#Frankie goes wild over armor

[cf8wrk4u-us]

Rescue Bots x One Piece

Do you think that when the kids are back at home after a lot of adventures, their pirates crews when meeting the kids families, would Sanji do a Sanji thing and start simping for Anna Barabova (Frankie's new mom), Dani (Cody's big sister) or even maybe Quickshadow 😂😅???

For Cody of course would be hard different as even tho the Burns and the Bots are angry Cody would stop them because he knows how strong Kid and his crew are... unless we say that in all this time the crew warm up to Cody and do feel sorry.

Part of this answer depends how long the kids were gone, ether a few months to a year or more maybe.

All the same, it's a heartwarming reunion for a lot of people.

Frankie or Greenie as she's called among the Strawhats has a great time showing her family along with the Rescue Team and the Bots.

Everyone is both impressed and a bit freaked out by Frankys robot body, with Anna Baranova horrified how anyone could put that much robotic prosthetics into there body all on their own😣

But it dies down, and Doc Greene is an instant fan asking so many questions about how Franky's body and the rest of his inventions work. Anna would be a lot more friendlier but would try to ask Franky to put on some pants, especially in front of Cece. Though she's pleasantly surprised at how brilliant Franky is despite his eccentric behaviors.

Chase would comment that Franky was being indecent, possibly criminally so 🤨

But Blades would try to copy his dance 😆

Speaking of the bots, Luffy, Usopp, Chopper, and Franky are instant fans of the bots. Eyes sparkling at their shiny armor and at the way they transformed into different vehicles. Luffy would stretch to jump on Heatwave shoulder and immediately ask him to join his crew or Blades after seeing him fly🤩

Sanji is a gentleman to all women, it dosent matter what age or even species they are. So he be incredibly respectful to Dr. Baranova and Quickshadow, but you better believe that he'll do a noodle dance when he sees Dani or even Madeline Pynch.

"Dani! My darling! My dear rescuing angel! Please save me! My heart is in need of your sweet medical care! One only you can cure"!😍

He's swiftly cut off by ether a hit from Nami or a confrontation from Taylor if he's there.

Kade be pretty mad if he started flirting with Hayley but he get told off too for looking at Nami and Robin a little longer than he should😅

Though the biggest person who may not have made the best impression would be Brook. While being a singing talking skeleton made him extra cool to a lot of the Griffin Rock Team, especially the bots who are interested in learning about human anatomy and think the expossed bone structure is very educational, he looses a lot of respect when he goes around asking his....underwear question...😒

Kade threatened to bury him while Chief Burns was close to socking him😤

Plus Blades thought he was kinda scary.

But after a while, they make up, loving Brooks music and seeing what a kind person he was to her. His jokes are funny too, and the 45-degree angle one has Graham and Boulder laughing!

He even find a connection between himself and Baranova, given that they were left isolated for years. Him at sea and her underwater.

Chopper is an instant favorite with Dani and the other girls, along with the more animal loving bots. But what really makes him a fast friend to Dani and Dr. Baranova is his medical knowledge and they sir and talk about the best care for things like first aid or what kind of rescue needed a special kind if medical care. Chopper thought Dani wad the coolest given that she rescued and treated people as part of her job.

Usopp, being an inventory himself, thinks Geiffin Rock is amazing and would talk to Doc Greene about his inventions. The pair even swapping stories over how some of there inventions went wild.

Robin is another favorite among the scientists, offering insights into their world and its history to anyone intrested. Uncle Woodrow would like her and to hear her stories with the crew and the different islands they went too.

Doc Greene is just fascinated about Devil Fruits and goes around asking each member about theirs. He's stretched Luffys skin, shook hands with an arm Robin sprouted, asked Brook to show him his "soul", and on Chopper and his shape-shifting abilities.

Zoro is really interested in the bots andvwonders how good they could fight😏

The Rescue Team, though, is worried and nervous at the fact he carries swords, with Chase saying he needs to be jailed for bring illegally armed.

