#Fence Painting in Allen

[paintingtips2024]

What’s the Best Time of Year to Paint Your Fence in Allen?

When it comes to home improvement projects, painting your fence might not seem like the most critical task. However, a well-painted fence can significantly enhance the curb appeal of your home, protect the wood from the elements, and increase the overall value of your property. If you live in Allen, Texas, you might be wondering when the best time of year is to tackle this project. This article will guide you through the ideal timing for fence painting in Allen, taking into consideration the local climate, weather patterns, and other factors that can influence the outcome of your project.

Understanding Allen's Climate Allen, Texas, is located in the northern part of the state and experiences a humid subtropical climate. This means that the area has hot summers, mild winters, and moderate to high humidity levels throughout the year. Understanding the climate is crucial when planning your fence painting project because weather conditions can significantly affect the durability and appearance of the paint.

Summer: Summers in Allen are typically hot, with temperatures often reaching the upper 90s or even exceeding 100°F. The high heat can cause paint to dry too quickly, leading to a less smooth finish and potential cracking or peeling over time. Additionally, the intense sun can cause the paint to fade faster. The combination of heat and humidity can also make the painting process uncomfortable and exhausting.

Winter: Winters in Allen are relatively mild, with average temperatures ranging from the mid-30s to the mid-50s°F. While the colder temperatures are more comfortable for working outdoors, the cooler weather can slow down the paint drying process. Additionally, there is a higher chance of rain and even occasional frost, which can disrupt the painting process and affect the final result.

Spring: Spring in Allen is characterized by mild temperatures, typically ranging from the mid-50s to the mid-70s°F. However, spring is also the rainy season, which can make it challenging to find a stretch of dry weather suitable for painting. Rain can wash away fresh paint or cause uneven drying, leading to an uneven finish.

Fall: Fall is often considered the best time for fence painting in Allen. Temperatures during the fall months are typically cooler, ranging from the mid-60s to the low 80s°F, which is ideal for painting. The humidity levels are generally lower than in the summer, and there is less chance of rain compared to the spring. Fall weather allows the paint to dry at a steady rate, leading to a more durable and even finish.

Factors to Consider When Planning Your Fence Painting When deciding on the best time to paint your fence in Allen, it's essential to consider several factors beyond just the temperature and weather conditions. Here are some key points to keep in mind:

Wood Condition: The condition of your fence wood is a critical factor in determining when to paint. If the wood is new, it's best to wait at least a few months before painting to allow it to dry and weather properly. On the other hand, if the wood is older and showing signs of wear, it might be best to paint it as soon as possible to prevent further damage.

Moisture Levels: Moisture is the enemy of paint. If the wood is damp, the paint will not adhere properly, leading to peeling and blistering. It's crucial to ensure that the wood is completely dry before painting. In Allen, the humidity levels can vary, so it's important to check the weather forecast and choose a dry day for your project.

Time of Day: The time of day you choose to paint can also impact the final result. It's best to avoid painting during the hottest part of the day, as the intense heat can cause the paint to dry too quickly. Early morning or late afternoon is usually the best time to paint, as the temperatures are cooler and the sun is less intense.

Wind: Windy conditions can make painting challenging, especially if you're using a sprayer. Wind can cause the paint to drift, leading to uneven coverage and potential overspray on nearby surfaces. If possible, choose a calm day to ensure a smooth and even application.

Preparing Your Fence for Painting Proper preparation is key to a successful fence painting project. Before you start painting, follow these steps to ensure the best possible results:

Cleaning: Start by thoroughly cleaning the fence to remove dirt, debris, and mildew. You can use a pressure washer for a deep clean, but be careful not to damage the wood. Allow the fence to dry completely before proceeding.

Sanding: Sanding the fence helps to smooth out rough areas and remove any old, peeling paint. Use medium-grit sandpaper and sand in the direction of the wood grain. After sanding, wipe the fence down with a damp cloth to remove any dust.

Repairing: Inspect the fence for any damage, such as loose or broken boards, and make necessary repairs before painting. This is also a good time to check for any rusted nails or screws and replace them if needed.

Priming: Applying a primer is essential, especially if the wood is bare or the previous paint job was uneven. Primer helps the paint adhere better to the wood and provides a uniform base for the color coat. Choose a primer that is compatible with the type of paint you plan to use.

Choosing the Right Paint for Your Fence Selecting the right type of paint is crucial for achieving a long-lasting and attractive finish. Here are some tips for choosing the best paint for your fence:

Type of Paint: For outdoor wood surfaces like fences, acrylic latex paint is generally the best choice. It offers excellent durability, flexibility, and resistance to weathering. Oil-based paints are also an option, but they tend to be more challenging to work with and take longer to dry.

Color: The color of your fence can impact the overall look of your property. Lighter colors can make your yard appear larger and more open, while darker colors can create a more intimate and cozy atmosphere. Consider the style of your home and the surrounding landscape when choosing a color.

Finish: The finish of the paint is another important consideration. A satin or semi-gloss finish is typically recommended for fences, as it provides a good balance between durability and aesthetic appeal. High-gloss finishes can be too shiny and highlight imperfections, while flat finishes may not provide enough protection.

Conclusion When it comes to fence painting in Allen, the timing of your project can make a significant difference in the quality and longevity of the finish. Fall is generally the best time of year to paint your fence in Allen, thanks to the cooler temperatures, lower humidity levels, and reduced chance of rain. However, it's essential to consider factors such as the condition of the wood, moisture levels, and proper preparation to ensure a successful outcome.

By following the guidelines outlined in this article, you can achieve a beautiful, durable finish that will enhance the appearance of your property and protect your fence for years to come. Whether you're looking to refresh the look of your existing fence or preparing to paint a new one, choosing the right time and approach will make all the difference.

[welcome-to-roomba-fazbender]

"So uh... like your name is also Charlie, kinda cool kinda cool... aren't you already smiling man? Why was I sent out to meet ya?"

"I'm smiling but that's just because my mouth is painted into one, anyway gimmie your hat."

"You want my hat? really dude?? Why?"

"I wanna eat it, that will make me smile."

"I mean, bit of a fucking weird request but like kinda my job I guess? So okay uh..."

Charlie hands the other Charlie his hat before rubbing the back of his head awkwardly.

"Sure feels weird doing this without Pim, Glep or Allen hmm..."

The much taller and much more cursed charlie, somehow put the other Charlie's hat into his mouth and shred it like a paper shredder, then made a ding noise.

"Thanks for that! Uh made me smile! So mission accomplished."

Charlie just looked at the cryptid in awe before gently chuckling.

"Okay you know, I was on the fence about you dude but that was pretty fucking tight, your alright weird phone man!"

"Oh! thank you, your welcome to my pizzaria anytime, here for your troubles."

He pulled out a coupon for a 10$ coupon.

"You can redeem this for 5$ off a pizza, and 5$ worth of tokens, dosen't expire either."

Charlie pocketed the coupon and nodded.

"Sick thanks, if I ever take a trip to Canada, I'll be sure todo that, absolutely 100%"

[world-cinema-research]

Week Nine First Film Essay - Pleasantville

By Nathan Gruber

Pleasantville (1998) is a film about two siblings, who get transported to another world that resembles a community from a 1950s sitcom. Once there, the siblings bring their knowledge of their home world to this sitcom world. As they do so, the people in the sitcom world begin to change as they learn about the outside world. When this happens, the people change from black and white to color. However, the people do not change at the same time because each person is on their own path to self discovery and enrichment. Usually, this takes a person to develop an interest or hobby such as painting, but in some cases it takes behavioral changes such as confidence or truthfulness to reach full color. Just as long as that person finds themselves is when they will turn to color.

With that in mind, it is clear that the film seems rather unconventional. However, the fact that it had a cast of widely known stars such as Jeff Daniels and Don Knotts. As well as rising stars such as Tobey Maguire and Reese Witherspoon. Surprisingly, this film was not the only film to make characters learn about themselves and their world. The Truman Show came out the same year as Pleasantville and follows a man discovering that his world is a lie as it is actually a reality show. With these films following similar plots, it could be said that both films are conventional. Even though both films are offbeat, both used effects that made the stories convincing, and both had some well known names in the cast. The films were marketed differently, made a different amount of money, and had different runtimes in the theaters. Pleasantville was only in theaters for a few weeks instead of The Truman Show’s months in theater. However, Pleasantville did make money for that short time and was well received. Robert Ebert is a great example of how the film was received as “one of the year's best and most original films.” With this information, we can conclude that Pleasantville was simply an artistic, conventional film that wasn’t successful at the box office.

Pleasantville’s cultural story aimed not to alienate people, but rather to teach people how emotion and change can have a major impact on a town. Although it is extreme in demonstrating this with its rather obvious basis being the 1960s cultural shift, it demonstrates its point quite beautifully with its use of color. Color is a major component to the film’s story as the change from black and white to color is what makes the community’s leaders panic. This use of color is artistically done in a way that contributes to the story. Not only that, but the way color is used is quite technologically genius because, as seen in the clip below, David (Tobey Maguire) is putting black and white make-up on, now colored, Betty (Joan Allen). This is one of the most impactful scenes because of the use of color. It makes one look at themselves when they go out in public because these days are a time of reflection as social media pushes us to make ourselves look as beautiful as possible. As Reese Witherspoon states in her interview about the film above, “white middle class, suburban America which was portrayed as perfect families; two kids, two parents, one dog, nice house, picket fence.” This wasn’t accurate to the real 1950s as there were a lot of issues between civil rights and segregation. In the film, to avoid excluding groups of people, color was used to show the characters becoming human. Meaning that it is okay to make mistakes, learn, and grow to be better people rather than already being perfect. 

There have been very interesting arguments pushed forward about the film from how the film shows us that a shift in the dominant part of society needs to happen to how the film relates to religious text. “Fear as Desire: Pleasantville Film Analysis” on Medium shows how the film is an example that “individuals that are discriminated against are seen as monsters for disrupting the dominant’s preset social categories.” Meanwhile, the book, Mediating Religion’s chapter named “Paradise Lost, or Paradise Learned?: Sin and Salvation in Pleasantville” discusses how the film has religious subtext that resembles the most famous part of The Bible, the Fall with the council member’s view being that their town is falling apart from the cultural change. The article states that the film’s “(at times) overt religious connotations (indeed, this may actually have deterred many people from seeing it)” (Deacy, 201). The film’s plot doesn’t seem to be completely religious as the daughter introduces sex into the sitcom world as her first move. Then, as Robert Ebert's review explains, she “shares information about masturbation with her mother.” This action is clearly not supported by any Biblical text, so the film isn’t as religious as described. However, in the scene below, David (Tobey Maguire) fully becomes heroic and helps his sitcom world mother, Betty (Joan Allen), out of a verbally abusive, targeted attack on her for the fact that she is embracing her colored look. Although not overt, this scene is a great example of one of those biblical messages in the film because the Bible encourages heroism and the fact that this behavior is what made David turn to color.

During the time the film came out, The Truman Show was out and Bill Clinton was in the process of being impeached for lying about his affair with a White House intern. These events show that there was a culture for finding the truth with The Truman Show being about finding the truth and Bill Clinton’s case being the process for finding the truth. As History.com states “the Starr Report outlined a case for impeaching Clinton on 11 grounds, including perjury, obstruction of justice, witness-tampering, and abuse of power.” This showcases what happens when a president “publicly denied the allegations, saying, ‘I did not have sexual relations with that woman, Ms. Lewinsky.’” Years after Pleasantville premiered, another film set out to change film technology forever. Avatar premiered in 2009, but took about a decade to make because of the ambitious use of technology. Similar to Pleasantville, Avatar changed the film industry because of its use of technology. Both films tell great, timeless stories that have required innovations in technology just to make them. For this fact, these films will never be forgotten and will stand as a testament of storytelling innovation.

