#Fun fact this is the second version of this. I did two versions despite the fact that this is the most headache-inducing enemy for me

[winniefrezcomics]

(Not sure if this is a sfw question 😅) but do Perry and Iris ever have any kids or adopt any in the future?

Tysm for adhering to the rules page mwah mwah 😙💕, this IS sfw but this was def the right blog for it lol (questions about the future directed AT the ask blog boyos will probably just confuse them and make Dev’s head hurt wheeze)

ALSO thank u for finally giving me an excuse to finish this wip I’ve had sitting around forever wheeze, the answer to wether or not Perry and Iris ever have kids is a RESOUNDING YES- eight of them, to be exact! (And that’s NOT counting the ones they fostered!!! If you ask IRIS how many kids they have he’ll say ‘DOZENS’, and he has the majority of them in a group chat ;w; 💕)

These fam-babies are all human versions of designs belonging to beloved mutuals!! 💕

(please comment to claim your babies djdndndjdjdjdjd I don’t know all y’all tumblrs 😭)

Also More rambling and doodle comics under the cut bc I need to put all the Dad content in one place wheeze

Perriris’ co-parenting journey started after one of Perry’s students had to be rescued from a terrible home situation, but was having so much trouble in the foster care system that Iris (who had been wanting a baby for DECADES anyway) BEGGED his husband to just adopt her themselves, and it went shockingly well!!

However, once thier daughter started asking about a baby sibling, Iris suggested that he and Perry try for a biological child again, despite having never succeeded in the past. Perry’s retirement from his teaching job was fast approaching anyway, but as much as he loved the idea, he knew that is was possible his body just couldn’t do it…

So he does what His older brother Timmy did, back when he was only ten, and wishes on a star.

This wish leads to the birth of WESLEY AND ANNIE, thier biological twin babies! Fun fact about them: because PERRY is a wish-baby (wished for by human Timmy, granted by fairy Timmy) that makes the twins DOUBLE wish babies! (Wished for by Perry, granted by Dev 🥺) so the two of them have a ton of residual magic in thier systems, much like thier daddy! I imagine when they were newborns is when it was the strongest, and Wren would always be the ONLY one to see them do anything unnatural, so she’d constantly be Candace-Flynn-style trying to convince her parents the babies were magic lmfao

Once they start fostering more regularly, Perry and Iris Fairly quickly develop a reputation for being excellent foster parents, especially when it comes to children other fosters have deemed “difficult”- any child that is enough of a little shit to remind Iris of himself as a child gets IMMEDIATELY scooped up be he and his husband, and several of them have never left 💕🥰

MIDDLE PIC DRAWN BY @zennyzach / @perisprinkles - THANK U AGAIN SOBS I STILL SCREAM CRY AND THROW UP ERERY TIME I SEE IT // V POS 😭🥺💕💙💜

They also designed Annie, and Wesley was designed by @phobylee / @theharbingerofdoomtime ! 💙💜

(This second comic is no longer canon bc this was before I decided Wes and Annie were bio children but I included it bc it’s still cute ;w;)

[the-100-days-of-junkan]

Day 97

Smile by Kayleen756894

Same as when we covered Burning Lungs, check the tags for this fic before ya jump in cause it gets pretty dark even within the first chapter. 

It’s a big day for the project people, I mentioned back on Day 60 that there were three fics that I consider directly responsible for this entire thing since they’re what set me on this path of a comically large amount of Junkan. And today we FINALLY talk about another one of them, even if I admittedly did cover a little bit of my history with this specific story during Day 60 for the sake of context. Apologies if I repeat myself a few times!

The previous few days I’ve been covering fic first, then the art. For this day however I’m going to cover the art first, along with any other bonus facts I have, and THEN i will do my best to adequately sing the praises of today’s stories.

Also let it be known that the music I put on while I read through the whole fic in preparation for today’s ramble was “LEASE” by Takeshi Abo. 10 hour loop too. Someone will find that funny probably, maybe even you!

(This is another long one, get ready)

Before I address the art I might as well have a little fun and discuss the order I decided to do these in, interesting I know.

Days 91-92 were easy, the first Soft Fic and the first fic to use the Non-Abusive Tag, they had to be the opener. Day 93 was one of the longer stories so I did that one first, since I did read each story before working on the art. From there it’s a pretty simple pattern of “Short Fic followed by a longer, more serious fic that I gotta psyche myself up for.” And it was done pretty much with todays subject in mind, but we’ll get for it. 

You’ll notice I have two different art pieces today, the reason is simple. I wasn’t very happy with the initial art, so I made a much more direct adaptation of a scene from the first chapter to go with it. And in a rare instance I can also bring you some early versions of the initial piece!

From the initial sketch you can see that this was supposed to be a proper cover for the story, as I wanted to feature scenes from each of the three chapters, that middle shot is one I’ve had in my mind since the first time I read the story. Those who have read the fic can probably recognize each one. The second image was almost the final version of this. I scrapped the lower portion of the art for a few reasons. The flames of burnout were miniscule but still present, though rest assured these would not come into play until after the point of when the fanfic art is all finished. Secondly, when I was supposed to work on this art, a power outage hit my house. This also meant that in terms of making the art I only had the first chapter read, anything else was purely memory (Like I said though, I read the full fic for todays ramble, rest assured). And thirdly, I kinda, just thought it didn’t look good? And as you can see this version had details cut despite how far into the process it was, fully removing the expressions outside of the two smiling. Cause y’know . . . “Smile.” Plus in retrospect the eyes, while striking compared to the rest of the art, look kinda fucking silly?

Why didn’t I like the end result? Honestly I think I was just in a bad headspace at the time due to the combination of the power out stressing me out, and just generally speaking my mental health has never been the most structurally sound aspect of myself. I’m good at drawing, not so much being well put together. Looking at it now, while I think the piece is a bit esoteric and might not be what I’d make today for a piece based on this fic, I like it a lot.

And at the end of the dead even if I didn’t like how the first one turned out, I’m pretty happy with it! Even with perfectionist brain bitching at me that I could have done Junko’s hair a bit better at the given angle. Just a straight adaptation of Junko and Mikan’s first kiss from Chapter 1. The most interesting note on it’s creation is that I had to make last minute changes to Mikan because I realized her hair needed to be a lot shorter and more well put together, as earlier in the fic Junko does fix it up a bit. 

Oh! I did also send the second pic to the author herself as a way of introducing myself and showing appreciation, so that’s a bit of added sentimental value! Kayleen’s an absolute treat by the way, super fun to talk too, great insight on writing, you should absolutely check out the rest of her writing! I’m not in most of the fandoms featured say for RWBY, but based on the quality of her writing on the Danganronpa side of things, I feel confident recommending anything she’s published in the past, present, and future!~ 

Speaking of writing, I should probably like. Talk about the god damn fic, huh? Well. Nope! I still have more fun facts!

I almost didn’t adapt Smile! I knew for certain that Kayleen needed a spot on this list, it would have felt wrong otherwise. And there were two fics in mind for adaptation.

“Smile”, obviously, and “Soft (But only for Her).” My earliest plan was going to be to just do both. However I only had 8 days to work with, and spoilers, Day 98 is in fact a returning author, so I didn’t want to take up half of my slots on two authors, I wanted to show my appreciation to as many as I could during this string of the event before going back to my own stuff for the last two days. So I thought it over, and decided that Smile was too important to pass up on this project, leaving Soft (But only for Her) for later.

I did have a full plan for it though, unlike Smile where I didn’t really have an idea going into it. I’ll tell you what the plan was gonna be.

Most people would be curious which of the around 30 wonderful one shots I could have chosen to adapt, I’ve already done one of them with the very first chapter in that collection! However you my audience, are not most people. There’s a good chance you’re reading this paragraph, rubbing your temples and resigning yourself to the fact that I was very much going to draw art based on every single piece of that collection. Because yes I was just gonna adapt all of it. Was gonna make a big collage out of all of em, even the chapters that have so much angst I struggle to even read them cause they make me too sad! I’d still do it too. I probably will. When you least expect it. 

For now though I really wanna draw something based on Chapter 25 when I have the time. I wanna draw art based on a lot of other fanfics actually, I’ve just been pretty swamped. But rest assured, to those of you who’ve written a Junkan fic and weren’t featured. Rest assured, I have my eyes open, I’m always looking that tag over, and there were definitely some stories omitted that I really wish I could have included IN the project. Give it time. My self control grows weaker by the day!~

Okay, okay. NOW, I should be able to talk about the fic. Probably.

So I’ve told this story before, but now you’ll get to hear it in a bit more detail compared to before. Will hopefully not be too repetitive for ya’ll!

So once again we jump back a few years during say, 2020, MAYBE early 2021. I find a fic that includes Junkan when I was simply trying to find Ikuzono. It ends up being pretty cute and makes me curious, “I thought this ship was super toxic? How is this one so cute?”

So, I look around the tag, still not sure how to Navigate AO3 even after gaining a lot of experience through the power of many late night tokomaru binges. And as you already knew or could guess, I came across Smile.

At the time it only had 2 chapters, which normally might have turned me away at the time, I wasn’t a desperate animal like I am today. However I guess I either ignored that, or just didn’t care, too curious to see what else this ship could entail.

So here I am, sitting in my bed, writing this ramble, trying to figure out once again how to talk about one of the fics that set me off on this obsession with Junko and Mikan as a softer, loving couple. That and also a fic that is much more serious in terms of its tone and content, as this fic, like Drowning, is one of the only fics in this stretch of the project that is definitely set in the main canon of DR. Serving as essentially a new origin for Junkan as a couple prior to the tragedy. 

I’m sure I’ve said before that when it comes to how I view Junko and Mikan’s relationship, that Val’s work is basically the primary blueprint for how I interpret and portray them. However that’s for the Non-Despair AUs, while there is some bleed over in how I handle Canon portrayals (And I admittedly haven’t done a lot with a serious interpretation of that), in my brain this story, Smile, is the blueprint of how I view a canon timeline version of Junkan. That might just be bias from it being the first fic I read that like, but it does kind of help that this is just one of the most excellently written interpretation of these characters I’ve ever bared witness to.

The first chapter was originally supposed to be a Standalone according to the Author’s Notes, and it really works as one! It’s a very complete story that’s super well put together, and ends very satisfyingly if you just stop after finishing it. I’m extremely glad it continued, as I don’t think my obsession would have come to fruition when it did if not for those following two chapters. But maybe I’m wrong cause this fic certainly knows how to hook you on a ship!

I was god damn mesmerized reading the first chapter. This has to be one of the saddest takes on Mikan’s character that I’ve ever read. Burning Lungs comes close however we never get to actually see things from her perspective, that’s all from Junko’s outsider point of view. Here we get to see it all from Mikan’s perspective, all of it, the sad stuff, the extra sad stuff, the stuff I don’t really know how to talk about because I’m inadequate with this kind of subject matter. And some gay panic, because it’s not Junkan without at least a little gay panic somewhere in the mix.

Junko is really god damn good in this first chapter, she’s god damn good in the whole fic but we’re talking about chapter one right now so i’m specifying. She has such a mysterious aura around her the entire time, and not just the obvious “Oh she’s planning the tragedy behind the scenes,” but also the mystery of how she feels about Mikan! It’s something left up to viewer interpretation in the first chapter, and to a much lesser extent the following chapters (I say lesser extent cause it does eventually lean into her having real feelings for Mikan, just being super confused by them. At least that’s how I look at it). Everytime I read one of these stories that serve as an origin point for these two’s relationship, it’s always really interesting to see how things initiate. It’s pretty much always Junko initiating of course, I’m not sure I’ve ever seen a fic where it was Mikan who made the first move? If there is I’m having a severe lapse in memory it seems, or I’ve misinterpreted! The point of course being I really like the way Junko handles things here, saving Mikan from her darkest point, all that good shit! 

And the kiss? I drew it for a reason, it’s amazing. From the buildup to the way Mikan has a rare instance of boldness and grabs Junko’s tie? The grabbing the tie part makes my brain explode, the fact that Junko herself was surprised by it is even better. I love it whenever Mikan can actually get Junko surprised or flustered. It’s great!

