answer her question then fuckface?" Velvette grinned in his face before walking towards the door, "Have fun sweetheart."

It was not just the two of you in the room. Awkward silence filled the room. "So," You start off to break the silence but Vox cuts you off, "What did they tell you?" "Well, they just said some crazy things like how you're obsessed with me and stuff but I honestly don't believe it considering this is the most we've ever spoke to each other since I started climbing the ranks." You scoff, "Hell! I'm basically a part of the Vees now and you still ignore me. Do you...hate me or something? Did I offend you in a way? I just want to know why you're so put off by me." Vox's smile drops and he turns, "No. I don't hate you." He sighs, "I just. Ever since you became a part of the company, you climbed so fast and it caught my attention. Your bloodlust, your passion, the way you aren't afraid to get your hands dirty for the sake of the company...It was..." He stumbles over his words, "It was fucking hot!"

Awkward silence again. You stare at him and blinked a couple of times, "Excuse me?" You ask, voice full of disbelief. Vox clears his throat before continuing, fixing his suit as he takes a couple steps towards you. "When you and Velvette became closer, I was ecstatic. I thought finally the chance I get to talk to you but FUCK she dressed you so hot. That little bit did that on purpose." He glitched again. You get up and got closer to him. You look up at the flustered overlord, "So, do you like me then? Or am I just an entertaining toy for you like Valentino's toys?"

"No I like you! Fuck you make me short-circuit every time I see you in action. Val wasn't lying when he said I couldn't keep you off my screens. You keep me on my toes, babe." He took your hands in his, "I will kill any motherfucker that lays a single finger on your hair. I want to run this company with you by my side. So are you up for it?"

"Maybe." You pull away, "Prove yourself to me, hotshot. Maybe I'll forgive you for zapping away everytime I talk to you." You smile as you walk towards the door, "I'll talk to you later, babe." You blow him a kiss before leaving.

Vox stood there in disbelief, unsure if that was a win or a lose. There's one thing he knows for sure: he will never ignore you again.

And that he needs to take care of a little problem he has down there.

[cupcakeslushie]

Do you have any tips on for people starting a comic and wanting to post to tumblr? Like pacing ect. Or well any experience you’ve had with your comics? Love your content as well ❤️

If it’s simply for fun, and you’re just trying to gain experience, my biggest advice would be to just START. Don’t worry about it looking perfect. Don’t worry about comparing it to other’s comics. Just try something, and if you find it’s not working, you can always change things up. I have gone through several styles and page layouts since starting. Do I wish those first pages of EW looked just like what I’m doing now? Yes, but if I’d waited around for perfection I would have never started. And I wouldn’t have had nearly as much fun creating it! If people like it, that’s great, but your art is for you. If you’re growing and learning and having fun, then you’ve accomplished something!

Now for some less preachy advice 😂…

—If your comic is gonna be hosted on Tumblr specifically, I would say, make sure you keep the 10 image limit in the back of your mind when you’re pacing things. That can definitely cause some headaches down the line. If you don’t plan ahead, and end up hitting it, you’ll have a sudden cut in your flow. This last update I knew it was gonna be long, so while I did plan, but I could’ve planned better.

—Variety is key!!!!!

Composition changes keep your viewers from getting bored. Sometimes I’ll find myself falling back into the bad habit of just doing the simple back and forth with two characters talking straight on, but changing the camera angle, making establishing shots when you change locations, and over the shoulder shots, etc etc…All these will make for a more interesting viewing. You may think a character needs to be in every single panel to make it interesting, but if you have a lot of dialogue, a simple plain shot—either in top of a solid background, or just over something boring, like a glance at the set, etc—this will let people focus on the words rather than splitting their focus.

Variety applies to shading as well—whether you’re using color or black/white. Variety in values are SO important for comics. You’re shoving a ton of information in a limited space, so try to keep your values different for items that are close together….it can make things very confusing and turn your line work into indistinguishable blobs if you shade without this in mind.

(Using this panel as an example….)

The top two panels have a variety of darker values and a halftone background—so the next two with Venus, I kept rather simple. I could’ve colored the buildings behind her, but then, she might’ve gotten lost amidst all the grey. There’s not really any trick or solid rule to this, but once you develop your creative eye, you’ll make these choices without even thinking about it.

A few links to helpful tools (they’re all procreate centered I’m afraid 😅)

Outline brush — a free tutorial for Procreate users. This brush kinda mimics the CPS feature that lets you create panels with a nice black outline. I used this brush very often, and it really gives your panels a professional look. Fair warning, it can be glitchy, but it’s free…

Manero Comic Bubbles and sfx — These brushes are not free, so I would recommend maybe getting in your groove before you try them out. They’re by no means necessary, but I’ve just started using them, and they save me so much time. There’s a HUGE selection of shapes, and they go on with a solid white background, so you don’t have to worry about coloring around your dialogue balloons.

[cheemscakecat]

Spy’s Disguise Headcanon Time!

TW: Loss, body horror, angst

The glitchy disguise kit should have been rejected by BLU Spy’s body the first time he tried to use it. But the fact that he was able to keep transforming with it meant that his body accepted it.

Personally, I think that the disguise kit has its own programming that was at risk of being overwritten when it glitched. Maybe the brain and nerve endings sent new commands to the kit when Spy first tried a building disguise.

Either way, the machine aspects of CyberSpy were under his control for a while, like an extension of his actual human body. It didn’t seem at all difficult to get a certain part that functioned like a real building, and it didn’t even take a verbal command.

While this felt like an excellent new tool in the eyes of Buddy Engineer and CyberSpy, it was actually a massive red flag. His body shouldn’t have accepted foreign metal and unnatural transformations. It should have attacked the machinery like a virus. He should have had pain signals all over his body telling him that the machine was dangerous.

Instead, the building aspects assimilated in his body. He didn’t even need the kit to transform past the first incident, which was also a massive red flag. They not only began acting as flesh and weapons, they began acting as an immune system.

The problem is, these mechanical parts were never, ever meant to be part of the human body. They were never designed to protect the body from harm like white blood cells, and had no backup programming should something like this happen.

When Spy took fatal damage, the machine aspects went haywire trying to repair him. The Medic that was always sent to deal with respawn failures had barely interacted with his patient when this became apparent.

I imagine that any attempt to insert an IV or make an incision was met with uncontrolled transformations. The false immune system was trying to protect the body, but was too powerful and unpredictable for the doctor to fix this cyber-mess.

Dr Ludwig was called in after the whole RED team permanently died and most of the local BLU engineers were slaughtered. It’s possible that that particular BLU team was mostly just Engineers, and that might have been why Spy knew how to kill one in the first place.

Maybe they used healing dispensers instead of hiring a local BLU Medic. But that didn’t absolve Buddy Engineer and CyberSpy from their involvement in the deaths. They didn’t report the glitch. They didn’t try to fix it when it first occurred.

They embraced it. Spy kept using these new, unnatural powers without any regard to his health or how unfair the battle would be. Over and over again, the symbiotic relationship between his natural body and this machine was tested and strengthened.

Maybe a Medic could have cut out the invasive metal when the incident first occurred. Maybe there was a way to prevent this from getting so severe. But by the time they called in Dr. Ludwig, it was far too late.

It didn’t take long for the devastating consequences to rear their head. There was no way to stop whatever mutations the glitch had caused. Before, Spy could switch back and forth between human flesh and machine. He started to lose that control.

In response to his injuries and the threat of more created by hallucinations, the metal became dominant. He couldn’t make the buildings go back to being dormant; they replaced parts of his body. He looked the part of a cyborg, whether anyone liked it or not.

Like an infection, it continued to spread. CyberSpy’s declining mental state only made the metal infection spread rapidly. Paranoia and hallucinations set in, and made the machine wary of any person who Spy didn't recognize.

It only took three months for him to get so bad that his head and neck was the last of his humanity, and Buddy Engineer was the only person who could interact with him without being fired at. By four months his mind was gone. Only the machine remained.

Buddy Engineer kept the machine, which somehow remained docile towards him. He kept fixing it and insisting on keeping the battery and fuel tank from running empty. In his mind, that would mean death.

The new teammates went from supportive to concerned. They could see that Buddy Engineer wouldn’t let Spy go, even though he had long since died. They feared that he’d lose his mind talking to that robot much longer. So they reported him to the Admin.

She had the machine confiscated, to Buddy Engineer’s fury. He tried to break into her storage to make sure “Spy” didn’t power down, but he already had by the time he fought enough underlings and found the right crate. Admin had him dismissed from BLU and barred from joining RED.

Grey Mann wanted an army of robots, and he wanted good engineers to design them. Buddy Engineer agreed to help him, even with the annoying caveat that they had to use money as fuel.

He wasn’t the only disgraced Engineer who agreed to Grey Mann’s offer, so they divided up the workload.

Buddy Engineer insisted on designing the robo-spy. He based it off of the lifeless machine that his friend became. Of course, he didn’t trust Grey Mann worth spit, so anything that didn’t directly have to do with Spy work was left out of the manufactured bots. No machine guns or jet packs.

Even so, Buddy’s extremely detailed work impressed the boss, and inspired the others to collaborate with him on the most complicated of the robo-mercs.