[indyflanery]

Written Aesthetics / Types of People as Tim Burton Films

*Repost don't reblog

Beetlejuice: 🪲📓👻

Obsessed with the occult and the afterlife, Air Sign Vibes, “I, myself, am strange and unusual”, loves The Addams Family, blunt bangs, gothic throw pillows, reads Edgar Allen Poe, morbid sense of humour, Poison by Dior, rescues spiders, wears funky hats and hair accessories, old wooden bannisters, collects strange things they find in thrift shops, probably makes sculptures or models.

Batman: 🦇🌃🚨

Reads/watches true crime, city lights reflected in puddles, good at keeping secrets, listens to Lana Del Rey, knows about all the secret raves and underground clubs, running across intersections in heels, Great Gatsby quotes, smashing champagne glasses, neon signs, jewellery is the way to their heart, police chases, holds grudges, charming, owns at least one item of leather clothing.

Edward Scissorhands: ✂️🌳🏘

Perfectly manicured gardens, can’t decide on a hairstyle (or an aesthetic for that matter), hopeless romantic, hardcore crushes on emo boys, writes poetry, gothic architecture, white roses, probably grew up in a small town, believes opposites attract, cautiously optimistic, the first snowfall of the year, yearns for the extraordinary, daydreaming, wants to stand out but also wants to belong.

The Nightmare Before Christmas: 💀🎄🌌

Likes Christmas but LOVES Halloween, unconventional pumpkin carvings, mood lighting, spiderwebs on wrought iron fences, knows how to sew, collects Halloween masks, has tattoos and piercings, injury prone, cemeteries at night, owns way too many candles, herbal tea, full moons, secretly a romantic, loves snow globes, winding tree branches, pining love ballads, black nail polish.

Corpse Bride: 🧟‍♀️🦋👰🏻‍♀️

Listens to classical music, skin is always cold, petals falling off dead flowers, clings to the past, trusts the wrong people, corsets, lanterns, someone brushing your hair for you, sad eyes, blue butterflies, believes in soulmates, self sacrificing, midnight walks, long dresses/skirts, blue veins, cobblestone paths, bruises/scars easily, earthy perfumes, “if you love something, set it free”.

Charlie and the Chocolate Factory: 🍫❄️🏭

Sweet tooth, can’t dance but does it anyway, purple velvet, watches slime videos, flamboyant sunglasses, heavily saturated landscapes, daddy issues, has no volume control, low key terrified of children, rolls their eyes a lot, eccentric, collects strange objects, has a unique laugh, expensive boots, avoids answering questions, fireworks, childhood flashbacks, the smell of burning sugarcane.

Sweeney Todd: 🪒🥩🩸

Has a nice singing voice, high functioning crazy, wears lace clothing, cool toned scenery, mysterious vibes, enjoys the doomed lovers trope, intrusive thoughts, stressed and depressed but well dressed, carnivore, bites their fingernails, can bake a mean meat pie, old horror movies, the little devil that sits on peoples’ shoulder, long skirts dragging along the floor, makes direct eye contact.

Alice In Wonderland: 🐇🕰🍄

Stoner, drinks out of irregular sized cups, patterned tights, cat person, rambles about philosophical topics, adventurous, talks to plants and animals, old garden furniture, vertigo, always losing their keys, lucid dreams, optical illusions, rebellious, can be stubborn sometimes, has strange celebrity crushes, probably vapes, bumps into furniture, abstract paintings, listens to pop punk music.

[ananka-fasteners]

Best Quality Screw Manufacturer, Supplier & Exporter

Screws are essential components in numerous industries, playing a vital role in construction, manufacturing, automotive, and beyond. At Ananka Fasteners, we are a trusted Screw Manufacturer, Supplier, Stockist, and Exporter delivering high-quality screws to global clients. With years of expertise, precision engineering, and a commitment to excellence, we provide a wide range of screws that meet diverse industrial requirements.

Introduction

Ananka Fasteners is a leading name in the fastener industry, offering an extensive range of screws crafted from superior materials. We ensure that every screw adheres to international standards and is rigorously tested for quality, durability, and reliability.

Our extensive supply chain and manufacturing capabilities make us a preferred Screw Manufacturer, Supplier, Stockist, and Exporter for industries worldwide. With state-of-the-art facilities, we manufacture screws in various dimensions, materials, and finishes to meet our customers' precise requirements.

Why Choose Ananka Fasteners?

High-Quality Materials: Screws made from stainless steel, carbon steel, alloy steel, and non-ferrous metals.

Global Reach: Supplying screws to industries across North America, Europe, Asia, and Africa.

Customization: Offering tailored solutions for unique industrial needs.

Compliance: Meeting international standards such as ISO, ASTM, DIN, and BS.

Competitive Pricing: High-quality screws at cost-effective rates.

Types of Screws

Screws come in various designs, materials, and finishes based on specific industrial and commercial applications. Here are the most popular types of screws:

1. Wood Screws

Designed for fastening wood materials.

Features a sharp tip for easy penetration into wood.

Available in various lengths and coatings.

2. Machine Screws

Used for precision fastening in machinery and equipment.

Typically used with nuts or tapped holes.

Manufactured in various head styles, such as flat, pan, or round.

3. Self-Tapping Screws

They form their own mating threads as they are driven into materials.

Ideal for metal, plastic, and wood applications.

Often used in construction and furniture.

4. Hex Head Screws

Featuring a hexagonal head for easy wrench tightening.

Suitable for heavy-duty industrial and structural applications.

Made with high-strength materials.

5. Drywall Screws

Specially designed for securing drywall sheets.

Typically have a coarse thread and sharp point.

Coated for corrosion resistance.

6. Socket Head Screws

Also known as Allen screws.

Used in precision and high-strength applications.

Common in automotive, aerospace, and machinery industries.

7. Deck Screws

Designed for outdoor construction like decks and fences.

Feature corrosion-resistant coatings for durability.

Ideal for wood-to-wood fastening.

8. Lag Screws

Heavy-duty screws with a hex head.

Used for fastening large and heavy materials.

Common in construction and structural applications.

9. Chipboard Screws

Ideal for fastening particle boards and MDF materials.

Available in self-tapping varieties.

Offer high holding power.

10. Sheet Metal Screws

Designed for fastening thin metal sheets.

Available with sharp or self-tapping points.

Often coated to prevent corrosion.

Coated Screws Types

Coated screws offer enhanced protection against corrosion and environmental damage. Various coating techniques improve the performance and lifespan of screws in challenging conditions. Below are the popular types of coated screws:

1. Zinc-Plated Screws

Provides excellent corrosion resistance.

Suitable for indoor and low-moisture environments.

2. Hot-Dip Galvanized Screws

Features a thick protective zinc layer.

Ideal for outdoor and marine applications.

3. Black Oxide Screws

Aesthetic coating that offers mild corrosion resistance.

Commonly used in machinery and electronics.

4. Phosphate Coated Screws

Provides better adhesion for paint and lubricants.

Often used in drywall and construction projects.

5. Nickel-Coated Screws

Improves the screw's appearance and corrosion resistance.

Suitable for decorative and precision applications.

6. PTFE Coated Screws

Non-stick, anti-corrosive coating.

Used in chemical and high-temperature environments.

7. Stainless Steel Coated Screws

Provides ultimate corrosion resistance.

Used in critical and outdoor applications.

Applications of Screws

Screws are essential components in a wide range of industries, including:

Construction: Securing structures, framing, and drywalls.

Automotive: Fastening critical parts in vehicles.

Aerospace: Precision screws for aircraft components.

Electronics: Miniature screws for devices and gadgets.

Furniture: Fastening wood, MDF, and chipboards.

Marine: Corrosion-resistant screws for shipbuilding.

Conclusion

At Ananka Fasteners, we are committed to providing high-quality screws that meet the rigorous demands of global industries. As a trusted Screw Manufacturer, Supplier, Stockist, and Exporter, we offer a comprehensive range of screws in various materials, coatings, and specifications. Our dedication to quality, competitive pricing, and customer satisfaction makes us a leader in the fastener industry.

If you are looking for reliable screws for your project, Ananka Fasteners is your ultimate solution for premium screws with global delivery.

FAQs

Q1: What types of screws does Ananka Fasteners supply?A1: We supply wood screws, machine screws, self-tapping screws, drywall screws, hex head screws, and more.

Q2: What coatings are available for screws?A2: Our coated screws include zinc-plated, hot-dip galvanized, black oxide, nickel-coated, and PTFE-coated screws.

Q3: Do you offer customized screws?A3: Yes, we provide customized screws tailored to meet specific requirements and applications.

Q4: What industries use your screws?A4: Our screws are utilized across various industries, including construction, automotive, aerospace, electronics, furniture, and marine sectors.

Q5: How can I place an order with Ananka Fasteners?A5: You can contact us through our website, email, or phone for inquiries and orders.

[homeimprovement31311]

Wilson Home Improvement Costume

Wilson Home Improvement costume that will take you back to the days of tool time and comedic mishaps. Whether you’re a die-hard fan of the show or just looking for a fun and recognizable costume idea.

For More Information: Wilson Home Improvement Costume

Channel your inner Tim “The Toolman” Taylor with this iconic ensemble. Let’s dive into how you can recreate this beloved character’s look and bring some DIY charm to your next costume party!

The popularity of the show

“Home Improvement” was a beloved sitcom that aired from 1991 to 1999, capturing the hearts of viewers with its humor and relatable family dynamics. The show’s popularity stemmed from its engaging storylines, witty dialogue, and lovable characters who resonated with audiences of all ages. Tim Allen’s portrayal of the bumbling yet endearing character Tim “The Tool Man” Taylor struck a chord with viewers, making him a household name.

With its mix of comedy and heartfelt moments, “Home Improvement” became a staple in many households’ TV lineups during its run. The dynamic between Tim Taylor and his wise neighbor Wilson added depth to the show, creating memorable scenes filled with laughter and life lessons.

Even years after its final episode aired, “Home Improvement” continues to have a dedicated fan base who fondly remembers the antics of the Taylor family. Its enduring popularity is a testament to the timeless appeal of quality storytelling and genuine performances that leave a lasting impact on audiences.

The iconic character of Tim

Tim Taylor, the lovable and sometimes clueless character from the hit show Home Improvement, has become an iconic figure in pop culture. Played by the talented Tim Allen, Tim’s larger-than-life personality and hilarious antics have endeared him to audiences worldwide.

From his signature grunts to his DIY disasters, Tim’s unique blend of humor and heartwarming moments made him a standout character on the small screen.

Whether he was trying to fix things around the house or getting into mischief with his trusty sidekick Al Borland, Tim always kept viewers entertained with his comedic timing and charm.

With his plaid shirts, tool belt slung low on his hips, and classic catchphrases like “More power!” and “I don’t think so, Tim,” it’s easy to see why fans still love dressing up as this unforgettable character for Halloween or themed parties.

So grab your flannel shirt, practice your best grunt impression, and get ready to embody the spirit of Tim Taylor with your own Wilson Home Improvement costume!

