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Laocoön and His Sons
Agesander, Athenodoros, and Polydorus of Rhodes, Laocoön and His Sons. Marble, 208 cm × 163 cm × 112 cm. Vatican Museums, Vatican City.
Laocoön and His Sons is one of the most famous and complex sculptures from antiquity, housed today in the Vatican Museums. This masterpiece of Hellenistic art encapsulates the dramatic intensity and emotional depth characteristic of the period, making it a pivotal piece in the study of ancient sculptures. This blog post explores the sculpture's historical context, artistic significance, and the enduring impact it has on viewers and artists alike.
The Tale of Laocoön: Myth and Monument
The sculpture depicts the tragic fate of Laocoön, a priest of Troy, and his two sons, who were attacked by sea serpents sent by the gods. According to legend, Laocoön warned his fellow Trojans against accepting the Greek wooden horse, an act that led to his punishment by the gods who favored the Greeks. The group statue captures the moment of their agonizing death, with the serpents entwining their bodies in a deadly embrace.
Artistic Analysis: Expression and Technique
Laocoön and His Sons is renowned for its dynamic composition and the intense expression of agony. The figures are portrayed in a serpentine pose that suggests movement and struggle, enhancing the dramatic effect. The sculptors, believed to be Agesander, Athenodoros, and Polydorus of Rhodes, masterfully rendered the muscles and emotions of the figures, showcasing their technical prowess and deep understanding of human anatomy and emotion. The sculpture’s scale and the fine detailing of the muscles and sinews contribute to its lifelike appearance and emotional intensity.
Symbolism and Impact on Art History
This sculpture is not just a representation of physical pain but also symbolizes the human struggle against overpowering forces. Its discovery in 1506 near Rome had a profound impact on the Renaissance artists, who were inspired by its expressive power and realism. Michelangelo, in particular, was influenced by its muscular depiction and complex composition, elements that can be seen in his own work.
Contemporary Relevance and Interpretation
Over the centuries, Laocoön and His Sons has been interpreted in various ways, reflecting changing attitudes towards the role of fate and the gods in human life. It continues to inspire contemporary artists and scholars, who see in it themes of resistance, suffering, and the human condition. Its dramatic expression and execution make it a timeless piece that speaks to the fragility and heroism of mankind.
Conclusion: A Masterpiece of Human Expression
Laocoön and His Sons remains a pivotal work in the history of art, standing as a monument not only to Hellenistic artistry but also to the timeless themes of struggle and endurance. Its emotional depth and technical excellence continue to captivate and inspire, making it a central piece in the discourse on ancient and modern art.
Reflect and Respond
Considering the intense emotion and dynamic movement captured in Laocoön and His Sons, how do you see this sculpture in relation to modern representations of struggle and resistance in art? Can you think of any contemporary works that evoke a similar sense of drama and emotion?
#LaocoönAndHisSons#AncientSculpture#HellenisticArt#VaticanMuseums#ArtHistory#ClassicalSculpture#MythologyInArt#MichelangeloInfluence#ArtisticExpression#HumanStruggleInArt#artblogger
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Small limestone head of a Persian from @allardpierson in Amsterdam (photo 1). It was made in the Hellenistic period, probably in the late 4th or early 3rd century BC in Taranto (Southern Italy). The head used to belong to a the figure of a man that was part of a frieze depicting a battle between Greeks and Persians. It can best be compared to the so-called Alexander Sarcophagus (late 4th century BC, Istanbul Archaeology Museum) which has a frieze with bas-relief carvings showing Alexander the Great fighting the Achaemenid Persian army in the Battle of Issus (333 BC). Photo 2 shows a detail of this frieze: you can see Persian soldiers with similar