#Featuring: Lord John Grey
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Post on the Dragon Age website:
"Journal #2 The Voices of the Veilguard Get acquainted with some of the voice actors and join us for our upcoming character panel at SDCC! --- Hey everyone, We're packing our bags and heading down to SDCC this week and alongside that comes more Dragon Age: The Veilguard reveals! Today, we're excited to reveal some of the voice actors who bring our characters to life - a few of whom will be joining us for our character-focused panel at the convention. ICYMI, our SDCC panel "Dragon Age - Meet The Heroic Companions of Thedas” will feature Creative Director John Epler and Creative Performance Director Ashley Barlow as they discuss bringing the cast of Dragon Age: The Veilguard to life. Moderated by Lucy James, host and video producer at GameSpot, panel attendees will hear from Neve, Emmrich, Harding, and Lucanis’ voice actors as they discuss their motivations and inspirations that have lit up the personalities and uniqueness of each companion. The panel will be held on Friday, July 26 from 3:15PM - 4:15PM in Room 6BCF. If the panel isn't enough to satisfy your Dragon Age cravings and you'll be at SDCC in person, join us at the Dark Horse Comics booth (#2615) where we will have swag to give away as well as talent & developer signings. Keep an eye on our social channels for more information on this. Discord members who drop by the booth and show us that they're a part of the server will receive a Romancer pin while supplies last. For those of you who will be keeping an eye on SDCC coverage from home, we'll have the full panel video available at a later date. Stay tuned. With that said, let’s get into our cast."
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"Four Rooks are Better than One Featuring the most comprehensive character creator in Dragon Age yet, your character, nicknamed Rook, debuts with four different voice overs to make this story truly your own. Rook is Dragon Age: The Veilguard’s leader in the making who has to bring the Veilguard together to take down the threats on Thedas. Immerse yourself even further by picking your voice, with two options from US/North American personalities and two from the United Kingdom/EU. Rook’s voices have been provided by iconic television, film and video game personalities Alex Jordan (Cyberpunk 2077, The Amazing World of Gumball), Bryony Corrigan (Baldur’s Gate 3, Good Omens), Erika Ishii (Apex Legends, Destiny 2), and Jeff Berg (Battlefield 1, NCIS). What even is Dragon Age: The Veilguard without the Veilguard? These 7 companions stand ready to join the fight to restore order to Thedas. We're happy to announce that our cast of companions includes: - Ali Hillis (Mass Effect 3, Naruto), returns to the fray as Harding, the dwarven scout, a Dragon Age: Inquisition hero with a big heart, a positive outlook, and a ready bow – as well as unexpected magical powers. - Ike Amadi (Mass Effect 3, Halo 5: Guardians, Insomniac's Spider-Man) as Davrin, a bold and charming Grey Warden who has made a name for himself as a monster hunter. - Jee Young Han (Perry Mason, Unprisoned) as Bellara, a creative and romantic Veil Jumper obsessed with uncovering ancient secrets. - Jessica Clark (True Blood, Pocket Listing) as Neve, a cynic fighting for a better future, both as a private detective and a member of Tevinter's rebellious Shadow Dragons. - Jin Maley (Star Trek: Picard, Silicon Valley) as Taash, a dragon hunter allied with the Lords of Fortune who lives for adventure and doesn't mind taking risks. - Nick Boraine (Call of Duty: Modern Warfare, Black Sails) as Emmrich, a necromancer of Nevarra's Mourn Watch who comes complete with a skeletal assistant, Manfred, voiced by Matthew Mercer (Critical Role, Fallout 4). - Zach Mendez (Horizon Forbidden West, Married Alive) as Lucanis, a poised & pragmatic assassin who descends from the bloodline of the House of Crows, a criminal organization renowned throughout Thedas. Last but not least, we’re excited to let you know Gareth David-Lloyd is returning as Solas, and Brian Bloom as Varric. We have so many more people to introduce you to, including some returning characters, but we’re not quite ready to reveal all those yet, because of you know - story spoilers. While that’s all we have for now, we’re eager to meet those of you attending SDCC and to continue our summer filled with reveals from Dragon Age: The Veilguard. Talk soon. — The Dragon Age Team"
[source] [Twitter post]
#dragon age: the veilguard#dragon age: dreadwolf#dragon age 4#the dread wolf rises#da4#dragon age#bioware#video games#solas#long post#longpost#mass effect
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Your honor I'd like to propose an amendment to the 🍆 head cannon post:
Curvature and distinguishing colors, features? Are they darker or the same shade? Lighter? Hair color? Texture? Who's got a lean? 🥎⚾s?
Summary: More requested ‘N.SF.T’ headcanons for Task Force 141, Los Vaqueros, and König~ Part 2 of this post here!
Genre: Headcanons, request(s) Characters featured: Price, Gaz, Ghost, Soap, Alejandro, Rodolfo, and König.
Warnings: explicit content!
A/N: Never did I expect for that other post to become as popular as it did. I’m happy y’all enjoy my gross and overly-detailed headcanons. Also, please note, if any of you happen to not like or find any of my hcs to be gross or not what you expected, keep in mind they’re just my headcanons. Don’t take ‘em seriously, dudes. Weird and rude replies will be deleted. ( Gif credit: xxx )
Gaz―
Not much of a curve to it, honestly, he’s pretty straight curvature wise. Distinguishing colors? I’d say his foreskin is the same as his skin tone overall, tip-wise? I’m thinking it’s a bit darker than the color of his lips and flushes an even deeper color when he’s fully aroused, mhm. Hair color of his pubes is dark and also has a some curl and texture to it when he does let it grow out for some time. Balls, too? Hm... I’d say Kyle’s sporting a nice, snug set he prefers to keep smooth and clean more often than not.
Bonus! Kink headcanon is that he adores you paying extra special attention to his balls. Worship them and he’ll be cumming all over your face in no time~
Ghost―
Slight upward curve that stimulates you in the best of ways. IDC what anyone says, man has a mouthwatering cock with a nice flesh-pink tip and anyone can fight me on it. Probably slightly darker than his overall skin tone but not by much. Pubic hair stuff... I’m torn between him being a natural dirty blond or brunet. (I can’t remember where I saw the fanart from, but someone has a headcanon that he bleaches his brunet hair blond and oof, I’m in love, also give him long ass roots since he can’t keep up with his root touch-ups while out on missions) Straight-ish texture to his hair as well, grows pretty smoothly altogether. THIS MAN has a thick vein running down the middle of his shaft, my lord. And finally, for his balls, I’m thinking he’s got a hefty set that he’s quick to push you down to so you can pay them some attention, expect some light tickling from the hair there, too. uwu
Bonus! Kink headcanon is he struggles with being submissive and prefers being dominant the majority of the time due to his trauma. He doesn’t like the idea of submitting to someone -- he’s far too afraid of what kind of consequences it could possibly have for him. This doesn’t mean he’s a sadistic or strict Dom. If anything, he’s hyper aware of your reactions to every little thing he does, also refuses anything hard or physical against you, he detests the thought of causing his partner pain.
Price―
Leans ever so slightly to the right, isn’t too noticeable though. Since he’s circumcised in my previous post, could probably notice a scar that separates light flesh-tone color of his shaft from the faint pink of his tip. Also, despite him preferring to trim his facial hair specifically, I’d see him as going fully natural bush-wise. Man’s got a lovely cushion of brown hair that’s got just the faintest amount of gray speckled throughout. While he looks very textured, I personally think his hair would be soft af. Large set of balls that droops a bit lower now than when he was younger~
Bonus! Kink headcanon for John is - if you’re willing - he’d love to use you as an ashtray when he’s smoking. He’d light up, take a few puffs, than order you to open your mouth so he could tap the ashes off onto your tongue. Ordering you to keep your mouth open so he can see the black and grey specks of ash decorating your tongue before having you swallow.
Soap―
Has just the slightest upward curve to him, definitely jokes it’s great for helping stimulate his partner’s g-spot. Also knows all the best camera angles for top-tier dick pics. Shade darker than his natural skin tone and also has a smidge of hair going up the bottom of his shaft. Doesn’t mind in the slightest though. As mentioned before, he prefers going all natural and doesn’t shave or trim much. Lord, the amount of hair this man has. Has treasure trail, hair thighs, ass, groin, everything. Sorry, I love hairy men, what can I say? Also, when he’s super pent up, his tips turns a deep ruddy shade you love to see every time. Balls are on the larger side with one being slightly smaller than the other, also very sensitive and will have him turning into a whimpering mess if you pay special attention to them.
Bonus! Kink headcanon is he takes every spare chance he can get to take and send nudes and videos of him jacking off. Doing his best to make those sounds you love whilst trying not to get caught by anyone. Those moments are for your eyes and your eyes only~
Rodolfo―
Sobbing because his cock is the same gorgeous shade as the rest of his skin, although can see the head of his cock and his balls being a tad darker. Maybe has a tad lean towards the left. Has trimmed dark hair that feels amazing beneath your fingertips. Balls are a bit on the larger side. Run your tongue over them and his dick will be twitching above your face in no time, also will draw up tight to him when he’s cumming~ Please spread this man’s thighs apart, he’s got beauty marks for days and will fucking tremble if you kiss and run your tongue over them!
Bonus! Kink headcanon is he’s got such a praise kink when it comes to his partners. The hottest thing in the world for him is for him to be showering his partner with compliments, feeling them clench tightly around him as his words register in their pleasured-addled minds.
Alejandro―
Much like Rudy, he’s a beautiful shade of tan all throughout, and his cock head is just as flushed and ruddy when he’s aroused. Much like Rudy, has a lean but his is the exact opposite, veering to Also is hairy just like Soap, but nowhere near to the same degree. If anything, man’s sporting a thick bush, hairy thighs, and legs. Also another man sporting thick veins throughout the length of him that he’s more sensitive about being touched than he’d like to admit. Large set of balls that do sag a bit but doesn’t mind in the slightest definitely likes to teabag his partner as a result if they allow him to
Bonus! Kink headcanon for our man is that he’s a sucker for sloppy oral, giving or receiving, but especially receiving. Nothing excites him more than seeing how ruined and messy he can make your face as he fucks it.
König―
Doesn’t really have much of a curve or lean to him, but rest assured he’s got veins for days lining his shaft. And, if you run your tongue along them, he melts on the spot. Perfect male whimpering audio material <3 The color of him is noticeably darker than the rest of him. That, combined with his beautiful sandy colored curls make for a mouthwatering view. Also has large, yet tight balls that are far more sensitive than he’d like. Overstimulate the big guy right now!
Bonus! Kink headcanon is that due to his size all around, he’s grown to have a liking for size difference with his partner being smaller than his. It’s pretty easy given his height, but more so it drives him feral to see his cock bulging his partner’s belly out with every thrust he gives.
#john price x reader#soap x reader#gaz x reader#simon riley x reader#alejandro vargas x reader#rodolfo parra x reader#könig x reader#call of duty x reader#task force 141 x reader#los vaqueros x reader#cod headcanons#headcanons#'nsft'#opened mail#requests#my writing#lordsexmachine
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The Five Mistakes of Virgil Tracy
HAPPY BIRTHDAY VIRGIL!
I posted an actual happy story for one of their birthdays? I am in shock.
This is part of a wider alternate universe set in the Regency era that I'm developing... with a twist. You may have a hundred questions regarding a certain scene in this story, but I promise it will all make sense once the actual Regency AU story is published (which will be soon, I hope!)
For now, enjoy Virgil getting up to some mischief.
There is no explicit smut or sex in this, but it is implied. If you do not like romance, this one might not be for you.
For those who prefer to read on AO3.
Mister Reeves's private art collection is not quite what Virgil had been expecting to visit. What happens at the Reeves's family estate, stays at the Reeves's family estate.
March, 1816. London.
It had been a stroke of luck — of good or bad was still to be determined — when John noticed Lord Tycho Reeves contemplating one particular landscape. He had soon introduced him to Virgil as a friend and colleague at the Novatores club. Virgil had been overly keen in meeting one of John’s friends. Most of the time, his studious brother kept his club and its members far away from the rest of the family. Virgil did not mind, although making a good impression had been paramount.
Art seemed to be the topic of choice, given their location. Virgil had turned to the painting Lord Reeves had been assessing and began to critique it earnestly. Surely any smart man who was a member of John’s club, and who possessed an interest in art, would too be able to see the imperfections of the piece.
“It lacks imagination,” Virgil had so boldly claimed. “The shadows are all wrong for one thing. Even a novice would be able to see that those shades are entirely incorrect. It gives the painting an inauthentic feel, and then, of course, there is the case of the sky.”
“What is wrong with the sky?” Another voice had asked. If Virgil had been paying proper attention to his surrounding company, he would have noticed that, while this new man sounded like Lord Reeves, it was not he who had spoken.
“It’s grey.”
“The skies of England are usually grey, are they not? Perhaps, as an American, you would not recognise this.”
Offended, Virgil finally returned his attention to the group. Though Lord Reeves had humoured his inital critique, he was now standing a little further back with his arms behind him. His grin looked suspiciously like a smirk. Next to him, John had a twinkle in his own eye.
That was when Virgil had realised they had been joined by another man. Slightly taller than Lord Reeves, with similar features, but identifiably a very different man.
