#Gokul Chand

[rightnewshindi]

मंडी विशेष न्यायालय का बड़ा फैसला: 8.256 किलो चरस मामले में चार दोषियों को 16 साल की सजा, 1.40 लाख जुर्माना

Mandi News: हिमाचल प्रदेश के मंडी जिले में विशेष न्यायालय ने एक बड़े ड्रग्स तस्करी मामले में चार आरोपियों को 16-16 साल की कठोर कारावास की सजा सुनाई है। कोर्ट ने प्रत्येक दोषी पर 1.40 लाख रुपये का जुर्माना भी लगाया है। जुर्माना न चुकाने की स्थिति में दोषियों को छह माह का अतिरिक्त साधारण कारावास भुगतना होगा। यह मामला मादक पदार्थ अधिनियम (NDPS Act) की धारा 20 और 29 के तहत दर्ज किया गया था। आज, 22…

[gokulsamant96]

Saree kinara Song | new Kumaoni song |Gokul Samant|Shivanksha Chand & Vijay chandola|lalit gityar|

"Saree Kinara" is a mesmerizing video song that celebrates the beauty of Indian women draped in sarees. With soulful lyrics and a soothing melody, the song will transport you to a world of elegance and grace. Don't miss this enchanting musical journey!

Follow the link to watch video: https://youtu.be/HWKSUs9am9g

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India Features Master Healers of AYUSH – II

AYUSH systems of healthcare form the foundation of India’s Medical Heritage. These systems are not merely sciences of disease and drug but have their conceptual spheres touching every aspect of life. Pathfinding visionaries have appeared in each of the different streams of AYUSH systems at different times in history and made valuable contributions to the growth and development of respective practices. India Post has issued all together 12 commemorative postal stamps to honor eminent scholars, Practitioners, and great Master. The main motive behind the series Master Healers of AYUSH is to celebrate their unsung legacy. Here is the list of 4 Master Healers of AYUSH featured on stamps.

  Raj Vaidya Brihaspati Dev Triguna

Raj Vaidya Brihaspati Dev Triguna was an accomplished Ayurvedic physician and scholar. He was renowned for his skills in Nadi Vigyan, the ayurvedic technique of pulse diagnosis. Many leading personalities including Presidents and Prime Ministers of India were his patients.

He completed his formal ayurvedic studies under the guidance of Rajvaidya Pandit Gokul Chand Ji in his Gurukul from Ludhiana. During his illustrious practicing career of 72 years, he used to see about 500 people every day with the meticulous diagnosis.

In association with Maharshi Mahesh Yogi was instrumental in establishing a large number of Ayurveda Clinics and Panchakarma Centres globally. He was instrumental in establishing the Rashtriya Ayurveda Vidyapeeth (RAV) for preserving the Ayurveda knowledge through Guru Shishya Parampara. The nation honored him by conferring on him the Padma Bhushan and the Padma Vibhushan.

To honor him India Postal Department has issued commemorative stamps in the series of ‘Master Healers of AYUSH’. A 500 Paise (or Rs.5/-) stamp depicting Brihaspati Dev Triguna and his pulse diagnosis techniques. In the right background is the Institute that was established at his initiative.

Bhaskar Vishwanath Gokhale

Bhaskar Vishwanath Gokhle was a skilled teacher, far-sighted visionary and eminent Ayurveda physician. He emphasized the need for quality Post Graduate education and research in Ayurveda. He was also one of the early votaries of the integrative medical system.

He was born on 19th April 1903 at Kolhapur, Maharashtra. He completed his primary and secondary school education at Kolhapur and then changed the base to Mumbai for further studies. He completed the degree ‘Ayurveda Visharada’ of Tilak Maharashtra Vidyapeeth in 1928. An active participant of many socialist and independence movements and campaigns, he suffered imprisonment many times. He was an active participant in the Quit Indian Movement.

His ideas to increase the potency of regularly used drugs are familiar as Ekaushadhi Prayoga. His teachings continue to serve as guiding light for generations of Ayurveda professionals even after so many decades. He has written books on ‘Dosha dhatu mala vidnyana’, ‘Vikruti vidnyana’; which are renowned for their new insights in Ayurveda.

To honor him India Postal Department has issued a commemorative postage stamp in the series of ‘Master Healers of AYUSH’. A 500 Paise (or Rs.5/-) stamp depicting Bhaskar Vishwanath Gokhale. In the background are a microscope, herbs and a herb grinding bowl/pestle.

