#Great Invocation

[derangedrhythms]

Ingeborg Bachmann, In the Storm of Roses: Invocation of the Great Bear; from ‘Songs from an Island’, tr. Mark Anderson

[wytchoftheways]

Horned God Invocation: ⛦

By the flame that burneth bright

O Horned One!

We call thy name into the night

O Horned One!

Thee we invoke by the moon led sea

By the standing stone and the twisted tree

Thee we invoke where gather thine own

By the nameless shrine forgotten and lone

Come where the round of the dance is trod

Horn and hoof of the goat-foot God

By moonlit meadow on dusky hill

When the haunted wood is hushed and still

Come to the charm of the chanted prayer

As the moon bewitches the midnight air

Evoke thy powers, that potent bide

In shining stream and secret tide

In fiery flame by starlight pale

In shadowy host that ride the gale

And by the fern-brakes fairy-haunted

Of forests wild and wood enchanted

Come! O Come!

To the heartbeats drum!

Come to us who gather below

When the broad white moon is climbing slow

Through the stars to the heavens height

We hear thy hoofs on the wind of night

As black tree branches shake and sigh

By joy and terror we know thee nigh

We speak the spell thy power unlocks

At Solstice, Sabbat, and Equinox

Word of virtue the veil to rend

From primal dawn to the wide world's end

Since time began---

The blessing of Pan!

Blessed be all in hearth and hold

Blessed in all worth more than gold

Blessed be in strength and love

Blessed be wher'er we rove

Vision fade not from our eyes

Of the pagan paradise

Past the gates of death and birth

Our inheritance of the earth

From our soul the song of spring

Fade not in our wandering

Our life with all life is one,

By blackest night or noonday sun

Eldest of gods, on thee we call

Blessing be on thy creatures all.

🕯️🐐🕯️

🌿🌿🌿🌿🌿🌿🌿🌿🌿🌿🌿🌿🌿🌿🌿🌿🌿🌿

[dubiousartiste]

As I mentioned on a previous piece, I'm incredibly fond of Warlocks and the main reason that I love them so much is Invocations. Among the many that I love, one of my top 3 favourites would be Mask of Many Faces. As simple as it is, paired with a face build on your character you can be an indespensible tool to the party for infiltration and social abilities.

For this artwork I kinda based it off a nightmare I had where a person kept pulling face after face off and they hovered around like a halo. I took that idea and paired it with this fish-eye composition that I think conveys well the Eldritch insanity of switching faces often.

The colours were especially difficult because I wanted it to be clear that each face was distinct while being mostly bare or without blemishes, to really make them feel like disposable faces.

Otherwise, I just had a lot of fun with it.

Whats your favourite Eldritch Invocations?

!!COMMISSIONS ARE OPEN!! Full Body : $90 - $120 Half Body : $60 - $80 Portrait : $40 - $60

!!COMMENT OR MESSAGE TO GET YOUR COMMISSION STARTED BEFORE ALL SPACES ARE GONE!!

[moisette]

Someone made a post on Reddit the other day talking about having Survivors snitch on them because they were doing Invocation in basement. They asked why and people said that maybe their teammates see Invocation as a waste of time since they're not on a gen. If they're not on a gen, they're seen as useless so teammates try to get them killed. It's not just Invocation - it's lockers too. They see you in a locker and that means you're hiding and being useless. That is not true. Locker perks exist. Hiding in a locker can be helpful. There's challenges to hide in lockers. I got into a locker one time because my mom had brought me some hot coffee and I didn't want to spill it or get caught by the Killer. My teammate kept spamming opening the locker. I've also had someone do that while I was using Inner Strength and Built To Last.

This was my last match earlier:

Sable had No Mither so I figured she was going to use Invocation and she did. The other 2 helped her and then the match went on normally. She did gens, she went for unhooks, she got chased, she healed me - she wasn't useless and she only hid in lockers when the Killer was close because she was broken.

I had a match as Trickster where the Bill was just goofing around and acting like he was playing pinball in the arcade on Greenville Square. His teammates got upset and ragequit and I let him look for hatch. He was just being silly and having fun but his teammates didn't like that.

People get so upset at little things in this game and I just don't give a fuck. I don't sleep good, I have an iron deficiency, I'm always fucking tried and I just don't give a fuck about a lot of stuff. I don't care. I really really don't care. I don't have the energy to care. It's just a game and games are meant to be fun and if you're not having fun, take a break.

[teal-moonlight]

Here we are on the streak of collecting the archons, this time we have Ei, she wasn’t particularly difficult but i really enjoyed her gameplay, she really is a really strong character to have on the deck 🥹

Here have a samurai x electro archon reencounter to talk things through after their confrontation and Nahida and Ei having some archon time heh

[prokopetz]

In recent posts I've complained that a lot of tabletop RPGs which toss around the term "fiction first" don't actually understand what it means, and I've been asked to expand on that complaint. So:

In my experience, there are two ways that game texts which want to position themselves as "fiction first" trip themselves up, one obvious and one subtle.

The first and more obvious pitfall is treating "fiction first" as an abstract ideology. They're using "fiction first" as a synonym for "story over rules" in a way that calls back to the role-playing-versus-roll-playing discourse of the early 2000s. The trouble is, now as then, nobody can usefully explain what "story over rules" actually entails. At best, they land on a definition of "fiction first" that talks about the GM's right to ignore the rules to better serve the story, which is no kind of definition at all – it's just putting a funny hat on the Rule Zero fallacy and trying to pass it off as some sort of totalising ideology of play.

A more useful way of defining "fiction first" play is to think of it not in terms of whether you engage with the rules at all, but in terms of when they're invoked: specifically, as a question of order of operations.

Suppose, for example, that you're playing Dungeons & Dragons, and you pick up the dice and say "I attack the dragon". Some critics would claim that no actual narrative has been established – that this is simply a bare invocation of game mechanics – but in fact we can infer a great deal: your character is going to approach the dragon, navigating any inclement terrain which lies between them, and attempt to kill the dragon using the weapon they're holding in their hand. The rules are so tightly bound to a particular set of narrative circumstances that simply invoking those rules lets us work backwards to determine what the context and stakes must be for that invocation of the rules to be sensical; this, broadly speaking, is what "rules first" looks like.

