#I HAD TO FIGHT THEM AGAIN
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hinamie · 3 months ago
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every so often i have to relearn how to draw yuuji or he starts fighting me
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melimelotus · 8 months ago
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entertaining the idea of eeveelutions as survivors of their own type. evolving when struck by lightning or caught in a fire/explosion as a way to survive
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clouvu · 3 months ago
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Desiderium
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choccy-milky · 2 months ago
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the place me and my roommate were supposed to move into today was so disgusting and uninhabitable we just took our stuff and left and now we're gonna be staying at airbnbs and hotels until further notice/until we can find a new place hopefully quickly...........im in my homeless drifter era y'all!!!😍😍so if im not as active then thats why LMFAO
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1 like = 1 prayer
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carbonateds-oda · 5 months ago
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dazai gets treated by yosano and keeps a straight face the whole way through, not flinching or complaining one bit but the second kunikida walks in he turns into such a pitiful mess and is all like “kuniii everything huuurts 😣” and lets him fret over him while yosano is just like standing there like 😐
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skywerse · 5 months ago
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theonewhowails · 1 year ago
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nari goes on field trips :]
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lotus-pear · 1 year ago
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i think you guys are onto smth..
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i unironically got invested in this HELP
#WHERES THE FIC AT IF SOMEONE WRITES THIS I WILL PAY THEM A HUNDRED DOLLARS😭😭#kunikida serving the country while dazai's serving cunt😔#dazai was born to malewife but forced to manipulate and i think that's the greatest tragedy of bsd#anyway some facts i would like to share abt this au thay i came up w while drawing!!#takes place in 1939 (start of wwii) and there was a mandatory draft that required one male over eighteen from each house to serve#both of them are still twenty two and had been engaged for abt two years before getting married that year#newlyweds! unfortunately kuni had to go fight and they were seperated :(#before the war kunikida was a math teacher at the local high school and dazai obviously managed the household and didn't work#he's hopeless at cooking and meal prep even w recipie books so they either get those prepackaged meals or kuni makes dinner when he gets ba#so like when he's making lunch for kunikida he normally just packs a basic sandwich w raw fruit#kunikida always appreciates the effort even tho hes probably sick of having the same thing everyday but he won't complain abt it#when kunikida joined the army he was relieved that the mess hall had better food than dazai#he was the only one in his platoon that never complained abt the food so his fellow soldiers assumed it was bc he came from a tough bg#when in reality he was just used to being poisoned on a daily basis from his dumbass husbands cooking and was hardly fazed from army ration#they write to each other although its more dazai sending and kuni receiving bc hes off fighting and doesnt have time to write back#dazai talks abt life on the homefront and how he has to grow a victory garden (everything is DYING HE CANT EVEN RAISE TOMATOES)#and kuni writes abt his fellow soldiers and how the war is going and when he thinks he'll be home and how he misses sleeping in a bed#ANYWAY yea thought i'd share sry for infodumping in the tags again#this post is for like the four ppl that care abt this specific flavor of knkdz so hopefully this gets four notes at least#bungou stray dogs#bungo stray dogs#dazai osamu#osamu dazai#kunikida doppo#doppo kunikida#kunikidazai#knkdz#lotus draws#bro sry for posting at two in the morning i couldnt sleep until i got this out of my head they have infested my brain
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skitskatdacat63 · 9 months ago
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DTS S6E1 "Money Talks" - Fernando Alonso & Lance Stroll
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turtleblogatlast · 4 months ago
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[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]
I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.
Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.
Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.
I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.
On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.