“Please,” this new addition to the group continued, “carry on. What is wrong with the sky being grey?”
Virgil, suitably uncomfortable and feeling like he was missing part of the puzzle that made it all so amusing to Lord Reeves and his brother, had meekly explained. “… Everything else in this landscape suggests… a happy memory. The lake twinkles as the sunlight catches it, though I cannot fathom where the sunlight is coming from, which suggests a magic spark.”
“Could it not be simply the light refracting the surface of the water?”
“That would be too literal.”
“And art cannot be literal?”
“Of course it can, but this is obviously not.”
“How so?”
Virgil sighed with a hint of irritation. “Metaphors in art are curated in the palettes, designed in the brushstrokes, admired by the viewer. Imagination is what drives art forward. Creative, human spirit!”
“The sunlight could pierce the clouds.”
“It does not represent that.”
“Imagine that it does then.”
Before Virgil could further dig himself into a hole, Lord Reeves stepped forward. “Mister Tracy, please allow me to introduce to you my younger brother, Percival… the artist of the piece you are currently observing.”
The blood had drained from Virgil’s features as the situation slowly sunk in.
He was thankful that Mister Reeves had not been insulted by Virgil’s strong critiques. Instead of turning away from him in anger, he had invited Virgil to tour the rest of the gallery with him and, once they had finished, invited him to visit his own private studio back at his family seat in Kent. This invitation had been solidified when, two days later, Virgil had received a letter from Reeves once again inviting him to his family home. Feeling as though he could not decline such a kind request, Virgil organised his schedules for his trip and set off the following week.
The long journey south had filled Virgil with anxiety. Every couple of hours he’d contemplate whether visiting would be a good idea. The last thing he wanted to do was put his foot in it again. When his carriage rolled up to the Reeves’s Estate at noon, Virgil had still not reached a definitive conclusion on what was best. He noticed Reeves all but skipping down the steps to greet him and quickly decided it was too late to do anything but stay.
April, 1816. Kent.
As Virgil stepped out of his carriage and the man drew closer, Virgil could make out the intricate pattern on Mister Reeves’s waistcoat. A design of dark, swirling lines, blooming in flowery explosions. The colours complimented the rest of his attire well and Virgil instantly realised two things: the first was that this was a man who knew how to present himself. Of course, he was hosting a guest for the next couple of days, however the clothing he wore suggested to Virgil that was ostentatious. The second realisation was that Reeves was a man who prided himself in being that way. If Virgil hadn’t already known better, he wouldn’t have been shocked to hear of Reeves’s love of art. He used himself as a canvas, and Virgil unexpectedly found himself appreciating that.
The first item of their agenda, according to Reeves once Virgil’s luggage had been seen to be a footman, was a guided tour of the country estate. His brother was apparently out for the weekend with their mother and Mister Reeves had expressed great relief at having the estate to himself (minus the obvious staff that flitted in and out of rooms as they passed through them).
Before arriving, Virgil had done thorough research on the man he was about to visit. He had asked John for tidbits of information from what he’d heard from Lord Reeves regarding his younger brother, and had surreptitiously inquired about the man at various events and social gatherings in the week leading up to his journey. He hadn’t been expecting Reeves to share as much as he currently was during their stroll, but had listened intently, as he would with a close friend, pretending he hadn’t heard half the story already.
Unlike his brother, Lord Reeves’s imagination had led him down a path of academia. He favoured turning to science and mathematics in order to understand the world around him. Percival's passions had always been more fanciful, decreed by the arts and a far cry from the world of equations and physics.
With his freedoms as the second-born son, it meant that Reeves had spent the better half of his youth creating. While his brother conducted his technological tests up in his study, Mister Reeves had dared to study the various crafts of art. First, the childish abstract art that a muddy puddle in the grounds of their vast country estate, then, as he grew older, so did his interests. Sculptures and poetry fascinated him, but it was in painting where his true passions dwelled.
Virgil could relate to most of that. He, too, was called to a different path than his brothers. It was refreshing to hear Mister Reeves’s brief story, though when he asked questions regarding Virgil’s own family in the process, Virgil was a much more closed book. He was thankful when the topic of conversation changed to the varieties of plants in Tycho’s greenhouses, even if neither of them were particularly knowledgeable on the subject.
Drizzle began and they made the decision to start back up to the house. They passed a lake that appeared very similar to the painting Virgil had critiqued when they had first met, and then various flower beds before ending the tour by the stables just as the rain began to pick up.
It had been fascinating, taking a walk through the gardens of the Reeves’s estate, but Virgil was far more at home once he was given the tour of the interior. The paintings that hung on the walls of the house were more familiar to Virgil than plants and trees. They strolled further into the grand manor, passing through halls and rooms so elaborate they would no doubt rival the Royal Palaces themselves, until they eventually came to the private art gallery.
Most of the artwork that lined the first room was very similar to those that Mister Reeves had already displayed at the gallery where they’d first been introduced: a couple of watercolour landscape pieces that had been inspired by his home in Kent; a portrait of his older brother painted with oils; a few commissioned pieces that had never been paid in full and so Reeves had kept them as payment.
“An unfortunately common occurrence.” He had sadly claimed.
All had been what Virgil was expecting to see upon arriving. No bold, critiquing comments were made on any of the pieces he saw, however. He had learned his lesson the first time around and the shame he felt in the aftermath… Virgil hadn’t forgiven himself for days. If that had been him on the receiving end, he wouldn’t have recovered for a while. Not that his self-esteem was bad, that is. The case with Virgil came down to his sensibilities; out of the five Tracy brothers, Virgil was undoubtedly the most sensitive.
Mister Reeves guided him through to the second room of the studio. It was low lit and more crowded than the first chamber. As they entered, Reeves pulled back the covers that had been blocking the windows and the afternoon sun streamed in. Light lit up the area, the canvases that were haphazardly strewn across various work surfaces…
And Virgil stopped dead in his tracks.
The previous landscape images and average portraits were the paintings he had been expecting to view.
The image of the scantly clad woman, however, was not.
Virgil blushed.
And Percival Reeves liked that. His smile turned devilish.
“Is this imaginative enough for you, Mister Tracy?” Reeves asked as he sidled up beside his new friend.
Virgil observed the painting. It was certainly suggestive and Reeves’s alluring demeanour and tone only amplified it.
He convinced himself that he was only interested in the brushstrokes, in the colour palette that had been used. It only half-worked.
The ivory dress the model wore had slipped down substantially, leaving bare shoulders on display. Delicately painted hands held up the gown which remained covering her more intimate parts, but the suggestion was enough. Soft ringlets of her brunette hair fell from her fancy up-do.
Whoever this woman was, she was exquisite. Virgil wasn’t sure whether she was real or merely a figment of Reeves’s imagination, and he dared not ask for her identity. The last thing he wanted to appear as was indecent.
Then again, it had been Reeves who had invited him to his private studio, who had guided him into this second chamber, who had revealed to him these secret paintings.
To further his point, Reeves did not seem to care for indecency. As if reading Virgil’s mind, he traced his fingers lightly over the woman’s painted features. “Her name was Clara. She was a model down at the club I frequent.” His index finger reached the rouged lips of the model. “She’s magnificent, isn’t she?”
A variety of questions inundated Virgil’s mind. He kept them at bay and simply — meekly — nodded. “You said ‘was’?”
“Clara no longer models for us.” Mister Reeves explained, dropping his hand back down to his side. “Rumours claim that one of our members became ‘involved’ with her and, when their relationship ended unpleasantly, Clara left and never looked back.”
So entranced as he was by such a scandalous image, that was now additionally paired with a scandalous story, Virgil found he could not take his eyes off the painting.
When Mister Reeves’s gaze drifted over to him, he felt the man’s eyes on him rather than saw them.
“Gossip can be such an obstacle.” Reeves continued. “The Ton seem to thrive on tittle-tattle. Have you ever read that damned gossip sheet that makes it’s rounds now and then? Utter poppycock! Drivel! I believe it to be a vulgar practice. In fact, I think spreading frivolous gossip is far more vulgar than showcasing a painting of natural beauty. Would you not agree, Mister Tracy?”
Beside him, Virgil felt Mister Reeves inch closer.
“Yet, while the gossip rags are allowed to be published and distributed, my paintings are prohibited from being shown in public art galleries. Tell me, do you believe that to be a fair practice?”
Virgil’s collar suddenly felt too tight. The question posed by Reeves sounded like a test of some kind and Virgil found himself not wanting to fail. He could see how such an illustration could be deemed “too promiscuous” to display, no matter the natural beauty it showcased, but made no comment. He continued to stare at the painting, unblinking.
Reeves went on. “I do not think you are the sort of man who enjoys listening to mindless gossip. You appear to be a man who prefers thoughtful conversation.”
His host’s words became more emphasised, more accentuated, more connotative.
“You come across as someone who would rather indulge in more stimulating dialogue, no?”
Virgil grew hotter. Mister Reeve’s arm now brushed against his own and Virgil’s heart-rate quickened. He blamed it easily on the portrait that he still stared directly at.
If Reeves was testing him, Virgil thought that is was a rather unfair test.
“How do you like to be captivated, Mister Tracy?”
His host was being wilfully provocative. Mister Reeves’s arm again brushed up against his own sleeve. It was a momentary touch, fleeting and possibly accidental… No, not accidental. Paired with the words and the images and the previous touch, Mister Reeves had intentionally moved closer a second time.
Still Virgil said nothing. Still he did nothing. He allowed the feelings, so unfamiliar to him they almost frightened him, to swell and infect every part of his body and mind.
He began to wonder if this was the sort of thrill his brother sought when he visited her. If that was the case then Virgil was on the path of understanding what the appeal was.
Mister Reeves had grown quiet, and Virgil realised he had yet to answer his question.
Nervously he cleared his throat, his words seeming foreign on his tongue as he spoke. “I, uh, do partake in poetry.”
He dared a glance towards his host. That was his first mistake —
No, it was his second.
Virgil’s first mistake had been accepting Mister Reeves’ invitation, though, of course, despite his initial hesitations, he had not known back then what would transpire.
This second mistake of his — turning to face Reeves — could have been far more avoidable. Upon seeing the portraits, Virgil could have upped-and-left. That would have been the proper thing to do.
But he had been so transfixed by the images he had seen, marvelled by their beauty, that Virgil simply could not leave. Never mind the fact that it would have been a rather rude gesture towards the man who had essentially given him a second chance with that kind invite.
Just as the painting was easy to get lost in, Mister Reeves’s eyes, Virgil realised, were the sort one could drown in. Without a second thought, he imagined how he could possibly paint them. Bold and daring, with a touch of tawny in the hazel iris. Perfectly opulent…
Dear Lord, he was staring! Straight into the other man’s eyes and—
Virgil’s blush returned with vengeance. His cheeks grew warm and there was nothing he could do to stop them from reddening.
Perhaps the invite had not been kind at all. Perhaps it had been an elaborate scheme that Mister Reeves had concocted to further embarrass him after he had made those comments!
Reeves chuckled, however. It was not the sort of vicious or malicious laughter that came at the expense of another, but one that was reassuring. Gentle and understanding, Mister Reeves reached out.
Despite the fabric of his shirt separating their skin, a thrilling tingle was still sent up Virgil’s arm upon his touch.
…
Oh, this was ridiculous!
Virgil cleared his throat, attempting to compose himself in the face of Mister Reeves. He inhaled deeply, which proved to be his third mistake. The scent of rich orange and bergamot coming from the man standing beside him drowned his senses completely.
“One shade the more, one ray the less, / Had half impaired the nameless grace / Which waves in every raven tress, / Or softly lightens o’er her face; / Where thoughts serenely sweet express, / How pure, how dear their dwelling-place.”
“Byron.” Virgil instantly recognised the piece.
“I, too, partake in some poetry from time to time.” Mister Reeves admitted.
“It is a beautiful poem.”
“It is. I have a variety of poetry books in my private library.”
Virgil cracked an amused smile. “Is this private library as solicitous as this private art collection is?”
Mister Reeves simply stared at him and, for a moment, Virgil wondered if he’d been too bold.
Before he could backtrack and offer an apology, however, Mister Reeves’s smile curled. “Would you think poorly of me if they were?”
Virgil did not think poorly of any man or woman, with the exception of a couple who were truly, under Virgil’s terms, despicable. Mister Reeves, in the short amount of time he had known him, did not seem to be that sort of man.
“Art is not to be thought poorly of.” He diplomatically decreed. “It should be subjective, not discredited due to themes or images alone.”
“Unless it is an unimaginative piece down at the Royal Art Gallery?” Mister Reeves chuckled, the twinkle in his eye suggesting he was glad Virgil was being more direct.
“Am I ever to live that down?”
“It is looking more and more unlikely, Mister Tracy.”
That was fair enough, he thought to himself. “I see. Well, in that case, I shall have to work hard to regain your trust in my judgement.”
“I do not distrust your judgement in the slightest, Mister Tracy.”
Virgil could feel the blush return to his cheeks. “That’s very kind of you to say, Mister Reeves.”
“Please, call me Percival. If we are to be friends, it feels only right.”
