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aliciagodseyomaha · 5 years ago

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After years of dating, you have finally decided to propose to that special lady. Time to settle down and live a long happy life with the woman you love, but first comes the notorious Las Vegas bachelor party to be enjoyed along with your best boys. Ah yes, the time-honored tradition of going out for that one last night of debauchery with the boys before committing to a life of loving only one woman. Now you just have to decide where to spend your time and hard-earned money. Sure, you could go to the local bar or Strip Club and drink at the same booth while staring at the same girls you've watched on countless weekends but why settle for the mundane when you could be celebrating in Las Vegas!? Bachelor party capital of the world! Home to numerous gentleman's clubs, nightlife venues, and exciting activities to keep you busy during the daylight hours. Most men make the mistake of coming to Vegas and only sampling what the city has to offer when the sun goes down. Little do they know Las Vegas provides a myriad of things to do during the day from shooting zombie targets with automatic weapons at the indoor gun range to flying through the desert on your own personal ATV. Most Parties tend to focus their energies on the Nightlife Las Vegas has to offer. Why Not? The town is saturated with nightclubs over 60 of them in all major hotels and more strip clubs than you can count. So what makes for the best Las Vegas Bachelor Party Ideas? Below is a brief list of top services and ideas you should look to hire in Las Vegas.

TOP Las Vegas BACHELOR PARTY Ideas By Alicia Godsey Omaha

1. Nightclubs - best venues for bachelor parties include XS, Marquee, Tryst & 1oak.

2. Strip Clubs - Sapphires and Treasures round out the top 2 with spearmint rhino the preferred venue for small parties

3. Restaurants - Piero's and Del Frisco's best off-strip restaurants Italian and American steakhouse, respectively.

4. Adventures - Dune buggy and Gun Range always great for beating a hangover

5. Transportation - Stretch Vehicles including Big BLUE or Brinks Bank Truck!

6. Pool Party - Great during the Spring and Summer months best pool include Encore Beach Club, Wet Republic, and Rehab.

Las Vegas is also home to a long list of exciting and unique places to eat like the German/Beerfest themed Hofbrauhaus or Dick's Last Resort for the younger, more daring crowd. When planning for your Las Vegas bachelor party it's best to not just go out for one evening, but to make a whole weekend out of this! You only get married once (hopefully) so be sure that your bachelor party is one to be remembered for years to come. A weekend to look back on when you are older so you can think to yourself ""Man, that was one wild party.""

A bachelor package is the best way to enjoy a full weekend of activities at the best prices. The most popular Las Vegas bachelor packages include providing you with VIP Services at a Nightclub for 2 nights in addition to receiving unlimited Strip Club access with transportation plus dinner! Not a bad idea for a weekend. Here are a few popular Bachelor package ideas in Las Vegas:

The Clubber: Includes a party bus, all you can drink on the bus and VIP Hosted Entry into any 3 Las Vegas Nightclubs (e.g. Tryst, Tao, Pure, XS, Marquee, Surrender). Hint: Drink as much as possible on the bus to save money on purchasing drinks inside!

The Teaser: Free Transportation to as many Las Vegas Strip Clubs you can handle (Treasures, Sapphires & Olympic Gardens. Hint: Limos like to provide a free service to you as they sometimes make commissions on what you spend inside!

Dine & Dash: Stuff your gullet full of All You Can Drink and Eat food and Beer (Hofbrahous, Gordon Biersch) then get chauffeured around Las Vegas in a stretched Party Bus!

When booking a bachelor package in Las Vegas you certainly shouldn't come expecting to wake up and find a tiger sleeping in the bathroom of your hotel suite but I can assure you that throwing your bachelor party in Las Vegas will guarantee that you and your guests will have an experience unlike any other. Below are a few tips on how to coordinate a party for a large group. It's always best to speak with a Party Planner or VIP Service as they can give you great ideas to start out with and possibly work with you to help structure the weekend's events!

1. Email - Communication is important and email is the best way to asynchronously keep all the guys in the know.

2. Intro -Introduce yourself as the party planner, why you have been selected and how you will be informing everyone of updates for the coming months.

3. Budget - Attendees spending limits should be the first thing you ask for you cannot plan a Party without knowing how much each guy is willing to spend,

4. Date - Get feedback on which dates most guys are available to attend.

5. Hotel - A hotel is a key ingredient to a good time in Vegas. Spend a little more to be closer to the action.This will save you money on transportation costs and you may even get free comps to the nightlife inside the hotel.

6. Agenda - Do NOT attempt to plan the entire weekend. The ladies will be getting wild and may not show to every event. Keep a designated Day/Night as a Mandatory guys meeting and other times can be left to leisure.

7. Payment - Collect ALL payment upfront do not leave this to chance as you will eventually be left holding the bill. Have everybody Paypal you at least half of the contribution in advance so you can guarantee services or possibly hire a Las Vegas Bachelor party planner to assist with things.

8. Logistics - Make sure every guy has a clear understanding of meeting times, places and obligations. You do not want excuses for guys missing special events.

9. Have Fun!

Now that you are equipped to plan and execute a flawless bachelor party in Las Vegas, starting as early as possible is the key to success. Use this posting as a guide to assist you in coordinating the big event with the boys. If you should start to fall behind always look for some assistance with a local Las Vegas party planner or VIP service as they have special advisors and staff who are available at all hours to assist.

Written By Alicia Godsey Omaha

I am a director at a family-owned daycare. My parents have owned the daycare for 25 years. I plan to it over one day. You can put that I used to live in Las Vegas where I ran a company by the name of Alys babes promotions LLC and BAchelor party babes LLC witch later got changed to Prima Allure LLC. It was an event planning business for large groups of people staying in Vegas. We would accommodate there to stay and plan their events. Now that I’m back home living in Nebraska I work for my parents and help manage their businesses. Not just daycare I’m also an office manager and in charge of keeping paperwork up today

Advertising and marketing for the Midwest area and planing summer parties for Vegas Bachelor events. Also, I deal with Setting up events and promotion work I deal with ordering and recruiting models or entertainers looking to promote or perform at one of our Gigs. "

#Alicia godsey omaha #Alicia #Alicia godsey #godsey omaha #Vegas Bachelor Party Guide

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crystallimousines-blog · 7 years ago

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Plano’s Outstanding Limo Service Provider

Crystal Limousines provides a different type of party buses and limo services with many amenities round the clock to have a memorable experience during your drive.

#Frisco Limousine #Frisco Party Bus #Prosper Limo #Allen TX Limo

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nowontheroad · 8 years ago

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On the Road a novel by Jack Kerouac

From Wikipedia, the free encyclopedia

On the Road is a novel by American writer Jack Kerouac, based on the travels of Kerouac and his friends across the United States. It is considered a defining work of the postwar Beat and Counterculture generations, with its protagonists living life against a backdrop of jazz, poetry, and drug use. The novel, published in 1957, is a roman à clef, with many key figures in the Beat movement, such as William S. Burroughs (Old Bull Lee), Allen Ginsberg (Carlo Marx) and Neal Cassady (Dean Moriarty) represented by characters in the book, including Kerouac himself as the narrator Sal Paradise.

The idea for On the Road, Kerouac's second novel, was formed during the late 1940s in a series of notebooks, and then typed out on a continuous reel of paper during three weeks in April 1951. It was first published by Viking Press in 1957. After several film proposals dating from 1957, the book was finally made into a film, On the Road(2012), produced by Francis Ford Coppola and directed by Walter Salles.

