#Free Fantazy

[churmandurr]

i ascended Astarion for the first time & like... both versions are so cathartic. I'm rooting for him either way idc. I'm projecting my ass into him in those moments.

it's like Jesse Pinkman at the end of breaking bad to me

[owlprince27]

Well hello! Im really excited to start new journey🎉💞! On this um, I will call "page",I'll be posting my drawings about my fantazy, world my own characters,for short everything that has connection to fantazy, art, interesting stories, even games!🎮, Like stardew valley my favourite and etc🎨. So! If you love such things and topics, this blog is for you!♥️💖 Feel free to follow and let's connect! Besides that we can exchange our interests such as showing your own characters, your world and everything you like😊. We can connect our characters if you like that and many other things. (but I want to warn you cauze sometimes i can be buzy, but doesnt mean that I won't post anything, just dissappear for some days😅)

Well I said everything that I wanted to tell you and well.. I will be ready for everything! 🤩🥳

P. S. You can ask me questions too😁♥️

[projectmoonlightproductions]

OKAY SO THE AU IS SIMPLE! Its a fantazy one for cr. Most already fantazy characters like the ones in crk stay the same but does like áloe ion and all change. But im here to talk about the commons! Also there sopose to be like a little dnd group

Brave: brave doesn't change much, his a young knight in the making who wants to help everyone out and his a bit stuburn

Bright: so she was a barb before and that hasnt changed its just that with the witches castle i had a small idea of her having a "sugar rush" where she takes the roll of a barbarian cause my god they made her strong in witches castle

Strawberry: shes a shy cleric, shes that dimple

Skater: his a ranger, hes just a ranger and run oway kid as well that hangs out with cloud a lot

And speeking of Cloud: shes....well alive in this au but also a bit older and a rouge, shes not a trouble maker just a "free spirit" as she puts it and likes hanging out with the brave gang as they get into a lot of trouble with and without her

OH Cool! It’s kinda like a DnD au!

[ladyfreeworld]

Dzień dobry kochani!

Jak wam mija dzień?

Przypominam, że na moim blogu „LadyFree opowie Ci...” jest nowe opowiadanie „Nadzieja"!

Miłego czytania i miłego dnia wszystkim!😘

Good morning, my dears!

How's your day going?

I remind you that on my blog "Lady Free will tell you..." there's a new story "Hope"! Happy reading and have a nice day everyone!😘

Link;

[numptypylon]

I gave them flower crowns today. Feel free to used the icons, that’s why I made them 🤗

It was stage one of putting them in fantazy-Grecian summer outfits, but then I liked them with just the flower crowns 🤷‍♀️

[pollonegro666]

2022/03/12

La temática de las esculturas de cartón es libre, cada autor expresa con su obra su libertad creativa. A veces son personajes imaginarios, otras veces de la actualidad y otra recogen reivindicaciones sociales.

The theme of the cardboard sculptures is free, each author expresses his creative freedom with his work. Sometimes they are imaginary characters, other times they are current and other times they collect social demands.

Google Translation into Portuguese:

O tema das esculturas de papelão é livre, cada autor expressa sua liberdade criativa com seu trabalho. Às vezes são personagens imaginários, outras vezes são atuais e outras vezes cobram demandas sociais.

Google translation into Italian:

Il tema delle sculture in cartone è libero, ogni autore esprime con il suo lavoro la sua libertà creativa. A volte sono personaggi immaginari, altre volte sono attuali e altre volte raccolgono richieste sociali.

Google Translation into French:

Le thème des sculptures en carton est libre, chaque auteur exprime sa liberté de création avec son œuvre. Parfois ce sont des personnages imaginaires, d'autres fois ils sont actuels et d'autres fois ils recueillent des revendications sociales.

Google Translation into Arabic:

موضوع منحوتات الكرتون مجاني ، كل مؤلف يعبر عن حريته في الإبداع مع عمله. في بعض الأحيان يكونون شخصيات خيالية ، وفي أحيان أخرى يكونون حاليين وفي أحيان أخرى يجمعون مطالب اجتماعية.

Google Translation into German:

Das Thema der Pappskulpturen ist frei, jeder Autor drückt mit seiner Arbeit seine Gestaltungsfreiheit aus. Mal sind sie Fantasiefiguren, mal sind sie aktuell und mal sammeln sie gesellschaftliche Forderungen.

Google Translation into Turkish:

Karton heykellerin konusu ücretsizdir, her yazar yaratıcı özgürlüğünü eseriyle ifade eder. Bazen fantazi figürler, bazen güncel, bazen de toplumsal talepleri topluyorlar.

Google Translation into Hebrew:

נושא פסלי הקרטון הוא חופשי, כל מחבר מבטא את החופש היצירתי שלו ביצירתו. לפעמים הן דמויות פנטזיה, לפעמים הן אקטואליות ולפעמים הן אוספות דרישות חברתיות.

Google Translation into Hindi:

कार्डबोर्ड मूर्तियों का विषय स्वतंत्र है, प्रत्येक लेखक अपने काम के साथ अपनी रचनात्मक स्वतंत्रता व्यक्त करता है। कभी वे काल्पनिक व्यक्ति होते हैं, कभी सामयिक होते हैं और कभी वे सामाजिक मांगों को एकत्रित करते हैं।

Google Translation into Russian:

Тематика картонных скульптур свободна, каждый автор выражает свою творческую свободу своим произведением. Иногда это фантазийные фигуры, иногда актуальные, а иногда собирают социальные запросы.

Google Translation into Japanese:

段ボールの彫刻の主題は自由であり、各著者は彼らの作品で彼らの創造的な自由を表現しています。 ファンタジーの人物である場合もあれば、話題の人物である場合もあり、社会的要求を収集する場合もあります。

Google Translation into Korean:

골판지 조각의 주제는 자유롭고 각 작가는 자신의 작품으로 창의적인 자유를 표현합니다. 때론 환상의 인물일 때도 있고, 때론 화제가 되기도 하고, 때론 사회적 요구를 모으기도 한다.

