#Glasgow International Festival of Visual Arts

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Bouncy Stonehenge Installation, Glasgow International Festival of Visual Arts

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Bouncy Stonehenge Installation, Glasgow International Festival of Visual Arts

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Bouncy Stonehenge Installation, Glasgow International Festival of Visual Arts

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Bouncy Stonehenge Installation, Glasgow International Festival of Visual Arts

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Bouncy Stonehenge Installation, Glasgow International Festival of Visual Arts

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Bouncy Stonehenge Installation, Glasgow International Festival of Visual Arts

[freenewsreport]

Nick Sheridan: Inspiring Generations Through Journalism and Children's Literature

Nick Sheridan left an indelible mark on both journalism and children's literature. Known for his commitment to truth and ethical storytelling, Sheridan used his media career to educate young minds and bring social awareness to complex issues. His journey—from young Irish filmmaker to respected UK journalist and children's author—demonstrates a lifelong commitment to the values of honesty, engagement, and integrity.

Early Life and Education

Born in Wexford, Ireland, on October 30, 1991, Nick Sheridan was raised in a vibrant community that nurtured his artistic talents. Attending St. Peter’s College, he excelled academically and in the arts, ultimately earning the prestigious "Student of the Year" award in 2010. His passion for media and storytelling led him to Dublin City University, where he obtained a degree in journalism. This academic foundation paved the way for an impactful career spanning Ireland and the United Kingdom.

A Journalist's Journey: From Newstalk to BBC Scotland

Career Beginnings

Sheridan's journalism career began at Newstalk, where he honed his broadcasting skills as a newsreader and researcher. This early experience solidified his understanding of storytelling and reporting, shaping his future contributions to Irish and UK media. After Newstalk, Sheridan joined Late Lunch Live, a show focused on current events, which allowed him to develop skills in live reporting and engaging audiences on important issues.

Rise to Prominence: Young Irish Filmmaker of the Year

In 2009, Sheridan was named the Young Irish Filmmaker of the Year, a title that garnered international attention and earned him a place at the Seoul International Film Festival. This accolade marked his entry into the world of visual storytelling, further enhancing his journalistic abilities and providing him with a platform to reach wider audiences.

Transition to Television Journalism

Sheridan's transition into television journalism came with his role on RTÉ’s News2day, where he engaged young audiences across Ireland. Working on this program provided Sheridan with unique insights into effective communication with younger viewers, a skill he would later leverage in his children's books.

Move to the UK: Building His Career at BBC Scotland

In 2018, Sheridan moved to Glasgow to pursue new career opportunities at BBC Scotland. Starting as a researcher, he quickly rose through the ranks to become a camera journalist, correspondent, and presenter. At BBC Scotland, Sheridan worked on high-profile programs like Reporting Scotland and Drivetime, where his skills in storytelling and journalism reached new heights.

Nick Sheridan’s Contributions to Children’s Literature

Breaking News: How to Tell What’s Real from What’s Rubbish

Sheridan's passion for media literacy led him to write Breaking News: How to Tell What’s Real from What’s Rubbish, a book aimed at helping children understand the complexities of information in the digital age. Through humor and practical examples, the book encourages young readers to critically assess news sources, teaching them essential skills in fact-checking and spotting misinformation.

Wiki-School Trilogy

Sheridan’s Wiki-School trilogy combines entertainment and moral lessons, offering young readers stories that engage and educate. The first book, The Case of the Runaway Brain, blends mystery with real-world issues, encouraging critical thinking and empathy. Subsequent books in the trilogy—The Case of the Phantom Treasure and The Case of the Poisonous Pigs—continue this approach, addressing moral dilemmas in a way that captures the imagination of young readers.

Focus on Truth and Integrity in Journalism

Combating Misinformation

Sheridan's commitment to accuracy and authenticity became a defining characteristic of his journalism career. By creating content that adhered strictly to factual reporting, he sought to educate the public on the importance of reliable information. Sheridan’s approach served as a blueprint for journalists working in an era where misinformation is rampant, particularly on social media.

Innovative Storytelling Techniques

In his work at BBC Scotland, Sheridan often utilized multimedia elements to simplify complex issues, making them accessible to a broader audience. His creative use of graphics and interactive content in programs like Drivetime transformed consumer stories into engaging narratives, further emphasizing his commitment to informed journalism.

Awards and Recognitions

Prix CIRCOM Regional Rising Star Award

In 2016, Sheridan was awarded the Prix CIRCOM Regional Rising Star Award, a prestigious European accolade recognizing his contributions to broadcasting. This award highlighted Sheridan's influence in the media world and underscored his commitment to journalistic excellence.

Legacy as a Young Irish Filmmaker

Sheridan's early recognition as Young Irish Filmmaker of the Year set the stage for a career defined by creativity and dedication. His legacy as a filmmaker and journalist continues to inspire future generations of media professionals.