Conversely, let's say that your game of Dungeons & Dragons has confronted you with a pit blocking your path, and you want to make an Athletics check to cross it. At this point the GM is probably going to stop you and say, hold up, tell us what that looks like. Are you trying to jump across it? Are you trying to climb down one wall of the pit and up the other? Are you trying to tie a rope to the halfling and toss them to the other side? In other words, before you can pick up the dice, you need to have a little sidebar with the GM to hash out what the narrative context is, and to negotiate what can be achieved and what's at stake if you mess it up; this, broadly, is what "fiction first" looks like.

At this point I know some people are thinking "wait, hold on – both of those examples were from Dungeons & Dragons; are you saying that Dungeons & Dragons is both a rules-first game and a fiction-first game?" And yeah, I am. That's the second, more subtle place where game texts that talk about "fiction first" go astray: they talk about it as though being "fiction first" or "rules first" is something which is inherent to game systems as a whole.

This is not in fact true: being "fiction first" or "rules first" is something which describes particular invocations of the rules. In practice, only very simple games spend all of their time in one mode or the other; most will switch back and forth at need. Generally, most "traditional" RPGs (i.e., the direct descendants of Dungeons & Dragons and its various imitators) tend to operate in rules-first mode in combat and fiction-first mode out of it, though this is a simplification – when and how such mode-switching occurs can be quite complex.

Like any other design pattern, "fiction first" mechanics are a tool that's well suited for some jobs, and ill suited for others. Sometimes your rules are fine-grained enough that having an explicit negotiation and stakes-setting phase would just be adding extra steps. Sometimes you're using the outputs of the rules a narrative prompt, and having to pin the context down ahead of time would defeat the purpose. Fortunately, you don't have to commit yourself to one approach or the other; as long as your text is clear about how you're assuming a given set of rules toys will be used, you can switch modes as need dictates. However, you're not going to be capable of that kind of transparency if you're thinking in terms of "this a Fiction First™ game".

(Incidentally, this is why it can be hard to talk about "fiction first" with OSR fans if you're being dogmatic about fiction-first framing being an immutable feature of particular games. Since traditional RPGs tend to observe the above-described rules-first-in-combat, fiction-first-out-of-combat division, and OSR games tend to treat actually getting into a fight as a strategic failure state, a lot of OSR games spend most of their time in fiction-first mode. If you go up to an OSR fan and insist that D&D-style games can never be fiction-first, then attempt to define "fiction first" for them and proceed to describe how they usually play, they'll quite justifiably conclude that you have your head up your ass!)

[monstersighing]

Hello! I sAw your intro and was intrigued. I have a request,- you don't have to if its too much-

imagine AFAB reader who is a devotee to this Eldritch being, seeing them as a deity or a God. As the world grew more modern/OR there's a great war. SOMETHING that lead the other devotees to not believe in this being anymore, bUt ofcouRse, our reader are devoted n loyal to the being, iN which the being will RewaRd the reader

You could get creative with this! I imagine when the reader prays, the Eldritch will speak to them telepathically, (whether to ask for a sacrafice- oR other *orDers~*) SO, reader has a voice kink ;). And soMe other stuff too- like corruption, tentacles, anal, cunnilingus, edging, and over stim pleasee-! (if its too much I understand-)

Bonus if our devotee reader was rlly innocent before hand :)

Thank You!! ~ 💫

Eldritch Being/Deity x AFAB Reader

Title: Fearfully and Wonderfully Made

NSFW, 18+, MDNI

Content: dubious consent, religious kink, corruption, tentacles, voice kink, praise kink, edging, overstim, mindfuck, double penetration (v and a), cunnilingus.

Notes: Thank you for the idea shooting star anon. This is probably the filthiest thing I’ve ever written. I hope you enjoy it.

Constructive feedback from readers is appreciated.

+++

Your God is one of secrets, veiled and hidden, his mysteries not fully known to you.

+++

When the army approaches, the convent Mother hands you a leather-bound book and tells you to run, as far and as fast as you can.

You stop after the sun begins to set. When you look back, you can see a thick plume of smoke rising in the air, above where the convent should be.

You find yourself alone for the first time in your life. All the temples to your God that you pass are ransacked and burned with no worshippers left.

When you pray, there is no answer. But you keep your faith.

You head east because that is where your God first revealed himself. You keep away from the towns, frightened of the men that gather in the streets with their loud voices and assessing eyes. You are innocent. You know what they would do to someone like you if you were found out.

The next evening, you page through the book that was given to you. Between prayers and invocations for your god it is illustrated: a penis twined in a feeler, spitting pearly beads of come from its fat head, breasts gripped by tentacles, men and women drawn with every hole stuffed, heads flung back in ecstasy.

You feel your crotch grow more sensitive and liquid with each page. You lie on your back and your hands roam under your clothes to pluck your nipples, then glide down your stomach to scratch at your thighs. When you can resist no longer, you open your thighs wide and rub two fingers across your soaking slit and push them inside.

You’re bucking against your fingers, almost at your climax, when you hear a voice.

Stop.

You freeze. There you are my little servant, the voice says, pleased.

After that each time you stop to rest and before you sleep your God is there telling you to touch yourself for him. You feel his presence as you push your fingers into your mouth to suck on and then rub at your clit. You chase your pleasure and each time your Lord tells you to stop, you do. Even when your body is shaking from the need to come. Your needy cunt throbs as you make your way to the place you will finally meet him.

You had been kept pure in the convent, awaiting the ritual that would make you your Lord’s bride. But when he demands you debase yourself you follow his command. He tells you where to go, and in these places, there is always someone willing to take your body and use it.

You will offer up your pain and your pleasure to me, your God says, and I will grow strong again.

You kneel in a stable, a cock pushed in your mouth then down your throat until tears leak from your eyes. At an inn, a man spanks you so hard that when you bounce in his lap after, the fingers digging into your ass leave you gasping. In front of a campfire, two men fill your mouth and cunt with their cocks so the movement of one pushes you deeper onto the other; after, a third man slides into your dripping cunt and his thrusts buckle your arms into the dirt. He pulls out to come and stripes your back with his spunk.

