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Are you also fed up with daily quarrels with your husband? Solutions are here, Call +91-8968620218
Constant quarrels with your husband can take a toll on your emotional well-being and strain the bond you share. It's disheartening when the love and companionship that once brought you joy turn into a source of frustration. However, it's important to remember that conflicts are a natural part of any relationship, and there are effective ways to address and resolve them. This article aims to provide you with practical strategies to find peace and harmony in your relationship, minimizing daily quarrels with your husband.
Know the story of a woman from Delhi who was very upset due to daily fights with her husband.
That woman was very upset due to the quarrels in the house, she could not see any way out. Then he called our astrologer Pandit Rohit Sharma ji and got the solution to his problem.
I live in Uttam Nagar, Delhi. I am a housewife. There used to be fights everyday. My husband used to quarrel with me everyday without any reason, I came to know that there is a woman in his life, due to which my husband quarrels with me everyday, I called Pandit Rohit Sharma ji and told my problem to him. Then he told me some such remedies, by doing which my husband is with me today. Now I am very happy in my life. I heartily thank Pandit Rohit Sharma ji who saved my married life from destruction. He is very kind and humble and his remedies are always effectfull.
Maintaining a healthy and harmonious relationship with your spouse is crucial for a fulfilling and joyful life together. However, it's not uncommon for couples to face challenges and conflicts along the way. This article aims to provide you with effective strategies and solutions to overcome husband-wife relationship problems and nurture a strong and loving bond.
Communication is Key:
Open and honest communication serves as the foundation of a successful relationship. It is essential to create a safe and non-judgmental space where both partners can express their thoughts and feelings. Active listening, empathy, and mutual respect are vital components of effective communication. Regularly engage in meaningful conversations to address concerns, share aspirations, and understand each other's perspectives.
Prioritize Quality Time:
Amidst the hustle and bustle of daily life, it's crucial to prioritize quality time together. Set aside dedicated moments for shared activities, such as date nights, weekend getaways, or even simple walks in the park. Fostering a sense of togetherness and creating lasting memories can help strengthen the emotional bond between you and your spouse.
Nurture Emotional Intimacy:
Emotional intimacy is the glue that holds a relationship together. It involves being vulnerable, expressing love and affection, and supporting each other through both triumphs and challenges. Make a conscious effort to understand your partner's emotional needs and provide them with the support and reassurance they require. Regularly express love, appreciation, and gratitude to deepen your emotional connection.
Respect Individuality and Boundaries:
Each partner in a relationship has their unique needs, aspirations, and boundaries. Respecting each other's individuality is crucial for a healthy and balanced relationship. Encourage personal growth and provide space for pursuing individual interests. Set clear boundaries and communicate them effectively, ensuring that both partners feel valued and respected.
Address Conflict Constructively:
Conflict is a natural part of any relationship, but how you handle it determines its impact on your bond. Instead of avoiding or escalating conflicts, approach them constructively. Use "I" statements to express your feelings and needs, focusing on the issue at hand rather than attacking your partner. Practice active problem-solving, seeking compromises and win-win solutions. Consider seeking professional help, such as couples therapy, if you find it challenging to resolve conflicts on your own.
Build Trust and Honesty:
Trust and honesty are the pillars of a strong marital relationship. Be transparent with each other, avoid secrets, and foster an environment of trust and reliability. Follow through on commitments and be accountable for your actions. Trust is earned through consistent behavior over time, so make trust-building a priority.
Seek Support When Needed:
Sometimes, resolving relationship problems may require external support. Don't hesitate to seek guidance from trusted friends, family members, or professional counselors. Marriage or couples therapy can provide valuable insights and tools to navigate challenges effectively. Remember, asking for help is a sign of strength, and seeking support can lead to significant breakthroughs in your relationship.
Conclusion:
Every relationship has its ups and downs, but with dedication, effort, and the right strategies, you can overcome husband-wife relationship problems and cultivate a deep and fulfilling connection. By focusing on effective communication, quality time, emotional intimacy, respect, conflict resolution, trust, and seeking support when needed, you can create a strong foundation for a lifelong partnership filled with love, understanding, and mutual growth.