I feel like I should be more detailed, more meticulous, but it really is a struggle trying to be in depth when discussing something this good, I wouldn’t consider it my strong suit? 

So let’s try moving onto chapter 2! I do at least have a story with this one but that can be for when I finish desperately trying to talk about the chapter itself. 

It’s lovely! Big shock! We get to see the two of them just acting like a normal couple for a bit, and even better we get to see the two partaking in some sleepy cuddles. That scene also does one of those Junkan things I fuckin love where Junko just, fucking reads Mikan’s mind. I know that’s not what she’s doing but also it’s funnier to put it that way. I just like Junko putting her analytical ability to use by reading Mikan and understanding her finer details. It can be used in all kinds of ways, cute ways, funny ways, saucy ways, but this might just be my favorite way? Her being able to tell when Mikan’s about to spiral and snapping her out of it quick. 

Their date is lovely by the way, love the drive there, the conversation is just a treat. And I really like the reference to the grenade scene from the DR3 anime, I might not have fond memories with that series like, at all, but that one clip of Junko tossing the grenade and Mukuro (We’ll get to her) catching it is just a really fun bit of energy. It’s also just fucking funny because it reads like they practiced that shit for like 2 fuckin weeks- Sorry, distracted. Anyway I think the scene is both a fun reference, and another good way to kinda remind of us the darker parts of this storyline underlying the softer surface. Junko is in fact trying to burn the world down, she just also happens to have a tooth rotting-ly sweet relationship with a very sad nurse. The moments where Mikan unintentionally peers into that world, whether hearing an explosion or seeing the red roots of Junko’s true haircolor, I love it all!

Great moment with Mikan helping that kid from bullies, always love to see Mikan flourishing in these stories (foreshadowing)! I think it is very funny that the small child just immediately clocked that Mikan and Junko were dating, the kid either has a crazy gaydar or Mikan and Junko are the least subtle people alive . . . okay yeah it’s that second one.

The following scene is great too, fuck those parents, and fuck yeah to Junko coming in for the clutch as she is one to do in this fic. The kiss to follow? Fantastic. Junko’s joke about exhibitionism? Also fantastic. The part where Mikan says she’s gonna go see her parents- Fuck.

Okay so, I’mma make the assumption that if you’re this deep into my ramble you’ve probably read the fic already. And if you skipped out on the fic due to the subject matter noted in the tags, you can probably already tell by my apprehension that everything in this fic from here on out is like, the opposite end of the spectrum from all the sweet (albeit ominous) stuff we’ve had up till now. And you’d be correct, and I quite frankly don’t know how to talk about it, like, at all. There are parts of this that I do wanna talk about from this and the following chapter, but also I feel neither confident nor comfortable explicitly discussing what happens to Mikan here. Even if you can probably already tell.

Still, I must show my respects to the literature and it’s author, so I will do my best. Apologies if I fumble here.

I’m still not gonna talk in depth about Mukuro here, but I do like the conversation leading up to this scene, before Mikan shows up. It’s something that was going to inevitably come up, because yeah, Junko can make Mikan fall deeply in love with her, but that won’t exactly prepare her for being complicit in the apocalypse. There’s a part of me that’s curious what her gameplan was before the end of this chapter happens, how was she going to try and turn Mikan over to her side 100% and make sure she’s ready. The world will never know.

Junko’s great at the end of this chapter, not just the comfort she provides. But the way she, in the words of the story, Snaps. That line? That stuck with me when I first read this. I think it’s the moment that confirmed for me personally, that yeah, Junko does love Mikan even if she doesn’t understand it. And it wasn’t just that moment that stuck with me, it was the whole fic by this point.

That’s right, it's story time. So when I found this fic, there were only two chapters. And I wanna remind ya’ll that before this fic I read a fic so silly, soft, and fluffy that it made me question what this ship could be. Jumping from that, to this was definitely . . . Whiplash?

What happened after that is fun, because I don’t fucking remember. I think unironically the amount of stress that ending put me under just from the shock of it, made me fuckin black out?? Which by the way, huge kudos, it takes some really fucking good writing to get me so invested that I get real life stressed as shit because of bad things happening to the characters. But anyway, I didn’t actually just, black out from stress. But everything after that is so blurred that it’s borderline incomprehensible, I try to remember past that point, and it’s like looking at memories put through a paper shredder before being put back together by a toddler doing a handstand. 

All I can say for sure is that starting from the morning after, I was obsessed. I woke up, and kept fucking checking to see if Chapter 3 was out yet. I hadn’t checked the time of the latest update, I still barely fucking understood how AO3 actually worked. I’m pretty sure it was through this fic that I learned that when a fic updates it moves to the top of the page for a given tag. This was also way before I had an AO3 account, so I couldn’t just subscribe or bookmark it. I’m sure I read other fics at this point, probably including Kayleen’s other works? But the timespan between Chapter 2 and 3 feel like white noise, whatever I read didn’t exist in my memories by the time that story ended. And god damn did it end.

When Chapter 3 popped up, it was late I’m pretty sure. I don’t know what I was doing at the time, maybe looking at manga online, talking with friends over discord dms, failing homework over online school, maybe even doing some of my own writing since i’m pretty sure this was back before my passion for it died out. Whatever it was, I dropped it fucking IMMEDIATELY. I needed to see this ending, I needed that catharsis.

So I layed in my bed, in a house I was still new to, and read the god damn chapter.

It was perfect. One of the first times to my knowledge where I’ve had the satisfaction of reading an unfinished fic and getting to actually see it end.

Where do I start, what do I even say? Anything I say just kind of boils down to “Junko and Mikan are perfectly written and I love their interactions and also god dammit I feel so bad for Mikan.”

The scene on the rooftop is great, I remember in one of Kayleen’s other fics Mikan shows concern for Junko’s eating habits, so getting to this scene and seeing the reverse was nice. And like, god, Junko’s so good in this. I get she’s trying to start the end of the world but she’s doing such a fucking good job here. Sure, she asks Mikan to kill her parents right after this, which might not be the most normal way of helping your girlfriend through a severely traumatic experience, but that’s just Junko y’know? 

Should I talk about Mukuro now? I should probably talk about Mukuro now, I really wanted to wait like one more scene but fuck it we’re talking about Mukuro now. 

Have I ever really talked about Mukuro in the context of Junkan? I know I’ve definitely made note of her, and I’ve obviously included her in these pieces with varying degrees of prominence. But I don’t think I’ve ever noted how I think she’s is one of the most interesting and amazing assets of Junkan as a ship. Calling Mukuro an asset feels like a disservice, but I lack the words to adequately describe what I mean here. 

The Despair Sisters are already one of the most interesting dynamics in Danganronpa, and a pretty versatile one at that based on the various interpretations I’ve seen of these two. And I think adding Junkan into the mix is just lovely, because it adds an outsider perspective, but not just that, it’s the outsider perspective of someone who’s closer than anyone else due to Mikan dating Junko. Bonus for the contrast of Junko pampering Mikan and shit talking Mukuro, even if I believe that shit talking is just a very layered way for Junko to express that she does care about Mukuro as a sister. 

And I think Mukuro and Mikan is a really fun dynamic too! I love the idea of Mikan finding love through Junko, and then in turn getting a second person in her life that cares about her. Mukuro being Mikan’s bodyguard bare minimum is great, protect that sweet little nurse you desaturated girliepop you. But I think the way their dynamic can evolve overtime as Mikan continues to date Junko is great. 

Mukuro getting to see firsthand how Mikan is changing Junko for the better, even if it’s in a canon timeline where Junko’s still like, very locked in on the apocalypse. She’s getting to be happier in a more genuine way, which I’m sure Mukuro would be grateful for, and that just makes her caring about Mikan’s wellbeing all the better.

Plus like, something I don’t think about often, at least not until very recently, but if Junko and Mikan are dating, and inevitably get married. That does just kinda mean Mikan and Mukuro are sisters in law. And, I fuckin love that? Mikan not only gets an amazing relationship with Junko, but she also just gets to have a sibling, something that to my knowledge she doesn’t have in canon. It’s that found family stuff that I love, even if the found family in this case is a bit more literal rather than just being a metaphor. And Mukuro gets a new sister, one who cares about her just as much as Junko, but is just significantly better at expressing that by comparison. I think Mukuro would really appreciate having a sister who like, hugs her without slinging an insult, or just getting any kind of open, visceral appreciation without having to read between the lines. 

I love to see Mikan with plenty of friends, she has a bunch of dynamics that I appreciate. But I also have a lot of appreciation for the idea of Junko and Mukuro being the only people she cares about, the only people she needs to survive. 

Where was I- Oh right.

Kayleen’s depiction of Mukuro and her dynamic with our other two primary characters is amazing. Spectacular even. Fucking perfect perhaps. It does everything I love about the Despair Sister’s dynamic without bordering into uncomfortable territory like some facets of the main canon does. But what I especially love is her dynamic with Mikan in the few moments we get to see them interact. A protector, a friend, and eventually a sister to her, it’s amazing. The scene when Mikan wakes up to Mukuro watching over her while Junko is away is phenomenal, and I love Mikan’s concern for her given the way Junko treats her, which does look pretty bad without the deeper context. The moment at the very end of Chapter 2 where Mukuro just heads off to (I assume) kidnap Mikan’s parents after just sharing a look with Junko, it’s another one of my favorite bits in that scene.

And of course, the scene that lead me to start yapping about Mukuro like that out of fucking nowhere, her talking to Mikan about Junko’s test. It’s great how she tries to help Mikan come to a decision without forcing anything. But also finally giving some more confirmation that Junko definitely feels something for Mikan, expressing how many changes in her demeanor she’s noted. And the reveal that Junko routinely struggles with Nightmares whenever Mikan isn’t around?? Fuck I love that. God dammit. 

I feel like I should talk more about this scene, but I feel like I kinda did? To an extent? A lot of what I just said about Mukuro’s place in this dynamic kinda sums up a lot of the great things about this scene. So I suppose we move on.

The buildup to the big scene of this chapter is wonderful of course, not much to say there. And I admittedly just really want to talk about the scene that follows.

Because god it’s everything I was hoping for when I finished that second chapter and had no idea whether I’d see this scene or not. 

The reveal is great, and as grotesque as I anticipated. I do cringe a little reading some of the details, not the modern dickhead definition of cringe either I mean the “Oh god fuck that’s brutal” kind of cringe. And it is so perfectly contrasted by Junko being Junko, love the idea that Junko and Mukuro just nabbed up these people and didn’t explain a goddamn thing until this very moment where they finally figure out that this crazy bitch is dating their daughter. Mukuro punching Mikan’s dad in the face was fucking great too. 

And the buildup to what comes next, is so god damn good. It feels weird out of context celebrating it, but the scene where Mikan breaks? Fucking spectacular. The distortion on the word Red hits like a fucking truck, and also speaks to my childhood of being a creepypasta kid because i’m like, half sure that’s the zalgo text filter, correct me if I’m wrong of course. Point is it was an out of nowhere detail that perfectly emphasized the tensity of what’s about to happen.

And I can go on another tangent now, because this is something I have had no opportunity to talk about during the entire duration of this project. At least not to my memory or knowledge.

I love Angry Mikan. I love the Mikan that snaps and is fully over the edge, not willing to deal with anyones bullshit. I of course have criticisms of Chapter 3 in DR2, but Mikan’s reveal of her true self, or I suppose the herself prior to the NWP, I love that moment. 

I’ve never depicted Angry Mikan before, but someday I really want to. So until then I take great enjoyment in seeing such a rare side of Mikan, which itself is even rarer in these fics. I think counting this one there are only 3, maybe 4 other fics off the top of my head where we get to see Mikan fully lose her temper. Now of course, I could be suffering another lapse in memory, or I just haven’t read the other stories that feature it. I only think I’ve read like, 90% of the Soft Junkan out there, I can’t confidently claim I actually have for certain, so maybe I missed it! 