Google Translation into Chinese:

纸板雕塑的主题是免费的，每个作者都用他们的作品表达他们的创作自由。 有时他们是幻想人物，有时他们是话题人物，有时他们收集社会需求。

Google Translation into Persian:

موضوع مجسمه های مقوایی آزاد است، هر نویسنده ای با کار خود آزادی خلاقانه خود را بیان می کند. گاهی چهره های فانتزی، گاهی موضوعی و گاهی مطالبات اجتماعی جمع آوری می کنند.

Google Translation into Ukrainian:

Тематика картонних скульптур вільна, кожен автор своєю роботою виявляє свою творчу свободу. Іноді це фантастичні фігури, іноді вони актуальні, а іноді збирають соціальні запити.

[huny-bun]

Hey I know no one will ever see this but yall?? I was looking for a good map creator for my prep for nanowrimo and??? This map creator, while having a steep learning curb, is soooo detailed.

Its called Azgaars Fantazy Map Generator

It shows you everything from the size of each biome, to the culture and its spread across each region

The options are literally endless and this is the free version! Highly recommend tbh.

[visar55707]

Three murderers in one jurie

Keep your mouth shut, keep your mouth shut,

Said it all, said it all,

But can we have him for treason.

Love doesn't verify much, but still we got him here... Can we bless him but with something?

No nope not so much heartly...!

Kuuuush, hajvan tell him whatever you want he only laughs... Is that a criminal?!

Nope....

Love doesn't bring you that....

Ahhhhhhh ok of course...

Shut up now....

Cruel this planet cruel....

How I would want to be free, right now, straight five no else to see only you and me, and then....

Nothing much to say....

Wonderers of this planet don't say much.

But we have to beat them, ahhhhhhhhh how I wish so, now, right now, straight five, but not just yet. Ohhhhhhhhhhh

Wonderers wonderers wonderers those where he who shall lead... Inshallah... Ahahahahaha

Stupid...

Fuck ...

Lover....

Tell him whatever you want he only laughs....

Dembeli i nanës, dembel.....

Wowwww, tell him this, tell him so and he only laughs... But this is not a story of a life threatening maniac he is he who brings you might.....pr pb rmbrrrrr

Kkkoooooolllllll, hajvan, budall, Corr, fantazi, crazy covjek, he got it all.... Ahhhhhhhhhhhh

Buuuudddaaallllll

Buuudddaaallll

Buuddaallll

Budddaaalll

Haaaajjjvvannnn

Haajjjvvvaaannnn

Haaajjjvvvcaaaannn

Ccccoooooorrrrrrr

Ccccooooorrrrr

Ccccoooorrr

Lujti krejt hhhaaaaaaa

Hhaaaa hahahahahaha

Of course, of course now you know him.....

Perversi i keq. Nanës ja lype keq.... Hupë mangup...

[horrorslashergirl]

Hi!It's me again, hope you remember me! (If not, I'm the one who asked for slasher x M!Reader). First of all I wanted to thank you!I really loved it! Then I wanted to ask you an advice. I'd like to open my own blog, but there are two things that block me. The first is that I don't have much time, the second thing is that I always think that when I write something it is bad written.Did it ever happen to you? Could I send you one of my works for you to read and judge? If not it's fine,thank you!😜

Oh yes! I do remember! You are very much welcome and I am glad you enjoyed it. ☺️

Ahh... The eternal problem at the start of a Journey. Starting a blog is not that hard, you basically write your thoughs, fantazies and all that sort of stuff.

Indeed time can be a pain in the back, but its all about how you organize your writing. I usually write like 2-3 things per day. Sometimes I don't write at all, when I have these melancolic days where I just sit around and do nothing. I also write when I am in the mood and that's an advice I give you. Don't write of obligation.

Perfect writing doesn't exist and you shouldn't be so tough with yourself. If you want to improve your writing you need to write. 😅 Kind of ironic, huh? The idea is that we all start from the bottom and we improve posting what we write. Plus if someone doesn't like your writing so be it. We are writing for FREE. Me, personally I am not an ass kisser and I know I cannot please everyone. I am not God. Lol🤣

So... If you want to start a blog go ahead and do it! I cheer you on for this. I cannot imagine how it would have been if I didn't started my blog. 😥

P. S: Yes! I would love to read some of your works. 🤩

[sfaioffical]

SAN FRANCISCO BAY AREA:

Pete’s Café - SFAI In The 90’s In the 90s, many SFAI students worked for and exhibited artwork at Pete’s Café, which was situated on the roof of SFAI’s Chestnut Street Campus. On view January 10 through February 16, The Great Highway Gallery presents a group exhibition featuring several SFAI-affiliated artists, including John Lindsey, Dave Arnn, Daric Cheshire, Colin Chillag, Wren Coe, Diana Coopersmith, Adrienne Eberhardt, Connie Goldman, Jeremy Harper, Gerald Hawk, Cliff Hengst, Scott Hewicker, Johanna Jackson, Xylor Jane, Patricia Kavanaugh, Yasmin Lambie-Simpson, Mario Lemos, Ted Lincoln, Lydia Linker, Linton, Jennifer Locke, Sally Lundburg, Mads Lynnerup, Spencer Mack, J Matt, Alicia McCarthy, Barry McGee, Palmerin Merges, Karla Milosevich, Ruby Neri, Eamon Ore-Giron, Maurizzio Hector Pineda, Will Rogan, Cynthia Rojas, Rocio Santillana, Christian Spruell, Steven Starfas, Keith Tallett, Rafael Vieira, Benji Whalen, Mark Wilson, and more!

Lighting the Council Fire: Paintings of Suiko Betsy McCall (MFA 2009) On view through January 30 at San Francisco’s Zen Center, Suikos writes about Lighting the Council Fire: “Whether with a pencil or paint, these works on paper explore the interaction between a structure set up by an evolving, repeating system and the unpredictable chaos of the spill, smudge, or breath-initiated brushstroke. By engaging the repetitive rhythms of practice, my work also aims to reshape my life as an Artmonk.”

