#Giuseppe Nogari

[oldsardens]

Giuseppe Nogari - Portrait Einer Alten Dame

[artschoolglasses]

Spring, Giuseppe Nogari, Before 1757

[frankentyner]

[diioonysus]

flower crowns + art

[books0977]

An Allegory of Painting. Giuseppe Nogari (Italian, 1699-1766). Oil on canvas.

From 1739 to 1742 Nogari worked for the House of Savoy in Turin, painting canvasses and decorating the Royal Palace of Turin and the hunting lodge at Stupinigi. In 1756, he became a member of the Venetian Accademia di Pittura e Scultura. Alessandro Longhi was one of his pupils.

[laclefdescoeurs]

Philosopher with a book, Giuseppe Nogari

[simena]

GIUSEPPE NOGARI - ALLEGORIA DELL'INVERNO (detail)

[admaioremdeigloriam]

The Miracle or Saint Joseph of Cupertino - Giuseppe Nogari

[lescuriositesdelafoire]

Attributed to Giuseppe Nogari (1699 -1763), A Lady with a dog

[loumargi]

Giuseppe Nogari Allegorie Sommer

[finnish-art-gallery]

An old woman with a distaff, Giuseppe Nogari, Finnish National Gallery

http://kokoelmat.fng.fi/app?si=A+IV+3460

[kayocean]

Altar of San Gerolamo and San Giuseppe da Copertino in gloria By Alessandro Vittoria, 1564. The miracle of St. Joseph of Cupertino by Giuseppe Nogari at Basilica of Santa Maria Gloriosa dei Frari in Venice, Italy.

[divaofthadamned]

The Miracle of St. Joseph of Cupertino. Giuseppe Nogari.

[mr-e-gallery]

Giuseppe Nogari, Allegorie des Sommers (Detail), 1766

[berlinni]

RT @Boro_RR: Vieja con una muleta | Giuseppe Nogari https://t.co/LRNyAp5YZd https://t.co/bbQ3lqYKfD

Artes / Dibujos January 20, 2020 at 07:48PM

[arthisour-blog]

Antonio Balestra (Aug 12, 1666 – May 21, 1740) was an Italian painter of the Rococo period.

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Born in Verona, he first apprenticed there with Giovanni Zeffio. By 1690 he moved to Venice, where he worked for three years under Antonio Bellucci, then moved to Bologna and then to paint in Carlo Maratta’s workshop in Rome. In 1694, he won a prize from the Accademia di San Luca. He later painted both in Verona and Venice; although his influence was stronger in the mainland. His pupils in Verona were Pietro Rotari and Giambettino Cignaroli. In Venice, he painted for the churches of the I Gesuiti and San Zaccaria, and the Scuola della Carita. Pietro Longhi briefly worked under Balestra. In Venice, other pupils or painters he influenced, included Mariotti, Giuseppe Nogari, Mattia Bortoloni and Angelo Trevisani. Also he influenced a young Giambattista Pittoni. Among his pupils from Verona were Domenico Pecchio, Domenico Bertini, and Carlo Salis.

In painting, Balestra was staid and reactionary. Wittkower quotes the distaste of Balestra in 1733 for the tendency of then-modern painters to deviate from enshrined standards of academic painting: All the present evil derives from the pernicious habit, generally accepted, of working from the imagination without having first learned how to draw after good models and compose in accordance with good maxims. No longer does one see young artists studying the antique; on the contrary, we have come to a point where such study is derided as useless and obnoxious.

He painted a Virgin and Infant, with Saints Ignatius and Stanislaus Kostka for the church of Sant’Ignazio at Bologna. He also painted for churches of Venice, Vicenza, Padua, Brescia, and Verona. In prints, he etched a Head of a Warrior, Virgin Mary and Infant in the Clouds, with Two Soldiers; Vignette, with two figures holding a Flag of Verona, and a Portrait of an Architect.

Antonio Balestra was originally published on HiSoUR Art Collection