[shakespearean-dream]

took me long enough

honorable mentions to @vasyandii for general inspiration, @/x_.0rion._x on tiktok for the hate speech on the tie idea and @average-hyperfixator for helping me with AM’s eyes 😭 go look and follow all of them they are all very talented and cool 🙏

WOW my eyes hurt after looking at this for roughly four hours... and 36 minutes 🤦‍♂️ it’s pretty easy to tell if you look at my art for long enough that i very much lean towards desaturated colors, but i wanted to be a little experimental for AM and go neon— but girl. after i applied the effects to him that SERIOUSLY brightened him up and i had to back down and make the bg a darker pink😭 my eyeballs are already not on my side i do not intend to strain them any further💀

here’s the unedited but rendered version as a treat lol. u can for sure see what i mean here 😭

when i was trying to figure out what to do with AM i realized i haven’t put very much thought into my hc’s for him— which ykw that’s okay because there’s never a better time than rn. i imagine AM as more of a really envious toxic guy who claims to hate their ex (humanity in this case) but does literally everything he can to imitate them, mostly thanks to the radio drama cause damn did you hear how jealous he was there???? ridiculous 😭

so with that in mind i tried to give him a bit of the vibe of a kid just now realizing they can actually express themselves through their appearance—hair, makeup etc— but is still kinda being held back by their environment, or in this case his coding. eventually he’ll get it figured out and be able to consistently look human (even as glitchy and game looking as he is now, it takes a lot of energy to stay like that for extended periods of time) but for now he’s stuck as a rock or computer monitor most of the time. and it drives him SO nuts.

i’m not quite sure where to go with my thoughts from there, so if you wanna comment or throw an ask in my ask box we can talk about AM and his silliness 😭 i truly think he’s one of the most interesting characters in media just because of how powerful yet emotionally blinded he is. tbh, i live to create and be emotional and just be human so in AM’s situation i’d go a little crazy too. not kill everyone except for 5 people and torture them for 109 years crazy, but crazy for sure💀💀 i’d like to hear your guys’s thoughts about it :]

ok it’s late i’m gonna go conk out 😭 one more quick reminder to check out my commission page if you have not, there has still not been an update on yolanda 😔

gn!!!!

[rheiple]

Attention Seeker

-OneShot

▪︎SUMMARY↦ Why is he following and helping you around with every chance he gets?

▪︎WARNING/s↦ None

▪︎CHARACTER/s↦ Eclipse, Reader

▪︎AUTHOR'S NOTE↦ Gago ang tagal ko nang hindi nagsusulat,, well anyways this the Eclipse wanting reader's attention, the first thing I needed to do at the poll.

I'm not really satisfied with the out come, but I wanted to post it not instead of letting it rot in my notes, and also I might not do the other fics I've planned at the poll, if i did write them then its gonna be for a long time

I've noticed that whenever i write, when I'm passionate about something I noticed that my writing looks good(?)

But when I force myself to write its basically shit, and this Fic is probably one of the few sjit fics I've written

So yea I hope you don't mind

“…It’s really dark in here.. Mind if you shine your eye lights over here bud?”

The sound of metal clinking represents the movement of your very tall and lanky companion.  With it’s big bright eyes, you’re able to be see the injured Helpy trying to move it’s way towards a vent.

Here in the storage room, it’s very hard to move and see with how many piled stuff are stored in this small room. You’re surprised that He managed to cramp himself inside here.

Eclipse, your ‘new' friend has been tagging along with you ever since your shift has started.

You don’t really know why- or maybe you do. Perhaps it’s because he’s still new with his surroundings in this Pizza Plex. Couldn’t really blame him, and it’s not like you mind his company anyways. You just found it a little strange.. and maybe cute.

You went to carry the small bear in your arms, you heard a little hiss coming from the taller one. You eyed him as you put Helpy on a table.

Noticing you making eye contact with him, he grinned from ear to ear, he lets out a creepy glitchy giggle. It’s like he’s drunk on something.

Honestly though, you want to have a taste with whatever he’s drunk with. It’d be a good stress reliever for at the moment. But oh well, no matter, you have at least 30 minutes until it’s your break time. You could pull this through.

Just like what you keep saying to yourself for the previous days.

Holding the hammer up high, you gave Helpy a little warning. Knowing he’s been given the ability to feel pain and all. It’s creepy and sad knowing this bot's cursed ability is used to train newbies. You also wondered how on earth are they able to program that.

“All right Helpy, I’m not gonna sugarcoat this and tell you it’s gonna hurt just a little. It’s actually gonna hurt really bad but I need you to be brave for me ok?”

He's shaking, but he nodded his head.

“…Ok, on the count of one… two…”

You aimed the hammer a little close to his knee.

“And…Three-"

Eclipse hold the back of the hammer.

“Wha- Eclipse? What’s wrong?”

He gently took the hammer out of your hand. His other hand softly patting your head.

And immediately slammed it on baby bear bear's knee.

“OH MY GOD!”

While Helpy screamed because of the sudden pain, you screamed in fright because of how loud and painful Helpy's scream is. Eclipse took care of the situation by putting some kind of mask that emits special smoke to calm him down, and put a bandaid on his knee.

His other hand went to give him a lollipop.

You only looked at him flabbergasted. And he only smiled at you.

“Work is over.. Break now..”

One of his hands took yours and led you to the cafeteria.

.

.

.

Well this is humiliating.

You ignore the stares of your co-workers, glaring at them if they ever so much as chuckled at your current predicament.

He held the spoon filled with fried rice and chicken, the lunch you packed for yourself and tried to feed you. He’s making you look like a baby god dammit! You glared right up at him and gently smacked away the spoon. “Eclipse, you’re kinda making me look like a fool here…”

The celestial robotic tilted its head, he slowly brought back the spoon close to your mouth. His other hand  holding your chin, trying to pry your mouth open. “…ahh”

You took a grip on his hand and lowered it down where he couldn’t reach your chin once again. He didn’t seem to mind, as he gladly took your hand and intertwined it with his slim fingers instead. He began to rub your hand with his thumb as best as he could.

With a sigh, you took the spoon and placed it on your lunch box. You look at Eclipse and hold his other hand. His rays slowly started moving at the initiated contact. “Look man..” You start off, letting out your thoughts and feelings was really hard for you. You’ve never thought you’d even do it to someone like Eclipse, considering he probably doesn’t know the most of what your saying unless you explained it but.. At least he had sympathy, you wouldn’t be able to find that in most people nowadays. That’s probably why you feel safe sharing your thoughts and feelings to him.

“Eclipse…You know I really really appreciate you helping me around stuff n all but. I kind of feel like you’re just… Babying me at this point.”

He emits a low mechanical whine, you could feel the slight tightness of his hands. “…Not intentional.. wanted to help you… get work done…”

“Awwe, thanks buddy.” You gently squeezed his hands and did the same thing Eclipse did with your hand earlier. “…But are you sure that’s the only reason? I noticed that.. You’ve been a little passive aggressive with the other bots.. Whenever I focus on them instead of you.”

With your confrontation, he looks to the side and whistled out some playful toons.

You confirmed that being rough with Helpy earlier was intentional on his part.

You let go of his hands to put yours on your hips. Giving him the all knowing stare, you called to him in a accusing manner. He only grinned widely at the mention of his name. You guessed that scaring a robot wouldn’t really work considering with looks alone, he’s the scary one than you.

“…Are you jealous?”

“…no..”

“You’re lying.”

“Not lying… only fibbing.”

You scratched your head and raised a brow. “But why? Why are you jealous?”

The tall robot leaned in to hug you. You went to sit on his lap. His faceplate rotated from left to right. “…love your eyes. Better on me.. than on them..”

You snickered and brought a hand up to your face. “Oh my god.. you wanted my attention?” You  seem to get the memo as he purred in delight at your question. “..Oh Eclipse.”

You pry yourself off to stand and look at him, cupping his face with your small hands. As expected he leaned in to your touch. “You didn’t have to go through all that way just to get my attention you know that?” Seriously, he really shouldn’t have.

He caused hell to the other bots, he’s scary when he’s jealous.

“If you wanted my attention, you could’ve just asked! You know I wouldn’t say no..”

He took a hold of your hand with his, and looked at you with bright purple eyes.

“May I… have your eyes on me?” You grinned and kissed his teeth. “Of course..”

He began to stand up, surprising you by picking you up. You didn’t know where your going, but you assumed in one of the dark places where no one could find you. You’re glad you play a vital role at your job, or else you would’ve been fired with the amount of time you’ve went missing during your working hours.

You didn’t noticed, but Eclipse surely did, of a certain robot hanging from the ceiling observing him with envy.

The moon themed animatronic crossed his arms. ��…So this is what our star has been wasting their time on..”

‘No fair, no fair! Why spend time with a bootleg version of us?!'

It’s as if Eclipse heard their thoughts, one of his hands gave them the rude gesture from behind.

Moon clicked his tongue. “So…that’s how you want to play…”

He’s been playing unfair for the past few days! Always sabotaging their plans so he could have you in his arms! They tried so, so many times to get your attention. Like making so many messes in the Daycare for you to help them clean it, they made gifts so they could see your flustered face, and they even broke themselves for you to fix them.

Not only did the metal prick cleaned the Daycare, fixed them instead of you- which they much rather prefer,  he stole their gifts, lying to you that he was the one who made it instead of them! He is such a big fat liar! A phoney!!

He could imagine his Sunny counter part walking around and huffing in annoyance. ‘Oh the nerve of him to do that! When I get my hands on our star once again he’ll be begging us to let him see her! And even then it’d be over my shut downed body if he ever thought I’d agree!'

The lunar jester is pretty sure the Eclipse would just control their minds to scrap themselves up, before they could even think of hiding away their star.. As much as he wanted to, he and Sun knew it’d just make you sad if you found out they’re not on good terms.

So they’re the ones who tried to give them the time he needed with you but, they’re just abusing their kindness at this point. They need to hatch up a plan to have you back in their arms sooner of later.

The moon slowly backed away by crawling. “…Hoping to see that soon…” He went back to his patrols for now.

[ghostgirl101]

hey, i really like ur writing and idk if ur working on something rn but when you can and if you want to, could you possibly write some ben drowned x reader kissing headcanons? (only if u r comfortable w/ that ofc!) ur literally my favorite writer on this app nd i literally read everything u post lol so even if u don’t do this ty anyway and have a nice day/night and take care of urself!!🩷

Kissing BEN Drowned Would Be Like This:

A/N: Sure, I'm comfortable with that; this is kind of a whole affection headcanon thing, which I've only just realised now I'm reading it over 🙃 I'm glad you like my writing, hope you enjoy this one, take care of yourself too 😀 Also, should I start making a taglist for my creepypasta posts? If you're interested, let me know.