Call Our Astrologer Pandit Rohit Sharma ji +91-8968620218 for your all Problems.
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Looking for a Black Magic/ Vashikaran Astrologer in Mumbai? No need to go anywhere just one click and find the list of best astrologers on Grotal Visit Now:- https://bit.ly/3zq1yKL
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काला जादू -वशीकरण_लड़की को आपके वश में करना-मनपसंद लड़की लड़का को शादी के लिए राजी करना-किसी भी लड़की लड़का को अपने वश में कर सकते हो-सिर��फ आप हमें कॉल क��ें +91-8005866997 if your love is ignoring you or hurting you then you one call on +91-8005866997
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Change Your Life Today; Talk With Expert Astrologer For Love, Relationship, and Breakup Issues.
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Love Problem Solution in Ahmedabad | Trishul Jyotish
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Astro Mahindra is a world famous and well-known astrologer, with an in-born Vedic family environment. From his years of experience, he has become the best astrologer in Florida and has been studying Vedic astrology since his childhood and he has generated his own Vedic view while studying. Top Astrologer In Florida.
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Astro Shiva Ram is globally renowned as a distinguished astrologer, hailing from a Vedic lineage that nurtured his innate talent. With years of dedicated practice, he has risen to prominence as the premier astrologer in Australia. Having delved into Vedic astrology since childhood, he has cultivated a unique perspective informed by his deep study and personal insights. His expertise and distinct approach make him the top astrologer in Australia, sought after for his unparalleled guidance and wisdom.
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Demonstober Day 8 Oni
Oni are horned, ogre-like creatures in Japanese folklore. They have also been described as orc-like, demon-like, goblin-like, and troll-like. However, an oni is best categorized as a type of Japanese yōkai, which includes wicked otherworldly monsters, goblins, gods, ghosts, and spirits.
Tagging: @lavenderdropp @six-eyed-samurai @trancylovecraft @shadyd3ar @cherrysuzaku
@nousija
Remember if you want to be added to the spooktober taglist lemme know
Once long ago there was a very powerful shogun, and he married a beautiful woman. Together they were happy with no want for anything in their comfortable lives. Except for one thing.
A child.
Even though they tried for many years, they still went without children. One day the woman of the couple decided to take a long walk in the woods to try to forget about her troubles when she came across a mysterious healer.
"My lady, you seem quite troubled. Would you like to tell me?", the man offered.
"Why? You wouldn't even be able to help me. It's no use."
"Try me. I might surprise you."
"My husband is happy with life and we wish for nothing but a child however it seems that the gods do not seem to want to bless us with one."
"Oh. Is that all?", the healer laughed before reaching into the folds of his cloak and pulling out a small box which contained three seeds. *I have the exact solution. Take these flower seeds and plant them in your garden in a place only you'll know. One month from now on the night of the blue moon, three flowers will appear."
"What good will flowers do me?"
"They're blessed by the goddess of fertility," the man explained, "Of the three there will be three flowers. A white lotus, a red spider lily, and a black rose. If you eat the white lily you'll gain a son as pure and kind hearted as the heavens. If you eat the red spider lily you'll receive a son as fast and strong as the fiercest warrior. If you choose the black one you'll receive a son as smart as a hundred scholars! Eating any two of the three will result in twins with all the traits of both flowers!"
The woman was so pleased with her gift. It would be the solution to all her problems and she left with the seeds. However the healer gave her a grisly warning.
"These flowers are enchanted by magic no mortal body can handle so there's a limit to how much you can have without a blessing turning to a curse. Remember. You may only have up to TWO. Eating all three will have deadly consequences that even I don't know what could happen. Heed my warnings, My Lady. Or disaster will befall thee."
The woman promised to remember the warnings given to her and that night planted the seeds in a place only she knew about telling no one. A month later on the blue moon she went back out and found the three flowers the man spoke of. She had already decided to eat the lily and lotus, but at the last moment decided to eat all three. It was a blessing from the goddess of fertility after all. Nothing really bad could come from a blessing. And she wanted her children to have all the traits the flowers promised.
Against the healer's warnings, she swallowed the black rose petals right after the first two flowers. Sealing her fate by her foolish mistake.
