#Frank Gotthardt

[politikwatch]

JanFleischhauer hat wie #Reichelt und #Schuler durch "#Nuis" im #Milliardär #Frank #Gotthardt einen #Gönner gefunden, der täglich #Hassfutter für die danach gierende behauptete "#Mehrheit" von #Rechts-#Radikalen/-#Libertären serviert 🤔❓🤬

🙊🙉🙈

[shi1498912]

WHAT THE FUCK?!

[bauerntanz]

Amerikanische Verhältnisse

Amerikanische Verhältnisse. Wie das Prinzip Reichelt funktioniert via @ZappMM

Der nach massiven Vorwürfen wegen sexueller Übergriffe geschasste BILD-Chefredakteur Julian Reichelt kommentiert in seiner Meinungsshow “Achtung, Reichelt!” das politische Geschehen. Dabei geht es krawallig zu: Er teilt gegen alles aus, was seiner Ansicht nach “grün” und “woke” ist – doch er verdreht dabei immer wieder Fakten und Zitate. Interview-Gäste wie Gloria von Thurn und Taxis behaupten…

[thenewrepublicfederation]

Frank Gotthardt | Vorsitzender des Vorstands | CGM

[shaynamillernysemester-blog]

October 27-Harlem: Words, Recreation (Fictions), and Repetition

Today, October 27th, we visited the Studio Museum in Harlem as well as some galleries in Harlem.  Each exhibit was different; the show at the Studio Museum in Harlem focused on up-and-coming African American artists.  At Elizabeth Dee Gallery and Gavin Brown Enterprise, words and repetition became recurring elements; yet, ideas about fictions and recreating or rearranging elements or ideas was present at both galleries and the Studio Museum in Harlem.   

At Elizabeth Dee gallery, we saw an exhibition titled Perfect Flowers, a retrospective of John Giorno’s work.  The retrospective includes paintings, graphite drawings, and watercolors.  The composition of these works are all the same with text forming a box within the square paper or canvas frame; they are “Albers-esque” compositions. Some of these compositions include “LILACS LUXURIOUSLY LICKING THE AIR”, “BAD NEWS IS ALWAYS TRUE”, and “ZINNIAS SHOUT POSITIVE PARANOIA”.  Some appear almost as motivational quotes while others are more frank or provoking.  There is a condensation with image, content, and text.  There is an interest in “applying cut up and montage techniques to found texts” (“John Giorno: Perfect Flowers”).  The words become repetitive in different compositions and contexts.   

At Gavin Brown Enterprise, we viewed Rirkrit Tiravanjia’s work.  One of the works in the installation was a remake of a film, Fassbinder’s Ali: Angst Essen Seele Auf.  The gallery was turned into a recreation of the set, and the gallery set was used to film a remake of the film.  In televisions throughout the gallery, the recreated film was played.  It turns out that in one of the rooms, that was set up to appear as a bar, one of the main actors in this film was sitting there.  Later on, I realized that the actor was actually Karl Holmqvist, another artist who uses words and poetry in his work similar to that of John Giorno (“Karl Holmqvist Bio”).

Recreations or fictions were also present at the Studio Museum in Harlem in the exhibit aptly titled Fictions.  The show features emerging African artists who “draw inspiration from diverse sources—such as everyday objects, childhood memories, current and historic events, and the body—often creating parallel or alternate narratives that complicate fact, fiction and memory” (Fictions).  Genevieve Gaignard’s installation in the show creates a two-walled room similar to the sets at Gavin Brown.  However, unlike the one at Gavin Brown, this setting can not be entered.  While the installations look inviting from afar, closer viewing reveals the specificity of each object displayed and the story that tells.  Figurines have been altered so that “instead of statuettes depicting white southern debutantes or Disney princesses, the artist’s figurines are all black women, frozen in moments of escape, activism, and even revenge” (Gotthardt).  

While each show’s content was disparate, qualities of repetition and recreation were apparent throughout.  All three of these shows were complicated.  As in Giorno’s show, words do not always make sense together.  At the Harlem Museum, memories and events are complicated; it is difficult to identify fact versus fiction.  Words become images, and repetitions become creations.  

Works Cited

Fictions. The Studio Museum Harlem, 2017, www.studiomuseum.org/exhibition/fictions.

Gotthardt, Alexxa. “With Costumes and Camp, Genevieve Gaignard Is Telling New Stories about Race and Beauty.” Artsy, 6 Oct. 2017.

“John Giorno: Perfect Flowers.” Elizabeth Dee.

“Karl Holmqvist Bio.” Gavin Brown Enterprise.

[hessenhenker]

Innenminister Thomas de Maizière (CDU) ist NICHT mein Vater!

Innenminister Thomas de Maizière ist NICHT mein Vater!

Ich distanziere mich von diesem Mann, er ist NICHT mein Vater. Der Innenminister sagte laut STERN in einem Interview zu den “deutschen Djihadisten” des IS: “Es sind unsere Söhne und Töchter”.

Möglicherweise sind es seine Söhne, aber es sind nicht meine Brüder. Meine Brüder schneiden keinen jezidischen Frauen in Syrien und dem Irak den Kopf ab! Kopf ab zum Gebet gilt möglicherweise für die CDU, bei…

[politikwatch]

Die CDU-#Verstrickungen des #JulianReichelt Ein Trommelfeuer auf die #CDU, nach #rechts zu rücken. "In die Mitte, zur Mehrheit", nennt #Reichelt das. Themen, die angeblich nur die #AfD behandele, müssten dort angesiedelt werden, "wo Menschen jahrzehntelang gewählt haben". Es gibt in der #CDU Leute, bei denen er damit offene Türen einrennt.

[hessenhenker]

Undankbare SPD-Nieten

Vor der vorletzten Bundestagswahl fragte mich der CDU-Abgeordnete Frank Gotthardt, “Was hat denn die CDU mit Ihrem abgebrannten Haus zu tun”, obwohl der CDU-Merz fleißig Aufsichtsratsgehalt vom AXA-Konzern bezog, der mich nach dem Brandanschlag verarscht…

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