Point is, seeing Angry Mikan is a treat. And here especially is fucking amazing, the verbal teardown, the havoc of it all. It’s great. And Junko just adds to it with her sheer excitement (which is putting it lightly given some of the dialogue), getting to see Mikan finally become, from her perspective, the best version of herself. Someone who can survive alongside her. 

When things start moving, it’s amazing. A small moment I really love, and the moment I was originally gonna wait for to talk about Mukuro with. Her offering up an assortment of firearms from “Her personal collection.” is just, weirdly wholesome? The things I get to say talking about this ship I swear. I dunno, it feels like such a small, personal moment and offer that only Mukuro could provide, and feels like the perfect cap to Mikan and Mukuro’s dynamic throughout this fic.

Also, fucking enamored with the the presence of a Rocket Launcher. Funniest alternate timeline sitting right there, imagining Mikan with a fucking rpg over her shoulder is hilarious.

Junko offering the reverse side of the weaponry coin is lovely too of course, but it’s the wonderful stuff I’d already expect with Junko, so much less of a pleasant surprise like Mukuro. I do appreciate her keeping a knife used on Mikan’s father as a trophy though, imagine that over the fireplace.

Anyway I don’t know how I could really explain to you why the torture scene is nice. It’s catharsis, it’s just catharsis. I don’t even remember how fucking long I waited to read this moment but it was so worth it, Junko and Mukuro joining in to help setup equipment was also really cute . . . i feel like i shouldn’t be calling segments from a torture scene cute. Hm. Well anyway, I can say that while I appreciate its existence, I’m also glad Kayleen chose not to drag it out for too long. Ironic coming from the most excessive bitch around here, but it probably would have been a bit much if it took up the grander majority of this chapter.

Which means we say goodbye to Mukuro and return to our regularly scheduled Junko and Mikan moments. 

And yeah what do you want me to fucking say, it’s amazing? Because it’s amazing as fuck, yeah. I’m running out of ways to just say how fuckin much i love this, but i’ll persevere best I can. 

I mentioned way earlier that I love it when Mikan catches Junko by surprise, and we get more of that here. Though in this instance I think it’s better to describe that this is the first time Mikan just gets the upper hand on Junko, who’s struggling to fight back in the conversation because she’s already struggling to figure out her feelings. And it’s really lovely to see Mikan fighting past Junko’s own insecurities, especially when she regards herself as a bad girlfriend. It’s great, and it’s more of that role reversal I love. 

The book analogy near the end of this conversation is so good, it’s sappy as fuck but that’s why it’s good. And Junko leaning into it despite how lame it is makes it all the better, and I only noticed on this recent reread that there’s even a cheeky V3 reference as well, clever!~ 

The kiss is of course great, and I think i’ve just fully fucking run out of ways to talk about how much I love Junko and Mikan kisses in these stories. Thank god there isn’t one in tomorrows fic- getting ahead of myself. 

Rip to Scissorhands, thanks for the gay but you will not be missed.

God damn amazing fic, so well written. It’s one where I have to be in a very specific mindset in order to read it, as that middle chapter really does stress me out enough to be a bit of a roadblock. But admittedly this most recent reread wasn’t the worst compared to the previous few times. That said the fic definitely had it’s effect on me like usual, my body felt all kinds of wild ways, my heartbeat was a lot more intense, breathing a bit wacked out, my nerves up. The whole shebang, so good fucking writing. Equally bittersweet considering that, at least I assume, the normal events of DR are going to follow this story, even if not immediately. So Mukuro’s gonna die, Junko’s gonna die, and then Mikan’s going to have her brain undespaired and probably lose all her feelings towards Junko (Though I will admit, the idea of Mikan after the actual events of canon still having feelings for Junko while not being a remnant is pretty interesting). 

However, I can live with that. It’s still an amazing story even with main canon in consideration, and I think I’ve run out of things to say here. 

Tomorrow is the last fic based art in the event, Days 99 and 100 are all on me. And by process of elimination you probably have an idea of what Day 98 is, you may even know the exact fic. 

I said there were three fics that were vital to me reaching this point in my life, being this obsessed with Junkan as a ship.

The Third Fic, Everything You’ve Ever Dreamed, is the fic that sent me spiraling into brainrot to the point of snapping and drawing art of it behind closed doors, eventually snapping me into drawing more Junkan than I imagine most if not anybody ever has.

The Second Fic, Smile, is what got me obsessed with the ship in the first place, of course only enough to enjoy reading it in secret, which would lead me to EYED.

All that’s left is The First Fic, which you’ll see tomorrow. The fic that made me bother to even give this ship a chance in the first place. Hilariously, I will probably not yap about it nearly as much as the previous two, even if I love it. 

As always, Reblogs, Comments, and Little Notes in the Tags are appreciated!~ They always make my day!~

[more-than-a-princess]

Ah, he seemed to misunderstand, Sonia thought as she smiled. An honest mistake, but one she should probably explain before he met the rest of the family. They likely wouldn't find it quite as amusing as she did. "The bias against America is primarily due to the fact that your country rejected monarchy," She replied with a shake of her head. "Not necessarily safety: despite America's deep love of firearms, every able-bodied and able-minded Novosonian is trained how to operate them for military duty, so they are less fearful of Americans in that regard. Your right-wing conservatives are much more vocal than ours, though, but I imagine some of the restrictions on royalty that trickle down to the rest of the aristocracy might please people with those values anyway."

But she seemed to misunderstand as well, and while Wylan's was an easy mistake to make, hers wasn't. Sonia knew, to some degree, what his life's work entailed and that he didn't likely take holidays off for fun: he likely couldn't afford to, for the very same reason she guessed was behind her staff's own worries. Safety concerns. Sonia briefly wondered how many people were currently out for his blood, if they could identify him and track him down, and she shivered. At least she could write it off as the weather's responsibility.

"Sorry, I should have realized you would be traveling there for...erm, work," Sonia apologized. She hadn't meant to stress that particular word but it just slipped out, a casual admittance of her worries for him. About so many things: keeping him alive was only one of them. It would be a test to see who was more risky to his health: his past employers or enemies, or her own family.

Thankfully he changed the subject to something else, anything else. "Rock climbing walls? Like in The Princess Diaries?" She piped up before turning pink in embarrassment. "It is not my usual film choice but, when my floormates heard during my first year of Uni that I hadn't seen those films, they insisted that needed to be rectified. As an actual princess with a certain disdain for the Disneyfied versions, they were not too terrible." The second one in particular was resonant: a Royal Council's obsession with finding the crown princess a husband as God forbid she try to reign alone.

A topic a little too close to home, and therefore Sonia would do what she always did during times of anxiety: briefly chew at her mouth before diverting the conversation elsewhere.

"Well, if it is anything like the film then I trust you," She assured him, "But as I remember last night with some amount of clarity, watching my ass means you will have to give my thighs a respite. It may prove too taxing to keep both areas of my body in your sights at the same time."

If he was going to start with banter, she'd be sure to have the last word. At least, that was her intention by purposely reminding him of what her ass was attached to. "I am not sure that the Galeries Lafayette sells pet and pet care items," She admitted as they began to descend the stairs back into the department store proper. "Barring something from Louis Vuitton or Gucci. Does a luxury designer leash and collar have the same effect?" In short, nothing cheap.

Then again, nothing in the grand department store composed of three different buildings in one was cheap. Something Wylan would have to get used to. Something Sonia quietly hoped he never did. They re-entered the men's building and while he entrusted her to pick out something she wanted to see him in, what Sonia really wanted for him was for him to not lose himself in it all. The wealth. The pomp. The familial pressure to acclimate and perform in the manner of tradition he hadn't been indoctrinated into since the day of his birth, like the other peers he would soon be surrounded by. They'd have a leg up on him in every possible way, save two.

The ability to take a life, and the ability to keep her heart.

"You'll need a good coat, especially for the current season," She began. Perhaps best to start with outerwear and work her way in. Or under, she thought briefly as she blushed at the idea of picking out undergarments for him. Hopefully he could handle that himself. "Truth be told, I am often just given clothes to wear and do not often have the luxury to choose anything I wish. And um...I am rather more used to undressing men rather than dressing them. So this is a first for me, really: But I shall do my best. Even though I would love you even if you just wearing a paper bag, Wylan."

Something that could be interpreted as another challenge, Sonia thought as she guessed at his sizes, pulling out a deep gray wool overcoat, two blazers, three pairs of trousers and a pair of jeans, five button down shirts, and two pullover sweaters. Besides the gray, she'd mostly chosen shades of dark blue, navy, and green: they coordinated with or matched his eyes, as well as the usual colors the family wore. Accessories, shoes, sportswear, and sleepwear were whole other categories that needed their own focus and devotion.

"Perhaps try these on for the sizing and feel," She suggested once several workers arranged them all in a dressing room. "I should've asked, I suppose, if wool irritates you. I think you might appreciate it, alongside the cotton and silk blends, for this part of the world at this time of year. I cannot imagine that Las Vegas is conducive to cold winters at all.

"Too much of a security risk? With how you guys talk about America I thought that'd be a bigger deal. I think a social media guy just rented out space, you gotta have more power than him." A strange circumstance, almost jarring enough to brush past the slew of questions she'd thrown at him all the while disregarding his totally cool attempt at a flirt. "And no, I didn't climb the pyramids or go in them or any of that. It was a... different kind of trip. Don't even worry about it. Besides my point anyway." Hand flickers in the air. The whole tangent a dizzying one. But then, this was Sonia, wasn't it?

His arms cross gently with the coffee, considering the other alternatives. Considering actually climbing the Great Pyramid. Or just a pyramid. There was one in Vegas. Much less plausible of course. Zero blind spots and they had helicopters all over the damn place. Better to just see it. Alas.

"So. Failing that critical building block of upbringing. We start you on rock climbing walls. That's safe. Good for working out. I help you learn. Spend the day watching your ass while holding your rope. Practice for plenty of other things, right?" As the double entendre built up in his once-honest banter, he couldn't help but smile deeper. She seemed intent on seeing him make a fool of himself, he was intent on seeing her embrace some of the fool in herself.

Nobody else was going to do that, after all. Or not productively. Maybe one of the cousins? She seemed to take them far less seriously than he- however.

"Heheheh. This will be your turn to hold the rope, though. Taking me clothes shopping. See what all you want me to wear. Oh. Careful we don't pass a shop with pet stuff." Otherwise he will add a leash and collar to the basket. And Sonia will not survive the conversation about the 'pet' they're buying it for. One last swig of his drink before he finds somewhere to drop it, pulling Sonia by the hand with the ever present grin before descending back into the shopping area. A final glance to the tower before they dropped.

[hrokkall]

ULTRATOBER DAY 15 /// SISYPHEAN INSURRECTIONIST

[PREVIOUS] 🪨 [NEXT]

[cacti-are-like-flamingos]

Living Waters...

Gojo Satoru x Reader x Geto Suguru

The Cursed Trio | Desert Oasis

...

Before setting off for the day, you made sure to grab an extra hairband, anticipating that Geto might need one if his broke. As it turned out, he had the same foresight, which wasn't all that surprising considering the amount of times you'd lose them.

Another curious fact, for some reason, everyone came to you whenever their uniforms got a tear or two simply because you had once mentioned liking to sow things back together

You swear Gojo would do it on purpose considering he always had his stupid fucking infinity on. Geto, on the other hand, likely made sure to be just a tad bit more reckless with his uniform before turning it into you.

He actually liked to watch you work, eyes entranced by the way your hands move and manipulated the fabric --- all while you hummed some tuneless melody under your breath

Moving on

Did you know that Gojo accidentally revealed to Yaga that you had a fondness for unique plushies? Since that day, Yaga began surprising you with a new plushie every day. Sometimes he'd toss them straight at your face, while other times, he'd leave them outside your door.

As the days passed, your room became a plushie wonderland, and you realized you needed to have a serious conversation with Yaga about this overflowing collection.

Despite your talk, the "plushie issue" remained unresolved. However, every Friday after class, Yaga started setting up the classroom to teach you how to knit as a way to compromise.