Soon after the woman indeed fell with child. Twins. Both husband and wife were so happy and the entire countryside rejoiced with the news. Nothing truly was wrong and the woman forgot about the consequences of her actions. Until nine months later-
Her husband was called to battle, while away his wife delivered their children in the middle of the night. However the children born that night were not infants.
But horrible monsters from nightmares.
The woman screamed in fear and horror as the doctors looked on in shocked silence as the cursed infants cried out into the darkness. Both grotesque and disfigured. Monstrous and horrifying to look at.
One they say was born with horns like an oni and eight limbs like a slightly humified jurogumo. The other one was more horrible. Half it's body writhing and squirming like an upsidedown centipede and so many eyes that they were spinning in different directions at once. They cried but no one dared touch them or show them any empathy. Their own mother scrambled away and shrieked out in fear.
"Take them away!," she cried out, "Take them far away! I don't care what you do with them just take them far away and be rid of them! I'd rather have my husband think we suffered a loss than look upon these ugly things! No one shall tell him of this!"
One of the woman's most trusted servants placed the crying children in a chained basket and took them away that very same night. No one knew what became of them. They were never seen again. The maid never did return either. And the woman never told her husband what had happened. No one else who was there that night never dared repeat what they saw in fear of drawing the cursed creatures back to them.
However they say that they still roam the lands. And if you are unlucky enough, you shall be the next to run into such a horrible monster.
It was a quiet night when it happened. The birth of the fated one.
The sobs of the woman didn't even stop as she held her baby close to her crying her eyes out in sorrow despite healthy little girl in her arms. The father just sat there in silence staring at his wife and daughter.
"He can't..H-He can't!" Was all the sobbing woman could muster out between tears.
This wasn't supposed to happen. They had just a few more days and then it would've been summer. They wouldn't have had to worry about anything then. It would've been someone else's problem. Someone else's daughter to be fated to become the bride to the beast. But his child unexpectedly had been born this night in spring. If only she waited just a few more days. If only he had a son instead.
Then he wouldn't be loosing his child to the demon.
It wasn't their fault really. The last few years of harsh drought and little rain caused hunger, famine, and most of all desperation. The many offerings and prayers to the gods seemed to be doing nothing! The local priest blessing the stubborn soil did nothing. It was still cracked, hard, and as barren as a rock. There seemed to be no hope in sight. The people were desperate loudly cursing whatever deities were responsible for this plague upon them and pleading to anyone who could hear them to end the suffering, the starving, the deaths caused by the drought.
It was then their pleas were answered by the monster.
He showed up right out of the blue one day, as of he manifested out of the very air. He may have walked like a man, but he was a monster that would devoir them all because of their desperation would be their destruction.
"I couldn't help but notice that you people seem to be on hard times." He hated how he smiled at them, like he was doing them a great service. "I can help you surely. All I ask is one thing in return."
He'd fertile the lands. Bring forth rain. End the suffering. All for the price of one life. He'll return in twenty years and request the hand of the first maiden to be born that spring. Without thinking about the consequences, they agreed and as mysterious as he arrived, the monster departed back into nothing.
The creature kept his word. Rain storms came back to pour water into the ground. Soft soil nurtured new crops, and the hunger of many satiated. However the price was not forgotten. At least not by the local doctor and his wife. Now here they were staring down at the one who was going to be made to wed that monster in twenty years. Out of all the children born in the village, why must it be their child?! It wasn't fair! They never agreed to this! They had no say in it at all! But-
"W-What are we su-supposed to do?!"
"Hush woman. The others will hear you. Nobody will know about this. About her!"
"H-How? We can't just hide her! S-Someone will notice sooner or later."
"Then we'll make sure no one knows of her existence. Get up. We must make haste."
"For what?"
"We'll leave. No one will know about her if she's not here to be seen but we must go immediately. Tonight. We'll let one of the other families deal with the fate they brought upon themselves."
"Where will we go?"
"Somewhere. ANYWHERE! As long as it's far away from here."