When the book was originally released, The New York Times hailed it as "the most beautifully executed, the clearest and the most important utterance yet made by the generation Kerouac himself named years ago as 'beat,' and whose principal avatar he is."[1] In 1998, the Modern Library ranked On the Road 55th on its list of the 100 best English-language novels of the 20th century. The novel was chosen by Time magazine as one of the 100 best English-language novels from 1923 to 2005.[2]

Contents

1Production and publication

2Plot

3Reception

4Influence

5Film adaptation

6Beat Generation

7See also

8References

9Further reading

10External links

2.1Part One

2.2Part Two

2.3Part Three

2.4Part Four

2.5Part Five

2.6Characters

3.1Initial reaction

3.2Critical study

Production and publication

After Kerouac dropped out of Columbia University, he served on several different sailing vessels before returning to New York to write. He met and mixed with Beat Generation figures Allen Ginsberg, William Burroughs, and Neal Cassady. Between 1947 and 1950, while writing what would become The Town and the City (1950), Kerouac engaged in the road adventures that would form On the Road.[3] Kerouac carried small notebooks, in which much of the text was written as the eventful span of road trips unfurled. He started working on the first of several versions of the novel as early as 1948, based on experiences during his first long road trip in 1947. However, he remained dissatisfied with the novel.[4] Inspired by a 1000-word rambling letter from his friend Neal Cassady, Kerouac in 1950 outlined the "Essentials of Spontaneous Prose" and decided to tell the story of his years on the road with Cassady as if writing a letter to a friend in a form that reflected the improvisational fluidity of jazz.[5] In a letter to a student in 1961, Kerouac wrote: "Dean and I were embarked on a journey through post-Whitman America to find that America and to find the inherent goodness in American man. It was really a story about 2 Catholic buddies roaming the country in search of God. And we found him."[6]

The first draft of what was to become the published novel was written in three weeks in April 1951, while Kerouac lived with Joan Haverty, his second wife, at 454 West 20th Street in New York City's Manhattan. The manuscript was typed on what he called "the scroll"—a continuous, 120-foot scroll of tracing paper sheets that he cut to size and taped together.[7] The roll was typed single-spaced, without margins or paragraph breaks. In the following years, Kerouac continued to revise this manuscript, deleting some sections (including some sexual depictions deemed pornographic in the 1950s) and adding smaller literary passages.[8] Kerouac wrote a number of inserts intended for On the Road between 1951 and 1952, before eventually omitting them from the manuscript and using them to form the basis of another work, Visions of Cody (1951–1952).[9] On the Road was championed within Viking Press by Malcolm Cowley and was published by Viking in 1957, based on revisions of the 1951 manuscript.[10] Besides differences in formatting, the published novel was shorter than the original scroll manuscript and used pseudonyms for all of the major characters.

Viking Press released a slightly edited version of the original manuscript titled On the Road: The Original Scroll (August 16, 2007), corresponding with the 50th anniversary of original publication. This version has been transcribed and edited by English academic and novelist Dr. Howard Cunnell. As well as containing material that was excised from the original draft due to its explicit nature, the scroll version also uses the real names of the protagonists, so Dean Moriarty becomes Neal Cassady and Carlo Marx becomes Allen Ginsberg, etc.[11]

In 2007, Gabriel Anctil, a journalist of Montreal daily Le Devoir, discovered in Kerouac's personal archives in New York almost 200 pages of his writings entirely in Quebec French, with colloquialisms. The collection included 10 manuscript pages of an unfinished version of On the Road, written on January 19, 1951. The date of the writings makes Kerouac one of the earliest known authors to use colloquial Quebec French in literature.[12]

The original scroll of On The Road was bought in 2001 by Jim Irsay for $2.43 million (equivalent to $3.29 million in 2016). It has occasionally been made available for public viewing, with the first 30 feet (9 m) unrolled. Between 2004 and 2012, the scroll was displayed in a number of museums and libraries in the United States, Ireland, and the UK. It was exhibited in Paris in the summer of 2012 to celebrate the movie based on the book.[13]

Plot

The two main characters of the book are the narrator, Sal Paradise, and his friend Dean Moriarty, much admired for his carefree attitude and sense of adventure, a free-spirited maverick eager to explore all kicks and an inspiration and catalyst for Sal's travels. The novel contains five parts, three of them describing road trips with Moriarty. The narrative takes place in the years 1947 to 1950, is full of Americana, and marks a specific era in jazz history, "somewhere between its Charlie Parker Ornithology period and another period that began with Miles Davis." The novel is largely autobiographical, Sal being the alter ego of the author and Dean standing for Neal Cassady.

Part One

The first section describes Sal's first trip to San Francisco. Disheartened after a divorce, his life changes when he meets Dean Moriarty, who is "tremendously excited with life," and begins to long for the freedom of the road: "Somewhere along the line I knew there would be girls, visions, everything; somewhere along the line the pearl would be handed to me." He sets off in July 1947 with fifty dollars in his pocket. After taking several buses and hitchhiking, he arrives in Denver, where he hooks up with Carlo Marx, Dean, and their friends. There are parties—among them an excursion to the ghost town of Central City. Eventually Sal leaves by bus and gets to San Francisco, where he meets Remi Boncoeur and his girlfriend Lee Ann. Remi arranges for Sal to take a job as a night watchman at a boarding camp for merchant sailors waiting for their ship. Not holding this job for long, Sal hits the road again. "Oh, where is the girl I love?" he wonders. Soon he meets Terry, the "cutest little Mexican girl," on the bus to Los Angeles. They stay together, traveling back to Bakersfield, then to Sabinal, "her hometown," where her family works in the fields. He meets Terry's brother Ricky, who teaches him the true meaning of "mañana" ("tomorrow"). Working in the cotton fields, Sal realizes that he is not made for this type of work. Leaving Terry behind, he takes the bus back to Times Square New York, bums a quarter off a preacher who looks the other way, arrives at his Aunt's house in Paterson, just missing Dean, who had come to see him, by two days.

Part Two

In December 1948 Sal is celebrating Christmas with his relatives in Testament, Virginia, when Dean shows up with Marylou (having left his second wife, Camille, and their newborn baby, Amy, in San Francisco) and Ed Dunkel. Sal's Christmas plans are shattered as "now the bug was on me again, and the bug's name was Dean Moriarty." First they drive to New York, where they meet Carlo and party. Dean wants Sal to make love to Marylou, but Sal declines. In Dean's Hudson they take off from New York in January 1949 and make it to New Orleans. In Algiers they stay with the morphine-addicted Old Bull Lee and his wife Jane. Galatea Dunkel joins her husband in New Orleans while Sal, Dean, and Marylou continue their trip. Once in San Francisco, Dean again leaves Marylou to be with Camille. "Dean will leave you out in the cold anytime it is in the interest of him," Marylou tells Sal. Both of them stay briefly in a hotel, but soon she moves out, following a nightclub owner. Sal is alone and on Market Street has visions of past lives, birth, and rebirth. Dean finds him and invites him to stay with his family. Together, they visit nightclubs and listen to Slim Gaillard and other jazz musicians. The stay ends on a sour note: "what I accomplished by coming to Frisco I don't know," and Sal departs, taking the bus back to New York.

Part Three

In the spring of 1949, Sal takes a bus from New York to Denver. He is depressed and lonesome; none of his friends are around. After receiving some money, he leaves Denver for San Francisco to see Dean. Camille is pregnant and unhappy, and Dean has injured his thumb trying to hit Marylou for sleeping with other men. Camille throws them out, and Sal invites Dean to come to New York, planning to travel further to Italy. They meet Galatea, who tells Dean off: "You have absolutely no regard for anybody but yourself and your kicks." Sal realizes she is right—Dean is the "HOLY GOOF"—but also defends him, as "he's got the secret that we're all busting to find out." After a night of jazz and drinking in Little Harlem on Folsom Street, they depart. On the way to Sacramento they meet a "fag", who propositions them. Dean tries to hustle some money out of this but is turned down. During this part of the trip Sal and Dean have ecstatic discussions having found "IT" and "TIME". In Denver a brief argument shows the growing rift between the two, when Dean reminds Sal of his age, Sal being the older of the two. They get a '47 Cadillac from a travel bureau that needs to be brought to Chicago. Dean drives most of the way, crazy, careless, often speeding over 100 miles per hour (160 km/h), bringing it in a disheveled state. By bus they move on to Detroit and spend a night on Skid Row, Dean hoping to find his homeless father. From Detroit they share a ride to New York and arrive at Sal's aunt's new flat in Long Island. They go on partying in New York, where Dean meets Inez and gets her pregnant while his wife is expecting their second child.

Part Four

In the spring of 1950, Sal gets the itch to travel again while Dean is working as a parking lot attendant in Manhattan, living with his girlfriend Inez. Sal notices that he has been reduced to simple pleasures—listening to basketball games and looking at erotic playing cards. By bus Sal takes to the road again, passing Washington, D.C., Ashland, Cincinnati, and St. Louis, and eventually reaching Denver. There he meets Stan Shephard, and the two plan to go to Mexico City when they learn that Dean has bought a car and is on the way to join them. In a rickety '37 Ford sedan the three set off across Texas to Laredo, where they cross the border. They are ecstatic, having left "everything behind us and entering a new and unknown phase of things." Their money buys more (10 cents for a beer), police are laid back, cannabis is readily available, and people are curious and friendly. The landscape is magnificent. In Gregoria, they meet Victor, a local kid, who leads them to a bordello where they have their last grand party, dancing to mambo, drinking, and having fun with prostitutes. In Mexico City Sal becomes ill from dysentery and is "delirious and unconscious." Dean leaves him, and Sal later reflects that "when I got better I realized what a rat he was, but then I had to understand the impossible complexity of his life, how he had to leave me there, sick, to get on with his wives and woes."