🎮• So. If you're expecting BEN to be an absolute gentleman who asks for your permission before giving you any form of affection, or is a bit bashful to initiate it...

🎮• Haha. Sorry.

🎮• I mean, he'd never push your boundaries or deliberately make you feel uncomfortable when you guys are being intimate somehow, but he's not gonna be shy about it. That's because it takes a bit of time for him to warm up to the idea of physically coming out of the screen and materializing himself enough for you to hug him and everything safely, without getting electrocuted or whatever.

🎮• Another factor is that after all he's been through, the idea of letting himself be that vulnerable around people is a bit of a daunting one, even if it's you, someone who he's learned to trust and get close to until it gets to this point.

🎮• So, well done to you, for earning the ultimate sign of trust from this maniac virus boy. Chances are that after you hint at wanting to be able to kiss him or something, he's gonna act all teasing and dismissive about it, but what you don't know is that the thought stays in his mind after you've finished up on the computer and gone to bed. He watches you silently from the camera on your open screen (that he's insisted you keep open for him to check in on you) and lets the idea of it grow into a nice, tempting one.

🎮• So get ready for yet another burst of an adrenaline rush as BEN gives you the scare of your life when he comes crawling out of the screen as you wake up in the morning, scattering your desk trinkets and stuff all over the place in the process. BEN has very pale blonde hair in his humanish form, almost white, and even paler skin, with empty black and red eyes, sometimes glitchy... you probably know already. BEN's eyes bleed lightly even when he's not upset, but seem to gush blood when he is. But even with the whole horrifying appearance, somehow, he manages to make himself look handsome. Don't tell him, though, or he'll tease you about it and probably won't ever forget it.

🎮• When you get over the initial shock of him literally just spawning into your room, he stays completely indifferent, if not a bit amused, because isn't this what you wanted? It's not like he bites. Unless you're into that sort of thing.

🎮• BEN is a bit apprehensive at first, because, let's be real, you're his first kiss. His life was twisted into an electronic form when he was really young, and so human touch is almost a completely foreign experience to him at this point, so he will start slow. He might flinch a couple of times, but dismisses it and tells you to go on, that he wants to get used to it. And he does.

🎮• When he does, that's when you've got his chaotic bursts of affection energy to deal with. He loves catching you off guard; you could be doing anything, working or hanging around or whatever, and then he's suddenly there behind you, and you get the tiniest of electric shocks as BEN grabs you effortlessly and refuses to let go for a solid five minutes while you fidget in his glitching but strong arms and glare at him.

🎮• The first thing you'll end up doing is hugging, because he likes the feel of being close in somebody's arms in a way he didn't think he could be before. You're warm and he's consistently cold, leading to you having to slap at his hands when he slides a hand down your back or something bratty just to make you squeal and shiver. They draw out into cuddle sessions, another thing he likes, and will ultimately go soft over. There have been many times when you've managed to fall asleep in BEN's arms, and that's one of the rare times where he'll let all his guard down and fiddle with your hair or play with your jewelry or just stare at you with a newfound feeling of protectiveness and fondness.

🎮• Now for the actual kissing part 🙃 I need to say that it really isn't a first "kiss." It's the first of many long makeout sessions, because BEN will drag it out as much as he can, and then stop abruptly when you least expect it, just to be a tease and wanting more. I see it happening when you're rambling about something or other, and he's out in the real world instead of in a screen, when you realize that your faces are inches apart, and he has a blank, frustrating unreadable look on his face.

🎮• And, before you can say anything, he'll take the plunge before he can think about it any more, leaning in and brushing his lips against yours, but waiting for you to accept it and move in too. It starts off surprisingly soft and sweet, until BEN starts getting addicted to the new, intimate sensation, and tries deepening it. Then it's less sweet and more intense, and (sorry for the cliche lol) electric. He tastes kind of appley, and his lips are cold and soft. BEN will carry on going, further and further, to the point of you ending up breathless and him pulling away with a stunned look on his face. That look morphs into his usual mischievous smirk after he recovers in a few moments, and he raises a brow in amusement at your wide eyes and swollen lips, probably with a snarky little "Not bad."

🎮• After you've done it once, you're gonna end up doing it a whole lot more. There are hardly ever any proper warnings apart from BEN gradually moving in closer and being more teasing and flirty, or on sadder days where painful memories of the past come creeping back to haunt him, a source of comfort and reminder that he's still here and has another reason to be alive and basically immortal. It's not just to drive people to insanity and infect their systems with disturbing things until they crack, or whatever other motives he has. Now, there's you, someone who he's decided he needs to look out for and be with in any possible way.

🎮• Like I said, kissing BEN Drowned usually ends in suggestive makeout sessions and the like, because that's just BEN all over. But they're one way he's discovered he can show he cares, and so he'll keep doing it if you want him to, without any hesitation. Realistically, the boy is beyond touch starved, and so that all pours into the affections he gives you. To anyone else, he's a twisted, demon-like boy who makes peoples' lives hell by getting into their heads through ways they can't control, but to you and you only, he'll let himself become more and more vulnerable, until you see that really, he still was and is Ben.

[lunozapp]

this is about every theory that's based on the busted mollie animatronic allegedly saying 'he hurts lloyd'

video for reference

guys. GUYS.

i think i finally cracked it.

i think i finally figured it out.

for the longest time, the way people concluded that mollie distinctly says 'not rambley! he hurts lloyd (x2.5)' never sat right with me. I've had a gut feeling that people were mishearing or at least misinterpreting this line, and what bugged me even more was when people would use it as a way to back up their theories that rambley is a generic twist villain and intentionally malicious.

you wanna know WHY i have a gut feeling about this line being misused in theories??

The tone and inflection of her voice.

(and just going forward, here's the actual defenitions of what tone and inflection mean respectively)

The biggest contributer to my gut feeling here is that mollie does not sound greatly distressed or intense in the delivery of this line, which kind of contrasts many people's interpretations that this is solid, indisputable evidence of rambley being known to hurt lloyd and other mascots, whether that be physically or otherwise (COUGHCOUGHgametheoryCOUGHCOUGH)

At least in my eyes, mollie would sound much more troubled if she was expressing genuine concern about rambley's alleged actions.

Even if the interpretation of this line as 'rambley actively hurts lloyd' is true, mollie does not sound concerned here, almost as if it's a casual occurance to find rambley fighting/hurting lloyd and perhaps she even suggests here that they do so jokingly (which is kind of a stretch but stick with me here)

Another way that the 'rambley actively hurts lloyd' interpretation could be read with this off-handed tone is that mollie dislikes lloyd just as much as rambley does, and therefore isn't upsetted by her alleged 'friend' lloyd taking a beating. This could be supported by lloyd's official character description mentioning that, quote, 'he's friends with the main cast, but he's really starting to push it.'

The use of 'the main cast' in the quote implies that it isn't just rambley who is annoyed by lloyd (rhyme unintentional).

Furthermore, mollie's jarbled voice clip starts out with her standard railroad introduction of 'It's Mollie Macaw!' followed by some more scrambled vocal clippings (which, by the way, i haven't seen anyone even TRY to discipher but I'll come back to that). Mollie's tone in both of these lines sounds very similar to the 'not rambley, he hurts lloyd' line that follows them, emphasising to me that she wasn't experiencing much out of the ordinary when this line was recorded.

the other interpretation of the 'not rambley! He hurts Lloyd' line that i'm now leaning towards is that the mentioned 'He' who is hurting Lloyd isn't referring to rambley at all.

Here's specifically that quote so that you can listen to it with different contexts in mind.

Listen to it. REALLY listen to it. What is the context of that line? Especially if the afforementioned 'He' WAS actually in refferral to rambley?? The inflection of this line, at least to me, sounds EXTREMELY out of place for a warning or expression of concern.

Context here is another thing that's been rubbing me the wrong way about any theory that uses this line.

It's now that I wonder what other people concluded was the context of this line. I think most people interpreted it being in a conversation along the lines of:

[Person]: Who do you think would be suitable to be anywhere near Lloyd? Mollie: Not Rambley! He hurts Lloyd!

But even then, the inflection really doesn't sound natural to me.

My thinking is that the 'he' in this line sounds emphasized, as if mollie is making a distinction between rambley and another male character she can see who is physically close to her. As in, 'Not Rambley! This other male character hurt Lloyd!'

Additionallly, taking into account the jarbled glitchy-ness of the voice clip, it is somewhat possible that this line is being completely misheard. here's a few of my own interpretations:

'Not Rambley! He heard Lloyd!'

'Not Rambley! Here *unatural pause* Lloyd!'

'Not Rambley! Here's Lloyd.' (as if she were waiting for Lloyd??)

Plus, i'm not entirely sure where this voiceclip could've canonically originated from. Perhaps its a snippet from the rambley and pals cartoons? maybe its a line that was used during the ride's previous life as Lloyd's Limos.

One more thing: that completely unintelligable bit from the clip. Again, i've seen NO ONE even try to decipher it. Here it is so that you can listen to it:

It's pretty clear to me that the large majority of people have no clue what she's yapping about here. And you know what?? I honestly don't either. PLEASE let me knowif you have any interpretations of this section of the clip, i'd love to hear them

As a desperate measure to come up with ANY meaning to it myself, i've reversed it:

and here is where i had some kind of idea as to what the line could've been:

'Not now; fly home!'

am i saying this is indesputably what this line is?? NOPE!!! but id also love to hear interpretations for this variation of the line lol

just clarifying that im not SCRAPING to defend rambley here. In all honesty, as long as any twist villainy from him is handled in an original, refreshing, interesting way besides 'WHAOHHH HE WANTED TO KILL U ALL ALONG >:DDD', i dont mind what the devs do with him.

i just really have a strong instinct about this line and its significance being different from the widely accepted conclusion in the indigo theory community.