With this newfound skill, you took matters into your own hands and began creating mini-plushies of everyone around you.

For Kento, you designed a stylish cream business suit that perfectly complemented his rather bland calm personality. You also created a matching outfit for his best mate, Habaira, but in a sleek black color. Habaira was overjoyed with the gesture, though he playfully joked that he looked like his mini-plushie was ready to attend a funeral. Kento couldn't help but chuckle at the comment, a rare small smile gracing his lips as he softly muttered a heartfelt 'Thank you.'

For Ieiri, you crafted a unique plushie, dressing her in a doctor's coat and adding her trademark little cigarette, capturing her essence beautifully. She was absolutely thrilled when she saw it, expressing her excitement with a lazy smile as she kissed you on the cheek.

Yaga received a miniature replica of his current look, which he proudly displayed by placing it next to his computer monitor in his office. Sometimes, you'd catch him smiling at it.

Gojo's plushie was a fun challenge, with a spiky-haired version of him sporting a blindfold instead of sunglasses. Gojo playfully teased you about making a second version because you just couldn't get enough of him. You threatened to take it away, and he protested, holding the plushie just out of your reach. Lanky bastard.

(You never did see that plushie ever again tho, wonder what happened to it)

As for Geto, you searched the internet for some fashionable outfit inspiration and dressed up his plushie accordingly. He later humorously referred to it as his mini shaman (the fashionable outfit was a shaman's attire. Sorry not sorry) , but he assured you that he genuinely loved it. In fact, he liked it so much that he transformed it into a keychain for his bag, carrying it with him wherever he went.

I should mention that by now, your fluency in Japanese had improved dramatically. However, out of a sheer habit, both boys had the tendency to order for you. Then again, they also ordered for one another. Everyone in this fucking three-way has memorized each other's orders like the back of their hand.

You know their coffee orders by heart; Geto knows both of your favorite meals by heart, and Gojo knows both your and Suguru's favorite sweets by soul. (Sorry not sorry)

You all take turns treating one another, but often it's Gojo who insists on paying for you and Geto, given his big-boy bank account. (You will never reveal to them how somehow Mei Mei has become your sugar mama and pays you for simply existing, on the daily)

Geto can't ever drink your or Gojo's coffees because they're just too sweet. It's so sweet it could put a diabetic into a coma. So the two of you happily share taste-sips with each other.

On the other hand, Gojo couldn't handle the intensity of your and Geto's meals due to their overwhelming spiciness. Just the aroma wafting around would bring tears to his clear sky-blue eyes. As for you, vegetables weren't your preference, so Geto would kindly slide his plate close to yours, allowing you to discreetly transfer the unwanted veggies onto his plate without creating a mess on the table.

Gojo would then tease you for your preference, mocking you as he likened you to a small child. So properly, the only adult response was to engage in a game of footsies with him under the table until, accidentally, Gojo hit you a bit too hard, causing you to flinch and squeak. Geto noticed your reaction instantly, and he gave Gojo a piercing glare, silently warning him to be more careful. Gojo, feeling a bit awkward, focused on stuffing his face to avoid eye contact with Geto.

Ah, nothing like a protective mama Geto

Whenever you're trying to avoid Gojo and his endless taunts, you have a clever strategy: hiding in his dorm room, a place he never imagines you'd willingly go. As he spends the entire day searching the school high and low for you, you're actually inside his room, peacefully resting or just relaxing. Oftentimes, you snoop. Hehe

You possess like some Gojo-detector, giving you the ability to sense when Gojo is about to return to his dorm room. The moment you feel he is messing you, you swiftly sneak out unnoticed. He never manages to catch you, and the mystery of why his bed sometimes smells like you remains unsolved for him. That is until one night, he stumbles upon your favorite bracelet tucked under his pillow, the clasp broken.

You can't escape him anymore

Geto finds solace in your room, partly captivated by its enchanting fragrance. The persistent presence of an oil diffuser emanates an aroma that seems to be woven from the fabric of dreams. Its sweet and gentle, a lingering scent that holds a subtle allure, almost addictive in its embrace.

Lost in the allure of the ambiance (doesn't help that you like to keep your room dark and cold with blue lighting) Geto spends literal hours nestled amongst the plushies, lulled to sleep by the whole scenario. Whenever he departs from your room, the decent clings into his clothing. Leaving a trail of flowers behind that informing others of his presence in your room.

Speaking of him

Sometimes, you wake up in the dead of night, feeling something off. It's as if you possess a strange, innate ability to sense when someone is going through a rough time. Perhaps it's connected to your Cursed technique, or maybe your soul simply has a way of recognizing their distress. Regardless of the reason, you find yourself instinctively reaching for one of your pillows and following the invisible trail of energy.

Tonight, your focus settled on Geto's room. He had entrusted you with a key long ago, allowing you to enter his private space when desired.

You approached the door with a gentle, single knock (you have this specific way of locking that involves lightly tapping on the door with your nails. Much like a cat would) before letting yourself in. And there he was, sat up on his bed, his blankets tangled around his lap as beads of sweat trickled down his face. A haunted look in his eyes.

Geto prided himself on being able to maintain a stoic poker face, but even he had to admit. Out of your little trio, you were the one most attuned to their emotions. You could read the warning signs long before they fully manifested.

You slipped into his bed, performing your nightly ritual of unraveling his locks from the right bun he wore to sleep. Quietly, you would always mention how it wouldn't do any good for his hair and how it might give him more morning tangles (knowing well that you yourself slept with your hair loosely tied). Yet, with tender care, you gently massaged the palms of his hands, hoping to bring him back to the present, back to you.

And he came back to you, blinking his lovely onyx eyes as they lightly widened at the sight of you in your nightgown, sitting right next to him, his hand in your grasp as you cooed him back to safety.

No words were truly exchanged; that was for the morning routine. So, for then, the two of you simply settled back into his bed. His hand never left your own as you slowly placed it onto your chest, just where your heart would be.

Your heart beat, calm and strong, lulled him into a dreamless sleep.

...

(A/N): As I was writing this, you fuckers kept blowing up my phone with the amount of likes you were giving my shit. Like damn, I see now we have some early risers here. Goddamn.

I have such a headache rn it's not even funny.

The idea of being a Gojo-detector is rather humorous, isn't it?

Wonder what Geto dreamt about that had him so distressed. Is it the start of something or just your everyday PTSD?

Drop a comment

Feel free to buy me a 🦩

Hope you enjoyed!

Edited: 7/24/2023

[umishiqu]

☀️ explaining kalim’s poison recognition abilities

this is a little short because all i’m doing is compiling and emphasizing information from the main story into one post. this does go into detail with implications, but any specific timelines on when or how these skills were developed are left out because i refuse to sleuth for information on the scarabab’s timelines with each other 😂

i made a rant in the comments of a tiktok video explaining this information so i might as well post it lmao

kalim says in book 5-34 that he “studied” poisons. there’s two methods he describes taking specifically to make sure he doesn’t consume poison. the first is knowing or having reassurance that the food isn’t poisoned in advance, which is the method he mostly takes in events when he’s asked to eat something (tamashina mina, playfulland). someone else (in both situations, this job falls on leona, but in book 4 this job went to grim) would eat it first to give reassurance that it isn’t poisoned, and then kalim would eat it afterwards. this also comes up in jamil’s school uniform personal story, where kalim is reassured by eating the cafeteria food because everyone else is eating the same food.

something even funnier to think about with this method: he outright just denies allowing riddle to bring any food of his own into the party kalim’s throwing in kalim’s school uniform personal story. this implies a few things that i’d rather unpack elsewhere lmao

in the case that doesn’t work, the second method is knowing if it’s poisoned or not as soon as he takes the first bite. the second method, along with the use of quotations around “studying”, implies he had to consume non-lethal doses of poisons to understand if the food has been poisoned or not at a first bite rather than conventionally study through text or descriptions of the poison’s tastes. this one is just an implication seeing as the quotation marks aren’t in the Japanese version (translations: ShelBB on YouTube), but you can deduce how much it implies about this particular method for yourself.

these are both measures similar to internal business controls - preventative (eat food with the assurance it’s not poisoned) and detective (eat food detecting at the first bite that it has been poisoned). he specifically mentions that, when it comes to his poison recognition skills, he’ll have a better chance of detecting even magic poisons if he “brushes up on his sensory abilities”. jamil says that for a person like kalim, who is insensitive, using sensory abilities to detect poison is a long reach. kalim says that he doesn’t know until he tries. despite what Jamil says, in the climax of book 5, it’s implied that kalim did brush up on his sensory abilities (intuition) since he knew vil was going to poison (or incapacitate) neige in some way, having the same expression jamil had before his ob.

fun fact: that intuition comes up again when leona talks about kalim and his charisma/money, doing things either intentionally or unintentionally to reach an end result (further relationships). in the context of knowing whether he’s poisoned or not so that 1. kalim enjoys a good meal, and 2. so that a surviving kalim can forgive the other person if they do poison his meal, the idea of the ethics of care coming into play with Kalim’s intuition in general is relevant.

intuition is something kalim is currently working on; although a lot of other events with kalim’s luck does imply he had this skill to some capacity, and just had to realize and apply it practically.

[fanterfane]

Dullahan Diplomacy! (Palmtop)

After having her head cut off and stolen by a headless woman, Palmtop knew she was in trouble. For one, she should be dead, she had no body. But for some reason, the magic of the monster kept her alive and breathing. In fact, she felt completely fine, as if her body were still below her but in a pocket dimension or something. If anything, the most discomfort was from how the dullahan who'd stolen her crown was playing with her. The light squeezing of powerful thighs on the sides of her head were discomfortingly pleasant, despite making her fear that she was about to get a watermelon treatment... Thankfully though, it seems like the headless woman had other plans for the bodyless head. Palmtop was gonna be the new powerful top for a powerful body... Whether she wanted to or not, the power that came from being plopped on top of that body instantly corrupted her. She couldn't tell if she was acting normally or not, but she didn't care anymore... She was powerful now, and nothing was gonna stand in her way... This is one of the finished versions a YCH auction I did earlier this year! I had a lot of fun working on it! I view it kind of as a spiritual successor to dullahan dilemma. I've always been fascinated by the concept of head swapping and head stealing and symbiosis so, this exemplifies those ideas for me! I hope you all enjoy it, and look forward to the second one being posted next week :3

If you like the art I make and you want to support me to help create more of it, please consider joining my Patreon at www.patreon.com/FanterFane for all of these benefits and more!

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[angelinpiink]

May I ask for some hange nsfw head-cannons❤️

❥ note: ofc! ive been waiting far longer than forever for someone to request some hange fics so i'd have a reason to expose my obsesssion w them so yayy with that being said enjoy ^-^

Hange Zoe Nsfw Headcannons࿐ྂ。

Given their personality, hange is neither submissive nor dominant. They are an experimentalist always wanting to try something new to keep things exciting in the bedroom. They’re so very versatile, so much so you never know which version of hange you’ll get– the sadistic side of them waiting to inflict sexual torture with some new toy she’d discovered or the side that is desperate for you to do the same to them.

Hange often uses pet names like “darling.'' And let's not forget to mention the tons of praise you'll receive for just existing. They call you “good girl.” any chance they get as if your life depends on it. They’ll do just about anything you ask with the exception of degrading you. They just can't seem to bring themselves to say such awful things to you without feeling guilty afterwards. Hange just adores you far too much. However, that's not to say they can't find joy in it when it's done to them.

In fact, nothing makes hange more turned on than when you are mean to them. It's exciting for them to see how far they can push, teasing you until you are a whiny mess, begging for them to take care of you. Or How when the roles are reversed and you are the one in control, they say all the right things to make you cave and give them what they want.

Hange has a high sex drive and truly doesn't care where you are or if you too fucked a few minutes ago. They will never ever get enough go you. Just being in your vicinity is enough to get them worked up. Did I mention they don't know how to keep their hands to themselves? They have to be touching you at all times because let’s face it they are obsessed. This will undoubtedly lead to you two fucking at the most inappropriate of times.