Each time, you climax to the rumble of your Lord’s approval in your head and his name on your tongue. The bruises on your knees, the ruined rasp of your voice, the spilt seed dirtying your flesh. All are marks of your devotion to him.

His voice becomes more powerful, a constant buzz filling your head that makes you shake and tremble.

+++

The temple you find is abandoned. But the altar is still there, surrounded by burnt-out candles.

A cloth-covered statue stands in front of the altar. You remove it, fold down to your knees and gaze at your God. The statue is the green of old copper. A shrouded face devoid of detail except for six eyes made of ruby. Numerous tentacles spill forth from under a mantle. You imagine those tendrils tight on your tender flesh.

You strip yourself bare and read the prayer to invoke your God. The cool air of the temple brings goosebumps to your skin, and you shiver. The anticipation of his arrival makes you wet. You clench your thighs around nothing, aching to be filled.

You know he has arrived by the scent that appears, like the air before the storm.

My most devoted one, he says.

The words warm you, but you are afraid to turn. You keep your eyes on the statue and reply, “My Lord”.

His tendrils slide across your arms and pull them behind your back. Your thighs are forced apart. A sticky tentacle pries its way into your mouth and holds down your tongue. Two more slide up your thighs where they rub in an alternating rhythm across your slit, sliding but not pressing in.

The first tentacle pushes in and seems to grow fatter. The stretch burns. The other rubs against your clit hard and insistent, and you whimper. Your hips twitch, wanting more. You feel your Lord touch the edges of your mind, and then push deeper, into your memories, even as the tentacle pushes deeper into your hole.

You are pressed to the stone floor of the temple as the length of the tentacle inside you rams in and out of your cunt with a squelching sound. The one in your mouth twines with your tongue and pulls. You feel the chilled stone floor against your cheek but also –

-- your hair being pulled as your face is fucked and –-

-- your already red and puffy nipples being bitten and --

-- come spattering over your face as you grind your hips back on another man’s cock and --

-- you feel your orgasm seize your body whole and --

Time stops, and you are held on the precipice of your orgasm.

You have made yourself my perfect servant, and you will reap the rewards.

And your orgasm crashes down and your God says, Now we begin.

Tentacles lift you and you are splayed on your back over the altar, your legs held wide. Your hands are released, and your God looms over you. You cannot see his face, only the suggestion of many eyes that makes you dizzy to look at. Your God dips his head, and a ridged tongue appears from under his hood. It rasps over your nipples making you squirm and then trails down to your stomach where it stops.

Hold yourself open for me.

You pull your cunt lips wide for his inspection. You see yourself then, through your lord’s eyes – your chest heaving, and your hole stretched ready to be fucked into - and feel his hunger.

So delicate, he says. So desperate.

His tongue laps against you, the irregular surface causing shocks of pleasure when it flicks over your clit. It wriggles inside you, torturously slow until you are filled to the brim. When his tongue begins to move your hands drop to the cool stone of the dais and you scrabble uselessly for purchase.

You cry out with loss when the tongue is removed, and then again with delight when he sheaths himself in your cunt with the thick tentacle that juts out of his mantle where a man’s cock would be. Two smaller tentacles spread your cheeks and drip fluid across your asshole, circling and pushing in you in a sinuous glide. Your body is full to bursting, and it trembles, overstimulated. The exquisite ache builds and when you climax again, it rips through you with every muscle tensing and then relaxing.

Your now limp body is buffeted by the three tentacles’ increasingly punishing thrusts, and you hear a loud “uhuhuhuh” echoing off the walls of the temple. Your foggy mind realizes that the noise is coming from you.

The tentacles press deep with a final hard grind and fluid spurts from them. The liquid fills your cunt and asshole. The two tenacles in your ass slip out, and you feel the fluid leak out of you and drip onto the floor.

A feeler plucks the hood from your God’s head. Another holds your face so you cannot look away.

You see your God’s face.

It is beautiful.

It is terrifying.

Looking into your Lord God’s many eyes, the most afraid and most joyful you have ever been, you think that this is what you were made for. To service your God in any way he sees fit.

You feel his approval clamour through your body. You come again clenching on the tentacle still spearing your cunt, and shake apart.

Then, all is dark.

+++

After, you crawl down from the altar and stand on legs that are as wobbly as a newborn colt. And it does feel like you have just been born, changed into something new.

Your God wraps you in a robe of silk, embroidered with a coiling design you remember from the convent. Draped in it, you walk out of the abandoned temple with your Lord God’s fluids still leaking out of you.

There is no fear left in you. You know what you must do: go and create new converts in any and every way your Lord asks.

[comicaurora]

I'm sorry that the terfs made their way onto your blog but it does feel good to see you support trans people. Thank you for that

Always.

I think, charitably, that the discourse going down on that post is an extrapolation and over-focus on one element of the point I was making: that for me, determining with certainty that I was cis was a rather fraught process. I was presented with many alternatives, but underlying their imposition on me was the oddly regressive idea that the things I liked, the principles I valued, the parts of myself I was proud of were not permitted of women. My whole life I got smacked with the background radiation that I couldn't like being strong because women aren't allowed to be stronger than men. I couldn't like being loud and boistrous because women aren't allowed to take up space. I couldn't be a math geek because women aren't smart. It was all deeply regressive misogyny from day one, but I started getting hit with it slathered in a fresh coat of paint - all those assumptions still held to be true, but now there was the out that I could do all those things if I just wasn't a woman.

Concluding that the underlying bioessentialist premise was wrong was very important. Absolutely none of those statements were true, and were only ever maintained by cultural saturation, goalpost-readjustment when they were actively disproven, and the occasional bout of lying with statistics to pretend they weren't just Shit All The Way Down. The core premise that certain things were only permitted of or possible for men was bullshit, and I didn't need to surrender the gender I liked best in order to play in the spaces I wanted to. I could simply exist the way I was already existing. I didn't need anything else.