headdresses as the head from Allard Pierson. Another comparison can be made with the famous Alexander Mosaic (2nd century BC, National Archaeological Museum in Naples), believed to be a copy of a Hellenistic painting from the late 4th or early 3rd century BC. This mosaic also depicts the Battle of Issus. On the 3rd photo you can see a detail of it: the Achaemenid Persian king Darius III (r. 336-330 BC) and some soldiers, all wearing the same headdress as the Persian head in Amsterdam. #allardpiersonmuseum #allardpierson #amsterdam #museum #art #arthistory #hellenistic #hellenisticart #sculpture #taranto #italy #archaeology #archeology #history #persian #alexanderthegreat #alexandersarcophagus #alexandermosaic #battle #battleofissus #ancient #ancienthistory (bij Allard Pierson Museum) https://www.instagram.com/p/CHcreB9nNT4/?igshid=huqdks59pdzb
#allardpiersonmuseum#allardpierson#amsterdam#museum#art#arthistory#hellenistic#hellenisticart#sculpture#taranto#italy#archaeology#archeology#history#persian#alexanderthegreat#alexandersarcophagus#alexandermosaic#battle#battleofissus#ancient#ancienthistory
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Laocoön and His Sons is one of the great works of antiquity, and we were excited to see it close up at the Vatican Museum. Although found in Rome, this work is from the Hellenistic Period (Greek), and depicts Laocoön and his sons as they fight to extricate themselves from the snakes. Note the extremely realistic expressions on their faces and the sinuousness of the bodies and limbs. Many artists would borrow from this image, not the least being Michaelangelo. #hellenisticart #vatican #laocoon #rome #sculpture #arthistory #artoftheday #greekmythology #troy #michaelangelo https://www.instagram.com/p/B6I07AKAEyl/?igshid=1lw2t19e761iz
#hellenisticart#vatican#laocoon#rome#sculpture#arthistory#artoftheday#greekmythology#troy#michaelangelo
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NYC Day 4: I spent most of my day inside the @the_met_museum_of_art . . . . . . #TheMet #HellenisticArt #NYC #UpperEastSide #Wincy❤Cj🇺🇲 #VSCOcam (at The Metropolitan Museum of Art, New York) https://www.instagram.com/p/BofB-mgHxfg/?utm_source=ig_tumblr_share&igshid=3r4uuiac1clf
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Helenistik Poliüretan Kolon #helenistik #heleniatikkolon #sütun #helenistiksütun #poliüretankolon #poliüretansütun #poliüretan #kolon #sütun #kolonbaşı #hellenisticcolumns #hellenistic #hellenisticart #dekor #dekorasyon #roma #rome #decoration #exteriordesign #interiordesign #columns #column #poliüretandekor #dekorasyonfikirleri #tasarım #tasarımfikirleri #art #vintage #keklikdekor #keklikdekorasyon (at Çeşme/Dalyan) https://www.instagram.com/p/CQqd2jLtJM2/?utm_medium=tumblr
#helenistik#heleniatikkolon#sütun#helenistiksütun#poliüretankolon#poliüretansütun#poliüretan#kolon#kolonbaşı#hellenisticcolumns#hellenistic#hellenisticart#dekor#dekorasyon#roma#rome#decoration#exteriordesign#interiordesign#columns#column#poliüretandekor#dekorasyonfikirleri#tasarım#tasarımfikirleri#art#vintage#keklikdekor#keklikdekorasyon
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The statue of Laocoon and His Sons also called the Laocoön Group, has been one of the most famous ancient sculptures ever since it was excavated in Rome in 1506 and placed on public display in the Vatican and showing the Trojan priest Laocoön and his sons Antiphantes and Thymbraeus being attacked by sea serpents.The group has been called "the prototypical icon of human agony" in Western art. In style it is considered one of the finest examples of the Hellenistic baroque. #laokoon #laokoonandhissons #greekmythology #trojanwar #iliad #homer #ancientgreekmythology #arthistory #classicalarchaeology #classicart #greeksculpture #greekstatus #hellenistic #hellenisticart #museumposter #hellenisticbaroque https://www.instagram.com/p/CQl0qlJn9_q/?utm_medium=tumblr
#laokoon#laokoonandhissons#greekmythology#trojanwar#iliad#homer#ancientgreekmythology#arthistory#classicalarchaeology#classicart#greeksculpture#greekstatus#hellenistic#hellenisticart#museumposter#hellenisticbaroque