Creating your own Wilson Home Improvement costume

Why not consider creating your very own Wilson Home Improvement costume! This iconic character, known for his wise advice and hidden face, is a unique and fun choice for any Halloween or themed event.

To bring this character to life, start by finding a plaid shirt – preferably in earthy tones like brown or green. Pair it with some khaki pants and sturdy boots for that rugged DIY look. Don’t forget Wilson’s signature fishing hat and dark sunglasses to add mystery to your ensemble.

For an extra touch, carry around a fence prop or create one using cardboard and paint. And if you’re feeling adventurous, try practicing some of Wilson’s famous phrases to really get into character. With a little creativity and attention to detail, you’ll be sure to impress everyone with your Wilson Home Improvement costume!

[chrissycogan]

Bathroom remodeling contractor | Summit Home Solutions, LLC

Business Address: 408 Ola Ln Allen, TX 75013

Contact Number: (469) 880-1867

Business Description: At Summit Home Solutions, LLC, we specialize in providing top-notch Painting Services. Our dedicated team offers a comprehensive range of Remodeling Services in Allen TX, ensuring your home reflects your style and personality. From drywall installation to fence painting, our expertise extends to every corner of your property. We cater to both residential and commercial clients, offering office and ceiling painting services tailored to your needs. With meticulous attention to detail and a commitment to quality craftsmanship, we transform spaces into vibrant reflections of your vision. Additionally, we excel in bathroom remodeling, enhancing the comfort and aesthetics of your home. Trust us, for all your painting and renovation needs, and experience the difference our professional services can make.

[playsthetics]

Written Aesthetics / Types of People as Tim Burton Films

-

Beetlejuice: 🪲📓👻

Obsessed with the occult and the afterlife, Air Sign Vibes, “I, myself, am strange and unusual”, loves The Addams Family, blunt bangs, gothic throw pillows, reads Edgar Allen Poe, morbid sense of humour, Poison by Dior, rescues spiders, wears funky hats and hair accessories, old wooden bannisters, collects strange things they find in thrift shops, probably makes sculptures or models.

Batman: 🦇🌃🚨

Reads/watches true crime, city lights reflected in puddles, good at keeping secrets, listens to Lana Del Rey, knows about all the secret raves and underground clubs, running across intersections in heels, Great Gatsby quotes, smashing champagne glasses, neon signs, jewellery is the way to their heart, police chases, holds grudges, charming, owns at least one item of leather clothing.

Edward Scissorhands: ✂️🌳🏘

Perfectly manicured gardens, can’t decide on a hairstyle (or an aesthetic for that matter), hopeless romantic, hardcore crushes on emo boys, writes poetry, gothic architecture, white roses, probably grew up in a small town, believes opposites attract, cautiously optimistic, the first snowfall of the year, yearns for the extraordinary, daydreaming, wants to stand out but also wants to belong.

The Nightmare Before Christmas: 💀🎄🌌

Likes Christmas but LOVES Halloween, unconventional pumpkin carvings, mood lighting, spiderwebs on wrought iron fences, knows how to sew, collects Halloween masks, has tattoos and piercings, injury prone, cemeteries at night, owns way too many candles, herbal tea, full moons, secretly a romantic, loves snow globes, winding tree branches, pining love ballads, black nail polish.

Corpse Bride: 🧟‍♀️🦋👰🏻‍♀️

Listens to classical music, skin is always cold, petals falling off dead flowers, clings to the past, trusts the wrong people, corsets, lanterns, someone brushing your hair for you, sad eyes, blue butterflies, believes in soulmates, self sacrificing, midnight walks, long dresses/skirts, blue veins, cobblestone paths, bruises/scars easily, earthy perfumes, “if you love something, set it free”.

Charlie and the Chocolate Factory: 🍫❄️🏭

Sweet tooth, can’t dance but does it anyway, purple velvet, watches slime videos, flamboyant sunglasses, heavily saturated landscapes, daddy issues, has no volume control, low key terrified of children, rolls their eyes a lot, eccentric, collects strange objects, has a unique laugh, expensive boots, avoids answering questions, fireworks, childhood flashbacks, the smell of burning sugarcane.

Sweeney Todd: 🪒🥩🩸

Has a nice singing voice, high functioning crazy, wears lace clothing, cool toned scenery, mysterious vibes, enjoys the doomed lovers trope, intrusive thoughts, stressed and depressed but well dressed, carnivore, bites their fingernails, can bake a mean meat pie, old horror movies, the little devil that sits on peoples’ shoulder, long skirts dragging along the floor, makes direct eye contact.

Alice In Wonderland: 🐇🕰🍄

Stoner, drinks out of irregular sized cups, patterned tights, cat person, rambles about philosophical topics, adventurous, talks to plants and animals, old garden furniture, vertigo, always losing their keys, lucid dreams, optical illusions, rebellious, can be stubborn sometimes, has strange celebrity crushes, probably vapes, bumps into furniture, abstract paintings, listens to pop punk music.

[longitudinalwaveme]

Barry Allen Video Game Side Missions

As the title suggests, this is a list of the side/bonus missions that would be a part of my hypothetical Barry Allen video game. Descriptions after the cut.

Side Mission #1: The Prince of Darkness Is a Gentleman

Jay Garrick, the original Flash, would be the playable character for this mission. He would have a moveset generally similar to Barry’s. However, he would be a bit slower (since he’s older than Barry); he’d also have access to some moves that Barry does’t (as he has more experience). One of his signature moves for the game would be him throwing his hat at his foes. This side mission would serve as a sort of “day in the life” of the semi-retired superhero. He’d spend most of the level just doing good deeds (like helping neighbors carry groceries or paint their fences). However, throughout the level Jay would be tripped up or otherwise inconvenienced; notably, these accidents would always be preceded by the appearance of shadows. These shadows would need to be subtle enough for Jay (and the player) to write them off at first, but eventually both would realize the pattern. This discovery would eventually lead them to the boss of the level: Richard Swift, better known as the Shade. The Shade is very pleased when the Flash arrives to stop him. He’s been bored for a long time and decided to provoke a fight with his old enemy so that he could relive his glory days as a famous supervillain. He’s very courteous towards Jay (and everyone else he interacts with), but he’s still a very formidable foe. His shadow powers will allow him to temporarily blind the Flash, create shadow monsters that the Flash will have to defeat, move around the arena almost as quickly as the player, and generally put up a very tough fight. When Jay finally defeats him, the Shade will display no ill will--he’s gotten the fight that he wanted and is more than happy to accept loss at the hands of an opponent as worthy as the Flash. After defeating the Shade, Jay will go home to his wife Joan and a well-deserved nap. 

Side Mission #2: The Monstrous Murders of Murmur 

Barry Allen will be the main playable character for this side mission. The story will focus on Barry and Officer Fred Chyre as they are forced to work together to track down Dr. Michael Amar, who has hidden his ruthless nature behind a facade of being a benevolent surgeon. In reality, as Barry’s CSI work in the main game has uncovered, he is the serial killer responsible for the recent deaths of at least a dozen people. While Barry and Chyre have been on the police force together for a number of years and respect each other on some level, Chyre is somewhat dismissive of the mild-mannered scientist and doesn’t want to bring him along on the mission to find the murderer. “You’re good at you job, lab jockey, but you don’t belong in the field for a manhunt like this.” Barry, for his part, sometimes gets frustrated with Chyre’s short temper and rough temperament. For most of the level, the player will be controlling Barry solely as the police scientist, not as the Flash. They’ll need to use their forensics knowledge in order to figure out where Murmur is hiding. Towards the end of the level, Barry will realize that he has entered Murmur’s hideout without noticing it; he will then have to be saved from a bloody end by Chyre. But in the process of saving Barry, Chyre will be infected with a prototype of Murmur’s Frenzy Virus and Murmur will disappear from the hideout. Barry will then have to use his chemistry knowledge in order to save Chyre. This will give both men a heightened sense of respect for the other; they will be much closer friends from this point onward. Barry and Chyre then will make the arrest of Murmur together, with the player getting to control Chyre for the knockout punch. There won’t really be a big boss fight for this level; it’s mainly just CSI work so that the side missions have some variety. 

Side Mission #3: Prey for the Piper 

This side mission will actually take place after the events of the main story in terms of chronology; Barry Allen serves as the main playable character. This mission will begin with police scientist Barry Allen learning about the mysterious kidnapping of a promising young reporter name Marcy Dunphy from one of his coworkers. As Marcy is his wife Iris’ protege at Picture News, Barry takes a personal interest in her abduction and volunteers to do some investigation of the crime himself. The player will then get to control Barry as he investigates the scene of the young reporter’s kidnapping; they and Barry will learn that Marcy was planning to write a news story about the history of the mysterious Pied Piper, whose background and family are almost entirely unknown. Only his name, Henry Darrow, has ever been determined. Barry concludes that the Pied Piper must have had the reporter abducted to preserve his secrets. He goes on the hunt for the Rogue and manages to find him as he leaves a homeless shelter. The Pied Piper predictably goes on the offensive when he sees the Flash and the two have a fight that’s somewhat similar to Piper’s boss fight in the main game (though not quite as complex). When Barry defeats the Pied Piper, he demands to know what he’s done with Marcy...but the Pied Piper has absolutely no idea what Flash is talking about. Barry doesn’t believe his protestations of innocence at first, but eventually the Piper’s obvious bewilderment convinces him that the Rogue wasn’t responsible for Marcy’s abduction. “But I know who might be.” Piper then offers to help the Flash find the reporter, insisting that Flash will never be able to find the young woman without his help. Flash, having no other leads (Marcy isn’t wealthy and has no real enemies), reluctantly agrees to the proposal. 

The Piper tells the Flash that the key to finding Marcy will be found on the Rathaway estate. Barry isn’t quite sure of whether or not he should believe the Rogue, as there is the possibility that the Pied Piper is pretending to know more than he really does so that he can set up a crime of some sort, but he does run himself and the Piper to the grounds of the estate just in case. “How do we get in? Somehow I doubt that the Rathaways will allow me to do a criminal investigation on their estate---especially with a Rogue in tow.” The Pied Piper smiles mysteriously and then reveals something of a secret passageway into the estate. The two follow it inside and it leads them into what seems to be a bedroom that has been left long unused. The room is filled with musical instruments of all sorts, the closet is full of clothes, and the bed is made, but everything is covered in a layer of dust and grime that seems very odd. The Rathaways don’t seem the type to just leave a room to decay. Curious, Barry starts to investigate. He doesn’t find anything pertaining to Marcy or her abduction, but he does find a number of papers with the name “Hartley Rathaway” on them. “Who’s Hartley Rathaway?” he asks. As far as he knows, the Rathaway family only has three members: Osgood and Rachel Rathaway and their nine-year-old daughter Geraldine. The Pied Piper jolts. “No one. He’s dead. Now let’s go. There’s nothing here that will help us find your reporter.” 