Public places are not exempt from the list of places they’ll have their way with you. Hange will make you sit with a vibrator inside of you, when going out to dinner together with friends and turn the settings to the highest vibration, giggling to themselves because to them it’s a fun little experiment or game to see how long it takes everyone to notice you're on the verge of cumming. Originally they don't notice at all. Instead they just take your shuffling in your seat, the fumbling over your words or the random inflections in your voice when you you speak as hange’s personality rubbing off on you. That is until the two of you excuse yourself from the table mere minutes apart from one another, your reasoning for this being to head to the bathroom and hange’s unclear gibberish answer of where they’re headed off too makes its obvious that their destination is the same as yours.

During sex, hange likes to start things slow and sweet despite what their personality may suggest or how eager she may come off as, things are more enjoyable to them when they have a chance to savor it. This is not to be confused with hange being slow in bed either because the second you ask them to quicken the pace of their fingers pounding into your pussy, I hope you can take it. Hange will fuck you mercilessly until your thighs are quaking and tears are streaming down your cheeks and all because hange is so fond of savoring the moment they're not going to let you cum anytime soon.

It's safe to say that hange is a one of a kind lover, you won't ever find anyone who can satisfy you as well as they do or who’s as wrapped around your finger. Never will you be bored of them due to them constantly introducing you to new things and helping you uncover what it is that gets you off. In short they are the full package, any needs you have can and will be met.

here's my masterlist!

ps. be on the lookout for nsfw headcannons for all aot characters.

[itsafablefolks]

I realized I never talked about Willow Tree March and I sure do have thoughts so here goes!

Overall- this isn’t Icarus at Fable or Fable at Icarus in particular, it’s more just about them.

The tree that will die without leaves is the tree Fable created, that then got wacked to gold (and eventually other things). It’s meant to reference how Fable’s tree doesn’t have leaves anymore, and also how a lot of Fable’s actions are superficial. This could have very easily been Momboo’s Tree, but I wanted to poke at Fable and keep the animatic more Ic & Fable centered. (Thank you to Abby who found the reference of the tree at the correct angle and the correct version (shout out to Family Reunion)).

The first refrain is Fable-focused- Icarus dying (again and again and again) and Fable trying to fix it. What he leaves behind is the resets- the history of the world and people forgetting, over and over again. While we don’t know exactly what happens to the papers that Fable ripped out of As It Is, the visual of them all piled up is really cool. The last frame of this section is the wacked Purgatory portal from the ending of the Skulk Reset. That’s the only reset where (to my knowledge) Icarus wasn’t in direct danger. The reset happens because there is now no way to get Fable out, or at least it has become much more difficult. And they all still die- the world still gets reset.

The second refrain is about Icarus. People still die (both Centross and Rakai), despite Fable’s promises otherwise. What Icarus leaves behind is nothing- or more realistically, the memory of a nebulous “Quixis” that maybe changed things, and helped Rae. (Side note- that frame of Ic glitching with “what do you leave behind” is the reason this animatic got made). The finale frame is the only one that can reasonably be said to be Icarus at Fable, because at this point Icarus has gotten with the program and understands that we all still die.

The ending has Icarus glitching through Quixian to Quixis, which works two ways – the people of Lodestar Grove think Quixis had a hand in killing Fable, and its also accurate. The current Quixis did kill Fable – they just weren’t Quixis at the time.

Fun Facts!

Fable’s what will you leave behind took so many iterations to figure out- originally it was just the one page, then it was multiple but I didn’t like the framing, and then we figured it out (thanks Abby)

Most of the time I listen to the song of the animatic (and related songs) while drawing, but when drawing the frame of When the Pieces Crumble, I put on comically upbeat music because I was thinking about it too much and not getting any drawing done

The frames are in chronological order

All of the frame changes are on the beats of the music to the best of my ability, and the glitching on the end happens in time as well.

[ym-loreposting]

Professor Layton vs. Phoenix Wright: Ace Attorney Timeline Placement

Professor Layton vs. Phoenix Wright: Ace Attorney is a crossover between two mystery gaming series... Professor Layton and Ace Attorney. Officially, this game is set in its own parallel world separate from the canons of either series, as stated by Shu Takumi (the creator of Ace Attorney and a writer for the crossover itself):

4Gamer: Did you decide on a particular point in the timeline of the Gyakuten Saiban series where the Naruhodo and Mayoi in Layton Kyōju VS Gyakuten Saiban come from? Takumi:  Not really. In the Gyakuten Saiban series, there is a clearly defined timeline, but this is just a game for fun, so it is set in a parallel world that is unique to Layton Kyōju VS Gyakuken Saiban.

Despite this, there are several clues in the crossover that allow it to be placed in the timeline of both series. It is a fun exercise which I will be going over here. Spoilers for both series and the crossover follow.

The crossover in the Professor Layton Timeline

The timeline of Professor Layton consists of the six original games featuring Hershel Layton as the protagonist (Curious Village, Pandora's Box, Lost Future, Spectre's Call, Miracle Mask and Azran Legacy), the movie Eternal Diva and the titles Layton Brothers: Mystery Room and Lady Layton: Katrielle & The Millionaire's Conspiracy. These last two are set several decades after the original titles and feature Hershel's adoptive children. New World of Steam, which is set to release in 2025, is set a year after Lost Future, the original game that is set latest in the timeline.

There are no exact dates or years given for the games in the Layton series, but the time between each is more or less known. Relevant for the crossover is that Luke, Hershel Layton's apprentice, uses his design from the original three games, which are all roughly set within the same year. Layton also has the university office he has in these first three games, as opposed to the office he has in Spectre's Call, Miracle Mask and Azran Legacy (which are all set before the original three games).

Left: Luke's design in the first three Layton games and in Professor Layton vs. Phoenix Wright: Ace Attorney. Right: Layton's office in Professor Layton vs. Phoenix Wright: Ace Attorney (top) and Layton's office in Lost Future.

Left: Luke's designs in Spectre's Call, Miracle Mask and Azran Legacy. Right: Layton's office in Azran Legacy.

A fun fact here is that in original versions of Professor Layton vs. Phoenix Wright: Ace Attorney, Luke used his design from Spectre's Call. But nonetheless, these details place the crossover somewhere between Curious Village (the first game chronologically where Luke has his original design) and Lost Future (where Luke leaves Layton's side to go live in America). We can get more specific however.

In the crossover, Layton and Inspector Chelmey of Scotland Yard know each other. This detail places the game between Pandora's Box and Lost Future, as Layton and Chelmey meet each other for the first time in Diabolical Box. Chelmey supposedly also appears in Curious Village, but is later revealed to actually be Don Paolo in disguise.

So in conclusion, a hypothetical placement of Professor Layton vs. Phoenix Wright: Ace Attorney in the Professor Layton timeline would look like this:

The crossover in the Ace Attorney Timeline

The Ace Attorney timeline consists of two main trilogies and two duologies of spin-offs. The first trilogy is set in the latter half of the 2010s and consists of Phoenix Wright: Ace Attorney, Justice For All and Trials and Tribulations. The second trilogy is set seven years later in the mid 2020s and consists of Apollo Justice: Ace Attorney, Dual Destinies and Spirit of Justice. The two spin-off duologies are the Great Ace Attorney and Investigations series, the former of which is set about 100 years ago in the late 19th century and the latter of which takes place a month after Trials and Tribulations.

The timeline of Ace Attorney is more rigidly defined, as each case in each game specified the dates it takes place and each year is known (aside from those of the two Great Ace Attorney games, but those do not really factor into the placement of the crossover as they are set in the distant past).

There are a few references to events in the Ace Attorney timeline in Professor Layton vs. Ace Attorney. The first turnabout of the game, the English Turnabout, features a character called the PC Badger, the mascot of the Metropolitan Police. He is based on the Blue Badger, which received the design the PC Badger is based on in Rise from the Ashes (the final case of Phoenix Wright: Ace Attorney), placing the crossover after.

Later, during the Golden Court, Phoenix Wright cross-examines the parrot Cracker. He comments that the situation feels oddly familiar, referencing the events of Turnabout Goodbyes (the fourth case of Phoenix Wright: Ace Attorney), where he cross-examined the parrot Polly. But given Rise from the Ashes is after Turnabout Goodbyes chronologically, this doesn't say much.

The crossover also has references to Trials and Tribulations. Maya Fey says the catchphrase 'Zvarri' a few times, which she picked up from detective Luke Atmey in the Stolen Turnabout (the third case of Trials and Tribulations). And when they are exploring ruins under Labyrinthia, Maya can comment that some of the statues there look similar to a statue of Ami Fey at Hazakura Temple. This is a reference to Bridge to the Turnabout, the final case of Trials and Tribulations, and so would place the crossover after Trials and Tribulations. While the statue also appears in the Stolen Turnabout, Hazakura Temple is never mentioned in that case.

But this makes things complicated, as Professor Layton vs. Phoenix Wright: Ace Attorney can only be set during a pretty small window of the timeline. Bridge to the Turnabout takes place from February 7th to February 10th of 2019. Meanwhile, in Apollo Justice, it is shown in the flashback portion of Turnabout Succession that Phoenix lost his defense attorney's badge on April 19th of 2019. During the events of the crossover, he is still a defense attorney.

So the crossover has to take place somewhere in that two-month window, but we can narrow it down further. During the credits of the crossover, it shows Phoenix defending a case back in America and standing in court against his rival, prosecutor Miles Edgeworth.

This is notable because during Trials and Tribulations and afterwards, Edgeworth is abroad studying foreign judicial systems. He only returns briefly to America during Bridge of the Turnabout to help Phoenix during the case. In the first Ace Attorney Investigations, which is set in March of 2019, it is revealed that Edgeworth went back to traveling abroad after Bridge to the Turnabout. He only returns to America during the events of Investigations and mentions he spent the previous month away from his office.

Investigations takes place from March 12th to March 17th and its sequel, Prosecutor's Gambit, takes place from March 25th to April 8th. Given how busy Edgeworth is during these days and the fact Phoenix and Maya can be seen in the background doing their own things in both games (The Kidnapped Turnabout in Investigations and Turnabout for the Ages in Prosecutor's Gambit), it seems rather infeasible the crossover takes place in these time frames. That leaves the 8 days between the two Investigations games and the 11 days between Prosecutor's Gambit and Turnabout Succession as possibilities.

The crossover takes place over the course of six days (including the prologue in London). Phoenix and Maya arrive in England per plane and it takes 10 hours to go from Los Angeles to London (and about 14 to 15 from Japan if one wants to take the Japanese versions of Ace Attorney into account). So an extra day can be tacked onto that, coming out at a total of 7, as Phoenix and Maya arrive in London during the first day the game takes place on. The crossover thus most likely would take place between Prosecutor's Gambit and Turnabout Succession, as that gives a few days to spare, tough a placement between the two Investigations games is possible if one assumes that Phoenix and Maya travel to London during one of the last days of the first Investigations game.