Part Five

Dean, having obtained divorce papers in Mexico, had first returned to New York to marry Inez, only to leave her and go back to Camille. After his recovery from dysentery in Mexico, Sal returns to New York in the fall. He finds a girl, Laura, and plans to move with her to San Francisco. Sal writes to Dean about his plan to move to San Francisco. Dean writes back saying that he's willing to come and accompany Laura and Sal. Dean arrives over five weeks early, but Sal is out taking a late-night walk alone. Sal returns home, sees a copy of Proust, and knows it is Dean's. Sal realizes his friend has arrived, but at a time when Sal doesn't have the money to relocate to San Francisco. On hearing this Dean makes the decision to head back to Camille. Sal's friend Remi Boncoeur denies Sal's request to give Dean a short lift to 40th Street on their way to a Duke Ellington concert at the Metropolitan Opera House. Sal's girlfriend Laura realises this is a painful moment for Sal and prompts him for a response as the party drives off without Dean. Sal replies: "He'll be alright". Sal later reflects as he sits on a river pier under a New Jersey night sky about the roads and lands of America that he has travelled and states: ". . . I think of Dean Moriarty, I even think of Old Dean Moriarty the father we never found, I think of Dean Moriarty."

Characters

Kerouac often based his fictional characters on friends and family.[14][15]

"Because of the objections of my early publishers I was not allowed to use the same personae names in each work."[16]

Reception

The book received a mixed reaction from the media in 1957. Some of the earlier reviews spoke highly of the book, but the backlash to these was swift and strong. Although this was discouraging to Kerouac, he still received great recognition and notoriety from the work. Since its publication, critical attention has focused on issues of both the context and the style, addressing the actions of the characters as well as the nature of Kerouac's prose.

Initial reaction

In his review for The New York Times, Gilbert Millstein wrote, "its publication is a historic occasion in so far as the exposure of an authentic work of art is of any great moment in an age in which the attention is fragmented and the sensibilities are blunted by the superlatives of fashion" and praised it as "a major novel."[1] Millstein was already sympathetic toward the Beat Generation and his promotion of the book in the Times did wonders for its recognition and acclaim. Not only did he like the themes, but also the style, which would come to be just as hotly contested in the reviews that followed. "There are sections of On the Roadin which the writing is of a beauty almost breathtaking...there is some writing on jazz that has never been equaled in American fiction, either for insight, style, or technical virtuosity."[1] Kerouac and Joyce Johnson, a younger writer he was living with, read the review shortly after midnight at a newsstand at 69th Street and Broadway, near Joyce's apartment in the Upper West Side. They took their copy of the newspaper to a neighborhood bar and read the review over and over. "Jack kept shaking his head," Joyce remembered later in her memoir Minor Characters, "as if he couldn’t figure out why he wasn’t happier than he was." Finally, they returned to her apartment to go to sleep. As Joyce recalled: "Jack lay down obscure for the last time in his life. The ringing phone woke him the next morning, and he was famous.”[17]

The backlash began just a few days later in the same publication. David Dempsey published a review that contradicted most of what Millstein had promoted in the book. "As a portrait of a disjointed segment of society acting out of its own neurotic necessity, On the Road, is a stunning achievement. But it is a road, as far as the characters are concerned, that leads to nowhere." While he did not discount the stylistic nature of the text (saying that it was written "with great relish"), he dismissed the content as a "passionate lark" rather than a novel."[18]

Other reviewers were also less than impressed. Phoebe Lou Adams in Atlantic Monthly wrote that it "disappoints because it constantly promises a revelation or a conclusion of real importance and general applicability, and cannot deliver any such conclusion because Dean is more convincing as an eccentric than as a representative of any segment of humanity."[19] While she liked the writing and found a good theme, her concern was repetition. "Everything Mr. Kerouac has to say about Dean has been told in the first third of the book, and what comes later is a series of variations on the same theme."[19]

The review from Time exhibited a similar sentiment. "The post-World War II generation—beat or beatific—has not found symbolic spokesmen with anywhere near the talents of Fitzgerald, Hemingway, or Nathanael West. In this novel, talented Author Kerouac, 35, does not join that literary league, either, but at least suggests that his generation is not silent. With his barbaric yawp of a book, Kerouac commands attention as a kind of literary James Dean."[20] It considers the book partly a travel book and partly a collection of journal jottings. While Kerouac sees his characters as "mad to live...desirous of everything at the same time," the reviewer likens them to cases of "psychosis that is a variety of Ganser Syndrome" who "aren't really mad—they only seem to be."[20]

Critical study

On the Road has been the object of critical study since its publication. David Brooks of The New York Times compiled several opinions and summarized them in an Op-Ed from October 2, 2007. Whereas Millstein saw it as a story in which the heroes took pleasure in everything, George Mouratidis, an editor of a new edition, claimed "above all else, the story is about loss." "It's a book about death and the search for something meaningful to hold on to—the famous search for 'IT,' a truth larger than the self, which, of course, is never found," wrote Meghan O'Rourke in Slate. "Kerouac was this deep, lonely, melancholy man," Hilary Holladay of the University of Massachusetts Lowell told The Philadelphia Inquirer. "And if you read the book closely, you see that sense of loss and sorrow swelling on every page." "In truth, 'On the Road' is a book of broken dreams and failed plans," wrote Ted Gioia in The Weekly Standard.[21]

John Leland, author of Why Kerouac Matters: The Lessons of On the Road (They're Not What You Think), says "We're no longer shocked by the sex and drugs. The slang is passé and at times corny. Some of the racial sentimentality is appalling" but adds "the tale of passionate friendship and the search for revelation are timeless. These are as elusive and precious in our time as in Sal's, and will be when our grandchildren celebrate the book's hundredth anniversary."[22]

To Brooks, this characterization seems limited. "Reading through the anniversary commemorations, you feel the gravitational pull of the great Boomer Narcissus. All cultural artifacts have to be interpreted through whatever experiences the Baby Boomer generation is going through at that moment. So a book formerly known for its youthful exuberance now becomes a gloomy middle-aged disillusion."[21] He laments how the book's spirit seems to have been tamed by the professionalism of America today and how it has only survived in parts. The more reckless and youthful parts of the text that gave it its energy are the parts that have "run afoul of the new gentility, the rules laid down by the health experts, childcare experts, guidance counselors, safety advisers, admissions officers, virtuecrats and employers to regulate the lives of the young."[21]He claims that the "ethos" of the book has been lost.

Mary Pannicia Carden feels that traveling was a way for the characters to assert their independence: they "attempt to replace the model of manhood dominant in capitalist America with a model rooted in foundational American ideals of conquest and self-discovery."[23] "Reassigning disempowering elements of patriarchy to female keeping, they attempt to substitute male brotherhood for the nuclear family and to replace the ladder of success with the freedom of the road as primary measures of male identity."[23]

Kerouac's writing style has attracted the attention of critics. On the Road has been considered by Tim Hunt to be a transitional phase between the traditional narrative structure of The Town and the City (1951) and the "wild form" of his later books like Visions of Cody (1972).[24] Kerouac's own explanation of his style in "Essentials of Spontaneous Prose" (1953) is that his writing is like the Impressionist painters who sought to create art through direct observation. Matt Theado feels he endeavoured to present a raw version of truth which did not lend itself to the traditional process of revision and rewriting but rather the emotionally charged practice of the spontaneity he pursued.[25] Theado argues that the personal nature of the text helps foster a direct link between Kerouac and the reader; that his casual diction and very relaxed syntax was an intentional attempt to depict events as they happened and to convey all of the energy and emotion of the experiences.[25]

Influence

On the Road has been an influence on various poets, writers, actors and musicians, including Bob Dylan, Van Morrison, Jim Morrison, and Hunter S. Thompson.

From journalist Sean O'Hagan, in a 2007 article published in The Guardian:

" 'It changed my life like it changed everyone else's,' Dylan would say many years later. Tom Waits, too, acknowledged its influence, hymning Jack and Neal in a song and calling the Beats "father figures." At least two great American photographers were influenced by Kerouac: Robert Frank, who became his close friend—Kerouac wrote the introduction to Frank's book, The Americans—and Stephen Shore, who set out on an American road trip in the 1970s with Kerouac's book as a guide. It would be hard to imagine Hunter S. Thompson's road novel Fear and Loathing in Las Vegas had On the Road not laid down the template; likewise, films such as Easy Rider, Paris, Texas, and even Thelma and Louise. "[26]

In his book Light My Fire: My Life with The Doors, Ray Manzarek (keyboard player of The Doors) wrote "I suppose if Jack Kerouac had never written On the Road, The Doors would never have existed."