Pied Piper pulls Barry out of the room and down a few hallways before stopping at a door with a plaque that reads “Osgood Rathaway”. As he starts to fiddle with the lock, Barry notices an elaborate painting of the two elder Rathaways with a young red-headed boy holding a flute. The boy looks very much like a younger version of the Pied Piper. “Is that Hartley Rathaway? You could be his twin.” Piper laughs. “I know. My mother always thought I looked like him.” Barry frowns. “Did your mother work here? Is that why you seem to know so much about the estate?” Piper nods. “Yes. She worked here.” Before Barry can ask any further questions, Piper picks the lock on the door and leads Barry into a very fancy office room. He then pulls back a Van Gogh painting on the wall to reveal a large wall safe, then uses the combination to open the safe. Note that he’s not breaking into the safe--he knows the combination. “I’ve never been more glad that he uses the same combination for everything.” After removing the safe’s false bottom, he hands Barry a handful of papers. Much to his surprise, Barry sees that the papers are in fact a contract--a famous group of professional kidnappers had given their signed agreement to abduct Marcy Dunphy in exchange for 14 million dollars. The contract states that the criminals will deposit Marcy in the gardener's cottage on the estate ground after the kidnapping so that the Rathaways can have their desired conversation with her. Barry is stunned to learn that the Pied Piper was telling him the truth and utterly bewildered as to why the wealthiest people in Central City would pay 14 million to have an unimportant young reporter abducted. 

“What could the Rathaways possibly have against Marcy?” 

“Simple. Marcy was investigating me, and Mr. and Mrs. Rathaway are the only people--besides myself---who would benefit from keeping my past a secret.” And with that, everything falls into place for Barry.

“You---you’re Hartley Rathaway, aren’t you? That’s why you know so much about their estate, and how you knew Mr. and Mrs. Rathaway were responsible for Marcy’s abduction. They’re your parents!” 

“No. Hartley Rathaway is dead. They made that pretty clear when they disowned me. But that’s not what’s important. What’s important is rescuing that reporter.” Barry still has a lot of questions, but rescuing Marcy takes priority over his curiosity. He runs Piper over to the gardener’s cottage, where he finds the two elder Rathaways attempting to bribe Marcy to keep the story a secret.

“You know that bribery is against the law, don’t you?” The Rathaways react to the sight of the Flash with obvious alarm. 

“Stay out of our business, Flash. We own this city. If you insist on interfering, we have the power to make life very difficult for you.” 

“You’re guilty of having a reporter abducted and of attempted bribery. As a superhero, this is one situation where I‘m obligated to interfere.” 

At this point, Mr. Rathaway calls for his guards; the player (and Barry) will make relatively short work of them and then be able to free Marcy and get her to safety. However, before he can attempt to arrest the elder Rathaways, he’ll be knocked off his feet by a sonic attack by the Pied Piper. 

“Sorry, Flash, but I can’t let you do this. They may not want anything to do with me, but they’re still my parents. You want to arrest someone for the kidnappings? Arrest me. They wouldn’t have gone after her if it wasn’t for me anyway.” 

“You’d sacrifice yourself for the parents who disowned you?” 

“I’ve been sacrificed for their comfort and reputation for my whole life. Why should things be different now?” 

“I’m not going to arrest you for a crime you didn’t commit.” 

“Then just let my parents go. There’s no jury in the world that will be able to convict people as rich and as powerful as they are. Besides, having our little family secret revealed to the world is a better punishment for them than prison would ever be.” 

“Pied Piper---Hartley---letting Marcy’s kidnapping go unaddressed isn’t right.” 

“Neither is leaving my little sister without parents!” At this point, Marcy speaks up and says that she’s decided not to press charges. She doesn’t want to go through a horrible court battle against the Rathaway estate, and she agrees with Hartley that getting to publish her story will be much better revenge than potentially leaving a little girl without parents. Barry reluctantly concedes the point. Then the Pied Piper pulls a vanishing act via his flute. 

Barry runs Marcy home at super-speed and she publishes her article. A few days later (in the game’s final cutscene) she receives a note from the Pied Piper. 

“Thank you for finally bringing the skeletons out of my family’s closet. Things are better this way. Your friend, Hartley Rathaway.” 

Side Mission #4: Meet Kid Flash

Basically what it sounds like. Wally West is the playable character for this level, and the story will focus on Wally learning superheroics from his uncle Barry. Wally will start out as the least powerful of the three Flashes in terms of gameplay ability (since he’s only a boy at this point); as he trains with Barry he will get gradually more competent and powerful. The main boss for this level will be Sam Scudder, the Mirror Master. Barry and Wally will fight his mirror duplicates throughout the mission; at the end of the level, Wally will have to face Sam on his own, without the help of his mentor. Sam will be cocky and overconfident facing such a young opponent; as such, he won’t use his mirror tech to the same extent he does when fighting Barry. He’ll still be a competent and dangerous boss, but since Wally’s gameplay will be deliberately hampered, most of his attacks will be simpler and less dangerous (excused in-universe by Sam not wanting to hurt a little kid too badly.) Eventually, Wally will use what he learned from Barry to defeat the Mirror Master and return him to prison. The mission will end with uncle and nephew bonding over ice cream. 

Side Mission #5: The Strange Case of Dr. Alchemy and Mr. Element 

The main playable characters for this side mission will be Barry Allen and Albert Desmond. The story will open with the establishment of Barry and Iris Allen’s friendship with Albert and Rita Desmond. Albert is an extremely powerful metahuman with the ability to transmute any element into any other element; unfortunately, when his powers first developed, they negatively affected his mental health. His Dissociative Identity Disorder, made unusually severe because of his metahuman physiology, manifested itself first as Mr. Element and then as Dr. Alchemy, two separate personalities that both became costumed criminals. Barry helped Albert get the mental help he needed and he reformed, marrying Rita and becoming a scientist at S.T.A.R. Labs. (The player will get to have brief fights with both Mr. Element and Dr. Alchemy in the flashback scenes establishing Albert’s history). While the two couples are enjoying dinner together at Gardner Fox Restaurant, Albert complains of a headache and heads to the bathroom. A few minutes later, Dr. Alchemy appears. The player (as the Flash) attempts to stop his attempt to rob the restaurant, but he’s overwhelmed by Dr. Alchemy’s power and Dr. Alchemy is able to escape with his ill-gotten loot. As Albert is nowhere to be found after Alchemy leaves, Barry comes to the devastating conclusion that Albert’s mental issues have resurfaced and that he has turned to a life of crime. Rita is naturally even more devastated. 

Over the next few days, Dr. Alchemy commits a number of other crimes, always managing to stay just ahead of the Flash. (The player will get to control the Flash during these ill-fated battles). After the Flash is knocked out during a particularly fierce battle, Rita determines to follow her wayward husband and confront him. The player will control her as she follows Dr. Alchemy to his hideout...only for him to take his cowl off and reveal a red-headed man who isn’t Albert at all! She then sees her husband chained up and wearing a metahuman power dampener that blocks his powers. Rita is relieved to see that her husband hasn’t returned to crime but also knows that she can’t help Albert until this new Dr. Alchemy leaves the premises.

Then there’s a cutscene. The new Dr. Alchemy declares himself to be Alvin Desmond, Albert’s psychic twin. He and Albert are psychically connected by an accident of birth and they share the same metahuman powers. Further, Alvin claims that he and Albert are morally linked as well. When Albert is law-abiding, Alvin is driven to criminality, and vice-versa. “The only difference between the two of us, Brother Albert, is that I enjoy being a criminal!” Alvin tells Albert that, since the law is only aware of one Dr. Alchemy and one Al Desmond, he’s going to let Albert take the fall for his string of crimes---but only after he pulls one last job. Boasting completed, Alvin leaves to commit his last crime. After the cutscene, Rita frees her husband from his chains (and the metahuman power dampener); the player will then begin controlling Albert Desmond as he tells Rita that he’s going to stop his evil twin himself--as Mr. Element. Rita is worried about this idea, afraid that this might be too much for Albert’s mind, but Albert insists that he has to clear his name. Alvin is of course the final boss for the level; the player will actually fight and defeat him as Albert (in his Mr. Element costume). The two Als are very evenly matched in terms of power and will have very similar movesets and attacks, but eventually Albert’s greater experience will allow him to claim victory just as the Flash appears on the scene. Albert explains the whole situation to the Flash, and Barry is thrilled to learn that his friend hasn’t succumbed to his mental demons. The level ends with Barry, Iris, Albert, and Rita again eating dinner together--this time without any unpleasant interruptions. 

[world-cinema-research]

Week Nine Revised First Film Essay - Pleasantville

By Nathan Gruber

What is the point of the film Pleasantville? Pleasantville (1998) is a film about two siblings, who get transported to another world that resembles a community from a 1950s sitcom. Once there, the siblings bring their knowledge of their home world to this sitcom world. As they do so, the people in the sitcom world begin to change as they learn about the outside world. When this happens, the people change from black/white to color. However, the people do not change at the same time because each person is on their own path to self discovery and enrichment. Usually, this takes a person to develop an interest or hobby such as painting, but in some cases it takes behavioral changes such as confidence or truthfulness to reach full color. Just as long as that person finds themselves is when they will turn to color. This review will take a look at the film and take a dive into historic events, arguments, reviews, and how it compares to other films. 

With the story in the film in mind, it is clear that the film seems rather unconventional. However, the fact that it had a cast of widely known stars such as Jeff Daniels and Don Knotts. As well as rising stars such as Tobey Maguire and Reese Witherspoon. Surprisingly, this film was not the only film to make characters learn about themselves and their world. The Truman Show came out the same year as Pleasantville and follows a man discovering that his world is a lie as it is actually a reality show. With these films following similar plots, it could be said that both films are conventional. Even though both films are offbeat, both used effects that made the stories convincing, and both had some well known names in the cast. The films were marketed differently, made a different amount of money, and had different runtimes in the theaters. Pleasantville was only in theaters for a few weeks instead of The Truman Show’s months in theater. However, Pleasantville did make money for that short time and was well received. Robert Ebert is a great example of how the film was received as “one of the year's best and most original films.” With this information, we can conclude that Pleasantville was simply an artistic, conventional film that wasn’t successful at the box office.

Pleasantville’s story aimed not to alienate people, but rather to teach people how emotion and change can have a major impact on a town. Although it is extreme in demonstrating this with its rather obvious basis being the 1960s cultural shift, it demonstrates its point quite beautifully with its use of color. Color is a major component to the film’s story as the change from black and white to color is what makes the community’s leaders panic. This use of color is artistically done in a way that contributes to the story. Not only that, but the way color is used is quite technologically genius because, as seen in the clip below, David (Tobey Maguire) is putting black and white make-up on, now colored, Betty (Joan Allen). This is one of the most impactful scenes because of the use of color. It makes one look at themselves when they go out in public because these days are a time of reflection as social media pushes us to make ourselves look as beautiful as possible. As Reese Witherspoon states in her interview about the film above, “white middle class, suburban America which was portrayed as perfect families; two kids, two parents, one dog, nice house, picket fence.” This wasn’t accurate to the real 1950s as there were a lot of issues between civil rights and segregation. In the film, to avoid excluding groups of people, color was used to show the characters becoming human. Meaning that it is okay to make mistakes, learn, and grow to be better people rather than already being perfect. 