Image: April Martin, cali fantazies. © April Martin

Cali Fantazies – April Martin (MFA 2019) Cali Fantazies is a multimedia art installation on view at the Museum of the African Diaspora (MoAD) through March 3, 2020. On February 13, April Martin is curating a special event, Cali Fantazies: Righteous Ratchet Joy, where performers from the legendary underground black queer party “Cali Fantazies” will be performing at MoAD. Come witness the magic, allure, and stunts of performers in a not to be missed experience. This event will be a space where queer Black folks can enjoy the many talents of BADASS Black Women. We will shout with joy and make it shower with flowers as beautiful black women pole twerk and booty bounce in a celebration of Black Women. We welcome you to immerse yourself in MoAD’s latest exhibition, groove to the electrifying sounds of DJ Lady Ryan and laugh out loud at hilarious host Ms. Bleu Sugar from Coochieliscious Entertainment as she narrates the mesmerizing performances by Cali Fantazie’s dancers.

This event will be honoring the legacy of queer black club life and the closure Bench and Bar and Club 21, the last remaining black and brown queer clubs in Oakland.

Mind / Body / Spirit / Land – Susanne Siminger (MFA 1987) Please join Susanne for the artist reception on Friday, January 17 at the Gail Van Dyke Gallery in the MarinHealth Medical Center in Greenbrae for the opening of Mind / Body / Spirit / Land: Oils and Water Colors inspired by Our Beautiful Land.

Panel Discussion: Re-Imagining Equity in the Art World 2020, with Katherine Vetne (MFA 2015) On January 18, Katherine Vetne joins local artists Erica Deeman and Indira Allegra, as well as curators Heidi Rabben and James Voorhies to discuss their art practices, concerns and challenges, and where the equity movement might lead in the coming years. This panel is organized by ArtTable, which is celebrating 40 years of women's advocacy and professional development. Katherine will also have work on view at the Catherine Clark Gallery booth at Untitled San Francisco, July 17–19, 2020.

Image: Michael Jang, Ramones Free Concert, Civic Center Plaza, San Francisco, 1979, gelatin silver print. Courtesy the artist. © Michael Jang

In Conversation: Michael Jang (MFA 1977), Sandra S. Phillips, and Nion McEvoy For the closing of Michael Jang’s California, photographer Michael Jang and curator Sandra S. Phillips are joined by Nion McEvoy for a wide-ranging conversation about the resonances of place, person, and time in Jang’s work. This first retrospective exhibition presents a rare, immersive journey through Jang’s career, from the 1970s to the present, and is curated by Phillips, SFMOMA curator emerita of photography and Jang’s longtime collaborator.

Fresh Focus – Jordan Holms (MFA 2019) Join Jordan Holms on Wednesday, January 14, at 4pm for a meet and greet for Fresh Focus, an exhibition featuring small-size artworks by recent and current MFA artists of the Bay Area.

Spiders from Mars – Ben Venom (MFA 2007) Please join alum, Ben Venom for the opening reception for Spiders from Mars on January 15 at St. Joseph’s Art Society. On view January 17 – February 15, 2020.

Forbidden Illusions – Whitney Lynn (MFA 2007) Whitney Lynn invites you to "forbidden knowledge", anaglyph collages created while an Artist-in-Residence at LightSource SF. On view through February 1, 2020.

Displaced - Spencer Keeton Cunnigham (BFA 2010) Please join Spencer for the closing reception of Displaced at 6pm on February 9 at The Midway Gallery. He is consistently working on new ideas for art whether that is in the form of paintings, drawings, murals and installations that dive deep into topics relating to his personal relationship on Native American rights, cultural representation, social change and activsm. Spencer’s artwork has been on broadcast television, in motion pictures and exhibited throughout the U.S. and beyond. His art can currently be found on display in the Permanent Collection of the Berkeley Art museum, The Crocker Museum in Sacramento and in print form in the permanent book collection at the Smithsonian Museum of the American Indian in Washington D.C. Cunningham was also recently inducted into the World Congress of Art History in Bejing China by Art Historian Elaine O'Brien.

Video: A preview of Spencer Keeton Cunningham’s solo exhibition, Displaced, The Midway Gallery, San Francisco. Courtesy the artist.

“Rackets” and “Laminates” – Richard Goldberg (MFA 1987) Opening February 1 at 1pm at Far Out Gallery, this show will feature selections from two recent groups of work: “Rackets” and “laminates”.

The “Rackets” are an ongoing group of wall mounted, mixed media sculptural works. Theses sculptures are made with a variety of found objects and materials which take on new identities and meanings as they are synthesized into a single artwork of rhyming shapes, forms and imagery. Each “Racket” work has its own engaging identity, and story to tell.

Shown alongside of the “Rackets” will be collages that are called “Laminates” These works are 2 dimensional, irregular shaped collages of images, symbols, photographs and other visual material. These shaped collages are then laminated and cut out, to become a kind of flat sculpture with shapes and voids around the perimeter of each collage but also within and throughout the entire composition. They are floated in a shadow box frame which brings out their 3 dimensionality. The “Laminates” were a product of an evolution of ideas and impulses that lead the artist to move on to the more robust 3 dimensionality of the “Rackets”.

Mike Henderson: The Black Paintings + David Simpson: Interference On view through March 28, 2020 at Haines Gallery.

Mike Henderson: The Black Paintings (MFA 1970): Showcasing a body of related works made primarily in the 1990s by recent Artadia Award winner Mike Henderson, the paintings included in this exhibition feature a rich palette of lush blacks, steel grays, and ultramarine blues. Set against the darkness, small shapes of bright blues, yellows, and reds flicker like jewels. Henderson’s experimental films from the 1960s, 70s, and 80s will be shown in dialogue with the paintings. Politically charged and wickedly funny, these remarkable shorts have been screened at museums and festivals around the world. In addition to the exhibition, The Mike Henderson Band will be performing on January 17 as part of UNTITLED, ART San Francisco. Click here for tickets and more information!