On the Road influenced an entire generation of musicians, poets, and writers including Allen Ginsberg. Because of Ginsberg’s friendship with Kerouac, Ginsberg was written into the novel through the character Carlo Marx. Ginsberg recalled that he was attracted to the beat generation, and Kerouac, because the beats valued “detachment from the existing society,” while at the same time calling for an immediate release from a culture in which the most "freely" accessible items—bodies and ideas—seemed restricted (1). Ginsberg incorporated a sense of freedom of prose and style into his poetry as a result of the influence of Kerouac (1).[27]

Film adaptation

Main article:

On the Road (film)

A film adaptation of On the Road had been proposed in 1957 when Jack Kerouac wrote a one-page letter to actor Marlon Brando, suggesting that he play Dean Moriarty while Kerouac would portray Sal Paradise.[28]Brando never responded to the letter; later on Warner Bros. offered $110,000 for the rights to Kerouac's book, but his agent, Sterling Lord, declined it, hoping for a $150,000 deal from Paramount Pictures, which did not occur.[28]

The film rights were bought in 1980 by producer Francis Ford Coppola for $95,000.[29] Coppola tried out several screenwriters, including Michael Herr, Barry Gifford, and novelist Russell Banks, even writing a draft himself with his son Roman, before settling on José Rivera.[30][31] Several different plans were considered: Joel Schumacher as director, with Billy Crudup as Sal Paradise, and Colin Farrell as Dean Moriarty; then Ethan Hawke as Paradise and Brad Pitt as Moriarty; in 1995, he planned to shoot on black-and-white 16mm film and held auditions with poet Allen Ginsberg in attendance, but all those projects fell through.[31]

After seeing Walter Salles' The Motorcycle Diaries (2004), Coppola appointed Salles to direct the movie.[32] In preparation for the film, Salles traveled the United States, tracing Kerouac's journey and filming a documentary on the search for On the Road.[33] Sam Riley starred as Sal Paradise. Garrett Hedlund portrayed Dean Moriarty.[33] Kristen Stewart played Mary Lou.[34] Kirsten Dunst portrayed Camille.[35] The film screened at the Cannes Film Festival in 2012[36] and was nominated for the Palme d'Or.[37]

In 2007, BBC Four aired Russell Brand On the Road, a documentary presented by Russell Brand and Matt Morgan about Kerouac, focusing on On the Road. The documentary American Road, which explores the mystique of the road in US culture and contains an ample section on Kerouac, premiered at the AMFM Festival in California on 14 June 2013, when it won the award for Best Documentary.[38]

Beat Generation

Main article:

Beat Generation

While many critics still consider the word "beat" in its literal sense of "tired and beaten down," others, including Kerouac himself promoted the generation more in sense of "beatific" or blissful.[39] Holmes and Kerouac published several articles in popular magazines in an attempt to explain the movement. In the November 16, 1952 New York Times Sunday Magazine, he wrote a piece exposing the faces of the Beat Generation. "[O]ne day [Kerouac] said, 'You know, this is a really beat generation' ... More than mere weariness, it implies the feeling of having been used, of being raw. It involves a sort of nakedness of mind, and ultimately, of soul: a feeling of being reduced to the bedrock of consciousness. In short, it means being undramatically pushed up against the wall of oneself."[40] He distinguishes Beats from the Lost Generation of the 1920s pointing out how the Beats are not lost but how they are searching for answers to all of life's questions. Kerouac's preoccupation with writers like Ernest Hemingway shaped his view of the beat generation. He uses a prose style which he adapted from Hemingway and throughout On the Road he alludes to novels like The Sun Also Rises. "How to live seems much more crucial than why."[40] In many ways, it is a spiritual journey, a quest to find belief, belonging, and meaning in life. Not content with the uniformity promoted by government and consumer culture, the Beats yearned for a deeper, more sensational experience. Holmes expands his attempt to define the generation in a 1958 article in Esquire magazine. This article was able to take more of a look back at the formation of the movement as it was published after On the Road. "It describes the state of mind from which all unessentials have been stripped, leaving it receptive to everything around it, but impatient with trivial obstructions. To be beat is to be at the bottom of your personality, looking up."[41]

See also

Off the Road (1990 book by Carolyn Cassady)

Love Always, Carolyn

Jack Kerouac Reads On the Road

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hokobim · 6 years ago

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Tanzveranstaltungen Hamburg und Umgebung von Freitag, den 24.08.2018 bis Donnerstag, 30.08.2018

