#Ford Mustang HIRE
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classiccarhire · 10 months ago
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Elevate Your Travel Experience with Premium Airport Transfers and Luxury Vehicle Rentals
In the fast-paced world of today, where time is of the essence and first impressions matter, choosing the right transportation service can significantly impact your overall travel experience. Gatwick Luxury Airport Transfers, Stansted Luxury Airport Transfers, Heathrow Luxury Airport Transfers, Rolls Royce Cullinan Hire and Stretch Limo Hire stand out as premier options that not only prioritize punctuality and efficiency but also add a touch of opulence to your journey.
1. Gatwick Luxury Airport Transfers:
Gatwick Airport, being one of the busiest in the world, demands a transportation service that is both reliable and sophisticated. Gatwick Luxury Airport Transfers go beyond the ordinary, providing a seamless and comfortable transition from the airport to your destination. With a fleet of high-end vehicles and professional chauffeurs, your journey becomes a stress-free experience, ensuring you arrive at your destination in style and on time.
2. Stansted Luxury Airport Transfers:
Stansted Airport, serving as a gateway to London and the surrounding areas, deserves a transportation service that complements its status. Stansted Luxury Airport Transfers offer a blend of comfort, elegance, and efficiency. Whether you are a business traveler or a leisure seeker, the premium service guarantees a smooth and luxurious journey, making your arrival or departure an experience to remember.
3. Heathrow Luxury Airport Transfers:
Heathrow Airport, as a major international hub, demands a transportation service that understands the importance of promptness and comfort. Heathrow Luxury Airport Transfers excel in meeting these expectations. With a commitment to excellence, the service ensures that you are greeted by a courteous chauffeur and transported in a meticulously maintained vehicle, setting the tone for a hassle-free travel experience.
4. Rolls Royce Cullinan Hire:
For those seeking the epitome of luxury, Rolls Royce Cullinan Hire presents an unparalleled option. The Rolls Royce Cullinan, an icon of automotive craftsmanship, offers a sublime blend of opulence and performance. Whether for a special occasion, a business event or simply to indulge in a taste of extravagance, hiring the Rolls Royce Cullinan ensures that you make a grand entrance and leave a lasting impression.
5. Stretch Limo Hire:
When the occasion calls for a touch of glamour and spaciousness, Stretch Limo Hire steps in to elevate your transportation experience. Perfect for weddings, proms, or any special celebration, a stretch limousine adds an element of luxury and sophistication. With a professionally trained chauffeur at the helm, you can relax and enjoy the journey, creating unforgettable memories in the process.
In conclusion, the decision to opt for Gatwick Luxury Airport Transfers, Stansted Luxury Airport Transfers, Heathrow Luxury Airport Transfers, Rolls Royce Cullinan Hire or Stretch Limo Hire is a choice to prioritize comfort, efficiency and style. These premium services not only cater to your transportation needs but also enhance your overall travel experience, ensuring that every journey becomes a memorable part of your adventure. Make the choice to elevate your transportation and embrace the luxury and convenience that these services have to offer.
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skyecarrentaluae · 24 days ago
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Toyota Land Cruiser: The Perfect SUV for Adventure and Off-Roading
When it comes to powerful and reliable SUVs, the Toyota Land Cruiser stands at the top. Known for its durability and performance, this iconic vehicle is available for rent at Skye Car Rental, making it the ideal choice for those seeking both comfort and power on any terrain. Whether you're driving through busy city streets or tackling rugged off-road routes, the Land Cruiser offers the confidence and security you need for a smooth journey.
Key Features of the Toyota Land Cruiser:
Powerful Engine: The Land Cruiser is equipped with a robust engine that ensures high performance in all driving conditions, making it perfect for long trips or adventures off the beaten path.
Advanced Off-Road Capabilities: With its all-wheel-drive system, enhanced suspension, and off-road features, the Land Cruiser is designed to conquer any terrain, from sandy deserts to rocky hills.
Luxury and Comfort: Inside, the Land Cruiser boasts a spacious, well-appointed cabin, offering top-notch materials, advanced technology, and a range of features to make your ride comfortable and enjoyable.
Safety First: Toyota’s renowned safety features, such as adaptive cruise control, lane departure warning, and a comprehensive airbag system, ensure peace of mind for both the driver and passengers.
Renting the Toyota Land Cruiser from Skye Car Rental is a great option whether you’re planning a long-distance road trip, an off-road adventure, or just want to experience the luxury and capability of a high-end SUV. With flexible rental options and impeccable customer service, Skye Car Rental ensures that your driving experience is as seamless and enjoyable as possible.
If you're looking for a vehicle that combines ruggedness with luxury, the Toyota Land Cruiser is the perfect choice for your next trip. Book now at Skye Car Rental and get ready to explore with confidence.
Skye - VIP Car Rental Dubai Website: https://skye-carrental.com/ Phone: +971505499259 Address: 39 Tower, Lake Plaza, Office 2108, 1 Cluster T, Jumeirah Lake Towers, Dubai, UAE Open hours: 24/7
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seoworks-blog2 · 4 months ago
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Ultimate Luxury: Lamborghini Car Hire in Dubai and More
Dubai, a city known for its opulence and grandeur, offers an unparalleled driving experience with its diverse and luxurious car rental options. Whether you’re looking to hire a Lamborghini for an adrenaline-filled drive, rent a practical Hiace van for group travel, or explore the city in a reliable Toyota Yaris, Dubai’s car rental services cater to every need. This guide explores the best options for Lamborghini car hire in Dubai, as well as other popular rental choices like the Toyota Land Cruiser and Hiace van.
Lamborghini Car Hire in Dubai: Drive the Dream
Dubai is the perfect place to experience the thrill of driving a Lamborghini. With its stunning skyline, smooth highways, and luxurious lifestyle, hiring a Lamborghini here is more than just a rental – it’s an experience.
Lamborghini Hire Dubai
Renting a Lamborghini in Dubai allows you to enjoy the pinnacle of automotive engineering and design. Whether you’re attending a special event, impressing business clients, or simply indulging in a personal treat, a Lamborghini is the ultimate choice.
Popular Models:
Lamborghini Aventador: Known for its aggressive styling and powerful V12 engine.
Lamborghini Huracan: Offers a perfect blend of performance and luxury with its V10 engine and sleek design.
Lamborghini Urus: The luxury SUV that combines Lamborghini’s signature speed with practicality.
Rent a Car Dubai Lamborghini
Many rental agencies in Dubai offer Lamborghini cars, ensuring you can find the perfect model for your needs. Renting a Lamborghini is straightforward, with flexible rental terms and competitive pricing.
Benefits:
Prestige and Style: Make a statement wherever you go.