David Simpson: Interference (BFA 1956): Acclaimed Bay Area painter David Simpson’s exhibition takes its title from his use of “interference” pigments, which shift in color with changes in light and the viewer’s perspective. Each canvas on view is the result of up to thirty coats of paint, meticulously layered to create a deep, lustrous surface. Now in his 90s, Simpson continues to delight with works of remarkable dynamism, evoking the movement of clouds, or the play of light across water, ultimately offering viewers a powerful space of contemplation.

Shaw & Co. - Richard Shaw (BFA 1965, Martha Shaw (BFA 1966), Alice Shaw (MFA 1999), Virgil Shaw & Friends (Extended through January 31, 2020!) Gallery 16’s exhibition “Shaw & Co.” presents a collection of work by members of the Richard and Martha Shaw Family, plus a plethora of SFAI-affiliated artists—faculty and alums—including Richard Shaw, Martha Shaw, Alice Shaw, Rebeca Bollinger, Mike Henderson, Don Ed Hardy, Bob Hudson, Sahar Khoury, Alicia McCarthy, Jim Melchert, Ruby Neri, Cornelia Schulz, Wanxin Zhang, and more!

BoundarySpan – Aaron Wilder (MFA 2017) A group exhibition curated by Aaron Wilder and featuring the work of alums Michael Arcega (BFA 1999), Jimin Lee (MFA 1997), Paula Levine (MFA 1988), Sherwin Rio (MA 2019), and Desiree Rios (MFA 2017), BoundarySpam reopens on January 27 at the Nathalie and James Thompson Art Gallery at San José State University and will continue through February 21.

Wikipedia:Meetup/San Francisco/Black History Month Wiki-a-thon at Prelinger Library – Niki Korth (MFA 2012) Niki Korth invites you to an afternoon of exploring, discussing, researching, writing, and working together to help improve Wikipedia articles. Attendees are welcome to work on whatever they like and are inspired to from the Library's holdings. For those interested, they will have a concerted focus on working toward closing the diversity gap of coverage on Wikipedia of notable persons of African descent and their achievements and related movements, organizations, events, ideas, projects, and more. Prelinger Library founders Megan and Rick will be present to help attendees find resources from the Library's collections, and there will be experienced Wikipedians present to help Wiki newcomers to get started and answer questions.  A Mediterranean lunch will be served, so please come with both hungry minds and stomachs.

Little Rock, Arkansas

American Veterans of Arkansas – Edward Drew (BFA 2014) The Mosaic Templars Cultural Center Museum in Little Rock, Arkansas has commissioned a year-long exhibition from Edward Drew, American Veterans of Arkansas, which uses 5 x 7 tintypes to profile African-American military veterans who are also Arkansans. “African Americans are fairly underrepresented in most sectors, including veterans and veteran contributions to this country,” Drew said. “I thought it was important tthat I speak to the narrative. Then, being a state in the South, it’s important to show tha the rick history of the Southern states has always coincided with African American contributions.”

Wilmington, Delaware

Midnight Mass – Amie Potsic (MFA 1999) Opening Friday, February 7 at 5pm: The Delaware Contemporary has invited Amie to exhibit a large-scale installation on view January 24 through April with over 250 feet of silk. Amie will be working with the museum's gargantuan atrium space to create a fresh design approach to her work.

Miami, Florida

Image: Installation view of Self-preservation (with or without applause), a group exhibition featuring work (far right) by Christopher Culver. Courtesy Primary Gallery.

Self-preservation (with or without applause) – Christopher Culver (BFA 2008) On view through January 28, Primary Gallery is proud to present Self-preservation (with or without applause), a group exhibition featuring alum, Christopher Culver.

Chicago, Illinois

Performance - Norman Long (MFA 2001) Please join Norman Long at Elastic Arts on Friday, January 31, for a special performance featuring LONG/ZALEK DUO.

Massachusetts

"We the People" is a group exhibition featuring work from Aaron Wilder’s (MFA 2017) collaboration with Guta Galli (MFA 2017) entitled "Sugar & Snails," on view through January 31, 2020 at the Dorothy and Charles Mosesian Center for the Arts in Watertown, Massachusetts.

Dancing In The Bardo and Human Impact: Stories of the Opioid Epidemic - John Christian Anderson (MFA 1972) Dancing In The Bardo is a solo show by alumnus John Christian Anderson, on view through January 26 at the Boston Sculptors Gallery. The group show Human Impact: Stories of the Opiod Epidemic is on view at Fullercraft Museum in Brockton, MA, through May 3, 2020.

Baltimore, Maryland

The Breath of Empty Space – Shaun Leonardo (MFA 2005) On view January 30 - March 15, 2020 at Maryland Institute College of Art: "For the last year I have been quietly finalizing plans for The Breath of Empty Space–a solo exhibition of 6 years of drawing concerning violence by the police and American legal system, being shown together for the first time and curated by the insightful and caring John Chaich. I am proud to finally announce this traveling exhibition for 2020 and hope you can join me to witness the work." —Shaun Leonardo

The Breath of Empty Space will also be on view at Museum of Contemporary Art Cleveland, June 5–September 6, 2020.

—INTERNATIONAL EXHIBITIONS—

Budapest, Hungary

Untitled No. 20, From Series Room ‘32’ – Michael Naify (MFA 2017) SFAI alum Michael Naify’s work, Untitled No. 20, From Series Room ‘32’, is featured in PH21 Contemporary Photo Gallery’s upcoming international photography exhibition entitled The self(ie) and the other: Portraiture—on view January 16–February 8, 2020.

Hamburg, Germany

Mother Tongue - Mika Sperling (MFA 2018) Mika's practice is based in photography, and engages ideas and concepts of family. Created during the recommended Olympus Fellowship, "the current project [Mother Tongue] is born out of the idea to include my situation as a new mother into my work. I am using photography, writing and video to search for familiarities between my husband’s and my family. I am documenting the evolving bond to my daughter, the changing relationship to my mother-in-law and that to my own mother." —Mike Sperling Check out this video where Mika discusses Mother Tongue and its familial lineages. Soon on view: Deichtorhallen Hamburg, March 21–June 14, 2020; Fotografie Forum Frankfurt, August 7–September 27, 2020; Foam Museum in Amsterdam, October 23, 2020–January 17, 2021.