Your parents fled in the middle of the night. Walking slowly due to your mother's condition but left either way. The small village left behind and forgotten about in return for giving their daughter the freedom she deserved. It wasn't easy to start all over in an entirely new place so far away, and they had to live on the streets for almost a year. But eventually a doctor would get clients and they were able to get a nice small home in a nice town far, far away from the dangers of demons and threats of never seeing their daughter again as you grew.
You had a normal and happy life honestly. Going to school, exploring the nearby forest, making friends, and gaining a job at the nearby tavern once you were nineteen. Waiting tables, bringing orders, and helping to clean up at the end of the day. There was even a local man your age that took interest in you. Your parents encouraged you to accept his offers to court you, but you haven't decided if you liked him that way.
However things were about to change.
The winds churned and a faint storm rolled along the sky on your twentieth birthday. Exactly twenty years after the dreadful move long ago.
The pub you worked at was alight with excitement. A group of hunters were in the middle of the large space. Laughing over the successful hunt they managed to bring in, celebrating by drinking ale and feasting. A few other patrons also were around the area minding their own business and eating away in the cozy warmth the tavern provided in the middle of the windy storm outside. You gathered up the plates from the hunters' table from their third round of food and just did your job of bringing it up to the bar to be taken away by another worker. Nothing out of the ordinary for you tonight-
That was when the door opened up with such a loud sound that it startled everyone who was in the pub to stop talking and look over. Wind from outside swept throughout the building and made you blink from the sudden rush of air hitting your face. Candlelights flickered but thankfully didn't go out.
Silence continued on around the gushed pubs and many of those faces turned from curious to horrified.
A clattering tray fell to the floor from a fellow waitress's hands as she stared. Many eyes continued to stare at the thing that came in from the storm. The door slowly creaked closed again behind him allowing the wind to be closed off once more. No one moved. No one spoke. No one dare looked away.
...STEP. STEP. STEP. STEP.
His feet turned as he began walking around the massive group of men seated in front of him and towards the other side of the room.
STEP. STEP. STEP. STEP.
Each step he took seemed to heavily echo through the bar entirely as the tallest figure they've ever seen slowly walked with heads turning to follow his movements. Walking, walking, and walking. You froze in your tracks as the tall form just slowly walked past you without a word or even looking your way or really at anyone for that matter. Going all the way to the farthest table in the far corner, silently pulling out the chair allowing the legs scraping against the floor to sound out, before he wordlessly sat down in it. Staring straight ahead at nothing. The silence was deafening with only the fire crackling in the fireplace, and the wind outside to make sound.
"I'd like a bowl of tonkotsu and onigiri with unsweetened green tea please."
His voice made you jump. It wasn't because he said it in a rude or threatening way, but because he still didn't look at anyone. Just kept staring into the void at nothing. It was incredibly eerie. In question you finally broke away from staring at him to look at your staring boss. The chef looked as stunned as the rest of everyone else in the tavern but eventually he turned to slowly walk back into the kitchen area. Maybe he had the right idea. Give the man the food and hope he leaves once he was done.
You only turned back to watch along with everyone else as the faint sounds of food being made in the back carried on. What was the creepiest part of it was that whoever this man was, never stopped staring ahead. Didn't even move once the entire almost half hour you all were anxiously waiting for the food to be made. Like he turned to stone. Felt like eternity before the chef slowly came from the back, startling you with his footsteps. He went back to staring at the man as you slowly and shakily picked up the tray scooted towards you. It felt very heavy in your hands as you held it and slowly took step after step towards the table at the farthest corner of the building. Your very steps seemed to echo through the building itself as you approached closer and closer and closer. His eyes never looked up at you as you approached. Never moved an inch as you got close enough to place it down on the table. That's what you were gonna do. Just place it on the table and scoot it closer to him.
Until his hands reached out.
You completely froze as a hand reached out to grab the bowl of hot tonkotsu off the tray. A second hand grabbed the cup of tea next.
A third hand grabbed the small plate of rice balls. And a forth grabbed the chopsticks.
You stood still and frozen as the man finally moved. Four of his six arms reached out and grabbed the food from you while his other two remained sat neatly upon his lap. The entire time he still didn't look at you until the hot tonkotsu bowl and chopsticks were raised to his face, and finally his face reacted. Turning up to you with plum red eyes and a gently smile upon his lips.