Unmatched Performance: Enjoy the thrill of driving one of the world’s fastest cars.
Comfort and Technology: Experience cutting-edge features and luxurious interiors.
Practical Rentals: Hiace Van for Rent
For those needing a spacious and reliable vehicle for group travel or transporting goods, the Hiace van is an excellent choice.
Hiace Van for Rent
The Toyota Hiace is renowned for its durability, spaciousness, and comfort, making it ideal for both commercial and personal use.
Features:
Ample Space: Accommodates large groups or substantial cargo.
Reliable Performance: Toyota’s reputation for reliability ensures a hassle-free rental experience.
Comfort: Comfortable seating and advanced features for long journeys.
Rent a Car Toyota Hiace
Renting a Toyota Hiace in Dubai is simple, with many rental agencies offering flexible terms and competitive rates. Whether you need it for a day, a week, or longer, the Hiace is a versatile choice.
Rugged Elegance: Rent a Car Land Cruiser
The Toyota Land Cruiser is a popular choice for those seeking a robust and luxurious SUV. It’s perfect for exploring Dubai’s urban landscape and off-road adventures.
Rent a Car Land Cruiser
The Land Cruiser combines luxury with rugged performance, making it suitable for various driving conditions.
Benefits:
Powerful Performance: Equipped with a powerful engine and advanced off-road capabilities.
Luxurious Interior: Offers a comfortable and premium driving experience.
Reliability: Known for its durability and longevity.
Compact Convenience: Rent a Car Toyota Yaris
For those looking for a practical and efficient car, the Toyota Yaris is an excellent choice. It’s perfect for navigating Dubai’s busy streets and offers great fuel efficiency.
Rent a Car Toyota Yaris
The Toyota Yaris is a compact car that provides a comfortable and economical driving experience.
Features:
Fuel Efficiency: Save on fuel costs with its efficient engine.
Compact Size: Easy to maneuver and park in busy areas.
Affordable: Budget-friendly rental rates make it accessible for everyone.
Conclusion
Dubai offers an extensive range of car rental options, from the luxurious thrill of a Lamborghini to the practical reliability of a Toyota Hiace or Yaris. Whether you’re looking to make a statement, transport a group, or simply get around the city efficiently, there’s a perfect car rental option for you. By choosing the right rental agency and understanding your options, you can enhance your Dubai experience with the ideal vehicle.
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coffeeskater · 10 months ago
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If one more dip shit brings their absolute dog shit Nissan/infinity into my good and holy Mazda dealership, I will shit in their air box and leave one of those fake 20$ bills in the cupholder.
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limohireservice09 · 1 year ago
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Ford Mustang limo hire offers a unique blend of classic American muscle and luxury transportation. Our service allows passengers to experience the iconic Mustang's power and style while enjoying the comfort of a stretched limousine. Ideal for special events, weddings, or VIP outings, it's a memorable way to travel in style and make a grand entrance.
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mustangmomentsnsw · 1 year ago
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Make a Lasting Impression with Affordable Ford Mustang Hire in Sydney
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If you are in love with classics, getting a Ford Mustang for your wedding is a must. Right? Right. As buying one may seem too far-fetched, hiring one for D-Day doesn’t seem so unrealistic after all. An iconic car of the 60s, the Ford Mustang has retained both its reputation and impression among car lovers of modern days. So look for affordable Ford Mustang Wedding Hire in Sydney to make a grand entry to your wedding and surprise your guests.
Why Consider a Ford Mustang as Your Wedding Car
All Mustangs are classy, but some of the models are just perfect for once-in-a-lifetime events, like weddings. With their premium look and feel, both the guests and your bride will be super impressed and happy.
But this is not the only reason to get a Ford Mustang for your wedding. These are:
It is a Statement of Luxury
A Ford Mustang is all about making a statement. It adds glamour to your wedding and raises eyebrows. And if you want that kind of attention, the Mustang is your best bet. You will grin at the photographs later in life.
It Helps Create Lasting Memories
Every body would love to take photos with your car, including YOU, and isn’t that just too cute? The Ford Mustang will be the hero of your wedding, making it memorable not only for you but also your guests.
The Comfort Factor
Well, the Mustang is not only an all-fashion-and-no-function vehicle. It offers utmost comfort and convenience to the bride, accommodating her the frills and falls of her gown. Further, the car has enough space to accommodate gifts and other essential items.
Choose a service provider having an outstanding fleet of vehicles in pristine condition, ready to hire for your wedding. If you need customised services for Ford Mustang hire in Sydney, feel free to talk to them and see how they respond. If they are ready to contribute to your special day by taking care of your special needs, hire them!
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bikashdas · 1 year ago
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Things To Consider Before Hiring A Mustang For Your Big Wedding Day!
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sophaeros · 9 months ago
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arctic monkeys for q magazine, june 2011 (x) (x)
ARCTIC MONKEYS: Inside Alex Turner's Head
Words Sylvia Patterson Portrait John Wright
The day Arctic Monkeys moved into their six bedroom, Spanish-style villa in the Hollywood Hills, where the first-floor balcony looked over the patio swimming pool, they knew exactly what to do.
"From the balcony, you could get on t'roof and jump in't pool," chirps the Monkeys' most gregarious member, drummer Matt Helders, in his homely Yorkshire way. "We looked at it and said, That's definitely gonna happen. So by the end, we did a couple of 'em. Somersaults in t'pool, from the roof. At night time."
In January 2011, as Sheffield and the rest of Britain endured its bitterest winter in a century, Arctic Monkeys capered among the palm trees, eschewing hotels for a millionaire's Hollywood homestead as they recorded and mixed their fourth studio album, Suck It and See.
The four Monkeys, alongside producer James Ford and engineer James Brown, lived what they called the "American man thing": watched Super Bowl on giant TVs, played ping-pong, hired two Mustangs, cooked cartoon Tom And Jerry-sized steaks on barbecues on Sundays, had girlfriends over to visit, all cooking and drinking around the colossal outdoor kitchen area featuring a fridge and two dishwashers. Living atop the Hills, they could see the Pacific Ocean beyond by day, the infinite glittering lights of downtown LA by night.
Every day, en route to Sound City Studios, they'd travel in a seven-seater four-by-four through the mountains, via bohemian 60s enclave Laurel Canyon, blaring out the tunes: The Stones Roses, The Cramps, the Misfits' Hollywood Babylon. For the sometime teenage art-punk renegades whose guitarist, Jamie Cook, was once ejected from London's Met Bar for refusing to pay €22 for two beers, the comedy rock'n'roll life still feels, however, absolutely nothing like reality.
NICK O'MALLEY: "It were really as if we were on holiday. When we came back it's the most post-holiday blues I've ever had!"
