#Gita Official

[rsyadav]

[subhashdagar123]

[transparentdestinypaper]

[denimbex1986]

'"Oppenheimer" is the summer blockbuster of the year. The visually and sonically compelling film does a lot of things right from examining the existential dread associated with our feeble humanity and analyzing the moral qualms with human ingenuity and its devastating outcomes that showcase we are the culprits of our own destruction.

But it also does some things wrong too. It has a woman problem.

Christopher Nolan's three-hour-long biopic tells the story of the brilliant quantum physicist, J. Robert Oppenheimer (Cillian Murphy) based on the biography "American Prometheus." The Oppenheimer we uncover in Nolan's film stresses that he is a charmer – he's a womanizer. Nolan wants the audience to know that not only is Oppenheimer one of the most important historical figures in the 20th century, but he also can pull a Communist female Stanford grad student.

One of the most polarizing aspects of the film is Oppenheimer's on again, off again relationship with said grad student, Jean Tatlock (Florence Pugh). Some would say the way Nolan portrays the relationship and Jean, and her inevitable death by suicide is indicative of a larger issue with the depiction of women in his films.

In their first encounter, they quickly find themselves in bed together. In a controversial scene, Jean and Oppenheimer are having sex while he reads Bhagavad Gita, a sacred text in Hinduism. He reads the line, "Now I am become death, the destroyer of worlds," during the act itself. Hindu right-wing nationalists called the scene an "attack on Hinduism."

But that isn't the only sex scene between the two in the film. Further into the behemoth of a film, in McCarthy-era America, a room full of government officials question Oppenheimer's former communist ties. He reveals to the board his previous relationship with Jean and how it evolved into an affair. He's now married to Kitty Oppenheimer (Emily Blunt), who is there in the room as he admits to his extramarital affair.

Nolan portrays this confession in the most blatant way possible. Without warning or explanation, a naked Jean is seen straddling and having sex with Oppenheimer as he sits in the chair being interrogated. Is it his imagination? Is it Nolan's one-the-nose way of showing the impact of the confession? Regardless, the audience sees this as the couple going at it while Oppenheimer is staring at the board of men questioning him. It's creepy. The imaginary Jean even glances directly at his wife – his wife who just found out Oppenheimer had been cheating on her for years. Is this storytelling device attention-grabbing? Absolutely, but not in a good way.

It's vital to point out the flaws in a filmmaker's perspective when it's used to only service a man's story and nothing else. As an audience member, the context of the scene and what it does for the larger narrative matters; it is a part of the moviegoer's entire film experience. And as I was watching the second sex scene with Oppenheimer and Jean, I gasped at how disjointed it felt from the larger story Nolan was attempting to illustrate. Sex scenes aren't inherently controversial, nor do they have to be, especially if they are filmed with appropriate boundaries and respect toward the actors and characters. But in "Oppenheimer" something about the audience watching the sex scene in the same way the characters in the interrogation room watched it – feels icky and voyeuristic. And also puzzling.

"Oppenheimer" is an engrossing film. Its riveting acting and nonlinear storytelling infused with cinematic shots of the galaxy and stars hold the audience in a trance. Well, that is until you watch that ill-advised foray into filmmaking voyeurism. It completely snatches you out of the film and puts you back into your body.

Moreso, the scene wouldn't be so jarring if there wasn't such little Jean in the film. Pugh's talents are wasted as she attempts to embody an emotionally embattled intellectual. Jean is a seemingly dark, unconventional type of woman from the 1940s. She is studying to be a psychiatrist but also struggles with depression, and it was speculated that she was queer. But we don't really receive any of this information from the film. We can tell that she's stubborn, volatile and complicated but we are more or less told that through Oppenheimer's perspective of her as his love interest.

This also counts for his wife, Kitty – another female character with unbridled, untapped potential. But of course, she only exists in the roles of love interest, mother and Oppenheimer's conscience. The film only slightly touches on Kitty's tragic past, potential mental health issues and rejection of motherhood. Thankfully, Blunt's acting makes the role feel fuller than it is written to be.

If we address Nolan's track record with female characters, he is known for two tropes: Dead Wife and Woman in A Refrigerator. Across the filmmaker's extensive work, he has a proclivity for fridging, that is killing off a female love interest – in films like "Memento," "The Prestige," "Inception" and "The Dark Knight" – as an alluring and tragic backstory for his male protagonists just like he did with Jean. Of course, she is based on a real person, but Nolan's treatment of her and her tragic death is the same as if she were fictional. The audience is left with very little understanding of Jean, not even with her tragic death. Instead, her most indelible scenes are as Oppenheimer's sex object or in death, a way to humanize the physicist. (And when Nolan doesn't get around to killing off his female characters, he sidelines them like Kitty or Elizabeth Delicki's character in "Tenet.")