Cambridge, UK

The Art of Watching Art – Patricia K. Kelly (MFA 1999) On view January 14–26 at Motion Sickness Project Space, The Art of Watching Art is a group exhibition showcasing a broad range of artworks from artists involved in the invigilation of previous exhibitions in the project space since August 2019, including our very own Patricia K. Kelly.

Do you have an upcoming exhibition or event? If you’re an SFAI alum, please fill out this form to be featured in our next roundup of alumni exhibitions and events.

Top Image Credit: Whitney Lynn, Song of the Sirens, 2019 archival pigment print on Legacy Etching paper, 30 x 40 inches. © Whitney Lynn Studios.

[angeliquewidengren]

Angelique Widengren började 1984 i popgruppen Arena. Sen byttes namnet till Sound Of Musik 1985 och då släpptes första singeln. Popgruppen Sound Of Musik bestod av Angelique Widegren, Nanne Nordqvist och Peter Grönwall och de kom på fjärde plats i Melodifestivalen 1986 med "Eldorado" och tävlade i igen 1987 med "Alexandra" och landade åter igen på fjärde plats. Angelique Widengren har skrivit låten "Treli Kardia" som framfördes av Helena Paparizou. Skivan sålde platina och låg listetta under flera månader i Grekland. Hon har skrivit popmusik "Come On And Jump" och dansmusik som "Feel The Power" och "House Party" i gruppen Free Fantazy.  I videoklippet finns den svenska originalversionen av Treli Kardia som heter Öppna Upp För Kärleken och man kan lyssna lite på den engelska versionen Just Let It Out. Man ser också "Treli Kardia" framföras av Helena Paparizou i motsvarigheten till Super Bowl i Grekland. i klippet intervjuas Angelique Widengren i samband med Pride festivalen 2010 när hon gästade Nanne Grönwall i samband med Nannes 25e jubileumsår som artist. Angelique Widengren gästade även Nanne i Rivals fullsatta salong med 700 platser fördelat på 480 platser parkett och 220 på balkong. Hotel Rival AB. Mariatorget 3, Box 175 25. SE-118 91 Stockholm. Slutligen blev det gästade på Lorensbergsteatern med 797 platser. Lorensbergsteatern. Karl Gerhards plats 1, 412 53 Göteborg. Angelique Widengrens svenska version Öppna Upp För Kärleken anmäldes till Melodifestivalen men blev inte uttagen, det är många som skickar in bidrag till Melodifestivalen varje år. Låten sålde ändå platina och låg listetta flera månader i Grekland så det spelar ingen större roll.          

[ekitapkazanclari-blog]

E-Kitap Kazançları I E-Kitap Yazarak Para Kazanma

İnternetten para kazanma konusunda en çok tercih edilen pasif gelir kazançyöntemlerinin başında e-kitap yazarak para kazanmak gelir. Pasif gelir nedir derseniz bir ürün oluşturmak için belirli bir süre emek harcar çalışırsınız. Oluşan ürünü ise çeşitli satış kanallarına koyarsınız. Böylece siz çalışmadan kazanmaya başlarsınız. Bu tür iş modeline pasif gelir denir. E-kitap yazarak para kazanmak yöntemi ise pasif gelir modelinden sadece biridir. Günümüzde özelikle herkesin elinde mobil cihaz olduğunu düşünürsek bu sektörün iyi pazar olduğunu anlayabiliriz. Yurt dışında elbette kullanımı bir hayli fazla. Hatta buna en iyi örnek 26 yaşındaki Amanda Hockinggösterilebilir. Amazon üzerinden sattığı e-kitapları sayesinde milyoner oldu. En pahalı kitabının fiyatı 3 dolar iken en ucuz kitabının fiyatı 0.99 dolar. Düşünün birde bunların %30 Amazon kesintisi olacak. Buna rağmen 900 bin adet satış yaparak bir rekor gelir elde etti. Üstüne bir çok e-kitap çıkardığı da cabası…

Peki biz neden kazanmayalım? Bu yazımda İngilizce bilmeden nasıl e-kitap hazırlayıp dünya pazarına sunabilirsiniz konusu hakkında bilgi vereceğim. Yazım sonunda eminim bir e-kitap konusu kafanızda belirlenecek. Ayrıca yazımın sonunda işinize yaracak bir link vereceğim. Şimdi adım adım e-kitap yazarak para kazanmak nasıl oluyormuş bakalım.

E-Kitap Yazarak Nasıl Para Kazanılır?

E-kitap yazmak için size gerekli olan bir bilgisayar, word programı ve birazda hayal gücüdür. Bu malzemeler ile süper satan e-kitaplar üretmeniz mümkün. Peki nasıl olacak?

Sadece Para Kazanmak Amacı İle E-Kitap Yazmayın: Öncelikle sadece satılsın diye e-kitap yazmayın. Yazacağınız kitabın insanlara bir faydası olmalı. Bir konu üzerinde araştırma yapabilir veya uzmanı olduğunuz bir sektör üzerine yazabilirsiniz. En çok satan sektörler zaten belli. Bunlar sağlık, sektörel, müstehcen ve eğitim konularıdır. Tabi ki işin sürekliliği adına size önerin helalinden olsun düzgün konular seçin. Müstehcen yani fantazi kitapları mesela Google Play Store üzerinde baktığınız zaman en çok satan konular arasındadır. Tabi ki bu kazanç yöntemi ancak ben önermiyorum. Benim önerim ise yararlı veya tutulabilecek roman tarzında içerikler yazmanızdır.

E-Kitap Fiyatını Çok İyi Belirleyin: Eserinizin fiyatını belirlerken çok iyi düşünün. Aynı konu üzerine e-kitap fiyatlarını inceleyin. En önemlisi kendinizi alıcı yerine koyun. Bir düşünün siz olsanız bu kitaba ne kadar verirdiniz gibi. Sonuçta fiyat düşük gelse bile satış hacmi yükseldikçe kazancınız artacaktır. Yani bir nevi kazancınız sürümden olacaktır.