"Thank you."
You were too frozen in shock and slightly fear to respond..but the gentle smile on his face brought a bit of hope that no one would be harmed tonight. However you couldn't bring yourself to stare at the smile for long, too focused on the fangs between those lips and the two black horns protruding from the tops of his head and the pointed ears where two hanafuta earrings dangling from and swaying with his movements.
Oni.
This man..was an ONI.
A spirit no one would dare mess with in fear of enduring it's wrath. Why on earth was there an oni in the middle of your town and in the tavern ordering food? You had no idea. Perhaps it was just passing through and got hungry. You just hoped that he wouldn't stay. Shaking you only bowed before slowly backing away a few steps as he continued to smile at you gently. Before he turned back to start quietly eating the food.
The entire time the entire plate remained silent and watchful as he ate. What felt like an eternity must've really been only maybe half an hour before his bowl and plate were emptied and the cup drank. Not wanting to offend him you tried to remain calm and polite as you approached him again and shakily began to pick up the dishes and place them back on the tray. His now smiling face stared at your work before you bowed to him again and turned to return the tray to the bar-
"I would like some momiji and daifuku with more tea please."
You paused mid step taking the tray back to the counter before whirling around wide eyed at the man who was still looking right at you with that small smile before you exchanged shocked glances with the chef. How did the Oni know that there was daifuku and momiji in the kitchen when your boss hadn't written it upon me sign behind the bar with the other food items for the day?! After a moment your boss motioned for you to silently come over. You did and the same pattern repeated after he took away the tray. Only this time he wasn't looking into the void. Instead he just stared at you softly with a smile.
It wasn't creepy or had you feeling anything bad though. It felt more like a customer politely waiting for service to be provided to him which technically it was since he ordered desserts, which arrived quickly and you took to him but it was so strange to be serving an oni sprit. The same thing played out. Everyone watched in silence as he ate what you served him silently as you waited to collect the dishes. You once again did again and this time when you turned-
"I'd like your name please."
Once more you paused wide eyed and turned to look at the smiling spirit staring at you... Everyone's shock reignited anew as silent looks were given to one another in question. What should you do?! He wanted what?! Your name?! Why did he want your name?! You didn't know what to do! Looking around it looked like no one else did either. Feeling your throat tighten you swallowed thickly before shakily replying.
"Y-Y/n."
"Thank you."
"What's your name?"
The words left your mouth before you could stop yourself. It surprised both yourself and the man who blinked before again smiling at you gently.
"Yoriichi."
"That's..a very nice name."
"Thank you. Yours is beautiful."
"Oh. T-Thank you."
You just turned back to get the remaining dishes to the bar as the man slowly took his time getting up, pushing in his chair, and reaching into his pockets for some yen to leave on the table and pay for his food. By the time you were done with the dishes and turned around, you found the man smiling down at you. Gosh..He was..tall.
"I'd like to walk you home please."
You were put on the spot right in front of everyone else staring at you with the man still smiling at you. He wanted to walk you home?! Why? Did he plan on robbing you?! He was an ONI spirit so was he looking to haunt you?! Your parents?! You didn't know what to say. You wanted to say no..But would he be offended if you did? Would he become angry? What would happen if you made him angry? You didn't know what he'd do. He's..been pretty nice so far but no one did anything to make him angry.
Deciding to bite the bullet, you gulped again before nodding. "A-Alright."
You felt like you were walking to your death sentence as everyone watched you silently make your way outside in the windy air with the spirit right behind you. The squeaky door closing behind you like a coffin lid behind closed.
You stiffly walked your way down the street home with the wind blowing your hair back. You didn't look at him but you knew he was there. You felt his presence looming next to you and saw his many arms out of the corner of your eyes. You could run. Maybe if you were fast enough you could lose him and get home before he knew which house was yours. However you dreaded what might happen if you offended the spirit so you kept your mouth shut and walked. Maybe he was only doing this to return what polite service you gave him? You hoped so and hoped to not see him again after this.