JAMIE COOK: "It's hard to comment on that. It were just really good fun."
MATT HELDERS: "We always said, As soon as things like that feel normal, we're in trouble. But it's just funny. You might think it would get more and more serious as you get older but it's getting funnier. We've done four albums now and I'm still only 24, I'm still immature to an extent. So who cares?"
Alex? Al? Are you there?
ALEX TURNER: "Yeah, it were good times. But we were in the studio most of the time. So there's no real wild Hollywood stories. Hmn. Yeah."
Wednesday, 16 March 2011, Strongroom Bar, Shoreditch, East London, 11am. Alex Turner, 25, slips entirely alone into an empty art-crowd brasserie looking like an indie girl's indie dream boy: mop-top bouffant hair which coils, in curlicues, directly into his cheekbones, army-green waist-length jacket, baggy-arsed skinny jeans, black cord zip-up cardigan, simple gold chain, supermoon sized chocolate-brown eyes.
Almost six years after I Bet You Look Good On The Dancefloor became the indie-punk anthem of a generation (from the first of Arctic Monkeys' three Number 1 albums), and nothing prepares you for the curious phenomenon of Alex Turner "in conversation". Unlike so many of the Monkeys frenetic early songs, he operates in slow motion, seemingly underwater, carrying a protective shell on his back, perhaps indie rock's very own diamond-backed terrapin. The most celebrated young wordsmith in rock'n roll today talks fulsomely, in fact, only in shapeless, curling sentences punctuated with "maybe... hmn.. yeah", an anecdotal wilderness sketching pictures as vague as a cloud. He is, though, simultaneously adorable: amenable, gentle, graceful, and as Northern as a 70s grandpa who literally greets you with "ey oop?".
"People think I'm a miserable bastard," he notes, cheerfully, "but it's just the way me face falls." Still profoundly private, if not as hermetically sealed as a vacuum-packed length of Frankfurter, his fante-shy reticence extends not only to his personal life (his four-year relationship with It-girl/TV presenter Alexa Chung, whom he never mentions) but to insider details generally. Take the Monkeys’ Hollywood high jinks documented above: not one word of it was described by Turner. Before Q was informed by his other Monkey bandmates, Turner’s anecdotal aversion unfolded like this:
Describe the lovely villa you were in. AT: "Well... we certainly had a... good view."
Of what? AT: "Well, we were up quite high."
The downtown LA lights going on forever? AT: "I dunno. It was definitely that thing of getting a bit of sort of sunshine. Is it vitamin D? If you can get vitamin D on your record, you've got a bit of a head start. So we'd get up and drive to the studio."
What were you driving? AT: "Nothing... spectacular. But yeah, we'd drive up the studio, spend all day there and sort of, y know, get back. To be honest... we had limited time. So we spent as much time as possible kind of getting into it, like, in the studio.
So your favourite adventures were what? AT: "Well, they were really… minimal. We were working out there!"
Any nightclubs or anything, perhaps? AT: "You really want the goss 'ere, don't you?"
Yes, please. AT: "I could make some up. Nah!"
And this was on the second time of asking. It's perhaps obvious: Alex Turner, one of the most prolific songwriters of his generation (four Monkeys albums and two EPs in five years, The Last Shadow Puppets side-project, a bewitching acoustic soundtrack for his actor/video director friend Richard Ayoade's feature-length debut Submarine), is dedicated only to the cause – of being the best he can possibly be. He simply remembers the songs much more than the somersaults.
Throughout 2009, Arctic Monkeys toured third album Humbug – the record mostly made in the Californian desert with Queens Of The Stone Age man-monolith Josh Homme – across the planet. While hardly some cranium-blistering opus, its heavier sonic meanderings considerably slowed the Arctic Monkeys' live sets and on 23 August 2009, Q watched them headline the Lowlands Festival, Holland and witnessed a hitherto unthinkable sight – swathes of perplexed Monkeys fans trudging away from the stage. With the sludge rock mood matching their cascading dude-rock hair it seemed obvious: they'd smoked way too much outrageously strong weed in the desert.
"Heheheh, yeah," responds Turner, unperturbed. "That's your theory. You probably weren't alone."
Back in the Strongroom Bar, Turner's arm is now nonchalantly draped along the back of a beaten-up brown leather sofa. He ponders his band's somewhat contrary reputation…
"I think starting the headline set at Reading with a cover of a Nick Cave tune perhaps was a bit contrary. D'youknowhat Imean?! But to be honest, that summer, at those festivals, we had a great time. And I know some fans enjoyed those sets 10 times more. And you can't just do, y’know, another Mardy Bum or whatever. Because how could you, really?"
With Humbug, notes Turner, "I went into corners I hadn't before, because I needed to see what were there," but by spring 2010 he wanted their fourth album to be "more song-based" and less lyrically "removed". He was "organised this time", studied "the good songwriters" (from Nick Cave, The Byrds and Leonard Cohen to country colossi Johnny Cash and Patsy Cline), discovered "the other three strings" on his guitar, and wrote 12 songs through the spring and summer of 2010, mostly in the fourth-floor New York flat he shared with Chung before the couple moved back to London late last summer (the New York MTV show It's On With Alexa Chung was cancelled after two seasons). The result: major-key melodies, harmonised singing and classic song structures.
At the same time he revisited the opposite extreme: bands such as Black Sabbath and The Stooges ("we wanted a few wig-outs as well"); he was also still heavily influenced by the oil-thick grinder rock of Josh Homme, who is clearly now a permanent Monkeys hero. After four months' rehearsals in London, on 8 January the Monkeys relocated to LA for five swift weeks of production and Homme came to visit, singing backing vocals on All My Own Stunts. Tequila was involved.
"Tequila is probably me favourite," manages Turner, by way of an anecdote. "But it takes a certain climate... It's not the same... in the rain. Yeah. [Looks to be contemplating a lyric] Tequila in the rain."
Vocally, he developed the caramel richness first unveiled on The Last Shadow Puppets' Scott Walker-esque The Age Of The Understatement, finding a crooner's vibrato. "Everything before was so tight,” he notes, clutching his neck. "Probably just through nerves. That's just not there any more." Suck It and See contains at least four of the most glittering, sing-along, world-class pop songs (and obvious singles) of Arctic Monkeys' career: the towering, clanging She's Thunderstorms, the summertime stunner The Hellcat Spangled Shalalala, the heavenly harmonised title track and the Echo & The Bunnymen-esque jangly pop of closer That's Where You're Wrong.
