#I FUCKING HATE IT HERE I HATE IT HERE I HATE THE TIKTOKIFICATION OF EVERYTHING AND NOW WERE CENSORING NON OFFENSIVE WORDS
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the fucking censored the word 'kill' in a song on the radio they fucking censored KILL ON THE RADIO
#abc shut it#I FUCKING HATE IT HERE I HATE IT HERE I HATE THE TIKTOKIFICATION OF EVERYTHING AND NOW WERE CENSORING NON OFFENSIVE WORDS
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My problem with the Will Wood fandom, (a.k.a touch grass, a.k.a stan culture can suck it) (an essay.)
This one is LONG and a DOOZY, so buckle up if you like to read.
just want to clarify, i do NOT hate the will wood fandom in itself. AT ALL. I love you guys (/p)
i just dislike the people who say weird and creepy shit. if that doesnt apply to you, cool! but tell the people who do that shit to knock it off.
NO DISCOURSE IN THE REBLOGS I WILL ATTACK YOU
One HUGE gripe I have with the Will Wood fandom is how some of you guys treat Will Wood like (and this is literally the only way I can put this that isn't too serious) some all-powerful deity of knowledge that you would kill AND die for. In this essay, I will explain why [some of] you are fucking creeps.
Will Wood. Where do I begin. For the very few who are unaware, Will Wood is a singer-songwriter who makes very strange avant garde whatchamacallit evil jazz/swing music. He has been known as Will Wood since 2015, where he released his first album, Everything Is A Lot, under the name Will Wood and the Tapeworms.
Me personally, I first heard of him from the song Dr. Sunshine Is Dead, from the good old days of 2018 animation meme Youtube.
Ever since the inevitable Tiktokification of the song I / Me / Myself, from The Normal Album, the Will Wood fandom has become... well.. full of children. I have no place to speak, of course, because I myself, am a teenager, but I'm talking like. 11-14 year olds.
11-14 year olds who are all fucking INSANE.
Will Wood has been put in what I like to call;
The Holy Trinity.
This being the big three artists who the mentally ill queers (like me) listen to.
Lemon Demon, Tally Hall, and of course, Will Wood.
Being in this holy trinity has both done him good, and bad. On the positive side, yay!! More streams, more plays, more people to appreciate the craft, and more people who like the music! On the negative side, now you have an army of children listening to adult music, interacting with adult music and music videos, who are willing to do ANYTHING to get your attention, because they are young and don't know much better.
And here, stuck in the middle of it all, is poor William.
Stuck as a straight "gay icon," in a sea of twelve year olds.
Well shit.
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Leading to the second part of my half-essay.
2020. The year shit changed for Will Wood. The Normal Album was released, and people found themselves relating to I / Me / Myself, as stated before. Then this "new," unheard of fandom was kind of birthed upon Tiktok. They were treating him like fucking jesus.
Which is weird.
They were sad, gay, looking for answers, and found them in Will's music. Which is like. Cool!
But when people were saying that he was trans, and then switched up and said he was making fun of trans people?
Yeah. Not that cool actually.
Coming back to the present now, Will has stated how weird these kids are.
In a response from a AMA for In Case I Make It on the official Will Wood subreddit, (I know. Ew, gross, Reddit, but this post was what inspired me to make this in the first place, so,) Will says this:
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"When I was living in the sticks along the Delaware during the pandemic, I had this weird sort of mystical thing going on inside my head that was trying connect dots in my life and turn meaningless nothing things into signs that I would die.
This was happening around the same time I was dealing with getting actual public attention for the first time, and was living in an area where nobody wore masks, and was living with people who were at risk of serious covid complications if they caught it. Also for most of it I was the dreaded 27, and having been a bit of a junkie in my younger years and an idiot with a barely-treated psychiatric wreck in my brain for most of the ones following it, it was not unlike me to assume I'd die young.
It just seemed too perfect.
As I was dealing with the reception of the normal album (my first truly scathing reviews, I/Me/Myself "discourse," being the subject of conversation on a larger scale) which was beyond what I was prepared for psychologically in terms of its scope and type, my anxious rumination started to veer toward genuine paranoia.
I started thinking that I would die by my own hand or be murdered by one of these crazed Will Wood fans in the dead of night. So I didn't sleep like ever, I lost a bunch of weight and couldn't gain it back for a while, I freaked out a whole bunch and I'm surprised looking back I never lost my sobriety or whatever.
Since it started to look more and more like cosmic fact that I was doomed, I started to feel greater and greater desperation to get out these songs that I had been quietly writing over the previous year or two. Songs I'd written while going through a big breakup and wrestling with rotten parts of me that were finally accessible due to my finally being properly medicated and dealing with the real shit in therapy. And then songs I'd written as I went through these changes."
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Obviously that is a lot to unpack for a Tumblr essay, but since you’re this far, you probably read it all already.
“Stans,” as most would call them, and “Stan Culture” as a whole, is just a huge wreck. Everyone is always fighting someone. We know this. We all do. Stans scare artists.
I want you to think. Think of the artists who are inspired by Will Wood. The ones who want to cater out their music to the Will Wood fans. Imagine if you will, those artists seeing that AMA post, seeing the crazed fans, seeing the relentless sexualization, the jokes about serious issues, like Will’s past drug use, seeing all of this and thinking:
“Is it really worth it?
Is it really worth all of this to make music and put myself out there?”
Now, that may make you uncomfortable, but it's the honest truth. And it's happened to so many people, and so many artists.
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And now a message to the disgraced kids who managed to latch on to Will Wood’s music.
Treating a musical artist like a god is not gonna help anyone. I’d know. I’ve seen it happen multiple times, to multiple artists.
I guess what I’m trying to say is think before posting on the internet. Think to yourself; would I say this to the artist's face? Could someone see this and think differently of me? Is this just weird to say in general?
Remember that these people are real people. Will Wood is a real person. With real thoughts. real feelings. a life to live. He's not just some music making machine. He’s not just some silly character. He’s not just some whimsical guy who we can all project onto.
Will Wood is a real person, and everyone should treat him that way.
Thank you for reading.
(I will edit this essay if I think of anything else to add. That or I'll just reblog it.)
#will wood#will wood and the tapeworms#wwatt#everything is a lot#self ish#self-ish#the normal album#in case i make it#in case i die#the real will wood#litwtc#life in the world to come#chris dunne#music#stan culture#essay#long post#peazy's yapping#lemon demon#tally hall#i / me / myself#drug mention#tw drugs#tw death#lgbtq#alternative music#rant
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