Tanzveranstaltungen Hamburg – Niedersachsen – Schleswig-Holstein

Freitag, den 24.08.2018 bis Donnerstag, 30.08.2018 Am Freitag, 24.8. geht es weiter mit der TanzBar��im Club Céronne http://ceronne.de/veranstaltungen/tanzbar/ * Die Salsa-Events an der Ostsee findet ihr hier: http://salsafreunde-luebeck.de/events/ * So.,02.09.18 14-20Uhr Tango & Latino Sommer HafenCity, Am Buenos-Aires-Kai Terrasse, U4- Universität. *Sa.,15.09.18 20.00- 01.00 Uhr Herbstball im Schröders Hotel, Schwarzenbek http://www.tanzgiesellschaft.de/events_db.php * Die legendäre Salsa Night am Sonntag vom "Feuerstein" mit DJ Adan ist wieder da!!...ab SOFORT jeden Sonntag ab 20 Uhr bis Mitternacht im HELTER SKELTER am Hauptbahhof Steintorplatz 3 ( Eingang Seitenstr. / Steintorweg), neben dem Generator Hostel U/S-Bahn Hauptbahnhof Süd SALSA (ALL STYLES) - BACHATA - KIZOMBA... coole Drinks & Food Terrasse mit freiem Raucherzonenbereich (bis 22 h) Eintritt 5,- STUDENTEN mit Ausweis bezahlen die Hälfte. * Mittwochs und sonntags 15-18 Uhr Tanztee im Landhaus Mehrens, Rosentwiete 34, 25364 Brande-Hörnerkirchen Tanz mit DJ Günni Jeweils mit Kaffee und selbst gemachten Torten und Kuchen http://www.landgasthof-mehrens.de/ * Let's dance, Ü40 Schlagerparty NEUE LOCATION! Gaststätte SANDER TANNEN, Krusestraße 2, 21033 Hamburg! Viel Platz mit Tanzparkett, Parkplätze am Haus und reelle Gastronomie! http://www.lets-dance-schlagerparty.de/ Sommerpausen von Veranstaltungen (eine Auswahl) Salsa Nights im Universo Tango, macht Sommerpause, weiter am 2. September 2018 Swingtanz: Hier der jeweils 1. Termin nach der Sommerpause: Dockside Swing im Nochtspeicher: Sa., 8. September Swinging Ballroom im Stage Club: Fr., 28. September Sunday Stomp im Galopper des Jahres, Haus 73: 7. Oktober Salon Commode im Haus 73: Mi., 19. September Thursday Night Swing im Cascadas: Do., 13. September Freitag,24.8. bis Sonntag, 26.8.2018 Mit farblicher Unterscheidung:Salsa,Tango Argentino,Swing,Discofox,Standard/Latein u.a. Die Salsa-Events an der Ostsee findet ihr hier: http://salsafreunde-luebeck.de/events/ Fr. 20 Uhr Tanzpalast KISS ,Conventstr.8-10 (2 Min.-U1-Wartenau) 2 €, -- Tanzparty mit DJ Ali Fr. 20 Uhr Tanzfever mit Taxi Tänzern im Starlight-no1, Trittauer Amtsweg 6, 22179 HH (Bramfeld) , Eintritt (inkl. Garderobe) bis 21 h 5 Euro, ab 21 h 8 Euro https://starlight-hamburg.de/ Fr. 20.30 - 0.30 Uhr Tanzparty Tanz in Takt Standard , Latein, Discofox, etwas Salsa... guter Parkettfußboden, gut tanzbare Musik, große Raumhöhe In der Schulaula in der Meerweinstraße26; 6,50 Euro Parken auf dem Parkplatz der Kita in der Jarrestraße (weitere Singles erwünscht) Fr. 20.30 bis ca.0.30 Uhr Tanzparty in der "TanzBar" Standard/Latein/ Discofox u. Salsa im Club Céronne des ETV Eimsbüttel Bundesstr. 96, sehr gutes Tanzparkett, sehr guter Tanzmusikmix. Hier kann frau/man auch alleine hingehen. 8 Min. vom U-Bf. Christuskirche, Eintritt 6 Euro Der Parkplatz auf dem Schulhof darf benutzt werden. Bitte nicht auf dem Gummiboden parken!! Zusätzliche Parkmöglichkeit:Gegenüber dem ETV-Gebäude (Bundesstraße) in der Tiefgarage, die man gegen einen geringen Betrag nutzen kann. Fr. 21 - 0.30 Uhr Tanz am Freitag im Baladin, Stresemannstr. 374, Eingang B, 6 € Standard/Lateinabend für alle, eine Verabredung ist sinnvoll. http://www.baladin.de/ Fr. 20.30-2 Uhr Barfußtanz in der "tanzbar" im Integralis-Institut Sommerpause, weiter am 14.9. http://www.tanzbar-hamburg.de/tanzbar-termine.html Fr. 21 Uhr Beginner-Milonga im Universo Tango, 6 Euro Beim Grünen Jäger 6a (Am Neuen Pferdemarkt) www.universotango.de Fr. ab 21 Uhr Tangonacht im La Yumba, 7 Euro vorher von 19-21 Uhr TANGO PRACTICA € 12,- / Person und Abend(Tangonacht inkl.) Kastanienallee 9, Hmb-St.Pauli, hinter dem Operettenhaus Fr. 22 Uhr Tango Orange: Milonga Sommerpause, Nächste Milonga am 14.09.2018 --http://www.tangohamburg.com/milongas/ Fr. 20 Uhr Salsa Night im Frisco, Herrendamm 38-40, 23556 Lübeck Fr. ab 22 Uhr, Salsa (kubanisch) im La Macumba, Adenauerallee 3, mit DJ Trompeta Rodriguez gegenüber dem ZOB, Eintritt 5€, Garderobe 1€, starker Sound __________________________________________________________________________ Die Salsa-Events an der Ostsee findet ihr hier: http://salsafreunde-luebeck.de/events/ Sa. 19:15-20:45 Uhr sportspaß-Tanzclub sportspaß-Center Berliner Tor nur für Mitglieder des Sportvereins Westphalensweg 11, Eingang Wallstraße --https://sportspass.de/specials/ Sa. 19:30 bis 24 Uhr, Tanzlounge, in "Mein Tanzstudio" --Standard/Latein,Discofox,Salsa.... Sehr schöner Tanzsaal mit gutem Parkett, 7 € Rantzaustr. 74b, Wandsbek, Parkplatz vor dem Haus Sa. 19:30-21:30 Uhr Tanzparty in der Tanzschule Die 2, Überseering 25 (City Nord);5 € http://www.die2-hamburg.de/veranstaltungen/ Sa. 19 Uhr tanzfabrik-traumgmbh Grasweg 19, 24118 Kiel Gesellschaftstanz, Standard & Latein – 100 % tanzbare Musik der 60er bis 90er; 19 Uhr Einführungskurs Cha-Cha-Cha Eintritt: 6,- € inklusive der Ü30 Party ab 22.00 Uhr http://traumgmbh.de/party/ Sa. 20 Uhr Lola swingt - BigBand Dance Night, Lola, Lohbrügger Landstraße 8, 10€ https://www.lola-hh.de/programm/info/termin/lola-swingt-big-band-dance-night.html Sa. 19 – 21 Uhr: Trainingstag für alle Interessierten im Universo Tango, 5 € Beim Grünen Jäger 6a http://www.universotango.de/ Sa. 21 Uhr Milonga Porteña in der TS Movimientos, Hoheluftchaussee 151 Bus 5 Haltestelle Gärtnerstr. http://www.tanzschulemovimientos.de/ Sa.,25.08.18 21-2 Uhr Tango in der Küche 42 in Bendestorf https://kueche42.de/bailamos/ Sa. 21:30 Uhr MilonGaucha im Kulturladen St. Georg; 6 € Tango (Classic, Neo und Non-Tangos) Milongas und Valses Alexanderstr.16 5 Min. zu Fuß von U1-Bf. Lohmühlenstr. oder von U/S-Bf. Berliner Tor Sa. 20 Uhr Party mit DJ Ali Tanzpalast KISS ,Conventstr.8-10 (2 Min.-U1-Wartenau) 5 € Sa. 21:00 - 2:30 Uhr Buddhas Beatbox, Tanznacht im TOULOUSE, Für Leute ohne Räucherstäbchenallergie; Barfußtanz... Beerenweg 1d, 22761 HH --http://www.toulouse.de/buddhas-beatbox-im-toulouse-institut Sa. 22:15 Uhr Party 50 Plus im Stage Club, 9 € bei der neuen Flora Stresemannstraße 163, 22769 Hamburg gegenüber S-Bf Holstenstr. Sa. 18-1 Uhr La Gozadera Social Club Night in Wedel, Restaurant Tonne 122, Deichstraße 19, 22880 Wedel (Gastgeber: Adan) Sa. 21 Uhr Salsa-Party im Blauen Engel in Kiel mit DJ Laszlo. Eintritt frei. Kaistraße 47, 24114 Kiel http://www.blauerengel-kiel.de/ Sa. ab 22 Uhr Salsa im La Macumba Adenauerallee 3, gegenüber dem ZOB, 6€ _______________________________________________________________________________ Die Salsa-Events an der Ostsee findet ihr hier: http://salsafreunde-luebeck.de/events/ So. 15-18 Uhr Forró tanzen an der Elbe, beim "Alten Schweden" Vom Museumshafen ( Fähre Nr. 62) zu Fuß elbabwärts ca. 20 Minuten zu Fuß. So. 15-18:30 Uhr Tanztee im Landhaus Mehrens, Rosentwiete 34, 25364 Brande-Hörnerkirchen Tanz mit DJ Günni Jeweils mit Kaffee und selbst gemachten Torten und Kuchen http://www.landgasthof-mehrens.de/ So. 14:30 - 18:30 Uhr Tanztee im Heidenauer Hof, Hauptstr. 23, 21258 Heidenau, Tel.: 04182 4144 Findet in der Regel jeden Sonntag statt. Eine Veranstaltung mehr für die reifere Jugend Anfahrt per Auto: Autobahn A1 Hamburg-Bremen, Abfahrt Heidenau So. 16-19 Uhr, StarbucksSwingDance im Elbphilharmonie Kulturcafé, 0€ 16.00 Uhr Crash-Kurs 17.00 bis 20.00 Musik aus der Box, Kaffee & Kuchen und Swing Tanzen. Ca. Mitte Mönckebergstr. auf der Höhe der U-Bahnstation "Mönckebergstr." So. 15-20 Uhr Cafémilonga im Tango Ático, Eingang Krummholzberg Nr. 5 (Harburg) Eine Milonga auf einem 300 m² großen liebevoll eingerichteten Dachboden 5 Minuten zu Fuß vom S-Bf. Harburg-Rathaus 2. und letzten Sonntag im Monat www.tangoatico.de So. 15-20 Uhr Cafémilonga im el abrazo, Beerenweg 1d, HH-Altona; 8€ mit Kaffee und Kuchen gut besucht --http://elabrazo-tangohamburg.de/milongas.php So. 18:30 Uhr Milonga Del Angel im Blauen Engel in Kiel Kaistraße 47, 24114 Kiel Tanzkursus mit anschließendem Tanzabend (ca. 21 Uhr) bei schönem Wetter auf der Terrasse -- http://www.blauerengel-kiel.de/ So. 19-23 Uhr Tango Melange im Baladin, Stresemannstr. 374, 6 Euro Entspannter Tangoabend mit Carola und Reinhard jeden 4.Sonntag im Monat, wilde Mischung aus verschiedenen Tangos http://baladin.de/ So. 19:30-23:00 Uhr Milonga im Tango Matrix, Beim Schlump 13a (Hinterhof), 5 € 18:30-20 Uhr Anfängerkurs http://tangomatrix.de So. 15 Uhr Tanzpalast KISS ,Conventstr.8-10 (2 Min.-U1-Wartenau) Traditions-Tanztee mit DJ Ali So. 17-23Uhr Balboa im Sein, im Haus 3, Hospitalstr. 