E-Kitap Formatınızı Doğru Seçin: Bir çok e-kitap formatı bulabilirsiniz. Ancak en yaygın kullanılanı PDF yöntemidir. Neden derseniz herkesin bilgisayarında e-kitap okuma programı olmayabilir. Ancak genel olarak her bilgisayar PDF formatındaki dosyaları açmaktadır. Bu nedenle PDF formatında olması en iyi seçim olacaktır.

İçerik Görsellerinizi İyi Seçin: Eserinizde görsel olacak ise telif hakkı size ait olmasına özen gösterin. Bunun dışında free lisanslı görsellerde kullanabilirsiniz.

E-Kitap Açıklama Kısımları Doldurun: Açıklama kısımlarını kısa ve öz olacak şekilde doldurun. İnsanlar bu kısımları görerek e-kitabınızı alacak veya almayacaktır. Bu nedenle en çok satan e-kitaplardan kopya çekebilirsiniz.

Bu kısma kadar nasıl e-kitap hazırlanacağını anlattım. Önümüzdeki başlıkta ise hazırladığınız e-kitabı hangi pazarlarda satacağınızı belirteceğim.

E-Kitap Yazarak Para Kazanmak İçin E-Kitap Nerede Satılır?

İnternet üzerinde bir çok e-kitap satış siteleri bulunabilir. Ancak bunları bir çoğu güven vermemektedir. Bu nedenle size kendi uyguladığım yöntemleri vereceğim.

İlk Olarak Google Play Store İle Satış Yapın: Eğer ilk defa olarak e-kitap yazarak para kazanmak istiyorsanız sizin için en yol Google Play Store olacaktır. Bu sisteme üye olmanız için öncelikle bir gmail hesabınız olmalıdır. Daha sonrasında ise Play Store Publish sayfasından giriş yapın. Sonrasında ise PDF formatında hazırladığınız e-kitaplarınızı yükleyin. Bu arada yükleme yaptığınız e-kitaplar 5 gün içinde sorun yoksa Play Store üzerinde yerini alacak. Eğer sorun varsa size ne olduğu hakkında bilgi verilecek ve düzeltmeniz istenecektir. Bu kısımda sorunsuz şekilde e-kitabınızı yayımlamak için ücretsiz şekilde aşağıdaki Play Store E-Kitap Yayımlama e-kitabından yardım alabilirsiniz. E-kitabın linkini görmek için aşağıdaki aksiyonlardan birini yerine getirmeniz yeterlidir.

***NOT: Video için aşağıdaki yazının kaynak linkini ziyaret ediniz.****

Kendi Siteniz Üzerinden Satış Yapabilirsiniz: Eğer bu işi profesyonel anlamda yapmak istiyorsanız size bir web sitesi şart. Kodlama bilginiz olmadığını düşünerek en iyi seçimin Wordpress site kurmak olduğunu söyleyebilirim. Bu konu hakkında en iyi kaynaklardan biri ise aliarior.com sitesindeki “Wordpress Site Kurma” başlıklı yazıdır. Ayrıca bu sitede bir çok işinize yarar bilgi bulabilirsiniz. Sakın ücretsiz ve SSL kullanmayan bir site hizmetleri ile çalışmayın derim.

Diğer Satış Kanalları: Oluşturduğunuz e-kitap Türkçe ise en iyi satış yöntemi yukarıdakiler idi. Bunun dışında İngilizce e-kitaplar yazarım derseniz publitory.com, Apple Store ve Amazon gibi satış kanallarını kullanabilirsiniz. Benim önerim ise publitory.com ve Amazon’dur. Bunlarda da aynı mantık işlemektedir. Sizden satış olunca komisyon alırlar. Amazonda kesinti %30 ve diğer publitory.com sitesinde ise %15'dir. Tabi ki en güncel komisyon oranları için resmi sitelerini ziyaret etmeniz önemlidir.

E-Kitap Yazarak Para Kazanmak Konusunda Önerim

Hazırladığınız e-kitapları bir çok farklı satış araçları ile piyasaya sürmeniz mümkün. Ayrıca aktif e-mail listeleri alıp gönderim yapabilir, sosyal medya araçlarını kullanabilir ve ücretli reklam ile satış yöntemlerini deneyebilirsiniz. Size önerim önce ilk verdiğim iki yöntemi denemenizdir. Ek olarak affiliate marketing havuzlarını tercih etmenizdir. Yazdığınız e-kitapları ülkemizde bulunan veya yurt dışı kaynaklı affiliate marketing yani satış ortaklığı havuzlarında satabilirsiniz. İşlem oldukça basittir. Siz bir satıcı olarak sisteme üye oluyorsunuz. Hazırlamış olduğunuz e-kitap için bir satış komisyonu belirliyorsunuz. Mesela -kitabınız için belirlediğiniz satış fiyatı üzerinden %30 komisyon gibi. Bu oranı diğer satış ortaklı üyeleri alacaktır. Yani sizin yerinize onlar tanıtım yapıp çalışacak ve satış yapacaklar. Bu en hızlı model diyebilirim. Benimde kullandığım affiliate marketing havuzlarından size Xticaret, Odaklı Pazar ve Click Merkez isimli yerli firmaları önerebilirim. Bunun yanında yabancı olarak ClickBank firmasını öneriyorum. İsimlerin üzerine linkleri verdim, tıklayıp ulaşabilirsiniz.

Sorularınız ve tecrübeleriniz için yorum kısmını kullanabilirsiniz. Son olarak profesyonel olarak e-kitap yazmak ve hazır kapaklar, içerik şablonuna sahip olmak için E-Kitap Kazançları Eğitim Seti’ne göz atmanızı tavsiye ederim. Bu yazımı beğendiyseniz sosyal medya hesaplarınızda paylaşabilirsiniz.

Sosyal Medya Hesapları:

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Google Slayt: https://docs.google.com/presentation/d/1XRliQtITT2ihBd6U-4WexzEDFwqau6wfP7Lr2z7-a2s/edit?usp=sharing

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[askthiscpblog]

I have a prompt! Can it be slyness?