Luffy thinks Griffin Rock is cool though a little bit boring till an emergency happens. Hethinks the Burns are cool for being heros but still says he never be one. Kade likes Luffy and finds him funny, also that he like Kade sandwiches.

When its eventually time to leave Frankie cries, as much as she wanted to be with her parents the Strawhats were her family now too. She wanted to see Luffy become King of the Pirates and see the others complete there dreams but she wants to be with her dad and new Mom.

It's a hard goodbye.

Now onto Pricsilla.

Pricsilla tries to introduce her mother to the crew and Law, tell her about her adventures and her Devil Fruit Power. But her mother, Madeline Pynch m, remain polite but cold. Even brushing off the crew members who tried to talk with her and tell her what a wonderful daughter she has, even cute Bepo!

The only ones who were friendly were the Burns, the Greene Family, and the Bots.

Law didn't like her, the cold and calculating eyes of Madeline Pynch reminded him too much of Doflamingo or members of his organization. Measuring people's worth and how the stock of the situation could benefit them.

Also Madeline isn't very welcoming of Priscillas powers asking her not to use them or even show them to anyone. I. Her words there "creepy and unsightly" though Madeline would contemplate on maybe using them for a scheme.

It does break Priscilla heart, but this was her mom and her home, she was back and needed to go back to normal...right?

In a quiet moment Law offers a place on his ship for Priscilla, permanently. He understood this was her home universe but if she could see herself any other place then he be willing to take her on his crew again.

Priscilla almost cries as this was one of the nicest things Law has said to her.

But what should she choose?

Now we get onto the real angsty part of this crossover, Cody.

Again how Cody is depends on the timeline.

If hebwas older he would have learned at this point how to act like a member of Kids Crew. Being kind of haughty and tough. Imagine everyone's surprise seeing an older Cody who comes off as rude, dressed like a punk, and carrying a weapon 😰

But if it was a still a rather young Cody, he may just be really quiet.

Though all the same he does break into tears and the hisvfamily, along with the Greens, and the Bots ate so happy and relieved to see him...with a metal Griffin?

But slowly they start to see something wrong.

Unlike the pirate crew that Frankie and Priscilla had and where eagerly introducing to the others. Cody was quiet about his, only introducing his captain with a nod calling him "Captain Kid".

Chief Burns knows there is something wrong with his son, Cody was a bot full of smiles and warmth. But now it feels like he's just a shadow of his former self. With a scared face and a hard look in his eyes.

The pirates he was with don't seem friendly ether all glaring or looking apathetic at the Griffin Rock residents. But did have interested or wary looks to the bots.

All the same Chief Burns tries to be polite going up to Kid and thanking him for " taking care of my son and bring him back"

(The next scene depends of which kind of Kid this is. Kid from Wano may have been a little humbled but still determined and arrogant. In ether case if Cody was with him in Wano and supported him with the rest of the crew against the Beast Pirate, Kid might have just nodded at that. Cody may have just been a useless little kid but he was loyal and proved himself tough enough to make it on his crew. He knew Cody wanted to be home and for his time in the crew for good and bad he may have been soften enough to just let him just be with his family.

Pre Kaido Caaptain Kid is another story...)

Kid gave Chief Burns a look before laughing cruelly "Back? Who says he's staying"?

The turning around he gestures his crew back to the ship "I don't know how the he'll we got here but as soon as it's figured out we're leaving, I'll be taking my crew on a side of the island" Kidd glares at Law and Luffy "You better keep out of my way Strawhat, Trafalgar"

As he walks off he turns his head to Cody and Airazor and says "All of us"

Chief Butns could see his son stiffen but all the same Cody gestured for Airazor to move and silently he began to walk back with Kid and the Crew.

His family was shocked, there happy reunion ending too soon. There little brother leaving them, being forced to walk away

"Cody"! his dad called trying to catch up with him.

