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Symbolism of Melencolia I by Albrecht Dürer

The lie is in our understanding, and darkness is so firmly entrenched in our mind that even our groping will fail. Albrecht Dürer As I grew older, I realized that it was much better to insist on the genuine forms of nature, for simplicity is the greatest adornment of art. Albrecht Dürer Symbolism of Melencolia I by Albrecht Dürer 1514 engraving by Albrecht Dürer The print's central subject is an enigmatic and gloomy winged female figure thought to be a personification of melancholia. Holding her head in her hand, she stares past the busy scene in front of her. The area is strewn with symbols and tools associated with craft and carpentry, including an hourglass, weighing scales, a hand plane and a saw. More about Time Symbolism Symbolism of Melencolia I by Albrecht Dürer Other objects relate to alchemy, geometry or numerology. Behind the figure is a structure with an embedded magic square, and a ladder leading beyond the frame. The sky contains a rainbow, a comet or planet, and a bat-like creature bearing the text that has become the print's title.

Symbolism of Melencolia I by Albrecht Dürer Decoding art: Dürer's Melencolia I This famous image is packed with meaning. Find out what each of these objects symbolizes, and how they relate to the overall theme of melancholy. Special thanks to the Minneapolis Institute of Art Albrecht Dürer, Melencolia I, 1514, engraving (Minneapolis Institute of Art) Figure of Melancholy: “Melancholic” is one of the four humors (see Father of Time). It was the least desirable humor because it was responsible for depression, apathy, and even insanity. The advantage of being melancholic, however, was that this humor tended to be associated with the most creative and intelligent individuals. It was believed that carpenters, mathematicians, artists, and grammarians all tended to be melancholic.

Symbolism of Melencolia I by Albrecht Dürer Hammer: Carpenter. Compass: Mathematician. Putto with notebook: Grammarian. Keys: Power. Purse: Wealth. Bell: Eternity Bat: Darkness. Boiled bats were recommended by the ancients as a remedy for melancholy Wreath: Made from a plant which was believed to be a cure for excessive melancholy Comet: Sign of Saturn, the god affiliated with melancholy Magic square: Orderliness of numbers, each line (horizontal, vertical, diagonal) adds up to 34. Thought to be a talisman to attract Jupiter (The god who could heal the effects of Saturn) 1514: The year of the death of Dürer’s mother. Also the date of this print

Symbolism of Melencolia I by Albrecht Dürer SYMBOLIC SPACE In many of his works Dürer strove to create the illusion of three-dimensional space, choosing different compositional devices for a variety of narrative goals. This interest in carving out perspectival space is manifested in his 1511 series The Life of the Virgin and other woodcuts made during the same period. These works chronicle the life of Mary, from the courtship of her parents to her assumption into heaven. The narratives unfold in architectural and landscape settings, which serve to frame the action and heighten its subdued drama. The interplay between outside and inside, inclusion and exclusion, and heaven and earth are key to understanding the events that unfold within these invented spaces. Unlike the highly emotive and chaotic compositions of the Apocalypse woodcuts, these are calm, contemplative, earthbound, and uniformly static.

Time Symbolism https://www.clarkart.edu/exhibitions/durer/content/symbolic-space.cfm https://en.wikipedia.org/wiki/Melencolia_I Time symbolism Symbolism of Melencolia I by Albrecht Dürer

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Symbolism of Melencolia I by Albrecht Dürer Symbolism of Melencolia I by Albrecht Dürer

Die Symbolik in Durers "Melancholie" Die Symbolik in Durers "Melancholie" National Gallery of Art: One of Dürer’s three “master engravings,” Melencolia I has been linked by scholars to alchemy, astrology, theology, and philosophy, among other themes. Perhaps the most prevalent analysis suggests the engraving represents the melancholy of the creative artist, and that it is a spiritual self-portrait of Dürer himself. From ancient Greek times through the Middle Ages, melancholy was considered the least desirable of the four humors that were believed to govern human temperament. Alleged to suffer from an excess of black bile, melancholics were thought to be especially prone to insanity. Renaissance thought, however, revamped the status of the dreaded humor by connecting it to creative genius as well as madness. https://www.nga.gov/collection/highlights/durer-melencolia.html MHC Research Read the full article