The offered hand that Mister Reeves — Percival — had extended was met halfway by Virgil, who had been expecting a handshake from the man. There was no handshake, however, and instead Percival enclosed his fingers around Virgil’s hand, squeezed gently and then pulled him back through the doorway of his art studio. Virgil did not stop him, which proved to be his fourth mistake, and they retraced their steps through the hallway, turning in the opposition direction to lead down a new staircase Virgil had not yet seen. The steps were lined with a beautifully soft red runner and, eventually, Percival came to a stop outside another room, this time locked.
Percival made short work of unlocking the door, opening it to a view of his private library, if the lines and lines of shelving were any clue. Percival pulled Virgil inside, only letting go of his hand once the door behind them was shut.
“This is my second home.” He announced rather proudly. “Or my third, if you were to count the actual house as a home.”
“You do not?”
Virgil��s question was asked half-distractedly. He began to inspect the rows and rows of books that sat upon the nearest shelf.
On the Origin of Species
Believing Is Seeing: Is There Life on Mars?
Relativity: The Special and General Theory
Dark Matter and Dark Energy: The Hidden 95% of the Unknown
A Brief History of Time
Challenging Technology
Sustainable Transport Innovations
The Voyage of the Beagle
Beyond the Horizon: Exploring Breakthroughs in Modern Science
Whatever answer Percival had given to his question, Virgil did not hear. He ran a finger along one of the books worn spines, feeling the groove of the embossed titles that made no sense. After all Percival had said regarding the differences between his brother and himself, Virgil had half-expected a library full of books on the arts. This library looked more like a trove fit for Tycho instead.
His eyes scanned over the titles again.
A Brief History of Time… The Voyage of the Beagle… On the Origin of Species…
Virgil’s mouth grew dry. Beneath the layers of his clothing, goosebumps rose.
Something was wrong.
Fog descended on his mind, skewing his thoughts from questioning any further. The hair on the back of his neck rose and static noise drowned out whatever Percival was currently speaking about. There was a steady beeping sound that was barely audible amongst the crackling disturbance.
Virgil glanced back to the row of books, impossible books, books that seemed wrong. They didn’t belong here, and not because he thought they were Tycho’s books instead. There was something Virgil couldn’t quite put his finger on, something very obvious that was staring him right in the face… but that damned hissing wasn’t helping him think! He resisted the urge to lift up his hands and cover his ears; it wouldn’t have helped.
Virgil jumped when Percival’s hand landed on his arm. The fog instantly lifted, the noise dissipating until he could hear his host’s words clearly once again.
“Are you feeling well, Tracy?”
Without missing a beat, Virgil nodded his assurance. “Yes! Yes, I am… I am well. My apologies.”
“Are you quite sure? You seemed…” Percival trailed off, his eyes searching Virgil’s cautiously. “… distant. Like you were—”
“I assure you, I am fine!”
Despite the confidence with which Virgil had declared his health, the truth was much more different. His heart was still thundering away behind his chest, his head swimming, not only from confusion but from some sort of after effect. He held onto the shelving for support, disguising the fact by gesturing to the line of books. “You have a wonderful collection here, Percival.”
It was only once he complimented the books that Virgil dared to look at the titles again.
The Analysis of Beauty
A Treatise on Painting
The Lives of the Most Excellent Painters, Sculptors and Architects
Bile rose up Virgil’s throat. He was certain those same books held different titles only moments ago. He frowned, tearing his eyes away from the books that had caused his funny turn; he did not wish to go down that rabbit hole again.
“Thank you.” Percival bowed his head in acknowledgement.
Whether he could sense Virgil’s unease or not, Virgil did not know. All he knew was that his host was guiding him by the arm to sit upon one of the leather couches in the centre of the library. Virgil allowed himself to be seated, forcing himself to offer Percival a weak smile. It did nothing to quell Percival’s look of scepticism.
Nevertheless, Percival continued. “As I was saying, I count this as a home away from home.”
“Yes, you said you did not class your house as a home.” Virgil recalled, tracing his mind back to their conversation before he’d been swept up in… whatever that had been. “Is the house not naturally your home?”
“No.” Percival had been nothing but confident since Virgil arrived. He had stood tall, spoke relatively freely and without concern. Yet, with that small, one-worded confession, the man had changed. His tone became quieter, his shoulder hunched making his appearance seem smaller than normal.
“I find the house is less of a home and more of a place where one resides.” He explained carefully. “My studio, this library, feel more homely to me than the house at large does. Oftentimes, the bottom of my liquor bottle is more conversational than my brother or anyone else in this damned household.” Percival’s eyes met Virgil’s. “Do you not feel that way too sometimes, Mister Tracy?”
He took the seat beside him on the couch, his arm stretching out across the back cushions behind Virgil. “Do you not feel encased or entrapped by the house in which you reside?”
Virgil shook his head, though in truth, he had never once given it a thought. His family were the kindest, most welcoming people he knew. They made his house a home. He refrained from sharing that, however. The last thing he wanted to do was sound as though he was boasting, even if Percival had asked him the question in the first place.
Percival grinned with a subtle touch of jealousy. “How lucky you are to not understand first-hand what the pain is like.”
“But surely your brother—”
“I told you, Tycho is less interesting than my bottles of liquor on a good day. He rarely cares for what I do, being too busy tinkering away in his little laboratory or polishing himself up in order to appear just as our father did, a pillar of society. He does not care what I do or who I have become.”
“He was at your art show the other month.” Virgil carefully pointed out. “Surely that means he still must care in some capacity?”
“Everything Tycho does is for show, Mister Tracy.” Percival met Virgil’s eyes again and the vulnerability was clear. This was a man who had turned to his creative pursuits to escape his own reality. Virgil could relate to that, even if he couldn’t entirely empathise with the exact reasons why.
“You must be lonely.”
“Sometimes.” He smiled weakly. “But I am glad I have found a friend in you, Mister Tracy.”
“Please, if I am to call you Percival, you must call me Virgil.”
Percival’s smile grew, softening the hurt in his eyes. “Well, I am glad to have found a friend in you, Virgil Tracy.”
“And I with you.”
“Do not tell me a man such as yourself is without friends?”
“I am afraid all my friends are back home in America.”
Any trace of Percival’s vulnerability was shed. He welcomed the change in topic gladly, lifting one leg up to tuck underneath himself as he turned to face Virgil, his arm still outstretched behind him. Virgil felt relief when Percival did not retrieve that hand, and then batted away his feeling once he’d realised it.
“Tell me about home. My father visited once but he rarely spoke about it.”
“Probably because there isn’t a lot to say.”
“Nonsense! Do not be modest with me now, Virgil. I showed you my most secret collections.”
Virgil grinned. “Perhaps do not call them ‘secret collections’.”
“Why not?”
“It gives the impression that you are a secretive man.”
“Is there a problem with secretive men, Tracy?”
“No, not at all, but it usually begs the question as to what the man is keeping secret.”
“I have laid pretty much all bare with you. What possible questions might you still have?”
“If everything is a secret, Reeves, I’m afraid I wouldn’t know what else I might be wondering about.”
“In that case, allow me to wonder about you. You may not have private art collections, Virgil Tracy, — or maybe you do, who am I to judge? — but you are quite the enigma yourself. Tell me, compared to myself, how deeply have you answered my questions this afternoon?”
Virgil felt slightly guilty. “Perhaps I am simply not as deep as you might think I am.”
“I would have to disagree with you there. I think that you’re extremely deep and meaningful. You just don’t trust very easily, which I understand entirely, but…”
Percival trailed off, shuffling a little closer to Virgil. The hand outstretched behind him gently brushing against Virgil’s shoulder. He tried not to elicit a reaction, tried to ignore the sweet tingle that was left once Percival’s hand left him again, but it was harder to hide than it had been in the art studio.
“But you don’t have to worry here.” He continued, so close his whisper breezed Virgil’s cheeks.
Virgil Tracy’s fifth mistake was not standing up and leaving the library in that very moment, though mistake might have been too harsh a word. The word ‘mistake’ is commonly left with connotations of regret, and Virgil did not regret what happened next in the slightest. Percival’s rich scent of orange and bergamot clouded Virgil’s senses. It enveloped him, ensnared him. He noticed now how Percival’s eyes were more tawny than they were green, citing the different in lighting in the library being the primary reason. He’d have to remember that when he painted the man… if he painted the man.
His muse quite often struck at odd moments. On one occasion, while stuck at the dinner table of one of Lord Clingsdale’s banquets, Virgil had composed an entire symphony in his mind. On another occasion he had written the most beautiful poem whilst playing a round of ninepins with his family. He transcribed it later that evening before he could forget it entirely.
But this sudden surge of creative passion was different. It was stronger. This time his inspiration did not arrive due to boredom or having a lovely afternoon on the green with his family. This time his inspiration came from the very handsome man who had invited him into his home and bared his soul to him.
Virgil reigned himself in.
There was never a logical or calculated moment for when his muse would strike, but he just couldn’t be thinking about that, not now.
Not when Percival was this close to him.
Not when Percival inched his face toward him.
Not when Percival’s lips, so soft, experimentally pressed against his own.
It was over within a second. Percival pulled his lips away and stared at Virgil, assessing his reaction. The kiss had been so fast, Virgil hadn’t been able to process it fully. His confused blinking had Percival frowning, his cheeks warming up.
“Was that…? Oh, God, that was too much, wasn’t it?” Percival jumped up from his position, clearly embarrassed, but all Virgil felt was his absence the moment he left. Beside him, the couch still had a Percival-shaped dent from where he’d been seated.
Distraught, Percival clamped a palm over his forehead. “I’ve ruined it all now, haven’t I? Please, Mister Tracy, accept my thorough apologies! I do not know what came over me…”
The buttons on his waistcoat, unique in its periwinkle shade, were fiddled around with. That vulnerability Percival had displayed earlier, of which Virgil was sure he’d only barely glimpsed, only scratched the surface of witnessing, had returned.
Virgil stood immediately and strolled over to the pacing man. He caught Percival’s hands before he could do any damage to his waistcoat buttons and, to his surprise, Percival ceased his fidgeting. Virgil knew he had a calming quality, an aura that was tranquil, but he rarely didn’t surprise himself with his abilities. His father had once claimed that he was a lot like his mother in that regard and Virgil had held that compliment close to his chest ever since.
The not-quite-tawny-not-quite-hazel eyes glanced at him with hesitance, but Virgil didn’t allow him to back away. If Scott was allowed to have his fun, then why couldn’t he? After all, one more kiss was harmless enough, wasn’t it?
Gently, for he did not want to ruin Percival’s intricately designed waistcoat, Virgil’s fingers wrapped around the lapels and drew him nearer. Their slight difference in height had Virgil leaning forward and up, but he wasted no time in reassuring Percival that he hadn’t ruined anything.
This time, Virgil made sure that their kiss wasn’t so light and experimental. Their brief few hours together had enticed both of them, and Virgil wanted Percival to know that he wasn't the only one who felt that way. Whether it was love or lust, or maybe a mixture of both, Virgil did not know. All he knew was he craved more of Percival’s attention, more of his touch.
Percival seemed stunned when Virgil went in for his less delicate kiss but, once he got over his initial shock that yes he hadn’t ruined his new friendship — could it be deemed such now? — with this man, gave as good as he got. Hands trailed clothed bodies, tables were bumped into and enamoured giggles were exchanged in short bursts of breath, until they found themselves back at the couch once again.
When Virgil had first arrived earlier that afternoon, he had not known what to expect. If he had been able to cast his mind’s eye to the future to envision this current scenario, he might have turned away out of fear. Now that he was here, however, living in the moment and cherishing every second, he was glad humans did not possess that impossible ability.
‘One more kiss’ turned into a cascade of them. Lips began to explore more areas — cheeks and necks and chests. They almost missed dinner, too wrapped up in themselves and their desires to care for the time. When society deems something as taboo for too long, one is more inclined to take a bite out of the denied apple.
In between their fits of passion, Percival assured Virgil that what happened during his stay would remain within the walls of the manor… or the greenhouse, or the confines of the lake area, wherever they wished to adventure next. Silly little love affairs were not something to be ashamed of, Reeves had claimed, but something that deserved to be experienced every now and then, and Virgil had to agree.
He was almost sad to leave the following afternoon. Percival had been disappointed that Virgil did not accept his offer to stay longer, but after promising him he’d return as soon as he could, Percival had lightened up a little again. He waved him off as his carriage departed and Virgil found himself looking back through the cab’s windows, watching the small speck that was the Reeves Estate slowly disappear over the horizon.
When John had inquired about his trip the morning after he’d returned back home, Virgil had kept the details minimal. If his brother had seen through some of his more reserved statements, he did not let on, nor did he question Virgil when he spent more time in his studio painting over the subsequent month. Virgil was grateful for that. Inspired by Percival’s private art studio, Virgil had installed a small lock on the door to his own. The portrait he was currently working on was for his eyes only. He didn’t want to make the mistake of allowing one of his brothers to accidentally stumble across it. He was on a running streak of not feeling guilty over the last five mistakes he’d made, and, high on life, Virgil had no intention of breaking that streak just yet.