The misinterpretation is the assumption that this being true of me means this is everybody's relationship with gender. I turned out to be cis, so for me, feeling that holding onto my assigned gender wasn't allowed was distressing - just another invocation of the same bioessentialist bullshit I'd been dealing with since the preschool playground. This is because misgendering is fundamentally denying that a person has the right to express themself the way they want. When aimed at me, it says I'm not performing traditional femininity well enough to deserve my pronouns. The same disrespect is the root of misgendering when aimed at trans people. "Perform your gender to my satisfaction or I will confiscate it."

The problem is, bioessentialism is 100% ingrained into the terf playbook, which is why, for instance, all their shitty talking points about trans athletes eventually boil down to "no woman can ever defeat a man in any contest because we are simply naturally weak and stupid and there is nothing we can do about it" and quite frankly nothing disgusts me more than the defeatist acceptance of the very lie that feminism is dedicated to overcoming. Instead of accepting that the paradigm of bioessentialism is a false dichotomy right from the jump, they embrace and weaponize it against the people whose existence proves the dichotomy is a lie. If gender essentialism is fundamentally false, then it is nobody's fucking business what anybody does with their gender. If the lines don't exist, nobody needs to enforce them. And yet there the terfs go, hunting down people whose lives are none of their business and trying to argue that they represent some great and terrible evil, some downfall of society made flesh, something that makes it totally correct and normal for them to spend so much time thinking about strangers' genitalia. They want this to be a noble crusade so badly they won't even examine what flag they're flying.

I love and support the trans people in my life and will always, always stand on the side of your right to exist, but alongside that, terf rhetoric especially disgusts and infuriates me because it is, at its heart, utter cowardice. The world told them they were weak and stupid and inferior and they fucking believed it. And now they think Fighting The Good Fight For Women means turning around and using the same paradigmatic weapon that hurt them to hurt the people whose existence outside the binary proves the weapon is a lie. They're the same shithead schoolyard bullies who made me believe my entire existence was foundationally wrong for years of my life and I will never, ever side with them or the shitty, cowardly rhetoric that contributed to the loneliest years of my life.

Figure out who you are and do it on purpose. Find the real source of the misery in your life and try fighting that instead of the other crabs in the bucket. Trans rights.

[blasphemousclaw]

why Divine Beast Dancing Lion has the best soundtrack in the entire game

When I watched the first DLC trailer 6 months ago, I was so focused on Messmer that I never gave the lion dancers a second thought. But in a shocking turn of events, Divine Beast Dancing Lion is now my favorite boss in the whole game. To me, what makes this fight truly exceptional is its soundtrack, so I want to go through the music and outline all the things that make it so great!

What makes the music stand out is that it feels SO different from the rest of the OST… the majority of the boss tracks have a pretty similar style and instrumentation, but Divine Beast stands out in my opinion because of how it emphasizes its rhythm and texture.

Conceptually, this boss fight is first and foremost a dance — you are fighting two Hornsent warriors operating a lion costume based on the traditional Chinese lion dance in an arena that’s actually a giant stage.

The Chinese lion dance is typically accompanied only by percussion (drums, gongs, and cymbals). So naturally, Divine Beast’s soundtrack has much more pronounced percussion in comparison to the rest of the soundtrack, featuring heavy drum beats and cymbals, plus shouts and chants from the choir. The music is in a steady 6/8, with 2 beats per measure divided into three pulses (think 1 2 3, 1 2 3) giving it a lilting, dancelike quality (this type of meter is often used in folk and traditional dances!). And, in the boss’s second phase, the dancing lion’s lightning, wind, and frost phases each have their own music and are timed to transition as the music transitions. The whole boss fight is programmed like a dance, so when you fight the boss it feels like you’re dancing with it too!

The choir has a range of vocalizations that goes beyond singing melodies and harmonies; as I touched on before, they’re also shouting and chanting. The shouts are used percussively and help accent the rhythm of the dance, and the low chanting also brings to mind a sort of religious ritual? Which is exactly what this boss fight is… in Hornsent culture, the lion dance is a ritual for invoking divinity:

“A charm depicting the crazed, cavorting dance of the divine beast conducted at the tower festival. Raises potency of storms. Divine beasts are messengers of the heavens, and their rage mirrors the tumult of the skies, of which storms are the pinnacle.” (Enraged Divine Beast talisman)

The lion dancers, or “sculpted keepers,” are those amongst the divine beast warriors (themselves the chosen amongst the tower’s horned warriors) who truly excelled at divine invocation, and were “granted the honor of the lion dance” (Divine Beast Warrior Armor). In the boss cutscene, the Hornsent Grandam calls upon the divine beast to possess the bodies of the sculpted keepers, and rise again to defend the tower… so the lion dance, performed by warriors skilled in divine invocation, is essentially a ritual for invoking the presence of the divine beast within the dancers in order to commune with the heavens.

The sculpted keepers, having invoked the rage of the divine beast, are able to channel the forces of the stormy skies — lightning, wind, and frost. The force of the storm is represented in the music by quick runs in the high woodwinds and strings that come and go like gusts of wind. The music almost never lets up or loses momentum; it goes at a powerful, furious pace until the end, embodying the divine beast’s fury.

But the Divine Beast that we fight has an extra layer of emotion that goes beyond divine ritual:

“When the Impaler's army assailed the tower, the ritual of the lion dance was turned toward martial ends—its divinity, its fury, its light-footed beauty.” (Remembrance of the Dancing Lion)

What was once a beautiful ritual dance conducted at the tower festival was forced to become a weapon of war in order to fight against their people’s annihilation at the hands of Messmer’s crusade. And even this was not enough…

The Dancing Lion that we fight was slain, lying in a pool of dried blood, when it is miraculously awoken again with a fervent prayer. This is the last lion dance that may ever take place, giving us a mere glimpse of this ruined city’s long-vanished splendor.

Listening to the soundtrack, there is not only pride in the music, but also an urgent, visceral, warlike rage, a multitude of voices joining in a desperate fight for their civilization’s very survival.