[magentagalaxies]

"tour of duty" (the filmed version of their 2002 tour) in general is just kind of a bizarre point for kids in the hall that i haven't really talked to any of them about but is hard not to notice when you look at their entire canon. like it's certainly good - there are some tour-original sketches that i highly enjoy and some live versions of filmed sketches that take a fun creative spin on it, but in general things just feel noticeably strange.

buddy cole specifically tells the fur trappers to "fuck off" (buddy very rarely swears and across all the buddy material i've watched for the documentary he's only said "fuck" 3 times across forty years). danny husk wins an award for being a high school vice principal and at&love isn't acknowledged in the bit. the "is he?" sketch has been revised to pack in as many euphemisms for gay as possible, putting the bit on top of another bit. and of course i have my chicken lady thoughts but i don't want to bias anyone else bc i genuinely want to know what your takes are before i share mine.

and again these aren't all bad choices - i think the danny husk vice principal monologue works really well and may not work as well as a different character despite contradicting the Husk Lore™️. but they're all very distinctive choices

idk there's two reasons i personally give for why tour of duty is so strange (to me at least, maybe other people don't notice). the first is that it comes less than 3 years after their other tour-film, the 1999/2000 tour "same guys new dresses" (also available on youtube!) i fucking love SGND and i'll be up front that it's my preferred kith tour video. but part of what makes SGND so special is that it's not just a recording of the live show, it's a full tour documentary following the guys traveling across the country performing together, occasionally showing full sketches but also delving into the stories behind why the sketches played out the way they did. and, sure, sometimes that means cutting out a sketch that i wish i could've seen in full (rip power of the suburbs) but my life is so much better for having seen the "laser eye surgery gossip" or knowing how much drama that goddamn robot-dog-prop caused.

so to then see tour of duty as a straight-up recording of the live show leaves that element of mystery, that we don't get to know why choices were made because we only see the end result. there was a conscious decision not to shoot tour of duty like SGND - the tour doc didn't do well financially, and they also had more of a reason to document that tour since it was their first time working together since the disastrous fallout of "brain candy," and first big national tour since the show ended. the circumstances were just very different

and that's true both personally and politically bc the second suspected reason for tour of duty's weird tone is you can obviously tell 9/11 just happened. two sketches directly reference it - bruce and mark's businessman characters sell scam patriotic products that are all just a rubber band, and buddy cole visits the middle east and ends up having sex with saddam hussein (tho fun fact this concept was written BEFORE 9/11). but the event casts an obvious shadow, especially since both the buddy cole bit and the danny husk monologue were recycled pieces from scott's cancelled one-man-show which was set to debut in new york city on september 19th 2001.

it's also interesting comparing this to SGND. the late 90s are often remembered through rose-tinted glasses due to a generally good economy in the united states and a lot of the social tensions with disenfranchised groups still bubbling under the surface rather than being talked about openly. SGND doesn't reference contemporary events much, but the closure of AT&Love from the KITH finale is undone since the economy has re-entered "rock-on fashion," and buddy cole comments on the Y2K computer bug being underwhelming. (i also went on a super long tangent on how the original show reflected the socioeconomic climate of the 90s but that's a whole other topic i need to go to bed)

i don't know how the KITH feel about "tour of duty." i can't know how much this strangeness was felt for them backstage, and i think in some regards it can only be picked up on as an outsider, albeit an outsider who has watched so much KITH content to know how their work evolved even when not on television. all in all, i'm glad "tour of duty" exists and even the swings that didn't really land for me are still admirable as creative choices.

it's also cool to analyze as someone who has now been to a KITH live show over 2 decades later and got to see those behind-the-scenes conversations play out. the bellini benefit also featured a lot of strangeness, caused by a limited rehearsal schedule and one of the cast members being unable to attend due to illness, but they absolutely exceeded these limitations to put on a very fun show. we did film the performance and rehearsals and that show is going to be released eventually (i'm not in charge of it but the person who is also works on the buddy cole doc so i'm involved). i don't know if it's going to be presented more like SGND or tour of duty or something completely different, but it'll be cool to be part of KITH live show canon

[ganondoodle]

i know i said i wouldnt be ranting about totk anymore, but i realized i didnt really count the sage dungeons as story (dont ask me why) so i thought im gonna write a better summarized version of my opinion about totk (i have around 60% of the game, all lightroots, not yet all shrines (missing like .. 20 or so, know the reward), not all krogs (dont know the reward), not all mayoi (half know the reward?) )

(in no particular order)

good stuff (in my opinion)

the. MUSIC! god the music is good, it was good in botw too but now with much more different bosses it really is probably one of my fav soundtracks of all time (most fav are all three phases of the end fight, the pre-fight to that, the build up one before all of those, Frosgeira (wind tempel boss) the glorious mASTER KOGA and more tbh)

the build up and end boss fight(s) are fantastic, i dont think im ever not gonna have my heart racing when approaching it (despite now skipping almost the entire way bc i set a teleport thing right before it) just bc the build up is so well made and the music(again) is such a banger and the fight(s) itself is so fun too, tbh i keep wanting to play it just bc its so fun

i LOVE how many themes play into the music (endfight alone had so many layers, fav probably is ganondorfs classic theme and calamity ganons both in the same piece among much more, and daruks theme in the fire temple)

(edit) YOU. CAN. TOUCH. DA. DRAGONS!!!!

ganondorf

ganondorfs design (x3)

ganondorfs weapon designs

ganondorfs voice (japanese)

everyone elses voice (japanese)

all voices (german)

thE YIGA!!! i love everythign about them and am so happy they got to be more than just some mini mission

(edit) also the fact that they get zonau tech to work without any special ghost powers is so ????

(edit) koga can summon and use zonau tech unlimited?? hes so cool

NO stealth mission!! (as far as im aware)

bosses are very different from each other

main dungeons are not too short and not too long and mostly fun (mostly bc i personally didnt like the gerudo one), i love that you can still somewhat cheese them and do them your way

sages felt like they got a bit more involved

(edit) you gotta do more stuff before getting to the actual dungeons and i really like that, feels less like a fetch quest but that you are actually helping

(edit) each sage is actually there in the dungeon and is required for it, which is great!

each settlement saw a much bigger danger/change (tho that has more impact if you have played botw) and its problems felt much more real

shrines are well varied tho i think overall a little easy (only got stuck on two so far and later solved them easily bc when i first started them i was tired and exhausted, no brain left lol)

NPCs felt less flat + more bigger sidequests that felt like they had more impact

cool new monsters + designs

the underground was pretty appropiately creepy

the sages abilities are neat

you can refight bosses!!

stable points system is a neat way to encourage you using them

weapon fusing is neat

(edit) the forest of the krogs being corrupted like that is both creepy and a neat nod to oot

(edit) the vai gerudo outfit being gone!! (one) evil has been defeated

(edit) the health bar going so far off the middle in ganondorfs second phase is honestly just funny hnjdfdjk unfortunate that you only need the master sword and with a few perfect dodges his health melts like butter in the summer

(edit) the music when dragondorf transforms sounds so sad .. its probably meant as a oh no world is actually ending sad but i like to think of it as a oh god what did he do to himself sad

the scene where rauru seals ganondorf kinda fruity

(graphic, animations and the overall world is still fantastic)

bad stuff (in my opinion)

everything zonau they feel forced into every bit of the world and its history (i know them being somewhat alien is intentional but not like that) it feels crammed into places they werent before and shouldnt be and it makes it all feel very artificial

the glyphs/dragon tears/memories really ruined alot for me, while it gave you insight as to what happened, it felt like it showed you too much and too little at the same time and i think it would have worked better if it was all in text for once if even at all, so the past stil stayed a mystery and youd be left wondering

timetravel .. really wasnt necessary and felt more like an excuse to get rid of zelda + make her the poor little sacrificial girl again + and to make her turning into a dragon as tragic as possible, like nothing but a stepping stone to the big reveal tm

shiekah tech being not just fully irrelevant but practically erased, wiped off the world (i know about the literally last guardian parts in hateno, it feels more like an oversight tbh, purah technically using it ... tho i dont think she ever calls it that, the purah pad is jsut the sheikah stone but worse), there being no good explanation, no remains, nothing as to why it would suddendly stop working and why even the titans and ESPEICALLY the shrine of life would be destroyed, if anything why wouldnt you enshrine it as a memento to history it was such a focus in botw and so well integrated into the world that it being fully gone, not even old overgrown, or visibly reused to build homes etc., or remains of how they built the og shrines in the underground feels like a HUGE missed opportunity (seriously it would have been so easy to make the ancient shiekah base their tech on old zonau tech, without stealign the gocus but buildign a connection)

all of the continuity problems, totk feels like botw didnt happen and the excuse of 'they didnt want to confuse new players' doesnt make a lick of sense in my eyes bc; its supposed to be a sequel, if you want it to be a standalone game then dont call it a sequel- if you start to play a game with the sequel instead of the first part its your own damn fault if you get confused; if anything, it would have been a good opportuntiy to make people interested in botw so theyd buy and play that one too

ganondorfs character is very flat, you basically get to know nothing about him (yuno even calls that out midgame but its never elaborated upon nhgfrdfhkk)

the zonau and their kingdom of hyrule is presented as this so perfectly good thing to such a degree it turns creepy, the end cutscene with mineru going poof was kinda uncomfy to watch tbh

the reward for all shrines being essentially a reveal as to who the hero in the tapestry was and it being, of course, some weird half zonau is the lamest answer to a mystery i didnt want an anwser too, it doesnt feel like it came naturally either (again my point of the zonau being forced into everything)

the shrines (zonau) feel so much more unnatural than the shiekah shrines, alien in a bad way and not in a good way + really are like a bad reskin of them, their sudden appearance and use is so much less logical

back in botw i was doubtful of if the shiekah tech wasnt going to far too modern tech and cause it all to feel like a bad mix of modern tech and medival fantasy, but they balanced it perfectly (tho the eponator zero was very much the limit imo) but the zonau tech .... oversteps that line i think, it really does feel, more than anything else, that it was just bc they wanted the stuff to be in there bc it might be fun to play around with, im not against that kind of stuff mind you im all for fun, but it feels a little like they thought of a box with endless stuff to play with first and a zelda game second (if you get what i mean)

quite a few quests or things in the game seem like they are more and then end in a dead end (the worst of all is impa saying she wants to go research what could help zelda turn back, and i was excited and convinced that shed give me a quest to find some mcguffin that would do that after i beat ganon but there wasnt anything you could actually do; less bad one but disappointing nonetheless the dongos were mentioned and treated like this big awesome thing from alot of NPCs all around the map and then when you find them they are bascially just gem vending maschines)

the way zelda turns back and link gets his arm back is incredibly unsatisfying, none of them even have something like a scar, or mark from it all, zelda spent thousands of years as a dragon (a transformation that was said to cost your soul but i guess that wasnt true) and link had his arm bascially eaten by miasma and he gets it back like it was never lost, zelda returns all intact as if nothing happened, getting blasted by some magic tm by two ghosts that were supposed to be long gone is the solution to all problems!!

(edit) link losing an arm wouldnt just be super intersting but also lend itself well to lead up into the next game where his prothesis is the focus and source of abilities

(edit) zelda got done so dirty, instead of her actual interests and character to shine she just gets shoved into yet another crisis surrounded by strangers in a world that looks like hers but isnt, and all she does is beg the ancient sages to swear to help link and sacrifice herself again (can you call that fridging? bc she sure feels like she got fridged) i like zelda and i dont like how much i didnt care about her and tbh im angry at the game for that

(edit) both link and zelda not even slightly changing in the years btween botw and totk kinda boring, like a haircut can only do so much

(edit) sonia really is the wife that dies to make husband sad thing isnt she? i get that gan had to get his hands on an enigma stone but i feel like there had been better ways to do that, the fact that she dies that easily is almost funny honestly, why does ganondorf even have weapons when he can just one punch people to death (tho i find it funny to imagine he can literally just kill people in one punch but hes too prideful to do it most of the time so he always uses weapons to look more cool)

(edit) so many new characters that you barely get to see or interact with, i really ... couldnt get myself to care much

(edit) zonau tech being so irrelevant to the games story while its also the focus is .. weird, its really just play doh for the players and nothing else honestly

(edit) monsters mining sonanium feels strange bc ... they dont do anything with it? the best thing i can think of is that they were told to do that so link cant .. upgrade his battery thignies? but then again you could just destroy the mines and remaining constructs to stop it .... also you really dont need anything zonau tech related to beat gan?

