What primarily drew me to Kazurei as a pairing isn't the roommate trope, nor the golden retriever and brood cat trope, or the gay spy x family gag, but rather this scene from Episode 8 (that I'm somehow still not over.)
It's the mutual reluctance to love and let themselves heal, with the exception that Kazuki couldn't stand to see Rei in the same position as him, so he offers to take care of him anyway. Both, who had a rough relationship with love, let themselves confide in each other. Rei, who found comfort and experienced what it's like to be taken care of, and Kazuki, who can't help but to extend care because it's something that's just... natural to do in his position. Kazuki, who is hurted by love that is taken from him over and over again, offers what he'd regard as a bare minimum because deep down, he wants his remaining loved ones (and in this timeline just rei) to feel the love he always desired.
Though Kazuki is seemingly full of emotions every time (enough to almost repress his sadness), his actions are always so gentle and full of warmth.
What makes it more beautiful is how Rei adapts Kazuki concept's, or rather, way to express love to Miri (with the most apparent example being Episode 9) considering Kazuki was probably one of if not the first person he'd experienced and therefore actively saw it from. He initially wasn't able to comprehend how to love and be loved, and only through Kazuki's deeds did he learn how comforting and nice it is to be cared for, so he wanted to extend that to Miri after realizing how much his family meant to him.
Going back to the topic, I genuinely adore how Kazurei is a pairing consisting of two people who weren't given the opportunity to love, and during their time before Miri subconsciously fulfilled each other's emotional needs. Though initially distant, they immediately clicked because they fit together like puzzle pieces. Similar desires but difference in approach and seek what the other has.
While there is mutual understanding between them, being able to read each other, neither of the two had the will to step onto each others' boundaries and address it. It was satisfying to see them grow closer emotionally and form the courage to communicate, with great examples being the last few episodes of the series.
Tl;dr the soft aspect of Kazurei made me complerely fall in love with the pairing and I used to be neutral about it
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this whisky bottle from the queen seems to have been well enjoyed and carefully stashed, clearly a prized possession. yet he left it there without a second thought and forgot about it. because in order to try and move on and focus on building a future for his brother, he needed to sever everything that belonged in the past, in cordona, in that manor.
he's “not one for sentimentality” according to sherlock. "he would have put it behind him and moved on," not because he didn't care, or it was easy for him to move on, but i think that was the only way mycroft knew how to cope with what happened, by discarding everything that held a sliver of connection to painful memories and a past he did not wish to revisit. that's why he sold everything in the manor and didn't take a single thing with him. sherlock (and any sign of abuse left on him by violet) was already a painful reminder of his failure to prevent what happened that day. and his little brother depended on him to be strong and take control. all material things bore no significance to mycroft against what–who mattered most.
and this whisky is no different. a recognition from the queen herself for his service and a token of his national pride also left behind and forgotten. acknowledgements and commendations mean nothing if he couldn't save and support his brother. because mycroft's first duty is to his brother. no matter how proud he is to serve his nation, he'll never let it come before sherlock. and i think this abandoned whisky bottle is a solid proof of that.
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I feel like I remember a post going around a while ago about the inherent tragedy of Fallout 4 and the anti-climax that is Finding Shaun and- I just can’t stop thinking about it. I can’t.
(Going under a cut because this post got away from me LMAO)
It’s a tragedy. Your son is a cold horrific monster of a man who looks at people as experiments over being people. He’s egotistical to the point of thinking of himself as somehow larger than life- not quite godly, but something more adjacent to that- because of his control over life. *Because of how they groomed him to be. He was never allowed to be a “normal” kid. The Shaun we meet is doomed, hopeless, and it’s… heartbreaking. That’s your son and.
And he’s dead. He dies no matter what faction you choose. There’s no chance for true reconciliation.
(*There’s something to say about the parallels between Shaun and Maxson as characters that I’ve talked about to others in the past but still sticks with me. Not the post for it necessarily, but I wanted to mention it.)
For me personally, the ending of Fallout 4 wasn’t victorious, it was hollow. Now, part of that is definitely influenced by what I was going through at the time, but it has stuck with me how the only lights of hope I felt were… well it was Deacon. He made it less empty. Made it feel like it meant something good.