107, Altona Intermediate-Kurs (ab 1 Jahr Balboa Tanzerfahrung, Basics vorausgesetzt) Eintritt :Spende Immer am 2. und 4. Sonntag So. 20 Uhr Swing-Konzert, Alsterschlösschen Henneberg http://www.burg-henneberg.de/home/programm-planung/ So. 17 Uhr Salsa op´n Deich am Falckensteiner Strand bei Kiel Deichperle, Deichweg 24, 24159 Kiel, 5€ So. 19 Uhr Salsa Nights im Universo Tango, Beim Grünen Jäger 6a, Nähe U3-Feldstraße; Gastgeber: SalsaDiversion! Eintritt inkl. Garderobe: 5,- Euro Sommerpause, weiter am 2. September 2018 So. 20-24 Uhr Salsa Night mit DJ Adan im HELTER SKELTER am Hauptbahhof Steintorplatz 3 ( Eingang Seitenstr. / Steintorweg), neben dem Generator Hostel SALSA (ALL STYLES) - BACHATA - KIZOMBA... Terrasse mit freiem Raucherzonenbereich (bis 22 h) Eintritt 5,- STUDENTEN mit Ausweis bezahlen die Hälfte. . So. 19-21 Uhr Forró Freies Tanzen, Die Tanzwerkstatt, Eifflerstraße 1, 2€ --https://www.forro-projeto.de/tanzkurse/freies-tanzen/ So. 19.30 - 22.00 Uhr TANZPARTY im Tanzkult Die Standard- und Latein-Tanzparty für Paare und Singles in lockerer Atmosphäre! Mühlenkamp 63 - 22303 Hamburg - Tel.: 280 65 65, Eintritt 5,- € Guter Parkettfußboden Nettotanzfläche ca. 100 qm, wenig Raumvolumen, nicht zu dick anziehen. Es empfiehlt sich, nicht allein hinzugehen. --http://www.tanzschule-tanzkult.de/Termine.html Montag, 27.8. bis Donnerstag, 30.8.2018 Die Salsa-Events an der Ostsee findet ihr hier: http://salsafreunde-luebeck.de/events/ Mo. 19:30 Uhr Ball Paradox im Eberts in Schenefeld beginnt mit einen Discofoxkurs Ausreichend Parkplätze, Friedrich-Ebert-Allee 3-11, 22869 Schenefeld Es ist sinnvoll sich zu verabreden. Mo. 20-23 Uhr Salsa im Café PINTXOS Y MAS, Holsteiner Chaussee 321, Hamburg, ??? hat möglicherweise noch Sommerpause Eintritt frei Mo. 19-23 Uhr Frischluft-Tango 3.0 am Landhaus Walter (Stadtpark) Otto-Wels-Str. 2 (3 Min. zu Fuß von U-Borgweg) Heute wird drinnen getanzt, da die Duckstein-Lounge anderweitig belegt ist. Eintritt 5€+3€ Getränkebon Hier erfahrt ihr, ob drinnen oder draußen getanzt wird: http://frischlufttango.de/ Jeden Montag vom 14.5. bis 3.9.2018 Mo. 20:30 Uhr Milonga in der Neuen Rösterei, Lübeck, Wahmstraße 43-45, 3€ DJ Thomas im Nebenraum der ehm. Remise http://www.trave-tango.de/ Mo. 21:30 Uhr Alternative Milonga DJane Radio Klara Schildstraße 12-19, Bremen. mit einem Mix aus Neotango, Non Tango und klassischem Tango ______________________________________________________________________________ Die Salsa-Events an der Ostsee findet ihr hier: http://salsafreunde-luebeck.de/events/ Di. Salsa Feelings im Rieckhof 19-22 Uhr freies Tanzen im Rieckhof, Rieckhoffstraße 12, Nähe Bf. Harburg 19-20 Uhr ggf. Betreuung von Anfängern durch erfahrene Tänzer (kein Unterricht) Große Tanzfläche mit Parkettfußboden, (weitere Singles erwünscht) Achtung: der Fußboden ist sehr glatt. Getränke bitte an der Bar kaufen. Wenn der Saal im Erdgeschoss belegt sein sollte, tanzen wir oben in den Gruppenräumen. --Eintritt frei, es wird jedoch um eine Spende für den Rieckhof gebeten. Di. Tango-Argentino-Tanzkurs bei Maren und Bernardo, 8 Euro 18:00 - 18:55 Uhr Gruppe 1 19:00 - 19:55 Uhr Gruppe 2 Ab 20 Uhr „Cafeteando“ 4 € Kostenbeitrag (für Tanzschüler 1 €) im Kulturladen St. Georg, Alexanderstr. 16 Nähe U-Bf. Lohmühlenstr. bzw. U/S-Bf Berliner Tor Info: Bernardo Gecelter, 0173 169 85 95 Di. 21 Uhr Uhr Milonga im Universo Tango, 7 Euro Beim Grünen Jäger 6a --Davor Practica von 20-21 Uhr, 10 € (inkl. Milonga) (Am Neuen Pferdemarkt) http://www.universotango.de/ Di. 20 Uhr Caribbean Night im Cascadas, Ferdinandstr. 12, Eintritt 5 € liegt in der Nähe vom Hauptbahnhof. Parkplätze sind um die Zeit gut zu bekommen. Im Wechsel legen Miguel Angel und Pedro Maceo eine Mischung aus Salsa, Bachata, Merengue, Reggaeton und mehr auf. Es gibt immer Latin-Live-Musik und einen Salsa/Bachata Schnupperkurs Di. 20 Uhr LA GOZADERA Latin Night im Helter Skelter, Steintorplatz 3 (in der Nähe vom Hauptbahnhof, neben dem Hotel Generator) Zu Beginn ½ stündiger Salsa Tanzschnupperkurs, Livemusik und die besten Hits von Dj Trompeta & Friends. HELTER SKELTER bietet auch viel Platz zum Tanzen, eine Sommerterrasse mit Raucherbereich, ein sehr gutes Getränkeangebot & Food und vor alledem ein gutes und gepflegtes Ambiente. Ab 18 Uhr stehen auch täglich vor dem Haus freie kostenlose Parkplätze zur Verfügung. Der Eintritt ist von 20 bis 21 Uhr frei … danach nur 5 € Di. 19.30 Uhr Forró, freies Tanzen mit Norte, dance! im Hammer Park (genaue Location: https://osm.org/go/0HoMb1sFl-?m) nur 10 Minuten vom Hauptbahnhof entfernt (5 min U2/U4 bis Hammer Kirche, dann 5 min Fußweg) --https://nortedance.de/https://www.facebook.com/events/251145275435966/ --https://www.facebook.com/nortedanceforro/ Di. 21 -2 Uhr Salsaparty " Se7en Oceans“ in der Europa-Passage 2. OG.(ganz oben) mit Blick auf die Binnenalster Läuft in der Regel jeden Dienstag, Änderungen nicht ausgeschlossen. Eintritt: bis 22 Uhr 3 € ; ab 22 Uhr 5 € Mittelgroße bis große Taschen sowie Jacken bitte an der Garderobe abgeben (2 €) Gut besucht. _______________________________________________________________________________ Die Salsa-Events an der Ostsee findet ihr hier: http://salsafreunde-luebeck.de/events/ Mi. 15-18 Uhr Tanztee im Landhaus Mehrens, Rosentwiete 34, 25364 Brande-Hörnerkirchen Tanz mit DJ Günni Jeweils mit Kaffee und selbst gemachten Torten und Kuchen http://www.landgasthof-mehrens.de/ Mi. Tanzpalast KISS, Conventstr.8-10 (2 Min.-U1-Wartenau) ab 17h45 Vorprogramm "In erster Linie Schlager", ab 19h30 Rock'n'Roll And More mit DJ Uwe, DIE HITS VON DAMALS ALS KNALLER VON HEUTE in der wöchentlichen Top 10, mittwochs immer ab 21 Uhr, Finale um 22 Uhr. Mi. 18-23 Uhr After Work Milonga im El Abrazo, Beerenweg 1d, HH-Altona; 8€ --http://elabrazo-tangohamburg.de/milongas.php Mi. 19.30-22Uhr Tangotanzveranstaltung im Kurpark Lüneburg mittwochs (Heidetango e.V.) oder --https://www.heidetango.info/training-termine/ Mi. 20:00 Uhr Tangokonzert mit dem Duo Luna Tobaldi im Alsterschlösschen Alsterschlösschen Burg Henneberg - Rittersaal, Marienhof 8 15€ mit Anmeldung: -- http://www.burg-henneberg.de/home/programm-planung/ Mi. 18-19.30 Uhr,Griechischer Tanz, 1 Euro im Kulturladen St.Georg, Alexanderstr. 16 Nahe U-Bf. Lohmühlenstr./ S-/U-Bf Berliner Tor Mi.19.30 bis 24 Uhr, Tanzlounge, in "Mein Tanzstudio" Standard/Latein, Discofox,Salsa.... Sehr schöner Tanzsaal mit gutem Parkett, 7 € Rantzaustr. 74b, Wandsbek, Parkplatz vor dem Haus Mi. 19:30-21:30 Uhr Forró Freies Tanzen, Die Motte , Eulenstraße 43; 2€ -- https://www.forro-projeto.de/tanzkurse/freies-tanzen/ Mi. 19:30 Uhr Tanzen an der Elbe (7te Edition)----Adan lädt ein Watergate Hamburg, Landungsbrücken zwischen Brücke 8 und 9 Mi. 20-1 Uhr Salsa & More in der Empire Lounge. Hamburger Straße 209 22083 HH (vom U-Bahnhof Dehnhaide 1 Min. Fußweg) Salsa, Kizomba, Bachata, Semba, Afro House u.a. Eintritt 3 € 20-21 Uhr Kizomba-Schnupperkurs mit Ben 21-1 Uhr Party DJ Ben & Friends Mi. 20-1 Uhr Salsa Motion Club Party im HALO, Große Freiheit 6 Eintritt frei • JEDEN Mittwoch 1. Floor: Salsa, Bachata, Cubaton, Latin RnB y mas 2. Floor: KIZOMBA Mi. Ab 21 Uhr Swing Fever im Mandalay mit Original Swing Music from the 20ies to the 50ies --Neuer Pferdemarkt 13, 20359 Hamburg (Schanzenviertel) _______________________________________________________________________________ Die Salsa-Events an der Ostsee findet ihr hier: http://salsafreunde-luebeck.de/events/ Do. 15 Uhr Tanzpalast Kiss,Conventstr.8-10 (U1-Wartenau 2 Min.) Senioren-Tanztee mit DJ Manni Do. 19-23 Uhr RIVERBOAT BLUES, Kleinhuis Restaurantschiff Övelgönne Tanzkurs: 19:00 Uhr mit Marina und Jan DJs: DJ Broonzy & Mr. Pingle Eintritt: frei Do. 19.30 Uhr Forró-Tanzkurse mit Norte, dance! im Billie's (Stresemannstr. 374, Eingang B, 2. Stock, Bus 2 und 3 bis Bornkampsweg) anschließend noch Freies Tanzen ab 21.15 Uhr Kursbeitrag: 5 € Drop-In, also einfach vorbeikommen; freies Tanzen: Spende https://www.facebook.com/events/218859335536476/ https://www.facebook.com/tanzstudio.billies/ Do. ab 21.30 Uhr Galeria del Latino im Saal im Erdgeschoss --Eintritt bis 22 Uhr frei, danach zahlen Herren 2 €, für Damen bleibt der Eintritt frei. Große Freiheit 36 (St. Pauli) S-Bahn: Reeperbahn 2 Stunden kostenlose Tanzkurse, Niveau: Mittelstufe (keine Anfänger-/ Schnupperkurse!) 21.30 Salsa Cubana oder Salsa LA-Style im wöchentlichen Wechsel 22:30 Bachata - Figuren ab 23.30 freies Tanzen Salsa, Bachata, Merengue... Publikum eher jung, aber auch vereinzelt tanzbegeisterte Senioren. Tipp wer ohne Partner kommt: pünktlich erscheinen und zu Beginn des Kurses nach Aufforderung durch Handzeichen bemerkbar machen. Getränke an der Bar kaufen (Taschenkontrolle!) Fußboden für empfindliche Tanzschuhe weniger geeignet --http://grossefreiheit36.de/eine-seite/grosse-frieheit-36/ Do. 21-2 Uhr Milonga im Tango Matrix, Beim Schlump 13a, 7€ Eingang im Hinterhof, sehr gut besucht. Parken in der Nähe nicht einfach. *** Die Termine der Tanzveranstaltungen Hamburg werden wie immer präsentiert von Johannes Zeiske Read the full article