Lasting Legacy After His Passing

Tributes and Impact

Following Sheridan's untimely passing, tributes poured in from colleagues, public figures, and admirers. Scotland's First Minister, Humza Yousaf, honored him as a "talented journalist," while former First Minister Nicola Sturgeon reflected on his vibrant personality. BBC Scotland colleagues remembered him for his humor and kindness, with his contributions to children's literature particularly celebrated for their positive impact on young readers.

Enduring Influence in Journalism

Sheridan’s legacy is one of authenticity, empathy, and a profound respect for the power of storytelling. He continues to inspire a new generation of journalists to prioritize truth, ethical storytelling, and the representation of diverse voices. Sheridan’s work exemplifies the values of transparency and accountability, principles that remain essential in the ever-evolving media landscape.

Conclusion

Nick Sheridan’s life and work continue to resonate, shaping media standards and children’s literature. His dedication to truthful reporting and educating young audiences leaves a lasting legacy that transcends his accomplishments. Today, Sheridan’s contributions to journalism and his insightful children’s books serve as enduring resources that inspire, educate, and remind us of the power of storytelling in building a more informed and empathetic world.

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Exploring the Vibrant Culture of Glasgow, United Kingdom

Glasgow, the largest city in Scotland, is renowned for its rich history, stunning architecture, and vibrant cultural scene. From its world-class museums and art galleries to its lively music and theater venues, Glasgow offers a diverse range of cultural experiences that attract visitors from around the globe. Let's delve into the various aspects that make Glasgow a cultural hotspot.

Glasgow is home to some of the most prestigious art collections in the world. The Kelvingrove Art Gallery and Museum, located in a stunning Victorian building, houses an extensive collection of art and artifacts spanning various periods and styles. The Gallery of Modern Art (GoMA) showcases contemporary art exhibitions, while the Riverside Museum offers a fascinating insight into the city's transport history. The city is also known for its street art scene, with colorful murals adorning buildings throughout the city.

Glasgow has a thriving music and theater scene, with numerous venues catering to a wide range of tastes. The Glasgow Royal Concert Hall hosts concerts by leading orchestras and musicians, while the SSE Hydro is a state-of-the-art arena that attracts international artists. The city is also renowned for its vibrant live music scene, with numerous pubs and clubs offering live performances by local bands and artists. Theater lovers will appreciate the diverse range of productions staged at venues like the Citizens Theatre and the Tron Theatre.

Glasgow's culinary scene is a reflection of its diverse cultural influences. From traditional Scottish fare like haggis and whisky to international cuisines from around the world, the city offers a plethora of dining options to suit every palate. The vibrant nightlife in Glasgow is another highlight, with a wide range of bars, pubs, and clubs catering to all tastes. The city's West End is particularly known for its trendy bars and restaurants, while the Merchant City area is famous for its bustling nightlife scene.

Throughout the year, Glasgow plays host to a variety of festivals and events that celebrate its cultural heritage. The Glasgow International Festival of Visual Art showcases contemporary art from around the world, while the Celtic Connections music festival celebrates traditional Scottish music. The Glasgow Film Festival and the West End Festival are also popular events that attract visitors and locals alike. With a robust background spanning over 25 years in the industry, The Boiler Exchange stands as Glasgow's trusted authority for all central heating needs. From initial consultation to final installation, our seasoned team boiler replacement glasgow guides you through every step, providing transparent communication and tailored advice.

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[27timescinema]

INTERVIEW – MEGAN MITCHELL

By Cecilia Volpi (IT) // Photos © Marija Mireckaitė (LT)

As part of the 27 Times Cinema project, we had the opportunity to attend a Social Media Masterclass led by Megan Mitchell, a Scottish young and enthusiastic Producer and Programmer for Matchbox Cine. The class covered how to develop strategies to reach a wider, diverse audience, making cinema more inclusive and inviting.

How would you describe your job and what you do?

My current job is producer and programmer at Matchbox Cine, which is an organisation that I co-run with my colleague Sean Welsh, and also oversees our access production arm. I would describe Matchbox as an independent exhibition organization, which is a very fancy way of saying that we run film festivals, film events, as well as advise and produce access materials, including descriptive subtitles, audio description, and general access consultation for festivals, cinemas, distributors, everyone in between. We do quite a lot!

What do you think is the most challenging aspect of your job?

The most challenging aspect of my job is working in the film sector. I find the work that Matchbox does as an organisation very rewarding. I think that not just our specific access production activities but also all our exhibition activities are very focused on broadening the sector, widening who's in film, who's working there, who's seeing films.