These two care about each other so much, and they’re way too much alike for their own good.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt raph#rise raph#rottmnt leo#rise leo#honorable mention to the time Leo desperately tried throwing himself into harm’s way to get to Karai#and Raph is the one who has to pull him back#I also think that it’s interesting how both of them go about self sacrifice#because wow they both have problems with it#Raph’s tends to be immediate reactions not even thinking as he throws himself over his bros#Leo’s are often shown to be ‘for the greater good’ (said greater good often being his family)#once again I am saying that post movie these two would likely have codependency issues#considering Raph’s already present acute seperation anxiety and Leo’s immediate memory of Raph standing over him bleeding#another thing to mention is how Future Leo’s actual death still falls into the whole ‘morbidly lighthearted words’ category#I also wanna point out that in Many Unhappy Returns the trust that Leo wants so much does NOT come from Splinter but from RAPH#side note but in regard to the fighting that Raph and Leo were up to during the time between the shredder and the krang#I think it’s interesting that it’s NOT depicted as screaming matches - very blatantly not this actually#also also! I totally love how the movie parallels Oroku Saki and Karai with Raph and Leo respectively#there are so many parallels in general in this show+movie it makes me froth at the mouth#and because it breaks my heart - the beginning of the movie had Raph getting angry at Leo and lashing out at him#the end of the movie has the Krang very very angry at Leo and lashing out at him#both of these times has Leo ‘ruining’ a mission so…bad parallels#in the movie as well there’s a Krangified Raph who beats Leo senseless#so I have to wonder if Raph and Leo just…can’t roughhouse anymore#else Leo would flinch or Raph would be so scared to accidentally hurt Leo like he was already used to do before#then suddenly their usual dynamic of Raph never having to be softer with Leo is thrown on its head#worse is if they’re so terrified of this dynamic leaving that they power through their own sufferings to maintain it
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poorly-drawn-mdzs · 1 year ago
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Rip & Tear!
[First] Prev <–-> Next
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itslilacokay · 3 months ago
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HE GOT OUT GUYS NO WAY (this is a definitely real ava 11 screenshot)
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wistfulwatcher · 4 months ago
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emily prentiss + leaving and coming back for her family
#criminal minds#criminalmindsedit#criminalmindsverse#proceduraledit#emily prentiss#emilyprentissedit#cmverseedit#tvedit#filmtvcentral#dailyflicks#femalecharacters#bitchys#mine#edit#*#category*#tag meta#forever thinking about emily prentiss as a yoyo falling away from her family and coming back when they tug#and that her motivation for back and forth is the same - it's always about what she thinks is best for her family in that moment#her choice is always to protect them and the fact that she leaves to protect them from HER? that she always sees herself as the problem??#(she ruined matthew she betrayed doyle she killed tsia)#BUT BUT BUT them needing her? hotch asking her to lead reid asking her to fight jj asking her to stay??? she always /always/ comes back#and i find it very interesting that this yoyoing usually runs parallel to her own moral reflection - she left the first time because she#both morally objected to strauss's political game and to protect the team as individuals. she came back in s7 because she wanted something#'clean.' and she considered leaving in s13 and s17 because she had broken her own moral code each time. and that's such a meaty facet#of emily as a character because her priority is ALWAYS her family and protecting them. but what that looks like changes and costs#and is never ever an easy choice for her. emily does what she needs to as a protector but she doesn't let herself off the hook. she thinks#DEEPLY about what she does and whether she's ok with her actions. which sends her toward distancing herself from her family#for their own protection (because she's the problem see above) and the whole cycle starts again!!#(someday i'll rant about how this all ties into her leaving in run - the one time it was about HER but also not - but i'm out of tag space)
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thresholdbb · 7 months ago
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I have a gripe about the Star Trek mugs...
Picard's teacup is a delicate, fragile little thing held by a strip of plastic and a dream. That thin glass will break if you look at it sideways. And where do they put that ridiculous tiny cup? On the Enterprise, which is always being dragged into conflict
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The DS9 raktajino mugs are hefty, wide-based things that are meant to not tip over. They're called no-spill mugs. They have a foam piece on the bottom so they don't slip. They're incredibly sturdy – meant for ships and traveling! Where do they put them? At the station, which is arguably the most stable place they could be cause DS9 rarely gets knocked about.