I didn’t like pushing the button though. I thought about all the shit that could’ve taken from Institute and used for the wasteland for something good. Thought about Shaun. Thought about how I couldn’t truly say goodbye to him. Felt like I was playing out the motions, and that fucking slideshow did nothing to help the hollowness.
It’s not victorious. But then we keep going anyway. There is still work to be done. And there’s companions to keep you company, to make the world a little brighter.
And Jesus Christ I love that fucking game. I love the sandbox and I love the way that when it hits? It fucking hits.
And guess what! Fallout 3? Fallout 76? Also fucking tragedies.
Sure, Broken Steel brings the LW back from the dead, but Lone died even if Lone isn’t “dead”. The slideshow still plays. You wake up and suddenly aren’t dead, but you should be. You should be. You, a nineteen year old kid were tasked with being a martyr. Sarah is pissed off when you ask her to do it. It should be you in the eyes of the narrative. You should be the one bearing the weight of martyrdom. Follow in your Father’s footsteps.
Fallout 76? I… your nuking the Appalachia repeatedly. Everything is gone by 2277. The bright future meant to rejuvenate the Wasteland ends up destroying it. Idfk what else there is to say on that front.
And these are just… the main Bethesda titles. 1, 2, and NV are arguably in the same boat but there’s a bit more in the sense that… well for those ones it’s much more about the “you’ve won, but at what cost?”. In the original Fallout, and let’s say you take the (I think more popular route) of talking to the Master rather than fighting him: you watch someone realize the weight of the atrocities they’ve committed, realize they had no purpose, and then kill himself and everyone there after you personally have gone through actually psychic hell to approach him. Then, you get kicked out of your only home you’ve ever known!
Fallout 2? You home is decimated, your people traumatized, and you must rebuild it from the ground up. You defeated the Enclave, but they took something from you that can’t be replaced or forgotten.
New Vegas… god there’s so much there and there’s another point I want to make to this post- make I can make it feed into this but- the Mojave gets ravaged by war. No matter who wins, atrocities will continue to have been done and to be committed. There’s deadly forces on the horizon who don’t give a SHIT about this petty war and the fucking dumb politics of these major powers. It will hit any faction hard and unmercifully. And there was still a war that consumed an entire land. So companion has a truly “happy” end. They’re all scarred and broken and have to make peace with the path they’ve chosen. People win, but they don’t win, y’know?
And I wish- as much as I love these tragedies- I wish there was more… hope. I wish that the world of Fallout allowed the brightness to shine through a little brighter. To allow the people who try to rebuild into something new to be more successful, to be allowed to take the narrative into their hands, bECAUSE HOLY FUCK DOES THIS DARK ASS WORLD HAVE SO MUCH MORE HOPE THEN ITS EVER GIVEN CREDIT FOR.
Begin Again is a rallying cry for me. The end of Lonesome Road, if you spare Ulysses, is a rebellion against the fucking cycle of violence and hatred. You want to BUILD something. Create rather than just regurgitate the old world into something more twisted than it’s corpse.
Surviving the purifier? Rebelling against the notion that you must die, that you must be a martyr, taking your life into your own hands? Watching a source of clean water be handed out for free and spread across the Wastes? Fucking! Breathing new life into Harold and so he breathes new life into the Earth?
Living even though you’ve lost all your family? Getting a new one in the people who follow you? Helping people rebuild the Commonwealth after it’s been terrorized and destroyed? Leaving this world stronger and safer then when you came into it?
Honestly- this post got away from me. @persephotea got me in my Fallout 4 thoughts (of which I have so many and they’re always trying to burst out of me) and I got to thinking about what I try to write about in my fics. Hope. Hope, hope, hope.
I choose a kinder Fallout world not because I’m trying to soften the edges, but because I want to believe that humanity has such an ability to be kind if it chooses to. That a world ravaged by destruction would CHOOSE kindness and growth. That despite all the darkness and selfishness, people would choose to Begin Again.
It’s all a fucking tragedy, but that’s only if the cycle continues. We can change it. We can end it. Just gotta choose to do it.
If you got this far, thank you for reading my tired thoughts and please please please share yours. I want to hear your thoughts so bad. Okay okay, I’ll post now.
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