#thunderbirds fanfiction#thunderbirds are go#thunderfam#thunderbirds au#regency au#virgil tracy#oc - percival reeves#five fics#fic: the five mistake of virgil tracy#series: out of time (regency au)#romance
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DA Review Series: Tevinter Nights
<<< Previous Review: Absolution
I've read this anthology once before, and I'm happy to say it holds up beautifully on a re-read. Since this features multiple stories, I'm going to review the whole work, and then do little reviews of each individual tale.
Title: Tevinter Nights Editors: Chris Bain, Trick Weekes, Matthew Goldman, and Christopher Morgan Year Published: 2020 In-World Year: ~9:45+ Verdict: Required reading. This is a fantastic look at the state of Thedas after Trespasser, as well as an introduction to a few of our companions and factions in Veilguard. If you only consume one piece of tie-in content leading up to release day, make it this one.
Tevinter Nights is a collection of short stories all set after the fall of Ventus. We meet Strife and Irelin, Evka Ivo and Antoine, Lucanis and Illario Dellamorte, Andarateia Cantori and Viago de Riva, Emmrich and Manfred, and Neve Gallus, among others. We also see all of our factions — Inquisition, Lords of Fortune, Veil Jumpers, Shadow Dragons, Antivan Crows, the Mourn Watch, and the Grey Wardens. This book really feels like a primer for the next game and is a ton of fun. I enjoyed my second reading as much as the first!
1. Title: Three Trees to Midnight Author: Trick Weekes Verdict: Set in the aftermath of the invasion of Ventus, this story feels like the perfect jumping off point. It picks up from the comics and introduces us to the Veil Jumpers and Arlathan Forest — a very exciting first story for longtime fans.
2. Title: Down Among the Dead Men Author: Sylvia Feketekuty Verdict: Undead murder mystery, what's not to love? Plus, we meet Emmrich and Manfred and it's absolutely adorable. And, I'll be honest, I'd do anything for Audric. This story makes the Mourn Watch seem pretty darn cool.
3. Title: The Horror of Hormak Author: John Epler Verdict: Absolute nightmare fuel. If you're worried that Veilguard isn't going to be dark enough... Read this story. A pair of Wardens are investigating a missing unit, and discover a very messed up underground lab of some sort. This story very much gave that same creeping dread as meeting the Broodmother in DAO. And if I have one fear for Veilguard, it's a Broodmother in 4k.
4. Title: Callback Author: Lukas Kristjanson Verdict: Heartbreaking. But also a really moving farewell to Skyhold. I love this story even though it kills me. In fact, I loved it enough to write some fanfic revolving around it! That's how good it is.
5. Title: Luck in the Gardens Author: Sylvia Feketekuty Verdict: This story introduces us to the Lords of Fortune faction. Hollix takes a job from none other than Dorian Pavus (and we see him with Mae!!!) to find out what's been hunting people in the docks. And it's uhhhh not anything you might expect. We see more evidence of gross, tentacled, briny-blooded monsters lurking underground. Again, things are getting real messed up in Thedas y'all.
6. Title: Hunger Author: Brianne Battye Verdict: In another throwback to Origins, werewolves are back babeyyy! This time a pair of Wardens (Evka Ivo and Antoine) are on their way back to Weisshaupt when they come across a cursed village. The pair decide to lend a hand and quickly realize they might have taken on more than they bargained for...
7. Title: Murder by Death Mages Author: Caitlin Sullivan Kelly Verdict: More Mortalitasi in this one. We get a peek at Nevarran politics, a brief glimpse of Cassandra, and more insight into the Mortalitasi. I will say, this is probably my least favorite story in the collection. While it showed Inquisition agent Sidony's power, it didn't really come together for me plot-wise.
8. Title: Streets of Minrathous Author: Brianne Battye Verdict: Helloooo Neve Gallus! This is an utterly stunning introduction to our private detective companion. A great noir-style tale that confirms that the Venatori are very much still a problem in Tevinter.
9. Title: The Wigmaker Job Author: Courtney Woods Verdict: Oh man. This is one of my favorite stories. There's just so much to love here! Lucanis and Illario are great together (I fell in love with Lucanis here and have rooted for him to be a companion since I first read it). The action sequences are great, and again, some real nasty, dark things are happening in Thedas.
10. Title: Genitivi Dies in the End Author: Lukas Kristjanson Verdict: This story is So. Much. Fun! It's also a pretty deep cut for fans, featuring Brother Ferdinand Genitivi (from DAO) and Philliam, a Bard!, as well as a few references to the Randy Dowager. All figures you'll only know if you are a lore hound in Inquisition. We also meet another Lord of Fortune and get a fun romp into elven ruins. What's not to love?
11. Title: Herold Had the Plan Author: Ryan Cormier Verdict: More Lords of Fortune, this time stealing an artifact from the Grand Tourney in Starkhaven. We also see Vaea and Ser Aaron at the end, which was a nice little treat. I will say though, this one had me a bit misty-eyed by the end. I usually want to see more of characters I love, but I hope Bharv retires to his farm and never treasure hunts again. Man has earned it.
12. Title: An Old Crow's Old Tricks Author: Arone Le Bray Verdict: After a troop of Tevinter soldiers attack a Dalish clan to make way for their camp, the Dalish seek revenge. That vengeance comes in the from of an old woman named Lessef. Watching her decimate the soldiers was gruesome good fun, and I cheered each time she said "Lessef of the Antivan Crows has fulfilled the contract."
13. Title: Eight Little Talons Author: Courtney Woods Verdict: This is the longest of the stories (I'd probably consider it a novelette) and it is maybe my favorite. I love a good whodunnit, and this one has a remote lake house, Antivan Crows, murders that replicate historically famous assassinations, AND sexual tension through the roof! We are formally introduced to Andarateia Cantori and Viago de Riva in this story, though we can infer from the text that they are the unnamed Crows we met in the comic Deception. I love them and NEED them to kiss on screen on Veilguard, okay?????
14. Title: Half Up Front Author: John Epler Verdict: It's hard to follow up Teia and Viago, but this little heist story is good fun. We see Gatt, and go to Kont-Arr! We also learn that the Agents of Fen'Harel are uhhhh real intense, Solas is after yet another artifact, and his feud with the Qunari is alive and well. We also learn that Dorian hired the narrator of this story to steal something from the Archon(?!) and at the end Gatt suggests the narrator and her girlfriend Irian head to Kirkwall to meet Varric. So, I guess we'll see if they show up in Veilguard?
15. Title: The Dread Wolf Take You Author: Trick Weekes Verdict: Look. As a Solavellan, I was never going to be normal about this story. I remember screaming (and crying) the first time I read it. It's a really interesting look at some different groups around Thedas, including the Carta, the Mortalitasi, and the Executors. We get to see Charter again, and she mentions Tessa! But the real gem here is that Solas himself shows up, and he somehow manages to break my heart all over again all while leaving me we more questions than answers. What an absolute banger of an ending for this anthology!
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WIP Wednesday
The Polaroid 📸
"Is that what I think it is?"
Scott paced over to the wooden unit and scooped up a small polaroid camera.
"One of Gordon's finds - that kids sure loves his vintage gadgets. I like this one though; there's something special about a polaroid," Grandma gave a wistful smile.
"Bring back memories?"
"Oi, I'll have you know, they were old even when I was a girl!"
Scott gave a sheepish grin.
"Sorry."
Grandma batted the air in good humour.
"They're like vinyl records. They don't give you a perfect result, but there's some beauty in that."
Scott set the camera back down, then gathered up the tower of photos stacked next to it.
The first few featured the various sunrises Gordon must have snapped before his early morning swims; the dusky pinks and golds silhouetting slumbering palms.
Grandma was right. The pictures were beautiful.
Scott smiled and continued to flick through the images; the golds and pinks suddenly interrupted with a burst of cerulean blue.
"There's one of me in here!" Scott presented Grandma with the photo. I didn't know he had taken this.
"Oh, now that I like!" Grandma smiled, wafting the photo as though it needed drying.
The image was of John and Scott surfing together. A rare occurrence to be sure, but such a treasured memory.
There were others just like it.
Alan stargazing - the cosmos filling the night with such an abundance of stars, the polaroid looked somewhat surreal.
There was another taken not too long ago of Virgil with a seedling. Scott had walked in to find the gentle giant conversing with the tiny plant.
"Why on earth are you talking to a plant?"
"Helps it grow."
"Plants don't have ears."
"No, but they're living beings. All it takes for a soul to grow is a little time and love."
Scott couldn't argue with that. And although he wasn't convinced by the concept enough to strike up a conversation with the nearest tree; he did love his brother that little bit more for the kindness he brought to the world.
Scott gently set the image down.
"You're right Grandma, this camera is special."
Gordon's photos had captured life on the island in such a wonderful, smell-the-roses way. It gave him pause for thought. Gordon was so like Virg in that manner; seeing the good in the world. The camera was his canvas.
Scott had planned to file some more reports, but the love emanating from the pictures ultimately won out, and Scott sank into the sofa next to his Grandma.
The reports could wait.
It was time to appreciate the little things.
The commander slouched to allow for his head to rest on her shoulder, and they flicked through the remaining pictures together.
The photo pile was deceptively large.
Scott was just about to save the rest for another day when one in particular caught his eye.
"Who's this?"
Scott held up the polaroid for closer inspection.
"Who? Her?"
"Yeah, the girl kissing Alan."
"Oh! That's Mandy, Alan's girlfriend."
"Alan has a girlfriend?"
Grandma took a sip of tea.
"Mmm, I've only met her the once, but she was just lovely."
Scott stared at the picture. The girl was pretty, in a girl-next-door-type way.
"How did they meet?"
"How does Alan meet anyone?"
"Rescue?"
"Gaming."
"Oh."
Grandma set her tea down.
"They've been chatting for years online, then met in person at that comicon the boys went to last year. I believe there's a pic in here somewhere..."
Scott surrendered the remaining stack of photos, but continued to inspect the stranger... Mandy...to try and get a read on her. It was only a headshot of them both, so not much to go on. She was wearing a simple bobble hat and thick woolen scarf. Her face was somewhat obscured by a mass of bouncy dark curls, but as far as he could tell, she was besotted - all smiles as she kissed Alan.
"Ah! Found it!" Grandma handed him a second photo. Four figures beamed back at the camera. Warrior Alan, Elven Lord Virgil, Kraken Gordon and a grey-bearded wizard.
Scott squinted at the photo.
"This is her?"
"The wizard, yes."
Sure enough, some bouncy brown curls could just be seen jutting out from behind the faux beard.
"Hasn't she the most wonderful cow eyes?"
"Cow eyes?"
"Y'know - big, brown, soulful eyes."
"Can't say that I noticed."
"You, Scott Tracy? Not notice a pretty face? Are you feeling alright?"
"Hard to see it behind the beard,” he deadpanned.
Grandma swatted his arm.
“Besides, she's too young, Grandma. And so is Alan." He returned both photos to her and lightly folded his arms.
"He should be focussing on his studies."
"Oh, like you did at his age?" Grandma arched a brow.
"Scott, honey, your brother isn't twelve anymore."
Scott gave a noncommittal grunt.
"And, as far as I can tell, his grades have been exemplary."
It was true, his grades were well-above average, but Alan was still the baby of the family, and Scott wasn't quite ready to view him as anything else.
"Still, he has enough going on, doesn't he? Between coursework, International Rescue, driving lessons..." he trailed off.
"All work and no play makes Jack a dull boy."
"He games." Scott offered.
Now it was Grandma's turn to fold her arms.
“Scott, he's twenty next month.”
“So?”
"So…you're telling me that you're happy to risk the life of your brother out on missions, but object to him being happy with someone he loves?"
"Loves? I thought it was just the odd date?"
"Like I said; they've been friends for years. But does it even matter? Date, hook-up, love.
I, for one, am just pleased to see your brothers are all happy with nice people."
"John isn't seeing anyone."
"Why? Did he break up with Ridley?"
"Captain O'Bannon is just a friend. They play handball together, that's all."
"Is that what the kids are calling it nowadays?" Grandma chuckled and took another sip of tea.
"Grandma!"
Grandma was the epitome of coy as she gave an innocent shrug.
"You're reading too much into things. What Captain O'Bannon and John have...it's strictly professional! They're work colleagues, nothing more."
"Okay Scott."
"What?"
"I'm just wondering at what point you thought International Rescue had become a nunnery?"
Scott cleared his throat.
"I - don't…think that”
He idly picked at a stitch that had come loose on the sofa.
“What I meant was, surely if they were all in relationships, they'd just tell me?"
"What? So you could give them the same reaction you gave me just now?"
Scott stood, and slowly paced in a circle as he digested.
"Is that how they see me...a prude?"
"No, I wouldn't say that. They just don't feel the need to run every last relationship by their brother. You sure didn't with your dad or myself when you were younger. We'd still be here today if that were the case!" Grandma gave another wicked chuckle and Scott groaned into his hands.
"Newsflash, your dad and I weren't as blind to those late night study partners as you thought we were. That script is as old as time!"
Scott squirmed as he looked for a way to redirect the focus back from himself.
"I guess Allie's just remained around twelve years old in my head. I blinked and he grew up."
"That's parenthood for you, Scott."
Scott flinched.