Sure, you can argue the film being named "Oppenheimer" means it's entirely about him, and all the supporting characters should only act to elevate his story. The script was even written in first person to convey that every character is just a piece in Oppenheimer's narrative.

However, just because the story is titled "Oppenheimer" doesn't mean one has to adhere to such tunnel vision in storytelling. Case in point is another film named for a singular person – that came out on the same day as " Oppenheimer" in fact – and proves that argument flimsy at best.

"Barbie" does what "Oppenheimer" fails to do.

"Barbie" follows the journey of the human-sized doll (embodied by Margot Robbie) through her existential awakening, crisis and eventual empowerment. But it also spends a significant chunk of its runtime to give her counterpart Ken (Ryan Gosling) space to explore his "neediness, loneliness and identity crisis." Gary Kramer writes for Salon that Ken "hijack[s] the plot for long stretches and force[s] Barbie to help him, not the reverse."

Ken is Barbie's accessory boyfriend but he isn't treated as just her accessory boyfriend. In the writing, Greta Gerwig and Noah ​​Baumbach allow Ken ample room for self-discovery. Ken is allowed to explore the human world without the need to be attached to Barbie's hip. He searches for his purpose and identity. He's even given a whole musical dance number to dive into his interiority. "Barbie" does what "Oppenheimer" fails to do. It gives purpose and depth to a supporting character's arc – depth that is entirely crucial to the emotional center, vulnerability and gravitas of a character like Barbie.

Ultimately, Nolan barely scratches the surface with his female ensemble and doesn't do their larger-than-life experiences justice. It just feels like a tired attempt to show us Nolan knows women exist but the catch is they do not exist outside of their relationships to men. (Sorry, Bechdel.) Their pain and suffering are a way to transform a man into the protagonist of his story, not hers.'

[ruffboijuliaburnsides]

I mean does it count if my OC is canonically in an OT3, or does it have to be one of my not-actively-poly OCs? 'Cause those would obviously be two very different answers. :P

Which of your OCs is most likely to have a threesome? Because my answer is just, it’s Liam Boleyn Tudor Cromwell and his (possibly second) wife with steel chairs.

[taapsee]

#गीता_वाला_काल_कौन_है

The speaker of Gita ji in adhyay 18 shlok 62 is asking Arjun to go in to the refuge of some supreme God.

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[kitkatsudon]

A brief foray into the military ranks of TKEM characters…

It’s no secret that our favourite boys from the Kingdom of Corea have a history in the military - but apart from Gon being bottom of his class in the Naval Academy (as confirmed by Choi Gitae in Ep4), what else do we know? As with every tiny detail that sparks my interest in this show, I took it upon myself to find out, and gave myself a headache in the process. Let’s have a look, shall we?

Lee Jihun:

I’m starting with him because he’s the only one I could find a concrete answer for, thanks to him being from a universe very similar to ours. Though we only see him very briefly in Ep16, from that short scene we can glean a little bit of information about what he was doing:

To find his rank, one needs only to look at his epaulettes. You can see that his are black, with three gold stripes: two thick ones, with a thin stripe in the middle. This identifies his rank as follows:

He’s a Soryeong, which is the equivalent rank to a Lieutenant Commander.

However, what I find perhaps more interesting for Jihun is this badge he’s wearing:

Though it’s blurry when you zoom in, I’m pretty sure it’s this one:

You heard it here first, folks. Lee Jihun is a Navy SEAL. They didn’t have to include this detail - you’d probably have to be quite familiar with the military to recognise it straight away, and I doubt that even most Korean fans would be able to recognise it, because I can tell you for a fact that I wouldn’t be able to recognise the equivalent for my own country. Someone on the production team decided this, and I want to give them a big kiss on the mouth, because now it’s confirmed that the sweet little Jihun we saw grew up to be totally badass after his abusive father passed away. I sincerely hope that it was a good life that led him to joining this branch of the military, and not some combination of horrible factors that pushed him into joining one of the most intense and dangerous branches… hm. I’m not going to dwell on that, actually. You can all make your own conclusions here.

Now… to the Kingdom. *sigh.* This is where things start to get more vague and confusing. I’m going to start with ranks first, and then go onto what they were doing as one big section because, spoiler alert, I haven’t got any sort of concrete idea.

Lee Gon:

His rank is easiest to determine, because Choi Gitae says it explicitly when they met at his father’s funeral in Ep4. I cross-referenced this with the closed-caption Korean subtitles, and everything adds up nicely: though he’s the Commander-in-Chief of all the armed forces in the Kingdom, thanks to his position as the monarch, while he was actually serving, he rose to the rank of Daewi, or Lieutenant - the highest rank of the junior officers - before leaving the navy.