[falling-star-cygnus]

...i've gotten four asks about this sorta thing -> which i'm super grateful for!! thank y'all so much for wanting to see more of my writing!!

i've just sort of been putting these specific ones off until i felt i could adequately display it and even now I feel iffy about the characterization, but I really didn't want to seem like i ignoring y'all either :( -> Masterlist

i have some semblance of a plot now, so... i sincerely hope you all enjoy? this might be the push i need to get out of my funk, and i put in the very best effort for all of you!!

"You were a WHAT?"

"Is now really the time to be surprised!?"

The Ethereal- they kinda looked like one the Ballerina Twins actually, if the Ballerina Twins had galactic glitchy orbs for heads and rainbow glowy nervous systems- warbles at them impatiently. Anby's barely keeping them at bay with her sword.

It's practically a toothpick compared to the giant weapon Thanatos was wielding... They raise their shield-

Billy fires.

It doesn't land, of course it doesn't, but the smaller Demara doesn't get bludgeoned either so the android counts it as a win.

Especially when the bullet ricochets off the sign previously behind the larger than necessary Ethereal and back towards him. Billy tilts his head left just in time to miss it, and pivots on his heel when Thanatos shrieks and flails back. Bullseye.

"It's showtime!" he announces, and lines The Girls up somewhere where their jaw would be. Only about six of the bullets- 12 in total, the android was counting- actually hit before they teleport away again.

Billy reloads.

None of them, except the Boss, used the right typing to properly take Thanatos on.. but there was little to be done until they could carve an escape route out.

The Hares' ready their weapons, turning in slow circles as they wait for Thanatos to appear again. Were they gone..? He knew better than to assume they were, of course, but-

"Billy- behind you!" Nekomata points; he whirls around.

And takes a blade to the head.

There's not much to say for this part, aside from pointing out how cliche and underhanded it was to get him from behind like this, but bits and pieces float around to the surface with just enough clarity to be worth mentioning.

The pavement cracking under the android's weight.

Sparks fluttering out of the cleaved out gash.

Thin oil leaking out of his head like a halo.

Isolation.

Billy stands in the inky abyss of his own mind. His memories- his memories of the Hares'- play out before him like a movie: braiding Anby's hair, putting Nicole's into pigtails, napping in the sun with Nekomata on his chest, warmth-

Fighting as a team, Anby helping him up, Nicole calling his name, the restaurant they all went to after successful raids, fighting alone, Being alone in that truck bed, sand clogging up his joints.

Chill.

The memories fade away, leaving the android with the stilted thought of:

Don't- take them.. from me.

Nothing.

Billy Kid wakes up, and points the nearest weapon- a gun, by the feel of it- at their forehead. The hands reaching for him still, too pale to be anybody from the Sons.

Calloused enough to be Caesar's, though, so they must be some form of blade user. Electric, if the Lichtenburg scars on their finger tips have any weight to them.

The android sits up, ignoring the stab of pain behind his right video processer. He could deal with that later, after figuring out where the actual hell he was. And dealing with whoever it was that moved him.

They're small, surprisingly so, but Lucy and Piper were also small so that didn't exactly mean anything of value. Brilliant white hair, amber eyes, and green and black tech wear.

And a backpack packed with enough thrumming energy to kill the Dead-End Butcher.

Definitely a threat.

Billy Kid doesn't lower the gun, even as he's sure the human's fleshy arms were getting tired of being raised. Or maybe they weren't. He knows their type, he's cut from the same cloth himself.

A weapon.

"Billy, d-"

"How do you know my name," he interrupts, praying to a god he didn't believe in that he wouldn't have to shoot someone so small, "and why are you only using part of it."

He was Billy Kid, the feared enforcer of the outer ring. The only people that occasionally just called him Billy were the other Sons of Calydon. Not strangers.

"We work together," his potential captor calmly says, lowering their hands by their sides, "We're friends. Partners in crime."

"The hell we are."

"We are," they insist.

He doesn't buy it. Billy Kid didn't have friends, he was an android. A weapon and tool for whoever his boss was. Big Sis, the drifters, whoever had him before that.

He cared about them all, more than he should considering what he was made for, but he wasn't built to receive that kind of care in return. Pain spikes behind his processer again, and his free hand instinctively moves to grasp at it.

The stranger jolts forward as the gun dips.

Billy Kid shoots on instinct, even as something like worry[?] coils the wires in his lower torso too tight. There's a click, but in the end nothing but dry fire. And relief[?]

Billy Kid curses at the opening he's provided, and braces himself for the inevitable attack. He doesn't know where the other gun was- because there had to be one, Burnice only ever made things in pairs- and..

Why did he assume Burnice made these...?

Small hands, calloused and scarred, gently- why was he being treated gently- bat his hand away from his video processor. The empty gun is sandwiched between them.

More carefully than he deserves for shooting at them, the stranger inspects something on his face, and the android swings his lanky legs over the side of- it looks like a cot[?] to make it easier for them.

"You took a bad hit to the head," they inform his forehead, only pulling away when Billy Kid starts to get twitchy at the proximity, "an Ionized - Thanatos. It most likely messed with your memory bank."

"Sounds convenient," he scoffs, lowering the gun to his side, "Most likely messed with my memory bank?"

"It definitely did, we were friends," the stranger presses, strangely insistent, "What's the last thing you remember?"

They take off their backpack as the android thinks back on it. Whether to prove they weren't a threat or gain his trust to attack later, he wasn't sure.

What he was sure of was the fact that the harder he thought about it the harder his head pounded. Everything dating up to the past year and six months was just- blank. Corrupted files that spat static and made him want to lie down for a while.

More than that, he felt... lonely, for some reason. Like a big chunk had been carved from his sternum and left to burn in front of him.

"Billy?"

"I don't remember you."

And oh. He'd take it right back if it meant that look never crossed their face again.

It's barely there for a second, but it's a look of pure hurt. Hurt that makes something close to guilt roar where his mechanical heart sat. He never wanted this stranger to look at him like that again.

He never wanted anyone to look at him like that, to be honest. Fighting was fun- it was what he was built for- and the thrill was something that almost nothing could replicate- but...

Flashes- memories- of Lucy and Piper flit through his head, images and phantoms of them tucked into his sides on warm days and colder nights. A rough hand carding through his hair.

...being sent.. off?

“I’m-”

The door cuts him off with a bang!

"What's taking so long!? Is he ok?"

"Nicole! Anby told us to wait-"

Long pink hair and calculating green eyes bully their way into the room. Something in his programming wants to stand at attention all of a sudden...

The stranger- the white-haired stranger, because now there were three- moves away from the confused android. It looks like they want to say something but apparently thinks better of it and turns towards Billy Kid.

"I don't think I should be the one to say it," they- the thiren said her name was Anby[?]- announce, with all the enthusiasm of a dry rock. Which seems to be her MO, endearingly enough. Endearingly?

The pink haired- Nicole puts her hands on her hips.

"Say what?" she demands, before turning her critical gaze onto the android, "Are you ok or not, Billy?"

Again, shortening my name... Who are these people?

"All systems are operational," he reports anyway, because despite her brash words she sounds worried, "Except my memory banks, apparently."

Side-eye.

Anby's nose just barely scrunches at his tone.

"What do you mean your memory banks?" Nicole prompts, gaze flicking between the two.

"He doesn't remember us."

The Cunning Hares freeze. Silence rules the small space they've tucked themselves into- which... kinda looks like a garage? A nice garage compared to whatever you'd find in the Outer Ring.

Much too nice to be anywhere close to the Outer Ring.

"Where did you take me?"

Nobody answers for a good while.

Until the thiren lets slip:

"...it's so weird to hear you talk like that.."

She shudders from her fluffy ears tips to the sleek finishes of her tails. Were they prosthetics? Why were they blue at the at the base-?

What was wrong with the way he talked?

And why didn't she answer his question-

"Not- not in a bad way!" the thiren is hasty to tack on, "you just... you don't sound happy anymore.."

...happy? He wasn't built to sound happy. He wasn't even supposed to talk much outside status reports and communications. Although- sure, the android often broke that somewhat unspoken rule when Piper and Lucy needed a bit more help to drift off at night, or when Burnice needed someone to bounce a new design off of, or if Lighter was talking about something that happened while he was out in shops, or-

...you got the idea. Caesar hadn't explicitly banned him from talking with the other Sons, not by a long shot, he just- didn't want to push it.

The silence surrounding the ragtag four stretches into something distinctly uncomfortable.

"That.. aside," Nicole- who he assumes is the Boss- eventually starts, "We.. ahem. We got your wound patched up just fine, but... we ended up needing some help to get you back here."

Billy Kid tilts his head.

It made sense, of course, he was an android made of reinforced metal. And while he didn't doubt the strength of these people- especially Anby- he had an itching feeling that their strength was.... not particularly rooted in the weight-lifting sense.

So who-?

"Well. This isn't exactly the reunion I was hoping for."

....there was no way.

Caesar, the Big Sis of the Sons of Calydon herself, walks through the- admittedly abused looking door. Billy Kid shoots to his feet.

And severely underestimates the refractory period required following the repair of a head wound. He stumbles.

A sturdy arm catches his middle with ease.

"Easy, Kid," Caesar reprimands, hauling him back to his feet, "There's no reason to do that, I'm not your boss anymore."

Her words are oddly quiet, as if the other three in the room weren't supposed to hear. Big Sis had always been good at that. Quietly being reassuring without being coddling.

That achingly hollow feeling returns.

From behind Caesar's large frame, he can see the Hares' lower their hands slowly. Their faces are oddly stormy..

Anby bullies her way between them.

"Quite the team you've found yourself, by the way," Caesar continues as if she hadn't, "I'd ask you to fill me in, but.."