Puppet didn’t know what to expect when he came back from the hunt he was on. The person that he had been working on for two whole weeks finally took their life and gave him the energy he needed. They didn’t do it the way he was expecting, getting shoved over the bridge rather than jumping by some strange woman. Yet a kill is a kill, and if he got his energy he didn’t care how it happened.

What he didn’t expect was to walk into the Domain seeing everything on fire, and everyone fighting. Figuring that he had no choice but to get in on this, he decided to reach out and pull on a thread. The thread he pulled on was blue, dark, and strong. Looking at it, it seemed thick and robust too. Seemed like this person has a very strong will. Good. Time to see if Puppet could break it.

Following the string, he ended up finding a woman who appeared to be different. She had a purple sweater with a black skirt, a red bow, black and red striped socks, and converse for shoes. She has a pink piece of hair that has a color different than the rest. Her skin was as white and leather-like as Jeff’s, as disgusting as that may be, with similar slash marks on her cheeks. Not as long or wide as his, but they’re fresh and dripped blood down her neck.

‘This girl looked like she was a ripoff of Jeff. How many of them are there?’ Puppet thinks, continuing to get closer to the girl. Because he was invisible to the naked eye, he could do whatever he pleased with her. Even play a few games with her head, to get an idea of what the fuck is going on around here. So he did that, peeking into her surface thoughts for now.

‘He has got to be around here somewhere! Where is my love, the love of my life!?’ Her thoughts were frantic and garbled up. Her head had five different minds, each one saying a different thought about the same subject. It gave Puppet a headache from that one bit. But he had to go back in, to try and get more information about the situation at hand. This was going to be a tough one. Puppet then dives into her head, following her and keeping concentration to read her mind further. He could only get surface thoughts when he wasn’t at full power, but when he puts effort into things he can go further. He was a spirit, magic was his thing. It was his being. And he knew how to do it, even if it was minor.

‘Zelgo said he would be here, with the Slenderman. Jeff must be here, he must! Zelgo wouldn’t lie like that. He needs me to distract him so they could take out the others holding my love captive!' That was all Puppet could take from this crazy, frantic, fantasized fangirl of Jeff. If puking was an option, his stomach would already have flipped inside out on the ground.

So Zelgo broke the treaty, which meant war was waging between the two groups of supernaturals. Fantastic, that meant he had to work more. That also meant he had to get his proxies working. Even more fantastic. He hated this and didn’t want any part in it. But since Slender has shit on him, he had no other fucking choice. So now he had to deal with this crazy girl and get her out of here. He was going to have some fun with it if he had to do this.

Off in the distance, Nina can see something. A man, roughly 6 feet tall, in a white hoodie stained with blood, black ripped jeans, messy, unkempt, oil black hair with bleached white skin. Seeing this, she bolts towards the figure at full speed, eyes wide with excitement.

“My love! My prince! I am over here! I am here to help you get out of here! Get out of his grasp!” she screeches, calling out to the figure. Puppet is chuckling to himself, dragging himself along as she chases after this figure. It wasn’t getting any closer, it stayed a good distance away from her. It always will until he wills for it to be closer. A fun game that he played, and he could play it all night. A fresh kill, overflowing with energy, he had time. Puppet controlled the figure in the distance, having it see her turn and start jogging towards her. She only picked up the speed, holding her arms to him as she squealed loud enough to rupture eardrums. She didn’t seem to notice as he drew a knife, appearing to get in a defensive stance as she rushed him. In the final few steps, she jumped towards him, going to tackle him to the ground to shower him in kisses. Instead, he dodged to the side, cutting her face with a small tick to prove a point of if she tried that again.

“Who the fuck are you, and why the fuck are you here?” Puppet makes the illusion ask, himself talking and acting the part unseen. It actually nicked her on the cheek. It didn’t appear to bother her because she got up to try and hug him again. He couldn’t help but laugh, making the illusion stab her in the back forcing her to let go. She howled in pain letting go, screaming how bad it hurt and why would he do that.

“I won’t ask a-fucking-gain, who the fuck are you, and why the fuck are you here?!” The illusion screams at the top of its ‘lungs’ at her. Nina looks to him, tears welling up in her eyes; both from the pain and from him screaming at her. Why was he screaming? She did everything for him. But this was her chance to get her love, and she couldn’t lose it now!

“I’m only your biggest fan in the whole wide world! I’m Nina the Killer, and I only want you to be free of the Slenderman’s control. I even teamed up with Zalgo to break you free!“

“Zalgo. You teamed up, with fucking Zalgo! What the fuck is he planning?” Jeff screamed, losing his temper a bit. Made Puppet happy he sneaks into so many plays, it was easy to mimic the idiot's speech patterns.

“My love, he is the only one who could help me find you! I’ve been looking forever! I don’t know what he wants with this place, but it doesn’t matter. I have you now, and we can run away. Far away from these idiots, and be the best power killer couple ever!” The look in her eyes showed that she believed in what she said. Puppet could see this and knew it could be used to push for more information.

“Who’s all with Zalgo? You couldn’t have come along with him and cause all this.”

Nina looked confused, but responded with, “There is this one guy, really tall and dark. Has two different colored eyes, and can control some shadow like being. Really strong, and rages easily too. Then there is another guy with amber eyes, red hair, and loves toys. Third guy is Zelda, but dark. Dark Zelda or something like that. One guy who wears a mask that looks like a Skull, another who doesn’t and is skittish as all fuck. They seem to team up a lot with one another, despite how much they bicker. A weird looking nurse who loves chainsaws and looks like a weird BDSM failure. Then there is me and Jace.”

Puppet took note of all these descriptions, keeping them in his head and even puts a string around his finger to remember them. One string for each person. Now he needed to take care of the girl.

Then he gets an idea. This girl is a direct connect to Zalgo, someone in his gang. Someone they could get information from. And if she dies in the process, oh well it does nothing for them. Puppet then decided to go along with this even more, not much longer. Slender would love him for the idea and thinking ahead.

“So you love me and want to do everything you can for me, right?” Jeff asks with Pupping grinning in the shadows.