Elsewhere, in typically contrary "fashion", there's preposterous head-banger bedlam (Brick By Brick, the rollicking faux-heavy rock download they released in March "just for fun", featuring vocals by Helders; Don't Sit Down 'Cause I've Moved Your Chair, and Library Pictures). News arrives that the first single proper will be Don't Sit Down 'Cause I've Moved Your Chair. Q is perplexed. Brilliantly titled, certainly, but arriving after Brick By Brick, the new album will appear to the planet as some comedy pastiche metal album for 12-year-old boys.
You've got all these colossal, summery, indie-pop classics and you've gone for... The Chair? AT: [Laughing uproariously] "The Chair! I'm now calling it The Chair, that's cool. Well for once it weren't even our suggestion. It was Laurence's (Bell, Domino label boss). And I were, Fucking too right! He's awesome. It'd be good to get a bit of fucking rock'n'roll out there, won't it? It's riffs. It's loud. It's funny."
If you don't release The Hellcat Spangled Shalalala as a single I'm going round Domino to kick Laurence's "awesome" butt. AT: "I think it'll be the next one!"
The record's title, meanwhile, could've been more enigmatically original than the un-loved phrase Suck It and See. The band, struggling with ideas due to the opposing sonic moods, invented an inspiration-conjuring ruse: to think of new names for effects pedals in the style of Tom Wolfe, Turner being long enamoured with the American author's legendarily psychedelic books The Electric Kool-Aid Acid Test and The Kandy-Kolored Tangerine-Flake Streamline Baby, "cos that just sounds awesome".
"There's the Big Muff pedal," he elaborates, "That’s the classic. I've got the Valve Slapper. And there's the Tube Screamer. So we came up with the Thunder Suckle Fuzz Canyon. And… wait till I assemble it in me mind… em… it'll come to me… The Blonde-O-Sonic Shimmer Trap. So we were going for summat like that."
A wasted opportunity?
"Nah. Because some of those things ended up in the lyrics anyway. Suck It and See was just easier."
Alex Turner, rock'n'roll's premier descriptive art-poet, still writes his lyrics long-hand in spiral-bound notebooks. "Writing lyrics is a craft that I've practised a bit now," he avers. "In me notebook it looks like sums. Theories. There's words and arrows going everywhere. There's always a few possibilities and I write the word 'OR' in a square."
For our most celebrated colloquial sketch-writer of the everyday observation (all betting pencils, boy slags and ice-cream van aggravations) the more successful he becomes, the less he orbits the ordinary. "I'm not struggling with that, to be honest," he decides. "In fact I'm enjoying writing lyrics much more than I did. Stories. Describing a picture. Um. There's quite a bit of weather and time in this one. Which is probably not reassuring. 'Oh God, he's writing about the weather.' Maybe leave that out!"
There are also some direct, funny, romantic observations: "That's not a skirt, girl, that's a sawn-off shotgun/And I only hope you've got it aimed at me..." (from the title track).
Some of your romantic quips, now, must be about Alexa. AT: "Right. Yeah. Definitely. Well... there's always been that side to our songs, when we weren't writing about... the fucking taxi rank. It's kind of inevitably... people you're with." [At the mention of Chung's name, Turner is visibly aggrieved, head sliding into his neck, terrapin-esque indeed.]
It must have been very grounding being in a proper relationship through all this madness. Because if you weren't, girls would be jumping all over your head. AT: "Em. Hmn. Well, of course that helps you to... I don't really know.. what the other way would be."
Does Alexa wonder if the lyrics are about her? AT: "Oh there's none of that. Yeah, no, there's no looking over the shoulder."
She must be curious, at least. "Maybe."
Did you ever watch Popworld? AT: [Nervous laughter] "Em! Now and again."
Did you ever see the episode where she helps Paul McCartney write a song about shoes? AT: "Ah, yeah I think so, maybe I did see that."
Well, if I was you, I'd have been thinking, "She's the one for me." AT: "Well. Yeah... maybe that would've... sealed the deal! Hmn. But maybe that wasn't when i got the ray of light. When was? Nah [buries head in hands]. I might have to go for a cigarette..."
Q can't torture him any more and joins him for a snout. Turner smokes Camels from a crumpled, sad, soft-pack and resembles a teenager again. As early song You Probably Couldn't See For The Lights But You Were Staring Straight At Me says, "Never tenser/Could all go a bit Frank Spencer…”
In January 2006, when Arctic Monkeys' Number 1 album Whatever People Say I Am, That's What I'm Not became the fastest-selling debut in UK history, inadvertently redefining the concept of autonomy and further imploding the decimated music industry (& wasn't their idea to be "the MySpace band", it was their fans': the Monkeys merely kick-started viral marketing by giving away demos at gigs), the 19- and 20-year-old Monkeys were terrible at fame. They weren't so much insurrectionary teenage upstarts as teenage innocents culturally traumatised by the peak-era fame democracy.
To their generation (born in the mid-'80s) fame was now synonymous with some-twat-off-the-telly a world of foaming tabloid hysteria where renown and celebrity meant, in fact, you were talentless. Hence their interview diffidence and receiving awards via videos dressed up as the Wizard OfOz and the Village People. Which only, ironically, made them even more celebrated and famous. (“That were a product of us just trying to hold onto the reins," thinks Turner today. "Being uncooperative.")
Q meets The Other Three one morning at 11am, in the well-appointed, empty bar of the Bethnal Green, Bast London hotel they're staying in (all three live in Sheffield, with their girlfriends, in their own homes). First to arrive is the industrious, sensible and cheerful Helders, crunching into a hangover-curing green apple. He has recovered from last year's boxing accident at the gym, which left his broken arm requiring a fitted plate. Now impressively purple-scarred, the break felt "interesting" and the doctor couldn't resist the one-armed drummer jest: "D'you like Def Leppard?"
Currently enjoying an enduring bromance with Diddy, he still doesn't feel famous, "it just doesn't feel that real, there's no paparazzi waiting for me to trip up." He and Turner, during the four-month rehearsals last year, became an accomplished roast dinner cooking duo for the band. "I reckon we could have us our own cookbook," he beams. "Pictures of us stirring, with a whisk."
O'Malley, an agreeable, twinkly-eyed 25-year-old with a strikingly deep voice and a winningly huge smile, is still coyly embarrassed by the interview process. A replacement for the departed original bass player Andy Nicholson in May 2006, he went from Asda shelf-filler to Glastonbury headliner in 13 months and still finds the Monkeys "a massive adventure". His life in Sheffield is profoundly normal – he's delighted that his new home since last October has an open-hearth fireplace: "Me parents had electric bars." He has also discovered cooking. “I’m just a pretty shit-hot housewife, most of the time," he smiles. "I cook stews, fish combinations, curries, chillies. I made a beef pho noodle soup the other day, Vietnamese, I surprised meself, had some mates round for that."