Jo Yeong:

When we see Yeong in his navy uniform in Ep6, this is what we can see:

Once again, that same pattern emerges on his epaulettes of two thick stripes surrounding a thin stripe - he’s a Soryeong, a Lieutenant Commander. This means that Yeong ranked one rank higher than Gon before he left the navy, which is something that brings me quite a lot of joy.

However, something I like even more than that is Yeong’s current title, as the leader of the Royal Guard. We all know him and love him as Captain Jo, but in Korean he’s referred to as 조영 대장 - Jo Yeong Daejang. This is what Gon calls him in the iconic “Are you having fun, Captain Jo?” and you can also see that title of Daejang on his character page on the official TKEM website. On WordReference, this is what happens if I search for 대장:

Ignoring the results about other things, it doesn’t seem to mean “Captain” explicitly, it’s more like a general kind of leader title. His rank isn’t necessarily “Captain,” it’s whatever Daejang is equivalent to. So… how good is a Daejang? Looking at the South Korean armed forces, in the army, air force, and marine corps, Daejang is equivalent to General, and in the navy, Daejang is equivalent to Admiral. To put this into context a little better, the only rank in the South Korean navy higher than Daejang is Wonsu, and this rank only exists on paper and has never been given to any officer of the South Korean armed forces. To achieve this rank of Wonsu, you’re appointed from the rank of Daejang when you have “distinguished achievements.”

In conclusion: Yeong has an incredibly high rank in the armed forces, second only really to Gon himself, assuming no one from the Kingdom has ever been appointed the rank of Wonsu either. However… there’s a first time for everything, and though I’m only speculating and of course could never say anything for sure, if anyone was going to get those distinguished achievements needed to be a Wonsu, it would be our Jo Yeong Daejang.

Choi Gitae:

I’m including him briefly because I have a bone to pick with the subtitles. In English, he’s Captain Choi. In Korean, Gon refers to him as Hamjang, which, as far as I can tell, doesn’t exist in the South Korean navy of our universe. In the Korean subtitles in Ep4, he’s named as 최 소령, Choi Soryeong, and he’s just… he’s not that. Let’s take a look at some pictures:

The epaulettes on the first picture and the star badge on the second tell us that his rank should be this:

He’s a Junjang, equivalent to a Rear Admiral (lower half). Not a Captain, and not a Lieutenant Commander. As for the Hamjang/Junjang disparity, I’m going to suggest that Hamjang is the Kingdom of Corea’s equivalent to the Republic’s Junjang.

So, what was everyone doing in the navy?

The only clue we have is a badge:

This is from Yeong’s uniform, but in Ep6 Choi Gitae was wearing the same, and Gon was wearing a gold version of it. However, for the life of me, I can’t seem to figure out what it is! The design seems to be that of a ship sailing through the waters, but that just gives ✨navy✨ in a general sense. Browsing google images, I’ve noticed the same golden badge that Gon wears on other high ranking members of the South Korean navy, so maybe it signifies a high rank? Or maybe it just means that the wearer is in the navy? I don’t know! I can’t work it out! What it tells us at least is, if Yeong isn’t wearing a “specialised” badge like Jihun… it’s unlikely that he served in any kind of special forces… which I feel is a piece of information that might break some hearts in the fandom as their headcanons shatter into pieces. I’m disappointed too, because when I saw Yeong’s badge without paying attention to any of the other characters, I thought that the two shapes on the sides looked a little like submariner dolphins, so I’ve spent half a year or so thinking that’s what Yeong did in the navy, before I realised that Gon and Choi Gitae had the exact same badge.

So, if anyone has been bothered enough to read this far and also happens to be a Korean military buff, I would love you forever if you could tell me exactly what this badge means, and whether it gives us any indication of what Yeong or Gon or anyone else was doing in the navy. However, maybe it’s good that it’s unclear, because that leaves fic writers plenty of room to wonder about what Gon and Yeong were doing in the military - whether they were doing different things, strengthening their bond as best bros doing the same thing, and if you’re on the same side of this fandom as me, whether they were repressing some big feelings at seeing each other in their military uniforms, or whether they were engaging in certain activities that are maybe stereotypical of sailors cooped together on the same boat without women to spend their nights with… there’s plenty of room for interpretation :D

[wannaeatramyeon]

I feel like if Kim Gitae gets a Korean movie that fits his character, it would be I Saw The Devil, I watched a YouTube video about it in my language, I gotta say it's really impactful and basically a great Korean Slasher movie, not only does the main characters, Protagonist and Antagonist are great, it's different than other serial killer movies where one represents good and one represents bad, to describe this movie, I would say it's "Who's the real Devil", I kid you not, they're both terrible and frightening in their own ways