Kade followed yelling "Cody you've been gone for months! And just got back and now your leaving?! Why are you even listening to this guy-"

He didn't get a chance to finish as too fantastic a curved blade was at his neck.

"I watch what you say to Captain Kidd" said a masked man, Killer.

Everyone gasp and Hayley cried out in fear for Kade!

Heatwave moved to help his partner, a giant hand ready to pin or snatch the knife wielding human away from his partner.

But the-

"Repel"

Heatwave was sent falling down on his back. He was shocked, everyone was, that a Autobot could just be sent tobbling over like a block of wood.

A dark laugh from Kid rang out at he turned to the bots "So my power can work on these tin cans...this should be fun" 😈

But before he could move at the panicked bots a voice was heard.

"Weren't you leaving, Eustass"? Said Law

Kidd glared at him only to get an equally strong look back from not only him but Luffy as well.

Kidd scoffed and continued walking. Killer let Kade go who nearly collapsed at how close he was to losing his head.

Cody was watching his family worried, hesitant to try to check on Kade. His family and friends looked at him begging him to stay.

But Cody felt a firm but gentle hand on his shoulder, Cody looked to see Killer who gave him a quiet shake of the head before guiding him back with there group.

The Burns family was a mess, they just got there youngest back but now he was forced to leave.

How could they have let this happen?

(In the end things get worse before they get better)

[notexactly-eyecandy]

the new crk update gave us a dilf and hes my fav now

[taebadam]

act 2 pt. 2

oh boy. oh wow oh boy. now we get to my absolute favorite: you oughta know. get ready folks cause i have so so much to say. alright. so we cut to frankie and jo in new york where frankie is thanking jo for coming to pick her up since she lost her debit card and she didn’t want to “break down and call home.” jo is mostly silent, nowhere near her usual sarcastic self. she responds to everything frankie says in this flat, controlled tone just simmering with anger below the surface. i’m just gonna transcribe this whole scene because it shows so many things: how much jo really cares about frankie even though she’s pissed, how much frankie clearly hurt her and how frankie really didn’t realize what she was doing. frankie goes “that was pretty crazy back at my house. in fact i’m surprised you even showed up.” jo responds with little to no emotion in her voice other than underlying anger, just tight and quiet and closed off like she’s trying so hard not to lose it: “i’m your best friend. i’m not going to leave you stranded in a neighborhood you can’t even name.” “but you’re mad.” “can you guess why? or are you so far up your own ass these days you don’t even know?” “i’m really sorry. i was gonna tell you.” “and yet you didn’t. because you knew what you were doing was wrong.” “i didn’t think i was gonna fall in love with him.” “love? well congratulations frankie. i’m glad you found something healthy and rational. i’m clearly not as legit as your fuckboi phoenix.” “that’s not what i’m saying jo i just didn’t think you and i were in an exclusive relationship.” “right. why would you take this… (gestures to herself) seriously.” “you know i didn’t mean it like that.”