#24.08.2018 #Hamburg #Heidenau #Kiel #Musik #Niedersachsen #Schleswig-Holstein #Tanz #Tanztermine #Tanzveranstaltung #Tanzveranstaltungen #TanzveranstaltungenHamburg #Veranstaltungen

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prontolimoservice1 · 3 days ago

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365footballorg-blog · 6 years ago

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Armchair Analyst: Josef's binge, NYCFC's Free 8s & more from Week 23

August 5, 201810:38PM EDT

No need for a lede this week, let’s just pour up and dive in:

Sunk Costs

Josef Martinez got two more goals this weekend, in what was ultimately a disappointing 2-2 home draw for Atlanta United against a visiting Toronto FC side that’s just about rounding into “uh oh, they’re back” form.

Josef now has 26 goals on the season, is a mortal lock to eclipse the single-season mark of 27 goals (shared jointly between Roy Lassiter, Chris Wondolowski and Bradley Wright-Phillips), is averaging 1.16 goals per 90 (best in league history), has netted each of the last eight goals his team has scored (a league record), and 11 of the last 12 they’ve scored.

All of that is “wow.” But yeah… there’s a kernel of worry there, because Atlanta have left points on the board time and again via their lack of finishing from other sources. Miguel Almiron has vastly underperformed his expected goals numbers, and Tito Villalba hasn’t been the same kind of threat he was last year. If you bunker against this team and do it well (i.e., if you keep track of Josef), you can snag a result even as the Five Stripes control the entire game.

Do it poorly, though, and you end up with a furious ‘keeper:

Am I right to call this a worry for Atlanta? On the year they’re just 2-3-5 against what I consider to be “good” teams, and have struggled against the likes of Portland and Seattle when those particular sides have parked the bus.

Tata Martino, for one, is unconcerned. He lit up when asked about why only Martinez is scoring.

“On the second goal, was he taking a ball from the air, fighting off an entire defense and got a goal? No! There’s ball circulation that ends with [Villalba] waiting for the move, playing a cross, then Josef’s goal. I would be worried if we lump the ball in and let Josef manage himself alone, but this is not the case. Our right wing has eight assists, our left has 10 assists,” he said.

“Look at Josef´s 26 goals getting 24 assists – analyze that.”

All of that is true, even if Tata’s math is slightly off. You can see in the video above that Atlanta weren’t hoping to break down the bunker; they were specifically targeting certain parts of the bunker and forcing the TFC players to come play the ball instead of staying the zone. This was planned, and you’d be dumb not to plan to create chances for the most lethal goalscorer in league history, right?

“Truth is, he has big virtues, but there’s also a play circuit that allows Josef to find empty spaces. Otherwise our opponents only would have to keep him away from getting chances. That would be too easy, so they have to move to fill the gaps he is creating for his teammates. Those gaps are created with our ball circulation,” Tata continued.

“Sincerely I don’t mind and I mean it – he won´t stop making goals. There’s no way to neutralize a No. 9 when you have a team that supports our style of play. You look at FC Barcelona—you can’t keep [Lionel] Messi from making 40 goals per season, because there’s a style of play that allows Messi or [Luis] Suárez to finish in best conditions.”

This is a really good answer to an entirely fair question, and it does the right thing in putting the onus on the opposition to go to the film, unwind Atlanta’s sequences of play, and figure out how to stop putting the ball on Martinez’s head in the six-yard box. You want to stop them, you’ve got to stop him.

BTW. pic.twitter.com/LJ1IJ5FJYp

— Ben Baer (@BenBaer89) August 5, 2018

But it also dodges the issue: Atlanta keep dropping results when they’re the better team, and it’s because if the chance falls to someone not named Josef Martinez, it’s not going in the back of the net.

Off Brand

It was a good weekend for dropped points in the Eastern Conference. Ten teams played, and only one – RBNY – walked out with the full three points.

That includes a 2-2 Vancouver draw at NYCFC in one of the more unexpected outcomes of the year (but, because this is MLS, not even the most unexpected of the week). It’s fair to say that NYCFC have missed David Villa, and it’s also fair to say that his absence isn’t the sum total of what I will lightly term their “struggles.” They lost last week during a brutal stretch, played poorly in a win at Orlando before that, and then surrendered a home result for only the second time all season.

For a team as good as the one from the Bronx, that is “struggling.”

Let’s unpack how and why that happened against a ‘Caps team that had only 27 percent of possession on the day, and played a lineup comprising mostly reserves, and were outshot 22-8.