Recently, at his dad's 50th birthday bash, the party band, made up of family and friends, insisted he join them onstage "for ...The Dancefloor. So I were up there [mimes playing bass, all sheepish] and it were the wrong pitch, they didn't know the words or 'owt, going, Makin eyes... er..." He has no extra-curricular musical ambitions. "I'm happy just playing bass," he smiles. "I've never had the skill of doing songs meself. It'd be shit!"
Cook, 25, is still spectacularly embarrassed by the interview process. He perches upright, with a fixed nervous smile, newly shorn of the beard and ponytail he sported in LA: "Rockin' a pone, yeah, because I could get away with it." With his classic preppy haircut and dapper green military coat (from London's swish department store, Liberty), he looks like a handsome '40s film star. (Turner deems Cook "the band heartbreaker" and had a word with him post-LA: "I said to him, Come on, mate, you've got to get that beard shaved off. Get the girls back into us. Shift some posters.")
His life in Sheffield is also profoundly normal. He still plays Sunday League football with his local pub team, The Pack Horse FC (position, left back), remains in his long-term relationship with page-three-model-turned-make-up-artist Katie Downes and "potters about" at home, refusing to describe said home, "cos I'll get burgled".
A tiler by trade, he always vowed, should the Monkeys sign a deal, that he'd throw his trowel in a Sheffield river on his last day of work. "I never did fling me trowel," he confirms. "Probably still in me shed." He's never considered what his band represents to his generation. "I'd go insane thinking about it, I'm pretty good at not thinking about it… Oh God. I'm terrible at this!"
Back in the Strongroom Bar, Alex Turner is cloudily describing his everyday life. "I just keep meself to meself," he confounds. He mostly stays indoors and his perfect night in with Alexa is "watching loads of Sopranos. And doing roast dinners".
No longer spindle-limbed, he attends a gym and has handsomely well-defined arms – "You have to look after yourself."
Suddenly, Crying Lightning from Humbug rumbles over the bar stereo. "Wow. How about that? I was quite happy the other morning cos Brick By Brick were on the round-up goals on Soccer AM. It's still exciting when that happens. It was like Brick By Brick is real."
He spends his days writing music, "listening to records", and recommends Blues Run The Game by doomed '60s minstrel Jackson C Frank ("who's that lass?... Laura Marling, she did a cover recently), a simple, acoustic, deep and regretful stunner about missing someone on the road.
Lyrically, he cites as an example of greatness the Nick Cave B-side Little Empty Boat [from ‘97 single Into My Arms ], a comically sinister paean to a sexual power struggle: "Your knowledge is impressive and your argument is good/But I am the resurrection babe and you're standing on my foot."
"I need a hobby," he suddenly decides. "I'd like to learn another language." Since his mum is a German teacher (his dad teaches music), surely he can speak some German? "I know how to ask somebody if they've had fun at Christmas." Go on, then. "Nah!"
Where Turner's creative gifts stem from remains a contemporary rock'n'roll mystery; he became a fledgling songwriter at 16, after the gift of a guitar at Christmas from his parents. An only child, did his folks, perhaps, foresee artistic greatness? "I doubt it!" he balks. "Cos I didn't. I wasn't... a show kid." Like the others, he doesn't analyse the past, or the future.
"You can't constantly be thinking about what's happened," he reasons, "it's just about getting on with it." The elaborate pinky ring he now constantly wears, however, a silver, gold and ruby metal-goth corker featuring the words DEATH RAMPS is a permanent reminder of he and his best friends’ past. The Death Ramps is not only a Monkeys pseudonym and B-side to Teddy Picker, but a place they used to ride their bikes in Sheffield as kids.
"Up in the woods near where we lived," he nods. "Just little hills. But when you're eight years old they're death ramps." The ring was custom made by a friend of his, who runs top-end rock'n'roll jewellery emporium The Great Frog near London's Carnaby Street. Ask Turner why he thinks the chase between his writing and speaking eloquence is quite so mesmerisingly vast and he attempts a theory.
"Well, writing isn't the same as speaking," he muses. "Not for me. I seem to struggle more and more with... conversation. Talking onstage... I can't do it any more. Hmn. I'll have to work on that."
The ever-helpful Helders has a better theory.
"Since he's been writing songs," he ponders, “It seems like he’s always thinking about that. So even when he’s talking to you now, he’s thinking about the next thing that rhymes with a word. Even when he’s driving. We joke he’s a bad driver, his focus is never 100 per cent on what he’s doing. Which is good for us cos it means he’s got another 12 songs up his sleeve. I think music must be the easiest way for him to be concise and get everything out. Otherwise his head would explode.”
The Shoreditch.com photo studios, 18 March. Alex Turner, today, is more ethereally distracted than ever, transfixed by the studio iPod, playing Led Zeppelin, The Rolling Stones, a version of I’d Rather Go Blind. Occasionally, he’ll completely lose his conversational thread, “Um. I’ve dropped a stitch.”
The first to arrive for Q’s photoshoot, he greets his incoming bandmates with enormous hugs (and also hugs them goodbye). Today, Q feels it’s pointless poking its pickaxe of serious enquiry further into Turner’s vacuum-packed soul and wonders if he’ll play, instead, a daft game. It’s called Popworld Questions, as first posed by someone he knows rather well.
“Oh, OK. Let’s do it,” he blinks, now perched in an empty dressing room. He then vigorously shakes his head, “Um…I’ve gotta snap back into it.”
Here, then, are some genuine “Alexa Chung on Popworld” questions (2006-2007), as originally posed to Matt Willis, Amy Winehouse, Robbie Williams, Pussycat Dolls, Kaiser Chiefs and Diddy.
Why do indie bands wear such tight jeans? AT: “Um. I supposed they do. They haven’t always. When we first were playing I was definitely in flares. You need to be quite tall to get the full effect, though. So, that's why this indie band wears such tight jeans, cos we've not got the legs for flares."
What makes you tick in the sexy department? AT: "Wow. Pass. What do I find most attractive in a woman? Something in the head? That's definitely a requirement. Well... Hmn. I'm struggling."
Tell us about all the lovely groupies. AT: "No!"
If dogs had human hands instead of paws, would you consider trying to teach them to play the piano? AT: "Absolutely. I'd teach Hey Jude."
How many plums d'you think you can comfortably fit in one hand? AT: "They're not very big. [Holds small, pale, girly hand up for inspection] It's a shame. Probably three. Diddy only managed two? Maybe not then. I can carry a lot of glasses at once, though. If they're small ones I can do four."
Are you cool? AT: "Not as much as I'd like to be. There's this clip where Clint Eastwood is on a talkshow and he gets asked, Everybody thinks of you as defining cool, what d'you think about that? And he gets his cigs out, takes one out, flicks it into his mouth, lights it and says, I have no idea what you're talking about."