“Yes! Yes, my love! Anything!” she squeals. “Then I want you to go back to that fucker, and get as close as you can with him and his fuckin’ goons. And only when I contact you, I want you to feed me updates of what’s goin’ on with them. Got it?” Nina looks at him, studying him, but her eyes light up in anything to help him. Anything at all!

“I can do that! Anything for you Jeff! How will I know it’s you?”

“Oh, you’ll know. Now get the fuck out of my sight and head back to that chaotic demon fucker. Tell him you couldn’t find anyone, and lie your way around of surviving.”

“Okay, can do!” With that, Nina turned around and took off, back into the woods in some random direction. Every so often she would turn around to look back at Jeff, and Puppet kept him there wondering away until he was out of sight. Then he vanished. And Puppet continued back to the mansion, happy to inform the rest of what he figured out and what he set up.

[anonymouskar]

I got a job. A stable, brand new job. Wich led me to leave my frequent visitations to the school where I found the person who shook my world to the core. I’m not going to see her anymore. Not in the way that was the only one that worked for us. Today was my very last workday there. And I undestood that this was the day I was going to leave her behind. Not that I’m not going to see her at all anymore, we belong to the same social circle still, but outside of school it was always different. She often avoids me, then.

I stood outside the school in the sun and looked down the street, and in the middle of the road, walking up, she came. Blue skirt, black jacket, slowly. I waiting for her. When she came up she looked tense. It’s always like that lately. She looks uncomfortable, and we stare at each other for several seconds, almost no words are said, we smile and chatter on about meaningless things and I look down as if I’m ashamed. I am ashamed. But at the same time she still keeps contacting me, helping me. I think she misses how it used to be.

I tried to communicate that I’m leaving, and that it’s serious. I felt tears coming, but stopped them. I looked at her when she was turning away as if I took my last look at her. She looked foreign. Beautiful, but older than ever. Fat, gray hairs, that weird buzzcut she has now, wrinkles and folds in her skin. I became aware of how stupidly young, skinny and small I was compared to her. How odd we would look together. And she was split in two to me. The part I know, the part that is mine, has a history with me, the object of my fantazies, how she is with me, and then the part that has a life I know little about, what she actually does in her free time, how sophisticated and conventional she is, her clothing and work and everything that makes up her social identity. And I don’t know who she is.

When I first met her, I stood naked before her (metaphorically speaking). Invoulentarily undressed. And she was fully clothed. I thought she was safe. I thought I had seen her before. I had so many hopes for us. I thought that if she just helped me feel safe. If she just smiled, was warm and safe, then I could do it. I could learn to love. Be voulnerable. In disbelief I heard her call my name, I saw her walk towards me, I felt her touch me. I couldn’t believe it, so I waited for more signs. Hoped she would be patient with me. And I tried to be brave, but when I tried to call her name and walk towards her, she turned away. And I thought she saw how ugly I was, or lost respect for me, or something, because I said and did so many awful things. A pathetic man, pathetic lover, not enough, childish, needy, immature. My most voulnerable secret was already out. What means most to me, my greatest trauma and fears, my great tragedy on display for her. She stuck her fingers into a fresh wound, and I let her, because I thought she would help heal it. She pushed it deeper and deeper, and I couldn’t tell if the pain was for good or for worse. I thought she was helping, that her fingers were loving.

I know she didn’t want this responsibility. Resposibility to heal a hurt young man with sexual and emotional complexe and fear of intimacy. But she took it on the deeper she pushed. The more she asked. You know, to have knowlege makes you resposible. That’s how it works, by default. The moment she knew my secrets, it was her resposibility to handle them maturely and with respect. She thought she could know more and more, without the responsibility. She didn’t know that it was devestating to me that she saw that part of me. Because it was. It has plauged me since the very first day. It has driven me to push her away, fear her, dispise her, need her, hate her. Most of all, she didn’t understand how easy it was to help me. Do you know how easy it is to save someone who wants to be saved? It’s damn easy. It takes just a little bit of belief or encouragement. A little nurturing of the vision the person already has of who they can be. It might take one word, one look, a hand movement or a touch. It was all I longed for. One look, one touch. One CLEAR message that said “you are enough, for me”. It would matter the world, because she was enough for me, too. In every woman it’s her I want. In every woman it will always be her I look for. Something like her.

So if she couldn’t give me that one thing, then what am I? Or is it just her that couldn’t give?

Standing outside, right there with her, being unable to express any of the 10 000 things I felt and thought, reminded me of two apocalyptic dreams I’ve had a long time ago. In the first one, I wandered the ruins of this town, and I said “I’m going to call the woman I love”, and I called her. She answered saying she was on her way to Sweden with her family. I knew she was going to die. She said “24 and 9 are important”. I later found out that we are 24 years and 9 months apart. The second dream I stood exactly there in the street with her, and we watched a giant clowing hole in the sky suck in a giant flood full of people and houses, and we knew we were about to die. I kissed her, having nothing to lose, and ran off to save my dog. Meeting her sure was apocalyptic. I get why I dreamed those dreams now. The apocalypse, the distance between us, and the courage to finally confess and move on.

Today she just walked off. Said she needed to work in her office. I went into the bathroom and cried, and decided to just leave. There was nothing I could say to her. We can’t talk anymore. Something stops us from communicating. We can’t. We just look at each other, and the looks are full of pain and confusion and guilt and shame and care. And every time I meet her, I cry. Because I supress everything I want to believe in in me. I just left and cried the 1 hour bussride back home. In my head every loving memory of her passed. The quiet summer days with the filming, the invitation to her home, her flirtatious poses in drawing classes, her performance in the church, the note she left in my book. All of it was gone. Another failed love story. Or was it a success? No. But where all these stories of me and her the encouragement I truly needed? No, but it was the beginning of it, I thought. I remembered how I again and again had just stood there, failed, rejected her, pulled away, been pathetic. I believed in trying again, holding on to the small positive things we had. I felt more loved by her than anyone before her, and it was a shock, and I’m not sure what went wrong.

Give me strenght to rid myself of her ghost.

[fantazymotorsports9]

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[ohgraceful]

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