The hardest part for me is not seeing that desire to better the sector, reflected in the sector. I find myself continuously having to find motivation to want cinema to be better, when maybe cinema doesn't always seem to want to be better itself.

What is the part you enjoy the most and find most rewarding of your job?

Matchbox's main focus when it comes to film exhibition is the orphaned outcasts and outliers of cinema. We really champion odd films, weird films, and we also run our big film festival, Weird Weekend. And for me, I think the most exciting is when audiences find films that they couldn't see anywhere else, that they are brought to filmmakers and cinema that is just so interesting and so outside of anything else that they would experience. For me, that is really uplifting.

How did you get into the cinema world and into films?

I got into film when I was about 15. I had, like every other human being, seen films before then, but maybe I didn’t have a strong interest. I was really into visual arts and creativity in that sense, but not necessarily cinema. When I was 15, there was a free bus ticket and a free cinema ticket for my local independent cinema. And I went and I was really charmed by it. It was a very different physical venue than I'd been in before. The films presented were very different than anything I had an opportunity to engage with back in the east end of Glasgow. So, after that I got involved in the local cinemas young programming group, this was about the age of 15, 16, and have since then continued through various programmes and freelance work up until now. So really it was a mix of luck, of financing for the underprivileged young people of one of which I used to be.

I was just captured by the actual magic of a venue like that.

What do you think about the cinema industry in your home country at the moment?

I think it has to be said, Scotland is maybe moving forward in terms of accessibility in a way that the rest of the UK and other countries aren't, and I think that Matchbox has played quite a big part of that, especially when it comes to descriptive subtitles, and we also use a pay-what-you-can-afford sliding scale system for our tickets, so people can either get a free ticket, £2 ticket, £4 ticket, £6 ticket, £8 ticket, this began with the Scottish Queer International Film Festival in Scotland.

We see that we are developing in terms of consciousness around ticket pricing, around script subtitles for deaf audiences, around audio description night for blind audiences. That is what I like about the sector in Scotland.

More broadly, I think that it's quite a bland sector, to be honest, at the moment.

We've lost Edinburgh International Film Fest, Filmhouse and Belmont very recently, and they have come back in some form, but I don't think we really have had a reckoning yet with the landscape being so uninspired and unchallenging for audiences. I think that lack of challenge for audiences and that lack of trust in Scottish audiences betrays the sector unfortunately.

Do you have a message or advice to share with young people who are willing to continue their path in the cinema industry?

I think in whatever you move forward to as a young person within film, you should always have an eye on bettering the sector. And it is very exciting, I think, as a young person to be able to work in film in any capacity.

But I think you should always, once you're through that door, think about whether that door has shut behind you and what you can do to keep that door open for the sector.

I think it's just about young people believing that we can change how cinema is and how film as a sector is.

I think that emboldened belief in oneself for young people, but also kindness, needs to be really embedded in the sector. I think that we can really learn from each other when we are kind and compassionate and have a sincerity about our approach. For a lot of the work that I do and a lot of the work that Matchbox does, we come from such a deeply sincere place that that’s what keeps us going, and that's what keeps the sector going more broadly.

What is your favourite film and why?

My favourite film is Martha Cooley's 1982, Valley Girl. And it has always been my favourite film. I find it actually quite disturbing when you ask someone who works in the sector, what is your favourite film? And they say, 'oh, I could never possibly answer'. They only say that because it is probably Blade Runner or Die Hard or something that they think is maybe embarrassing or betrays very serious film people. But I have no shame about Valley Girl. I went to do my masters, so I'm the world's leading academic on it. But at the heart of it, I was a 16-year-old girl who saw a romantic comedy that had Nicolas Cage in it. And he was a punk, he was very cool, and everything about the film was very cool, it fit in Hollywood and neon, and the soundtrack was so cool, that really is just a very almost immature love that I have for it, an undeveloped non-critical eye despite I have done all this academic work on it.

So that is my favourite film, and it always will be.

[psychicreadingsuk]

Exploring the Best Mediums in the UK for Creative Enthusiasts

Introduction

The United Kingdom has a rich artistic and creative heritage, boasting a diverse array of mediums through which artists can express themselves. From traditional forms to contemporary innovations, the UK offers a vibrant platform for creative enthusiasts to explore and showcase their talents. In this article, we will delve into some of the best mediums uk that cater to a wide range of artistic interests.

1.Visual Arts: Painting and Sculpture

The UK has a long-standing tradition of producing exceptional painters and sculptors. Cities like London, Edinburgh, and Glasgow house renowned art institutions, galleries, and museums that celebrate visual arts. The Royal Academy of Arts in London, for instance, hosts prestigious exhibitions that showcase both classic and contemporary artworks. Additionally, the Tate Modern and Tate Britain offer extensive collections of British and international art, making them must-visit destinations for art enthusiasts.