[derangedrhythms]

Ingeborg Bachmann, In the Storm of Roses: Invocation of the Great Bear; from 'Invocation of the Great Bear', tr. Mark Anderson

TEXT ID: Great Bear, come down, shaggy night, cloud-coated beast with the old eyes, star eyes. Through the thickets your paws break shimmering with their claws, star claws.

[writers-potion]

Let's Talk About Magic Systems.

There are two broad ways you can establish magic in your story world - work with existing concepts, or adapting it for something new.

Pick a System

High Magic vs. Low Magic

This distinction existes mostly in the western wrld from the Middle Ages onwards. In non-western cultures, this distinct often doesn't exist.

High magic requires magicians to study from books, ingredients are expensive and instruments elaborate and hard to get. The typical practioner of High Magic is of the upper class, highly educated, and rich. They serve in King's courts and have high social standing thanks to their knowledge.

Among the lower classes and women, Low Magic is ore common. It is taught orally and doesn't require reading skills and uses everyday objects and ingredients.

Black vs. White Magic

"White" magic is often associated with good, and "Black" with the evil. However, what really matters is the magicians intension, not the magic system that they work with.

The term "black magic" is often associated with working with the dead. It can also be used by an individual/group who just wants to appear more menacing.

Ceremonial Magic

This kind of magic involves lots of ritual, recitation and prayer, often in ancient langauges such as Latin, Aramaic and Sanskrit.

Most of the time, it's High Magic and practiced by religious figures.

The typical practioner is educated, has great confidence and a good memory.

Natural Magic

It involves ingredients from nature, such as herbs and water.

It may be practiced outdoor, in a kitchen, or in a laboratory.

The rituals are simple and short, and the practioner will watch out for the turning of seasons, phases of the moon, etc.

Religious Magic

This is a diety working through a magician. The magician prays and asks her god to work the miracle.

Most religions have their own form of magic, and the kind of miracles that the magicians can bring can be limited.

Wiccan Witchcraft and Voodoo are largely religious magic.

The typical practioner would be spiritual and devout, often suspicious of other religions.

Alchemy

Alchemy is both High and Low Magic, and it can incorporate religious, spiritual, philosophical and mythological elements.

In a modern setting, alchemy can also be portrayed as "science gone too far".

The typical practioner would be patient, methodious, educated and driven. The tools includes laboratory equipment, astronomical charts, writing materials, and an unsuspecting roommate(?) for testing.

Traditional Witchcraft

Traditional Witchcraft is a form of Low Magic. In early historic periods, the witch played an important role in village life, often old women who owned apothecaries and helped out other villagers.

The typical practioner would be female, uneducated, illiterate, practical, resourceful and poor. She will have a good memory and well-developed senses.

Tools used would be simple household implements - a cauldron, a broom, knife, etc. that can evade the Inquisitor's suspicions.

Wiccan Witchcraft

If you write contemporary fiction, this is the system your character is most likely to use. It's modern witchcraft, based on the religion of Wicca.

Wiccan witchcraft mostly developed in the second half of the twentieth centruy. It is a form of bothe Natural Magic and Religious Magic.

Based on nature worship and the polarity between male and female, the magician often begins a Wiccan ritual with an invocation to a God/Godess. The Lady (Godess) is depicted as having three aspects: Maiden, Mother and Brone. The Lord (God) may be depicted with horns.

The focus of Wiccan magic is often on healing, with an emphasis of ethical consequences of what is being performed.

It is often practiced outdoors, sometimes naked (which they call 'skyclad'). Wiccan witchcraft uses the phases of the moon to amplify its effects.

Wiccan like to gather in groups called 'covens' or to meet once a month or for major festivals. The coven leader may be called 'high piestess/priest'.

Typical tools include a chalice, a knife (called 'athame'), a wand, candles, herbs, crystals, and essential oils.

Necromancy

The magician summons a dead person, either ghost or spirit, sometimes bodily. The dead are enlisted to grant the magicians with favors or are questioned for information.

It may be related to Shamanism, as well as to some forms of psychic work such as channelling and Spiritualist seances.

The typical practitioner is psychally gisted, strong-willed and courageous.

Shamnism

Shamnism is a Low Magic system. The shaman intercedes between the human and spirit world by communicating with spirits, often to obtain information or provide healing.

Shamans may travel to the spirit world to seek answered, with some level of danger. They use drums, chanting, dancing and drugs to alter their consciousness and communicate with spirits.

Practicing shamans often work alone, but they choose a successor to train. The apprentice is supposed to accept the calling.

The typical shaman is musical, sensitive with a strong sense of rhythm and the psychic.

Tools include drums, bells, a costume, herbs, bones, smoke and mind-altering drugs.

Ancient Egyptian Magic

Ancient Eyptian Magic ovelaps with Religious magic, medicine and with psychic work. The deities most frequently evoked are Selket, Aset for raising the dead, and the gof Thoth for anything to do with sickness and healing.

The emphasis of Ancient Egyptian Magic is protection, often done throgugh an amulet or talisman. The circle or oval is the most important shape that has protective qualities.

The precise wording of a spell is important, as well as the colors that are involved. For magic to affect someone the magicians must know that person's true name.

The typical practitioner is male, literate, often a priest attached to a emple.

Folk Magic

This is a form of Low Magic practiced by amateurs.

This includes housekeepers who can keep the rats out, farmers who can ripen fruit before the height of the season, and scullions who can make water boil faster.

This people would only know a handful of spells, ans pass them in to memebers of their family.

Voodoo

Voodoo is religious magic and low magic.

The rituals are held in private, and may involve communication with spirits, especially the spirits of ancestors and saints.

Commonly used to cure aliments, confound enemies, and obtain desires.

Invent a System

Choosing the Right Words

If your character is clearly a witch, shaman, a necromancer, etc. with a specialty, use that term. Otherwise, the word "magician", or "mage" would be most appropriate.

The term "magus" (plural magi) refers to practitioners of the ancient Zoroastrian faith.

Strictly speaking, witches and wizards are practitioners of two very different magic systems, so your female character can be a wizard, and vice versa.

'Warlock' really means 'oath-breaker' or 'traitor' and doesn't describe a magician.