Both actors of the Protag and Antag are great and portrayed their characters wonderfully, they actually played roles in famous American movies y'know, the Director knows his casting well

This movie not only has new ways to showcase horror and also has great ways to discomfort the audience, it has 4 alternate endings by the Director in which 3 didn't make the official cut, one of the possible endings involved cannibalism and it does have cannibalism in the Movie's narrative

What makes this movie revolutionary to me is that it was made in time when Korea is very strict on movies and you can't really make a horror movie easy without censorship cuts that ruins the plot yet somehow ended up disturbing (That's the info I heard at least)

I like that fic where Gitae watches k-dramas, my man must have a collection of horrors

Hey anon, you really like I Saw The Devil!

Tbh I remember watching it years ago and really enjoying it too. Although my memory of it is a little fuzzy. I remember watching the Vengeance trilogy first (with Choi Min Sik as the antagonist in one!) which piqued my interest in SK cinema and set me off on my SK and Japanese revenge film marathon.

I'll try and rewatch it at some point anon!

[hemlata5008]

#गीता_वाला_काल_कौन_है

Who spoke the knowledge of the Bhagavad Gita?

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[balramdhimanambala]

#सुनो_गीता_अमृत_ज्ञान

Who is Immortal God?

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"Gita Tera Gyan Amrit" by JagatGuru Tatvadarshi Sant Rampal Ji Maharaj

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[rsyadav]

[realsalvationpath]

#ये_है_गीता_का_ज्ञान

What does

the Bhagavad Gita say about

Shradh & Pind-daan?

To Find out read the sacred Book 'Hindu Saheban Nahi Samjhe Gita Ved Puran' Download from our Official App "SANT RAMPAL JI MAHARAJ"

Tattvadarshi Sant Rampal Ji

#GodMorningThursday

[sakshi345]

#सुनो_गीता_अमृत_ज्ञान ऑडियो के माध्यम से

Who is the narrator of Shrimad Bhagavad Gita❓

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[ktkapil]

#गीता_वाला_काल_कौन_है

Who spoke the knowledge of the Bhagavad Gita?

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[omshantiomyoga]

Transformational Benefits of Yoga Teacher Training Beyond the Mat

Yoga teacher training (YTT) is more than a journey toward becoming a certified yoga instructor; it is a profound transformative experience that transcends the mat. At institutions like Om Shanti Om Yoga Ashram in Rishikesh, participants immerse themselves in an environment that fosters personal growth, self-discovery, and a deeper understanding of yoga’s holistic philosophy. Here’s how YTT impacts various dimensions of life:

1. Deepening Self-Awareness and Personal Growth

Yoga teacher training provides a structured environment for introspection. Through daily meditation, mindfulness practices, and philosophical discussions, participants gain clarity about their inner selves. The teachings encourage letting go of limiting beliefs, fostering resilience, and embracing authenticity.

2. Enhanced Emotional Intelligence

By exploring yogic philosophy and the art of mindfulness, trainees learn to regulate emotions better. This emotional intelligence improves personal relationships, encourages empathy, and nurtures a sense of inner calm, even in challenging situations.

3. Building a Stronger Connection to Others

The communal living experience during YTT often forges lifelong friendships. Shared growth and learning experiences cultivate compassion, understanding, and a sense of belonging. These connections extend into a broader yoga community that offers ongoing support and collaboration.

4. Cultivating a Balanced Lifestyle

Training introduces holistic living concepts, integrating practices like balanced nutrition, proper sleep, and stress management. These principles become lifelong habits that enhance well-being and vitality.

5. Spiritual Awakening

Yoga teacher training emphasizes spiritual growth through practices like meditation, chanting, and studying ancient texts like the Bhagavad Gita. This spiritual awakening often leads to a greater sense of purpose and connection with the universe.

6. Skill Development and New Opportunities

Beyond mastering advanced asanas, trainees acquire valuable teaching skills such as class planning, communication, and adaptability. These skills are applicable in yoga studios and beneficial in any professional or personal setting.

7. Becoming a Change Agent

At Om Shanti Om Yoga Ashram, this transformative journey is amplified by the serene Himalayan setting and a curriculum steeped in authenticity and tradition. Guided by experienced yogis, participants leave with more than a certification — they gain tools for lifelong empowerment and well-being.

For more details about yoga teacher training at Om Shanti Om, you can visit their official website.

[indrabalakhanna]

Ishwar TV Satsang | 12-12-2024 | Episode: 2601 | Sant Rampal Ji Maharaj ...

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#विश्व_में_पूर्णगुरु_कौन_है

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