Krishna Gopal Saxena honored on a stamp

Krishna Gopal Saxena also is known as KG Saxena was a Homoeopathic physician. He was the first Honorary Adviser (Homoeopathy) to the Government of India and had the privilege of being the first Honorary physician to Dr. Rajendra Prasad, the then President of India.

Born on 25 September 1912 in Delhi, he did his schooling at Karachi and Ambala and graduated in homeopathic medicine from the Calcutta Homoeopathic Medical College. He made extraordinary efforts for the recognition and advancement of Homoeopathy. In appreciation of his services to the cause of Homoeopathy, he was conferred upon the National Award by N.C. Chakravarty Memorial Committee. He was also honored with the Padma Shri by the Government of India in 1969.

For his magnificent contribution towards the development of Homoeopathy, India Postal Department has issued commemorative stamps in the series of ‘Master Healers of AYUSH’. A 500 Paise (or Rs.5/-) stamp depicts K.G. Saxena in the foreground. In the background are a homeopathy medicine chest and a few bottles of Homoeopathic medicines kept alongside. Also seen is a portrait of Samuel Hahnemann who created Homoeopathy as alternative medicine. He is also among the 12 Master Healers of AYUSH to be honored with a postage stamp by the Union ministry of Ayush.

Dr. Dinshaw Mehta

The personal physician and a close confidante of Mahatma Gandhi, Dr. Dinshaw Mehta was deeply committed to natural and holistic methods of cure. He helped Mahatma Gandhi established the Nature Cure Clinic and Sanatorium at Pune, which is presently the National Institute of Naturopathy. Mahatma Gandhi spent 156 days here in 1944.

Dr. Dinshaw carried out scientific studies in Naturopathy, especially on fasting. He is a true pathfinder for Naturopathy in India. India Postal Department has issued 12 commemorative stamps in the series of ‘Master Healers of AYUSH’ One of these stamps honoring the great master, Dr. Dinshaw Mehta. The 500 Paise stamp beautifully designs on green color background. It depicts the portrait of Dinshaw Mehta in the foreground. In the background, he is seen with Mahatma Gandhi in front of the Institute, he helped set up.

  These commemorative postal stamps highlight the great work and acknowledge the achievements of the great Master Healers of AYUSH Systems. These master healers are the ones who have contributed significantly to the field of the Indian system of medicine.

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The post India Features Master Healers of AYUSH – II appeared first on Blog | Mintage World.

[rakshithsphotography]

Ganeshgudi, Dandeli, Old magazine house Watch full video in YouTube link below https://youtu.be/Wu-_rIz7cuM The music used is copyrighted to Rishab Shetty Films. Song : Nooraaru Bannagalu Music : Vasuki Vaibhav Lyricist : K. Kalyan Singer : Madhuri Sheshadri Backing Vocals : Ashwin Sharma Chorus : Bharath Naik, Varun Ramachandra, Gokul Abhishek, Arranged by Gokul Abhishek Guitar : Karthik Chennoji Rao Chande : Gurumurthy Vaidya Nadaswara : Kumar Mixed & Mastered by Gokul Abhishek @ Budbudke Studio Recorded @ Prabhath Studio, BudBudke Studio, 20db, Chennai.  Parekh Studios Recording Engineers : Ashwin, Rangaswamy, Gokul Abhishek, Avinash, Sathish   Film : Sarkari Hi. Pra. Shale, Kasaragodu, Koduge: Ramanna Rai Cast : Anant Nag, Ranjan, Sampath, Pramod Shetty, Saptha Pavoor, Mahendra, Sohan Shetty, Prakash Thuminad Director : Rishab Shetty Producer : Rishab Shetty Co-Producers : B V Ravi Rai, Akshata Shetty Banner : Rishab Shetty Films Music : Vasuki Vaibhav Background Music : Ajaneesh Lokanath DOP : Venkatesh Anguraj Dialogues : Abhijit Mahesh, Raj B Shetty Lyrics : K Kalyan, Trilok Trivikrama, Avinash Balekkala, Veeresh Shivamurthy Editor : Pradeep Rao, Pratheek Shetty Colorist and VFX : Pratheek Shetty Hyperlapse : Pratheek Shetty Animation : Tribal Art and Films Art : Vasanth Kulakarni Executive Producer : Pramod Shetty Line Producer : Arpith Adyar, Shamil Bangera Sound Design : Sync Cinema Sound Mixing : Aravind Menon Costume Designer : Pragathi Rishab Shetty Publicity Design : Adarash Mohandas, Kreativecrew Manager : Shashidhar B PRO : Sudheendra Venkatesh Associate Directors : Bharath Raj M Assistant Directors :  Anirudh Mahesh, Nithesh Nanjundaradhya, Trilok Trivikrama, Rakshith Karanth Kulayi, Shanil Guru, Chetak Kulal, Vinayak Acharya, Basil, Rajesh Bandiyod.   Social Media Partners : Creative Guyz, Nam Cinema, Cineloka.com   Radio Partner : Radio City Distributors : Jayanna films through Rishab Shetty Films   Music On : Rishab Audio Digital Partner : Divo   Team RSF http://www.rishabshettyfilms.in http://www.rishabshetty.com Facebook - http://www.facebook.com/RishabShettyF... Twitter - https://twitter.com/RishabSFilms   In Association with Divo https://www.instagram.com/p/B5ExbBenREJ/?igshid=hbe18e2hdylz