'Conjurer' is someone who can creae effects to impress an audience, not really magical in itself. The more modern temr would be 'illusionist'

A group of magicians may be called a 'coven' (though it applies mostly to Wiccan magic). A magician working alone would be a 'solitary'.

Magic vs. Magick

Normally, "magic" is the correct spelling.

However, "magick" may be used, especially by insiders, to emphasize that they refer to the real thing, not conjuring or other trick of the eye.

The magic systems are sometimes capitalized, sometimes not. When it involves a religion, nationaliy, or a particular family line, it is capitalized. Just make sure to keep it consistent throughout your book.

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

[diana-thyme]

The Ultimate Grimoire Guide

So! I have been seeing a ton of grimoire ideas and thought I’d stuff them all together. A lot of ideas are from @manifestationsofasort, @banebite, and @pigeonflavouredcake. Check them out! They have a ton of cool stuff there.

What Do I Use For My Grimoire?

You can use anything for a grimoire! For a physical one, journals, binders, and notebooks are good. For digital ones, Notion, Tumblr, Docs, and even just your file folder are great.

Introduction

A Book Blessing

Table of Contents

About Me

Your Current Path

Your Personal Beliefs

Your Spiritual Journey

Superstitions

Past lives

Favorite Herbs/Crystals/Animals/Etc.

Natal Chart

Craft Name

How You Entered The Craft

Astrology Signs

Birthday Correspondences (birth tarot card, birth stone, etc.)

Goals

Safety

Fire Safety

What Not to Burn

Toxic Plants & Oils (to humans, plants, animals)

Crystals That Shouldn’t Be Put… (in sun, in water, etc.)

Things That Shouldn’t Be In Nature (glass, salt, etc.)

Potion Safety

How to Incorporate Blood in Spells

Smoke Safety

Wound Care

Biohazards

Core Concepts

Intention & How It Works

Directing Energy

Protection

Banishing

Cleansing

Binding

Charging

Shielding

Grounding

Centering

Visualization

Consecration/Blessing

Warding

Enchanting

Manifestation

Meditation

What Makes A Spell Work

Basic Spell Structure

What Not To Do In Spells

Disposing Spell Ingredients

Revitalizing Long Term Spells

How To Cast Spells

What To Put In Spells

Spell Mediums (jars, spoken, candle, sigils)

Spell Timing

Potion Bases

Differentiating Between Magick and Mundane

Common Terms

Common Symbols

Intuition

Elements

Basic Alchemy and Symbols

Ways To Break Spells

Laws and Philosophies

Correspondences

Herbs & Spices

Crystals & Rocks

Colors

Liquids & Drinks

Metals

Numbers

Tarot Cards

Elements

Trees & Woods

Flowers

Days

Months

Seasons

Moon Phases

Zodiacs

Planets

Incense

Teas

Essential Oils

Directions

Animals

Symbology

Bone Correspondences

Different Types of Water

Common Plants

Entities

Deities You Worship

Pantheons

Pantheons & Deities Closed to You

Common Offerings

Epithets

Mythos

Family

Worship vs Work

Prayers & Prayer Template

Altars

Deity Comms

Devotional Acts

Angels

Demons

Ancestors

Spirit Guides

Fae

Familiars

House, Animal, Plant, Etc. Spirits

Folklore Entities

Spirit Etiquette

Graveyard Etiquette

Boundaries

Communication Guide & Etiquette

Spirit Work Safety Guide

How Entities Appear To You

Circle Casting

Common Offerings

Altars

Servitors

Mythological Creatures (dragons, gorgons, etc.)

Utility Pages

Gazing Pages

Sigil Charging Station

Altar Pages

Intent Pages

Getaway Pages

Vision Boards

Dream Pages

Binding Page

Pendulum Board

Crystal Grid

Throwing Bones Page

Divination Pages

Mirror Gazing Page

Invocation Pages

Affirmation/Manifestation Pages

Spirit Board Page

Other Practices

Practices That Are Closed to You (Voodoo, Hoodoo, Santeria, Brujeria, Shamanism, Native Practices)

Wicca and Wiccan Paths

Satanism, Both Theistic and Non-Theistic

Deity Work

Religious Paths (Hellenism, Christianity, Kemeticism, etc.)

Animism

Types of Magic/Spells

Pop Culture Paganism/Magic

Tech Magic

Chaos Magic

Green Magic

Lunar Magic

Solar Magic

Sea Magic

Kitchen Magic

Ceremonial Magic

Hedge Magic

Death Magic

Gray Magic

Eclectic Magic

Elemental Magic

Fae Magic

Spirit Magic

Candle Magic

Crystal Magic

Herbalism

Glamours

Hexes

Jinxes

Curses

Weather Magic

Astral Magic

Shadow Work

Energy Work

Sigils

Art Magic

Knot Magic

Music Magic

Blood Magic

Bath Magic

Affirmations

Divination

Tarot Cards

Oracle Cards

Playing Cards

Card Spreads

Pendulum

Numerology

Scrying

Palmistry

Tasseography

Runes

Shufflemancy

Dice

Bibliomancy

Carromancy

Pyromancy

Psychic Abilities

Astrology

Auras

Lenormand

Sacred Geometry

Angel Numbers

Ornithomancy

Aeromancy

Aleuromancy

Axinomancy

Belomancy

Hydromancy

Lecanomancy

Necromancy

Oneiromancy

Onomancy

Oomancy

Phyllomancy

Psephomancy

Rhabdomancy

Xylomancy

Tools

Crystal grid

Candle grid

Charms

Talismans

Amulets

Taglocks

Wand

Broom

Athame

Boline

Cingulum

Stang

Bells

Drums

Staffs

Chalices

Cauldrons

Witches Ladder

Poppets

Holidays

Yule

Imbolc

Ostara

Beltane

Litha

Lammas

Mabon

Samhain

Esbats

Deity Specific Holidays

Religious Holidays (Christmas, Easter, Dionysia, etc.)