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Far as I'm concerned, Janeway's the only one doing practical space mugs correctly. Come on, a metal travel mug that's as strong as her coffee is black? Takes a beating through 70,000 light years of bridge shakes fighting off the Borg and the Hirogen and still holds a hot drink? Now that's a space mug
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luxaofhesperides · 10 months ago
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Human/Mer AU + Bioluminescent Siren Duke ; requested by @justwannabecat!
The human hadn’t been in his territory recently. 
He wasn’t attached or anything, but Duke had started to look forward to seeing him around. It was equal parts exciting and terrifying to be under the curious, watchful eyes of a human who could so easily be dragged down into the depths. 
He knows he shouldn’t be doing this. He shouldn’t be indulging this human’s curiosity, trying to lure him closer time after time. Holding the attention of any human is dangerous; Duke’s heard the stories plenty of time. He’s seen the damage humans can do even more. 
There’s just something different about this human, who never dives too deep, who smiles at him and leaves little gifts in the tide pools tucked away from the rest of the beach, hidden from sight. Or rather, usually hidden from sight, since this human is the only one to go there. 
It’s foolish, but Duke actually misses his human. 
It’s not the first time he’d been gone for long stretches of time, but something feels off. There’s worry curling up at the base of his throat, making him swim to the surface more frequently. Steph had given him a look when she caught him, but didn’t say a word. She shouldn’t, really, when she’s been sneaking up to the surface for her own human friend, some small, dangerous human with dark hair and hands that speak more than a voice.
He’d seen her, just once, when he had gone up to splash water and his human then swim away.
Somehow, things felt easier back then. Like the horrors of the world couldn’t reach them among those tide pools. 
It’s reached them now.
Duke’s not expecting to see his human when he swims up to the surface. He’s expecting another quiet night, an empty beach, a dark sky with only the moon casting its lonely light down onto him. 
But when he swims up, his eyes go to a figure on the beach instantly. 
Even from this distance, Duke knows: that’s his human.
He doesn’t think before he’s swimming over, pushing himself faster than he’s ever gone before. It’s low tide, so he can’t get as close as he wants and can’t reach most of the tide pools at all, but it gets him close enough. Human and merfolk vocal chords are different; he can speak in water, but can’t make more than a few hums in air, and humans can’t really do anything in water at all. 
His human is sitting with his knees tucked into his chest on the beach. He’s hiding in his clothes, a hood pulled over his head, but he looks up when Duke drags himself onto the sand. 
Duke can see bruises. Dried blood. A stray tear slipping out of his eyes. 
He wants to ask what’s happened? But all that comes out is a low crooning noise. 
His human laughs, a quiet, bitter noise that makes Duke’s chest tighten uncomfortably. “Hey,” he rasps in a low voice. “Been a while, hasn’t it? I hope you’ve had a better time than I did.”
Duke can’t reach his human. The distance between them isn’t great, but it’s too much. He’s already partially out of the water, hands sinking into the wet sand just out of reach of the waves, and he can’t get any farther out. He reaches a hand out, silently pleading for his human to come closer.
The move makes his human soften, some of the hard edge of tension in his body melt away. He gets up and walks into the water, then sits down next to Duke, taking his hand. 
“I missed you,” he whispers. 
If they were underwater, Duke would be able to say I missed you too. Don’t ever go away so long again. But his human is in no shape to go underwater right now, so Duke presses his hand against his lips and hums lightly. 
They sit in silence for a moment, and Duke realizes that he’s never been this close to any human before. It doesn’t feel dangerous. It feels like relief, to finally have his human in his reach, safe from the rest of the world. 
He gives him human another moment, then reaches out and carefully pushes his hood back. His human allows it, blinking at him slowly. Without the shadow of the hood, Duke can clearly see the bruise coloring his cheekbone and the cuts going down his temple to his jaw. His split lip is still red with blood, and what little of his throat isn’t hidden by his clothes reveals more bruises wrapped around the delicate column of his neck. 