First, here is NYCFC head coach Dome Torrent’s postgame money quote:

“We found [Ismael Tajouri-Shradi] many, many times on the left side, we played free and this is our intention,” he offered. “Play with the wingers wide and they cross all the time inside. The best way for me to attack is our wingers wide.”

This is somewhat unusual in the modern game, one in which wingers are mostly inverted and fullbacks mostly overlap. But this is not unusual for City Football Group, and the system Torrent’s describing is the same one that Pep Guardiola mostly used at Manchester City last year.

1. The wingers stay wide instead of being inverted, effectively spreading out the entire opposing backline instead of letting them stay compact

2. The fullbacks push up usually in support – as a platform for distribution – rather than as pure overlappers. When they do push into the attack, it’s as often as not to be underlappers, i.e. playing inside the winger rather than outside the winger

3. The midfield has a back point and two playmakers. Kevin De Bruyne called the role a “free 8,” but really they’re just modern No. 10s who have to defend a little bit

4. Because the wingers are wide and the fullbacks are supporting possession, the Free 8s push forward to attack inside channels while the No. 9 occupies central defenders. Simple spacing – the wingers are pulling the backline apart by staying wide, remember – gives them more room to get into dangerous spots

5. That’s how Jesus Medina gets goals like this:

Tajouri-Shradi is the wide winger, Anton Tinnerholm is the underlapping right back, and Medina is the Free 8. This is literally ripped from the Man City playbook.

The problem with this approach is simple: It throws a lot of numbers forward and exposes the hell out of you on the counter. And if your Free 8s aren’t able to put in the requisite defensive work – and neither Medina nor Maxi Moralez did in this one – then you will give up goals on the counter by losing the ball in central midfield and why don’t I just show you the clip?

This is a very different way of approaching the game from what this team did under Patrick Vieira. I respect Torrent’s attempt to put his own mark on the team (even if I think many of his personnel choices are bad), and I still think NYCFC are much more good than bad. I still think they’re one of the three or four best teams in MLS.

But here’s a note my colleague Bobby Warshaw sent me, and I agree with every word:

NYCFC has been great at times – MTL and Columbus wins – but also really bad at times. If they click, they could be the best team in the league; but I’m worried they are tinkering so much and it makes whether they click on a given day random and unpredictable/untrustworthy.

A few more things to ponder…

9. The actual most shocking result of the weekend came in Frisco, where San Jose picked up just their third win of the year – and their first over anybody but Minnesota United – with a 3-1 result over FC Dallas. It marked FCD’s first loss at home this season.

San Jose did well to capitalize on a couple of bad errors from Jesse Gonzalez, and got probably their best central midfield performance of the season. Both Luis Felipe and Anibal Godoy (who I have been vocally down on) were clean on the ball and active off it, and that allowed the Quakes to be both solid and dangerous. It was a nice change, and a much-needed win.

For FCD… don’t look now, but they’re just 4-4-1 across all competitions since Mauro Diaz left.

8. No Zlatan, no party. The Galaxy went to Colorado without their star striker and left with a 2-1 loss, snapping their nine-game unbeaten run. LA aren’t/weren’t really able to control games with the ball, which means their defense has to scramble and make plays. As we’ve seen all season, that’s not, uh, their forte. And David Bingham has done them few favors in net.

Colorado did well to only field three center backs instead of their usual four or five. Bobby will have a nice long look at their new 4-4-2 diamond – and how it’s reviving Kellyn Acosta – this week.

7. Our Face of the Week goes to Seattle head coach Brian Schmetzer, who was super duper pleased with Will Bruin’s stoppage time goal for a come-from-behind 2-1 win at Minnesota:

We feel you, Coach! pic.twitter.com/yucFMrkgaD

— Seattle Sounders FC (@SoundersFC) August 5, 2018

This was all born of a switch to the 4-4-2, which allowed Bruin and Raul Ruidiaz to play off of each other for a few minutes. It’s looked very, very promising thus far in limited minutes.

If I was a MNUFC fan I’d probably be asking questions as to why Michael Boxall didn’t contest the long-ball that led to Bruin’s goal, and why Francisco Calvo didn’t track Bruin at all.

Of note: Adrian Heath benched Christian Ramirez in this one, and there are credible whispers he’s being shopped. A number of teams out there could use a goalscoring No. 9.

6. Real Salt Lake gave themselves a “gotta have it” 2-1 win over visiting Chicago on Saturday night in Sandy.

Midfielder Damir Kreilach – playing a box-to-box role in this one – got both goals for the hosts, and while his defensive deficiencies are always lurking, it’s been fun to watch him figure out this league and his teammates over the course of a season. For example, he knows that RSL center forward Corey Baird only rarely hits the “A gap” between the central defenders, and instead prefers to drift to the back post. That opens up the A gap for a late, Frank Lampard-esque run out of midfield, which is exactly how Kreilach got the game’s first goal.

Chicago are now down to 10th in the East and are under 1 ppg. They have completely failed to build off of a strong 2017 season.

5. Few teams in league history have been able to grind as well as this year’s Timbers. They weren’t great in Saturday’s 3-0 win over a short-handed Philadelphia side:

I hope the Timbers don’t fall for the fool’s gold that was last night’s 3-0 win. A Union B+ team that had no business taking points off any MLS side on the road likely would’ve earned at least a point if they didn’t make egregiously dumb mistakes in the second half. #RCTID

— Chris Rifer (@ChrisRifer) August 5, 2018

But they’re now unbeaten in 15, and picked up just their second multi-goal win of the year. They make you earn every inch, and the Union weren’t good enough to make a dent.

4. Orlando City came back from two goals down, and then came back from one goal down to steal a 3-3 home draw against the Revs thanks to a goal in second-half stoppage.

This game was entirely bonkers, and an entirely bad result for both teams. The Lions already have a bunch of nails in their coffin, and this is very obviously one more. But the Revs… the Revs had this, but once again their inability to defend in their own 18 just destroyed their hopes of creating any sort of breathing room between them and the hunting pack.

New England are now winless in five, have one win in eight, and are 4-6-7 since April 14. Only Orlando, San Jose, Colorado and D.C. United have fewer points since then.

3. Speaking of D.C., they went to Montreal and got a very useful point via a 1-1 draw thanks to a Yamil Asad goal (and how much would Atlanta give to have him back right now?), which canceled out Matteo Mancosu’s opener.

United shifted out of their usual 4-1-4-1 for more of a 4-2-3-1 with Russell Canouse and Junior Moreno on the “2” line, effectively shielding what’s usually a pretty vulnerable backline. Given that, the Impact were kind of flummoxed when it came to consistent chance generation. And given their inability to press, they couldn’t just turn defense into offense.

This was a bad, bad result for Montreal, who are still technically above the playoff line but are actually seventh in the East on PPG, and have a mostly pretty tough schedule remaining. If the miss the playoffs by a point or two, this is the game they should point at.

2. LAFC are suddenly sliding. Following Sunday’s 2-1 loss at RBNY they’re winless in four and have just one win in their last six. Teams have limited their ability to build triangles up and down the pitch – everybody’s got tape to dissect now – and that means Adama Diomande isn’t getting anymore tap-ins, and nobody’s really picking up the slack.

On the defensive side, it’s simple: Mistakes are getting punished. Tyler Miller’s spill led to the first New York goal, and a simple ball over the top led to the second. The season is a grind, and exhaustion leads to both lapses in concentration and physical failures. Expect a different-looking lineup for Wednesday’s U.S. Open Cup semifinal against Houston.

For RBNY, they’re back to 2 ppg, tied with Atlanta for best in the league, and their +21 goal differential is second-best.

1. And finally, our Pass of the Week goes to Sporting KC’s 16-year-old playmaker Gianluca Busio, who got the game-winning assist in his side’s 1-0 win at Houston:

Great pass, and a good interview as well. As he said, he was able to “drift” into Zone 14, and Houston have had trouble tracking movement through there all season in Juan David Cabezas’ absence.

Houston lost their minds in this one, with three players seeing red and head coach Wilmer Cabrera also being dismissed. Given how far they are from the playoff line, how poor they are on the road and how the rest of their schedule looks, it seems quite likely their hopes of a return trip to the playoffs are just about fried.

Which makes Wednesday’s Open Cup semifinal that much bigger. Win there, and they have a shot at at least salvaging something from an otherwise colossally disappointing 2018.

Series:

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Armchair Analyst: Josef's binge, NYCFC's Free 8s & more from Week 23 was originally published on 365 Football

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