"Look kiddo, nobody could replace your dad. You're simply not him. But what you've grown into... well, you've not just filled your father's shoes; you've sized up! Allie has had one hell of a guardian."
The sincerity of her tone brought a lump to Scott's throat. It was all he had ever hoped for. To do right by his family, his brothers…by little Allie.
"You had to grow up pretty fast and I used to worry about the toll that would take on you, but look how much you've grown - from a bereaved little boy to just the finest man! Not just the Commander of International Rescue, but a wonderful brother, guardian and grandson too."
"You're too kind, Grandma."
"I'm merely stating facts. You never stop worrying. Parents, guardians - it doesn't matter. But you can't let that worry clip their wings. It's time you opened your eyes to see how much your brother has grown too. He isn't twelve, Scott; but the wonderful young man he's grown into is a testament to how much love we, as a family - how much love you have poured his way."
#thunderbirds are go#thunderfam#thunderbirds fanfiction#scott tracy#alan tracy#grandma tracy#thunderfluff#virgil tracy#gordon tracy#john tracy
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People I'd like to know better!
Thank you for the tag @in-my-loki-feels @loki-is-my-kink-awakening and @thosegayoldmen ! 💚
Last song: https://open.spotify.com/track/1DTRUYVd8rYpla9hhVVwjo?si=kix_RbmgS8-G4UMgnsenUA
Favorite color: Red ❤️ Moulin Rouge coming out when I was in middle school basically formed my aesthetic 😂
Last read: still working my way through @lokiusbang fic! Currently bopping back and forth between Regency AU and Cowboy AU 🥰
Last movie: WICKED 💚🩷
Last TV show: Outlander is back and just as unhinged as ever 😂 We’re getting more of my babygirl Lord John Grey featured this season, which makes me very happy. Still 🕯️manifesting🕯️that spinoff 🤞🤞🤞
Sweet / Spicy / Savory: Sweet
Relationship status: extremely single 😂
Last thing I googled: probably something about Pokémon Go because I’m a huge nerd lol
Current obsession: a year later and it’s still lokius to an absurd degree 💚🧡
Looking forward to: going to NYC in March 🤩
No pressure tagging!
@kusakichan15 @devilbearingtrouble @impulsemuppet
@elodiah @lokimobius @natendo-art @kcscribbler @andthekitchensinkao3
@mirilyawrites @scifikimmi @ilaytrapsfortroubadours @boredintjqueen
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I just read this article and I couldn't calm down out of joy. We all know what's going to happen to John in the upcoming books, but it seems David is (finally) stepping up to the main ranks and getting the scenes he deserves. And it's going to be great!!!
„One of the great confluences of these rivers in season seven is the love triangle of Claire, Jamie and Lord John Grey (David Berry). Both Claire and John love Jamie "desperately and passionately," Roberts says. "There are so many layers and dynamics between these three people, and this season it'll definitely come to a head. I think a lot of people will fall in love with John again."
For her part, Davis says, "I cannot wait for everyone to see David Berry's performance in season seven. He's outstanding. He just kills it in this role, especially this season. He's really stepped it up."
Perhaps his performance this season will help seal the deal on the long-gestating idea of a Lord John spinoff. "Just speaking for myself, I think the Lord John series is a no-brainer," Davis says. "I would love to see that series. The books are great, and he's such an interesting character."
OMG! ❤️
Full article link:
https://www.emmys.com/news/features/onward-outlander
LOVE your blog! 🥰
Thank you so much for sending this, anon! <3
Here's a direct link to the article for anyone who wants to read it: https://www.emmys.com/news/features/onward-outlander
I apparently had many thoughts on the subject, so the rest is under the cut. :D
I have to begin with: hell yes people are going to fall in love with John! The character is so interesting, and although I find it a bit tedious that we often sometimes only get to see him as this lovesick dude who conveniently shows up to solve Jamie’s problems, I think the show actually does a decent job of portraying him. Because he’s the character you want to know more about. In a show where you have so many characters, he is the one that kind of feels like a main character even though he isn’t one. He feels nuanced and you get a sense of him actually living his life in between making appearances in the show. And that’s something I don’t necessarily get with a lot of the other characters. (Okay, I may be super biased but still!)
Introducing him more firmly into the main story through a love triangle is a good way of at least getting more LJG in our lives. I hope they change the story a bit and tone down homophobic-punches-John-in-the-face Jamie, and I think they will, since they’ve done a great job in making Jamie less conservative in other aspects, too. With regards to what happens later with John, I wonder how much they plan to include in the show. But whatever they do, I hope they don’t run through a million things in a half-assed way and then just go “anyway, that situation resolved itself, don’t worry about it.” But we’ll see.
In any case, it makes me so happy to know that there is support for an LJG spinoff! It’s so true that there is good material to draw from if they were to make it, and I think it would be really great to get a historical show that had an LGBTQ+ main character. But simultaneously, I have to admit that my expectation for such a show would be sky-high, and I would probably throw a tantrum at the smallest historical inaccuracy. (So they’d better do their research unlike DG…) I know it’s historical fiction, but it can be accurate and entertaining. (Fun take, I know) My expectations would anyway be really high because David Berry deserves the world, and that includes flawlessly written shows where he is the main character.
And speaking of David. Oh my god, anon, when I read the words “I cannot wait for everyone to see David Berry's performance in season seven. He's outstanding. He just kills it in this role, especially this season. He's really stepped it up.” my heart skipped a beat. Like I don’t have praise kink, I have a ‘praise David Berry’ kink. I cannot even begin to describe how wonderful it is to read those words. He deserves it so much. I don’t even know what to say… I just… I don’t even know. Like he doesn’t seem like the most confident person in the world, so it makes me so indescribably happy to read about people explicitly saying that he’s amazing. And also the fact that there is talk of a spinoff shows that there is sooo much love not just for Lord John but for David as well. He is the perfect LJG. My heart is so full, anon! So full! And I absolutely get why you can’t calm down out of joy, because hard same!!!
#i need to pet a cat or something asap to get my heart rate down#man it's detrimental to your cardio-vascular health to be in the outlander fandom#lord john grey#outlander#sorry if this answer was a bit all over the place but it only reflects my current mood BECAUSE THERE IS SERIOUS TALK OF A LJG SPINOFF#AND ALSO THERE WILL BE MORE JOHN IN OUTLANDER#WHERE'S THAT CAT WHEN YOU NEED IT
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British actor Sam Hoare, whose full name is Simon Patrick Douro Hoare, was born on 27th June 1981. He was educated at Eton College and later studied Philosophy and Psychology at the University of Edinburgh. He’s a Director and writer, In his acting career, he portrays Harold "Hal" Grey, the Duke of Pardloe and Earl of Melton, who is the older brother of Lord John Grey. “Hal” is the Colonel of the 46th Regiment of Foot and the father of Henry Grey, played by Harry Jarvis, who is Lord John Grey’s nephew.
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The interview with Sam Hoare was in 2019. He's an absolutely delightful man and a versatile actor.
In the Outlander series, on April 16, 1746, Jamie Fraser awakens on Culloden Moor, thinking he might be dead, and soon enough wishing that he was. Lord Melton, an English officer, refuses to allow Jamie to be shot along with his fellow traitors, knowing that his own brother Lord John Grey owes Fraser a debt of honor.
Roger MacKenzie finds a record of Jamie Fraser surviving the Battle of Culloden in Hal's journal where he documented sending James Fraser to Lallybroch.
After portraying Lord Harold “Hal” Grey in Season 3 of Outlander, Sam Hoare returns to the show in Season 7, Episode 14, titled "Ye Dinna Get Used to It," This episode features a flashback to London in 1775, where Lord John (played by David Berry) and his older brother, Lord Harold, discuss their perspectives on peace and American independence….. Hal says: But not capitulation. Give me your word, John... That you will never accept American independency...and John responds Never.
#SamHoare #HaroldGrey DukeofPardloe #Hal #EarlofMelton #Colonel #46thRegimentofFoot #olderbrother #LordJohnGrey #HenryGrey #EtonCollege #UniversityofEdinburgh
Posted 27th December 2024
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Captain John Price
Demon name: Jocnr Hpie Born: Unknown *Unlike the other Bloodthirsters in the group we managed to interview he is very tight lipped.* -Demonologist [REDACTED]
Notable feature: Bone growths around the sides of its head and mouth that give him a "beard" or facial hair type of appearance. Also the fact that smoke seems to billow out of his mouth just like that one hive noble that could never stop smoking. -Agent [REDACTED] who was reprimanded for gaining access to the Demonologists documents *You're not saying that I'm wrong sir* **FURTHER REPREMANDING** *** He also liked wearing this weird hat I think it was Agent [REDACTED]'s old fishing hat?***
He has a habit of referring to the lower ranks under his care as his 'kids' or 'team'. Usually will help Handler [REDACTED] corral the Initiates to where they need to go which has caused confusion amongst the lower ranks as they think Jocnr is an Agent.
[AUDIO LOG] + Sound of bones popping and a deep inhale+ = You hurt one of my kids= Jocnr taking a drag of his cigar =My lord we're simply trying to free you from the corpse worshipers!= Unknown cultist, groveling +Annoyed huff+ =Do you believe me to be so weak I cannot break these bindings myself?= Jocnr clearly using his true voice. The groan in the background is Initiate [REDACTED] barely alive by this point but this is when the blood vessels in their nose and ears ruptured. +Foot steps moving+ =My Lord wait! AUGH= +Sounds of flesh against stone before the sounds of bone breaking and the wet slap of most likely viscera. Splatter and a sigh, at this time Initiate [REDACTED] groans again+ =Kiddo?= +Feet moving rapidly+ =Hey there Kiddo you're gonna be alright I've got you!= +A grunt as at this time cameras will show Jocnr carrying Initiate [REDACTED]+ [END AUDIO LOG]
*We need to study further why Jocnr so easily bonds to squads he's apart of* -Inquisitor [REDACTED] **Granted** Lord Inquisitor [REDACTED]
Demonhost: Another that has lax host standards but hosts that are around 1.8 to 2 meter's tall are his preferred; 90+ kg; late 30's to early 40's; and prefers hosts with military backgrounds. If those standards are met he can inhabit a body for several months up to a year. They all shift in the same way they'll all grow a beard in the same pattern as his demonic one and their faces will shift to look similar which is how lower ranks have been confused as he appears the same in every body. Skin color will lighten and hair will turn to a greying brown. His eyes normally are a molten brass (as most other Khorne demons) but Initiates have said his eyes are blue. Keeps his hair short and his beard trimmed.