(edit) ganondorf beign so utterly uninterested in their tech is weird considering how he dealt with shiekah tech (and we KNOW it can get corrupted) he should be a tech nerd tbh

my twitch VoD of the first time beating the game getting muted at the credits despite me talking over it

nitpicks (in my opninion)

(edit) ganondorf should have a bit more of a boar inspired design, as treat, i think

(edit) the enigma stone wandering back to ganondorfs forehead even after transforming is? weird? i guess an excuse for da epic last stabby but still? (how cool would it have been to have to plunge into his mouth and break it there or something)

(edit) the underground gets a lil old after a while, the fact that its pretty much the same everywhere aside from some .. very strange flowing magma is a lil boring

(edit) ganondorf could have gone way more crazy with abilities and all that, imagine hed spwan multiple miasma arms on himself when you get him to a certain level of health

(edit) i miss unique weapons, there arent even normal axes around anymore, everything is about fusing really, i miss the cool shiekah tech weapons

(edit) the forest of the krogs being largely irrelevant is kinda weird

(edit) mineru being the sage of spirit still is kinda meh, the robot is neat but i thought tauro or purah would be the surprise sage tbh

(edit) the bosses were a little easy (i did boldo gohma rather early and did it without even getting hit)

you cant talk to koga normally :(

you cant find koga again after the last fight :(

you cant refight him (to my knowledge) :(

i find it very strange that yuno seemingly lost daruk shield, despite him having inhereted it in botw

the sage powers are not .. very great integrated, while its fun to haven them run around and help you fight, to actually use their powers you have to chase after them, something that in the heat of a battle is very annoying to do, constantly activating the wrong on or them losing their charge up when they get knocked over is like trying to herd a wild pack of geese while a three headed dragon is shotting laserbeams at you

some widlife just disappearing all of the sudden is very strange (like the rhino in hebra)

some new houses or settlements would have been cool, that the material things at the sides of roads are really only for you to play around with and not to build anything that lasts

you cant fight ganondorf (non dragon, even the dragon is locked to that evening sky) in the sunlight, night or rain, i would have loved to fight him at various times of day

their refusal to show any kind of blood is honestly turnign serious scenes into very awkward ones, sonia just getting punched and she dies with not even like, losing some spit from the force or something, or the fact when you defeat ganondorfs second phase he acts mortally wounded but doesnt even look scratched is just :/

amiibo stuff while neat being included its really mostly just bloating your inventory, if i wanted 5 vaguely different link outfits then i would have gotten the amiibo for it

why hide the -now-totally-not-phantom-ganon-armor- behind such a long questline and then .. have that NOT be upgradable

they put in a house building thingy and then not let you have a roof or a tree or something :(

at some point stable points jsut get you more and more of those free staying over night tickets that i maybe used .. once at the very start and now its just accumulating in my inventory

only one new horse coat pattern :(

satori now only being a thingy that shows you caves is kinda boring, i loved the mystery around it in botw (additionally, that it shows you caves you have completed already kinda sucks)

the end of the shrines isnt that cool anymore, speaking to a mummified monk that gives you essentially his last remains of life energy is so much cooler than a statue of the oh so awesome god king and his wife

the many references and reuse of old names is neat but together with timetravel etc. it easily leads to confusing and fighting among fans for who is more 'right' and its just .. tiring

(edit) considering how much of the advertising was about the sky islands i wished there were more and bigger ones, the underground (that was a little one sided after a while, it all looking the same rly) could have been alot smaller if the sky was bigger instead

(edit) i wished there was more of a sense of .. lost life in the ruins you find, from all races, the ancient ruins are jsut some bridged and ceremonial stuff and i wished there were more like .. houses, like people actually lived there and it not being all around beign a platform for you

(edit) the fact that the half zonau hero exists mean either rauru and sonia had kids but those were clearly not important enough to ever show nor mention, or there were other mixing of them before they all mysteriously died out the fact that the ancient hero was half zonau means their genes survided till then but somehow it never came up? the tapestry still exists and impa and purah say like its a well known fact that the hero looked like that (not at all close to any modern species) when you talk to them while wearing it (the fact that the hero armor thingy is very reminiscemt of ganondorf is like some backtreading bc we were theorizing about the hero having been ganondorf once and they wanted to stop that .. but the more funny thing is the HC of its a descdendet of rauru and ganondorf nhjdfknhdgkfnhkfd) (edit to add to the HC; the game being a big battle about child support is funnier than it should be idk if nintendo knew what they were doing adding details like that)

all in all it just feels like missed opportunities, lost potential, and more a game build around some game mechanics they really wanted to get into than telling a neat story, espeically so bc they called it a sequel, most of my complaints wouldnt be there if it was some alternate thing instead

i probably forgot stuff but if i think of more i will add them later with a little note that it was added in an edit (sidenote, i find it funny how much more nuance that whole conflict would get if rauru and ganondorf were bitter exes bfdrjfbdfndk)

[multifunctionalnitroglycerin]

The Locked Tomb Series Names and Symbolism #4

Hiya folks! Hope you are all doing fine and dandy. This series ofc couldn’t be complete without our beloved Sex-Pal in the count. Now according to wiki there are two figures that inspired the Master Warden, Παλαμήδης, the Greek mythological hero that took part in the Trojan war, and Palamedes the Arthurian knight. I am more well-versed in the Greek myths than I am in Medieval plays, I admit, but I will do my best to do justice by both these inspirations.

            But first things first, some etymology. There are two most prominent versions for the etymology of the name Palamedes or well, Παλαμήδης. In the first one, it’s a derivative of the verb παλαμάομαι meaning devise/contrive and invent. Aka the inventor that devises plans (Or concocts schemes, depending on how you want to see it). In the second one it is believed to derive from the verb παλαίω => παλεύω aka fight and μήδομαι => σκέφτομαι, συμβουλεύω aka think and advise. So, Palamedes would be the one that thinks abt the battle and gives advice for it. Both etymologies I feel fit our inventive strategist, The Master Warden of the Sixth, to a t.

Let us now begin with the Greek hero from the Trojan war. And no my pals, this is not yet another Iliad reference, for our proclaimed hero does not actually appear in the Iliad. His first appearance is in what has been known as the Κύπρια, a well-known epic of the ancient Greek literature that despite being quite famous during the classical period, has been lost to the sands of time. Long story short, this epic is a part of the Trojan circle and follows the conclusion of the Iliad. Palamedes’ story is one of many included in the epic that counts I think 11 books.

            Truth to be told, Mythological Palamedes did star in quite a few epics, tragedies and other works that refer to the Trojan war or the time after it, but for the sake of keeping the post relatively short, and since I do not quite have the time to hunt down every ancient text reference and draw a parallel to the Master Warden, we’ll mostly reference the most relative ones and I’ll leave a list in the end, in case some of you do want to go hunting ancient texts.

            I’ll start with a fun fact. According to a Trojan priest of Hephestus, Dares the Phrygian, Palamedes was described as tall, slender, wise, magnanimous, and charming. Now I cannot speak for everyone, but well, to me that sounds like Palamedes Sextus.

            In general, there are not many direct parallels that I can make between Palamedes the Euboian and Palamedes Sextus, bar for the most obvious one, that they are both ingenious. Palamedes the mythological figure was accredited with inventing part of the Greek Alphabet, lighthouses, navigation, coins, the division of time into months days and hours and a few board games, with κύβοι being one of the most prominent (to my understanding it’s the equivalent to dice). Palamedes Sextus on the other hand, figured out the secret to Lyctorhood, necromantically bound his soul to his skeleton, saw through Cytherea’s ploy, exploded himself, created a bubble in the River in which he persevered until Camila could glue his skull back together and he figured out a way to co-exist with her, in her own body, without killing them both, plus the Grand Lysis and Paul’s creation.

            What mostly sticks with me from the above, among others, is navigation. One Palamedes is the inventor of it, and the other, though by that point is Paul, seems to know a way to the Tomb via the River. The river that even God struggles navigating – at least with other people on the way. So, could it be, that Palamedes -that beat even Cassiopeia in time survived in the River – figures out a way to truly navigate this sea of the dead?

            Two smaller parallels we could draw from mythological Palamedes are 1. Pal seeing through Cytherea’s ploy, the same way that Palamedes the Euboian saw through Odysseus’ ploy when he wanted to avoid fighting in Troy and played mad, plowing the earth with a horse and an ox throwing salt in the holes.   2. The syphoning challenge. This story also includes Palamedes butting heads with Odysseus – not going to lie to you, they were evenly matched in genius – although according to some accounts it’s Palamedes who was the brightest and most ingenious of the Greeks - , but Odysseus never forgave him for uncovering his ploy and may or may not have orchestrated Palamedes’ murder – only in this analogy Pal is Odysseus. In a time of great hunger for the Achaeans, Odysseus was sent to Thrace to find wheat and returned empty-handed. Palamedes mocked him, and Odysseus replied that for all his ingenuity he too would return emptyhanded. Palamedes did embark on the quest and was successful, returning with shiploads of supplies. In the syphoning challenge, Pal is Odysseus, the one who turns up empty handed, refusing to risk Camila’s well-being once he figured out how the test worked. And he is also the one that tries to talk Harrow out of completing the challenge. Harrow much like the mythological Palamedes jumps in the opportunity to prove herself – through the challenge’s objective had little to do with proving one’s self, as we saw – and succeeds, obtaining the key.

            All in all, the biggest parallel’s we can draw here, is that Pal like his mythological namesake is a genius inventor and strategist, a bright necromancer and brighter scholar still. He is the Odysseus in Harrow’s Palamedes and vice versa.

            And now that I drew the parallel with Odysseus I cannot unsee it. He made his body the Trojan horse that exploded in Cytherea’s face. He was stranded in the River – the sea of the undead, of the souls and corpses and all that nice stuff – for however long it took Camilla to piece the skull together, like Odysseus lost in the seas. He found his Ogygia in Camila’s mind where he stays safely stored until his stop in the island of the Phaeacians – Naberius’ body. A brief stop gathering supplies, gathering courage before going home. Back to Camilla, but now as one. There is no him and her anymore. They have had a home in each other, and it’s time he returned to it, burning down the ruins of the past, and getting reborn as something new, together, as one. (Cam and Pal are a phoenix metaphor if I have ever seen one.)

            Onto the Arthurian Palamedes now, our friend was a knight of the round table, and makes his first appearance in an expansion of the Tristan and Iseult legend, as a knight vying for the princess’ hand, much like our beloved Sex-Pal wanted Dulcinea’s affections. There are no Trsitans in this world however, merely Cytherea as an imposter.

            Now what is interesting about the Arthurian Palamedes, is that according to various tales he is the hunter of the Questing Beast – a multi animal snake like monster that he, Percival and Galahad are tasked with exterminating. In most versions the hunt is futile and bears no results. After Palamedes converts to Christianity however, releasing himself from the worldly entanglements, he is finally able to slay the beast after the other two trap it in a lake. My theory here is that the Questing Beast, Beast Glatisant or whatever you want to call it, is a Resurrection Beast, perhaps even Varun the Eater. And the Warden has “converted to Christianity” by ascending, aka completing the Lyctorhood process. He shed his mortal shell, disentangled himself from the coils of mortality and worldly needs, becoming very much the equivalent of the “converted Palamedes”.

 Practically, to sum up, Pal through Lyctorhood and Paul could be the one to slay the Resurrection Beast that is Varun the Eater. With the help of two other individuals – for some reason I feel one of them would be Pyrrha – they trap Varun in a “lake” – could be the Tomb, could be the First, could be yet another metaphorical body of water – and he is the one who end the RB that allegedly killed and consumed Cassiopeia the First.

That’s the post folks, now the list of ancient Lit that I promised:

Ἀπολλωδώρου, Βιβλιοθήκης Ἐπιτομή, 3.7 /  Apollodorus, library epitome 3.7 (But he, not wishing to go to the war, feigned madness. However, Palamedes, son of Nauplius, proved his madness to be fictitious; and when Ulysses pretended to rave, Palamedes followed him, and snatching Telemachus from Penelope's bosom, drew his sword as if he would kill him. And in his fear for the child Ulysses confessed that his madness was pretended, and he went to the war)

Ὑγίνου, Μύθοι, 105/ Hyginus' fabulae 105

Παυσανίου Ελλάδος Περιήγησις,/ Pausanias' guide to Greece

Γοργίας, Υπέρ Παλαμήδους Απολογία / Gorgias Palamedes’ Defense

Ovid, Metamorphoses pp. 13.34-60, 308-312

Virgil, Aeneid pp. 2.81-85

Plato, Apology 41b

Take care of yourselves! See ya on the next one!

[tumblingxelian]

I doubt I have the time or focus to write it but legit fascinated of an "Adrien never went to school" AU thanks to re-reading the Enemies to Lovers Bakers AU.