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Boy stealing geese .https://www.instagram.com/p/CDG7SWZl2Md/?igshid=1bx3rhthyvavi @miisssmarla (at Biltmore Estate, Asheville, NC) https://www.instagram.com/p/CDG7SWZl2Md/?igshid=1sot24tevsf43
#bitter#scultor#bronze#architecture#sculpture#boysteslinggeese#hdrphotography#vanderbilt#facadedesign#hellenistic#hellenisticart#architecturalphotography#greekart#interiordesign#greenshot#housephotography#bronzeaesthetic#houseplants#swisscheeseplant#swisscheese#chateau#chateauesque#housegoals#skylights#romanarchitecture#artdeco#smokymountains#ancientgreece#visuals#hdr
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Aphroditi tis Milou also known Venus de Milo, stands in front of her "audience". A theory exists that the Greek Goddess of love and beauty was holding with her two hands, the round shield of Ares the God of war. - - - - - - - - - #αφροδίτητηςμήλου #aphrodititismilou #vénusdemilo #hellenisticart #hellenisticperiod #alexandrosofantioch #twelveolympians #αλέξανδροςτηςαντιόχειας (στην τοποθεσία Musée du Louvre) https://www.instagram.com/p/B3NnuYBlFk1/?igshid=fvci8wvya6fs
#αφροδίτητηςμήλου#aphrodititismilou#vénusdemilo#hellenisticart#hellenisticperiod#alexandrosofantioch#twelveolympians#αλέξανδροςτηςαντιόχειας
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📷 Sleeping Hermaphroditus #sleepinghermaphroditus #sculpture #ancient #marble #bernini #louvre #hellenistic #hellenisticart #art #ancienthistory #ancientgreece
#sleepinghermaphroditus#marble#ancienthistory#ancientgreece#hellenisticart#sculpture#bernini#ancient#louvre#hellenistic#art
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The ancient #theatre of Sparta. It is one of the biggest ancient theatres in #greece (140 meters wide). It was initially constructed in the end of #hellenistic times (1st century BC). The last phase of the theatre was made in 4th century AD during the times of byzantine emperor Theodosios. The theatre had capacity for 14.000 spectators. It was used usually for big feasts and public gatherings as in Sparta theatre plays was not very popular. #sparta #greece #theatre #antiquites #architecture #archaeology #instasparta #ig_greece #ancientgreece #ancientworld #hellenisticart (στην τοποθεσία Ancient Sparta)
#architecture#hellenistic#hellenisticart#theatre#instasparta#ig_greece#greece#archaeology#sparta#ancientgreece#antiquites#ancientworld
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”...une figure de femme accroupie de marbre, aucuns disent Venus delli Eli, autres Hélène de Troye, c'est la plus belle statue de tous estimée à 6 mille escus." Such were the words of French agent and marchante Daniel Nys to Lord Dorchester in 1613. The Mantuan House of Gonzaga acquired the piece, which awed Rubens to the point of adopting the crouching position and female voluptuousness in many of his works. It was precisely Rubens who, acting upon the will of King Charles I, purchased the statue for the Royal Collection. After the Cromwell hardship, it came into possession of Sir Peter Lely, from whom the Crown bought it back in 1682. Stolen from Whitehall, recovered, revered, it is on loan to the British Museum since 2005. As described by Nys, Venus is depicted while refreshing herself, startled, shyly and collectedly covering her nudity from unwanted prying eyes. Most likely an Antonine Roman copy of a lost Greek original of the Hellenistic period. #uk #london #art #statue #hellenisticart #romancopy #peterpaulrubens #lelyvenus #crouchingvenus #houseofgonzaga #danielnys #britishmuseum (at British Museum)
#crouchingvenus#romancopy#danielnys#art#london#statue#lelyvenus#peterpaulrubens#uk#houseofgonzaga#hellenisticart#britishmuseum
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Winged Victory of Samothrace
Winged Victory of Samothrace (200–190 BC). Parian marble, 244 cm. Louvre, Paris.
The Winged Victory of Samothrace, also known as the Nike of Samothrace, stands as one of the most celebrated sculptures of Hellenistic art. Discovered in 1863 on the island of Samothrace, this masterpiece dates back to the 2nd century BC. It is prominently displayed at the Louvre Museum in Paris, commanding awe with its dramatic and masterful portrayal of the Greek goddess Nike.