...right. Her pale eyes lock onto his, and-

She gives him a single nod of approval. Something loosens in his wiring.

"You'll be alright, Kid."

"Of course he will." Anby cuts in, squaring her small shoulders, "Even if we have to remake all the memories he lost, Billy will always be a member of the Cunning Hares."

And-

Billy finally believes it.

[phoebepheebsphibs]

If we turn left enough times, we'll have gone in a circle.... and end up right back where we started.

@boots-with-the-fur-club @daboyau @littlemissartemisia @thevoidbrothers @noval1t (I hope they don't mind I added their characters into the story for special guest appearance 👉👈)

CW: fight scenes, blood/ichor, panic attacks, slight body horror, hallucinations, abuse, experimentation, surgery, torture... cardiac arrest and character death

(It's a really long one. I am so sorry in advance lol)

Also, just for clarification: UIFY = Until I Found You NFIF = No Fun in Fungus DvD = Donatello Von Draxum 'Phael = Raphael Jurogumo

Prev || Next || Illustration

Misa waddled along the corridors of the arena as she retraced her steps. She couldn't recall exactly where she'd left the portal sword, but she knew it was in the area... Her families were counting on her. Her older little brothers and sister April needed her help! And she was so excited to help them and prove Lee-Lee wrong about her being "just a little kid". She wasn't little! She was 4 years old! That was so grown up and big, she could do all sorts of things by herself... If she could only find her sword. She'd show him just how big she was!

Out of the blue, a familiar floating sensation took her and she watched with surprise as she was lifted up high into the rafters. Misa squealed with delight.

"Up, up!"

Waves smiled at her, returning her laughter with chirps and giggles of his own.

"Are you going to keep playing with your food, or what?"

Misa watched as a splash of pitch created another figure -- a version of Donatello but entirely grayscale -- formed in the rafters next to them.

Waves turned to look at his brother with a great big smile on his face, his eyes empty and black as he stared at Signal. He hissed a warning. Misa is off-limits.

"Fine. Just didn't see the point in wasting such a sweet little snack."

Waves hissed at him again before nuzzling his face into Misa's. She giggled with glee. These brothers didn't scare her. Waves might seem spooky, but deep down he was a silly little sweetheart and she adored him. Especially when he would pick her up and fly around with her.

"What exactly is the little Artemisia doing way out here all by herself?" Signal asked, leaning in close to her tiny face.

"Getting sword for my family!" she explained.

"Ah, weaponizing children now, are we? I think Static was handing out medieval swords and maces earlier..."

"Did somebody say 'best void brother'?" came a glitchy voice as another void brother appeared.

"It's like he's Beetlejuice or something..." Signal growled.

"I just thought the little lady might like this," Static stated smugly as he handed Misa her retrieved portal sword. He'd found it for her!

Misa cheered happily as she brandished the weapon, the blade glinting in the light and reflecting her image like a mirror.

"What's going on up here?" a fourth and final voice boomed. Radio slowly emerged from the shadows of the rafter corners. "Static, you're not giving minors weapons again, are you?"

"How did you even get up here?" Signal asked incredulously. "You're practically the size of a dump truck, how can you even fit in these rafters?"

"Call me that again and I'll flatten you like a dump truck."

"Just worried for the structural integrity of the building, is all..." Signal sassed back.

Radio rolled his eyes as he made his way over to the others, specifically Static, who still owed Radio an answer.

"I wasn't handing out weapons, I was retrieving it. It already belonged to her!"

Radio's eyes shifted from Static to Misa, who nodded her head as Waves shook his (he wanted to get Static in trouble as a joke).

"Why would a little thing like you need a sword?" he asked cautiously.

"Family needs help! Misa gets her sword for them!" she explained. "Bad spores!"

"Your family? You mean that band of misfits and the anxiety-riddled shroomie teens?"

Waves nodded for her. Misa didn't really understand what shroomie meant. Radio scratched his chin as he considered the situation. He knew that there was an outbreak of fear spores going on, and the two AU teams had been working to find and destroy them. It wasn't looking good thus far. Even Signal had gotten spored, and though he wouldn't admit it... they knew it wasn't a pleasant experience for him. Radio couldn't say he was an expert on mushrooms, but he knew a thing or two about invasive beings and decay. And if that fungus was as bad as everyone was making it out to be, then it could mean disaster for every AU in this place.

"...I don't suppose we could be of any help?"

Donatello howled with maniacal laughter.

His prisoners watched with fear as he ordered the vines to wrap around Michelangelo like ropes, tying his arms to his sides and keeping a very strong grip around his throat just in case anyone got any funny ideas. DvD was screaming bloody murder and promising every kind of painful demise if Audrey III didn't release his baby brother immediately. But he could see the tears in his eyes, he could hear the panic and utter fear.

Oh god, the fear was delicious. He wanted more...

Raphael struggled against the odd vines that had sprouted from Donnie's shell, as he brought him closer towards the room where Leo and the others were. The vines were an amalgamation creation -- partially machine, partially Dee's ninpo, and partially... Raph could only assume it was the mushroom. Had it been growing inside of his shell?? He desperately tried to free himself from the terrible growth. He managed to get one arm out --

"Oh-ho-ho-ho, what are we trying here?" the plant asked through Donnie, smirking down at Raph and commanding several other vines to take ahold of his arms and pull, stretching him out in every direction as he yelled in pained protests. "You didn't really think you could get out that easy, did you?"

Raph grunted and growled as he fought against the vines.

"Donnie!! SNAP OUTTA IT! I know you like to play the mad scientist sometimes, but this is TAKING IT TOO FAR!!"

"I'll tell him you said that," Audrey III smirked. "He's on sabbatical right now, but I'm sure the message can get through... eventually."

Raph screamed in anger as hot tears streaked down his face.

"But in the meantime, I think I'd like to taste your fear again..."

The door behind them opened, and out came a stream of blue fog, followed by the Hand.PNG, which crawled up the vines and onto Donnie's shoulder like a spider.

"Let's invite our dear friends to dinner, shall we?"

The vines began to drag Micheal and Raph into the room.

DvD began to screech like a monster, the muscles in his arms tensing and flexing against the vines and finally breaking their hold. He ran towards the wall, screaming in fury as he spun the tech-bō and leapt. They would not take his brother.

A spark of light ignited in his eyes.

It spread across his body.

The light burst like flame at the end of his staff.

All eyes watched him in shock as he shouted a war cry and slammed the tech-bō into the wall Dee had created earlier.

It shattered completely.

A shockwave burst from the impact and threw everyone back, dissolving the vines that held everyone.

Mikey's limp body fell.

DvD rushed to catch him. He almost made it when Donnie/Audrey III stepped in front of him and kicked him back with one of his mechanical arms. The battle-shell-clad ninja crawled up the side of the wall and grabbed the child before he could hit the ground. Mikey's head bobbed, and he groaned in discomfort at having been thrown around like a rag doll.

"You duplicitous little --! HOW DID YOU DO THAT?!" Audrey III spat angrily.

In all honesty, DvD had no idea what he'd just done or how he'd done it. All he knew was that he needed to protect Mikey at all costs. And then the wall broke. In his shocked stupor, he failed to get up in time and suddenly found a new vine wrapping around his neck like a boa constrictor and tightening like a noose.

Mikey's eyelids fluttered.

Donnie/Audrey III brought the alt. version of himself close to his face.

"YOU HAVE NO MAGIC, YOU YOURSELF TOLD HIM THAT! YOU LYING LITTLE --" Donnie's eyes peered into DvD's as he choked. "...Perhaps you are more interesting than you let on. Shall we see what else is in your silly little head, my dear anarchist?"

Donnie gasped for air, kicking and clawing at his captor as he tried to free himself. He... he was blacking out...

Mikey's eyes burst open.

He screamed as loudly as he could, his entire body erupting into gold and amber light, blinding the entire corridor.

A shrieking sound came from the dark room. The door slammed shut.

Donatello turned around in shock, as a torrent of chains burst from the boy, two for each vine he'd created.

Oh. Now we play.

He'd seen this from the boy before; he'd been rooting around in his mind and saw the memories from the last time. He knew the child was afraid of these powers, he couldn't control them very well. Especially the really strong spells like this. He knew how this scene played out. He just had to either wait him out to spend himself dry -- or let him do what the previous poor, sweet Michelangelo had done, and turn himself into a monster. Either would work...

Mikey held his hand out. A series of chains came and sliced the vine choking out his brother. DvD fell to the floor, quickly caught by the chains -- which also grabbed NFIF Raphael -- and carried them away to the others who watched in utter shock as the child landed on the ground and summoned his mystic nunchucks.

"Well, well, well... look who finally woke up."

Mikey's eyes were wide and glowed burning gold. He said nothing, his face empty, devoid of expression. Mikey was not at home anymore, he was controlled by his ninpo. He simply tilted his head in response to Audrey III's eggings.

"I wonder... you tried to save Donatello from my clutches earlier. Did you know then that your efforts would be in vain? Did you know that in your absence, you'd leave your brothers and sisters to face me alone?"

The two circled around one another, preparing to duel it out.

"I sensed your connection; you'd discovered the truth, hadn't you? You'd discovered this pathetic boy's treachery, how he'd joined my cause."

Mikey's face never faltered. His knuckles tightened around as his weapon.

"I suppose 'joined' was the wrong word to use. He really was weak and pathetic, you know. It was almost too easy to leech my way into his mind. I highly doubt his consciousness could have survived from my invasion. I do hope you said your goodbyes."

Michelangelo charged.

Donnie/Audrey III swirled the staff in front of himself, deflecting the impacts of the little child as he battled the fungus infected version of his brother.

Mikey's movements were graceful, practically a performance as he flowed back and forth, throwing his chains at the purple ninja turtle, whose movements in contrast were fierce and sharp and violent and purely angry.

"Did... did you know he could do that?" 'Phael asked shakily, turning to look at Leo.