Here, Turner locates his Camels soft-pack and attempts to do a Clint Eastwood. He flicks one upwards towards his mouth. And misses. Flicks another. And misses. "Third time lucky?" He misses. "I'll get it the next time." And succeeds. "Hey. Fourth time. Don't put that in! So there you go. I'm four steps away from where I wanna be."
Thank you very much for joining me here on Popworld, here's my clammy hand again. There it is, let it slip, hmmn. You can let go now. AT: "OK! Were you a Popworld fan, then? It was funny. Cool. What were we talking about, before?"
Blimey, Alex. What must you be like when you're completely stoned out of your head? AT: "Stoned? What d'you mean, cos I seem like that anyway? Yeah. A lot of people... tell me I'm a bit... dreamy. But I like the idea of that. Of being somewhere else."
Two days earlier, Turner had contemplated what he wanted from all this, in the end. Many seconds later he gave his deceptively ambitious answer.
"I just wanna write better songs," he decided. "And better lyrics. I just definitely wanna be good at it. Hmn. Yeah.”
RUFUS BLACK: AKA Matt Helders, on his ongoing bromance with Diddy
Matt Helders has known preposterous rap titan Diddy since they met in Miami in 2008. “He goes, Arctic Monkeys! Then he said summat about a B-side and I was like, He's not lying! I just thought, This is funny, I'm gonna go with this for a while." Last October Diddy texted Helders, suggesting he play drums with his Diddy Dirty Money band on Friday Night With Jonathan Ross, to give his own drummer a day off. “I were bowling with me girifriend at the time. In Sheffield, on a Sunday." On the day of recording, says Helder, "We had a musical director. That were one of the maddest times of my life. Next day Diddy said, Why don't you just stay? Come along with me. So I went everywhere with him." Diddy had "a convoy of cars" and made sure Helders was always in his. "He'd stop his car and go, Where's Matt? You're coming with me! So I'd get in his car. Just me, him, his security, driver." Diddy, by now, had given him a pseudonym - Rufus Black. "He kept saying, I don't wanna fuck up your image. And I'm, I don't think it's gonna do me any harm!" He stayed in Diddy's spectacularly expensive hotel. Some weeks later, Helders almost returned to the Dirty Money drumstool for a gig in Glasgow. "But we were rehearsing in London. I were like, I might come, how are you getting there? And he were like, Jet. Jump on t’jet with me. But I had to stay in Bethnal Green instead.”
Love’s young dream: Diddy (left) with Helders
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mydaddywiki · 16 days ago
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Lee Iacocca
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Physique: Average Build Height: 5'8" (1.72 m)
Lido Anthony "Lee" Iacocca (October 15, 1924 – July 2, 2019; aged 94) was an American automobile executive best known for the development of the Ford Mustang, Continental Mark III, and Ford Pinto cars while at the Ford Motor Company in the 1960s, and for reviving the Chrysler Corporation as its CEO during the 1980s. He was president of Chrysler from 1978 to 1991 and chairman and CEO from 1979 until his retirement at the end of 1992. He was one of the few executives to preside over the operations of two of the United States' Big Three automakers.
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Born in Allentown, Pennsylvania, Iacocca graduated with honors from Allentown High School in Allentown in 1942. He attended Lehigh University, graduating with a degree in industrial engineering. After graduating from Lehigh, he went to Princeton University, where he earned a master's degree in mechanical engineering in 1946.
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Iacocca started working at Ford Motor Company in 1946, and was a major figure in the development of the Ford Mustang. He was named president of Ford in 1970, but was fired by Henry Ford Jr. in 1978. He was then hired by Chrysler Corp. in 1978 and became the company’s CEO in 1979. He is credited with saving the company from bankruptcy.
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A heroic figure to many Americans, mobbed by admirers and pursued by the press. Like most men, he had a rugged handsomeness of his own and had a penchant for cigars, vinyl car roofs and Greek-temple grilles. I first notice him when he appeared on The Late Show with Jay Leno back in 1993 and I wanted to blow him ever since. He died at his home in Bel Air, at the age of 94. He is survived by two daughters and eight grandchildren.
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shamelessrabbithole · 7 months ago
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Alrighty. Now that Cam has posted about the completion of principal photography of his film, I'll share some bts I found with you guys. He posted just now from Texas, so there's a chance I have some of this wrong, but I don't think so considering the timelines. Anyway, it was fun to follow along and I'm very curious to see if I got any or all of this right.
So, first, after he announced the two main stars (Kelli Burgland and Sash Jorden), I completely accidently stumbled on a bts shot posted by his DP, AJ Murphy. The shot of him (Cam) in front that Panavision sign is from the Panavision camera rental agency in Hollywood.
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I followed the crewmembers and it appeared to be that they were headed for the desert. And, indeed, this was corroborated when stunt coordinator Eddie Perez posted from Lancaster, California. However, what I learned is that it wasn't some random stretch of land. It was a filming location called Rocky Buttes.
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At the same time, I noticed several of Cam's friends who follow the Foxbody instagram page had also been making their own pilgrimages into the desert. With what appeared to be the intention of filming something.
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And, in fact, the rainbow that Eddie Perez captured was featured in the posts of several others. Note, also, that the shack in his photo is visible in Pam's sunglasses photo as well. 👇🏻
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After the desert, they went back to Los Angeles and, I'm pretty sure, hit a prop rental place before going to their next filming destination. You can see that the logo for this place is visible in Pam's second rainbow picture, below. 👇🏻
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After this, the crew went to what I think is the coolest location of all which is a place called Cinepacks Studios. They have a whole environment of staged locations, including a really interesting area called "Tiny Tokyo," made to look like gritty city streets at night. Check out their website for a little video tour of the place. It's awesome.
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They even have this insane vending machine that sells snacks and filmmaking items for crew members.
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I was hoping to see more or at least get additional confirmation of the information I'd been learning, but then the steadicam guy posted using a "movie finale" track, so I got the sense that maybe it was through.
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And, now that Cam has made his post, I have the confirmation that they've completed their journey. There's a side-view mirror in the first pic 👇🏻which indicates a car and possibly a body shop, which tracks with the name of the movie, Foxbody, which is a type of Ford Mustang. More of that scenery is visible in the the pic above 👆🏻 with the hashtag: inspiration.