Duke ghosts his fingers over each of these injuries, hating how easily humans hurt each other. His human leans into the touch despite how it must hurt, something devastating in his expression. 
Who hurt you comes out as a questioning trill. Somehow, it gets the point across.
“It’s alright,” his human says. “Really. I’m not even that hurt. It’s just been a long few months. We never talk much, so you wouldn’t know this, but I have to fight a lot of people. Perils of being a hero, you know?”
Duke knows about heroes. More specifically, he knows about mer heroes. He’s considered being one himself, but the currents shifted and he ended up more a loner, banding with the other rejects of the city to live in the fringes and help only those who wander out too far from the marginally safer waters within. 
He hasn’t heard of any human heroes, but then again, he doesn’t know much about humans at all. Nothing beyond the stories all parents tell their children to scare them away from the surface, or the horror stories kids tell each other in the middle of the night when they want to scare each other.
He hums again to let his human know he’s listening. His human has such a nice voice. Why haven’t they done this before? 
It’s always been a push and pull between them, carefully keeping their distance but always circling back to each other. Duke would let his human swim with him, and his human would let Duke sit safely on the other side of a tide pool, tossing sea shells back and forth between each other.
They don’t even know each other’s names. 
He wishes, just for a moment, that he could go back in time and do things better. But he’s happy here with his human and he doesn’t want to lose this either.
He’ll just have to make the best of what he has. It’s how he’s always lived after his parents disappeared.
“This really isn’t that bad,” his human says, “I’ve taken worse hits before. It’s just that I couldn’t transform before the attack started, so now my human form is bruised too.”
…Human form? The more Duke hears, the more questions he has. 
Duke hums at a lower octave, placing a hand over his human’s chest. 
His human laughs lightly. “Yeah, I guess we’ve never really talked much about ourselves, did we? I’m human, don’t worry, just not all the time. I… actually, I died a few years ago. But I came back partially. So I’m also half dead still and I can transform into a ghost to fight threats. I’m a hero called Phantom. Actually, Danny Phantom since I was stupid enough to just give out my first name when I started out. In my defense, my brain was still a little fried.”
There is so much he wants to say to that. He tries, and makes a series of low hums and clicks in the back of his throat, staring at Danny (he finally got his human’s name!) incredulously.
“I promise I’m fine,” Danny continues. “It was just a bit rough. As soon as I get some time to recover, I’ll be good as new! And I really did miss you, you know. Didn’t even go home first, just come straight here.”
That’s honestly really sweet. Duke hums again, a lighter pitch, and takes hold of Danny’s wrist and tugs him towards deeper waters. 
“What? You want me to go in?”
Duke nods, already shuffling his way back out of the sand. 
He expects to look awkward during the process. What he most definitely doesn’t expect is for Danny to easily pick him up and walk them both into the ocean.
Listen. Duke is not a small mer. He’s big. He’s got a long, heavy tail and wide fins going down his back, his forearms, and the sides of his tail. It’s a struggle for him to fit into seaweed nests with his friends during the colder seasons, often left to balance on the edge with his tail hanging out. His friends struggle to pull him through the water with his weight. His parents weren’t able to hold him much after he started growing.
None of this matters to Danny, who acts as if Duke weights nothing at all. 
To his great embarrassment, his fins flare in appreciation for Danny’s strength. He was not expecting a human to be so strong, but Duke’s not about to lie to himself and say it’s not attractive. 
He trills to Danny, who laughs again, then falls into the water, taking them both under. 
Duke doesn’t hesitate. He grabs hold of Danny and swims them further out. He stays close to the surface so Danny can rise for air as needed, but he makes no move to leave Duke’s side even after a few minutes.
He glances back, concerned, when he sees that Danny is watching him with dark eyes, not breathing at all despite being conscious.
Danny holds up a finger and closes his eyes. Two rings of light appear around his waist, then split apart and pass over his body. Instantly, Danny’s body becomes lighter, as if Duke’s hand is grasping at a current on the seabed. His hair turns white and his eyes glow from how bright of a green they are, but there’s something inhuman about his features now, something that makes him look different beyond just physical features. 