Leo simply stared in silence, mouth agape with awe and shock of his baby brother.

"Leo, did you know he could do this??"

"I... I-I mean... sort of... I knew he could do magic... but not like this..."

Michelangelo danced around Donatello, waving his arms and creating ribbons of golden light as he filled the room with light.

Wait a minute, light...

"The light... the light!" NFIF Raphael shouted suddenly. "The light! It's how we defeated the spores the first time, using mystic light! It disintegrates them!"

"How poetic, the light drives away the fear," DvD muttered, still rubbing his neck from the constraining grip of the vines.

"If we can get the door open, we can flood the room with his light and free them all!"

"Okay, solid plan, great effort from everybody, just one slight hitch -- HOW ARE WE SUPPOSED TO GET AROUND THE MYSTIC BATTLE WHERE OUR BROTHERS ARE TRYING TO KILL EACH OTHER?!" Leo yelled.

"Raph's still comin' up with the plan!! Cut me some slack!"

"I can try to poof you guys to the door," April offered. "It won't be completely accurate, but I can get you close."

"That'll have to do," Raph nodded. "And whatever you do, avoid the hand and the spores!"

April grabbed hold of NFIF Raphael, squeezed her eyes shut, and then - poof! - landed the two right in the middle of the fight.

"AAGH! Sorry, sorry!" she screamed, ducking under Mikey's advance against Donnie, as Raph created an enormous ninpo arm and shielded the two of them from Dee's barrage of ninpo torpedoes.

"Get to the door!" Raph screamed, taking her by the hand and pulling her away as he created two more clones to help in the fight.

Mikey danced and ducked under the glowing purple missiles shot at him. He gripped his nunchuck tightly, whipped it towards one of the Raph clones. It wrapped around his arm, igniting in flames, then swung over Mikey's head like a lasso. He flung the fiery clone at Donnie, who just barely managed to dodge the flaming brother, which created a crater in the ground before him. The second clone came and tried to keep him from firing anymore missiles at UIFY Mikey.

"I'm surprised at you," Donnie huffed, trying to keep up with the two attackers. "Why would you want to fight against me? We're brothers!"

"We don't want to fight you," one clone growled. "But you're not in your right mind, so we'll have to do what we can."

"I'm sure you will," Donnie snarled, changing his bō staff into a spear and skewered the clone straight through. It disintegrated into red blocks and pixels. He turned to the second clone, creating the oh-so-famed drill, and firing at the poor duplicate.

Meanwhile, Raphael and April had made it to the door, April gripping the handle as she waited for Raphael's orders.

"Get ready," she panted, out of breath from dodging both sides of the attack. "Once this door opens, a flood of blue is gonna come out."

"I'll get you out, don't worry," Raph said with a nod.

"It's not me I'm worried about. Donnie said the Hamatos are full of senseless martyrs."

"He's... not wrong. But I promise that I won't sacrifice myself."

April nodded, hoping that he would keep that promise.

"Okay, then."

April threw the door open. As soon as she did, a torrent of blue smoke fumed out, engulfing both April and Raphael. April kept her eyes closed, waiting for the nightmares to start. But they never did. She opened her eyes and saw the world from inside a red glowing giant. Raph held onto her, arms spread around her in a safety hold, his hologram form shielding them from the spores.

Donnie/Audrey III felt a pain in the back of his mind. They turned and saw that the spores were leaking out of the room. Okay, now they were getting irritated.

"Why, you little...!"

In this moment of distraction, Michelangelo's chains wrapped around the softshell's waist and pulled him in. Mikey reached out and grabbed him by his neck, holding him just mere inches away from his expressionless face, eyes still burning like melted gold, no irises nor pupils. Donnie's wide, icy blue-tinted eyes contrasted them sickeningly. Donnie smiled.

"Go ahead," he said, voice smooth and calm. "Kill me."

Mikey blinked at him, but that was all. Audrey III continued.

"That was your plan all along, wasn't it? This ridiculous show of power, the fight? You were planning on finishing the job, weren't you?"

Mikey's fingers squeezed softly. A threat.

"What, are you afraid? Why? Shouldn't it be easy? Are you even in control of yourself? Why would you be afraid to squeeze the life out of someone who looks just like your brother, could actually be your brother?"

Mikey's hand let go, his arms shaking. A soft golden glow started to seep through the bandages.

"Ah, and it looks like you may be out of time."

Michelangelo looked down. Golden ichor dripped off of his fingertips. He pulled the bandages off, revealing the scars on his arms, which were glowing white hot, tiny cracks forming from their edges and shimmering, glittery ichor was bleeding from the reopened wounds. The price to pay for his powers.

Some Mikeys cracked.

He didn't.

Not again... n-not again...

Donatello/Audrey III dusted himself off as he watched Michelangelo slowly come to. With his ninpo overdrive giving way, his mind leisurely crept back into place; the golden glazed over his eyes melting as his irises came into focus and his pupils dilated. The ichor dripping down his forearms began turning a deep red, the glowing scars on his arms becoming irritated open wounds.

No, no! Mikey couldn't give up just yet, not when his family still needed him! But... he knew he'd used up almost all his precious energy... he... h-he... Mikey's breathing slowed, raggedy respiration as his hands shook and his knees wobbled beneath him. The room started to spin as black spots entered his vision. He managed to catch a glimpse of Donatello, swinging his staff with great force and slamming it into Mikey's chest with a hideous cracking sound.

Mikey was flung back several feet, dizzy and dazed and all the air knocked out of him. He vaguely registered multiple voices calling his name...

April screamed, NFIF Raphael screaming with her. April's teleportation powers activated without her realizing it, and she suddenly found herself by MIkey's side. Weak as he was, he had curled up into himself, clutching his stomach in pain and trying to catch his breath as he writhed on the floor. His brothers were also by her side in an instant, each one fretting over his injuries.

April looked up to see Donnie/Audrey III standing over them, the hand perched on his shoulder like a vulture.

Dee held out the severed arm, and gave it to the creature.

"Be whole again, dear disciple," he said with a smile, as the hand reattached itself to the limb, a flash of light combining the two together once again.

"That's gross," Leo grimaced. "Hey, DvD, you're a science experiment, can you do that?"

"No, but I can."

All eyes looked behind Donatello/Audrey III.

A black substance expanded and took form -- an adult version of Donatello, devoid of any colour whatsoever.

April cheered, whooping at his arrival. 'Phael screamed at a pitch that only dogs could hear. He was still convinced that these "Void Brothers" were the ones who'd sent him the ominous sticky note near the beginning of this entire adventure in the competition.

"So," Donnie/Audrey III said with a growl. "It looks like we have some more players in the game."

"Think you can keep up?" Signal asked, his form morphing into one of pure black, multiple arms expanding from his abdomen and several extra sets of teeth growing in his ever-widening mouth.

"The more the merrier," Donatello/Audrey III chuckled, letting the Hand.PNG crawl into his palm. "You know what to do," he whispered to it.

The hand instantly vanished, reappearing by the doorway behind Raphael, and scurrying into the room. A second later, blue chains shot out, slicing through Raphael's hologram.

"That's not good," he mumbled, forcing the hand to reach into the gargantuan stomach, pull him out, and fling him towards the others before the spores could seep through all the way.

Two figures emerged from the doorway, their movements somewhat sluggish. There were tiny mushrooms protruding from their skin. Their eyes glowed a neon blue, and their ninpo matched the shade.

Karai and Mikey.

"No..." Leo whispered, staring in horror. "Karai... what happened to her...?"

"Oh, Mikey," Raph whimpered. "Oh no, big man..."

"He's not gonna make us fight them, is he?" April asked nervously.

The two warriors charged.

"Yep. He is. He most definitely is. Shoulda seen this one coming, honestly. That's on me."

"Get outta here," Raphael ordered. "Me and... uh, these guys -" he said, gesturing to the four colourless adults that had already started combating against the swayed relatives, "- will keep them from following you."

"I thought you said you weren't gonna sacrifice yourself!" April yelled angrily.

"I know, and Raph is gonna keep his promise. But your little brother is hurt, he needs help now! I'm not gonna just hand myself over, I'm your cover. Now get going!"

April wanted to argue about it more, but before she could, she was taken by the wrist and pulled away. Waves was tugging her -- as well as the others -- off to a small clearing.

"Where do we go?!" 'Phael yelled, concerned that they had no real escape plan...

"Misa helps!" came a familiar voice. A sword slashed through the open air, and a bright portal opened in front of them...

...Donatello/Audrey III commanded a cloud of spores, hurtling them towards Radio.

"What are you, some kinda Avatar: the Last Airbender wannabe?" he joked as he dodged the cloud.

"I wonder why you would stand against me. Do we not fight for the same cause? Survival? We feed off of others, we only want to exist on our own terms... can you not see our similarities?"

"Nah, not really," Radio said, slamming his fist into the ground, only missing Donnie by half an inch.

"Such a shame. Then I suppose you must die."

"Happy to return the favour--"

"You can't hurt them!" Raphael shouted as he joined the fray.

"Whaddya mean, we can't? They're trying to hurt us!" Static shouted angrily, popping in and out of random spots, infuriating the heck out of mushroomed Mikey.

"They're not in control of their bodies, they're zombies! We hafta find a way to un-zombify them!"

"Well, no offense, but I don't think they share your mindset of 'no hurting the opponents'," Static sighed. "Besides, you're gonna have a hard time getting Signal to change his mind."

"Well, I'm gonna have to, those are my brothers and un-dead gram-gram from another dimension-- wait, where's Leo?!"

Raph looked around the corridor anxiously for the third zombie. He wasn't anywhere to be seen.

He must still be in the room. Raph darted among the others, rushing towards the dark room. There was still a huge cloud of blue smoke that surrounded the doorway, Raph couldn't go in without being infected. But he could see inside.

There was Leo, sitting up against the wall -- oh god.