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I have no other clues as to what this film might be about, but we do know it will have stunts (because he hired a stunt coordinator), a desert component, and likely some kind of nighttime/gritty street vibe or seedy motel thing happening, because those are the kinds of sets available at Cinepacks. He also hired Madison Olandt, a choreographer that he just began following as well as an intimacy coordinator named Marci Liroff. So... that's what I got for ya, folks! 🎞️
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classiccarhire · 11 months ago
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The Indulgence of Luxury Exploring the Necessity of Stretch Limo Hire and Prestigious Car Rentals
In a world marked by hustle and bustle, there exists a growing need for moments of opulence and grandeur. The desire for extravagance and luxury experiences has led to the rise of various high-end services, among which stretch limo hire, Rolls Royce hire, wedding car hire in London, Lamborghini Huracan Hire and even London taxi tours have become increasingly popular. These services are not merely symbols of affluence but play a crucial role in elevating special occasions and providing unforgettable experiences.
Stretch Limo Hire has transcended its status as a luxury item to become a symbol of celebration and success. Beyond the opulent appearance, stretch limos offer practical benefits that make them a necessity for certain events. Weddings, proms romantic dinners, funerals and corporate events are instances where the spacious interiors of stretch limousines provide comfort and convenience, accommodating large groups of people while maintaining an air of sophistication. The mere act of arriving at an event in a stretch limo elevates the experience, creating lasting memories and setting the tone for a memorable occasion.
Rolls Royce Hire, synonymous with class and elegance, fulfills a unique need for those seeking a blend of timeless style and unmatched comfort. The iconic Rolls Royce cars are not just vehicles; they are statements of refined taste and discerning choices. From weddings to business events, a Rolls Royce signifies prestige and attention to detail, making it an essential element in creating an atmosphere of sophistication and exclusivity.
When it comes to Wedding Car Hire In London, the choices are diverse, but each selection holds the promise of turning a special day into an extraordinary one. The wedding car is not merely a mode of transportation; it is an extension of the couple's personality and style. Whether it's a classic vintage car, a sleek modern vehicle or a luxurious limousine, the wedding car sets the tone for the celebration, making the journey to the venue as significant as the destination.
For those with a penchant for speed and cutting-edge design, Lamborghini Huracan hire offers an exhilarating experience. Beyond being a mode of transport, a Lamborghini Huracan is a manifestation of power and prestige. Whether it's a weekend getaway, a special event or a desire to turn heads on the streets of London, hiring a Lamborghini Huracan adds an element of thrill and excitement, fulfilling the need for an adrenaline rush in the lap of luxury.
In the heart of London, classic Taxi tours take on a new dimension, offering a unique blend of tradition and modernity. While traditional black cabs are iconic symbols of the city, modern taxi tours cater to those seeking a personalized and comfortable exploration of London's landmarks. The knowledgeable drivers, coupled with the convenience of personalized routes, transform a taxi ride into an immersive experience, making it an indispensable service for tourists and locals alike.
The need for stretch limo hire, Rolls Royce hire, wedding car hire in London, Lamborghini Huracan Hire and even London taxi tours goes beyond the surface allure of luxury. These services contribute to the creation of indelible moments, turning ordinary events into extraordinary experiences. Whether it's the joyous celebration of a wedding, the high-profile arrival at a corporate event or the exhilarating journey in a Lamborghini Huracan, these services fulfill a desire for opulence, making them not just a luxury but a necessity in the pursuit of unforgettable memories and exceptional moments.
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skyecarrentaluae · 24 days ago
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seoworks-blog2 · 5 months ago
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Experience the Thrill of Camaro Rental in Dubai
Dubai, a city known for its opulence and high-octane lifestyle, offers an impressive array of luxury and performance car rentals for both tourists and residents. Among the top choices for a thrilling driving experience is the Chevrolet Camaro. Opting for a Camaro Rental in Dubai ensures you drive a car that combines raw power with sleek design. Let’s explore why renting a Camaro is a fantastic choice and highlight other exciting car rental options available in the city.
Why Choose Camaro Rental in Dubai?
The Chevrolet Camaro is an iconic American muscle car that delivers exhilarating performance and striking looks. Renting a Camaro in Dubai allows you to experience the city in a vehicle that embodies power, style, and sophistication.
Advantages of Renting a Camaro:
Performance: The Camaro offers powerful engine options, ensuring a dynamic and thrilling ride.
Design: With its bold and aggressive styling, the Camaro stands out on the road.
Comfort: The Camaro provides a comfortable and luxurious interior, perfect for both short drives and long journeys.
Camaro Rental Car Near Me
For convenience and accessibility, you can easily find a Camaro Rental Car Near Me in Dubai. Numerous rental agencies offer the Camaro, ensuring that you have quick and easy access to this stunning vehicle. Whether you’re in the heart of the city or at the airport, finding a Camaro rental nearby is straightforward.
Camaro Rental Near Me
Looking for a Camaro Rental Near Me? Dubai’s extensive network of car rental services makes it simple to find and rent a Camaro no matter where you are. This ensures that you can start your adventure with minimal hassle and maximum enjoyment.
Car Rental Chevrolet
If you're a fan of Chevrolet’s engineering prowess, Car Rental Chevrolet services in Dubai offer a range of models to suit your preferences. From the iconic Camaro to other popular Chevrolet models, you can enjoy the brand's renowned performance and reliability.
Ford Auto Rental
For those who prefer Ford's lineup, Ford Auto Rental services provide a variety of models that cater to different needs. Whether you’re looking for a powerful Mustang or a reliable SUV, Ford’s rental options in Dubai are diverse and readily available.
Ford Car Hire
Opting for Ford Car Hire in Dubai means you can enjoy the best of American automotive engineering. With a range of models from the sporty Mustang to the versatile Explorer, Ford offers something for everyone.
Ford Mustang Car Hire
One of the most popular choices for car enthusiasts is the Ford Mustang Car Hire. The Mustang, with its legendary status and exceptional performance, is a favorite among those seeking a thrilling driving experience. Renting a Mustang in Dubai ensures you turn heads wherever you go.
Conclusion
Renting a Chevrolet Camaro in Dubai is an excellent way to experience the city's dynamic and luxurious lifestyle. Whether you opt for a Camaro Rental, a Camaro Rental Car Near Me, or a Camaro Rental Near Me, you are guaranteed an exhilarating drive. Additionally, Dubai’s car rental market offers a wide range of options, including Car Rental Chevrolet, Ford Auto Rental, Ford Car Hire, and Ford Mustang Car Hire, ensuring that you find the perfect vehicle to suit your needs.
Dubai provides the perfect backdrop for driving a performance car, and the Chevrolet Camaro stands out as a top choice for those seeking power, style, and comfort. So, whether you’re visiting Dubai for business or leisure, renting a Camaro or any other high-performance vehicle will elevate your driving experience, making every journey memorable. Embrace the thrill and luxury of driving a top-tier car as you explore everything this magnificent city has to offer.
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rjzimmerman · 6 months ago
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Excerpt from this story from Inside Climate News:
Tesla, you may have heard, is going through a rough patch, and the company represents a large enough share of U.S. electric vehicle sales that its problems could lead to a down year for the entire market.