Five minutes of silent walking later and you felt relief full you as you came upon your front door. Hoping to end this as fast as possible, you turned to politely bow to him. "T-Thank you for walking me home."
"Your welcome. May I have your hand please?"
...You blinked. Looking up at him. "What?"
He still smiled softly at you. "May I have your hand please?"
"M-..My hand?" On instinct you clutched your hands together. Was he going to cut one of your hands off?! "I-..I d-dont think I taste good. The food at the tavern is much more tastier than I am, I promise you."
He simply chuckled. "Not in harm." One of his hands extended out to you. "May I have your hand please?"
He wanted to...hold your hand?? Was that what he was asking? Why? What could he possibly want to do that for? You were so confused staring at him, then his still outstretched hand, then back to him. He remained unmoving other than the wind blowing his hand and earrings and clothing about. Why? His smile remained unwavering as he still smiled at you.. before you slowly looked back at his hand. Not in harm? Well at least he didn't want to hurt you. Maybe all he wanted was a grateful handshake. Either way it was better not to offend him.
"Y-Yes."
You shakily reached out a hand until it touched his warm but calloused hands. Slowly the much larger hand closed around you before a second one came to be placed on top of yours.
"Thank you for accepting."
Accepting? You looked back up to him. "A-Accepting what?"
His only answer was to lean over and to your surprise kissed your forehead.
"My hand..In marriage."
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The Tale of Tales movie analysis (4)
Finally, we reach the last (well, actually the first) of the three fairytales. It is an adaptation of Basile's "The Enchanted Doe" - but I always hesitate to call this segment by this name because the titular enchanted doe was completely cut out. In fact, of the three fairytale adaptations, this one is the one that changes the most the original material.
This story is the "Mother" segment, and fittingly the obsession it depicts is the obsession of a mother for her child - and to reflect the "bad father" figure of "The Flea", here we have to deal with the "antagonistic mother", turned into the "monstrous mother"
And this monstrous nature is heavily insisted upon by the very first changes the movie performs to Basile's story. In the Pentamerone, the king, by advice of the "wise and knowledgeable old man", slays the sea-dragon (well, his servants do) and brings back the heart, and it is all surrounded by comical sequences (such as the king shooting everybody that comes near his castle because he is tired of charlatans, or the heart's cooking-vapors making the FURNITURE pregnant). Of course, all the joke elements were removed but a further change was made - the king dies when slaying the dragon. In fact, this whole segment is fascinating in that it already sets from the get-go the entire story. The king, entirely devoted to his wife, goes to slay a dragon so that she can have her dream of being pregnant - but in the process he dies, killed by the dragon, literaly destroying himself for the happiness of his wife. But the queen? She clearly does not care that her husband died. When she arrives on the grounds, while she goes briefly take care of him, all her focus and attention is on the dragon's heart - and she does not shed a tear. We see here how this woman is so obsessed with having a child she is willing to get rid of her own husband ; even worse is that this obsession is not just destructive as in, it led the king to his death, but it is also shown as causing unecessary actions of cruelty. The sea-dragon is here... not at all a monstrous and frightening being. It is just a big, old, sleepy water-animal, living in a very beautiful area, that apparently didn't cause any trouble or damage to anybody, and ultimately looks more like a big axolotl or newt than a real dragon. All for one's woman obsession with pregnancy, a peaceful animal is cruelly killed out of nowhere, and a king is led to his death.