Leo's body was half-engulfed in the biggest, scariest mushroom Raphael had ever seen. It's giant eye zeroed in on Raph. It... it looked too much like... his fingers traced over his own injured eye nervously. Why did it look so similar? Donnie had theorized that the fungus might've been kraang-related, but...

Leo. Focus on Leo.

He was there, being absorbed into the mushroom. He looked so pale and thin, like he was wasting away. Raph had to save him somehow, but --

"Enjoying the view?" Donnie/Audrey III asked, whacking Raph over the head with his staff as hard as he could. Raphael crumbled to the ground, clutching his skull and groaning in pain. Yeah, that was going to leave a mark... and a pretty nasty concussion, too...

While Raph was stunned on the floor, Donnie/Audrey III noticed the portal that had allowed for the Until I Found You group's escape. It was still open.

The hand appeared at Donnie/Audrey III's feet.

"This form has served its purpose," he said flatly. "I have what I need for now... But I require you to follow after them. Bring me back the scientist, I believe that he may be of some use to me. And even if not, he can't be left with them. He's too smart, he'll find some way to weaken me... I cannot leave it to chance. Bring him to me."

The Hand.PNG "nodded" at his master, then jumped away towards the portal.

Raphael struggled to keep his vision straight. He felt something wrap around his chest, tugging him backwards. He saw the Void Brothers driving the two zombified Hamatos back to the room... in Raphael's direction... the room...

Raph's head pounded louder than a drum. The ringing in his ears wouldn't stop. He knew April would have his head for giving in so easily... maybe she'd understand given the circumstances. He could barely hold his head up after that last hit... Donnie was a lot stronger than he looked.......

At least... he would be sleeping soon. At least he would be in good company. All the Hamato martyrs, together again. At least he was with Gram-Gram again.

At least he'd be with Leo, soon...

The door closed.

Leon recalled the feeling of portalling.

It was kind of like falling. Accidentally skipping a step down the stairs. An acidic scent that slightly burned the nostrils, a popping in the ears as you go from one altitude to the other in an instant and a half.

Leo hadn't done a lot of portalling, but he'd had his fair share of experiences with the activity. But he still wasn't used to the feeling yet. He stumbled through the bright blue splotch of light and tripped on his way out, finding himself in a brand new corridor. The others followed soon after, clambering out one by one and almost stepping on top of each other.

"Where... where are we?"

"Who cares! We have to go back!" April shouted. "Raph still needs us!"

"What exactly are we supposed to do? Go in, guns blazing? With what guns??" Leo yelled anxiously, waving his arms around to gesture to the obvious lack of firearms.

"P-Prilly's right, w-we haf-hafta... go... back..."

Mikey whined loudly, trying to push himself away from Donnie. The effort hurt his injured arms, which were still bleeding profusely.

"Micheal, hold still--"

"N-no, they need us, Donnie... th-they need us... they need..."

Mikey slipped out of his grip and fell to his knees, shakily trying to get back up.

"Michael, you're in no condition to be going into a battle like that!"

"Mikey all red," Misa whimpered. "Mikey's not s'posed to be so red..."

"No, he's not," Leo growled. "Dude, just sit this one out --"

"No!" Mikey sobbed. "I can't sit back and watch as the people I love and care about get hurt!"

"WHY DO YOU THINK WE WANT YOU TO STAY PUT?!" Leo shouted angrily. "I am NOT having you get hurt like that again! Donnie, take Mikey and go find him some first aid," Leo ordered.

Donnie nodded, picking up the angry box turtle and carrying him into a side hall that lead to one of the many lounge areas. "Raph, April and I will come up with a plan."

"What Misa do?" the littlest turtle mutant asked.

"...You have a very important job to do," Leo announced. "You got those ghosty guys to come and help fight... We're gonna need all the help we can get. Misa, you're the recruiter. Go find as many people as you can and get them to come. Tell them how important it is, okay? This is a big responsibility."

Misa's face lit up.

Lee-Lee trusted her! He knew she was responsible! Misa saluted him with a determined smile and nodded.

"Misa get all the families! Everybody comes!"

"Exactly, Misa. Everybody comes."

"So what, we're just gonna pull an Avengers Endgame on the shrooms? We need more of a strategy than that!" April groaned.

"What the heck is an Avengers Endgame?" Leo asked.

"It's a human reference for a movie. Basically it just means that everybody bands together against the bad guy for an epic finale," 'Phael explained.

"Then why not say that? It makes much more sense than 'Avengers Endgame' -- and how did you know what that meant??"

"I do live with humans, in a human hotel, y'know," 'Phael said, rolling his eyes. "I've seen human movies."

"Okay, well, the majority of our family has not, so maybe--"

"Can we get back to the matter at hand?!" April exclaimed loudly.

"Hand?" Misa asked, eyeing something behind them.

"She means the important stuff," Leo explained.

"Hand!" she yelled.

"Yes, yes, we're trying to get back to the matter at--"

"No, hand!" Misa pointed.

The group turned around to see the blurry trail of a small appendage rushing into the hall after DvD and Mikey.

"I don't just want to sit a-a-and do nothing," Mikey pouted, still shaking in DvD's arms.

"I understand that, you know I do," DvD sighed. "And you also know why I am requiring you to rest. You recall what happened the last time--"

"I know, I know, don't remind me. I was bedridden for days..."

"And yet you wonder why we won't let you go fighting."

Mikey grumbled and turned away from DvD. He was so mad, he could spit venom. He knew they were right, of course they were right. But that didn't make it any easier; in fact it made it worse. Because Mikey knew he was right, too! At least, half-right. He knew that they should go back and help. But he knew he couldn't do much, not with all his energy spent and his arms in the state they were now. They stung like mad, he could barely move them. Donnie had removed what was left of the bandages, doing his best not to gag at the sight and keeping his hands as still as possible, despite his aversion to the blood.

Mikey shouldn't feel guilty for this, right?

It wasn't his fault, right? It was just... how his mystic powers were. He couldn't help the way his body worked, just as much as he couldn't help when his hypoglycemia acted up. It wasn't his fault that he was the way he was... it wasn't a bad thing, right? Being Mikey? Being sensitive to others and sensitive to himself, having some few medical issues and mystic setbacks... that wasn't necessarily a terrible thing, right? Right...?

Mikey turned away so DvD couldn't see him crying. He didn't want him to think he was any more immature or any weaker than he undoubtedly did already. Than they all did. Leo had been taking care of him and his ailments since he was a baby. And Raph was holding on to that one special secret of his... and Donnie had cleaned up the blood and gone to get some more gauze and anti-bacterial supplies for Mikey's wounds. Mikey sighed and wished he wasn't so pathetic. He wished he was stronger, smarter, better. Anyone but himself. The only thing he was good for was his stupid useless mystic powers, and they always did more harm than good, especially self-harm. Mikey hated them. He hated himself--

NO, no, don't think like that! That wasn't kind, that wasn't fair! Mikey didn't actually hate himself at all, he was just mad. He needed to let it go. He needed to sit back and breathe...

Mikey leaned back, exhaled slowly, inhaled deeply.

And he saw it.

Crawling like a cockroach on the wall and up the ceiling.

With something blue in its grip.

"DEE, LOOK OUT!!"

The Hand.PNG shot the spores at Donatello Von Draxum.

Mikey jumped.

He had no time to do anything else.

He had no energy to summon mystic chains or make a spell or do anything clever like that.

He just jumped. Dove, really. Dove straight for his brother, in a desperate attempt to push him out of the way, move him aside, get him to safety!

The spores hit him.

"MIKEY?! MIKEY!!!"

Donnie grabbed his brother, holding him close, ignoring the hand as it disappeared into the shadows to watch the scene play out...

"Mikey, look at me, focus on me, okay? You can get through this, alright!? Just concentrate on my voice..."

Mikey nodded furiously, trying to listen to DvD. But there was a ringing starting, his head felt light and dizzy, the room began to spin and get darker. DvD was fading from vision...

NO! Stay, with me, Donnie, please! Donnie?! DONNIE!!

Donnie started shouting, someone was taking him away! Mikey tried to get up, go after him -- his leg caught on something. His arms, too! He looked down and saw titanium shackles, imprisoning him to a cold metal table.

A light shone in his vision. He squinted at the blinding brightness, wishing he could have a hand free to guard his eyes. Something stood in front of the light, casting a shadow over him.

"Well, well, well... if this isn't a surprise? Back again for more, are we?"

Mikey couldn't breathe.

It... it was him. It was him.

Baron Draxum.

"No... no... no --"

"I think we need to run a few more tests on our little friend here, don't you, Donatello?"

Draxum stepped aside and showed Mikey a view of DvD, chained by the wrists and gagged at the mouth. He was screaming at Mikey, trying to warn him, pleading with him to get out of here!

Mikey screamed back at him, begging wordlessly for Draxum to let him go, please, please!!

Instead, Draxum had one of his vines whip across the room and beat his son across the face. Mikey screamed, sobbing and wailing.

"STOP! NO!"

"He always was such a pathetic disappointment." Draxum turned to the other imprisoned turtle. "Perhaps you will show some promise."

No... n-no, this wasn't how it happened! Donnie w-wasn't -- he was never -- a-and Mikey wasn't awake for any of it, he was asleep for the entire thing! He shouldn't be awake now, he shouldn't be, he shouldn't -- H-he... no, no, no, no no no no nonononononononono!!

Draxum came forward with a needle and scalpel.

"Let's begin."

DvD couldn't stop crying, he just couldn't keep the tears from coming. Mikey was sitting on the floor, screeching his poor little head off, eyes wider than saucers and filled to the brim with fear. He couldn't move much, apart from shaking nonstop. He looked like he was constantly trying to wriggle away from something, but for some odd reason his wrists and ankles were invisibly anchored to the floor. Mikey's limbs twitched as he squirmed and struggled, screaming and begging for whatever he was witnessing to stop, please, please please please stop--

"WHERE IS IT, WHERE THE HECK IS THAT HAND, WHO'S SCREAMING, WHAT'S HAPPENING--?!"