#bloodthirster!Price#demon!price#captain john price#captain johnathan price#warhammer 40k#bloodthirster#task force 141#cod 141#demon!141#demon!cod#dad price
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Due to my last post being a platonic yandere playlist featuring a few characters I like, I've decided to compile a small list of songs here for each character I mentioned! Now, some may feature songs that can be anything from wild to dark to fluffy. But all of it is about that character in particular, or their (platonic) relationship to their bby (a.k.a. the reader, you!). And this is just my opinion. So, if you headcanon different songs for them, that is a-okay👍 We are here to have fun and enjoy platonic yanderes; no need for any arguments. Let's begin (p.s. everyone gets a Christmas song. You can imagine it either fitting them, being sung by them, or you and them singing/listening to it together):
• 🧡Wolverine/Logan Howlett🦡: Iris by the Goo Goo Dolls, Hallelujah by Panic! At The Disco, Crazy Little Thing Called Love by Queen, I Can't Help Falling in Love by Elvis Presley (you can do a sweet cover or a dark cover if you want), Demons by Imagine Dragons, Time in a Bottle by Jim Croce, Bring Me to Life by Evanescence, Take Me To Church by Hozier, I Will Wait by Mumford & Sons... 🌨Have Yourself a Merry Little Christmas by Frank Sinatra🌨
• 🦁Sabretooth/Victor Creed🦷: Meet Me in the Woods by Lord Huron, Hidden in the Sand by Tally Hall, Animals by Maroon 5, All of Me by John Legend, Emperor's New Clothes by Panic! At The Disco, Trust Me (The Scorpion And The Frog) by Terrance Zdunich;Saar Hendelman;Marc Senter; and Paul Sorvino, Natural by Imagine Dragons, Duality by Set It Off, Hungry Like the Wolf by Duran Duran, Twilight Zone by Golden Earring... 🤴Good King Wenceslas sung by Bing Crosby🤴
• 🦡Wolverine 2.0/Laura Kinney💛: Heart Attack by Demi Lovato, I Kissed a Girl by Katy Perry, Give Your Heart a Break by Demi Lovato, Everybody Wants To Rule The World by Tears For Fears, This Is Gospel by Panic! At The Disco, Cake by Melanie Martinez, It's Time by Imagine Dragons, Sweet Dreams (Are Made Of This) by Eurythmics, Immortals by Fall Out Boy... ❄Let It Snow! Let It Snow! Let It Snow! by Dean Martin (or Frank Sinatra)❄
• 🐺Daken/Akihiro🌀: Some Nights by Fun., You're My Best Friend by Queen, Boulevard of Broken Dreams by Green Day, The Ballad of Mona Lisa by Panic! At The Disco, Moves Like Jagger by Maroon 5, Unholy by Kim Petras and Sam Smith, I Bet My Life by Imagine Dragons, Royals by Lorde, Partners in Crime by Set It Off... 🌌 Silent Night by (anyone, really)🌌
• 🔥Marvel Girl/The Phoenix/Jean Grey🦚: Ain't No Moutain High Enough by Marvin Gaye and Tammi Terrel, Just Like Fire by P!ink, Girl on Fire by Alicia Keys, Drops of Jupiter (Tell Me) by Train, Hey Look Ma, I Made It by Panic! At The Disco, Diamonds by Rihanna, Whatever It Takes by Imagine Dragons, Control by Halsey, Bad Romance by Lady Gaga... ☃️ It's the Most Wonderful Time of the Year by Andy Williams (or Amy Grant's cover)☃️
• 😎Cyclops/Scott Summers🚨: Never Gonna Give You Up by Rick Astley, Yellow by Coldplay, I Write Sins Not Tragedies by Panic! At The Disco, Bad Liar by Imagine Dragons, Heat Waves by Glass Animals, Bad Guy by Set It Off, Lean On by Major Lazer and DJ Snake (or the Pentatonix cover, either works), Unconditionally by Katy Perry, Little Talks by Of Monsters And Men... 🎁It's Beginning To Look A Lot Like Christmas by Bing Crosby (or sung by Micheal Buble)🎁
• 🥈Cable/Nathan Summers🤖: Seven Nation Army by The White Stripes, Radioactive by Imagine Dragons, Roaring 20s by Panic! At The Disco, I Want To Know What Love Is by Foreigner, Hey Soul Sister by Train, Just the Two of Us by Bill Withers and Grover Washington Jr., You Are My Sunshine by Jimmie Davis (or any cover version you prefer), You Are So Beautiful by Joe Crocker, A Thousand Years by David Hodges and Christina Perri... 🕊Happy Xmas (War Is Over) by John Lennon and Yoko Ono🕊
• 🎭Mystique/Raven Darkholme💙: Karma Chameleon by the Culture Club, What's Love Got To Do With It by Tina Turner, Cool for the Summer by Demi Lovato, Love Like You by Rebecca Sugar, Victorious by Panic! At The Disco, Birds by Imagine Dragons, Killer Queen by Queen, Applause by Lady Gaga, Sugar We're Goin Down by Fall Out Boy... 🎅Santa Baby by Eartha Kitt🎅
• 🎱Rogue/Anne-Marie🥀: Darkside by Alan Walker, Call Me Maybe by Carly Rae Jepsen, Good as Hell by Lizzo, House of Memories by Panic! At The Disco, It's Time by Imagine Dragons, River by Bishop Briggs, Just Dance by Lady Gaga, Like I'm Gonna Lose You by Meghan Trainor, Stand By You by Rachel Platten... 🎄Rockin Around the Christmas Tree by Brenda Lee🎄
• ♠️Gambit/Remy LeBeau♥️:Don't You (Forget About Me) by Simple Minds, Raise Your Glass by P!nk, Call Me by Blondie, Somewhere Only We Know by Keane, Miss Jackson by Panic! At The Disco, Bones by Imagine Dragons, Team by Lorde, Umbrella by Rihanna, Poker Face by Lady Gaga... 🥶 Baby It's Cold Outside by Dean Martin (or any cover you like)🥶
• 🌌Nightcrawler/Kurt Wagner😇: Count On Me by Bruno Mars, Born This Way by Lady Gaga, Just The Way You Are by Bruno Mars, Halo by Beyonce, High Hopes by Panic! At The Disco, Mouth of the River by Imagine Dragons, You're Beautiful by James Blunt, Church by Fall Out Boy, Hallelujah cover by Pentatonix... 🌟 Joy To The World cover by (anyone of your choice as long as it is the Christmas song)🌟
And I have a surprise playlist to add: the reader!
•🌈 You/The Protagonist (Darling)💖: I'll Be There For You by The Rembrandts (a.k.a. the themesong from Friends), True Colors by Cyndi Lauper, Don't Threaten Me With A Good Time by Panic! At The Disco, Amsterdam by Imagine Dragons, On Top of the World by Imagine Dragons, Try by P!nk, Panic Room by Au/Ra, BANG! by AJR, I'm Still Standing by Elton John... 🐑Do You Hear What I Hear? sung by (anyone you prefer, guy or gal or nonbinary pal)🐑
And that is all for now! I spent about 10-11 hours on this. All of these songs I have listened to/heard before. The pairings are just my opinion. If you disagree, that is okay. Just don't bring any arguments here. These playlists are all PLATONIC yandere ONLY. No romance, no sex! Now, yes, some songs are sexual, or intimate. But they are meant by me to be platonic in this playlist, or to show a part of the character who they are paired with. The playlist can describe the platonic yan's relationship to their bby, the yandere themself, or even just songs that fit their personality/theme/tone! If you want to make a playlist on a music app or whatever there is, you can do so, just give credit to me for putting the songs together. The rest of your video/playlist/creation is yours. Here is a very thoroughly thought out honeycomb thought!
#platonic yandere marvel#honeycomb thoughts#platonic yandere x reader#yandere playlist#yandere x-men#platonic yandere#yandere platonic
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New today on DA:TV from Game Informer, 'Breaking Down Dragon Age: The Veilguard’s Classes And Factions':
"Breaking Down Dragon Age: The Veilguard’s Classes And Factions by Wesley LeBlanc on Jun 25, 2024 at 02:00 PM "As part of the character creation process for Dragon Age: The Veilguard, players will have to select both a class for their player-controlled Rook and a faction. After customizing much of your Rook's body, including things like a Qunari's horn type and material, for example, with the hundreds of options available in Veilguard, it will be time to pick said class. [embedded link to DA:TV reveal trailer] There are three classes to choose from: Rogue, Mage, and Warrior. As the names suggest, each features a unique combat system and plays differently as a result. Though you’ll be performing things like light and heavy attacks using the same buttons, what those attacks do varies based on your class. For example, a sword-and-shield Warrior can hip-fire or aim their shield to throw it like Captain America, whereas a Mage can use that same button to throw out magical ranged attacks – read more about the combat of Veilguard in Game Informer's exclusive feature here. Plus, as you spec out these classes and unlock their individual specializations, the differences will only grow even more stark. - The Rogue has access to three specializations. The Duelist is the fastest of the three, with two blades for rapid strikes; the Saboteur uses tricks and traps; and the Veil Ranger is purely range, sniping enemies from afar with a bow. - The Mage can utilize necromancy with the Death Caller specialization; Evokers wield fire, ice, and lightning; and the Spellblade uses magic-infused melee attacks. - The Warrior can become a Reaper, which uses night blades to steal life and risk death to gain unnatural abilities; a Slayer, a simple but strong two-handed weapons expert; or the Champion, a tactical defense fighter. While these specializations don't matter upfront – you class into them via the skill trees you progress through the game – it's nice to see the potential of each class before you choose it."
"For the penultimate step of the character creator, at least during the demo BioWare shows me, players select a faction. The Grey Wardens return, joined by other returning favorites and new additions like the Antivan Crows, the Mourn Watch, the Shadow Dragons, the pirate-themed Lords of Fortune, which is what I chose in my demo for the current Game Informer cover story, and the Veil Jumpers. Each faction has unique casual wear, which is worn in specific cutscenes when the character isn't donning armor, and three unique traits. The Lords of Fortune, for example, gain additional reputation with this particular faction, have increased damage versus mercenaries, and perform takedowns on enemies with slightly less effort. Veilguard game director Corinne Busche says this faction selection, which ties into your character's backstory, determines who your Rook was before, how they met Varric, why they travel with Varric instead of their faction, and more. "The message of The Veilguard is you're not saving the world on your own – you need your companions, but you also need these factions, these other groups in the world," creative director John Epler tells me. "You help them, they help you now.""
"He says BioWare wanted to avoid the trope of needing to gather 200 random resources or objects before helping you save the world. Instead, the team aimed to create factions that want to help you but have realistic challenges and problems in front of them so that narratively, it makes sense why you help them in return for their help when the time comes. "Gameplay-wise – each of our classes has a specialization, and each of them is tied to a faction," Epler continues. "But beyond that, each faction has a [companion] as well as [people we're calling agents, ancillarily] who exist as the faces of these factions. We didn't want to just say, 'Here's the Grey Wardens, go deal with them.' We wanted characters within that faction who are sympathetic, who you can see and become the face of the faction, so that even if there are moments where the faction as a whole may be on the outs with you, these characters are still with you; they've still got your back." [old version of this paragraph] If you find yourself unhappy with your lineage or your class, you can change them using the Mirror of Transformation, found in the main Veilguard hub, The Lighthouse. You can also change your Rook's visual appearance there, too." [new version of this paragraph] If you want to make changes to your character's physical appearance, you can do that with the Mirror of Transformation, found in the main Veilguard hub, The Lighthouse. However, class, lineage, and identity are locked in and cannot be changed after you select them in the game's character creator. [Editor's Note: This article previously stated players can change their physical appearance, class, lineage, and identity using the Mirror of Transformation. That is incorrect as class, lineage, and identity are locked after you first select those. The article has been updated to reflect that, and Game Informer apologizes for any confusion this mistake may have caused.] For more about the game, including exclusive details, interviews, video features, and more, click the Dragon Age: The Veilguard hub button below."
[source]
#dragon age: the veilguard#dragon age the veilguard spoilers#dragon age: dreadwolf#dragon age 4#the dread wolf rises#da4#dragon age#bioware#video games#longpost#long post
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𝐂𝐇𝐀𝐑𝐀𝐂𝐓𝐄𝐑 𝐒𝐇𝐄𝐄𝐓 ―― Repost, don’t reblog;
𝐁𝐀𝐒𝐈𝐂𝐒 ――
FULL NAME: James Alexander Malcolm Mackenzie Fraser NICKNAME: Jamie ALIASES: Jamie Mactavish, Laird Broch Tuarach, Red Jamie, Dunbonnet, Alex Mackenzie, Jamie Roy / Alexander Malcolm, Colonel Fraser. SEX: male. SIZE: 6'2". AGE: I write him between the age of 22 and his late 50s. ZODIAC: Taurus (May 1st) SPOKEN LANGUAGES: Gaelic, English, French
𝐏𝐇𝐘𝐒𝐈𝐂𝐀𝐋 𝐂𝐇𝐀𝐑𝐀𝐂𝐓𝐄𝐑𝐈𝐒𝐓𝐈𝐂𝐒 ――
HAIR: a red/auburn colour, long and worn loose in his youth, but tied up more frequently later in life. FACIAL HAIR: he normally has some light stubble. EYES: blue. SKIN TONE: he's a pale scot. BODY TYPE: well built, muscular. VOICE: enjoy. DOMINANT HAND: right. POSTURE: he carries himself like any soldier would, tall and broad, often towering over everyone else. SCARS: Jamie has many scars, but most notable are the lash marks across his back, and the healed gash on his inner thigh from Culloden. TATTOOS: none. PIERCINGS: none. BIRTHMARKS: none. MOST NOTABLE FEATURES: his mop of auburn hair, the scars on his back, his broad shoulders.
𝐂𝐇𝐈𝐋𝐃𝐇𝐎𝐎𝐃 ――
PLACE OF BIRTH: Lallybroch, Scotland. HOMETOWN: Lallybroch, Scotland. SIBLINGS: William Fraser, Jenny Fraser, Robert Fraser. PARENTS: Brian & Ellen Fraser.
𝐀𝐃𝐔𝐋𝐓 𝐋𝐈𝐅𝐄 ――
OCCUPATION: Scottish Laird, Jacobite rebel, Prisoner, Printer, Smuggler and Landowner. Not all at the same time, mind you lmao. CURRENT RESIDENCE: Fraser's Ridge, North Carolina. CLOSE FRIENDS: Lord John Grey, Murtagh Fitzgibbons, Anora Theirin, Elizabeth Swann. FINANCIAL STATUS: verse dependent, but mostly comfortable. DRIVER'S LICENSE: n/a. CRIMINAL RECORD: a reformed (maybe) enemy of the British Crown and former Jacobite. VICES: his anger and pride for sure, his tendency to act first, think later, the fact that he is a violent man, as well as his somewhat traditionalist views.
𝐒𝐄𝐗 𝐀𝐍𝐃 𝐑𝐎𝐌𝐀𝐍𝐂𝐄 ――
SEXUAL ORIENTATION: heterosexual. PREFERRED EMOTIONAL ROLE: switch. PREFERRED SEXUAL ROLE: switch. TURN OFFS: this is pretty tricky to define aside from "anyone who is not Claire" lmao. but I think, talking about an AU during the twenty years without Claire, Jamie would struggle to go for anyone who wasn't strong-willed and stubborn. LOVE LANGUAGE: physical touch, words of affirmation, acts of service, gift giving, quality time. all of it, basically. he loves to love. RELATIONSHIP TENDENCIES: completely and utterly devoted ? he's the most romantic bastard ever.