There have been very interesting arguments pushed forward about the film from how the film shows us that a shift in the dominant part of society needs to happen to how the film relates to religious text. “Fear as Desire: Pleasantville Film Analysis” on Medium shows how the film is an example that “individuals that are discriminated against are seen as monsters for disrupting the dominant’s preset social categories.” Meanwhile, the book, Mediating Religion’s chapter named “Paradise Lost, or Paradise Learned?: Sin and Salvation in Pleasantville” discusses how the film has religious subtext that resembles the most famous part of The Bible, the Fall with the council member’s view being that their town is falling apart from the cultural change. The article states that the film’s “(at times) overt religious connotations (indeed, this may actually have deterred many people from seeing it)” (Deacy, 201). The film’s plot doesn’t seem to be completely religious as the daughter introduces sex into the sitcom world as her first move. Then, as Robert Ebert's review explains, she “shares information about masturbation with her mother.” This action is clearly not supported by any Biblical text, so the film isn’t as religious as described. However, in the scene below, David (Tobey Maguire) fully becomes heroic and helps his sitcom world mother, Betty (Joan Allen), out of a verbally abusive, targeted attack on her for the fact that she is embracing her colored look. Although not overt, this scene is a great example of one of those biblical messages in the film because the Bible encourages heroism and the fact that this behavior is what made David turn to color.

During the time the film came out, The Truman Show came out and Bill Clinton was in the process of being impeached. These events show that there was a culture for finding the truth with The Truman Show being about finding the truth and Bill Clinton’s case being the process for finding the truth. As History.com states “the Starr Report outlined a case for impeaching Clinton on 11 grounds, including perjury, obstruction of justice, witness-tampering, and abuse of power.” This showcases what happens when a president “publicly denied the allegations, saying, ‘I did not have sexual relations with that woman, Ms. Lewinsky.’” Years after Pleasantville premiered, another film set out to change film technology forever. Avatar premiered in 2009, but took about a decade to make because of the ambitious use of technology. Similar to Pleasantville, Avatar changed the film industry because of its use of technology. Both films tell great, timeless stories that have required great innovations in technology just to make them. For this fact, these films will never be forgotten and will stand as a testament of storytelling and innovation.

[whatdoesshedotothem]

Monday 17 February 1834

7 20

11 55

Fine morning - down at 8 ¼ to speak to Hinscliffe – he had heard I meant to dispose of the coal - no!  had said nothing about it – had thought of doing nothing during my father’s life -  but might if I was sufficiently tempted by price – he asked if I had given the 1st refusal  - said I had had many applications but when I had determined to sell, should offer my coal publicly, by ticket perhaps -  long talk – will make a calculation and see what my coal will be worth per acre supposing me to clear it - would advise a water wheel near Tilley Holme style - a pit at Charles Howarth’s when there might be a  pretty good sale in a year for the beginning and again a pit (this would take 2 years before completed) at the top of the Bank for Halifax sale  - should probably keep 10 colliers working – would not bring coal out near the Northowram  Lower brea road for fear of losing upper brea land – the galloway gate and vent drift from C.H.’s to top of bank  would cost 10/. a yard - the whole settling to work the colliery might cost £2000 to £2500 - the water wheel would make the coal worth £100 per more than if I had an engine - will call again and have more talk on the subject - must soon come to me for a loose for Spiggs colliery - that loose worth £30 or £40 an acre - should tie them down to let me go sound into their works when I pleased and to prevent their losing anybody else, and for me to have power to stop the loose whenever they were doing contrary to agreement - Joseph Wilkinson and Norris going to get coal - they might want a loose of me - that loose worth as much as the other - then had Throp - to set with acorns the whole piece of Walsh land for 30/. thinks it will take all my 5 bushes then had Empsall - let him the Allen car at 30/. per D.W. he paying all taxes - said I should take a little bit of the bottom end, and if I made a sunk fence this would take off perhaps ½ D.W. when all done to measure off and he to pay at the rate of 30/. per d.w. - to put him a gate into the field from the road in 10 days - all these people kept me till 10 - breakfast in 20 minutes with my father (quite better) and Marian - then wrote a note to ‘Mr. Samuel Washington Crownest’ enclosing £17.3.1  that Miss W- forgot to give him, to be placed in the bank to account of Captain and Mrs. Sutherland  and W- to let me know what was settled with the commissions about taking in the bit of road at the top of the bank  - wrote all the above of today - all this took me till 10 55 - John Booth brought one load larch rails from Lee lane - then sent Thomas off with it - a few minutes with my aunt and out at 11 10 with Pickels stubbing and getting up thorns till came in at 5 ¾ - dressed - dinner at 6 1/4 – coffee -  Marian came to me and staid talking till 8 ¼ - then wrote and sent letter to ‘Messrs. Jupp and son 222 Regent street London PPD’ to say I had received the riding hat which was what I  wished - cash price 28/ would be paid on presenting my letter to Messrs. Hammersleys and c° - read now and afterwards while undressing from p. 296 to 364 vol. Sismondi on the literature of the south of Europe - with my aunt from 8 ¾ to 9 50 - talked of my journey to Paris  and taking Miss W-   Letter from her 3 pages close and crossed – names great many things for me to take with me to York – all for the carriage not being painted for so short a journey - says very little alluding to our union but yet enough to shew me she thinks of it as fixed – James has written her begging to stay assured she will have work enough for him even should she keep another man and the horses -  He little dreams the real state of my case  talked to my aunt tonight as if the thing was nearly done but I should know better in York tacitly meaning that I should then make her give me a ring and bind herself by a decide promise fine day till about 4 pm then drizzling rain F49° now at 10 ½ pm.

[apple-dandy]

Like I think a Fundamental Difference between myself and a neoliberal is the dedication to security theater versus ease of function.

I just bought a house from a security-minded, gun-totin' (just a 22 smh), "independence"-lovin', Murican conservative. It has about 30 fancy security features, most of which make it hard to work with; & about 300 inconvenient things they put in themselves to be "more independent from the government" or appear more fancy at first glance.

For example, they poorly installed and painted over a fancy, white deck outside. It is functionally questionable at this point because we live in a very wet area, and they did not seal the wood nor paint. The wood is rotting and molding, and the paint is peeling. They also installed a giant mesh fence on the side that faces the road. This fence is basically useless, looks fugly, and is attached to rotting wood. If anything, it's a liability.

They have a total of 3 gates on the yard, all newer than everything else in the house, all with individual, unlabeled keys. The fence the gates are in is improperly installed. Inconvenient security theater.

They installed a fancy new shower, sink, & toilet down by their guest room (now my room). All three look nice but function poorly. The poor functionality was fixable via an allen wrench in 10 minutes, but they never bothered. I guess it wasn't a security feature.

It's just such an odd overabundance of tiny issues that are quick to solve, large issues caused by not doing said fixes, and annoyingly overdone security that they just... lived with.

[homeimprovement31311]

Wilson Home Improvement Costume

In this blog post, we’ll dive into the history behind Tim Allen’s hilarious character on Home Improvement, provide step-by-step instructions for creating your own DIY costume, offer tips for nailing Tim Taylor’s signature grunting and catchphrases, share ideas for getting your friends involved in a group costume theme, explore alternative options from the show to dress up as, and much more.

For more: Wilson Home Improvement Costume

So grab your tool belt and power up those creative juices because it’s time to transform yourself into everyone’s favorite insightful neighbor. Let’s get started on bringing some nostalgic laughs.

The History Behind Tim

Fans of the hit 90s sitcom “Home Improvement” will fondly remember Tim Taylor, the lovable and bumbling host of the fictional show “Tool Time.” Played by the talented actor Tim Allen, Tim Taylor became a household name for his hilarious mishaps and catchy catchphrases.

Tim’s character was inspired by creator Matt Williams’ own experiences with home improvement projects gone awry. The character embodied the quintessential handyman who always had big dreams but often found himself in over his head. From exploding lawnmowers to disastrous kitchen remodels, Tim’s misadventures never ceased to entertain audiences.

Throughout its eight-season run from 1991 to 1999, “Home Improvement” showcased not only comedic moments but also touched on relatable family dynamics. Despite his frequent blunders in DIY projects, Tim’s dedication to his wife Jill and their three sons showed that there was more to him than just being a tool enthusiast.

Tim’s on-screen chemistry with co-host Al Borland added another layer of humor to the show. Their banter and contrasting personalities created countless unforgettable moments that still resonate with fans today.

While “Home Improvement” may have ended over two decades ago, its legacy lives on through syndication and fan appreciation. Dressing up as Tim Taylor for Halloween or costume parties is a way for fans young and old to pay homage to this iconic TV character.

So whether you’re donning a plaid shirt tucked into your jeans or sporting a tool belt full of gadgets, channeling your inner Tim Taylor is sure to bring laughter and nostalgia at any event. Just be sure not to take any power tools too seriously.

Creating the Perfect DIY Wilson Home Improvement Costume

If you’re a fan of the hit 90s sitcom “Home Improvement,” chances are you have a soft spot for the lovable character, Wilson. With his sage advice and iconic fence peeking, he’s an unforgettable part of the show. So why not pay homage to this beloved neighbor by creating your own DIY Wilson Home Improvement costume?

First things first – let’s talk about that signature look. To recreate Wilson’s style, start with a plaid button-up shirt paired with khaki pants and comfortable brown shoes. Adding a straw hat is essential for capturing his laid-back vibe.

Now, onto the most crucial element – the fence! You can easily make your own version using cardboard or foam board painted to resemble wood. Attach it securely to a headband or tie it around your neck with string for easy we arability throughout the night.

To complete your transformation into Wilson, don’t forget about his trusty gardening tools. Carry around a small trowel or hand rake as a prop to add an extra touch of authenticity.

Remember, while dressing up as Wilson is fun on its own, fully embodying his character takes some practice. Don’t be afraid to channel Tim Allen’s grunting noises and use some of Tim Taylor’s classic catchphrases like “More power!” or “I don’t think so, Tim.”

And if you want to take it one step further and turn this into a group costume idea, invite your friends to dress up as other characters from Home Improvement! Whether someone goes as Jill Taylor in her handywoman attire or Mark in his goth phase – there are plenty of options to choose from!

So grab your tool belt and get ready for some DIY Halloween fun! With just a little creativity and imagination, you’ll be able to create an authentic Wilson Home Improvement costume that will surely impress fellow fans at any party.

Incorporating Key Accessories for Authenticity

When it comes to creating the perfect Wilson Home Improvement costume, paying attention to the details is essential. One way to really nail the authenticity of your costume is by incorporating key accessories that are synonymous with Tim Taylor and his beloved TV show.

Start off by finding a sturdy tool belt that you can wear around your waist. This will not only make you look like a true handyman but also provide a practical place to store some of your tools. Look for one in leather or canvas material for an extra touch of realism.

Next, don’t forget about the iconic safety goggles that Tim often wore while working on his projects. These can easily be found at any hardware store or online retailer. Make sure they fit comfortably and securely on your face so you can channel Tim’s DIY spirit with ease.

To further enhance your costume, consider adding a baseball cap emblazoned with the “Binford Tools” logo – Tim’s go-to brand for power tools on the show. This small detail will instantly tie your outfit together and let everyone know you’re part of Team Taylor.

And let’s not overlook one crucial accessory – don’t forget to bring along some props! Carry around a fake tool or two, such as a wrench or hammer, just like Tim always had within arm’s reach during his hilarious mishaps.

Tips for Nailing Tim Taylor’s Signature Grunting and Catchphrases:

1. Embrace the Grunt: One of Tim Taylor’s most recognizable traits is his signature grunt. To truly embody his character, practice your own version of the “Arghh-arghh” sound he frequently makes when things don’t go as planned. It might feel silly at first, but it adds an extra touch of authenticity to your costume.

2. Master the Catchphrases: Tim Taylor has a repertoire of catchphrases that have become synonymous with his character on Home Improvement. From “More power!” to “I don’t think so, Tim,” these phrases are essential for capturing the essence of his personality. Practice delivering them with confidence and enthusiasm to really bring your costume to life.