I imagine the sequence of how this happens would be:

The first day happens as canon. But on the second day, Adrien is better contained at home until Stoneheat 2.0 lets him slip away to do hero stuff. Despite this, the fact the mayors daughter was nearly killed is used as Gabriel as a pretext as to why Adrien will be staying home. This nixes any plans, arguments or work arounds he or Chloe could come up with.

So, with Adrien contained to the manor, work & slightly more occasional Chloe hang outs, what becomes of the story overall? Well let's look at the season 1 plot from the main 2's perspective:

Marinette:

Off the cuff her story doesn't change much.

She doesn't befriend or start crushing on Adrien and because Chloe's distracted there's no seat dispute. With no Adrien, she may instead have a crush on Alya & Chat, but is not willing to act on or even necessarily aware of this at first. Though she may end up feeling heartbroken 'for some reason' when or IF, Alya & Nino start dating, but with no Adrien it may not happen, or could happen differently.

On a more long term level, I imagine some of the school Akuma don't come up, like there's no 'reason' for Chloe to try and steal Juleka's spot on photo day. & Chloe in general is probably bit more distracted & the two have slightly less reasons to butt heads, so the stories focusing on that would be stuff like the class election.

Her relationship with Chat would be largely unchanged given little has actually changed on that front. Though he may be a bit clingier and more overtly lonely so they may talk more. Adrien to her is just a pretty face who she sometimes sees hanging around Chloe.

I think the big divergence would really happen because of Lila. Mostly because without the Adrien factor she may handle the lies with a cooler head, this plot could manifest in two ways, but I will handle that lower down.

Adrien:

So, Adrien has been denied the chance to go to school because of the Akuma. He definitely resents his father and Hawk Moth a bit more overtly in this version and is even more inclined to use Chat Noir as an escape. What little freedom he did manage to claw out of the shift is usually spent hanging out with Chloe. This would also be easily used for comedy juxtaposition what she tells him of school with what we see.

As noted he also tries to spend more time around Ladybug and is perhaps a bit more fast and loose with details about his life, for good and ill. This could also lead him to slipping the truth to Chloe on accident or by intent shifting her dynamic with Chat, or there's still the fun contrast in how she treats the two.

Beyond that, and as established he spends a decent chunk of his off time with Chloe. In this context he is likely the one doing cosplay, which could may Lady Wifi notably hilarious if very stressful for him. He may also briefly connect with the class during the student election.

But again, he's otherwise very cut off from other kids. Though through this we do get to see a, if not softer, then "Trying to be a good friend" Chloe which is as awkward and clumsy as one would expect.

The main big divergence comes with his discovery of the book, likely born from a bit of rebellious snooping in his fathers office. As with the Lila piece above, this deserves its own segment.

Season 1 Finale:

The Book & the Story Teller would likely be the name. It'd be a dual story with Adrien uncovering the tome and realizing its importance and Marinette grappling with how to handle Lila's deceptions. I forsee 2 main varients.

1: Closer to canon. Adrien hears about Ladybug's "bff" from the Ladyblog and goes to give her the book to see if she can get it to Ladybug. It ends up with Marinette who suspects Adrien or his dad of being Hawk Moth. When the book is discovered lost, Adrien is barred from any outings or visits.

Chloe goes on a rampage to try and find it & to get Adrien to reveal Lila lied about them dating, causing her to Akumatize. Marinette does return the book at the sight of Chloe hiding somewhere sobbing over not being able to see her friend but not before making a photo copy version.

2: Very non canon. Adrien still discovered the book but is told to sneak off with it to tell Master Fu, and he does so. Gabriel is distracted by word of Ladybug's BFF and sends an Akuma after Lila. Because Marinette was already keeping an eye on her to reveal the truth she appears and quickly saves her, which makes it look like the lies are true, much to her annoyance.

Lila is now aware that this lie being believed is not good at all, she assumed Hawk Moth wouldn't notice or buy it. But she doesn't want to admit she lied either because then everyone would question everything so she's kind of stuck and ends up as the more common damsel essentially usurping Chloe's position as nominal Akuma target.

While all this was happening, Adrien was grappling with worries regarding his father and Fu and the Hawk Moth situation. He may also briefly lose the book when helping with Lila and it gets picked up by Ladybug so they both get to meet Fu. This sets up the Collector & also the return of the book via the above method.

I think I rather the latter as it feels more natural.

It also does something different with Lila with her still being a presence in class that irks Marinette and draws Akuma into everyday life.

It also lets her potentially be taken in a different direction with her being the target of attacks meaning she's sure as hell not going to work for Hawk Moth. Plus with no Adrien she likely fixates on different would be famous kids, be they:

Chloe (Hilarious because Chloe is as friendly as a porcupine), Marinette (Self starter designer who has to be polite through gritted teeth) General socializing (The Class) different targets of the week (Such as Luka) or a greater focus on Ladybug and trying to use her for social media fame, while also dealing with the stress of constantly being under attack.

Conclusion

It is harder to say what happens in season 2, but I imagine as changes would begin to pile up more things would diverge.

Kagami might make Adrien & Chloe a trio, or a quartet if Sabrina's been brought in more. She'd also potentially have a friendship episode with Marinette sooner if that was still to be a thing.

Chloe might not reveal herself as Queen Bee, or she might actually get picked by Adrien as a temporary hero, possibly along with Kagami, or Sabrina, so both he and Ladybug have a pair of friends.

It may be Nooroo's birthday that reinvigorates Hawk Moth, or he just can't quit in general. Less focus on school as the story heads into a "school break" period so more room for unexpected encounters & events.

Some version of Heroes Day and the Crimson Army is probably still the season finale. Or that could be the season 3 finale given its scale.

As said, unsure.

[snowstories]

Something I really love about A Link to the Past and Link's Awakening is how they mirror each other. Despite the fact that Link's Awakening has very little connection to A Link to the Past, it functions brilliantly as a sequel by complimenting and contrasting the latter.

A Link to the Past is a grand tale of destiny, of world-saving adventure that will no doubt go down as myth. Within the opening sequence of the game, your uncle dies in front of you, setting the tone for the rest of your adventure: this is serious, this is dark. You spend at least half your time in the 'Dark World', a corrupted realm with dangerous enemies, people trapped inside by their own greed. Your main enemy in the 'Light World' are brainwashed knights of Hyrule. And this game is difficult; enemies respawn constantly, ways to restore health are rare, a lot of the dungeons and bosses are incredibly punishing. Danger lurks around any corner, and there are very few truly safe areas in the game; and even then, they may be raided (see the Sanctuary).

Don't get me wrong: ultimately, A Link to the Past is a children's action/adventure game and the tone reflects that. There are a lot of fun, whimsical moments, and the darkness is more supposed to underscore the important nature of your quest than it's intended to be a horror upon itself. You are on a quest to save the world, and it wants you to feel the gravity of that. It is not afraid to get dark with it when it has to. This game takes itself very seriously, and wants you to take it serious as well.

In Link's Awakening, you get into the second dungeon by rescuing Madam MeowMeow's giant chainchomp Bowwow from dognappers. This game began as a fun side project of the developers and it shows. Link's Awakening is not a grand adventure to save the world: it is a quest to get off this fun, eccentric island. The stakes are lower and the game takes itself much less seriously, going so far as to incorporate Mario elements for no other reason than because it's fun. Perhaps this is version dependent (or, y'know, a skill issue on my part), I'm unsure, but at least Link's Awakening DX was also a lot less difficult than A Link to the Past, with much more frequent health drops and less and overall easier dungeons. It's not just that its story is more lighthearted; it feels less punishing to play than A Link to the Past. Link's Awakening does take itself serious when it has to, and asks that you take especially its emotional stakes seriously, of course; just like A Link to the Past has a lighter side, Link's Awakening has a more serious side. But ultimately, Link's Awakening never tries to fashion itself as some kind of grand adventure of myth: it's the tale of a single, strange island, as you grow to love it. Nothing more, nothing less.

In this, obviously, the two stories mirror each other: A Link to the Past with high stakes, a dark tone, and a harsh difficulty curve, contrasted to Link's Awakening, with lower stakes, a light-hearted tone, and much more forgiving gameplay. This works out beautifully for Link's Awakening; lots of sequels fall into the trap of trying to one-up the original, and it very often ends badly for them. Creating its own niche allows it to shine on its own without having to be compared to A Link to the Past, despite being a direct sequel. Famously, Majora's Mask also did this to great effect.

But what I find really interesting is how their endings contrast each other.

A Link to the Past has the most quintessential happy ending a game could possibly have. You reach the Triforce, and it magically makes everything okay again. People who died during the game (your uncle, the King of Hyrule, flute boy) are all alive and happy, Hyrule is thriving, all the maidens are save and happy, even the monster and the little ball from the Dark World, bully and victim in the game, are friends now. And finally, you place the Master Sword back in its pedestal, where it will sleep.... forever. (Hilarious with the power of hindsight, of course, but still.) A Link to the Past ends as happily as it possibly could have, with all the negative consequences of the game undone and everyone thriving. You fought a grueling fight, and now you and everyone you love gets to live happily ever after.

Link's Awakening, famously, does not end like that. From the beginning, you get clear hints that something is not right about Koholint, hints that become glaring fact as the game progresses and it's revealed that Koholint is a dream. And dreams have to end. Link's Awakening is not a tragedy; Koholint's disappearance is not a bad thing, and the game goes to great lengths to ensure you know this. Dreams are not meant to last forever, and waking the Wind Fish is Koholint's happy ending. And yet: it's sad. It's so terribly sad. Watching Koholint, the vibrant island you've come to love, disappear at the end of the game is heartwrenching. The ending of Link's Awakening is bittersweet, happy and sad at the same time. It's triumphant, it's necessary, and it's heartbreaking.

This, too, is a contrast and a compliment. In A Link to the Past, after all our hard work, we are rewarded with an uncomplicated happy ending that we simply do not get in Link's Awakening. Link's Awakening's ending is complicated; there is no way to soften the blow, to remove the consequences: Koholint will disappear. We see it happen. And we are not only asked to be okay with this: we are asked to be happy, despite how sad it is.

This is not something A Link to the Past does. A Link to the Past does not end with a shot of Link and Zelda happy despite the death of their caretakers, of Hyrule dealing with the consequences of Ganon's attack but growing despite it all; it ends by removing the effects of it entirely. Everyone who died is fine now, Hyrule is fine now, you are fine now. There is no sadness, no complexity: it is reality-defying happiness.

None of this is a bad thing: A Link to the Past has an extremely satisfying ending. But I love the way Link's Awakening contrasts it, forces you to deal with reality, to watch the dream pop and find beauty in it. Something can be sad and happy at the same time, and this is something to be celebrated. Where A Link to the Past offers you a no-string-attached happy ending, Link's Awakening forces you to confront the sadness that comes with happiness, complicates it in a way that A Link to the Past explicitly avoided.

A Link to the Past and Link's Awakening, despite at first glance having very little to do with each other, work very well as a series because of the way the two games compliment each other: light where the other is dark, complex where the other is simple, mirroring each other near-perfectly. It makes it extremely worthwhile to read their stories in tandem to each other; taking the other game into account can enrich the stories of both games immensely.

[twistofstory]

Some time ago I had troubles working on some other illustration, so I took a break and shook the dust off my pictorial art skills. And now I have a painting of my boy Crimson~ "The Scavengers" actually has a full-fledged The Magnus Archives AU!! I did three paintings for it - I’m not so sure about the first two, but this one looks cool, especially since I managed to improve my lineless art skills. Talking about the AU itself: it changes the entire plot, and I throw my most tragic and bloodthirsty ideas there - including elements of the first version of the story (believe me, this one is a lot)

And, well, I just actually adore the genre, despite the fact that I'm very anxious and easily scared 😅 I may not do well with visual horror, but it’s super fun to draw creepy pictures myself, and monster design is my passion. What didn’t you know about the artist so to speak lol

Second version under the cut !CW: semi-realistic spider!