𝐌𝐈𝐒𝐂𝐄𝐋𝐋𝐀𝐍𝐄𝐎𝐔𝐒 ――
CHARACTER'S THEME TUNE: moch sa mhadainn HOBBIES TO PASS THE TIME: Jamie enjoys reading, playing chess, hunting, fishing and busying himself with his hands around Fraser's Ridge. He built the main house in Fraser's Ridge mostly by himself and enjoyed every second of it. LEFT OR RIGHT BRAINED: left brained. SELF-CONFIDENCE LEVEL: he is pretty confident in himself, his moral compass, and the love he holds for those around him.
TAGGED BY: @goldenngore TAGGING: anyone who would like to do this!
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If I may add a few of my favorites to this already great list:
Viggo kissing Billy during Sam's wedding scene to help get a good reaction out of the couple and Billy going, "I saw stars...and I think I fell in love for split second and then I felt a bit sick."
Dom talking about how John Rhys-Davies would take out every single stunt guy in a fight
Viggo headbutting all the stunt guys and then telling Sala to go headbutt Orlando
Of course, Viggo breaking his toes kicking the helmet. A classic!
Sean Bean refusing to ride in helicopter and the cast seeing him climbing up a snowy mountain in full costume
Andy Serkis accidentally ripping off Sean Astin's wig
All the hellish filming of Helm's Deep
Sean Astin forgetting his waistcoat during the Grey Havens and all the Hobbits being so pissed that they had to film the big crying scene again
The wind up at Mount Sunday being so strong, it whipped Peter Jackson's glasses right off his face and they fell down the mountain. He had to then squint all day at the monitors in order to see them when rewatching takes
Brad Douriff having to shave his eyebrows for Grima and his wife being so pissed about it
Dom getting a splinter in his foot when filming Buckleberry Ferry and claiming it was huge and made of titanium, but it was just a small splinter
Viggo splitting a tooth with his sword and wanting to just superglue it so they could continue filming
The New Zealand Army playing soldiers for the Battle at the Black Gate
Also the cast filming that scene where the Army did demolitions training (or something like that) and being told to avoid stepping on any leftover explosives that might be out there
Orlando's bow breaking during pickups for Return of the King. "I'm Legolas, my bow doesn't break!"
John Rhys-Davies being gifted a prosthetic mask on his last day and him gleefully running and throwing it into a fire (because he was allergic to his prosthetics that had to go on his face)
Viggo having a ton of crazy makeshift crowns during the coronation scene
Christopher Lee knowing the proper sounds for when someone gets stabbed in the back
Can you tell I've watched the Lord of the Rings Behind the Scenes features quite a lot?? 😆😁
favorite bits of the cast interviews in the LOTR special features:
Dominic Monaghan, Billy Boyd, Elijah Wood and Viggo Mortensen all taking the piss out of Orlando Bloom for going on about a cracked rib too much, while Orlando Bloom desperately tries to wriggle out of talking about it (special mention to Elijah Wood’s “oh it hurts, babes, and I can’t ride the horse, babes” and Viggo Mortensen’s “they can be very fragile, elves, especially the…Mirkwood strain…”)
Ian McKellen commenting that “they never did find any suitable underwear for Gandalf…”
Dominic Monaghan going on and on about how Viggo Mortensen apparently had a crush on one of the Rohirrim extras (who like a lot of the Rohirrim extras was a woman in a fake beard) while Vigoo Mortensen just mutters “one could perhaps say something about Mr. Monaghan’s…proclivities…”
Dominic Monaghan’s imitation of John Rhys-Davies ordering food at a restaurant for the whole cast. “You have partridge? BRING THE PARTRIDGE!”
John Rhys-Davies talking about an incident with the Lothlorian boats and saying “if an elf and a dwarf are in a boat…and…the boat goes under…let us say that the blame was not placed on the elf” while Orlando Bloom splutters “he’s a big guy, man!”
Elijah Wood talking about how the hobbit actors shared a trailer with Ian McKellen and sometimes they would hear inarticulate bellows of protest from his side when they played loud music in the mornings
Viggo Mortensen talking about how, while filming with those same boats, Kirin Shaw (Elijah Wood’s scale double) started telling him “if the boat tips over…save yourself…I can’t swim.”
Elijah Wood describing how Sean Astin would try to direct the helicopters to land while they were on location, while the other three hobbits were screwing around and throwing pinecones at each other
Christopher Lee recounting how he had so much trouble going up some steps in Orthanc with his long robe that he stopped in the middle of the scene and said, “I cannot get up these goddamn steps, Peter.”
Viggo Mortensen mentioning that he left a weekend rehearsal and went walking down the street still swinging his sword around, and promptly got the cops called on him
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Ramble of the month December 2024: Poirot fan-cast Part 2 of 4
To wrap up this year’s monthly rambles, we’re heading back to my Poirot fan-cast to cover the next run of films within the overall series. To remind of everyone of the key points from my October 2024 ramble that started off the fan-cast, here’s a quick bullet-point summary;
Agatha Christie wrote 66 novels and 14 short story collections, most of which centred on either former Belgian policeman-turned-private detective Hercule Poirot or elderly English spinster sleuth Jane Marple.
Within in this run of literature, Poirot had 33 novels to Miss Marple’s 14, most of which remain un-adapted to film while British TV and radio have done better.
The Poirot fan-cast is based on the run of BBC radio dramatizations featuring John Moffat as the voice of Poirot; discounting those radio drama using other voice actors and those too short to make a decent film, this creates a 24-film run.
By starting with a first film release in 1980 and making a film every other year, this hypothetical film series would take until 2026 to complete and could include a single actor to play Poirot throughout, while also including other actors in key recurring roles.
Our initial key long-term actors are Brian Cox as Poirot, Anthony Head as Hastings and John Hurt as Inspector Japp.
Now before we dive into the second grouping of six film in this run, here’s a quick reminder of the first run of films;
1980: The Mysterious Affair at Styles
1982: The Murder on the Links
1984: The Murder of Roger Ackroyd
1986: Peril at End House
1988: Lord Edgeware Dies
1990: Murder on the Orient Express
With all the summaries and catch-ups out of the way, let’s look at the second round of films for our Poirot-verse. Remember that in this fan-cast I’m not specifying directors, and the films have two dates; the first for production and the second for setting.
Three Act Tragedy (1992/1928)
Hercule Poirot = Brian Cox
Mr Satterthwaite = Peter O’Toole
Sir Charles Cartwright = John Thaw
Sir Bartholomew Strange = Michael York
Hermione Lytton Gore = Patsy Kensit
Lady Mary Lytton Gore = Sylvia Sims
Captain Dacres = David Bowie
Cynthia Dacres = Caroline Munro
Angela Sutcliffe = Jacqueline Bisset
Muriel Wills/ “Anthony Astor” = Victoria Wood
Oliver Manders = David Morrissey
Reverend Babington = Eric Sykes
Mrs Babington = Shirley Anne Field
Mrs De Rushbridger = Celia Imrie
Miss Milray = Tilda Swinton
Superintendent Crossfield = Tom Wilkinson
Colonel Johnson = David Warner
Three Act Tragedy is one of a number of novels Christie did that crossed over characters from different works of hers, meaning that well before modern franchise media did such interconnectivity, Christie was already doing so. However, in a film series like this, a little of that gets lost, but no matter. In this case, Poirot watches from the sidelines quite a bit as Mr Satterthwaite, the sleuth from the short story collection “The Mysterious Mr Quin”, investigates a series of murders alongside his actor friend Sir Charles Cartwright. First to be murdered is Reverend Babington, followed by Sir Charles’ childhood friend Sir Bartholomew Strange, but who among those in attendance at both murder scenes did the deeds?
With the exception of Poirot, this film is all new cast members, though it’s an all-British cast in keeping with the original novel. Many of the actors are well known here and a few would have international appeal, such as David Bowie, who acted in films on occasion as well as being a major musician; David Warner, who had roles in Star Trek: The Next Generation and the second of the 80’s/90’s Teenage Mutant Ninja Turtles films; and Tilda Swinton, who many MCU fans will know as the Ancient One in Doctor Strange.
Death In The Clouds (1994/1929)
Hercule Poirot = Brian Cox
Inspector Japp = John Hurt
Daniel Clancy = Eric Idle
Armond Dupont = Jean-Pierre Cassel
Jean Dupont = Vincent Cassel
Norman Gale = Peter Capaldi
Jane Grey = Jenny Funnell
Madame Giselle = Fanny Ardant
Dr Bryant = Gary Oldman
James Ryder = Peter Davison
Cecily, Countess of Horbury = Joanna Lumley
Venitia Carr = Jennifer Saunders
Monsieur Fournier = Fabrice Luchini
Madeleine = Marion Cotillard
Lord Horbury = Tom Conti
Raymond Barraclough = Pete Postlethwaite
This film sees John Hurt return to reprise the role of Japp, but otherwise it’s fresh casting. In this story, Poirot dares to chance air travel from Paris to London, and during the flight, French money lender Madame Giselle is murdered, seemingly by a blowpipe. After some minor initial suspicions against Poirot himself, the Belgian detective combines forces with Japp and with French Sûreté officer Monsieur Fournier to determine the real killer. This time, the cast is a mix of British and French actors, with the British contingent including such well-known figures Eric Idle of Monty Python fame, Doctor Who actor Peter Capaldi, Absolutely Fabulous headliners Joanna Lumley and Jennifer Saunders, Gary Oldman and Pete Postlethwaite. As for the French actors, I’m sure fans of The Dark Knight Rises will recognise Talia Al Ghul actress Marion Cotillard.
The ABC Murders (1996/1930)
Hercule Poirot = Brian Cox
Captain Hastings = Anthony Head
Inspector Japp = John Hurt
Inspector Chrome = Hugh Laurie
Alexander Bonaparte Cust = Robert Llewellyn
Alice Ascher = Francesca Annis
Franz Ascher = Udo Kier
Mary Drower = Sadie Frost
Betty Barnard = Julia Sawalha
Megan Barnard = Nadia Sawalha
Donald Fraser = John Hannah
Sir Carmichael Clarke = Michael Caine
Lady Clarke = Maggie Smith
Franklin Clarke = Derek Jacobi
Thora Grey = Joely Richardson
Roger Downes = Chris Barrie
George Earlsfield = Richard E. Grant
Mary Stroud = Claire King
Hartigan = Philip Glenister
When Poirot is sent letters signed “ABC” hinting at the place and dates of impending crimes, he fears that the crimes in question will be murders, and it isn’t long before those fears are proven true. Reunited with Captain Hastings once more, Poirot struggle to find logic in the seemingly illogical actions of an apparent serial killer. Here again we go largely English on the cast, but with this novel a few characters offer us some variety, specifically Scotsman Donald Fraser and German Franz Asher. In keeping with my habit of using related actors to play related characters where I can, the Sawalha sisters are cast to play the Barnard sisters, and of course there are plenty of names in the cast that are well known outside the UK in addition to in it. Among these would be Michael Caine (Dark Knight trilogy, among many other films), Maggie Smith (The Sister Act films, Downton Abbey and many others) and Hugh Laurie (best known to US audience as TV’s House, while I know him best from British sitcom franchise Blackadder).
Murder in Mesopotamia (1998/1931)
Hercule Poirot = Brian Cox
Nurse Amy Leatheran = Julia Ormond
Dr Eric Leidner = Stellan Skarsgård
Louise Leidner = Maureen McCormick
Richard Carey = Kenneth Branagh
Anne Johnson = Annie Hulley
Joseph Mercado = Antonio Banderas
Marie Mercado = Salma Hayek
David Emmott = Matt Damon
Bill Coleman = Michael Sheen
Carl Reiter = Til Schweiger
Father Lavigny = Vincent Lindon
Dr Reilly = Eamon Morrissey
Shiela Reilly = Kate Beckinsale
Captain Maitland = Richard Briers
Ali Yusuf = Art Malik
When Nurse Amy Leatheran is employed to look after the seemingly neurotic wife of a famous Swedish-American archaeologist, she learns the woman is facing possible death threats from her supposedly deceased first husband. Not long after, Mrs Leidner is found murdered in seemingly impossible circumstances, and when the local authorities, led by Captain Maitland, are stumped, it is lucky that Hercule Poirot is in the vicinity. This film takes Poirot away from the usual support characters of Japp and Hastings in favour of a more international setting and cast, the latter giving the film a greater chance at making good money abroad. In addition, we get an interesting mix of actors into the bargain, most of whom are doubtless well known to many of us. This film also marks the first of a few ventures abroad that aren’t limited to Europe within the Christie universe.
Cards on the Table (2000/1932)
Hercule Poirot = Brian Cox
Ariadne Oliver = Zoë Wanamaker
Colonel Race = Bernard Hill
Superintendent Battle = Bob Hoskins
Mr Shaitana = Ben Kingsley
Dr Geoffrey Roberts = Nigel Planer
Mrs Lorimer = Valerie Leon
Major John Despard = Jason Flemyng
Anne Meredith = Gabrielle Anwar
Rhoda Dawes = Chloë Annett
Mrs Luxmore = Samantha Beckinsale
Prof. Luxmore = Alfred Molina
Mrs Craddock = Mary Tamm
Mr Craddock = Robert Powell
Mrs Benson = Susan Hampshire
Gerald Hemmingway = Ioan Gruffudd
Cards on the Table marks the first appearance of Ariadne Oliver, a character who seems to be at least partially an analogue of Agatha Christie herself within the Poirot series, and here I’ve opted to go with the same casting used by ITV’s Poirot drama series. As a result, this film includes Zoë Wanamaker in the role of Mrs Oliver as she joins Poirot and others for dinner and a game of Bridge at the home of Mr Shaitana, a man who claims to have “collected” the best murderers. As a result, his guests comprise four “sleuths” (Poirot, Oliver, army officer Colonel Race and Police Superintendent Battle) and four “criminals” (physician Dr Geoffrey Roberts, elderly widow Mrs Lorimer, army officer Major John Despard, and young lady Anne Meredith).