Celestial Events

Altars

Basics of Altars

Travel Altars

Deity Altars

Spirit Altars

Familiar Altars

Ancestor Altars

Self Altars

Working Altars

Self-Care

Burnout Prevention

Aromatherapy

Stress Management

Coping Mechanisms

Theories & History

Witchcraft history

Paganism

New Age Spirituality

Cultural Appropriation

Thelema

Conspiracy Theories

Cults

Satanic Panic

KJV

Witches in History

Cats in History

Transphobia in Witchcraft Circles

Queerness in Witchcraft Circles

Other

Recipes

How to Get Herbs

Foraging

Drying Herbs and Flowers

Chakras

Reiki

Witches Alphabet

Runic Alphabet

Guide to Gardening

Your Witch Tips

Resources

Other Tips

List of Spells

Cryptids and Their Lore

What is a Liminal Space?

[genshingorlsrevengeance]

Hey, Can I make a request with a s/o teaching Shenhe, Eula, Yelan, and Arlecchino how to play video games?

(Genshin Impact) Shenhe, Eula, Yelan, Arlecchino, Furina, and Clorinde's S/O teaching them how to play video games

Game: Animal Crossing

Shenhe has tried games like Genius Invocation TCG, but that one frustrates her more than anything.

S/O, then decided to show her a game that she for sure would enjoy: Animal Crossing!

It didn't require anything other than just a will to relax. Plus, it was just a cute way to do something together!

(Shenhe) "...Your character looks cute."

Shenhe is enraptured by the charming little animals, being fondly reminded of Cloud Retainer in a strange way.

She plays it a little bit in what free time she gets, but really enjoys it in S/O's presence. Though there is one thing that annoys her about the game.

(Shenhe) "This is the fourty-seventh time I have gotten the 'Sea Bass' today. Am I doing something wrong when I am fishing, S/O?"

Her ingame avatar has long white hair and wearing something far more cutesy and casual than her usual attire.

Part of her wondered if S/O could get her these kinds of clothes from a store so she could wear it in real life.

A/N: I've gotten more Sea bass from ocean fishing in this franchise than I've eaten bread in my life.

Game: Monster Hunter

Eula decided to indulge S/O in trying to teach her how to play a game. After all, it was better than doing nothing.

It takes her a second to get used to the controls, but she quickly learns how to attack and dodge.

Only when the game truly begins did she realize what S/O had picked out.

(Eula) "Are you trying to tell me you'd like to go hunting for beasts with me, S/O?"

Teasing aside, Eula is a quick learner and becomes very skilled at hunting the many monsters of the game, getting weirdly competitive about it. Despite the fact there was no player versus player element at all in it.

(Eula) "HAH! I finally made the best Master Rank armor in the game! Everything we fight should be child's play!"

She also loves the cat companions that are in the game and spends a great deal of time dressing them up in cute/hilarious outfits.

Though she will enact vengeance if anyone calls her out on that.

A/N: Man I can't wait for Wilds.

Game: Metal Gear Solid

Yelan usually rolls dice to see what her day off becomes.

And this time, it was to have S/O show her these "Video Games".

Yelan settled for some "Tactical Espionage Action" game, the irony not being lost on her at all.

She learns the controls and plays it extremely casually, being more drawn in by the absurd story and characters.

Yelan is usually laughing at the action, but still enjoying herself.

(Yelan) "Geez, is this how your world views agents, S/O? It's not nearly as cool as this game's making it out to be."

Part of her wants to try hiding in a box to see if anyone would notice, but she'd also like to still be alive and not caught.

But the temptation is always there, everytime the dice decides for her to play this game again and again...

(Yelan) "Hm...the explosions in this game are a little much, but I guess it's also not entirely inaccurate...Sometimes, anyway."

A/N: I GIVE MY LIIIIIIIFE, NOT FOR HONOR, BUT FOR YOUUUUUU

Game: Mario Kart

Arlecchino usually passes on any offer to play a game, not because she didn't want to, but because she likes to observe.

(Arlecchino) "Let the children play first, S/O. I will join soon after."

What she usually witnesses for Mario Kart is a bloodbath.

This game brings out something in her kids that she hasn't seen before.

Even Freminent and Lynette, some of her more reserved kids, turn to something feral when playing against the others.

She's equally entertained and kind of concerned, like maybe this game wasn't healthy, but it did bring everyone closer and give the kids something fun to do.

Arlecchino decides to jump in at many kids' requests, and admittedly isn't that great at it.

But she has more satisfaction in watching the kids have fun.

That being said, there is some sadistic pleasure she has throwing the blue shell and watching whoever's in front take the brunt of it.

(Arlecchino) "Fascinating what these video games can do to children. Do you have more they can all try?"

A/N: Coconut mall is the best map, change my mind.

Game: Subnautica

Furina is at first excited to try something new.

(Furina) "Oh, a game about the beauty of the ocean? I shall beat it no problem!"

But she didn't realize that unlike Fontaine's waters, (Which to be fair, held its own terrors), this was an alien planet's ocean.

She's jumping at every little thing, screaming as she's desperately swimming away from the tiniest fish or anything that even makes a weird noise.

(Furina) "W-WHAT WAS THAT NOISE?! I'M GOING BACK TO THE LIFEPOD!"

That's not even to mention the Leviathans.

The first time she saw a Reaper, she immediately dropped the controller and buried her face into S/O's arms in terror, yelling out something sounding like a curse and crying.

Furina doesn't like video games anymore.

It takes something like Endless Ocean to calm her down about the waters again, thinking that every video game ocean has a Leviathan now.

A/N: For me, that game is horror until I get the Prawn Suit, then it becomes Pacific Rim as I hunt down every Reaper near the Aurora.

Game: Baldur's Gate 3

Clorinde was intrigued by video games, but honestly wasn't too keen on the idea of trying it. It didn't seem up her alley.

Until S/O showed her a game like Tabletop Troupe, but this time without the fears of annihilating some poor Game Master's campaign.

(Clorinde) "...Do you mind if I give this game a try, S/O?"

Her expression doesn't really change as she's playing, but that's because Clorinde is really immersed in the world.

It's just a lot of fun to truly let loose and interact with the world and NPC's, no fear of dealing with any player trying to murder-hobo their way.