3. Study His Mannerisms: Pay attention to how Tim Taylor carries himself on the show. He often uses exaggerated gestures and facial expressions to emphasize his points or showcase comedic moments. Incorporate some of these mannerisms into your portrayal, whether it’s a dramatic hand gesture or a playful smirk.

4. Don’t Overdo It: While it’s important to capture Tim Taylor’s grunts and catchphrases accurately, remember not to overdo it. Balance is key – sprinkle in those iconic elements throughout the night without overwhelming everyone around you.

5. Have Fun with Improvisation: As much as you want to emulate Tim Taylor, remember that part of what made him such a beloved character was his ability to improvise and be spontaneous in hilarious ways! Feel free to add your own comedic twist or one-liners inspired by him.

How to Get Your Friends Involved in a Group Home Improvement Costume

Getting your friends involved in a group Home Improvement costume can make the experience even more enjoyable and memorable. Plus, it’s always fun to coordinate outfits with your buddies! Here are some tips on how to get everyone excited and on board.

[chips1977]

WARNING : I'm just an addict ... addicted to music. There are people who are born to make music, o8 thers are born to hearing. Whenever was part of this second group. Maybe it's. a habit, I gotta use, even if it 's rock, jazz or the quiet storm. Great pictures of the things I love - music, painting, books, photography, architecture, design, women, and more. I love music more than lasagna. Better to burn out than fade away. The older you get, the better life gets. But time also seems to be accelerating, the clock running too fast. So, looking at those early days, everything is very slow, stretched, and great significance. The most recent time, I spent busy with simple things.People think rock and roll is only about teenage rebellion, but why can not exist old rebel too? THE RESIDENTS is my Biggest Addiction, and,THE RED KRAYOLA, OLD TIME RELIJUN-ARRINGTON DIONYSO,R. STEVIE MOORE,SHRIMP BOAT,SMEGMA,THE SUN CITY GIRLS, LEGENDARY PINK DOTS,MINIMAL COMPACT,FRANK ZAPPA,CAPTAIN BEEFHEART,THE VELVET UNDERGROUND,THINKING FELLERS UNION LOCAL 282,THE EX,CAN,FAUST,WEEN,TELEVISION,THE MODERN LOVERS,SNAKEFINGER,MILES DAVIS,SUN RA,KRAFTWERK,ANAL MAGIC & REV. DWIGHT FRIZZELL,MICHAEL YONKERS,MOONDOG,THE WORK,RAYMOND SCOTT,THE GO-BETWEENS,SLAPPY HAPPY,ART BEARS,NAKED CITY,HENRY COW,SKELETON CREW,JOHN ZORN,FRED FRITH,THE FIBONACCIS,BONGWATER-MARK KRAMER,SHOCKABILLY,BAND OF SUSANS,THE PAINTEENS,STUMP,RENALDO AND LOAF,CERTAIN GENERAL,THE THREE JOHNS,CHROME,PRIMUS-LES CLAYPOOL,EUGENE CHADBOURNE,ESKIMO, MINUTEMEN, MISSION OF BURMA,FUGAZI,BLURT, GLAXO BABIES,THIS HEAT,THE SEA AND CAKE,SAVAGE REPUBLIC,TUXEDO MOON, XTC,U.S,MAPLE,THE PAPER CHASE,DANIEL SMITH- DANIELSON FAMILE .......  Other musical priorities are: HENRY FLYNT, THE FEELIES,PERE UBU,THE CLASH, JOY DIVISION, PROTOMARTYR, CAR SEAT HEADREST,THE BETTER-BEATLES, DARKSIDE,THE MEMBRANES, THEATRE OF HATE, NOCTURNAL PROJECTIONS,THE LINES,CARDINAL,CLEANERS FROM VENUS,THE JAZZ BUTCHER, ELVIS COSTELLO,THE MONOCHROME SET, TELEVISION PERSONALITIES, ALTERNATIVE TV, GONG,ANNIE ANXIETY, THE DEL-BYZANTEENS, WALL OF VOODOO, BUTHOLE SURFERS, RICHARD DAWSON, MAC DeMARCO,WOVEN HAND,16 HORSEPOWER, DAVID EUGENE EDWARDS,SHELLAC, SLINT-PAPA M-DAVID PAJO, LUNGFISH, OM, EARTH,THE BOOK OF KNOTS,LOUNGE LIZARDS-JOHN LURIE,ANTON FIER-GOLDEN PALOMINOS,PETER BLEGVAD,PETER HAMMILL,TOMAHWAK,FANTOMAS,MR. BUNGLE, MIKE PATTON, SUICIDE-MARTIN REV+ALAN VEGA,AARON FREEMAN,JAPAN,STEREOLAB, SPACEMEN 3, SPECTRUM, SWELL MAPS, SILVER APPES, SWELL,MORPHINE, HAWKWIND, DEVO,FLYING LIZARDS, MAGAZINE, RALPH CARNEY,ROBERT WYATT, JOHN WILKES BOOZE, KEVIN COYNE, DAEVID ALLEN, SLEEPYTIME GORILLA MUSEUM, MX-80 SOUND, SOPOR AETERNUS & The ENSEMBLE of SHADOWS, THE AUTEURS,MAN MAN, DAMIEN JURADO, DAVID DONDERO, CHAD VANGALLEN, LONG FIN KILLIE, MAGIC TRICK-TIN COHEN, CHRIS COHEN, DAVID BAZAN,VAMPIRE RODENTS, JON WAYNE, PRAM,THE OLIVIA TREMOR CONTROL, PAVEMENT, PATTI SMITH, FUGS, PEARLS BEFORE SWINE-TOM RAP, UNITED STATES OF AMERICA-JOSEPH BYRD, FAMILY, GODZ, BONZO DOG DOO DAH BAND,PENTANGLE,THE INCREDIBLE STRING BAND, SLOVENLY, CHEER- ACCIDENT, TARWATER, COIL,THROBBING GRISTLE, SHAWN LEE, CLUTCHY HOPKINS, JURYMAN AKA IAN SIMMONDS AKA WISE IN TIME+SANDALS, ZOOGZ RIFT, THE BOOKS,NEW THRILL PARADE, CHRIS KNOX , DAVID KILGOUR,THE BATS,THE CLEAN,THE PIN GROUP, CRIME CITY SOLUTION, ROWLAND S. HOWARD,TOM WAITS, VIC CHESNUTT, JOE HENRY, ALEJANDRO ESCOVEDO,THE TAPE BEATLES,THE GUN CLUB, MAGAZINE,THE DENGUE FEVER,THE PAPER CHASE,THE FIERY FURNACES,THE MICROPHONES-PHIL ELVRUM,GARY WAR,RAILROAD JERK, KARL BLACK- SOCK HEADDED PETERS-LEMON KITTENS,THE MUSIC TAPES,THE SHAGGS, BOBB TRIMBLE, FISH AND ROSES, DIABLO SWING ORCHESTRA,POP D`ELL ARTE,MLER IF DADA,TOM ZÉ, WALTER FRANCO,OS MUTANTES,CAETANO VELOSO,MILTON NASCIMENTO, ARNALDO ANTUNES,VINICIUS CANTUARIA,JORGE BEN,CAZUZA,CEREBRO ELECTRONICO,CORDEL DE FOGO ENCANTADO,ROGERIO SKYLAB,OTTO, MOMBOJÓ,CRIOULO,MAX CASTRO, METÁ METÁ, ATALHOS, ROMULO FROES,WADO,ORQUESTRA IMPERIAL, LENINE,APANHADOR SÓ,MUNDO LIVRE SA,NAÇÃO ZUMBI, ALÇEU VALENÇA,ANT- BEE, BILL FAY,RON SEXSMITH,EL GUAPO,DAVID GRUBS,TORTOISE, SAM PREKOP, GASTR DEL SOL,HENRY KAISER,HOME & GARDEN, BOB DRAKE, MY DEAD IS DEAD, AKRON FAMILY, SWANS,THESE IMMORTAL SOULS, UNREST WORK & PLAY,THE TAPE BEATLES,THIS KIND OF PUNISHMENT,SWOLLEN MONKEYS (Ralph Carney) LIARS, SNAPPED ANKLES, CAVERN ANTI-MATTER, GANG GANG DANCE, THE DAMAGE MANUAL,THE BLACK ANGELS,SCOUT NIBLET,DIE FORM,LONELADY,COP SHOOT COP,WAR ON DRUGS,THE MONKS,TIM HUEY,TRACHTENBURG FAMILY,THE TRIFFIDS,THE CRUEL SEA,THE MEKONS,THE METOD ACTORS,THE SOFT BOYS,THE MISTAKES,THE MOUNTAIN GOATS,THE NEW CREATION, BRUCE HAACK, LOREN MAZZACANE CONNORS,GLEN BRANCA,ALBERT MARCOEUR,LOS ANGELES FREE MUSIC SOCIETY, SHELLEY HIRSCH,NEW YORK GONG,THE POLYPHONIC SPREE,LYDIA LUNCH,LOVE, LUCIA PAMELA,FATIMA MIRANDA,SAFETY SCISSOR S,RICHARD HELL & VOIDOIDS, SACCHARINE TRUST, ADAM FORKNER of [[[[VVRSSNN]]] YUME BITSU, ROY MONTGOMERY,RUN ON, LOVELY LITTLE GIRLS,SAFETY SCISSORS, BRIDE OF NO NO,TONE DOGS,TREAT HER RIGHT,TRIPOD JIMMIE,LIFTER PULLER,THEY MIGHT BY GIANTS,GANG OF FOUR,THE POP GROUP, WIRE, JOSEPH K, ORANGE JUICE, RAIN PARADE, THE GREEN ON REED, THE RENDERS,SOUL COUGHING-MIKE DOUGHTY, MAZARIN, KARATE- GEOFF FARINA, SECRET STARS,THE CHURCH, BLANK DOGS, FROG EYES, JOAN OF ARC, PURE X, YUNG WU,WAKE OOLOO, SPEED THE PLOUGH, DRIVE BY TRUCKERS, CAMPER VAN BEETHOVEN, MARTIN NEWELL, ERLAND and The CARNIVAL, CRIPPLED BLACK PHOENIX,CALIFONE,RED RED MEAT, LOW, Eels, LOWER DENS,THE BLACK HEART PROCESSION, KING MISSILE, THE NOTWIST, CLINIC, QUICKSPACE,THE COMSAT ANGELS,THE ASSOCIATES, EZRA FURMAN and THE HARPOONS, EFF BARZELAY, BORN RUFIANS, FERGUS & GERONIMO, CHAIN AND THE GANG-IAN SEVENONIOUS-WEIRD WAR-THE MAKE UP,ESCAPIST,MOONFACE, DEAN BLUNT,COLLEEN,ZERO 7,THREE MILE PILOT,LIFE WITHOUT BUILDINGS, CLOUD CULT,BLACKOUT BEACH,PINBACK,ARIEL PINK,MAGIC HOUR,MAJOR STARS, MAPS & ATLASES, MEGAFAUN,MENOMENA,TAME IMPALA, AMPS FOR CHRIST,ARBOURETUM,TRUE WIDOW,NANA GRIZOL,TIMBER TIMBRE,THE, IMPOSSIBLE SHAPES,THE LOVE EVERYTHING,THE MAE SHI, DEAD SKELETONS,THE SHIPPING NEWS,NEW WET KOJAK,GIRLS AGAINTS BOYS,LES SAVY FAV,GERMAN SHEPHERDS,SILKWORM,DIANOGAH,31 KNOTS,90 DAY MEN, 17 PYGMIES,PARENTHETICAL GIRLS, GUN OUTFIT,VAMPIRE RODENTS, PUMA JAW-PINKIE MACLURE and JOHN WILLS, SLUG GUTS, DOG FACED HERMANS, GOD IS MY CO-PILOT, THE SKULL DEFEKTS, CUL de SAC, PELL MELL, FOR CARNATION, MARVIN PONTIAC, ARIEL PINK, FLAT WORMS, AMEN DUNES, IDDLES, WAXAHATCHEE, WOLF PARADE, SUN KILL MOON, NATALIE PRESS ,CHELSEA WOLFE, SHILPA RAY, INCA SILVER, IBEYI, ANGEL OLSEN,THE COMET IS COMING,SLEAFORD MODS, VAGABOND, SUUNS, MADONNATRON, BIG THIEF, FAT, SHAME, SAVAGES, ICEAGE, OMNI, PARQUET COURTS, WHITE FAMILY, LYDA HUSIK, SHARON VAN ETTEN, dEUS, MITSKI, LAUREL HALO,JULIA HOLTER, MARISSA NADLER, JOSEPHINE FOSTER,TRACY BRYANT, MALE GAZE, TY SEGALL,THEE OH SEES, TYVEK, GOAT, WAND,YUCK, THE MOONLANDINGZ, VIET CONG, OUGHT, ALLAH-LAS,THE FRESH & ONLYS, WHITE FENCE, LAURA MARLING, EMA, PHAEDRA, LHASA, FIRST AID KIT, JANE WEAVER, WYE OAK, CAROLINER AKA CAROLINER RAIBOW ... E gosto de viajar, andar de bicicleta, de comboios, de animais.... não gosto de pessoas superficiais... sem cultura.Gosto de dança, de arte o que quer que isso seja!. Não gosto da monotonia. Gosto de criticar no sentido positivo. Não gosto de sonhar em ficar rico. Gosto do “Vive cada dia como se fosse o último “. Não gosto de despedidas. Gosto de pormenores.Gosto de perfumes. Não gosto de mentir nem que me mintam, não suporto hipócritas.Gosto do mar. Não gosto de quem não acredita em nada e não se importa com nada e tem a profundidade de uma colher... Gosto de viajar, gosto de ajudar e de saber que pude ser útil a alguém em qualquer coisa. Não gosto da efemeridade da vida e da constante lembrança da proximidade da morte. Não gosto de não perceber. Não gosto de atrasos e de quem não é capaz de cumprir as suas promessas, não gosto de quem volta atrás com a sua palavra e ainda menos que voltem atrás comigo. Não gosto da cusquice.Gosto de amigos e da camaradagem, não gosto das” amizades “que se perdem por coisas que no final das contas não significam nada... Gosto de palavras e de conversas sem fim... Gosto de pessoas originais, com humor,com ideias próprias... e com classe. Não gosto de carinho quando estou nervoso.Gosto do campo. Não gosto de seguir a onda.Gosto de coisas pouco claras, mas bem esclarecidas. Gosto de dominar. Não gosto de brincar com os sentimentos dos outros.Gosto de toques e de trocas de olhar, de demonstrações de carinho e de cenas sensuais. Não gosto de ficar bêbado até dizer a verdade. Gosto da grandeza das coisas simples, e gosto de coisas complicadas mas não gosto de complicações... O comum não me atrai, gosto normalmente de coisas que passam despercebidas... Gosto de gostar e de não gostar de tudo isto e muito mais...