By the end of the evening, one of the four “criminals” has struck and Shaitana is dead. With no tangible clues, Poirot must work with his fellow sleuths to work out who killed their host. Again, we’re dealing with an all-British cast, but as ever I’ve tried to not only cast the right people for the roles, but also to work in a mix of actors who are well-known outside the UK. Bernard Hill of Lord of the Rings fame, Bob Hoskins and Ben Kingsley are among the more notable names in the cast, along with such Marvel film luminaries as Jason Flemyng (Azazel in X-Men: First Class), Alfred Molina (Doctor Octopus in Spider-Man 2 and Spider-Man: No Way Home) and Ioan Gruffudd (Mr Fantastic in the 2005-2007 Fantastic Four film run). This film is the first of two appearances for Bernard Hill, as his character of Colonel Race makes a return appearance in the next round of Poirot films.
Dumb Witness (2002/1933)
Hercule Poirot = Brian Cox
Captain Hastings = Anthony Head
Emily Arundell = Angela Lansbury
Wilhelmina Lawson = Penelope Wilton
Ellen = Samantha Eggar
Charles Arundell = Cary Elwes
Theresa Arundell = Elizabeth Hurley
Dr Jacob Tanios = Alkis Kourkoulos
Bella Tanios = Emily Watson
Dr Grainger = David Schofield
Catherine Peabody = Judi Dench
Isabel Tripp = Pam Ferris
Julia Tripp = Barbara Flynn
Dr Rex Donaldson = Hugh Grant
George = Robert Lindsay
For the last film in this round, we find ourselves looking at the last appearance of Captain Hastings for our film run. In novels, Hastings returned for the 1975 novel Curtain, but as that novel never became part of the BBC radio drama run I’m using as a basis for my film choices, that novel won’t be in this film run. Also, like many Poirot fans, I don’t like what Curtain did to Poirot as a character, so the less said about it, the better. As for Dumb Witness, this story deals with Poirot receiving a somewhat cryptic letter from an Emily Arundell over two months after it was written. Upon investigating, Poirot finds the writer has passed away, and in the process, he begins to suspect foul play on the part of her family.
Again, we go largely British on cast, but choose from some internationally well-known actors for many of the roles, including Angela Lansbury (Jessica Fletcher from Murder, She Wrote, among other roles), Judi Dench (M in the Brosnan and Craig Bond runs), Cary Elwes (Hot Shots! and Robin Hood: Men in Tights), Elizabeth Hurley (Austin Powers franchise and Bedazzled, among other roles) and Hugh Grant (Love Actually, among others). Fans of British sit-com My Family will also note that I’ve cast Robert Lindsay, Zoë Wanamaker’s co-star from that series, in the role of Poirot’s man-servant George. This is another recurring role, and as this film run goes on, a few films will come up where both actors appear in the same film.
So, that’s another six films in this Poirot fan-cast covered, putting us half-way through. In the new year, I intend to complete my run-through of my 90’s MCU, then return to this fan-cast for a third round of films, consisting of Death on the Nile, Appointment with Death, Sad Cypress, One, Two, Buckle My Shoe, Evil Under The Sun and Five Little Pigs. A Miss Marple fan-cast and film run is also planned for next year, among other things. So, until next time, ta-ta for now.
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The pass [Glencoe]is an awful place. It is shut in on each side by enormous rocks from which great torrents come rushing down in all directions. In amongst these rocks on one side of the pass ...... there are scores of glens, high up, which form such haunts as you might imagine yourself wandering in, in the very height and madness of a fever.
Attributed to Dickens by JOHN FORSTER, The Life of Charles Dickens (1872)
FOUR YOUTHS in hoodies chase the Glasgow pigeons as we queue for the bus to Fort William, and two Irishmen behind us argue over whether knocking fish on the head facilitates landing them. It makes them jump higher, says one. His wife tells him not to put his sausage roll in his pocket, but to eat it there and then.
An elderly man stoops over a walking stick, of the kind issued in hospitals. He wears slip-on grey sneakers, and a cigarette dangles from the left of his mouth. He inhales hands-free.
It’s Buchanan Street. It could be Pyong Yang. The portrait of the recently deceased Queen Elizabeth is everywhere you look, her obituary emblazoned in LED on every bus.
A dozen comics waddle past us waving Union flags. We board the bus, for which there appears to have been a block booking for an Orange lodge.
Before long we’re making our way up the western bank of one of Europe’s most celebrated stretches of water, Loch Lomond. Luckily, I’ve a window seat on the right, and can savour the scenery rather than listen to the Rangers video one of the Masons is watching on his phone while his mates snore. Loch Lomond has 37 islands. One has escapee wallabies; another has a nudist camp; yet another’s yew trees provided the wood for Bruce’s bows at the Battle of Bannockburn. It is the only substantial yew wood in Scotland.
Sir Walter Scott’s influence on tourism was described by Alexander Smith in Summer in Skye as long ago as 1865: 'As soon as The Lay of the Last Minstrel appeared, everybody was raving about Melrose and moonlight. He wrote The Lady of the Lake and next year a thousand tourists descended on the Trossachs, watched the sun setting on Loch Katrine, and began to take lessons on the bagpipe. . . . . Where his muse was one year, a mail-coach and a hotel were the next.'
In September 2024, though, Flamingo Land was refused planning permission for a £40 million tourism complex on a disused shunting yard near Balloch at the southern end of the loch. There was a 175,000- name petition against plans for a resort that would have included woodland lodges, two hotels, a monorail, and a water park.
The Dumbarton Democrat ventured: 'Planning application for Flamingo Land is a preposterous proposal which should be refused. It would be like putting the Scottish National Orchestra on the same concert programme as the Bay City Rollers.'
In December 2017 the five-star Cameron House Hotel, on the western bank of the loch, was gutted by fire after a porter placed hot ashes in a cupboard next to kindling. Two people were killed, and the hotel, which had hosted Churchill, Princess Margaret, Mountbatten and Samuel Johnson, was closed for three years.
The original castle built on the site of Cameron House had been occupied by the Earls of Lennox. In 1763, it was bought by the family of Tobias Smollett, born in nearby Renton, whom George Orwell reckoned was ‘Scotland’s best novelist’. Smollett is quoted as saying: 'I have seen Lake Garda, Albana, de Visco, Bolsetta and Geneva. Upon my honour I prefer Loch Lomond to them all.'
What became the grounds of Cameron House were once home to 32 bears. The Cameron Bear Park, which opened in 1972, featured a zoo garden, which was very popular with visiting children. I recall, also, attending a rock concert there in the 1980s.
Back on the northbound bus I fall asleep and dream of tourists snapping marsupials on their mobiles as they hopped about the Scottish glens. The late Lady Arran Colquhoun, whose son now sits in the House of Lords, originally bred them on Inchconnaghan island in Loch Lomond in the 1940s. She later became famous as the ‘fastest granny on water’ after reaching 103mph in a power boat on Lake Windermere in the 1980s. Some of the wallabies managed to get to the mainland and were knocked down by vehicles whose drivers were baffled to see the outlandish creatures. They remain feral, although a petition has been raised to save them following the sale of the island to showbiz's Kirsty Young, who proposed relocating them.
As I wake up the bus begins to negotiate Rannoch Moor, east of Glencoe, through some of the most haunting scenery imaginable, although many writers have recoiled from it.
Glencoe, reputedly the birthplace of the poet Ossian, is reminiscent of Switzerland; and it evokes tales of buried giants and inconsolable ghosts. Its supernatural grandeur robs me of words, as it did Lord Cockburn: 'I will not attempt to describe what is so common, and is yet superior to all description. It is the Switzerland of Scotland.'
The literati loved or loathed the glen. Dorothy Wordsworth, who went on a six-week tour of the Highlands with her brother William, and the ailing Samuel Taylor Coleridge, called it ‘a wild and solitary spot’. William Gilpin, a Cumberland curate who became one of the founders of the ‘picturesque’ school of travel writing, wrote: 'Glencoe is … one of the most interesting scenes in the whole country, hung with rock, and wood; and abounding with beauties of the most romantic kind' (Observations, relative chiefly to picturesque beauty, made in the year 1776, on several parts of Great Britain; particularly the Highlands of Scotland, 1789) .
In his book The Wild Places Robert McFarlane, the naturalist and travel writer, travelled Glencoe and wrote of Rannoch: 'Many know the Moor … but relatively few enter it, for it is vast and trackless and has a reputation for hostility at all times of year'.
And T S Eliot penned the following poem:
Here the crow starves, here the patient stag
Breeds for the rifle. Between the soft moor
And the soft sky, scarcely room
To leap or soar ...
‘Rannoch by Glencoe’
The poet Robert Southey recoiled from Glencoe’s ‘savage and terrible grandeur’: 'It admits of no comparison ; it has a grand character of desolation, not to be found in our happier Land of Lakes.'
The American travel writer Nathaniel Carter saw Glencoe’s ‘solitary, gloomy and romantic wildness’ and believed the scenery surpassed anything he had witnessed in Scotland. 'It is composed of perpendicular belts of dark cliffs, piled one upon another, till the top is literally lost in the clouds, which are constantly breaking upon the rocks and feeding torrents that tumble into the vale below,' he observed in his Letters from Europe (1829).
Charles Dickens considered it ‘perfectly terrible … an awful place’, and wrote to his friend, John Forster: 'If you should happen to have your hat on, take it off that your hair may stand on end.'
For the celebrated Dickens, Glencoe would live in his dreams for as long as he lived. The very recollection of it made him shudder. The Rev. James Hall, chaplain to the Earl of Caithness, was scared by it, too: he referred to Glencoe as ‘the dreary and dreadful pass’ with its ‘gloomy precipices and the ‘savage rudeness of the mountains’. Nor was the historian Thomas Macaulay impressed: 'The most dreary and melancholy of all the Scottish passes – the very Valley of the Shadow of Death.'
Passengers on the bus take photographs from their seats, as I avert my eyes from the wrecked house that the demonic Jimmy Savile used as an infrequent bolt hole. The cottage, on the approach to Glencoe, is vandalised and derelict, with slogans denouncing the disgraced paedophile, who died in 2011. Someone set it on fire in September, 2004. Harris Islam, the billionaire Kirkcaldy-based retail tycoon, who now owns it, wants to bulldoze it and erect a museum to the late mountaineer Hamish McInnes, who sold it to Savile, not knowing what he really was. Others want it to be ‘flattened and rewilded’.
The massacre in Glencoe is one of the most talked about atrocities in our bloodstained land: the culmination of a government plot to bring Highlands clans to heel in the years after William of Orange had ousted King James. Thirty-eight members of the MacDonald clan were murdered in February 1692 by soldiers led by a Campbell.
The massacre was condemned by several writers, including James Johnson, a verbose Irish surgeon and advocate of ‘climate therapy’, in his book, The Recess, or Autumnal Relaxation in the Highlands and Lowlands ; being the Home Circuit versus Foreign Travel , a Tour of Health and Pleasure to the Highlands and Hebrides (1834): 'There is no valley or spot in the Highlands that can make much pretension to the sublimity of Alpine scenery or solitude except Glenco. The cliffs, crags, and steeps that rise in rude and barren majesty, some two thousand feet , on each side of this narrow valley or ravine, appear like the gigantic ribs of some huge earth-born monster from which time and tempest had long swept away every thing but the solid granite bones.
'The scenic phenomena produced the annals of crime and the history of mankind (which are nearly synonymous) there is not a more revolting example of infamy and cruelty than this sequestered and romantic valley has put on deathless record! Even in these degenerate days , we can scarcely credit the astounding and tragic fact, that the hero of our ‘glorious revolution’ should have signed and countersigned worse than the edict of Nantes.'
In 2015 lines from Sir Walter Scott’s poem about the massacre were beamed on to hillsides by Edinburgh-based Double Take Projections to mark the 300th anniversary of the 1715 Jacobite uprising.
Rannoch Moor is a place of wonder: one of Europe’s last wildernesses – fifty square miles of blanket bog, lochans, rivers, and rocky outcrops.
Robert Louis Stevenson’s view of Rannoch Moor in the novel Kidnapped was: 'A wearier looking desert a man never saw.'
In his collection of letters to Sir Walter Scott, published as The Highlands and Western Isles of Scotland (1824), John Macculloch, evidently not one for majestic scenery, dismissed the staggeringly beautiful moor as a Serbonian bog’: 'All, every beauty, every thing, vanishes before we reach the King’s House; where the hideous, interminable, open moor of Rannoch is spread before us, a huge and dreary Serbonian bog, a desert of blackness and vacuity and solitude and death; the death of nature.'
He must have found it on a bad day.
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