#Frances Farmer

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Frances Farmer

[valentinovamp]

Frances Farmer (1930s)

[aloneandforsakenbyfateandbyman]

Old Hollywood actress Frances Farmer being carried away by police after having a psychotic episode in a courtroom and then showing attitude in the police station in 1943 is still such a Mood. I think all of us hysterical anti-authoritarian girlies can relate.

Frances was just a woman ahead of her time. It was the 40s and she was a Communist with a Bachelor of Arts in Drama. That’s literally just every millennial girl nowadays. No wonder Paramount called Frances "the star who would not go Hollywood," and emphasized her "eccentric" fashion tastes.

Director William Wyler famously said, "The nicest thing I can say about Frances Farmer is that she is unbearable." She was charged with drunk driving in Santa Monica, then when her agent shipped her off to Mexico City to film a movie, she was arrested there for drunken disorderliness.

1943 was an especially bad year, as she was accused of assaulting a studio hairdresser, not paying off her legal fines, and running down Sunset Boulevard topless after getting into a brawl at a bar. Police went to her hotel and dragged Frances out naked after she refused to comply.

When asked about her drinking habits, Frances told the judge: "I put liquor in my milk ... in my coffee and in my orange juice,” and admitted to drinking Benzedrine. The judge sentenced her to 180 days in jail, and she responded with knocking down a policeman and bruising another, along with a matron.

Frances sprinted to a phone booth to call her attorney, but was subdued by the police. When they carried her away, she shouted: "Have you ever had a broken heart?"

Frances was then taken to LA General Hospital and diagnosed with "manic depressive psychosis, probably the forerunner of a definite dementia praecox."

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Propaganda

María Félix (Doña Barbara, La Mujer sin Alma, Rio Escondido, La Cucaracha)—Maria Felix is still possibly the most well-known Mexican film actress. She turned down multiple-roles in Hollywood and a contract with Metro-Goldwyn-Meyer in order to take roles in Mexico, France, and Argentine throughout the 1940s, 50s, 60s. She was so famous and so respected as a dramatic actress that she inspired painters, novelists and poets in their own art--she was painted by Diego Rivera, Jose Orozco, Bridget Tichenor. The novelist Carlos Fuentes used her as inspiration for his protagonist in Zona Sagrada. She inspired an entire collection by Hermes. In the late 1960s Cartier made her a custom collection of reptile themed jewels. She considered herself to be powerful challenger of morality and femininity in Mexico & worldwide--she routinely played powerful women in roles with challenging moral choices and free sexuality. But even still, years after he death, she is celebrated with Google Doodles, and appearances in the movie Coco, and holidays for the anniversary of her death.

Frances Farmer (Among the Living)— has multiple songs written about her, a mentally ill icon, sexy as fuck and a feminist icon

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut]

María Félix:

She's Thee Hot Vintage Movie Woman of México. She's absolutely gorgeous and always looks like she's about to step on you. you WILL be thankful if she does.

"María Félix is a woman -- such a woman -- with the audacity to defy the ideas machos have constructed of what a woman should be. She's free like the wind, she disperses the clouds, or illuminates them with the lightning flash of her gaze." - Octavio Paz