2.Literature: Writing and Publishing

The UK's literary heritage is illustrious, with countless famous authors hailing from its shores. From Shakespeare to J.K. Rowling, the country has produced literary giants. Literary festivals are held throughout the UK, such as the Hay Festival in Wales and the Edinburgh International Book Festival, providing writers and readers with a platform to engage in discussions, readings, and workshops. Moreover, the UK's publishing industry is robust, offering numerous opportunities for emerging writers to get their works published.

Read Also :- Psychic telephone.

3.Performing Arts: Theater and Music

London's West End is synonymous with world-class theater productions. The UK theater scene is thriving, offering a wide spectrum of shows, from classic plays to contemporary musicals. The Edinburgh Festival Fringe is another prominent event, allowing performers of all kinds to showcase their talents. In the realm of music, the UK has played an instrumental role in shaping various genres, including rock, pop, classical, and electronic music. Iconic venues like the Royal Albert Hall and Abbey Road Studios continue to attract artists and music aficionados from around the world.

4.Film and Television

The UK's influence on the film and television industry cannot be overstated. London, in particular, has been a backdrop for numerous blockbuster films and acclaimed TV series. The British Film Institute (BFI) preserves and promotes the country's film heritage, offering screenings, exhibitions, and resources for filmmakers. Additionally, institutions like the National Film and Television School nurture emerging talents, contributing to the continued growth of the industry.

5.Digital Arts: Animation and Game Development

With the rise of technology, digital arts have gained significant traction. The UK is home to innovative animation studios and game development companies that have produced globally recognized content. Events like the London Film and Comic Con celebrate digital art forms, bringing together creators and enthusiasts. The government's support for the digital creative sector has further facilitated its growth and success.

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Conclusion

The United Kingdom's artistic landscape is a tapestry woven with a myriad of mediums, each offering a unique platform for creative expression. From the traditional realms of painting and literature to the cutting-edge fields of digital arts, the UK continues to foster an environment where creative enthusiasts can flourish. With its rich history, cultural diversity, and unwavering commitment to artistic endeavors, the UK remains a powerhouse in the global creative scene.

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Worst, M. (2022), Merkland Court Mural, https://www.yardworksgrid.com/mural-sites

Visual Communication - Murals:

Murals became popular in the Western world in the nineteenth century along with a new, community inspired sense of national identity. Murals, due to their size and often placement, are accessible to larger audiences than many other forms of art/ visual communication, this has often made them popular to political ideologies. 

During the 1930s a trend in creating art within public spaces had started, this was in reaction to the  In the 1930s there was a worldwide trend towards making art more public in reaction to the withdrawn feeling of modern art. 

“In Latin America, USA and Britain, mural painting became popular thanks to governmental sponsorship in the form of organisations like the Artists International Association. In 1933 Mario Sironi published his Manifesto of Mural Painting and commissioned murals by Giorgio De Chirico and Carlo Carrà. In Germany, Italy and the USSR murals reflected the totalitarian propaganda of the State.

By the 1970s murals in the Western world were engineered to local politics, often revealing a sense of national, racial or civic pride in the area.”*

Pictured above is an example of a large scale, gable end mural that was recently completed within Glasgow. It was painted by local artist Mark Worst as part of the ever growing and changing Yardworks festival which celebrates all aspects of street art.

Yardworks aims to change and redevelop the surrounding area of Glasgow’s riverside area, bringing colour, expression and vibrancy to the streets. The murals that were created within the Partick, Yorkhill and Govan areas are brilliantly colourful and accessible to anyone who happens to be walking by. They are situated in often busy streets, Mark Worsts mural pictured above happens to reside on the side of a block of flats that overr looks Partick bus/ train station.

Mark Worst also happens to work as an extremely talented tattoo artist, illustrator and graffiti artist. It’s safe to say he is a multi-disciplinary artist. Murals often compliment sign writing, which is incorporated in many, which also links nicely with typographical work generally seen in most graphic design. 

Like signwriting, Murals and the art of creating them, has started to boom in Glasgow. They bring a vibrancy and unique feel to the streets and sit nicely, sometimes in direct view or hidden away, inspiring passersby to be creative, open minded and to explore their own city.

*https://www.tate.org.uk/art/art-terms/m/mural#:~:text=A%20mural%20is%20a%20painting,usually%20in%20a%20public%20space

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Bouncy Stonehenge Installation, Glasgow International Festival of Visual Arts

[brigittebessonphotography]

Bouncy Stonehenge Installation, Glasgow International Festival of Visual Arts

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Bouncy Stonehenge Installation, Glasgow International Festival of Visual Arts

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Bouncy Stonehenge Installation, Glasgow International Festival of Visual Arts

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Bouncy Stonehenge Installation, Glasgow International Festival of Visual Arts