SHE could be the Murder-Hobo, finally. Not that she would.

She enjoys playing it in her off time, but nothing beats living players and rolling the dice herself however.

This game did give her a few ideas for some new campaigns however.

(Clorinde) "I'd be interested in seeing you play with me, S/O. What choices would you make? And by the way, in true Tabletop Troupe fashion, we're not save-scumming. Once you roll the D20, our fate is sealed."

A/N: OS TAV RO VA VIVOLKAAAAAAAAAAAAHHHHHHHH

[thisisnotthenerd]

it's such a beautiful thing that the first thing the pilot program do when they know the truth of the serpent is set it free with a ritual that involves the invocation of their names.

it's giving of themselves to bring new opportunities. it's using ancient magicks as the basis for the new. and each of their invocations was so different:

evan:

from the stone of the south, know this, serpent of the orrery by many names are myself and my companions called. the chosen ones, the program of pilots. i am he known as the big man, shaq diesel. i am called the heir of aqrabus, but also am i called by the name of my friends. i am evan kelmp! i lend my aid to your heart's desire, that freedom from this binding be yours. i lend my strength to open the door a crack for you to leave this place, and if you stay, you will know diminishment to something less than the meanest shadow.

jammer:

i am of the east! my name is whitney jammer, aka strawb, aka sandwich man. i am of the program of pilots, the chosen one! i stand here to create a crack through which you might seek your heart's desire! (am i talking, is this good?) great! i beseech you, great serpent of the orrery, go get it, dog!

k:

dear serpent! i am the scion of the north! i have gone by many names in my time. the itsy bitsy spider, k, keiko, XxBrokenDreamxX, dream, LittleDevilBitch24, ForTheLuls69, ILoveTheOnceler2525. and should it please you, you may take all of those names if they may help you in your journey home. go on! no one wants you anymore! get out of here!

sam:

i am of the west. i go by many names. my name is samantha butler. my name is sam black. my name is also sam britain. i'm the host of "britain's got talent" [transcriber's note: actually magic] thank you for coming out today. we really appreciate that you came to come visit us, but you can go ahead and skidootz now if you would like to. would you like to plug anything before you go?

[genshin-impact-updates]

Version 4.6 Event Wishes Notice - Phase I

Travelers, stock up on weapons and characters in the event wish to make your party stronger in combat!

Event Wish "The Hearth's Ashen Shadow" - Boosted Drop Rate for "Dire Balemoon" Arlecchino (Pyro)!

〓Event Wish Duration〓

After the Version 4.6 update—2024/5/14 17:59:00

〓Event Wish Details〓

● During this event wish, the event-exclusive 5-star character "Dire Balemoon" Arlecchino (Pyro) will receive a huge drop-rate boost!

● During this event wish, the 4-star characters "Yearning for Unseen Depths" Freminet (Cryo), "Elegance in the Shadows" Lynette (Anemo), and "Exquisite Delicacy" Xiangling (Pyro) will receive a huge drop-rate boost!

※ Of the above characters, the event-exclusive character will not be available in the standard wish "Wanderlust Invocation."

※ This is for "Character Event Wish." The wish guarantee count for "Character Event Wish" and "Character Event Wish-2" is shared, and is accumulated between both "Character Event Wish" and "Character Event Wish-2." This wish guarantee count is independent of the guarantee counts of other types of wishes.

※ The "Test Run" trial event will be open during this event wish. Travelers may use fixed lineups containing the selected trial characters to enter specific stages and test them out. Travelers that complete the challenges will receive the corresponding rewards!

※ For more information, go to the Wish screen and select Details in the bottom-left corner.

Event Wish "Conjuring Chiaroscuro" - Boosted Drop Rate for "Spectacle of Phantasmagoria" Lyney (Pyro)!

〓Event Wish Duration〓

After the Version 4.6 update—2024/5/14 17:59:00

〓Event Wish Details〓

● During this event wish, the event-exclusive 5-star character "Spectacle of Phantasmagoria" Lyney (Pyro) will receive a huge drop-rate boost!

● During this event wish, the 4-star characters "Yearning for Unseen Depths" Freminet (Cryo), "Elegance in the Shadows" Lynette (Anemo), and "Exquisite Delicacy" Xiangling (Pyro) will receive a huge drop-rate boost!

※ Of the above characters, the event-exclusive character will not be available in the standard wish "Wanderlust Invocation."

※ This is for "Character Event Wish-2." The wish guarantee count for "Character Event Wish" and "Character Event Wish-2" is shared, and is accumulated between both "Character Event Wish" and "Character Event Wish-2." This wish guarantee count is independent of the guarantee counts of other types of wishes.

※ The "Test Run" trial event will be open during this event wish. Travelers may use fixed lineups containing the selected trial characters to enter specific stages and test them out. Travelers that complete the challenges will receive the corresponding rewards!

※ For more information, go to the Wish screen and select Details in the bottom-left corner.

Event Wish "Epitome Invocation" - Boosted Drop Rate for Crimson Moon's Semblance (Polearm) and The First Great Magic (Bow)!

〓Event Wish Duration〓

After the Version 4.6 update—2024/5/14 17:59:00

〓Event Wish Details〓

● During this event wish, the event-exclusive 5-star weapons Crimson Moon's Semblance (Polearm) and The First Great Magic (Bow) will receive a huge drop-rate boost!

● During this event wish, the event-exclusive 4-star weapons The Dockhand's Assistant (Sword), Portable Power Saw (Claymore), as well as the 4-star weapons Dragon's Bane (Polearm), Eye of Perception (Catalyst), and Favonius Warbow (Bow) will receive a huge drop-rate boost!

● During this event wish, use Epitomized Path to chart a course towards a promotional 5-star weapon, such as Crimson Moon's Semblance (Polearm) or The First Great Magic (Bow). For more information on Epitomized Path, go to the Wish screen and select Details in the bottom-left corner.

※ Of the above weapons, the event-exclusive weapons will not be available in the standard wish "Wanderlust Invocation."

※ For more information, go to the Wish screen and select Details in the bottom-left corner.