María Félix is one of the most iconic actresses of the Golden Era of Mexican Cinema. La Doña, as she was lovingly nicknamed, only had one son, and when her first marriage ended in divorce her ex-husband stole her only child, so she vowed that one day she’d be more influential than her ex and she’d get her son back. AND SHE DID! María Félix rejected a Hollywood acting role to start her acting career in Mexico on her own terms with El Peñón de las Ánimas (The Rock of Souls) starring alongside actor, and future third husband, Jorge Negrete. She quickly rose to incredible heights both in Mexico and abroad, later on rejecting a Hollywood starring role (Duel in the Sun) as she was already committed to the movie Enamorada at the planned filming time. Of this snubbing she said, quote: “I will never regret saying no to Hollywood, because my career in Europe was focused in [high] quality cinema. [My] india* roles are made in my country, and [my] queen roles are abroad.” (Translator notes: here the “india” role means interpreting a lower-class Mexican woman, usually thought of indigenous/native/mixed descent —which she had interpreted and reinvented throughout her acting career in Mexico— and what abroad was typically considered the Mexican woman stereotype, with the braids, long simple skirts, and sandals. This also references the expectation of her possibly helping Hollywood in perpetuating this stereotype for American audiences that lack the cultural and historical contexts of this type of role which would undermine her own efforts against this type of Mexican stereotypes while working in Europe) She was considered one of the most beautiful women in the world of her time by international magazines like Life, París Match, and Esquire, and was a muse to a vast number of songwriters (including her second husband Agustin Lara,), artists, designers, and writers. Muralist Diego Rivera described her as “a monstrously perfect being. She’s an exemplary being that drives all other human beings to put as much effort as possible to be like her”. Playwriter Jean Cocteau, who worked with her in the Spanish film La Corona Negra (The Black Crown) said the following about her, “María, that woman is so beautiful it hurts”. Haute Couture houses like Dior, Givenchy, Yves Saint Laurent, Balenciaga, Hérmes, among others, designed and dressed her throughout her life. She died on her birthday, April 8, 2002, at 88 years old, in Mexico City. She was celebrated by a parade from her home to the Fine Arts Palace in the the city’s Historic Downtown, where a multitude of people paid tribute to her. Her filmography includes 47 movies from 1942 until 1970, and only two television acting roles in 1970. She has 2 music albums, one recorded with her second husband, Agustín Lara, in 1964 titled La Voz de María y la inspiración de Agustín «The voice of María and the inspiration of Augustín», and her solo album Enamorada «In Love» in 1998. Her bespoke Cartier jewelry is exhibited alongside Elizabeth Taylor’s, Grace Kelly’s and Gloria Swanson’s. In 2018, Film Director Martin Scorsese presented a restored and remastered version of her film Enamorada in the Cannes Classics section of the Cannes Festival and Google dedicated a doodle for her 104th birthday. On august 2023 Barbie added her doll to the Tribute Collection.

[poppingmary]

Frances Farmer

[citizenscreen]

Frances Farmer (September 19, 1913 – August 1, 1970)

[retro-only-darling]

Beautiful Frances Farmer in the 30s

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Classic movie stars + music

01 - 'Clara Bow', by Taylor Swift;

02 - 'Bette Davis Eyes', by Kim Carnes;

03 - 'John Wayne', by Lady Gaga;

04 - 'Frances Farmer Will Have Her Revenge On Seattle', by Nirvana;

05 - 'Steve McQueen', by Sheryl Crow;

06 - 'Dorothy Dandridge Eyes', by Janelle Monáe feat. Esperanza Spalding;

07 - 'James Dean', by Eagles;

08 - 'Mabel Normand', by Stevie Nicks;

09 - 'Rock Hudson, by Kelly Clarkson;

10 - 'Vincent Price', by Deep Purple

[cosmonautroger]

Frances Farmer

[hellooldsmelly]

[gatabella]

Frances Farmer by Toni Frissell, US Vogue, Sept. 1937

Wine-and-beige hand-knitted suit; Mrs.Franklin, Inc.; Bullock's Wilshire. Beige felt hat; Madame Pauline

2. Blue-and-grey hand-knitted suit, with a bright blue blouse; Mrs.Farley, Inc.; Bullock's Wilshire

[screengoddess]

Frances Farmer 1936

[gatutor]

Ray Milland-Frances Farmer "Ebb Tide" 1937, de James P. Hogan.

[aloneandforsakenbyfateandbyman]

Men adored her. Chet Huntley, her boyfriend at the University of Washington journalism school, called Frances "the most beautiful girl I've ever known."

Trouble was, she refused to behave the way movie stars were expected to in 1942. "She adamantly refused to make any concessions to stardom or compromises in the way she lived," says Arnold.

"She would not wear makeup or have her hair done professionally. She shocked studio publicists by using language a lady should not even know existed. She drove an old wreck and she dressed sloppily."

- The Tragedy of Frances Farmer: The Star They 'Railroaded' Into An Asylum

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Ebb Tide (1937)

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Frances Farmer