The Essence of Movement and Triumph: What immediately captures the viewer’s eye is the dynamic sense of movement and fluidity that the sculpture exudes. Nike appears as if she has just landed on the prow of a ship, her garments fluttering around her in a gust of wind. This sense of motion is not just a technical achievement but also serves to convey the feeling of triumph and victory that Nike embodies.
Anatomy and Drapery: The sculpture's anatomical precision is noteworthy. Although the head and arms of Nike are missing, the body's posture suggests a forward momentum, with the right leg stepping out and the clothes clinging to the form beneath. The intricacy of the drapery, with its deep folds and waves, contrasts with the smooth, bare skin, creating a play of textures that is both realistic and artistically expressive.
Symbolism and Context: The Winged Victory was likely created to commemorate a naval victory, as evidenced by its original placement on a ship-like base. The goddess Nike was a symbol of victory and success, and her depiction in this form was meant to not only honor the victors but also to inspire and uplift the viewers. The absence of her head and arms, while a result of the passage of time and damage, adds a sense of mystery and timelessness to the sculpture.
The Impact of Time: The Winged Victory of Samothrace is a testament to the lasting power of art. Despite its incompleteness, or perhaps because of it, the sculpture engages viewers' imaginations, inviting them to reconstruct the missing pieces in their minds. The weathered texture of the marble adds a layer of historical depth, reminding us of its journey through time.
Let's Discuss: What emotions or thoughts does the Winged Victory of Samothrace evoke in you, and how do you imagine this masterpiece in its original, intact form?
#ArtHistory#HellenisticArt#GreekSculpture#WingedVictory#Samothrace#MuseumLovers#LouvreMuseum#AncientArt#SculptureAnalysis#ArtDiscovery
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Thinking of Greece today - Greek bust- Hellenistic period, 2nd century B.C. #hellenisticart #classicalgreece #hellenisticage — view on Instagram https://ift.tt/2J4Q73u
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A quick look at HellenisticArt https://t.co/jJhl3IuMyI #HellenisticArt #arthistory #history
A quick look at HellenisticArt https://t.co/jJhl3IuMyI #HellenisticArt #arthistory #history
— The Artist (@TheArtistSocial) May 25, 2017
via Twitter https://twitter.com/TheArtistSocial May 25, 2017 at 05:55PM
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The Farnese Hercules One of my favorite Ancient Greek statue. (of course a Roman copy we see here) Hercules has completed his eleventh labour that steal three of the golden apples of the Hesperides. He has taken the golden apples by cheating Atlas. holding them in his back hand now. He had just carried the Earth instead of Atlas while he went for take the golden apples. His massive body of muscle is tired, leaning on his oak club and resting. This is why i love so much this statue, sincerity, emotion, pathos. There are researchers who associate the old and tired Hellenistic Hercules statues with the collapse of Ancient Greece, and of course there are those who strongly against this. Well i am thinking that art does not need to wait to understand society 50 years. Artist know and reflect changes in society. #farnesehercules #hercules #greekstatue #louvremuseum #hellenistic #hellenisticart #ancientgreekart #classicalart #classicalarchaeology #ancientgreeksculpture https://www.instagram.com/p/CQgCvrBHKat/?utm_medium=tumblr
#farnesehercules#hercules#greekstatue#louvremuseum#hellenistic#hellenisticart#ancientgreekart#classicalart#classicalarchaeology#ancientgreeksculpture
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Römische Kopie (2. Jhd. nach Christus) einer Apollonstatue, deren Original ein hellenistisches Werk ist und auf die Zeit zwischen 200 bis 150 v. Chr. geschätzt wird. Sie stand im Apollon-Tempel des nordafrikanischen Cyrene. Sie ist fein ausgearbeitet und vereint Elemente gängiger Apollon- und Dionysos-Darstellungen. Heute steht sie an prominenter Stelle im #BritishMuseum. Es lohnt definitiv bei einem Besuch im Museum, sie eingängig zu betrachten. #London #AncientGreece #AncientRome #Apollo #HellenisticArt #Hellenism (hier: British Museum)
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