and in comes the music. ok so a few things. as jo starts singing frankie is standing behind her and jo’s deathly still, her voice still quiet as she just stares straight ahead. they’re the only two on stage. you can practically feel the tension in the air. everyone in the audience is on the edge of their seat. frankie starts to turn around and walk away until the first mini drop when you can feel something building and you know shit’s about to go down: when the guitar comes in and jo starts “a perfect version of me.” as soon as that guitar hits frankie freezes in her tracks and the soft light on jo starts to turn red. and wow is it about to get good. jo stays completely still as frankie circles back around while we get to the first pre-chorus, the “the love that you gave that we made wasn’t able…” part. as she does the pre-chorus the red light begins to expand around her but she still isn’t moving. her voice, however, even though it is still thin and controlled is starting to grow as the anger just continues to bubble up. she sings the first chorus just staring out into the audience, unmoving, and the tension just KEEPS BUILDING. frankie begins to back away just a little, like she’s beginning to realize just how angry and hurt jo really is. but we haven’t seen anything yet. we get to the second verse and the red lights continue to grow more intense as jo finally, FINALLY starts moving. she turns to look at frankie, staring her down, but she’s still controlled, still holding herself back. her voice gets a little more raspy, a little more intense but still not enough and everyone is holding their breath. once we get to “did you forget about me” she starts to stumble away a little bit, those mannerisms starting to shine through and we just barely start to see her truly devastated, exposed, vulnerable self. when she sings “are you thinking of me when he fucks you” she grabs frankie forcefully before pulling away. she’s starting to show more of her anger both physically and vocally. the pre-chorus comes back and that raspiness to her voice only increases, anger now finally starting to show on her face and she moves back, away from frankie and turns to finally start powerfully singing (though not yet screaming as she eventually gets to) “and i’m here!” it’s at this point that the band really starts to get loud. they come in from the wings and the volume jumps up. powerful red light fixtures drop down from the ceiling, flashing violently and one by one the ensemble runs up over the course of the second chorus to flank jo on either side. frankie doesn’t know what to do. and we’re still not even at the climax. then everything drops out as the ensemble starts singing “ooh” for the third verse. jo moves to the front, clearly starting to lose it as the ensemble walks around behind her, circling and enclosing frankie. jo isn’t even looking at frankie anymore, she’s holding her head in her hands and walking, pulling at her hair, eventually starting to join in with the ensemble. then she begins her high harmony and the anger on her face becomes more and more clear and as she sings higher and higher the ensemble moves from frankie to come stand beside jo. they all stomp their feet on the last “ah-ah-ah, ah-ah-ah, ah-ah-ah… AHH!!” and jo’s high note. holy shit. and now everything’s been released.

she begins to go full screamo, dancing with the ensemble, pointing and yelling at frankie as her anger and fear and devastation just all boil over. the band is now rocking out and the stage is bathed in angry red light. jo screams “well can you feel it” and her and the ensemble run to stand near the back of the stage in front of the band and just completely lose it. jo is screaming, singing her heart out, throwing her body around in desperation. you can see just how horribly sad and angry she is, how she feels abandoned and alone. you can see it in her face, her body, hear it in her voice. and then the chorus happens AGAIN for that final time and they all run to the very front of the stage, jo just completely losing it. she whips her head up and down, screeching with all her might, reaching out to the audience and just practically pulsing with anger and energy. it’s truly stunning. on the last line (you, you, you) she and the whole ensemble are jumping and the lights are flashing red and white and then everyone cuts out and it’s just her, screaming out into the audience with a voice of just pure raw emotion: “oughta know!!” and they all freeze. the crowd goes. WILD. both times i saw this she got a standing ovation. A MID SHOW STANDING OVATION LIKE WTF. and she absolutely deserved it both times. the amount of emotion she puts out on that stage. and her VOICE HOLY SHIT. honestly, that scene and song is a whole musical in and of itself. her range of emotion through those like 5 minutes, the way she builds in every possible way— stunning. words cannot describe how much i love lauren patten. also it just means so much to me to see women who are allowed to get angry on stage. i love it.

also important to note is that jo doesn’t have her beanie on in this scene? and i have a lot of thoughts on this. in most other scenes, jo is hiding behind a front. she’s sarcastic and tries to avoid showing any form of vulnerability. she wears her beanie like a suit of armor, really. we only see her without her beanie three times: when she’s coming back from the church social with her mom (which she was forced to do and clearly hated. and as soon as her mom is gone she puts the beanie back on immediately, like it’s something to hold on to), you oughta know (which is the only time, at least at this point in the show, where i think we really, truly see jo— when she lets herself go) and then the end (we’ll talk about this later).

after everyone has finished cheering (for a solid like 2 minutes holy shit), frankie runs up to jo looking at her phone in a panic. “jo!” she yells. jo turns around, clearly annoyed, “what? god do you even give a shit?” and frankie goes “no jo it’s my mom” and immediately jo’s there to help because that’s the kind of person she is and they run off stage in a hurry.