But as the necromancer said, "A life for a life" - there is always a price to pay for life-giving magic, and this price is death. Let us take a brief look at this character - explicitely referred to as "the necromancer" in the credits, another departure from Basile's tale where the character is just a wise, knowledgeable old man that happens to pass by. Here, it is a necromancer that purposefully arrives in the dead of the night to the king's palace, magically bypass the guards, and specifically comes to solve the king's problem before disappearing again... And then, when the queen is in great distress, he appears again out of the palace's shadow to offer his help unprompted. The necromancer was clearly designed to be a parallel to the "witch" of The Flea segment, and both belong to the same type of supernatural characters: both are gaunt and skinny, older-looking supernatural humanoids, who appear out of nowhere to bring magical help (but a help that always has a catch to it), and both are even dressed in similar black and hooded outfits. However, what does the choice of the title of "necromancer" tells us here? Necromancer is someone who invokes and speaks with the dead, which is not truly what this sorcerer does here... But necromancer in general has been expanded to any magical user who deals with death, in one way or another - and in this angle, this is precisely what the necromancer does. He offers magical solutions that always require the sacrifice of a life, he makes it clears magic needs death as a payment - his very appearance as a tall and skinny old man in a dark hood evokes the Grim Reaper - and if it wasn't enough, the two people he directly speaks to and offers his advice, the king and queen, both end up dying by enacting his plans... The necromancer is here clearly a figure of death. And by extension, his function as a male counterpart to the Witch of The Flea can also be read when you recall that in medieval and Renaissance literature, "necromancer" was synonym with "warlock" or "witch", because "necromancer" was mis-written/misunderstood very often as "negromancer" or "nigromancer" - aka a practicioner of dark arts, a master of black magic.
And so while Basile's story opened with farcical situations of an angry king shooting everyone from his tower and chairs giving birth to baby-chairs, the movie opens with a woman's anguish at her sterility, the senseless death of an animal and a king, shadowy advices from a Grim Reaper-like figure, and finally a grandiose funeral... where nobody really mourns the king. The queen's obsession is driven here again during the funeral scene - while she is in the funeral procession, the queen only has eyes for the baby she holds in her arms... And already before, the scene of the queen eating the dragon's heart established her nature and future revelation as a monstrous and bestial character: she doesn't eat it like a human being, with forks and knives... She devours it with her bare hands and with her mouth plunged in the blood. Her obsession to have a baby turns her into a monster.
The monster parallel is even more insisted upon when we see her first interaction with her son the prince: both are playing a game of hide-and-seek. But this is all a perverse game. The queen is dressed in a blood-red outift, and she chases her son through a maze... A labyrinth. She is clearly meant to be reminiscent of the minotaur hunting down its prey. Meanwhile the prince is fleeing from her, doing his best to avoid her - but he clearly is not happy, and truly looks exhausted. He only can escape when his... let's say "heart twin" saves him by allowing him to climb over the wall and escape the labyrinth, leaving the queen all alone in the maze while the two boys ride away on a horse. Everything is established in this very scene, everything is said and announced.
The queen is a monster. Not only was she ready to sacrifice all the lives she could to obtain her child, but now she is shown to become obsessively possessive and controlling towards her son. This was already very clearly present in Basile's original tale, where the queen's hatred came from an intense jealousy because her son loved more his "false twin" than her. But the movie pushes this even further by depicting the queen's obsession under a frightening light, borderline incestuous - she recognizes that the false-twin is not her son because of his smell, and she is shown to have a secret passageway allowing her to spy... on her son's bedroom. This all makes her desire to kill the false twin even more disturbing than it already was - and prepares what we will see by the end, her transformation into a pure monster.
Speaking of the false-twins, the movie adds a fascinating dimension to the characters - an aspect that highlights why they are so close and loving to each other, and why there is such a gap between the prince and his mother. The movie decided to truly and entirely make them the sons of the sea-dragon, more than the sons of their human parents. The twins are depicted as albino, with white hair and red eyes - the same colors the sea-dragon was. They enjoy escaping the castle ground and spend their time swimming under-water and hidden in the river where the dragon was slain, entirely naked - and with hints that they can hold their breath unnaturaly long. Finally, of the two magical items meant to indicate their good health, the myrtle is removed so that only stays the water stream... Their life is tied to a water they can magically summon. Everything shows and indicates that they are truly belonging to the supernatural world, to the world of the sea-dragon, and thus dooms from the start the queen's relationship with her boy, as they clearly do not belong to the same world and will never be able to fully understand each other.
The third act of the story is where things are completely changed and take a full twist.