Well. Danny did say he could transform.
Now that they’re underwater, Duke can finally speak. The first thing he asks is, “What was that?”
Danny grins at him. “That,” he says, speaking with ease as if he’s not underwater at all, “was my transformation. And this is my ghost form. Quite the look, isn’t it?”
“You can talk down here?! Also, hi, my name’s Duke. Since I never introduced myself.”
“Ghosts can do a lot of things,” Danny answers with a cheeky grin. “It’s nice to finally know your name. I’ve been calling you glowfish in my head this whole time.”
“Glowfish?”
“Yeah. Because you, you know,” Danny gestures vaguely at him, “Glow.”
Duke glances down at his back fins, which are indeed glowing. They flare a bit from embarrassment, which just makes the dots of light lining the fins more visible. He doesn’t glow a lot, keeping a tight hold of that ability, but sometimes it comes out anyways when he’s feeling especially happy.
And apparently, he’s always very happy around Danny. 
It’s a good thing Danny doesn’t know what that means, because if anyone of his friends found out, they’d laugh at how obvious he’s being. Drawbacks of being somewhat bioluminescent: anyone familiar with mers who have this feature know exactly what the glow means. 
“Right,” he says just a beat too late. “Well, now that we know each other’s names, can you tell me how you really feel? Those injuries didn’t look too good.”
“It’s fine, really! I take harder hits all the time.”
“That doesn’t mean it doesn’t hurt.”
Danny doesn’t answer for a long moment, then sighs. “Yeah. It still hurts.”
“Stay with me for tonight,” he says. “You’ll be safe. You can rest and heal and I’ll keep you safe from anything that comes looking for you.”
“You don’t have to—”
“I want to.”
Danny doesn’t put up much of a fight. He must be exhausted. “Yeah, alright. Take me away, Duke. You know, this is like those stories about sirens luring sailors down into the depths.”
“Well, I am a siren.”
“Wait, really?”
“Yeah. I take after my mom. She’s the one who taught me how to sing.”
“I guess it’s a good thing we’re friends so I don’t have to worry about being dragged down to my watery death.”
Duke snorts. “Good thing you’re already a ghost then. Not much I can do to you down here.”
He swims down, heading towards a small cavern in a sea rock that he’s claimed as his own, leading Danny into it. The light from his fins illuminates the entrance and the rocks within, a narrow passage that goes in for a few meters before opening up into a larger space full of carefully tended to seaweed and starfish decorating the walls. 
There’s a nook tucked away in the back wall where he’s set up a seaweed bed, the plant braided together into something more solid. It’s big enough to fit his tail, which means it’s big enough for him and Danny. 
“Here,” he says, helping Danny down. “Get some sleep. Then you can tell me about what happened in the morning and we’ll take it from there.”
“I’m glad you’re here Duke,” Danny whispers, curling up on his side.  He holds Duke’s hand, twining their fingers together, and it’s as nice as it is strange to feel how cold Danny is in this form when he was so warm as a human. 
“I’ll always be here for you. You just need to come back to me.”
Danny hums, but doesn’t answer. It’s alright; Duke’s used to his loved ones leaving. He knows he can’t make them stay. All he can do is hope they return one day.
It’s been a long time since he’s had anyone in his home. There’s a communal cave where his friends stay that he visits when he gets lonely, but this place used to be for his family. Now it’s just him.
Him and Danny. 
The last time there was song in these walls, his mother was still around, singing him lullabies. 
Looking down at Danny, curled up and so strangely fragile looking, Duke feels the song build up in his chest. It slips out in low, soft notes, an old melody passed down through generations of their family. 
He sings Danny to sleep.
He sings and sings and sings until all his nightmares are soothed and dawn is almost upon them. 
It’s all he can do, so Duke sings and hopes it’s enough to keep Danny close to him for just a little longer.
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suntails · 1 year ago
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⚔️👑
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