cue uninvited. wow. i know i’ve said this about so many things but honestly i don’t think i’ve ever seen such genius staging and choreography in theater ever. it’s absolutely mindblowing. so this is the scene where mj overdoses and the way they depict this is genius. we see a dark stage with a single spotlight on the couch in the center where mj sits and begins to sing. seconds later, heather comes up from behind her and begins to dance around her. this kicks off a stunning choreography that has you on the edge of your seat the whole time. dressed the same as mj, heather shows the agony and pain mj is experiencing, both mentally and physically, through dance. she throws herself around the couch, falling to the floor in agony and pulling herself back up again. mj and heather reach out to each other but never quite reach each other. elizabeth’s stunning voice as mj combined with heather’s astounding choreography as her body double just makes you really, truly feel the absolute pain she’s experiencing in every possible way. incredible. also, at the very beginning of the song, i kid you not when i first looked toward the back of the stage i thought there was a reflection or a pole or something? you can ~just barely~ see something behind mj but i truly thought it was a trick of the light for the longest time. but slowly, ever so slowly, the light grows and you realize it was bella, looking on and watching the whole thing as a ghost in the distance. and her harmonies are stunning. at the end of the song heather and bella leave and mj collapses on the floor, completely passed out. this is when steve enters. he sees her and we see him for a moment start to run towards her and the stage goes pitch black with a loud note from the band. a second later the lights come back on and this time we see steve on the ground w mj and nick on the phone talking frantically. the lights shut off again w another note and when they come back on we see an emt taking mj’s vitals. then they shut off one last time and when they come back on we’re in the hospital w mj and steve.

steve and nick have a conversation with the doctor before going into mj’s room featuring one of the best exchanges i’ve ever seen on stage. the doctor tells steve mj overdosed and she had multiple drugs in her system, different ones than she was originally prescribed, leading him to conclude she got them off the streets. steve is in disbelief. he replies “look at her. does she looks like a drug addict to you?” and the doctor replies “what do you think a drug addict looks like?” no response. incredible.

then mary jane. wow sean allen krill’s voice is just so so good and his performance is stunning. i cried. he climbs in bed with mary jane as he sings to her and it’s adorable. we also have a great exchange between the two of them when she wakes up. one of the lines from the couples therapy scene earlier was steve talking about how mj has to be the best at everything: “we get it mj. you’re winning… at candyland.” now as she wakes up steve is breaking down (also so great to see a grown man get emotional and cry onstage! yes!! fuck toxic masculinity!!) and he apologizes for not noticing something was wrong earlier, talking about how he messed up. mj, still weak and tired responds “im detoxing from opiates… i win.” such a good line. they discuss how they need to start communicating more, mj starting to come clean that she has some things she needs to work through and they discuss how she’ll be going to rehab. nick then walks in (frankie visited earlier during mary jane) and mj immediately goes “nick i was wrong. you need to go to the police.” and steve responds “mj. he already did.” they then discuss how frankie is currently downtown at the rally she organized: the rally for bella.