[netmyname-blog]

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[b-ajaysharma]

The Project is key to Understanding Collaboration and collective method of working process.This is on going photo performance and collaborative performance series with diffrent collaborators place and space .

The Colour of Patriotic Landscape 2 , withResonator Norman Oklahoma ,

        Varanasi photo performance

Varanasi Photo performance in collaboration with Sachin Gond and Rohit Gupta ,Shivangi singh

Resonator studio Oklahoma Norma,USA

collaboration with Resonator Institute Norman USA ,

collaboration with Resonator Institute Norman USA ,

collaboration with Resonator Institute Norman USA ,

collaboration with Resonator Institute Norman USA ,

   Collaboration  with Resonator Institute

Oklahoma ,Norman ,USA

        The solo show with Gallery felix frachon

http://www.felixfrachon.com/b-ajay-sharma/http://www.felixfrachon.com/b-ajay-sharma/

This is actual collaborative show and project with  Sreeraj tr ,Swasthikk korathi,Rizwan basheer,Gokul Balachandran,,Ravi Ranjan ,Kartik kumar,Pankaj Bhardwaj ,Shiv Kumar, Arfaaz kagalwala, Anita kumari, Sachin gond, Dastaan culture lab,Ayush Gupta,Alok kumar,Umesh kumar singh ,shivangi singh, Khurshid ahmad chand ,Tara Tamang, Resonator Institute (USA) ,Eric Piper(USA), Jenna Bryan(USA) ,Curtis Jones(USA), Tomo Seto ( India ), Salman Khan , Emma (Barbichetteman ) Paris ,Wenjue Zhang (paris and china ) Marie Greemling (paris) Pia camilla copper (paris)

  https://vimeo.com/218748188 In this work, I want to share some aspects of the process that I have gone through while interacting with people. It is related to the country where I will perform. The work is a build up on my last works ‘The whole land shall be a desolation”and motherland and other stories. it is a collaborative project done as an extension of Future Collaboration (link is provided here: 

The Whole Land Shall be a desolation By #futurecollaborations

I have used allegorical images to understand the displacement of people from different states and neighboring countries like Tibet, Nepal, Iran, Russia and Bangladesh. In India, main reasons behind displacement are job quest, survival, religion, caste and race.

In India, religion and populism is being used by right wingers to create an Utopian idea of singular national identity in the name of patriotism.

This idea of one nation, one race and one religion is being reinforced with different actions, story telling and fashion. Here in India, the way people dress up  confirms their social and regional identity.

Through my lens based performance, I will represent the mythological and historical symbolic references as a fictional narration of present time (through different acts evident in history of religious icons)

This is about how extremist right political parties are using religious patriotism (Hindutva), racial and communal issues for their political benefits. Such acts and other such leftover history related to it has helped me in defining the condition and situation of present India in India as well as the world. I have taken the word ”Mara” which means death from an anecdote about the creator of  Indian epic Ramayan where it is described that when Valmiki was thief, he got a message from sky to write about the glorious life of lord Rama, after this message he started chanting ”rama” and in this process he kept chanting the word ”Mara”. After certain time when he realized his mistake, he got enlightened. 