[takethehighwaytoheaven]

The crysanthemums by John Steinbeck

Warning: This story is NOT mine(No hell) Hope you like it

The high grey-flannel fog of winter closed off the Salinas Valley from the sky and from all the rest of the world. On every side it sat like a lid on the mountains and made of the great valley a closed pot. On the broad, level land floor the gang plows bit deep and left the black earth shining like metal where the shares had cut. On the foothill ranches across the Salinas River, the yellow stubble fields seemed to be bathed in pale cold sunshine, but there was no sunshine in the valley now in December. The thick willow scrub along the river flamed with sharp and positive yellow leaves. It was a time of quiet and of waiting. The air was cold and tender. A light wind blew up from the southwest so that the farmers were mildly hopeful of a good rain before long; but fog and rain did not go together. Across the river, on Henry Allen's foothill ranch there was little work to be done, for the hay was cut and stored and the orchards were plowed up to receive the rain deeply when it should come. The cattle on the higher slopes were becoming shaggy and rough-coated. Elisa Allen, working in her flower garden, looked down across the yard and saw Henry, her husband, talking to two men in business suits. The three of them stood by the tractor shed, each man with one foot on the side of the little Fordson. They smoked cigarettes and studied the machine as they talked. Elisa watched them for a moment and then went back to her work. She was thirtyfive. Her face was lean and strong and her eyes were as clear as water. Her figure looked blocked and heavy in her gardening costume, a man's black hat pulled low down over her eyes, clod-hopper shoes, a figured print dress almost completely covered by a big corduroy apron with four big pockets to hold the snips, the trowel and scratcher, the seeds and the knife she worked with. She wore heavy leather gloves to protect her hands while she worked. She was cutting down the old year's chrysanthemum stalks with a pair of short and powerful scissors. She looked down toward the men by the tractor shed now and then. Her face was eager and mature and handsome; even her work with the scissors was over-eager, over-powerful. The chrysanthemum stems seemed too small and easy for her energy. She brushed a cloud of hair out of her eyes with the back of her glove, and left a smudge of earth on her cheek in doing it. Behind her stood the neat white farm house with red geraniums close-banked around it as high as the windows. It was a hard-swept looking little house, with hard-polished windows, and a clean mud-mat on the front steps. Elisa cast another glance toward the tractor shed. The strangers were getting into their Ford coupe. She took off a glove and put her strong fingers down into the forest of new green chrysanthemum sprouts that were growing around the old roots. She spread the leaves and looked down among the close-growing stems. No aphids were there, no sowbugs or snails or cutworms. Her terrier fingers destroyed such pests before they could get started. Elisa started at the sound of her husband's voice. He had come near quietly, and he leaned over the wire fence that protected her flower garden from cattle and dogs and chickens. "At it again," he said. "You've got a strong new crop coming." Elisa straightened her back and pulled on the gardening glove again. "Yes. They'll be strong this coming year." In her tone and on her face there was a little smugness. You've got a gift with things," Henry observed. "Some of those yellow chrysanthemums you had this year were ten inches across. I wish you'd work out in the orchard and raise some apples that big." Her eyes sharpened. "Maybe I could do it, too. I've a gift with things, all right. My mother had it. She could stick anything in the ground and make it grow. She said it was having planters' hands that knew how to do it." "Well, it sure works with flowers," he said. "Henry, who were those men you were talking to?" "Why, sure, that's what I came to tell you. They were from the Western Meat Company. I sold those thirty head of three-year-old steers. Got nearly my own price, too." "Good," she said. "Good for you. "And I thought," he continued, "I thought how it's Saturday afternoon, and we might go into Salinas for dinner at a restaurant, and then to a picture show—to celebrate, you see." "Good," she repeated. "Oh, yes. That will be good." Henry put on his joking tone. "There's fights tonight. How'd you like to go to the fights?" "Oh, no," she said breathlessly. "No, I wouldn't like fights." "Just fooling, Elisa. We'll go to a movie. Let's see. It's two now. I'm going to take Scotty and bring down those steers from the hill. It'll take us maybe two hours. We'll go in town about five and have dinner at the Cominos Hotel. Like that?" "Of course I'll like it. It's good to eat away from home." "All right, then. I'll go get up a couple of horses." She said, "I'll have plenty of time to transplant some of these sets, I guess." She heard her husband calling Scotty down by the barn. And a little later she saw the two men ride up the pale yellow hillside in search of the steers. There was a little square sandy bed kept for rooting the chrysanthemums. With her trowel she turned the soil over and over, and smoothed it and patted it firm. Then she dug ten parallel trenches to receive the sets. Back at the chrysanthemum bed she pulled out the little crisp shoots, trimmed off the leaves of each one with her scissors and laid it on a small orderly pile. A squeak of wheels and plod of hoofs came from the road. Elisa looked up. The country road ran along the dense bank of willows and cotton-woods that bordered the river, and up this road came a curious vehicle, curiously drawn. It was an old spring-wagon, with a round canvas top on it like the cover of a prairie schooner. It was drawn by an old bay horse and a little grey-and-white burro. A big stubblebearded man sat between the cover flaps and drove the crawling team. Underneath the wagon, between the hind wheels, a lean and rangy mongrel dog walked sedately. Words were painted on the canvas in clumsy, crooked letters. "Pots, pans, knives, sisors, lawn mores, Fixed." Two rows of articles, and the triumphantly definitive "Fixed" below. The black paint had run down in little sharp points beneath each letter. Elisa, squatting on the ground, watched to see the crazy, loose-jointed wagon pass by. But it didn't pass. It turned into the farm road in front of her house, crooked old wheels skirling and squeaking. The rangy dog darted from between the wheels and ran ahead. Instantly the two ranch shepherds flew out at him. Then all three stopped, and with stiff and quivering tails, with taut straight legs, with ambassadorial dignity, they slowly circled, sniffing daintily. The caravan pulled up to Elisa's wire fence and stopped. Now the newcomer dog, feeling outnumbered, lowered his tail and retired under the wagon with raised hackles and bared teeth. The man on the wagon seat called out, "That's a bad dog in a fight when he gets started." Elisa laughed. "I see he is. How soon does he generally get started?" The man caught up her laughter and echoed it heartily. "Sometimes not for weeks and weeks," he said. He climbed stiffly down, over the wheel. The horse and the donkey drooped like unwatered flowers. Elisa saw that he was a very big man. Although his hair and beard were graying, he did not look old. His worn black suit was wrinkled and spotted with grease. The laughter had disappeared from his face and eyes the moment his laughing voice ceased. His eyes were dark, and they were full of the brooding that gets in the eyes of teamsters and of sailors. The calloused hands he rested on the wire fence were cracked, and every crack was a black line. He took off his battered hat. "I'm off my general road, ma'am," he said. "Does this dirt road cut over across the river to the Los Angeles highway?" Elisa stood up and shoved the thick scissors in her apron pocket. "Well, yes, it does, but it winds around and then fords the river. I don't think your team could pull through the sand." He replied with some asperity, "It might surprise you what them beasts can pull through." "When they get started?" she asked. He smiled for a second. "Yes. When they get started." "Well," said Elisa, "I think you'll save time if you go back to the Salinas road and pick up the highway there." He drew a big finger down the chicken wire and made it sing. "I ain't in any hurry, ma am. I go from Seattle to San Diego and back every year. Takes all my time. About six months each way. I aim to follow nice weather." Elisa took off her gloves and stuffed them in the apron pocket with the scissors. She touched the under edge of her man's hat, searching for fugitive hairs. "That sounds like a nice kind of a way to live," she said. He leaned confidentially over the fence. "Maybe you noticed the writing on my wagon. I mend pots and sharpen knives and scissors. You got any of them things to do?" "Oh, no," she said quickly. "Nothing like that." Her eyes hardened with resistance. "Scissors is the worst thing," he explained. "Most people just ruin scissors trying to sharpen 'em, but I know how. I got a special tool. It's a little bobbit kind of thing, and patented. But it sure does the trick." "No. My scissors are all sharp." "All right, then. Take a pot," he continued earnestly, "a bent pot, or a pot with a hole. I can make it like new so you don't have to buy no new ones. That's a saving for you. "No," she said shortly. "I tell you I have nothing like that for you to do." His face fell to an exaggerated sadness. His voice took on a whining undertone. "I ain't had a thing to do today. Maybe I won't have no supper tonight. You see I'm off my regular road. I know folks on the highway clear from Seattle to San Diego. They save their things for me to sharpen up because they know I do it so good and save them money. "I'm sorry," Elisa said irritably. "I haven't anything for you to do." His eyes left her face and fell to searching the ground. They roamed about until they came to the chrysanthemum bed where she had been working. "What's them plants, ma'am?" The irritation and resistance melted from Elisa's face. "Oh, those are chrysanthemums, giant whites and yellows. I raise them every year, bigger than anybody around here." "Kind of a long-stemmed flower? Looks like a quick puff of colored smoke?" he asked. "That's it. What a nice way to describe them." "They smell kind of nasty till you get used to them," he said. "It's a good bitter smell," she retorted, "not nasty at all." He changed his tone quickly. "I like the smell myself." "I had ten-inch blooms this year," she said. The man leaned farther over the fence. "Look. I know a lady down the road a piece, has got the nicest garden you ever seen. Got nearly every kind of flower but no chrysanthemums. Last time I was mending a copper-bottom washtub for her (that's a hard job but I do it good), she said to me, 'If you ever run acrost some nice chrysanthemums I wish you'd try to get me a few seeds.' That's what she told me." Elisa's eyes grew alert and eager. "She couldn't have known much about chrysanthemums. You can raise them from seed, but it's much easier to root the little sprouts you see there." "Oh," he said. "I