But that hasn’t happened—at least not yet—partly because several other brands’ EV sales have risen to take the sting out of Tesla’s decline.
Ford is looking especially good, with year-to-date sales through April of 28,252 EVs, an increase of 97 percent from the same period last year. That makes Ford the country’s second-leading EV brand, although Tesla still outsells Ford’s EVs at a rate of about seven to one.
Ford’s shift to an electric future is far from a smooth ride. The company’s EV division posted a $1.3 billion loss in the first quarter, and has a long way to go before this part of the business is profitable. It’s a familiar situation for legacy automakers who must invest billions of dollars for research and development and to retool factories and sometimes need years to see an adequate return on those investments.
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Ford’s EV sales surge is being led by the Mustang Mach-E, a crossover SUV, of which 14,482 were sold, an increase of 107 percent, as of April, compared to the prior-year period. The F-150 Lightning pickup also gained momentum with sales of 9,833, an increase of 75 percent. Ford’s other EV, the E-Transit van, had sales of 3,927, an increase of 128 percent.
A lot of the company’s sales gains can be attributed to a price cut for the Mach-E that Ford announced in February. After cuts of $3,100 to $8,100, the model’s prices range from $39,895 to $57,395. (The Mach-E is not eligible for the federal tax credit of up to $7,500 because the model is assembled at a plant in Mexico.)
“The bottom line is that we’re more competitive and doing well in the marketplace,” said John Lawler, Ford’s chief financial officer, speaking about EV sales in an April 24 conference call with analysts.
Ford also is emphasizing gas-electric hybrids as an option for customers. The company sold 56,418 hybrid vehicles as of April, an increase of 47 percent.
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mustangmomentsnsw · 2 years ago
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Why Should You Book A Ford Mustang Wedding Car In Sydney?
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Are you confused about which car you should book for your wedding day? If the answer is yes then it won't be wrong to say that there are many options which you can go with. However, if you are on a tight budget and still looking for the best ways to reach your wedding venue in style and create a good impression on others then it is better to book a ford mustang wedding car in Sydney. Yes, you heard that right.
The benefits that you will get by booking a ford mustang for your special day are specified in detail right underneath. So to get the best idea about it you must go through the points carefully.
Benefits Of Booking Ford Mustang Wedding Car
Ford is a luxury car that can easily add and set a style statement to your personality. When you arrive at your wedding venue in this car then it will become easy for you to create a good impression on others.
Bringing your wife in a ford mustang after the wedding is over is one of the best ways to make your day even more special. It will also help you to show the love and affection you have for your better half.
It is a simple, safe and convenient way to travel in style without having to take any kind of stress.
Ford Mustang has all the modern facilities that can make your travelling experience more comfortable and memorable. 
You can easily opt for a ford mustang wedding car hire in Sydney without having to spend a hefty amount. There are some renowned companies that offer the best service to customers at a reasonable price.
These are some of the most vital benefits of booking a ford mustang for your special day. To connect with the best service provider you can do an online search, and check the reviews and ratings of the previous customers before making your final decisions. You can also get some good references from your close ones. 
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hournites · 2 years ago
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Can you Come? 
Hournite Prompt: Beth’s car breaks down and Rick is the first person she calls for @battys-home
Beth sighs, happy that her errand-run is over as she closes her dad’s trunk. It’s a hot day and she’s thirsty. It’s almost lunch time. Her car is full of party supplies for the graduation party her parents are hosting for herself and her friends over the weekend. She still can’t believe that high school is over. It’s only been a week but she still feels weird not being in the cafeteria with her friends at noon. Milkshakes and fries at Richie’s sounds like the perfect way to unwind after the busy morning. Beth sits in the driver’s seat, hissing at the hot leather against her legs from the sun through the windows, desperate for the air con. She puts her keys into the ignition but the car won’t turn on. 
Beth frowns, taking her keys out and trying to start it again. The engine refuses to come to life. She groans, knocking her head against the steering wheel. The ice cream is going to melt. This is the worst time to break down. 
She reaches for her phone and airpods, pulling up her favourite contacts. “Rick? Hi.” 
“Hi. What’s up?”
Despite the situation, the sound of Rick’s voice always puts a smile on her face. “Dad’s car won’t start. I’m stuck in the parking lot and I’ve got freezer food in my trunk and--”  
“Air drop your location, I’m on my way.” 
Beth relaxes and does just that. “Thank you.”
The Mustang pulls up beside her parking spot not even ten minutes later. Rick’s in a white tank and hands over an iced tea in a can. Beth perks up from her wilted waiting, throwing her arms around Rick instead of taking the cold drink. “I am so happy to see you.” 
Rick chuckles, rubbing his hand over her back for a few moments before moving on to check what was up with the Ford. 
Beth takes a sip from the can, hopping onto the hood of Rick’s car as he pops open hers. “I don’t have the goggles with me. I wish I did, or else I could’ve at least let you know what the problem is.” 
“It’s alright. If I can’t figure it out in the next few minutes, we’ll just transfer over your stuff to my car and have Zeek pick this up. It’s probably the battery.” 
“My knight in shining armour,” Beth teases, appreciating the view. 
Rick wipes at his forehead and glances over his shoulder, crinkling his brow. “Me or Zeek?” 
Is that even a question? “You, of course!” She sets down the iced tea and approaches Rick as he inspects her car. His ears are red as he works. “I’ve always liked watching you work on cars. I’m glad Pat’s hiring you for the summer.” 
Rick sighs and closes the hood, giving her a long look. “We better call Zeek.”
Beth says, “Oh, is it done for?” 
“No. I just can’t concentrate with you looking at me like that.” 
“Like what?” Beth grins at him, knowing full well she’s full of it. 
“C’mere.” Rick draws her close, pulling her into his arms. She spins around and they’re face to face, trapped between their two cars. Rick lifts her back onto the Mustang to off-set the height difference and Beth easily loops her arms around his neck. “Did you get all the stuff on your list for the grad party?” 
“Yes.” 
“Do you still want to make the announcement at the party, too?” 
Beth runs her fingers up Rick’s tank coyly. “That we’re official now?” 
He nods. 
“Yes,” she says. “Although I’m not sure how much of it will be a surprise.” She meets his soft gaze. “This feels so right, it doesn’t even feel new.” 
Rick smiles. “I know what you mean.” He gives her a short kiss, then helps her carry over the grocery bags into the backseat of his Mustang. “Let’s get these over to your place and then stop on the way to Richie’s when we’re done?” 
Beth cheers. “You know what I think?” 
“What?” 
“Dead batteries aside, I’m pretty confident this’ll be the best summer ever.” 
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