and now we’re at the rally, the setting for no. this is absolutely incredible. the whole ensemble is on stage, the band behind them, jo and phoenix on either side and frankie in the middle holding a sign that says “stand with survivors,” all surrounding bella who stands in the center with her head held high. after the song starts bella and nick have a brief interaction and honestly i was so so happy with how they did this. nick explains that he came forward and apologizes for not doing so earlier. and bella, rightfully so, STAYS ANGRY. i love to see women on stage being allowed to show emotion. she recognizes he did the right thing but she doesn’t immediately forgive him nor should she. she’s still hurt, and what nick did, or didn’t do, will affect her for the rest of her life: “why didn’t you stop him?” she asks. “i don’t know” he responds, “but everyone knows the truth now.” she then calls him out on his privilege, saying “because you said it. why wasn’t it enough for me to say it? you get to be the hero, like always. because of who you are, because of what you look like. they believe you.” “i’m sorry. if i could change anything about my life bella i would go back—” “yeah. so would i.” she walks away and the song continues. most of the ensemble members have solo lines where they stand center stage, their expressions solemn while the rest of the ensemble surrounds them, touching them, enclosing them. then we get to the second chorus and bella’s big part. she stands center again, belting her heart out as the ensemble, frankie and jo all grab their signs and stand by her side. these signs are stunning. some highlights include: “rape affects all genders,” “believe black women,” “tell your story,” “you’re not alone,” “teach consent,” “a call to men,” “don’t tell me what to wear, tell them not to rape,” and, my personal favorite, “don’t get raped” with the “get” and “d” crossed out so it says “don’t rape.” they slowly move toward the front of the stage as they reach the climax of the song, and stand in solidarity in a line across the very front. at the end of the chorus nick picks up the sign frankie was holding earlier, “stand with survivors” and moves to join them and stand next to bella, literally standing with survivors. chills.

now we get to the closing. as thank u plays in the background we once again see mj sitting on the family couch, writing the annual healy christmas letter. she talks about how inspired she is by frankie’s strength, how her daughter’s doing so much for bella who is a rape survivor “like myself.” she then discusses how bella’s case is going to trial and, even though andrew still got into a good college, bella gets to tell her story, “most of us never do.” frankie then sits down next to her and says “i didn’t know what you were going through mom. i guess i never saw you as a… person?” mj laughs. “you’re my kid that’s normal.” she then starts talking about how all she ever wanted was for frankie to fit in there and when frankie tells her she never wanted that mj goes. “i got it wrong. i’m going to start listening.” she tells us nick is taking a year off to be a witness in bella’s case: “he can’t change the past. but he’s looking inside himself to figure out why he didn’t do anything when he had the chance.” she talks about how her and steve are in therapy both couple and individual. and finally, she talks about her time in rehab and the incredible people she met and all that she learned, but how “recovery will last the rest of [my] life.” she cracks some jokes at the expense of the white, privileged, suburban lifestyle she once loved, commenting “i had spent so much time around all of you i forgot what it was like to talk to people who were kind and genuinely had empathy.” the whole family is sitting next to her on the couch now as she finishes up the christmas letter with “xoxo, mj.” as she finishes she goes “i think this will be my last letter” and when asked why she says, “because christmas letters are for assholes.” steve then asks “are you really going to send that” and mj replies “what have i got to lose?” before steve reminds her “you’re not at rock bottom anymore.” frankie then dares her to send it and nick agrees. she hits send in one impulsive click and yells “merry fucking christmas.” you learn begins to play in the background as steve laughs and asks who that went to and mj responds in this hilarious exaggerated whisper: “everyoneeeeee.”

now we have you learn. so beautiful. one thing that isn’t on the soundtrack is that before jo comes in she and frankie talk for a moment. they say they miss each other but we see that jo’s doing well, she has a new girlfriend and she’s finally starting to gain some confidence. she doesn’t have her beanie on!! jo then asks about phoenix and frankie responds “we’re good. we’re just friends.” and then the music starts back up again. as we get to the chorus the whole ensemble joins them and they’re all just rocking out, laughing, smiling, dancing and generally having the time of their lives. so so wholesome i love it so much. watch the video of their performance on good morning america it’s so so cute. the very end everyone slowly leaves and it’s just mj and frankie center stage, holding hands as the final note dies out. so so good.

the bows. omg. at the end they go back and jam w the band and it’s SO CUTE. also frankie and jo always dance off together as they’re leaving the stage. wholesome content.

let me know if there’s anything else at all you’d like to know!! or if anything wasn’t clear. or if you just wanna talk about it. i have many thoughts, some of which aren’t even in this ridiculously long post.