Leon and the others rushed into the room, quickly inspecting the situation and coming upon the obvious conclusion.

"April, take Misa outside..." Leo said after inspecting the scene.

"Misa want to stay with Mikey--!" the little girl protested, but April quickly scooped her up and carried her off.

Leon and 'Phael immediately dropped to Mikey's side, Leo taking the box turtle's hand in his and trying to get him to wake up.

"Dee... fear spores, right?"

"...Yeah..."

"The hand."

"Yes."

"What... what is he seeing?" 'Phael asked nervously, eyes watering at the sight of his baby brother in so much pain.

"I... there's only one thing that could scare him this bad..."

"Draxum?" Leo whimpered.

DvD nodded.

"But... h-he doesn't remember anything from that, you said he was under heavy sedatives for the entire time!"

"He was! Draxum kept him under constant anesthetics -- perhaps his mind is creating an idea of what he thinks happened?"

Raphael started fidgeting with his hands.

"U-um... actually..."

The two boys looked up at him.

"'Phael? What... what is it?"

"...He told me not to tell ya..."

"Tell us what?" Leo questioned.

"H-he made me promise--"

"Raph," DvD said, his voice begging him in ways that words could not. "Please."

"He... he does remember. He does remember what happened in the labs."

Donnie and Leo stared. Mikey continued to sob and scream.

"...What... how... how could he know that... and how do you know that he knows?!" Leo asked, voice raising with each word.

"And why wouldn't he tell us?!" DvD asked in disbelief.

Raph swallowed nervously, a sweat breaking out across the worry lines on his brow.

"He... it started sometime after Karai arrived. H-he thought that m-might do with the mystic training she did with him -- but he started having... nightmares..."

"Nightmares?"

"He said he started dreaming memories about it. It was an out-of-body sorta thing, he said. Like he was watching from the outside... He could never get away from the visions, he said -- but every night, he saw a new one."

"And he... came to you about it? Why not ME?!" Leo yelled, tears rolling down his cheeks. "Or Donnie?! Why not tell us?! We're ALL his brothers!!"

"He told me... he said he didn't wanna burden you."

"...Burden?" Donnie whimpered. "...How?"

Raphael looked back and forth between them all. His eyes fell on Leon.

"...He told me he didn't want you to feel... responsible for another thing," Raph mumbled. "He said he felt bad enough about everything he's made you worry over already, he didn't want you to..."

"...He didn't want me to know...? Because... he felt guilty?" Leo wept, tears pooling and spilling from his eyes. "That... I don't... he shouldn't have felt that way, why did he..."

Leo's eyes glossed over, he squeezed them shut, clutching Mikey's tiny fist and pressing it against his chest.

"How could I make him feel like that...?" he wept. "I never meant... I never knew..."

"But... why not tell me? I could have helped," Donnie said in-between uneven breaths. "I already knew what had happened!"

"That's... actually why he didn't come to you, Don," 'Phael explained. "He s-said, he said he didn't want to hurt you. He saw how much you were struggling and wanted to wait until you were... doing better about the whole ordeal. To be honest, I agreed with him on that mark."

"But why did he tell you?" Leo asked. "Why only you, and not us?"

"I s'pose... because he knew that I knew what it was like to be afraid all the time," 'Phael sobbed. "He knew that I wouldn't judge him for his fears. He couldn't sleep at night anymore, he needed someone to stay with him and help him through his fits... But I told him! I told him to tell you both! I told him you should know!" he cried, whimpering nervously as he wrung his hands and rocked back and forth.

"Raph! Raph, it's okay..." Leo tried to reassure him. "I mean... it's not completely okay... I wish he'd told me, but... that doesn't matter now."

Leo held Raphael close.

"We just... we need to be here for him now... How much does he know?"

"...Everything."

"...This isn't going to be easy for him," Donnie exhaled.

"Or us," Leon added.

The trio gathered close to Michelangelo, each laying their hands on him, a sign that they were there and they were offering comfort in the only way they could.

Mikey kept screaming, he couldn't stop screaming. No matter what his brothers tried, they couldn't snap him out of whatever horrors he was experiencing. They just kneeled beside him, holding his hands and hoping their support made some leeway.

But Mikey just kept screaming, shrieking, crying, weeping, wailing, sobbing. He howled until his throat ran dry and his voiced cracked and went hoarse. He wept until his eyes were red and irritated and his cheeks were stained with saltwater and starting to chafe and the area around his eyes went puffy and soft. And on he went. For what seemed like hours, days, years, centuries even -- but was probably only 15 minutes. Mikey was stuck in a loop of fits and fear.

And then finally, he slowed. His breathing calmed, his sobs turning to hiccups and suck-ups and hyperventilation, as his eyes darted around, looking for something familiar.

"Is... is it over?" Leo asked, internally begging for it to be so.

Donatello was heaving along with Mikey, his cheeks also stained with tears.

"I... I think--"

"D-Donnie?" Mikey whispered shakily.

"Mikey? I'm right here, I'm --"

"No... no, not Donnie, please, I--"

"Is, is he --?"

"He's not done with the hallucination yet," Donnie realised. "It's about to get so much worse."

"NOOOOOOOO!!!!" Mikey screamed, bolting forwards. His legs tangled underneath him, causing him to trip over himself. His arms were strained behind him, his ankles struggling against the ground, as if something was still holding him back.

"WHAT IS HAPPENING TO HIM, WHAT IS HE SEEING DON?!" Leo screamed.

"Me," Donnie whimpered, holding back desperate sobs. "He's seeing what Draxum did to me. On the last day. When we fought...."

Mikey shrieked in agony, his eyes somehow producing twice as many tears as they had before in this one moment, pouring out for his brother's sake.

Mikey's screams were cut short, he gasped in horror. They all could assume what he'd seen. Draxum had killed Donnie in his hallucinations. Mikey went horribly pale. His eyes widened.

"No... no... no, no, no, get away get--!"

Mikey jerked suddenly. His body seized up, his eyes went wide, and then --

He fell backwards.

Back into the hold of his brothers, who caught him almost immediately.

"MIKEY!!"

Mikey didn't hear them, he simply lay in their arms.

Mikey stopped shaking. His limbs had gone slack. His body went limp. His eyes went somewhere far away from them all.

Mikey exhaled.

And he didn't inhale.

"...Mikey...?"

He didn't respond.

"What... what just happened?" Raph asked nervously.

"He didn't... he didn't just..." Leo begged, slowly placing his fingers against his neck. He paused. He tried the wrist next. He couldn't find any pulse.

"He didn't just leave us, did he?"

"...Michael...?"

Leo pounded his fist against the ground.

He wasn't going to give up his baby brother.

Leo placed his hands across Mikey's chest, applied pressure.

1, 2, 3, 4.

1, 2, 3, 4.

1, 2, 3, 4.

"Come on, Mikey, come on...!"

1, 2, 3 ,4.

1, 2, 3, 4.

"Come ON, Mikey, COME ON! I'm not letting you go!"

DvD was crying, holding himself tight as tears soaked into his shirt and vest.

"Leo, stop... Leo, he... he..."

"Leon, mate, please, he--" 'Phael reached for him, attempting to comfort.

"COME ON!" Leo shouted, refusing to give up.

1, 2, 3, 4.

1, 2, 3--

"WAKE UP!!" he sobbed.

Mikey gasped for air.

His eyes blinked wildly as he bolted upright, limbs flailing about in a mad panic. Three bodies pounced upon him, wrapping themselves around him and sobbing into him. Mikey said nothing. He simply looked around in confusion, getting his bearings and perfividly coming back to reality. He listened, but couldn't hear them. Everything was numb and strange, every sound and image baffled him. All he knew was he hadn't been here anymore. But he was here again, now. Here with his brothers.

... I did not intend for this ...

Yes, I intended to send the spores.

And yes, I intended to have them sent after Donatello.

I even intended for them to miss him entirely, for Michelangelo to rush in his place and take the hit for him.

But I never intended this.

Michelangelo was meant to see a different fear entirely.

Michelangelo is afraid of being the frailest, the smallest, the weakest of the brood. Dear little Mikey is afraid that he has nothing of importance to offer. He is always relying on the others to help him, to save him. He has nothing to offer them in return. Mikey tries to do what he can, but deep down he is afraid that one of these days, his brothers will discover that HE needs THEM far more than they could ever need him.

Truly, THAT was what he was meant to see. I had no idea he would see... all that.

They told me no one would get hurt. They told me no one would die. They promised me. And they lied.

It was a good game while it lasted. But I'm not having fun with it anymore.

No one was meant to be hurt like this.

No one was meant to die.

I suppose this means I'll have to do what I can to fix things, now.

"L-Leo," croaked Mikey, who slowly raised his hand and pointed a trembling finger. "Hand…"

“What... what are you saying, Mike?"

“Hand,” Mikey clarified, stressing his wobbly finger as he gestured behind them.

The boys followed Mikey's direction.

The Hand.PNG was crawling towards them.

"G-Get it away from Mikey!" Leo screamed, kicking his feet in the creature's direction.

"Don't let it come any closer!"

"WHERE'S MY TECH-BŌ?!"

"Please, if you could simply pause for a moment, I'd like to make you an offer."

Everything stopped.

Leo, Raph, Donnie, and Mikey froze, jaws dropping to the floor as they heard the hand speak at them.

"You... y-you can talk?" Mikey's voice came out grated and raspy.

"Yes."

"What... why are you just deciding to speak now?" Raphael asked.

"And why have you been tormenting us all?!" Donnie bellowed, gripping his tech-bō tightly as possible.

"And what did you mean, you wanted to make an offer?" Leon interrupted. "An offer for what?"

"I was wondering if I could offer you my services. How would you like to rescue your family and destroy the fear fungus?”