#Hürrem embraces it because she's lost so much already
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mc-critical · 2 months ago
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#the way they both cling to their families while in distress#their families are their most cherished people that they somehow can't reach#Hürrem has literally lost them long ago#while Ibrahim has reunited with them and has placed them close to him due to his own love for them and his position in the castle#but it's precisely that same position that distances him from them and *will* distance him from them even *more* down the line#the reactions here also reveal how Hürrem and Ibrahim view death#Hürrem embraces it because she's lost so much already#they always want to separate her from the family she has and the family she's built in some way#and it's like they succeeded here - it has already happened - she's taken from Süleiman the only other person she could latch onto and from#her child she was going to have from SS that would show that she was actually going to keep on that she can't be separated from her family#*this time* not so easily but it's over it's done it seems so let her go to her mother and father at least let her return to them#let her reunite with them that's all she can have after she's already dead#after she's failed and the evil in the palace has seemingly taken over - in her E01 dream it was *they* who made her push forward#in order to commemorate them in the first place; she doesn't mention her sister tho even though she was there in the dream too#and I think that's because at this point Hürrem searches for protection for *help* and her parental figures can provide that to her#more than anyone else; namely they guided her in her dream mainly her mother so she goes first#it all also goes to show how her latching onto SS is a gradual process as she calls him only later#Ibrahim clings to life as embracing death would indeed mean losing absolutely everything completely#*fully* separating from his family he returned to found and reunited with after he wasn't sure about whether it's even possible#and what's more he has both his past and current family in front of him in the present; he can't let that go he *won't* let that go#so he urges his father and Niko not to leave him as in not to let him give up to help him in the fight he thinks he can still win#but he doesn't mention his mother namely because she isn't there in that picture she's fully gone and already symbolizes#a more distant past that wounds Ibrahim too much and he comes to want to evade as this ep is soon after#his scandal with Hatice; no wonder she appears in E44 and urges him to go home thus to go back as he wants to move on so badly#more subconsciously than even the usual#magnificent century#muhteşem yüzyıl#muhtesem yuzyil#hurrem sultan#ibrahim pasha
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mc-critical · 3 months ago
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I know I'm retreading old ground here, but I'll always love Süleiman and Gülfem's little scene in E15, because it reveals everything about both Gülfem herself and her relationship with Süleiman now and going forward. Gülfem's role as a conscience in general and for Süleiman in particular emerges, since when his relationships with his women are put to the test, she is the person he turns to as the first woman he's possibly hurt, as the one embodying that distant past everyone seeks to forget but can't as it always resurfaces all over again (and it's sad and telling that she's remembered only in occasions like these). Gülfem as Süleiman's conscience builds off of Hafsa's, Ibrahim's, Mustafa's and Hatice's isolated moments where they've been consciences for Süleiman yet in this scene it completely distinguishes itself as more of a deeper conscience, privy to Süleiman's inner world in ways we don't know but they themselves do, wholly embracing this moment that's just between them both. But the more her view of what she experienced unveils to us, the more this privyness and understanding Gülfem has for her closest springs forth as the coping mechanism she's developed in order to deal with her circumstances - she loves these people so much, so they're by no means at fault, she is, something has to be missing with her in order for it that devasting end to have come forth (her loss has sadly done a number on her self-worth too: how could someone as ""average"" as her advice Hatice on what to write to Ibrahim??; how could someone as ""average"" as her not be at fault??). She clearly isn't over it (shown by her resentment that occasionally crops up especially in her dynamic with Mahidevran, but also a bit by some of her looks during Mehmet's naming ceremony), but she has to accept it, to go with the flow, to cling to fate and the might of Allah as well (her urging Hatice for them to pray to Allah for Ibrahim in E14, also "When we lost our children* at a very young age, I accepted it as the will of Allah."; it's fascinating how close this brings her to both Hatice and Mahidevran: all three of them lean on fate like that, but Gülfem has experienced something so irreperably final and severe that every sign of something good happening, she'll openly and gladly take it, so is able to see the silver linings in Hatice's experiences that Hati herself can not; both Mahidevran and Gülfem lean on Allah, but unlike Mahi who expects and strives for justice for her suffering that's supposedly outside of Allah, Gülfi lets it go and associates the suffering itself too with Allah, if not with herself), focusing on what she already has, taking it with full hands.
And since that entails the people she supports, the last idea of family remaining to her as SS is so unreachable, and she can't bear to lose them too, the only thing left for her is to love them and idealize them but in different ways and amounts due to her different relationships with them, thus creating a sort of a hierarchy of fondness and idealization: going from Mahidevran (who I guess Gülfem is in good terms with not just due to her good relations with Hatice, but also because she's gotten too used to her as part of the family as well; as an ally, a main part of Gülfem processing everything, so when another person like Hürrem appears who's likely to challenge that status quo, that calm Gülfi has absorbed, she stands behind Mahi, shown in E08; btw, Hürrem too may have also become quite a part of that fondness and idealization line later on, but more about that when I get to S04), to Hafsa (the mother figure for whose will Gülfem's respect is usually absolute), to Hatice (the companion she's closest to, so she's able to give her a lot more empathy and understanding), to finally Süleiman, the last pillar of that hierarchy precisely because he's so unreachable and so dear she couldn't express it until this E15 scene and even then not fully. Even if, along with her understanding of them, she can and has called out others when she feels they're unjust namely due to her fondness of them, Süleiman is completely idealized in her mind, put on that pedestal of everything Gülfem yearns for in her life, of the peace he currently emanates but hasn't gotten from any of his women in return according to Gülfem (and it's interesting that Hürrem comes up promising a calmness to SS after she returns from her exile the same episode). But he won't emanate it much longer and the more her loved ones become disillusioned with him and are then stripped away from Gülfem by him, she starts to notice it in ways she can't deny.
So it's perfect that this scene, the first one that directly verbalizes how much loyalty means to SS especially in terms of his women and presents Gülfem as the first such loyal figure, sets her up as the last and perhaps most striking opposer of that idea. Her final act of defiance only appears sudden; it was always meant to happen like this.
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