In Basile's story the son of the servant girl ends up marrying a princess and living in a castle, making him the equal of his "false-twin". Here, not at all - the son of the servant does find love and a wife, but is among poor folks and common people. Not only is it a purposeful avoidance of the traditional fairytale cliches (you don't have to be royalty to be happy - especially in this movie where all royalty is fucked up in one way or another), but it also serves for another one of the changes of the movie: in the end, the two "dragon-heart-brothers" do not reunite and do not live happily together. They stay divided and split up until the very end. Yes, the prince saves his best friend, but in the end he has to leave and return to his own world. There is a mix here of the reminding of strong class divide of medieval and Renaissance times (no matter how hard, a peasant cannot become a king - in fact, hat pushes the queen over the edge is when the son of the servant pretends to be the prince), and a rational look at the logical consequences of the two boys growing apart and one of them finding his own love and his own new, caring family. No happy ending for the two boys, but a bittersweet one - they know each one is alive and well, and the prince saved his brother in distress, but ultimately they will stay apart and belong to different worlds. This is a complete change from the beginning of the story, when the two boys formed their own little bubble split apart from the rest of the people around them - and maybe we can read this as a comment on twin relationships. The two boys grew so close to each other and so split apart from everybody else they started to fuse and confuse their identities, replacing one another - but they had to pay for this, and a lot of suffering led them to realize they should each have their own life, their own family, and develop their own identities. The monster rises up its ugly head when the boys start planning on switching their identities, becoming one and the same - but the defeat of the monster results in the two of them splitting away and accepting that they each have their individual life.
But we can also read this lack of conclusive reunion and happy ending as another hint of what the movie is really about: women. This movie has its female characters as the main ones, while the male characters are merely secondary ones - and so, while it looks like this story is the tale of the two boys, in truth it is the tale of the mother-queen.
The other obvious change is the one I evoked above - the removal of the titular "enchanted doe", aka the removal of the ogre. In Basile's story, the "dragon-brothers" fall prey to a shapeshifting ogre that turns into animals to lure humans in his grotto, then traps them there to fatten them up and eat them. Here, the ogre is half-gone half-replaced. The movie, as we saw before, takes a "realistic" approach to its magic and supernatural - many magical elements are moved, the supernatural relies within strange human and tertiary characters, the ogre of The Flea becomes more of a wild man... A shapeshifting ogre would have been too much, it would have broken this diminished and realistic aesthetic for the supernatural. So instead, the son of the servant simply fell down a system of underground passageways and broke his legs - the supernatural danger becomes a natural one, he simply suffered a typical hiking accident. Yet, the story demands for the prince to slay a monster and save his "false-brother" - and so this monster appears, but as a wild beast. A sort of gigantic, monstrous bat-like creature clearly meant to evoke a more fantastical wildlife, but still a caricature and exaggeration of actual animals. The same way the dragon didn't look like a dragon but a gigantic version of actual river-animals, the monster here simply could be a prehistoric or deformed bat, fitting the boys' entrapment within a system of caverns and grottoes.
And yet this monster isn't just anybody because, as we learn by the end - this monster is none other than the queen herself, that agreed to become a monster to kill the servant-boy and have sole ownership of her boy's heart.
We find here the return of all the typical but also deepest fairytale motifs - and we also find back one of the oldest motifs of the ogre-myth. The ogre is the monstrous parent, the destructive father, the abusive mother, and as a result it is very fitting to have the obsessive and possessive mother becoming a monster replacing the traditional "ogre". At another level, beyond revealing who the real monster of the story is, it is also a literal illustration of the true struggle and the true battle of this tale. In French we have an expression, "tuer le père", "kill the father - here it is kill the mother. Literaly. The prince can only be happy and be free and save his loved ones by slaying his own mother when she becomes a monster ; and in return the mother is punished for being so controlling, so jealous, so unsatisfied and allowing her dark side to take over - she is punished by being killed by the one she wanted to love so much.
And thus the movie illustrates perfectly the original moral of Basile's tale: "Unhappy the one that punishes himself". The queen literaly brought the destruction of her own happiness. She killed her husband to have a child, she gave her son a desire to escape her by trapping him, she drove her child away by trying to kill the one he loved, and ultimately she destroyed herself by trying to have her son return to her. In a way, the queen here forms a parallel or mirror of the older sister in The Flea, who for her own happiness sacrifices her sister, and yet dooms herself because once the witch-gift fades away she will be lonelier than ever.
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