Another reference is from 1991 when RSS/BJP and their allied groups started asserting the concept of ”rama rajya” (and idealist state of the times of Rama) where everyone was happy and ethical. This agenda of such organizations is to make India a Hindutva Nation of one race and religion. They want to bring Ram Rajya again. In the same breathe, they demolished the Babri mosque to build a great temple for Rama (where they think there once existed a temple which Babur demolished in order to build a masjid/mosque). They claimed that it was the place where Ram was born, this demolition led to killings and riots in different regions of India. Therefore, I am using an icon of lord Ram to repereesent past and future aspects of time.

Now I see the word ‘Rama” as death(like Valmiki once chanted) where there is death of idol, civilization. It now represents a narrow understanding of religion and patriotism.

          Performance Extended Action

in JNU show Trace curated by Sarojini Lewis

Collaborator -Salman Khan , Tomo moto

Place -Freedom square

Duration-00:30:00

Photography by -Jyothidaas KV

      Performance Extended Action -2

in Les Grands Voisins ,Paris

curated by Pia camilla copper

Collaborator – Marie Greemlins, Wenjue Zhang

 Duration-00:45:00

Photography by -Barbichette Man

https://www.facebook.com/media/set/?set=a.711120532404841.1073741848.100005207014852&type=3

Concept note

Residue of the performative acts Solo Show -2017

Residue Of performative acts 2017 The Project is key to Understanding Collaboration and collective method of working process.This is on going photo performance and collaborative performance series with diffrent collaborators place and space .

[worldcup-news-blog]

Gautam Gambhir, Nitish Rana Hit Tons After Ishant Sharma's Five-For

#NYGvsWAS #INDvSL http://worldcupnews.info/gautam-gambhir-nitish-rana-hit-tons-after-ishant-sharmas-five-for/

Gautam Gambhir, Nitish Rana Hit Tons After Ishant Sharma's Five-For

#Ashes #ChampionsLeague

Gautam Gambhir started his new season in the right earnest with a patient century as Delhi made a pedestrian Assam attack toil by reaching 269/4 at stumps on the second day of the Ranji Trophy group A encounter on Saturday. Courtesy Gambhir’s 40th first class hundred (136 batting, 245 balls) and his 207-run third-wicket stand with another centurion Nitish Rana (110, 158 balls), Delhi are in the driver’s seat with an aim to log home full points. This was after Assam were all out for 258, starting the day at 224 for 7 with skipper Ishant Sharma returning with best figures of 5 for 38 in 20 overs.

When Delhi started batting, it was yet another failure for Unmukt Chand (6), who was trapped leg before by right-arm medium pacer Krishna Das.

Dhruv Shorey’s (1) stumps went for a walk off an Abu Nechim delivery.

However, Gambhir looked assured from the word go as he played some flowing off and cover drives. In all, he hit 21 boundaries.

When spinners were brought in, he showed his mastery with nimble footwork reaching to the pitch of the deliveries whenever Rahul Singh and Sarupam Purkayastha dropped short.

Young left-hander Rana, who had also hit a hundred against Assam last year, hit more boundaries square of the wicket.

His cut shots packed a real punch as he repeatedly pierced the off-side cordon.

Gambhir reached his hundred with two lofted boundaries off left-arm spinner Rahul Singh.

There was no celebration from the veteran southpaw, who was a picture of concentration. The best shot was a copybook straight drive off Krishna’s bowling.

Rana reached 99 with a sweep shot and then completed his hundred off 150 balls with a single. He hit 18 boundaries before edging one off Abu Nechim’s delivery.

Brief Scores: Assam 258 all out in 95 overs (Sarupam Purakayastha 66, Gokul Sharma 51, Ishant Sharma 5/38) Delhi 269/4 (Gautam Gambhir 136 no, Nitish Rana 110, Abu Nechim Ahmed 3/39).

Railways vs Uttar Pradesh:

Railways 1st Innings: 182 all out. Uttar Pradesh 1st Innings: 250 all out (A Nath 75, RK Singh 42, A Singh 3/42).

Railways 2nd innings: 27/3 in 14 overs.

[gosportsfield]

Delhi fall short of outright win amid slow last hour

Delhi fall short of outright win amid slow last hour

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Group A

Delhi 435 (Gambhir 137, Rana 110, Ahmed 7-68) and 49 for 2 (Chand 25*) drew with Assam 258 (Purkayastha 66, Gokul 51, Ishant 5-38) and 255 (Roy 87, Rahman 63, Manan 3-58) Scorecard

While centuries from Nitish Rana and Gautam Gambhir had already secured a first-innings lead for Delhi on the second day, they had a chance to pull off an outright win over Assam on the fourth day in…

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