s'pose I can't take none to her, then." "Why yes you can," Elisa cried. "I can put some in damp sand, and you can carry them right along with you. They'll take root in the pot if you keep them damp. And then she can transplant them." "She'd sure like to have some, ma'am. You say they're nice ones?" "Beautiful," she said. "Oh, beautiful." Her eyes shone. She tore off the battered hat and shook out her dark pretty hair. "I'll put them in a flower pot, and you can take them right with you. Come into the yard." While the man came through the picket fence Elisa ran excitedly along the geranium-bordered path to the back of the house. And she returned carrying a big red flower pot. The gloves were forgotten now. She kneeled on the ground by the starting bed and dug up the sandy soil with her fingers and scooped it into the bright new flower pot. Then she picked up the little pile of shoots she had prepared. With her strong fingers she pressed them into the sand and tamped around them with her knuckles. The man stood over her. "I'll tell you what to do," she said. "You remember so you can tell the lady." "Yes, I'll try to remember." "Well, look. These will take root in about a month. Then she must set them out, about a foot apart in good rich earth like this, see?" She lifted a handful of dark soil for him to look at. "They'll grow fast and tall. Now remember this. In July tell her to cut them down, about eight inches from the ground." "Before they bloom?" he asked. "Yes, before they bloom." Her face was tight with eagerness. "They'll grow right up again. About the last of September the buds will start." She stopped and seemed perplexed. "It's the budding that takes the most care," she said hesitantlv. "I don't know how to tell you." She looked deep into his eyes, searchingly. Her mouth opened a little, and she seemed to be listening. "I'll try to tell you," she said. "Did you ever hear of planting hands?" "Can't say I have, ma'am." "Well, I can only tell you what it feels like. It's when you're picking off the buds you don't want. Everything goes right down into your fingertips. You watch your fingers work. They do it themselves. You can feel how it is. They pick and pick the buds. They never make a mistake. They're with the plant. Do you see? Your fingers and the plant. You can feel that, right up your arm. They know. They never make a mistake. You can feel it. When you're like that you can't do anything wrong. Do you see that? Can you understand that?" She was kneeling on the ground looking up at him. Her breast swelled passionately. The man's eyes narrowed. He looked away self-consciously. "Maybe I know," he said. "Sometimes in the night in the wagon there—" Elisa's voice grew husky. She broke in on him. "I've never lived as you do, but I know what you mean. When the night is dark—why, the stars are sharp-pointed, and there's quiet. Why, you rise up and up! Every pointed star gets driven into your body. It's like that. Hot and sharp and—lovely." Kneeling there, her hand went out toward his legs in the greasy black trousers. Her hesitant fingers almost touched the cloth. Then her hand dropped to the ground. She crouched low like a fawning dog. He said, "It's nice, just like you say. Only when you don't have no dinner, it ain't." She stood up then, very straight, and her face was ashamed. She held the flower pot out to him and placed it gently in his arms. "Here. Put it in your wagon, on the seat, where you can watch it. Maybe I can find something for you to do." At the back of the house she dug in the can pile and found two old and battered aluminum saucepans. She carried them back and gave them to him. "Here, maybe you can fix these." His manner changed. He became professional. "Good as new I can fix them." At the back of his wagon he set a little anvil, and out of an oily tool box dug a small machine hammer. Elisa came through the gate to watch him while he pounded out the dents in the kettles. His mouth grew sure and knowing. At a difficult part of the work he sucked his under-lip. "You sleep right in the wagon?" Elisa asked. "Right in the wagon, ma'am. Rain or shine I'm dry as a cow in there." It must be nice," she said. "It must be very nice. I wish women could do such things." "It ain't the right kind of a life for a woman. Her upper lip raised a little, showing her teeth. "How do you know? How can you tell?" she said. "I don't know, ma'am," he protested. "Of course I don't know. Now here's your kettles, done. You don't have to buy no new ones." "How much?" "Oh, fifty cents'll do. I keep my prices down and my work good. That's why I have all them satisfied customers up and down the highway." Elisa brought him a fifty-cent piece from the house and dropped it in his hand. "You might be surprised to have a rival some time. I can sharpen scissors, too. And I can beat the dents out of little pots. I could show you what a woman might do." He put his hammer back in the oily box and shoved the little anvil out of sight. "It would be a lonely life for a woman, ma'am, and a scarey life, too, with animals creeping under the wagon all night." He climbed over the singletree, steadying himself with a hand on the burro's white rump. He settled himself in the seat, picked up the lines. "Thank you kindly, ma'am," he said. "I'll do like you told me; I'll go back and catch the Salinas road." "Mind," she called, "if you're long in getting there, keep the sand damp." "Sand, ma'am?. .. Sand? Oh, sure. You mean around the chrysanthemums. Sure I will." He clucked his tongue. The beasts leaned luxuriously into their collars. The mongrel dog took his place between the back wheels. The wagon turned and crawled out the entrance road and back the way it had come, along the river. Elisa stood in front of her wire fence watching the slow progress of the caravan. Her shoulders were straight, her head thrown back, her eyes half-closed, so that the scene came vaguely into them. Her lips moved silently, forming the words "Goodbye—good-bye." Then she whispered, "That's a bright direction. There's a glowing there." The sound of her whisper startled her. She shook herself free and looked about to see whether anyone had been listening. Only the dogs had heard. They lifted their heads toward her from their sleeping in the dust, and then stretched out their chins and settled asleep again. Elisa turned and ran hurriedly into the house. In the kitchen she reached behind the stove and felt the water tank. It was full of hot water from the noonday cooking. In the bathroom she tore off her soiled clothes and flung them into the corner. And then she scrubbed herself with a little block of pumice, legs and thighs, loins and chest and arms, until her skin was scratched and red. When she had dried herself she stood in front of a mirror in her bedroom and looked at her body. She tightened her stomach and threw out her chest. She turned and looked over her shoulder at her back. After a while she began to dress, slowly. She put on her newest underclothing and her nicest stockings and the dress which was the symbol of her prettiness. She worked carefully on her hair, pencilled her eyebrows and rouged her lips. Before she was finished she heard the little thunder of hoofs and the shouts of Henry and his helper as they drove the red steers into the corral. She heard the gate bang shut and set herself for Henry's arrival. His step sounded on the porch. He entered the house calling, "Elisa, where are you?" "In my room, dressing. I'm not ready. There's hot water for your bath. Hurry up. It's getting late." When she heard him splashing in the tub, Elisa laid his dark suit on the bed, and shirt and socks and tie beside it. She stood his polished shoes on the floor beside the bed. Then she went to the porch and sat primly and stiffly down. She looked toward the river road where the willow-line was still yellow with frosted leaves so that under the high grey fog they seemed a thin band of sunshine. This was the only color in the grey afternoon. She sat unmoving for a long time. Her eyes blinked rarely. Henry came banging out of the door, shoving his tie inside his vest as he came. Elisa stiffened and her face grew tight. Henry stopped short and looked at her. "Why—why, Elisa. You look so nice!" "Nice? You think I look nice? What do you mean by 'nice'?" Henry blundered on. "I don't know. I mean you look different, strong and happy." "I am strong? Yes, strong. What do you mean 'strong'?" He looked bewildered. "You're playing some kind of a game," he said helplessly. "It's a kind of a play. You look strong enough to break a calf over your knee, happy enough to eat it like a watermelon." For a second she lost her rigidity. "Henry! Don't talk like that. You didn't know what you said." She grew complete again. "I'm strong," she boasted. "I never knew before how strong." Henry looked down toward the tractor shed, and when he brought his eyes back to her, they were his own again. "I'll get out the car. You can put on your coat while I'm starting." Elisa went into the house. She heard him drive to the gate and idle down his motor, and then she took a long time to put on her hat. She pulled it here and pressed it there. When Henry turned the motor off she slipped into her coat and went out. The little roadster bounced along on the dirt road by the river, raising the birds and driving the rabbits into the brush. Two cranes flapped heavily over the willow- line and dropped into the river-bed. Far ahead on the road Elisa saw a dark speck. She knew. She tried not to look as they passed it, but her eyes would not obey. She whispered to herself sadly, "He might have thrown them off the road. That wouldn't have been much trouble, not very much. But he kept the pot," she explained. "He had to keep the pot. That's why he couldn't get them off the road." The roadster turned a bend and she saw the caravan ahead. She swung full around toward her husband so she could not see the little covered wagon and the mismatched team as the car passed them. In a moment it was over. The thing was done. She did not look back. She said loudly, to be heard above the motor, "It will be good, tonight, a good dinner." "Now you're changed again," Henry complained. He took one hand from the wheel and patted her knee. "I ought to take you in to dinner oftener. It would be good for both of us. We get so heavy out on the ranch." "Henry," she asked, "could we have wine at dinner?" "Sure we could. Say! That will be fine." She was silent for a while; then she said, "Henry, at those prize fights, do the men hurt each other very much?" "Sometimes a little, not often. Why?" "Well, I've read how they break noses, and blood runs down their chests. I've read how the fighting gloves get heavy and soggy with blood." He looked around at her. "What's the matter, Elisa? I didn't know you read things like that." He brought the car to a stop, then turned to the right over the Salinas River bridge. "Do any women ever go to the fights?" she asked. "Oh, sure, some. What's the matter, Elisa? Do you want to go? I don't think you'd like it, but I'll take you if you really want to go." She relaxed limply in the seat. "Oh, no. No. I don't want to go. I'm sure I don't." Her face was turned away from him. "It will be enough if we can have wine. It will be plenty." She turned up her coat collar so he could not see that she was crying weakly—like an old woman.